26th Feb2021

West Week Ever: Pop Culture In Review – 2/26/21

by Will

 

This post is a bit of a bait and switch, as it’s not going to follow the format of a typical West Week Ever post. It’s really more of a thought exercise, but I’ve trained y’all that Fridays are for West Week Ever, so here we are. Full disclosure: I’ve been playing fast and loose with meds lately, so this is probably just a chemical imbalance manifesting itself. Oh well.

So, I just watched the pilot for the Punky Brewster revival on Peacock, and BOY do I have thoughts! If you’re not a child of the 80s, Punky Brewster was a 1984 NBC sitcom about a quirky young girl, named Penelope “Punky” Brewster, who’s taken in by an old man after she’s abandoned by her mom at a grocery store. That’s the most bare bones description I can give the show, but it also tackled the problems with the foster care and adoption systems, as well as the fact that when you adopt someone, they’re saving you as much as you’re saving them. While it skews sorta dark on paper, it was a nice, feel good 80s sitcom, as Punky got into typical childhood hijinks with her friends Cherie, Margot, Allen, and her dog, Brandon. It even got a cartoon spinoff, It’s Punky Brewster, where those animated hijinks included the alien, Glomer.

As a self-professed “student of television”, I’ve always gravitated more to NBC history than other networks. While The Cosby Show was the king of the hill at the time, I always felt that Punky Brewster had NBC in its blood. So, it’s a nice sentimental choice for NBC to use it to bolster their streaming library. As the story goes, the Punky character was based on a childhood crush of then-NBC chief Brandon Tartikoff. Meanwhile Punky’s dog, Brandon, was named after Tartikoff himself.

In recent years, ABC has taken over as the Family Sitcom Network, but before Seinfeld and Friends, this was the kind of thing NBC really tried to make happen – usually with little success. Sure, Family Ties was a hit, but for every Family Ties there was It’s Your Move, The Tortellis, and The Torkelsons just waiting in the wings to fail. Try as they might, NBC just couldn’t get the nation to buy into their long line of positive family sitcoms. Hell, even Punky didn’t work out, which is why it was cancelled after the second season, but revived in first-run syndication for another 2 seasons. I say all of this to ask Who thought bringing back Punky Brewster was the right thing for 2021? And if it didn’t really work out then, why would it work out in an even more cynical era than the generation that birthed it? They simply don’t make TV like that anymore, for better or worse. As an 80s kid consumed with nostalgia for underdog projects, I’m probably tailor made to be the audience for this thing, yet I did not want it.

News of sitcom revivals makes me feel anything along the range of “Why?” to “Morbidly curious”. But Punky Brewster had been a NO for me from the moment it was announced. Maybe it’s because George Gaynes, who played her adoptive dad, Henry, is dead, or the idea that I really didn’t think a character like Punky would have much to say about the world in 2021. Whatever it was, I was never filled with confidence about this project. As news started to trickle out about it, I started to waffle. They got Cherie Johnson back as Punky’s best friend. Yay! They also cast Freddie Prinze Jr as her ex-husband. Boo! Then there was the synopsis, explaining that Punky’s now a single mom, struggling to raise 3 kids while dealing with residual feelings for her ex-husband. I know the original series had a bit of adversity, but I was kinda hoping to see Punky in a setting where she wasn’t “struggling”. Hadn’t she been through enough? This isn’t Grace Under Fire! Anyway, we’re still in a pandemic, I’m stuck at home, and Peacock Premium is free with Xfinity, so I decided to give it a chance when the whole season dropped this morning.

I don’t remember the last time a pilot was this much of a rollercoaster ride. It starts out ROUGH, added to the fact that I was caught off guard by it being a multi-cam, canned laughter sitcom. It’s clear it’s not a real studio audience, and it’s always queued to pop whenever Punky says something she would have said in the original show, like “Holy macanoli!” (Why a 40 year old woman would say that is completely beyond me). It feels like they’ve thrown a ton of TV tropes into a blender here, just to see what shakes out: Free spirited, slightly immature mom; Smart teenage daughter who’s more levelheaded than mom; possibly gay son; and the list goes on and on and on. After they shake off the cobwebs, though, something special starts to emerge.

It turns out Punky isn’t exactly struggling the way the press release had implied. She had actually been a successful photojournalist – having learned photography from Henry. So, it’s nice that she’s carrying on that legacy. The only reason she changed careers is because she wanted to spend more time with her family, so now she focuses on weddings and parties. Over the years, because of marriage and “momming”, she has lost her sense of self. No longer is she the quirky girl who wears different colored shoes. Now, she’s a mom, a business owner, and an ex-wife. That all changes, however, when a young foster child named Izzy comes into her life, who just happens to remind Punky of herself at that age. Through her interactions with Izzy, Punky starts to remember who she is. The confidence comes back, as do the mismatched shoes. By the end of the episode, Punky decides to take Izzy in, and you get the impression that the arrangement will be just as beneficial for the two of them, as it had been for Punky and Henry. I hate the phrase “the feels”, but I had ALL of them by the end of that episode. Oh, and it ends with something that is totally telegraphed halfway through, but still manages to hit you when it happens.

The cast is great. Luckily, Soleil Moon Frye never had a bigger role, so she IS Punky. It’s not clunky, as if they recast her, but you’re also not left seeing her as some other character she’s played. It’s nice to watch her sort of “rediscover” herself. For whatever reason, I’ve never been a Prinze fan, but he’s good here. I really like him. He’s almost too good. Like, “Y’all got divorced why?” And the kids are really strong. They’ve been saddled with some pretty cliché tropes, but I’m curious to see what they do with them.

I’ve been ranting a lot on Twitter lately about the fact that networks seem to have abandoned their on air counterparts for their streamers when it comes to series development. Most new series announcements lately are for Peacock and Paramount+, but what of NBC and CBS proper? People like to think network television is dead, but it doesn’t have to be. In my mind, the streaming networks should be for the experiments that wouldn’t necessarily fly on network television. Take A.P. Bio, for instance – NBC saw something special in it, but the ratings weren’t there. Instead of canceling it, they sent it to Peacock, which sort of felt like it was being “busted back down to the minors”. Maybe that’s an unfair thing to say, but that’s how it came off, which weren’t necessarily the best optics for a new streamer trying to make a name for itself.

Right now, ALL Peacock really has going for it is that it’s the exclusive streaming home of The Office. As far as original programming, they’ve got the Saved By The Bell revival and Punky. As they taught us in Sunday School, “The foolish man built his house upon the sand.” Let’s just say that I don’t have the most faith in Peacock, which saddens me as a member of Team NBC. That said, if streaming exists to give shows like Punky Brewster a chance, then I get it. I’m here for it. Network TV would eat this show alive, as there’s no place for it on a 2021 schedule. It skews more Disney Channel than network; the only difference between this and Raven’s Home is the lack of psychic powers. I don’t want networks to forget about their on-air obligations, but if they want to use streamers as time capsules and incubators, then have at it. Fill them up with reboots and revivals. Punky Brewster is a special show, and it was going to take special circumstances to get it made. On paper, I didn’t understand why this show needed to exist, but after watching it, I see what they’re going for. 30 years later, NBC is still trying to make the feel good sitcom happen, and you’re damn well gonna watch it (…if you have Peacock) because it’s all they’ve got right now. TL;DR, the Punky Brewster revival is a special show, with a lot of heart. It’s gooey, cheesy fun, and you don’t find a lot of stuff like it anymore. I mean, not every show has to be Breaking Bad. I know I’ll definitely be watching the other 9 episodes. So, with that, Punky Brewster had the West Week Ever.

04th Jan2021

The WBW40 – Will’s Top 40 Songs of 2020

by Will

Welcome to the WBW40! To say that 2020 was a “challenging year” would be an understatement. That said, there was a silver lining in the form of music. A lot of great songs came out this year, and I just wanted to take a look back at the 40 that I enjoyed most. Some of these songs weren’t necessarily released in 2020, but they made the greatest impact on pop culture during that year. If you’re new here, a guiding principle of this post is “Genre Is A Social Construct”. A lot of these blur the lines of classification, and are sometimes ghettoized because they are played predominantly on one radio format over another. All I ask is that you try to go in with an open mind, and maybe you’ll find your new favorite song!


40. Britney Spears feat. Backstreet Boys – Matches

There’s something about this slot on the countdown that tends to skew “Retro”. Last year’s #40 was Backstreet Boy AJ McLean with “Boy and A Man”, and he’s back with the rest of his squad this year, featured on a Britney track. This is the closest thing to a participation trophy as you’ll find on this year’s countdown. The song is here due to my unabashed love of late 90s bubblegum pop, but there’s nothing really great here, and the collaboration is about 20 years too late. Considering this is the first collaboration between the former powerhouse franchises, I’ve gotta say that I expected more.


39. Parmalee & Blanco Brown – Just The Way

This is Blanco’s second time on the year end countdown, as his song/dance “The Git Up” was #38 last year. I like this song because it’s something of a modern-day reinterpretation of *NSYNC’s “(God Must Have Spent) A Little More Time On You”. with a dash of One Direction’s “What Makes You Beautiful”. It’s got the same basic message of “What you perceive as imperfections are the things that make you who you are”. Plus, Blanco serves as something of a South of the Mason-Dixon Line T-Pain here, which works when it totally shouldn’t.


38. Parker McCollum – Pretty Heart

This song appealed to me because it sounds like something we would’ve gotten in the late 90s from The Wallflowers.


37. Niko Moon – Good Time

This is just the most laid back song, and Moon comes off sounding like a country Jack Johnson.


36. Trey Lewis – Dicked Down In Dallas

This song…wow. I had already come up with the list for the countdown when my good friend Marcus Dowling introduced me to this song. It’s crazy because it’s the last thing you’d expect from country, even though it follows the “I lost my woman” trope common for the genre. No, the problem is that Lewis went balls out on a song that can’t get mainstream radio airplay, nor do I think CMT is rushing to play the video. I mean, just listen to that chorus! The song basically JUST came out, but once we get clear of COVID and folks turn their attention to it, I think you’ll be hearing a lot about this track.


35. Rascal Flatts – How They Remember You

The farewell song from one of the biggest acts of the past 20 years. Their farewell tour was cancelled, so this is pretty much how they’ll go out: with a song that grapples with how one leaves a legacy behind. I gravitate toward meta stuff like that. For a lot of folks, Rascal Flatts will probably be remembered for their cover of “Life Is A Highway” from Cars, which is a shame because there was so much more to them than that, but that was the song that crossed over the most for them.


34. Rina Sawayama – XS

I kinda cheated here, as I had never heard of the song or the artist until I saw someone else’s year end list, and I immediately fell in love. It’s got that early 2000s pop sound that I love. I’ll definitely be checking out more from her.


33. Thomas Rhett – What’s Your Country Song?

The basic gist of this song is that there’s a country song for everyone out there, and you just have to find it. The driving force behind it, though, is the fact that Rhett drops little references to classic songs here. I like corny stuff like that. It’s not a number 1 song, and it’s sort of odd that a star at TR’s level would waste a single slot on a song that everyone on his team had to know was a #2 song AT BEST. It’s a cute little ditty, but this is why it’s so low on the countdown.


32. Lady A – Champagne Night

What a year they’ve had, huh? Things haven’t been great for ol’ Lady A. First they decide it’s time to change their name, as the old one (Lady Antebellum) conjured up images of the slavery South. So, they chop their name down to Lady A – without doing their research. Turns out there’s already a blues singer named Lady A. So, both sides sue each other, which is still ongoing. Seems like that drama affected the music, as they dropped from #2 last year to #32 . The song is serviceable, but I think I like the chorus here most of all.


31. Darius Rucker – Beers and Sunshine

I think I’m always going to be a Rucker fan, mainly because I’m impressed that he figured out a way to lengthen his career by changing almost nothing about his act. I maintain that Hootie Rucker and Solo Rucker are the same dude, but he just started sending his songs to different radio stations. The sound, however, is the same. This isn’t one of his better tracks, but it’s got a catchy little beat. Would’ve been a nice summer song, had we all actually experienced a typical summer.


30. Chris Stapleton – Starting Over

That voice! This is a man who’s seen some stuff, and felt some things. While I don’t love this as much as I did his “Broken Halos”, it’s still a great song. I’m not alone in thinking that, as it made Barack Obama’s end of year playlist, as well.


29. Conan Gray – Heather

This year there were two songs that stood out to me as telling a story of a love triangle. First, there was Taylor Swift, with “betty”, which wasn’t initially clear as to what it was about. Was it a lesbian anthem? Was Taylor the “boy” there? I had to look it up to find out what it was about. Well, this is the other song, where Conan is in a love triangle where the person he loves is in love with Heather, causing him to develop a somewhat irrational hatred of Heather for getting in his way. Even without all the backstory, though, I think you can agree that it’s a beautiful song.


28. Matt Stell – Everywhere But On

This is Stell’s second time on the countdown, as his debut, “Prayed For You”, came in at #24 last year. I honestly like this song more, but that just goes to show how great the songs are on this year’s chart.


