02nd Nov2018

West Week Ever: Pop Culture In Review – 11/2/18

by Will

So, not much has really happened since last we met. Sure, Megyn Kelly Today got cancelled, and the WWE’s Crown Jewel is taking place in Saudi Arabia as I type this. So, “Ya win some, ya lose some”? I pretty much have nothing “newsy” to talk about today. So, I thought we could have a conversation instead. Have a seat. Not that one. That one’s my seat.

OK, so talking to some friends lately has made me aware of a sense of existential dread that I didn’t fully realize I had. I mean, what am I doing here? I’ve never really looked back to see when West Week Ever started, but I know it’s been almost 5 years at this point, if not longer. All those years, looking at pop culture, trying to be funny and snarky where possible. That’s all fun and good, I guess, but what does it ultimately get me? These days, I “critique”, and sometimes even “soapbox”. And not all that well. It’s just MY take on things, but not THE take on things. Nothing I do is definitive. I don’t have that clout or experience. So, I’m dealing with the question of whether I want to critique or create.

I used to be creative. “Artsy”, even. I played piano, did all the high school musicals. All that jazz. And let’s not even touch on the a cappella stint. I had expectations of doing something with that. Anything. Maybe it’s the fault of the millennial trap, where all of our parents assured us that we were special. I kinda thought I’d be a bigger deal by now. How? Doing what? Who the Hell knows.

Sure, I’ve got my family and a job and all that, but something is missing. I miss being creative. I miss having that outlet. Every year when NaNoWriMo comes out, I’m like “I could do that.” Folks have told me I’m a good writer, so even if they were blowing sunshine up my ass, why haven’t I listened to them? I have people who’ve come into my life who are award-winning writers and music producers. They found their thing and went after it. What’s my thing? I’m having what I would like to call my John Tesh Moment.

At some point over the past 20 years, John Tesh became this pop culture joke, brought up whenever anyone deigns to talk about New Age music. I don’t think folks really understand the whole picture there, though. That was, like, Phase 2 of his life. He started out in news, as both an anchor and sportscaster. That got him noticed for the job where you were probably introduced to him, as co-host of Entertainment Tonight. For 10 years he held down that desk with Mary Hart, and they were THE de facto ambassadors of Hollywood to the common man. There was no Extra, Access Hollywood, TMZ, etc back then. Just like Robin Leach let us know how the rich and famous lived their lives, Tesh and Hart could actually take us to the movie set, where the “magic” was happening. Still, while doing this, he had ambitions of his own: music.

With no real onstage experience, he asked his pal Yanni if he could join him on tour as a keyboardist. This opened a LOT of doors for him, as he’d go on to compose the theme song to Bobby’s World, as well as the NBA on NBC theme. Seven years after that tour with Yanni, Tesh was headlining his own shows at Red Rocks. That’s when he became JOHN TESH. Now, because folks like to make fun of his genre, it’s also when he might’ve become the joke, as well. Still, this was John Tesh 2.0, and boy has he been successful! He’s released over 30 studio albums and his concerts are a mainstay of PBS pledge drives. When he comes up in conversation these days, it’s never about Entertainment Tonight. Instead, it’s either about his music or this new self-help guru role in which he seems to have found himself. He and wife, 80s actress Connie Sellecca, manage a brand called Intelligence For Your Life, and he’s got a syndicated radio show. He’s 66 now, and he left ET when he was about 44. That’s a late in life career shift, but it is possible.

What am I getting at? I don’t know. I’m not trying to leave West Week Ever behind. I just feel like I could be doing more (and don’t you DARE say a podcast).  Critiquing only goes so far. I want to create. I want to leave some sort of impact. Anything to not feel like I didn’t put all the cards on the table.

The world’s a crazy place right now. I don’t need to get into all of that. Still, what can I bring to the world that it needs? What do I have that the world wants? What am I going to do with my John Tesh Moment?

Anyway, I think we’re good here. You can get out of that chair now. I’ve got to go pee, so just lock the door behind you.

05th Oct2018

West Week Ever: Pop Culture In Review – 10/5/18

by Will

HarassmentWatch(TM)

Brad Kern Update – the former NCIS: New Orleans showrunner was fired by CBS Studios after a THIRD misconduct investigation. He had already stepped down after the 2nd, but he remained on the payroll as a consulting producer. He reportedly had a history of belittling women, and making insensitive racial remarks.

Vincent Favale – What the Hell is going on over at CBS?! Man, they are draining the fucking swamp! Favale, the senior vice president of talent at the network has been placed on administrative leave after reports of sexual and homophobic remarks – many of which were reported by staff of The Late Show with Stephen Colbert. Favale reportedly once said that he “got four erections” while watching Jennifer Hudson rehearse for a Late Show appearance. Sounds like a real great guy…

*Takes long drag off cigarette* “Geoffrey? Now, that ain’t a name I’ve heard in about a month.” So, this week, Toys “R” Us called off the auction meant to sell off their IP and trademarks, as they reported they felt there was more value in relaunching the brand. Paperwork reveals that they registered the name “Geoffrey’s Toy Box”, but for what nobody is sure yet. Meanwhile, the Dallas Toy Fair is going on, and there have been sightings of Geoffrey walking the aisles, wearing a cape that says “Back from vacation”. All of a sudden, every news outlet lit up with “Toys ‘R’ Us is Coming Back!” Hold on there, cowboy.

Toys “R” Us rushed into bankruptcy, leaving long-time employees without severance, and owing toy manufacturers millions for unpaid product. That giraffe can’t just mosey back in like nothing happened. While the man on the street might be happy about TRU returning, there are a lot of folks who are going to feel