27. Thomas Rhett featuring Jon Pardi – Beer Can’t Fix

“Ain’t nothin’ that a beer can’t fix.” This song came out the second week of 2020, and the year replied “Oh, really?” What would’ve just been a run-of-the-mill country drinking song took on new meaning in the quarantined existence of 2020. This is TR’s second appearance on this year’s countdown, and I doubt he realized just how necessary this song would become in the months ahead.


26. Sam Smith – Diamonds

I love Sam Smith, and this song is a good example as to why. It’s the kind of thing you hear in a department store and instantly have to Shazam so you can download it later.


25. Luke Bryan – One Margarita

Poor Luke Bryan! He had what was probably meant to be THE Spring Break (and possibly Summer) anthem about relaxing at the beach. The problem? He released it March 13th – the day the world stopped. It’s a fun bop, but it was marred by the fact that you couldn’t really relate to the song unless you were blatantly breaking COVID travel protocols. Oh, what might have been…


24. Lady Gaga & Ariana Grande – Rain On Me

This should have had more of an impact than it did. Chromatica was supposed to be Gaga’s return to the Weird that built her career. She’d spent the past few years acting and singing with Tony Bennett, and this was supposed to be a return to her “roots”, so to speak. Well, it came out, and then sank like a rock. I still haven’t listened to the whole thing, but this song was inescapable, as it was used in ad campaigns all over television this year. It’s no “Bad Romance” but, really, what is?


23. Luke Combs featuring Eric Church – Does To Me

Why isn’t Eric Church a bigger deal? Does he not play by the rules? I get the feeling he might be difficult. Anyway, it’s odd that a relative newcomer like Combs has a feature from Church rather than the other way around. To be honest, Church puts in a serviceable verse, but it doesn’t make or break the track. It almost feels like a waste of his time. Still, I love the song, and it’s got a catchy hook.


22. Dua Lipa – Break My Heart

She’s an artist I’d heard by name all throughout the year, but it was much later when I could actually name one of her songs. This is such a great song, as it reminds me of a UK sound that doesn’t typically float over here. I’m glad to see it caught on and that she’s experiencing the success that she is.


21. Mickey Guyton – Black Like Me

You may not know this, but there is a Black woman fighting her way through the White world of country music. She gets almost no airplay, but she’s still nominated for awards, so the folks that matter have noticed her, even if the general public has not. This is a great track where she tries to convey to her audience what it’s like to be Black like her. I’m not really surprised this isn’t getting a ton of spins, but could you imagine what would happen if it did? It might feel more genuine than Jimmie Allen thanking Charley Pride every time someone hands him a mic…


20. Cardi B featuring Megan Thee Stallion – WAP

OK, we’re into the top 20 now, which is where the titans come to spar. I’ll admit that this isn’t necessarily a “Will song”, but it was hard to ignore, especially on social media. I’ve seen way too many videos of moms rapping to it, moms reacting to their daughters rapping to it, etc. You couldn’t really escape this song this year, and it sparked a lot of dialogue as to whether folks were comfortable with women being so up front about their sexuality. I’m sure there’s some college course discussing it next semester


19. Eric Church – Stick That In Your Country Song

Oh boy! Eric Church is back, and now I can understand why he’s not a bigger name. He does NOT play by the rules. This song is a full-on pro-BLM, your country isn’t as great as you think it is, ANTHEM. He’s basically taking the country music industry to task for ignoring what’s going on in America, and I am HERE FOR IT. You’ve got to blast this song to get the full effect. Crank that thang up to 11!


18. Keith Urban featuring P!nk – One Too Many

P!nk is a freaking chameleon. She started out with her whole party girl R&B routine, then she morphed into “What If Gwen Stefani Actually Grew Up?” In recent years, however, she’s dipped her toe into the country world. Her first collaboration was with Kenny Chesney on 2016’s “Setting The World On Fire”, which predates the WBW40 but certainly would’ve been on there. This track actually had to grow on me, but I think the chorus is what really does it for me, with the backing choir. This is a great song with a lot of crossover appeal.


17. Shawn Mendes – Wonder

This is such a great power ballad, which was inescapable if you’d set foot in a Target this year. I don’t know a ton about Shawn Mendes, as I tend to confuse him with Charlie Puth sometimes, but I know he’s dating Camilla Cabello. This is just a top notch soundscape, which has me wanting to check out more of his stuff.


16. Dua Lipa – Levitating

Is that disco I hear? Is Dua Lipa helping to usher in a new wave of disco? Just close your eyes, and you’ll be teleported back. This song is “The Sex”. Do kids still say that? Did they ever say that? Let’s get that going!


15. The Chicks – Gaslighter

I love how, all these years later, they’re STILL not ready to “make nice”. This was the year that country radio seemed to finally forgive The Dixie Chicks – a mere 17 years after they were blacklisted for their views on then-President George W. Bush. This song was never really in heavy rotation, as it peaked at #36 on the US Country Airplay chart. When I put these posts together, I tend to opt for the lyric video as opposed to the official video, as I don’t want the visuals to take away from the song. In this case, however, I love how the song and visuals are woven together to get across the warning against propaganda.


14. Brad Paisley – No I In Beer

Well, first of all, Paisley clearly doesn’t know German. I shouldn’t like this song. It’s corny, It’s a little too “retro country”. All that said, I LOVE it. It was one of the first songs put out after the lockdowns, in the spirit of “We’re all in this together”. He crafted a drunken singalong for the Zoom generation, and it doesn’t get more 2020 than that.


13. HAIM – The Steps

I LOVE HAIM. They didn’t make it onto last year’s countdown, but they made it the year prior. Seriously, the only time they’ve ever disappointed me was on their collab with Taylor Swift, “no body, no crime”. “The Steps”, however, is reminiscent of Sheryl Crow at her All I Wanna Do-est, which is my favorite Sheryl Crow.


12. Morgan Wallen – More Than My Hometown

This is SUCH a country song. Small town couple has the whole town rooting for them to make it, while her big city dreams are in contrast to his love of small town living. Ultimately he chooses to stay because, well, he can’t love her more than his hometown. Wallen became a household name this year when his Alabama maskless makeout sesh got him booted as the SNL musical guest, for violating COVID protocols. He would be invited back on later, at which point he would NOT perform this song – what I considered a misstep, since this was his biggest song of the year.


11. The Weeknd – In Your Eyes

I should just cut and paste what I end up writing about The Weeknd’s songs every year: WHY DON’T I LISTEN TO MORE STUFF FROM THE WEEKND?! Seriously, I am absolutely in love with his sound, with every hit sounding like What If Michael Jackson Had Leaned More Into Synthwave? This isn’t the last time we’ll see him on this year’s chart.


10. Miley Cyrus – Midnight Sky

The 80s are BACK, baby! Seriously, between Miley, Dua Lipa, and The Weeknd, I have to constantly make sure I wasn’t sucked down a warp zone back to 1986 or something. I was saying on Twitter the other night that it’s a shame that Miley has so much baggage because I don’t think we give her enough credit for her talent. Just the sound of her name conjures up memories of “The Climb” and “Party In The U.S.A.”, when it should make you think of her cover of “Edge of Seventeen” or THIS song right here. This song is so damn good. I can’t wait to hear this entire album.


09. Blake Shelton & Gwen Stefani – Nobody But You

This is the kind of collaboration that I feel should be avoided. Sure, they’re a high profile couple, and they’re both judges on The Voice, but I feel like recording a song together is the music industry equivalent of tattooing your spouse’s name on you. Kiss of death. And these two gumps went and released TWO duets this year! Still, this is by far the better of the two, and it grew on me pretty quickly.


08. Jake Owen – Homemade

I feel like Jake Owen came almost out of nowhere. I mean, he’s been on the countdown in the past, with “Down To The Honkytonk”, but before that he really wasn’t a “name”. With this song, he just kinda knocked it out of the park. Like Morgan Wallen, it’s another song about loving your small town existence. It’s funny I love these songs so much, seeing as how I can’t really relate. I guess it’s that part of me that wants to live on a farm, where my nearest neighbor is “down the road a few miles, past the old Coke sign”.


07. Blackpink featuring Selena Gomez

I have to admit I missed the entire K-Pop boat. I knew it was happening, but I didn’t know where to enter, who were the hot groups, etc. The girls of the world were screaming for BTS, meanwhile I was introduced to Monsta X on an episode of We Bare Bears, and I thought I was doing something. This song, however, is AMAZING. This won’t be the last K-Pop entry on the chart, either.


06. Sam Hunt – Hard To Forget

I was scared we’d heard the last from Sam Hunt. He had that Alanis Morissette career trajectory, where his debut album, Montevallo, was huge, but his follow up stalled out of the gate. He was the first male country solo artist to have 4 songs from his debut album go to #1. Then he released “Downtown’s Dead”, which did nothing for anyone, peaking at #96 on the Hot 100 chart. He seems to have gone back to his roots with the wordplay, which makes him something like a southern Jason Mraz, and he hit pay dirt with this song.


05. Gabby Barrett – I Hope

This song is SO good. It’s hard to believe she’s only 20, as this sounds like it’s coming from someone with some miles on them. She’s one of the rare success stories from American Idol 2.0, as she came in 3rd place in season 17 of the show. There’s a crossover remix that was sent to pop stations, making it a duet between Barrett and Charlie Puth, but I feel the solo version is the superior edition. I can’t really explain it but it almost sounds like a spiritual cousin of Alannah Myles’s 1989 hit “Black Velvet”.


04. Brett Eldredge – Gabrielle

I wrote about this song before the earth stood still, but it has stayed with me the whole year. To me, it’s the best song that Bruce Hornsby never wrote. You might only know Hornsby and The Range from “The Way It Is”, but between that and “Mandolin Rain”, I’m definitely hearing some Hornsby here. And ain’t nothing wrong with that!


03. BTS – Dynamite

I told you there’d be more K-Pop! How many of them are there? I feel like I’m watching the Boyz12 episode of American Dad. At least 2 of them are girls, right? They’re breaking all the boyband “rules”! But I don’t care because this song is so damn catchy. I’d heard it in commercials before I finally sought out the source, and I was not disappointed. This is the kind of fun pop that the Britney/BSB collab SHOULD have been, but wasn’t. I couldn’t ask for anything more in a pop song. This song delivered.


02. The Weeknd – Blinding Lights

This is a first, as we have a holdover from last year’s countdown, and it has jumped from #22 to #2. In case you’re just skimming the list, let me remind you that I LOVE THE WEEKND. When they were trying to say he was snubbed by The Grammys, I didn’t really think much of it at the time. I’m here to say, however, that he was totally snubbed by The Grammys. This song was inescapable due to Tik Tok challenges. During the earlier days of lockdown, families were going viral to dances they’d choreographed to the song. All that aside, it’s just such a great song. The synthwave makes me want to just go speeding down a dark highway.


01. Dan + Shay – I Should Probably Go To Bed

Another amazing song that didn’t get the airplay it deserved. iHeartMedia does this thing, where they debut a song and play it at the top of every hour for the whole day. They gave that treatment to this song, and then I basically never heard it again. I don’t know if program directors hated it, or if there was some other conspiracy against the band. Maybe they flew too close to the sun with their Justin Bieber collaboration last year. I don’t know what it was, but radio did not love this song, which just made me love it more. I’d find it in the weirdest places, like how they bought a YouTube ad which was the entire music video. I wish I could take credit for this assessment but I think it was Billboard that said it sounded like something off the Beach Boys’ Pet Sounds album, and that’s a perfect description for it. It’s got that Wall of Sound all over it, and it’s just such a beautiful, enveloping song. I’m about 17 years removed from a cappella, but I immediately thought “This would make an incredible arrangement.” I know this is the first time a lot of you are experiencing it, so I hope you can understand where I’m coming from, as this was, hands down, my favorite song of the year.

So, there ya have it: my top 40 favorite songs of 2020. How many of these were on your list? How many were new to you, but you kinda dug? Let me know in the comments below!

31st Dec2020

West Week Ever: Pop Culture In Review – 12/31/20

by Will

Yeah, I couldn’t let this godforsaken year end without one last post, could I? I know it’s not Friday, but hopefully you’ll all still be hungover/still drunk tomorrow morning. It’s been a somewhat busy week for pop culture, and I didn’t want this stuff to get lost in the shuffle of year end wrap ups.

 

First off, Alec Baldwin’s been helping his wife “Rachel Dolezal” us all for the past decade. You see, HILARIA Baldwin is actually HILLARY Baldwin, née Hillary Hayward-Thomas. Yes, the whole time she’s been in the public eye, she’s been faking her accent and Spanish heritage. I can’t even believe this is real. What commitment! Even Sacha Baron Cohen is like “Son of a bitch!”

Baldwin has claimed she came from Mallora, Spain, but she actually grew up in Massachusetts and went to a pretty exclusive private school. It’s her former classmates who helped blow the whistle on the whole thing. Apparently, her parents now live in Spain, so she felt that she could just kind of appropriate the culture through them somehow. She went on to post some halfassed explanations on Instagram about how she is, in fact, “a White girl” who grew up in Boston, and her connection to Spain is that her family used to vacation there every year.  She believes that the assumption that she was Spanish is the result of other people misrepresenting her. She insists she’s done nothing wrong (though she has been profiled in Latinx publications due to her assumed heritage), and she’s raising her kids bilingual, so we should just leave her alone. As I said on Twitter, it feels like Tina Fey is behind this, as it’s exactly the kind of storyline she would’ve written for Jack Donaghy to deal with on 30 Rock. It’s not like anything is gonna happen. Alec will probably punch a couple of TMZ photographers, as he is wont to do, and it’ll be quietly settled in court. We’ll have all forgotten it by the time Miley has her next breakdown.

A few weeks ago, I hunkered down and binged the new Saved By The Bell in a day. It’s only 10 episodes, so it’s not a Herculean task or anything. I’ve gotta say that I didn’t really love the pilot. Written by Tracey Wigfield, who has 30 Rock on her resume, it felt like a parody of Saved By The Bell. For the first 3 episodes or so, I really struggled to figure out who the audience for this show was supposed to be. It wasn’t for today’s teens, as it wasn’t their style, but it also wasn’t necessarily for a grown audience. No, it was clear that this show was meant for those of us who grew up on the original series, and have had 30 years to cynically reflect on what we watched. That might make for an interesting special, but could an entire series be built on that assumption?

If you haven’t had the chance to fire up Peacock to watch the show, here’s what it’s about: Picking up 30 years since the premiere of the original series, professional schemer Zack Morris is now the Governor of California. What started as him refusing to pay a $75 parking ticket set into motion a series of events the led him to becoming governor. He’s still married to Kelly (Yeah, right. Even original series producer Peter Engel has said that marriage probably didn’t last), while their old friends Slater and Jessie work at Bayside High, as the athletic director and school counselor. I won’t spoil the surprises surrounding the 2 friends I didn’t mention.

Anyway, to make room in the state budget, Governor Zack shuts down the poorly performing schools in the underprivileged neighborhoods, and buses those kids to more affluent schools, like Bayside. So, while Zack’s son, Mac, is a student at Bayside, he is not our protagonist, as he’s just like his father, and we’ve had 30 years to realize Zack Morris is trash. No, instead, we follow Daisy, a Latina honor student from the other side of town, who just can’t fathom how rich and privileged everyone seems to be at Bayside. Along for the ride are her best friend (and football star) Aisha, and Devante, a musically-inclined kid who has a history of schemes himself. They’re paired up with Bayside Buddies, in the form of the aforementioned Mac Morris, Jessie’s son, the bumbling athlete Jamie Spano, and trans reality star/cheerleader Lexi. The kids scheme against their parents and principal and get into misunderstandings, while a group of concerned White parents are doing everything in their power to get the bused kids sent back to their old schools.

It’s not a terribly original concept, as it loosely adapts a lot of Saved By The Bell: The New Class (which is no longer considered canon by this team). While the first two seasons of that show were basically “How can we reuse old scripts with new kids?”, at the beginning of the 3rd season, Bayside rival Valley High is shut down, and its students transfer to Bayside, including street smart Latina Maria Lopez, blonde schemer Ryan Parker, and musically-inclined RJ. That show would last another 4 years on that premise, so I guess they were on to something.

Here’s how I watched the new series: I watched the pilot when the whole season debuted the day before Thanksgiving, and thought to myself “This is fast-paced like 30 Rock“, and it had been a while since I’d been in that headspace. I was missing jokes, as they were coming at me in a rapid fire sort of way. Luckily, E! aired a marathon of every episode of 30 Rock that same weekend, and watching that kinda helped me recalibrate to that “type” of humor. Then I revisited the Saved By The Bell pilot, and it was a much more enjoyable experience. I know not everyone else has the time to go through all that, but I definitely needed to “get my mind right” to fully appreciate the show. After all, I’m something of a TNBC purist. I watched Saved By The Bell, California Dreams, Hang Time, City Guys, etc. I know the formula as to how that kind of show works, and that sort of show only lives on Disney Channel these days. So, no, this revival wasn’t what I was expecting, but I enjoyed it as its own thing.

Anyway, if you’re interested in hearing more of my thoughts on the first season of the new Saved By The Bell, check out this podcast I did with CJ of 3BlackGeeks.

Trailer Park


Coming 2 America (Amazon Prime)

I can’t tell you how glad I am that this is coming out on a streaming service, as I probably wouldn’t have seen it in a theater, even without COVID being out there. I have a morbid curiosity, but it just feels like a cash grab. And can someone explain to me how those barbershop guys are still alive? They’ve got to be around 100 years old by now. Anyway, the original is a classic, and I’m getting shades of Anchorman 2 from this…


Superman & Lois (The CW)

If this teaser was meant to get me excited about this show, it failed miserably. They’re really playing up the family angle here. Is it Superman or 7th Heaven? I couldn’t tell ya at this point. Anyway, I never watched any of his appearances on Supergirl, so I doubt I’m the target audience.

Things You Might Have Missed This Week

  • Ray Fisher has seemingly left his role as Cyborg in the DCEU, stating that he wouldn’t participate in any DC films as long as DC Films President Walter Hamada still has a job. I will admit I don’t know the whole situation with Fisher, but as you can imagine some are applauding the decision, while others are saying “Ray WHO?”
  • Determined to mine every 80s hit NBC had, it was announced that Peacock is working on a Night Court revival, focused on a returning John Laroquette, as well as Judge Harry Stone’s daughter.  Call me when the cowards get around to a MAGA-inspired The Torkelsons reboot.
  • New streaming service Discovery+ launches on Monday, and it will be the streaming home of the 90 Day Fiancé franchise, as well as whatever else Discovery airs. Dr. Pimple Popper and all those morbidly obese and little folks will be there, too. Maybe Discovery will hook me up with a free sub for the plug? Wink wink!
  • In case you’ve been hiding under a rock, Karate Kid spinoff Cobra Kai season 3 goes up on Netflix tonight, so I know what a lot of y’all will be doing this weekend.
  • Brace yourselves for Menopause and the City, as there are talks of a Sex and the City revival, without Kim Cattrall, for HBO Max. I’m fine with this, as I’d rather not see Samantha Jones become Blanche Devereaux.

Warner Bros made the announcement that they’d be dumping their 2021 film slate onto HBO Max in the US, where the films would be released at the box office, with a 30 day window on the streaming service. Of course, this was announced after they had already decided to do this with Wonder Woman 1984, which I guess would serve as a test drive to see if the model could work. Well, the movie was released on Christmas day, and it appears to have been a success, as it has made over $85 million internationally, on top of the streaming views – well enough that, earlier this week, Warner Bros announced plans for a 3rd WW movie starring Gal Gadot and directed by Patty Jenkins.

Despite all this money news, anyone who popped on social media last weekend would swear that everyone hated the film. I mean a LOT of people were disappointed by it, and made their displeasure known. For the first few days I didn’t really have a horse in that race, as I hadn’t seen the film, and wasn’t really raring to see it. Finally, with a Saturday night with no new SNL, I decided to see what the fuss was all about.

I liked it. It’s not a perfect movie, but I enjoyed what I saw. It’s a little long at 2 and a half hours, but it didn’t drag as badly as I’d heard. The “84” is more than just a setting, as it *felt* like an 80s movie. A lot of stuff folks love from that era is the same, but clouded by nostalgia. Since folks don’t have that same nostalgia here, it leaves them looking for plot holes and whatnot. The old women in my family have a saying that “Man has become too smart for his own good”, and I feel that sentiment certainly applies here. We’ve come to expect certain things from our comic book movies and our shared universes, but the 80s were a much simpler time.

Sure, I have my nitpickety issues. ***SPOILERS*** I don’t understand how the framing device of little Diana cheating at the Amazonian Games tied into the overarching plot of the movie. Sure, Themyscira is cool and all, but I could’ve done without all that. Why did Steve Trevor come back in another man’s body? And what happened to that dude’s consciousness/soul while he was being occupied by Steve? If Diana hadn’t renounced her wish, Steve would’ve just kept on wearing another dude’s face, sexing her with another dude’s penis? The gold armor was useless. Someone just picked up a copy of Kingdom Come and thought “Hey, that looks cool.” Why did Barbara turn into an actual cheetah? I mean, Lord was into wish fulfillment, not genetic tampering. And what happened to her at the end? Would she have gone to jail? All she really did was beat up some inept White House security guards. And what happened to Lord? While I’m glad they didn’t go for the controversial neck snap from the comics, I probably would’ve bought that more than the idea that everyone on Earth selflessly renounced their wishes for the good of humanity. As I said on Twitter, It’s really hard watching a movie where the fate of the world depends on the underlying goodness in people. Especially in 2020. People ain’t shit. Still, that’s all seen through 2020’s eyes. Try watching it through 1984 eyes, and none of those thoughts will even occur to you.

Whether you liked it or hated it, chances are you were talking about this movie this week. That’s why Wonder Woman 1984 had the last West Week Ever of 2020.

Well, that does it for this dumpster fire of a year. Come back Monday for the annual WBW40 countdown of my favorite songs of the year. Then, come back later in the week as we look back on 2020 to find out who, or what, had the West YEAR Ever!

 

22nd May2020

West Week Ever: Pop Culture In Review – 5/22/20

by Will

 

I considered renaming this thing “Joy Sparkers”, but I was scared Marie Kondo’s people would come after me. You see, there’s just so much negativity in the world right now, and I thought I’d just focus on the things I’d been enjoying lately. The problem is that “positive” doesn’t exactly come naturally to me. So I kinda abandoned that idea, but I’m still gonna give it a try.

If you’re a regular to the site, then you know that this is usually the week of my annual TV upfronts post, where I take a look at the shows slated for the networks’ fall schedules, and give my opinion on whether or not they had a fighting chance. Unfortunately, due to the events in the world, the networks cancelled their upfronts. They were going to do them online, but nothing major really materialized outside of a few press releases and announcements. I’m kinda glad, as I really didn’t have it in me right now. As you know, there’s usually Bloody Friday the week before the upfronts, when the networks cancel a slew of shows to make room on the schedules they’re about to announce. Well, since all productions have ceased, they didn’t really swing the ax too much this year. As I write this, here’s where we stand with cancellations:

Fox:

Outmatched

Almost Family

Deputy

ABC:

Single Parents

Bless This Mess

Emergence

Schooled

Kids Say The Darndest Things

CBS:

Broke

Man with a Plan

God Friended Me

Carol’s Second Act

Tommy

As for upcoming shows, there’s pretty much nothing I’m excited about, mainly because a lot of networks, like The CW, aren’t starting their seasons until 2021. So, I guess I’ve got time to catch up on all the great Netflix shows I’ve been missing!

One of my favorite movies of all time is Steve Martin’s The Jerk. I remember my mom and I had watched it on TV when I was little, and both thought it was hilarious. So, she decided to rent it so that her 80 year old mother could watch it – not knowing about all of the jokes in the original, unedited film. Jokes like “I think next week I’ll be able to send some more money as I may have extra work. My friend Patty promised me a blow job.” Ah, good times! Anyway, if you’ve never seen it, The Jerk stars Steve Martin as naive idiot Navin Johnson – a White man raised by a poor Black family who has to eventually leave the nest and go out into the world. With all the things that end up happening to him, you could almost say it’s a wackier Forrest Gump. Well, I was yesterday years old when I learned that there was actually a “sequel”, called The Jerk, Too, which was released in 1984 as a made for TV movie. I put sequel in quotes because it’s more of a reimagining of the original film instead of a story that takes place afterward. So, I fired up the YouTube and got to watching.

In this movie, Navin was played by Mark Blankfield, a cast member on Fridays, which was ABC’s short-lived take on Saturday Night Live. Whereas the original film had Carl Reiner and Steve Martin involved, this one clearly did not. While serving as producer, Martin was nowhere near this thing and, after watching it, I can understand why. There’s no real heart to it. Martin’s Navin really came off as a sweet guy who did dumb things, while Blankfield’s Navin comes off as a dumb guy who does sweet things. In the original movie, Navin had occasional flashes of brilliance, as shown by many of his inventions. This version, however, just dumbs it down to “He’s really good at cards”. In the original film, Navin leaves home because it’s time for him to become his own man, while in this movie, he’s just going to Los Angeles to attend his pen pal’s wedding. Oh, and can I mention that Pearl from 227 was in this thing, and looked just as old as she always did? The same way Tom Cruise is a vampire who was bitten at 35, Helen Martin was a vampire who was bitten in 1972, at the age of 76. She would be 76 until her death in 2000.

Anyway, Navin’s good at cards, he links up with some hobos who take advantage of him, and then there’s a love story. It’s almost like a pilot, in that it sets things up for the next chapter in Navin’s life, and I kinda would like to see where it goes. I just think it’s sacrilege for them to tie the legacy of The Jerk to whatever it was they were doing here. On its own, though, it’s a predictable, yet serviceable, 80s TV romantic comedy.

 

On the TV front, I discovered a new show that I immediately fell in love with, and have been bingeing all week. First off, though, did y’all know that SYFY has their own Adult Swim clone on the weekends, called TZGZ (it’s just SYFY adjusted by one letter)? At the moment, this programming block includes the Harley Quinn animated series from the DC Universe streaming service. It also includes a little one-season animated Canadian show, called Gary and His Demons. Now, I don’t know how this thing only got one season, but it is excellent.

Gary and His Demons focuses on a demon hunter who is the Chosen One, and he dropped out of high school to do a 15-year stint with the Demon Ministry. Since they haven’t been about to find his replacement, he’s now a 45 year old man, in his 2nd stint, and he’s been talked into doing one more. He hates his life, as his one true love was killed 20 years ago by a demon, and he’s just tired of the life. On paper, it wouldn’t be my type of show, but I ended up watching an episode after Harley, and I was hooked. Since the show is over, Comcast has them all On Demand, and I’ll finish it up after I put the finishing touches on this post. It’s got QUITE the Rick and Morty meets South Park vibe, without being up its own ass as much as R&M has been lately. Seriously, that show has gotten TOO meta for me the past few weeks. Anyway, I’m hoping it sticks the landing, as I’ve loved everything I’ve seen so far. Plus, like a true Adult Swim clone, the episodes are only about 11 minutes long, so it’s a quick watch.

Trailer Park

The Old Guard

This is apparently “based on the acclaimed graphic novel”, but I’ve never read it. Heard of it, but never read  it. Looks pretty good, although it feels like Charlize is carrying this thing on her shoulders. Still, it’s on Netflix, which means I already pay for it and won’t have to go anywhere. Sold!


The Last Days of American Crime

If you can believe it, I’ve been waiting over ten years for this movie. You see, when I was working at Diamond, a new publisher came on the scene, called Radical Studios. Radical was basically an IP farm that used comics as testing ground for movie ideas. Their comics were pretty much illustrated screenplays. That was done quite a bit at the time (Remember Cowboys vs. Aliens?). Anyway, one of the miniseries they published was The Last Days of American Crime, which I really enjoyed.

If you couldn’t tell from the trailer, it’s about the near future, when the government emits a signal that prevents anyone from committing crime. So, this guy decides to go on one last heist before the signal goes out. Funny thing is I don’t really remember many of the details right now, other than the fact I thought it was good. So, watching this trailer, I can’t tell you if it’s faithful to the book or not. Apparently Sharlto Copley is in this thing somewhere, but I didn’t see him. Other than that, I don’t know anyone else in this film. Also, considering Radical was also behind the Dwayne Johnson Hercules, well, I’m not exactly holding my breath for quality. But, like with The Old Guard, I can watch it at home in my underwear, so that’s good enough for me.


Eurovision Song Contest: The Story of Fire Saga

This is less of a trailer, and more of a truncated music video. Still, it combines my love of the Eurovision Song Contest and Will Ferrell, so it’s a no-brainer. In case you’ve not familiar, the Eurovision Song Contest is like the Olympics of music on the European stage. Started in 1951, it’s an annual event (except for this year, of course), but the US can’t compete in it ’cause we just had to break away from England.

Things You Might Have Missed This Week

  • This week saw the 20th anniversary of the release of the second album from Britney Spears, Oops!…I Did It Again
  • CBS All Access announced they were developing Star Trek: Strange New Worlds, a spinoff of Discovery, focusing on the original crew of the Enterprise.
  • It was revealed that the next season of Power Rangers would adapt Kishiryu Sentai Ryusoulger, and would be known as Power Rangers Dino Fury. Personally, I feel like it’s too soon for a return to dinosaurs, but whatever. I’ll still watch it.
  • Many viewers thought they were witnessing Ryan Seacrest having a stroke on Sunday night’s American Idol. Apparently, he started slurring his words and his left eye was trying to close. His people claim it was just “exhaustion”, but he didn’t show up to work at Live with Kelly and Ryan the next morning.
  • FX has renewed two of my favorite new shows for a second season: Dave and Breeders
  • In a surprising move, The CW’s Batwoman and star Ruby Rose have parted ways after just one season. While it was initially posed as Rose’s decision, word on the street was that it was a “mutual parting of ways”, as she was unhappy on the show, which resulted in a difficult set.

So I made a vow to myself that I wasn’t going to discuss this on social media and, for the most part, I’ve kept that vow. Remember, I’m trying to be more positive, and I didn’t really have good thoughts about it. Still, it’s a pretty big deal this week, so I guess we’ve got to dive into it.

Justice League was released three years ago, in the fall of 2017, to great expectations. As it was inevitably going to be compared to what the MCU had done up to that point, it had a lot going against it. Directed by Zack Snyder, who’d already helmed Man of Steel, as well as Batman v Superman: Dawn of Justice, the movie was actually completed by Joss Whedon after the sudden death of Snyder’s daughter. The result was a passable, yet mediocre, movie that should have been so much more.

After its release, Snyder fans swore that there existed a “Snyder Cut” of the film that was a masterpiece, and that Warner Bros was conspiring to ensure that it never saw the light of day. Snyder, himself, fueled the fire by saying that he filmed 4 hours worth of movie, so there’s bound to be a lot missing that could have strengthened the film – as well as some stuff that could have definitely been cut, like that Russian family. Seriously, what was that all about? Anyway, a #ReleaseTheSnyderCut movement started to grow. And this wasn’t exactly peaceful demonstration. The Snyder Cut fans were some of the most obnoxious, overbearing fanatics on social media. You mention a comic movie, and they’d jump into your mentions to tell you Guardians of the Galaxy was garbage, but somehow Batman v Superman was this jewel of a film. And before you say “Not ALL of us”, let it be known that *enough* of you fit that description. I mean, the DCEU fan is already in a special, yet unfortunate, situation because they feel like they’re constantly the underdog to what Marvel accomplished with the MCU. “Why can’t people see what Snyder was trying to say instead of fawning over these films made for children?!” I feel bad that they feel that way. Why can’t the two just coexist? No, this Marvel vs DC rivalry has been going on before there were even movies of the characters, so I guess I shouldn’t be surprised. I just sort of hoped the discourse would be a bit more civil.

Anyway, one of the worst kept secrets in Hollywood was that Snyder was hosting a watch party for Man of Steel, where he was going to reveal that his version of Justice League would finally be released. And, sure enough, it was announced – but there’s a twist. You see, there IS no Snyder Cut. At least, not yet. Doesn’t exist. But it will. Warner Bros, needing new content for HBO Max (seriously, they shelled out all that money for Friends, but didn’t invest in new shows?!), is going to pump $20 million into developing Zack Snyder’s Justice League, which doesn’t even have a true format yet. Will it be a 4-hour movie? Will they break it into “chapters”, as they’ve been batting around? Who knows? Won’t know til 2021, and I don’t know about you, but I kinda don’t look forward to anything more than a week out these days.

Here’s where I’m conflicted. You see, on the one hand, this feels like another case of toxic fandom getting its way. I was never really on board with the changes demanded on the Sonic the Hedgehog movie, because I felt it set a dangerous precedent. Like it or not, all of this stuff is “Art”. Now, while art can be interpreted by the public, it really shouldn’t be influenced or directed by the public. That’s when art becomes fanfic. We live in this culture where everyone has to have it their way, when life isn’t Burger King. I feel like we don’t teach that enough, but it’s probably because we also live in a time when you pretty much can get what you want, when you want it. Hell, Amazon will get it to you in 48 hours. Fo’ free! So there’s this unrealistic notion of ownership and privilege that just shouldn’t exist. If you like something, become a patron of it. If not, keep it moving, but don’t try to change it to fit your whims. Justice League came out, it was what it was, and WB spent the next couple of years cutting ties with it. A better version of the film doesn’t exist. It’s not like it was in the water tower, being guarded by Yakko, Wakko, and Dot. Plus, I know some people who LIKED the film for what it was. You don’t get do-overs in Hollywood, until they decide to remake your movie in 20 years. What other studio is gonna say, “Hold up, if you let us pump another $15 million into it, we can get you a better version of ________”? Instead of rebooting the Fantastic Four, what if Disney just did that on the Josh Trank movie? It was 2/3 of a decent film, so it’d work. But no, it doesn’t work like that.

In the middle, I kinda don’t care because I don’t know if it’ll be drastically different enough to matter. It would be nice if they explained a few things, and maybe actually showed Darkseid instead of leaving Steppenwolf as the Big Bad. It was a movie made by committee, so it might benefit from a singular voice, especially if WB is hands off in the process.

On the other side of it, this is something of a redemption story, and everybody loves those. They say you can’t change anyone’s mind on social media, but I’m here to say someone changed mine. Someone pointed this out to me: Snyder had to step down at probably the worst time in his life. He had a vision for this entire DCEU, and it all ended at that moment. So, from an artistic vision standpoint, this is something of a triumph. Like I was saying above, THIS DOESN’T HAPPEN. Studios don’t care about “art”, and they take their losses and move on to the next thing. So while I am afraid of the precedent this sets, I’m glad to see that Snyder will actually get to see his vision come to fruition. And who knows? Maybe they can actually salvage the DCEU through all this. I mean, Wonder Woman ’84 and SHAZAM 2 still take place in that universe. Who am I kidding, though? We’ll probably all be dead by then. See? I told you I don’t do “positive”.

In any case, for making dreams come true, Zack Snyder’s Justice League had the West Week Ever.

03rd Mar2020

Thrift Justice – I’m SO Board!

by Will

I’m not a board game guy. I didn’t grow up playing them, and the idea of a “game night” makes me want to tear my eyes out. That said, I know that there are plenty of folks out there who do love board games, and the right games can net you a pretty penny on the resale market. Why do I dislike games? Well, I’m an only child, and there weren’t a ton of kids in the neighborhood when I was growing up. I used to play The Game of the States with my grandmother, but I never played any of the “staples”, like Monopoly, Candy Land, or The Game of Life. In fact, I’ve still never played a game of Monopoly outside of the annual McDonald’s sweepstakes. I didn’t learn Candy Land until about a year ago, because my daughter was playing it.

Board games are a blessing and a curse when it comes to thrifting. If you find the right game, and it’s still sealed (score!), you could make a good deal of money. For example, I made about $100 a few years ago when I sold a vintage copy of Ghettopoly. It’s hard to find because it’s offensive as Hell, so it wasn’t on the market long. Meanwhile, some opened games can also net you some good money, but you’ve got to count the pieces to make sure they’re all present. That step right there is why I hate board games. You’d be surprised how many board game instructions don’t expressly list the count of all the pieces. Do you know how much time I’ve spent online trying to find the total of each denomination of Monopoly money that should be in every game?!

Check these groovy contents!

Anyway, despite my disdain for board games, every now and then one will catch my eye, and I just have to take it home. Today we’ll look at a few games that fell into that category.

I don’t know anything about The Magnificent Race, but the box art had a weird, Beatles cartoon-esque vibe to it. Supposedly, the players are chasing someone named “Dastardly Dan”, who seems like he’s a Great Value Dick Dastardly. Apparently it sells pretty well, too, but board games are such a chore to ship, as the shipping alone on a “standard” board game box is about $20. USPS even has a board game shipping box for these things, but I don’t know if there’s enough “meat on the bone” here to make it worth even trying to sell.

A lot of the games I pick up have a nostalgia bent, where they’re based on something I used to love, but I still don’t feel like seeking out 1-3 more people to play. So, they end up being collectibles more than things to actually play. Growing up, I LOVED The Beverly Hillbillies, so I jumped at this one when I found it at the thrift store. I still don’t know how to play it. A quick glance at the rules says that players are trying to fit the Clampetts’ old belongings into their new mansion, but is that it? Am I looking for “black gold” or “Texas tea”? Am I trying to keep Mr. Drysdale from stealing my money? No clue, but I also don’t see myself getting rid of this any time soon.

Children of the ‘80s will remember M.A.S.K., aka Mobile Armored Strike Kommand, as the line of quick change vehicles that came with 2-inch, helmeted figures. Where else could you find a Camaro with gull wing doors that allowed it to fly?! So, of course all of this fun would translate well into a board game, right? Right? Wrong! You see, the beauty of the toys was the transforming nature of the vehicles, which is completely lost when translated into a 2-D board game. It’s the age-old battle between good and evil, but there’s no way this is as fun as playing with the actual toys. I grabbed this for 2 reasons: 1) I didn’t want anyone else to have it and 2) I was drawn in by the box art. I’ll never play it, and I may even release it back into the wild, but for that very moment, I had to have it.

Because I love all things Saban, I used to be a big fan of the Sweet Valley High TV series (and not just because the original Green Ranger made a few cameos. OK, that was the main reason). So, I snagged this board game based on the adventures of the Wakefield Twins. I’ll be honest here: I got this and Mall Madness simply to resell to that “disposable income” crowd. I’ve done an inventory of it, and everything is here. Since it’s based on the books, and not the show, it’s missing some of my favorite characters, like Andrea Savage’s “Renata”. The problem I found here, however is the box is LARGE. Shipping this thing would be a bitch, so I’m probably gonna throw this one back to the thrift store.

Speaking of Power Rangers, I got this game from my Secret Santa last Christmas. I’ve actually owned it a few times over the years, but never had anyone to play it with me. I’m drawn to the fact that it features King Sphinx who, according to early MMPR merchandising, was apparently an important character. Spoiler alert: he wasn’t! You’d think he was the Big Bad, or at least one of Rita’s henchmen, but he appeared once. Still, he’s got a great agent, as he’s all over the first year Power Rangers merch. I haven’t felt this let down since the Star Wars “Black Jedi” marketing of Finn! Damn it, I’m gonna make somebody play this with me!

Finally, we’ve got King Kong, where the famous gorilla scales the World Trade Center. Ehhhhhhhhh… Sure, when it was made, nobody ever thought that it would be the site of one of America’s greatest tragedies. They just knew the dude liked climbing tall buildings, and the WTC was two for the price of one! I’ve been sitting on this particular game for about 5 years, as I didn’t know what to do with it. The previously sold prices on eBay are all over the place, plus this box had a bunch of tape on it and I didn’t feel like ruining the box art trying to get it all off. So, I finally opened it up the other night, only to find that it’s basically incomplete. I mean, most of it’s there, but it is missing a player piece, so it can only be played by 3 people instead of 4. I guess I could part it out, but is there really a market for a cardboard cutout of the World Trade Center? I’ll probably end up throwing this one back.

There ya have it. I don’t wanna keep this too long, as I know nobody’s got an attention span anymore. In the comments, let me know some of your favorite board games. Am I missing out?

17th Jan2020

West YEAR Ever: Pop Culture In Review – 2019

by Will

I won’t say 2019 was a complete dumpster fire, but it certainly wasn’t very noteworthy. It was a year that many are glad to have behind them, and we’re looking forward to a better 2020. As you probably know, I took about 1/3 of the year off from posting because, well, there wasn’t a whole lot worth talking about. It was just such a Meh year. However, this is the time when we look back, so let’s see how the year shaped up, shall we?

I remember back in an early West Year Ever, I watched about 70 movies that year. This year I landed on unlucky number 13. Comic Book movies and Rambo films were the name of the game in 2019. The Rambo thing, however, was a fluke, as I did a Rambothon to prepare me for a podcast appearance.

Movies I Watched
1. Captain Marvel
2. SHAZAM!
3. Avengers: Endgame
4. Spider-Man: Far From Home
5. Barbershop: The Next Cut
6. First Blood
7. Rambo: First Blood Part II
8. Rambo III
9. Rambo
10. Rambo: Last Blood
11. White Chicks
12. The Grinch
13. Star Wars: The Rise of Skywalker: I never wrote about this, because I feel like people should be more willing to say “I don’t know enough about this topic to have a strong opinion”. I mean, I enjoyed it in the theater, but it’s got fan service out the ass, and feels like it panders. Still, the lifelong fans seem to love it, so I guess “mission accomplished”? I will say that I’m disappointed in Finn’s character arc. Sure, I was one of the fools who initially fell for “Whoo hoo! Black Jedi!” Even when that didn’t come to pass, however, they never did anything with him. He’s such a blank slate that he’s come to be known by his relationships. That’s why everyone’s constantly trying to ship him with Poe Dameron. EVERYONE Finn encounters becomes a potential love interest. Rey, Poe, Rose, Jannah. He can’t meet someone without catching feelings. I don’t know if that’s because he was snatched as a child so he never had any real nurturing, or if it’s simply bad writing. But they didn’t do my man right.

Top Posts of 2019

While my West Week Ever posts are somewhat disposable, as they don’t mean much once the week has passed, every now and then I write something that I feel is sort of “evergreen” and can be read at any time. 2019 saw the return of my fan favorite segment Thrift Justice, with a heavy focus on physical media I acquired over the year. Then there was also a healthy dose of nostalgia. Check out these posts:

Thrift Justice: Operation Kondo
Thrift Justice: Let’s Get Physical! Physical! Media!
Thrift Justice: Physical Education
The Great Sitcom Fires of the 80s & 90s
Kickin’ It Old School at Retro Con 2019
West Week Ever: Pop Culture In Review – I Love The 80s REMIX!

Things You Might Have Missed This Year

  • We bid adieu to HarassmentWatch(TM), as #MeToo seemed to have calmed down.
  • All Elite Wresting debuted, finally giving WWE some competition
  • My pals at the Nerd Lunch Podcast announced that their show would be winding down
  • The latest incarnation of Power Rangers, Beast Morphers, debuted
  • The X-Men film franchised limped to the finish line with Dark Phoenix
  • Aunt Becky got caught cheating to get her daughter into USC
  • The Bat Penis made an appearance in Batman: Damned #1
  • The public outcry following the debut of the Sonic: The Hedgehog trailer caused Paramount to go back and change the character’s design.
  • Taco Bell Quarterly took the literary world by storm
  • Adam Levine left The Voice – ya know, that show that has never made a household name
  • We celebrated the 30th anniversary of 1989’s Batman
  • DC Comics shuttered the critically acclaimed Vertigo imprint
  • One of my favorite shows, The Amazing World of Gumball, came to a sudden end.
  • A bunch of y’all crowdfunded a $600 Transformer, so there’s that.
  • The X-Men comics got a major overhaul by writer Jonathan Hickman
  • Verizon, which paid an estimated $1.1 billion to acquire Tumblr, offloaded the site to WordPress’s parent company, Auttomatic, for a mere $20 million. At least the porn’s back.
  • Avengers: Endgame unseated Avatar to become the highest grossing movie in the world.
  • Sony opted not to renew their agreement to allow Spider-Man to be used in Marvel Studios films. And there was much weeping and gnashing of teeth. And then they changed their mind.
  • Get ready for the purple pill, as a fourth Matrix film was announced
  • SNL made history by hiring an Asian guy, but they also hired a guy who liked to make fun of Asians. And hilarity ensued! Not really. They fired that second guy.
  • NBCUniversal announced their own streaming service, peacock, which will carry the NBC library, as well as revivals of older shows, like Punky Brewster and Saved by the Bell
  • Taylor Swift released my favorite album of the year, Lover
  • McDonald’s celebrated the 40th anniversary of the Happy Meal, with a strange 5-day promotion that featured shoddy reproductions of old toys.
  • John Legend was named People‘s Sexiest Man Alive, and even his wife, Chrissy Teigen, is like “Huh?”
  • Disney+ showed up on the scene and changed the streaming game. It’s a wonder Disney makes any money on it, though, as it seems like there are about 6 different cheat codes to get your first year for free.
  • I counted down the top 40 songs of 2019, as decided by moi.

West Week Ever Recipients of 2019
1/11/19 – Marie Kondo
2/15/19 – HardRockNick
3/1/19 – Star Wars: Always trailer
3/8/19 – Power Rangers Beast Morphers
3/15/19 – Captain Marvel
4/5/19 – SHAZAM!
5/3/19 – Avengers: Endgame
5/17/19 – Fox Network
5/24/19 – Live In Front of a Studio Audience
6/21/19 – Blanco Brown
7/19/19 – FaceApp
7/26/19 – Marvel Entertainment
8/16/19 – Popeye’s Chicken Sandwich
8/23/19 – Popeye’s Chicken Sandwich
9/20/19 – Taylor Swift: Lover
11/15/19 – Disney+
11/22/19 – Baby Yoda
12/6/19 – Xfinity’s E.T. commercial
12/13/19 – Ghostbusters: Afterlife trailer

 

So, normally we get to this point, and I add up how many things got the West Week Ever more than once, and the West YEAR Ever recipient becomes sort of obvious. That’s not the case this year. While the Popeye’s Chicken Sandwich did get the WWE twice, I refuse to consider 2019 The Year of the Popeye’s Chicken Sandwich. No, some special math is needed here.

If you notice, Disney made the list 5 different times (I’m not counting the Star Wars: Always entry, as that was a fan project). Disney was behind the 2 most anticipated films of the year, they tied up the Thanos Saga of the MCU deftly, and they introduced the character of the year: “Baby Yoda”. On top of those successes, they closed to deal to acquire 21st Century Fox, bringing several other franchises, such as X-Men and Alien into the Disney fold. Ya hear that? Ellen Ripley is a Disney Princess now!

So, even though those sandwiches had folks lined up around the block, they eventually lost momentum and now you can just get one whenever you want. Disney, however, is still making moves to increase their vast empire. Some think they’re evil. Some say it’s “just business”. Whatever it is, it’s hard to deny Disney’s success, which is why they had the West Year Ever in 2019.

There you have it. We can finally close the book on 2019 and start focusing on what 2020 has to offer. There’ll also be some changes on the site, but we won’t get into that too much right now. As always, thanks for reading, as Lord knows there are 1,000 other things vying for your time these days. I truly appreciate it!

03rd Jan2020

The WBW40 – Will’s Top 40 Songs of 2019

by Will

With another year behind us, that means it’s time to look back on some of the music that made an impression over those 365 days. If you remember the past WBW40 posts, then you pretty much know what you’re in for. If you’re new, I should preface this by saying I have the musical taste of a 15 year old White girl from Norfolk, Virginia. I hate genre, so a lot of these would blur the lines of certain classifications. Still, it tends to skew to what’s typically played on country stations, with some pop sprinkled in. In fact, there’s more pop this year than in recent years, so that should make a few of you happy. I’m also proud to say that we had such a full deck that nobody made the countdown twice this year. So, without further ado, let’s jump right in, shall we?

 


40. AJ McLean – Boy and A Man

Yes, it’s THAT AJ McLean, of Backstreet Boys fame. He’s taken a few stabs at solo work in the past, but nothing has really stuck. Then, in a weird roundabout way, he decided to record some country music, as he felt that the genre was more aligned with the stories he wanted to tell at this stage of his life. Still, while he debuted this song on country radio, it’d be right at home on your adult contemporary station that airs Delilah.


39. George Strait – Every Little Honky Tonk Bar

I just like this little ditty. I’m not even really a George Strait fan. I know he’s the “Elder Statesman of Country Music”, but he’s never really done it for me. In fact, I think I drunkenly walked out of his concert a few years ago. Don’t ask me how I got there… Anyway, it’s just a fun song about dive bars. Garth also released a song about the same thing this year, but this one is far superior to his!


38. Blanco Brown – The Git Up

You’re already familiar with this one, as I introduced it to my readership earlier this year, swearing it was gonna be THE family reunion line dance of the summer. Now, I can’t confirm if that was true, as I didn’t have a family reunion this year, but I’d like to think my prediction came true, somewhere out there.


37. Jon Pardi – Heartache Medication

I buried a lot of the REAL country at the bottom of the list, but since you’re reading it as a countdown, I’m probably alienating you at this point. Oh well. I like Jon Pardi because he knows what works for him. He’s either singing about hearts or boots. His big single was “Dirt on My Boots”, then he followed that up with “Heartache on the Dance Floor”, followed by “Head Over Boots”, and then he gives us “Heartache Medication”. Somebody needs to let him know there are other words in the dictionary. Anyway, it’s got a catchy chorus.


36. Justin Moore – The Ones Who Didn’t Make It Back Home

So, I actually kinda hate this song, but I thought it would be disingenuous to leave it off the list. You see, this is an example of shrewd business by Moore’s management. To use a wrestling analogy, Justin Moore is what you’d consider a midcarder in the country industry. He’s not really groomed for a championship shot, but maybe he wins the Intercontinental title on a fluke, right? So, what does he do? He releases this patriot-bait song that would make it a crime for him NOT to get the #1 song on the country charts, because that simply wouldn’t be American! All of a sudden, he’s now moved from the midcard, and is a serious contender – all because of this one, heavyhanded song for soldiers/first responders. I’m not even the most patriotic, but it can bring a tear to my eye if it catches me on the right day.


35. Jimmie Allen – Make Me Want To

I love Jimmie Allen, as I know it can’t be easy for him as a Black man trying to make it in country music. It’s not like Darius Rucker has taken him under his wing or anything. Shit, I bet when they’re at the same event, it’s like the party scene from Not Another Teen Movie. Anyway, I LOVED Jimmie’s debut single, “Best Shot”, so it pains me that this song isn’t anywhere near that song’s level of beauty. This is a fun enough song, but nothing too special. It’s the kind of thing that would’ve been buried in the middle of a late 90s boyband album. I’m not even talking *NSYNC or even 5ive. I’m talking BBMak or LFO.


34. Thomas Rhett – Remember You Young

Rhett started the year with “Look What God Gave Her”, where he pretty much just bragged about his wife and her haters. I’m so tired of him singing about his wife. We get it. You’re in love! So, he ended up making the countdown with another love song that’s not so obviously about the mother of his children. Nothing groundbreaking her, but it’s a pretty song.


33. Billie Eilish – Bury A Friend

Couldn’t have a 2019 music countdown and NOT mention Billie. I’m sure most folks would have expected “Bad Guy”, but I simply liked this one more. I’m still not entirely in love with her sound, which is sorta like if they let Harley Quinn make beats while she’s locked up in Arkham. That’s why she’s so far down the list. But I’m gonna keep an eye on her, ’cause she’s clearly going places.


32. Zac Brown Band – Someone I Used to Know

I like Zac Brown, and there’s something about this that just hits right for me. That’s pretty much it.


31. Marshmello & Bastille – Happier

I’m ashamed to say that I know this more from Kidz Bop than the actual recording, as my oldest tends to walk around singing the chorus. That’s as juvenile as this countdown will get, though, since I took “Baby Shark” off the list (What? It hit the Billboard chart this year!)


30. SHAED – Trampoline

They’re actually a local band, but I didn’t know that when I discovered the song. I like its vibe, but it’s also the kind of thing where we’ll probably never hear from them again. It’s got One-Hit Wonder quality to it. Maybe they’ll prove me wrong, though.


29. George Michael – This is How (We Want You To Get High)

I already blogged about this earlier in the year, as George’s sister and father released the song. Then she died on Christmas – 3 years to the day that HE died. Ain’t that crazy?! Anyway, it seems like it would’ve been right at home on his Ladies & Gentlemen album from ’98.


28. Russell Dickerson – Every Little Thing

This was a great summer song, with its whistles and happy beat. And it was so much nicer to hear Russell sing about something other than his blue truck.


27. Mitchell Tenpenny – Drunk Me

Weird name for an artist, but a great song. Seriously, “Mitchell Tenpenny”? Is he an accountant? Or an actuary? I’ll be he’s an actuary. Anyway, I feel like this song could’ve worked just as well sung by an R&B artist.


26. Dan + Shay w/Justin Bieber – 10,000 Hours

What a surprising collaboration! I already love Dan + Shay because they’re not really country. If anything, they’re the second coming of Savage Garden, and the only reason they’re on country radio is because of the low barrier to entry. Their roots are NOT in country, and they work so well, vocally, with Bieber on this track.


25. Lauren Alaina – Ladies in the 90s

I also blogged about this one earlier in the year. Just a fun song about Lauren’s female singer role models while growing up.


24. Matt Stell – Prayed For You

You’d think that he was a Christian artist, but you’d be wrong. Sure, the song is kinda straddles that contemporary Christian line, that’s not what pays his bills. We do have one of those artists coming up, though.


23. Ingrid Andress – More Hearts Than Mine

I fell in love with this song the first time I heard it, as Ingrid is warning her boyfriend that he shouldn’t get too attached, as their potential breakup would end up hurting more people than just her. My wife hates that sentiment, as she said it’s not the guy’s fault if her family’s all clingy and gets attached to him. Still, as someone who’s been in that situation, I completely understand where the song’s coming from.


22. The Weeknd – Blinding Lights

Every time I listen to The Weeknd, I ask myself “Why don’t I listen to more stuff from The Weeknd?” So much of what he puts out sounds like it was unearthed from an 80s time capsule, and that’s right up my alley. This one doesn’t disappoint in that department.


21. Ryan Hurd – To A T

Oh, such great wordplay in this song! I was afraid that Hurd was just gonna end up being known as Mr. Maren Morris, but I’m glad to see he’s carving out a niche of his own. There’s a clear Jason Mraz influence here, and I like it.


20. Miranda Lambert – It All Comes Out In the Wash

Somebody needs to bring that Dixie Chicks fire that’s been missing from the boys’ club of country music, and this single from Miranda does just that.


19. Blake Shelton – God’s Country

Blake’s in an interesting place in his career, where he just kinda tosses out singles every few months just to remind folks that he’s more than just a coach on The Voice. Some of them never really even chart, but he does it to keep his country dues paid up. Every now and then, one of them actually has something to it, and this is one of the best. I love the chorus, where he pretty much takes us right up to the church door without leading us in. Still, it’s like you can hear the choir from the other side of the doors.


18. Luke Bryan – Knockin’ Boots

Speaking of reality show judges, America has gotten to know Luke Bryan as a judge on ABC’s American Idol reboot, and I don’t know if that’s been the greatest thing for his career. I say that because it’s almost like he’s changed songwriters now that he’s in the spotlight, and his song choices just ain’t that great lately. That said, I like the swing of this track. It’s hokey, and kinda like the joke of how all American fads reach Europe late, here you wonder why country music is just picking up on “knockin’ boots”.


17. Luke Combs – Beer Never Broke My Heart

Remember the midcarder conversation about Justin Moore? Well, sometimes someone comes out of the developmental territories, and you just know that’s gonna be The Guy. That’s Luke Combs. It’s clear that the industry expects big things from him, and everything he touches is a hit. Now, he did release “Even Though I’m Leaving” this year, which I thought was something of sappy low point for him, I LOVE this song. The chorus is just built for drunken singalongs.


16. Lee Brice – Rumor

Ooh, the blues influence here is incredible, and I’m glad to see that Brice has this kind of range in him. More like this!


15. Harry Styles – Adore You

This was something of a late entry, as Harry’s album just came out a few weeks ago, but this song really left an impression on me. It reminds me of the kind of stuff we’d get from Timberlake before he had a kid and lost all of the sexy he’d painstakingly brought back.


14. Michael Ray – One That Got Away

This is just a fun singalong song. I don’t know what else Michael has in the chamber, but I hope it’s more like this.


13. Maren Morris – The Bones

Maren’s really got the crossover appeal, thanks to Target featuring her in a lot of their ad campaigns. Her biggest song of the year was probably “GIRL”, but this is my favorite song from the album of the same name.


12. Chris Young – Raised On Country

Yeah, I know I know. Y’all hate country, but this song speaks to me. You see, I, too, was raised on country. I’m not entirely sure how it happened, as my mom listened to the blues, but from the age of 4 to 11, I listened to nothing but country. I think Ace of Base was what ushered me into the world of pop. So I can relate to this song.


11. Lizzo – Juice

I was late to the Lizzo train, and I’m still not fully aboard, but I’m thinking of buying a ticket. I heard this in Target and it stuck with me. Immediately came home to hear it again.


10. Backstreet Boys – Chances

If you weren’t looking for it, you’d probably never know that the Backstreet Boys released an album last year. In fact, it was released during such a new release drought that it debuted at #1 – their first #1 album in 19 years! Still, the whole thing was kinda terrible as, for whatever reason, they didn’t work with Max Martin, who was responsible for basically every one of their hits. So, this is probably the best song from that album, which shows they’ve still got vocal chops.


09. Lauren Daigle – You Say

Remember when Debbe Boone would sing about God but you thought it was about a lover? Well, get a load of this, as Lauren here is actually a Christian artist, but the song gets play on adult contemporary stations as a love song. It works both ways, but it just drives home the fact that contemporary Christian music has some of the best melodies out there.


08. Old Dominion – One Man Band

On the production side, this is a simple song, but it hits in all the right ways.


07. Jonas Brothers – Sucker

I was never a JoBro fan, but this song got a ton of airplay earlier this year, and it was impossible to escape it. While I never got into their old stuff, I dig their new sound. Marriage has done them some good!


06. Chris Lane – I Don’t Know About You

I love the picture this song paints. “What’s your wrist tattoo Bible verse say?” That is SUCH a type!


05. Panic! At The Disco – High Hopes

I kinda stumbled into this song because I think Panic!’s Brandon Urie sounds a lot like Patrick Stump from Fall Out Boy. So, I thought Stump had a new song when it was actually Urie. Still, I love that sound, so the song stuck with me.


04. Lewis Capaldi – Someone You Loved

I had heard this song, and I had heard the name Lewis Capaldi, but I didn’t realize this song was BY Lewis Capaldi. Great ballad here, and I need to check out more of his work.


03. Morgan Wallen – Whiskey Glasses

I am SUCH a Morgan Wallen stan, ever since “The Way I Talk”, followed by “Up Down”. The play on words here is great, and this ended up being one of my favorite songs of the year.


02. Lady Antebellum – What If I Never Get Over You

If we’re doing the genre thing, this was my favorite song by a country artist. It was ALMOST my favorite of the year, overall, but we’ll get to that. It’s just got such beautiful harmonies, as Lady A brought their A game to this one.


01. Taylor Swift feat Brandon Urie of Panic! At The Disco – ME!

It was hard to narrow down to just ONE Taylor Swift song to put on this countdown. Her album, Lover, was my favorite album of 2019, but it’s also not really fair to boast about that, as I didn’t listen to a ton of albums. What really made it stand out, however, was the fact that I loved pretty much every track on that thing. It’s got everything from peppy pop like this one to vaporwave tracks. Ms. Swift really outdoes herself on that album, but the standout to me was this song because it’s just so FUN. Not to mention the fact that Brandon Urie, from Panic!, shows up with his Patrick Stump soundalike vocals. That just sealed the deal for me.

So, there you have it. My favorite songs of 2019. Which were your faves? Did you discover anything new here? Leave a comment below!

18th Dec2019

West Week Ever: Pop Culture In Review – I Love The 80s REMIX!

by Will

As we head into the holidays, I know fewer folks will be online (especially those avoiding Star Wars: The Rise of Skywalker spoilers), so I thought I’d give you an early treat. Now, I briefly considered a West Decade Ever, but I really don’t have that in me. Instead, I kinda wanted to dabble in something different. You see, I don’t really get too musical on this site because I have the musical taste of a 15 year old White girl from Norfolk, Virginia: just enough pop knowledge, with a heavy dose of Tim McGraw sprinkled in there. Since I can’t attract that demographic without ending up on some sort of watchlist, I keep most of the music to the WBW40 post at the end of the year. That said, most of us here are Children of the 80s, and if Stranger Things has taught us anything, we eat that nostalgia shit right up! So, I thought I’d mix a little then with the now, and showcase some amazing 80s remixes I found of recent-ish songs. Some of these might not be new to you, but cut me a break, as I’ve been listening to Darius Rucker and Florida Georgia Line the past few years. This year, my holiday gift to you is a musical trip through time, where hopefully you’ll discover something that knocks your socks off as much as these did mine.

In my albeit brief research, one of the kings of this 80s remix movement seems to be a guy named Johan Olsson. If Max Martin, ABBA, and Ace of Base taught us anything, it’s to never rule out the Swedes when it comes to an earworm. He doesn’t do much to the existing songs, but what he does is SO spot on to the era. He basically isolates the original vocals and puts them over a standard 80s synth beat, but the end product sounds like something that actually charted 35 years ago.  Here’s a few of his best tracks:

“Helena” – My Chemical Romance

This was actually my introduction to this whole scene, when a friend posted the link on Facebook (See, Facebook isn’t ALL evil these days!). This could totally have been a hit by Breathe (of “Hands To Heaven” and “How Can I Fall?” fame). This has got “Awkward Slow Dance at Homecoming” written all over it, which is saying something since you can’t really dance to the original. And that sax solo! I thought it was a perfect homage already, and then that sax kicked in. And then the overlay of the sax on the final chorus? *Chef’s kiss* I would totally do this for karaoke if it were an option.

“Sugar, We’re Goin Down” – Fall Out Boy

If you’re new here, then you don’t know much about my love of California Dreams. An early staple of the 90s TNBC Saturday morning lineup, it was basically Saved By The Bell with a band (a REAL band, and not that Zack Attack crap). I would go so far as to say that I love California Dreams MORE than Saved By The Bell, primarily because of the music. Now, even though the show debuted in 1992, much of the music had that laid back, beachy sound that gave it something of a late 80s vibe. This rendition, right here, is a California Dreams song. Hence, I LOVE it. I already loved Fall Out Boy since their album Infinity On High. Loved them even more when they were part of the Teen Titans Go! The Night Begins To Shine special. With this, I don’t think it’s possible for me to love them more. Sure, they didn’t have a part in the production of this, but they provided the main ingredient, and that’s enough in my book!


“Boulevard of Broken Dreams” – Green Day

This has that dark, pulsing beat of a Pat Benatar song. If it were used in a movie, it would most definitely be during a driving sequence through the “bad part of town”. Maybe 80s Times Square, before Giuliani came and supposedly cleaned up the streets.


“Dani California” – Red Hot Chili Peppers

I can’t help but feel like this version would’ve been a great song to use in Beverly Hills Cop, just as Axel arrives in California. They could just use a bunch of standard California B-roll, with bikini girls rollerskating down the sidewalk and beautiful people playing beach volleyball.


“Side to Side” – Ariana Grande feat Nicki Minaj

Coming to a shopping mall near you is this new hit singer, Ariana Grande, and her bouncy hit “Side to Side”! This version puts a happier spin on the song, as the original sounds like snake charmer music. I will say that the Nicki verse doesn’t work as well with what Olsson is trying to emulate, but he kills it on the Ariana parts.


“Perfect” – Ed Sheeran

Know what’s funny? If this had come out in, say, 1986 Sheeran would’ve probably been a One-Hit Wonder, but this song would still be played at Black family reunions to this day. Instead, in the wacky world of 2019, he’s been named the Artist of the Decade! Not Olsson’s strongest offering, but he makes it work. This is actually one of his earliest remixes, so you can contrast this with “Helena” to see just how far he’s come in only a year at doing these.


“Symphony” – Clean Bandit feat Zara Larsson

I actually wasn’t familiar with the original in this instance, so I discovered TWO songs in this case. Immediately took to the Clean Bandits song, especially with that powerful music video that accompanies it. Still, I really like what Olsson does here. It’s understated, but could easily play over the end credits of some 80s thriller about a dystopian future. Anybody ever see that Tom Selleck/Gene Simmons movie, Runaway? Yeah, that movie would’ve been perfect for this. Again, this is one of Olsson’s earliest, but he stuck the landing on it right out of the gate.


“Poker Face” – Lady Gaga

Rest assured that Olsson isn’t the only one out there, doing the Lord’s work, and some artists just lend themselves well to the 80s remix treatment. One such artist is Lady Gaga, and this mix by D.A.M.I.A.N is pure perfection.


“Wrecking Ball” – Miley Cyrus

GK Starwalker turns in this “1987 Version” of Miley’s hit, which fires on all cylinders from the first beat. Nothing crazy is really done here, but it’s a great alternate take on the haunting song. A good, by-the-numbers 80s conversion.


“We Found Love” – Rihanna feat Calvin Harris

I really love what Rath Remix did with his one, and I’m a big fan of the original. I love how the synth comes in at the pre-chorus. This kinda sounds like Saved By The Bell music in a weird sort of way. It even ends like a TV theme song.


“I Want It That Way” – Backstreet Boys

I’ll close things out with one everyone knows. Here, Mohamad Shaxi delivers the song you hate to love, but can’t help but sing along to. You could almost call this the “GTA Mix”, as I feel like it would play in the in-game car, as you’re going to collect money from your bitches. It’s a standard synth beat, but it works. Back when I used to buy maxi singles, I could totally hear this being one of the remixes on there. After all, there wasn’t a ton of difference between late 80s pop and early-mid 90s European disco.

Well, there ya have it – 11 songs you didn’t know you’d hear when you woke up this morning. I fell down quite the rabbit hole, and I thank you for coming along with me. Which were your favorites? Do you know of any good ones I need to check out? Do you want posts like this in the future? As they say in my kids’ YouTube videos, leave a comment below! In the meantime, have a Happy Hanukkah, a Merry Christmas, and a Kickin’ Kwanzaa!

13th Dec2019

West Week Ever: Pop Culture In Review – 12/13/19

by Will

In a rare family moment, we all sat down to watch The Grinch last weekend. My wife had actually taken our oldest to see it in the theater last year, but the kid fell asleep during the second half. In all, it’s a cute little movie, if not a bit short. I don’t really make a tradition of watching holiday stuff every year, so I haven’t seen How The Grinch Stole Christmas in forever. I do know that most of this Cindy Lou Who stuff was new, ’cause you’ve gotta do something to fill 85 minutes. I didn’t realize Cumberbatch was The Grinch until my wife looked it up, and then it was obvious. He was using that same “normalized” American accent that Hugh Laurie used as Dr. House. And I loved Kenan Thompson as Brinklebaum. I do have questions, though. If The Grinch isn’t a Who, then WHAT is he? And why is he green? Is this explained in some other part of the Dr Seuss Shared Universe? I didn’t grow up on those books, so someone enlighten me. Anyway, other than It’s A Wonderful Life, we don’t really have Christmas viewing traditions, but I could easily watch this again in the future.

So, this week saw the start of the highly anticipated 5-part Crisis on Infinite Earths crossover on The CW. The first 3 parts aired over Sunday through Tuesday night, with the final 2 parts slated to air in about 4 weeks. Clearly a love letter to fans of DC Comics, the event pulled characters and actors from all over, including Burt Ward (Batman ’66), Robert Wuhl (Batman ’89), Tom Welling (Smallville) and more. Those cameos were woven into the ongoing stories of the individual Arrowverse series, much to the crossover’s detriment in my opinion. I really wanted to like it. I mean, I truly did. That said, it really felt like a cheap fan film –  probably because the costumes of ancillary characters look like bad cosplay (looking at you, Vibe). Here are my random, SPOILERY thoughts, in no particular order:

  • I can’t imagine this was accessible to newcomers. I’m the most casual of Arrowverse fans these days, and I probably only understood about 30% of the non-Crisis stuff going on.
  • Speaking of not being able to follow things, Tom Kavanaugh is on, like, his 4th character in this franchise, right? Is he some producer’s uncle or something?
  • There was WAY too much Supergirl drama going on in Part One to really be able to focus on the fact that the world was ending.
  • I haven’t seen Supergirl since season 1, but that Braniac dude is obnoxious as Hell. I know they represent “the audience”, but why do these shows always have that grating fanboyish character who has to explain everything to the “noobs”?
  • I’m sorry, but I didn’t watch 12 seasons of Two and a Half Men to accept Jon Cryer as Lex Luthor. He’s just hammy in the role, and not in that “good” way. I just can’t take him seriously.
  • I’ve never watched Batwoman, and after Ruby Rose’s performance, I don’t see myself starting any time soon.
  • Ya know, for all the fanfare about Batman: The Animated Series voice actor Kevin Conroy starring as Batman, he didn’t really SOUND like Batman.
  • All the deaths were corny, from Oliver to Bruce to Flash ’90. They were without emotion, and made soap opera deaths look Oscar worthy.
  • Man, I thought I disliked Erica Durance as Lois Lane in Smallville, but I REALLY don’t like the Arrowverse Lois.
  • I always liked Brandon Routh as Superman, and felt he just got shafted with a bad movie. It was great to see him back in the suit here, but, as Clark, it looked like he was wearing his father’s ill-fitting suit.
  • Seeing Hoechlin next to Routh really drove home just how much of a Great Value Superman the Arrowverse has.
  • I love they pretty much had to come up with a “He gave up his powers” excuse to justify Welling’s midlife, lumberjack body.
  • More happened in the Batwoman ep than the Supergirl ep, and that’s still not saying much. Meanwhile, did you know that when this aired in the UK, they had to skip the Batwoman episode because no broadcaster in the UK has the rights to the show? Womp womp.
  • Who did the Gotham producers piss off that Lucifer got a cameo but no one from their show did?
  • So that it doesn’t seem like I’m completely shitting on the whole enterprise, it is cool how they pretty much wove a tapestry of everything that came before and after Arrow into the Multiverse. I know we’re not supposed to talk about it anymore, but it’s basically HyperTime. “Everything counts”.
  • The best acting, and actual genuine emotion, came courtesy of Jefferson “Black Lightning” Pierce. Never thought I’d type that sentence!
  • Speaking of Black Lightning, we got the Black Guy Head Nod between him and Diggle. Let that sink in for a minute, though. We do it because we’ve been through the same shit, and are acknowledging that with each other when we meet. But, in this case, it means in MULTIPLE universes, we STILL go through the SAME shit to make the nod even necessary. Slavery, Inequality, The Struggle. Except the Earth with Black Superman. That’s heavy.
  • Did these episodes really need a Kevin Smith-hosted aftershow to break down what we just saw? I get that DC/WB wanted us to think this was EPIC but the product they delivered fell short of that.
  • That was NOT an ending that’s gonna keep me on my toes for the next 4 weeks. Everyone swore this would have some amazing cliffhanger, but they were wrong.

At the end of the day, it’s a cool experiment, but I was mostly bored. It couldn’t hold my attention most of the time, and had I watched it nightly, instead of in one fell swoop in one night, I probably would’ve dropped it after Part One. It’s got 2 more episodes to stick the landing, but I’m not holding my breath.

Trailer Park



Wonder Woman 1984

Remember last week, when I said that the Black Widow trailer really didn’t move the needle for me? Well, along came this trailer, which basically said “Hold my tranquilizer”. I love “Blue Monday” and the 80s aesthetic. Gadot is great in the role, and I love Kristen Wiig, but I didn’t walk away from this, just needing to see this movie. And Steve is just…back? Was he frozen in ice for 40 years? I was kinda hoping they would be brave, and take a page from the Wonder Woman TV series, saying that this is actually Steve Jr, played by the same guy (like Lyle Waggoner in the series). Instead this seems to be Steve Sr? I dunno. I know we’ll get at least 2 more trailers, so I hope they’re better than what we got here.


Like A Boss

This seems like it should be funnier than it is. I’d like to think they saved the best stuff for the movie, but that’s not how these trailers work. I know she’s polarizing, but I watched this and couldn’t help but think “Melissa McCarthy could’ve saved this movie.” Keep Haddish, because I know she’s the new hotness in Holywood, but replace either Rose Byrne or Salma Hayek with McCarthy, and this would probably be a good movie. As it stands, it doesn’t look like much.


Free Guy

Fun trailer, and who doesn’t love Ryan Reynolds? That said, I’m not enough of a modern gamer to truly appreciate what’s going on here. Back in my day, a Non Playable Character was a damn turtle, or a dog that laughed at you. I never immersed myself into the GTAs and CoDs enough to really “get” what’s going on here. Plus, Reynolds has joined the ranks of actors, such as Bruce Willis and Vince Vaughn, where he’s cultivated a character that he now plays in every comedic role. You could say he’s been doing it since Two Guys, A Girl, and a Pizza Place, but it’s been refined over the past 20 years to where he doesn’t really have to try anymore. He struck gold by cranking it up to 11 for Deadpool, and now he can easily coast on a 7 if he has to. Yeah, I’ll catch this one when it hits FX.



Nora from Queens
(Comedy Central)

Speaking of polarizing, apparently some folks don’t like Awkwafina. I’m not one of those people, however, so this looks good to me. I know we’re losing an Asian-American sitcom when Fresh Off the Boat ends this season, and while this won’t “take its place”, it’s still another option in the marketplace.


Stargirl (DC Universe/The CW)

Yay, another Arrowverse show. I think I’m beginning to feel about the Arrowverse the way those Snyder Cut fanatics feel about the MCU. Enough already! Still, this actually looks kinda cool, but I look at Luke Wilson and think “How’d you end up on The CW?” Then I remember it’s not exactly true. You see, this show was developed for the DC Universe streaming service, but since that service seems to be on its last legs, an interesting deal was struck: episodes will debut on DC Universe, and then air on The CW the following night. This trailer, however, doesn’t seem to want the stink of DC Universe on this show, so they just cleverly forgot the whole “The CW is actually airing reruns” aspect. Anyway, as far as demographics go, this should fall right into The CW’s sweet spot, as it will appeal to Arrowverse fans AND teen girls.

Things You Might Have Missed This Week

  • Apparently the sequel to SHAZAM! is slated to be released on 4/1/22. Ya know, if this isn’t some long-range April Fool’s joke.
  • Speaking of release dates, it was announced that the 4th Matrix movie and John Wick 4 will be released on the same day: May 21st, 2021.
  • Batista and the nWo have been announced as members of the 2020 class of the WWE Hall of Fame. I had a great conversation on Twitter about whether or not Batista is really a Hall of Famer.
  • William Shatner, 88, filed for divorce from his fourth wife after 18 years of marriage. How bad is your marriage when you file for divorce at 88?! It’s a wash by that point. You going back out on the prowl? You really don’t want her eulogizing you? What is it?
  • In the Year of our Lord 2019, Nick Cannon is still poking the bear with Eminem. It’s funny that Nick’s still trying to defend the honor of a woman who doesn’t even want his ass anymore.
  • At last night’s Game Awards, the XBox Series X was teased for a Fall 2020 release. With a name like that, I can only assume it has more boobs, and maybe a little bush.
  • Though the writing was on the wall with the announcement of Jeph Loeb’s departure, it was announced this week that Marvel Television will be folded into Marvel Studios, with Marvel Chief Creative Officer Kevin Feige taking over.
  • ABC is doing another Live In Front of a Studio Audience special next Wednesday, this time tackling episodes of All in the Family and Good Times. The All in the Family cast is the same as last time (Woody Harrelson, Marisa Tomei, etc), while the Good Times cast is new, including Viola Davis and Andre Braugher.


I’ll bet you were looking for it in Trailer Park, but it’s actually got the coveted spot this week. You see, growing up, I was hardcore into Ghostbusters. You wouldn’t know it now, because that part of my brain has been occupied by Power Rangers trivia the past 26 years and, in the age of the Internet, TRUE GB fanatics arose, making my fandom look like nothing.

The thing is, however, I wasn’t ever really into the things that modern day fans feel were “Peak Ghostbusters“. For example, I don’t really revere that first movie, and I kinda prefer the sequel, if only because local Fox affiliate, Channel 5 (shout out WTTG!) used to air Ghostbusters II about every 8 weeks when I was growing up. I’ve just seen it more than the original recipe, so it came to mean more.

No, my fandom was based primarily in the toys and the cartoon, The Real Ghostbusters. In fact, it was that very cartoon that sort of stoked my love of continuity when it actually acknowledged that Janine’s look had changed over the seasons, and provided an in-story reason for that besides chalking it up to “The animators were getting bored”. My love was reignited in ’97, when Extreme Ghostbusters hit syndication. I watched every episode while getting ready for *high school* every morning, and I squeeed during the series finale 2-parter, when the original team came back to meet the new team.

As for the toys, I had the proton pack, the trap, the firehouse, Ecto-1 – all of which I still have to this day. I never really lost my love of the franchise, but I kinda didn’t really feel “worthy” around folks who can quote the movies word for word (and keep in mind, the movies aren’t *my* Ghostbusters). When it comes to live action, I’m still waiting for something to come along that piques my interest. There was Ghostbusters 2016, with the female team, which should’ve been right up my alley, as I love the cast AND the director. Still, I’ve owned it for years, but have never taken the time to watch it, since public sentiment towards it is so negative. We saw a lot of the worst sides of the fandom then, and I think it’s what made me shut down the containment unit for good.

Then this trailer popped up, and brought it all rushing back. What, exactly, was I watching? This wasn’t the theatrical Ghostbusters I’d grown up on, but that wasn’t a bad thing. I HATE movie speculation, but I immediately found myself on a Facebook thread with some friends trying to decipher what we’d seen. How was Egon old enough to have grandkids? Does this movie retcon Ghosbusters II? Is Paul Rudd no longer playing Dana Barrett’s grown kid, Oscar, which is a role that had been rumored for years? Are we sure it’s even Egon we’re talking about here? I mean, sure, his actor is no longer with us, but moving to a farmhouse with the Ecto-1 sounds really “Ray” to me.  And is the world in Ghostbusters basically like the Marvel Universe, in that everything happens in NYC, and doesn’t really affect the rest of the world? I mean, 30 years ago, there was PROOF OF GHOSTS, and now it’s just forgotten about in Middle America?

Anyway, it’s safe to say that I’m interested and on board. I’ll acknowledge that it didn’t do it for everyone, as a lot of folks complained “They got Stranger Things in my Ghostbusters!” Sure, I get that there’s a kid element to this film, with Finn Wolfhard, but we don’t yet know that they save the day. For now, we just know they go for a joyride, and play with a thrower that they totally don’t understand. I’d find it kinda hard to believe if they end up taking out the ghosts with no real guidance or training (even the Extreme Ghostbusters had training), but I feel like there’s a lot they can’t show us yet, so I’ll trust in the process.

Move over, “Is Die Hard a Christmas Movie?”, ’cause there’s a new question on the block: Was Ghostbusters a Comedy? Bigger fans than myself have pointed out that it was apparently never intended to be a comedy, but rather a horror movie with comedic elements. Meanwhile, there’s the camp that swears it’s one of the greatest comedies of the decade. I haven’t really taken a side on that one because, as I said, I prefer the sequel, and it was clearly a comedy. I think its clear comedic approach is why folks don’t think it’s a worthwhile successor to the original. I guess it needed to be a bit more nebulous in its intentions.

In any case, I’ve got a fever, and the only cure for it is new Ghostbusters. I’m cautiously optimistic, and longtime readers know it’s a lot easier for me to shit on something that be optimistic, so I’m trying here. That’s why the Ghostbusters: Afterlife trailer had the West Week Ever.

06th Dec2019

West Week Ever: Pop Culture In Review – 12/6/19

by Will

So, did everyone have a good Black Friday? I didn’t post, ’cause y’all weren’t gonna read it anyway. There were deals to be had! I did my typical spree on physical media that I’ll probably never watch:

  • I already own both Deadpool movies, but I got this Blu Ray 2-pack for $1.96. I COULDN’T leave that behind!
  • Yes, I know Dark Phoenix sucks, but I still haven’t seen it, and I own all the others, so I had to complete the set.
  • Booksmart always kinda looked like it was basically Girl Superbad, which doesn’t sound like the worst thing to me. Hope I’m right!
  • I didn’t read anything good about Rocketman, but Elton’s my favorite artist of all time, so I’ve gotta see it.
  • Yes, everyone who’s seen Holmes & Watson has wasted no time telling me it’s horrible, but I’m a sucker for that comedy duo, plus it was $3.

The rest of my haul came in last night. These online orders were my “Wait for Black Friday” babies that I’d passed up over the course of the year:

  • Was not fan of Captain Marvel, but I’ve got all the rest, and it was just $7.99, so…
  • I know this is sacrilege, but I enjoyed Venom. Hell, I enjoyed it more than Captain Marvel, which is why it’s here.
  • SHAZAM! was fun, and deserves to be revisited. On the flip side, I never saw Aquaman, but feel it deserves a fair shake.
  • Can’t wait to watch Cooper and Gaga’s Not Relationship play out in A Star Is Born!
  • Everything else here I’ve never seen (Yes, that includes Jingle All the Way and 3/5 of the Transformers films), so they’re New to Me.

I’m convinced that I’ll be the key to the physical media infrastructure after The Collapse, so I guess there’s that.

Trailer Park

No Time To Die

I like to think I’m a James Bond fan, but my favorite of the franchise is Moonraker, and I’ve never seen a Daniel Craig Bond film, so I guess I’m just kidding myself. This looks fine for the folks who are true fans, but that ain’t me. I feel like I’m missing some backstory here or something, but maybe it’s just how the trailer is edited. Yay for Black 00 agent, but she’ll probably die ’cause she’s way too cocky (ugh at the thinkpieces that’s gonna trigger), and Bond never dies. He’s got no time to die! I’ve got nothing against this film, but I’ll probably never see it.


Crisis on Infinite Earths (The CW)

I get that this is supposed to be EPIC, but I also feel like I’m missing something by not being All In on the Arrowverse right now. In fact, I feel like those novices who were like “Can I see Infinity War/Endgame if I haven’t seen the other Marvel movies?” I realize that Flash has been building to this since its pilot, which is why it’s kinda odd to me that, somewhere along the way, this became an Oliver Queen story. In the original 80s comic series, the big deaths were Flash and Supergirl, but I can’t help but feel that basic knowledge of the TV industry kinda puts the kibosh on that happening here. I mean, there are contracts in place. You kill those 2, what are you gonna do for the back half of each of their seasons? Meanwhile, Arrow only has, like, one episode left after this crossover, so… My point is that, while this has become quite the smorgasbord/clusterfuck mishmash of DC properties that some folks have always wanted, I can’t possibly imagine anything they could throw at me that would blow my socks off. And I’m not trying to be difficult here. I stopped regularly watching Arrow when Lian Yu got blown the Hell up, so I’m 2 seasons and change behind. It’s just that I feel really detached from those shows right now, so I’m probably just not the target audience they’re trying to reach. Crossing my fingers that it’s good, though.


Mulan

I’ve actually never seen the animated feature (I know, I know), but that might work in this one’s favor. I’ve made no secret that I’m not a fan of Disney’s recent “Let’s ‘live action’ that bitch!” initiative they’re applying to all their past animated hits. I feel like, outside of Pixar, Disney’s recent films are stagnant, and they don’t really know what to do next. People like to rip on the MCU for being formulaic and lacking stakes, but Disney Proper really isn’t taking many risks these days. Sure, it’s not “easy” translating a lot of these things to live action, but why do it anyway? Just because? Anyway, this looks pretty amazing, and I’m prepared to watch the Hell out of it. Also, it looks like the kind of thing best seen on the big screen, and that’s not something I do for just any movie. But I’m picking up what you’re putting down, Mulan, and I’m ready!


Troop Zero

“As a father of daughters”, I find this looks cute. I’d never pay to see it, and I’d never rent it. However, it’s perfectly placed on Amazon Prime, where I can watch it at my leisure without ever living my house. Ain’t The Future grand?


Black Widow

I’m not completely dead inside yet, but this did absolutely nothing for me. I’m trying not to let the whole “She’s a dead character/Endgame was the perfect coda to the MCU” mentality creep in. All that aside, this movie is a day late and a dollar short. Regardless of the stuff I just mentioned, this should have been ensconced in Phase 2 and NOT all the way in Phase 4. Will I watch it? Sure. Am I excited about watching it? Not at all. This would be like if they said “Hey, Agents of S.H.I.E.L.D. is gonna have a movie”, which is another property that could’ve benefited from some early theatrical love. Widow is not my favorite Avenger, but you say that shit on Twitter, and they’ll cancel ya for hating women. No, I just don’t care that much for how she’s portrayed in the movies, despite the fact there’s been some great comic stories with her (like Nathan Edmondson and Phil Noto’s recent Black Widow series). I know they’re just calling this a teaser, so I’m sure Disney is hard at work on an official trailer, chock full of footage that won’t be in the actual movie.

Things You Might Have Missed This Week

  • Almost 2 years after Hasbro’s purchase of the property, the “Saban’s” prefix will finally be removed from the Power Rangers logo in 2020. While Haim Saban had acted in a consultant role on the brand, his future with it is now uncertain.
  • After debuting just last weekend on the DC Universe streaming service, the premiere episode of the animated Harley Quinn series is set to air on TBS this Sunday night. While the worst words will be censored, a move like this is still enough to make folks question why DC Universe is even still around, as far as original programming is concerned.
  • Speaking of animated shows, it’s been reported that the showrunner and writing staff of the Tigra & Dazzler animated series, set to stream on Hulu, have been let go. There are reports that it’s undergoing a “creative overhaul”, but I doubt those Hulu shows ever see the light of day. They were Jeph Loeb’s babies, and his departure was announced during my most recent blog break. Everyone knows the new boss throws out the old boss’s shit so they can do their own shit. I don’t care if Kevin Smith and Chelsea Handler were attached to that planned animated universe, it ain’t happening.
  • In the “Get Yo’ Money, Playa” move of the century, tortured Jar Jar Binks actor Ahmed Best is returning to the franchise to host the Star Wars: Jedi Temple Challenge game show for Disney+
  • There are reports that Disney is looking to revive the Planet of the Apes franchise in some capacity, as it is seen by some as the most viable property in the recently acquired Fox portfolio.
  • Since John Witherspoon’s passing, there are now reports that actress Jenifer Lewis is interested in portraying Granddad’s sister in the upcoming Boondocks revival.
  • If you’re like me, in thinking that The CW’s Crisis on Infinite Earths could probably stand to be more than 5 parts, then you’ll be glad (or mad) to know that DC felt the same way. This is why they’re releasing a 2-issue Crisis comic series that will be part of their 100-Page Giant series sold at Walmart. These comics, co-written by original Crisis writer Marv Wolfman, will feature the Arrowverse characters, and fill in some of the blanks that won’t make it to the screen. Issue #1 will be out 12/15, with #2 out on 1/19.
  • Justin Timberlake has publicly apologized to wife, Jessica Biel, for being spotted holding hands with his film costar, Alisha Wainwright. He’s blaming it on the a-a-a-a-a-alcohol, and swears nothing happened. This is such a juvenile non-scandal that I half expect him to go public with his Cootie Test results.

  • At long last, we’re finally getting full-fledged DC Comics characters in the next series of LEGO Minifigures blind bags! I’m SO glad I won’t have to buy full sets to get some of these characters now.

Since we skipped last week, we never got a chance to talk about E.T.’s grand return. You see, during the annual Macy’s Thanksgiving Day Parade on NBC, 80s pop culture icon E.T. came back! No, he wasn’t a parade balloon, nor was he in the booth with Hoda and Al. I wish I could say it was a trailer for a long-awaited sequel, but I can’t say that, either. No, the folks at Xfinity decided to dust him off to tug at nostalgia to help them sell bundle packages.

11 million views later, and I’m left here with a lot of questions. I mean, just think of all of Elliott’s therapy that was done by this return! And why wasn’t his wife more frantic? What’s SHE hiding? And where’s Gertie? Please tell me Gertie’s OK! It couldn’t have been easy growing up knowing what she knew.

It’s a cute ad, but luckily E.T. doesn’t hold much of a special place in my heart, so I wasn’t over here weeping like some Evangelical listening to “The Christmas Shoes” for the umpteenth time. No, your trickery didn’t work on me, Xfinity! Plus, I already have your services, so you have nothing left to sell me right now.

I could get used to this, though. Maybe next year, they could do Weird Science with a CGI Kelly LeBrock. I’d LOVE to see Wyatt and Gary try to explain that to their wives and/or husbands. “Um, we created her…for science!”

It’s a cheap ploy, but nostalgia is an instant warp zone into the hearts of many. They used a day meant for family to showcase E.T. being reunited with his own. Well played, Xfinity. Anyway, it’s safe to say that E.T. had the West Week Ever.

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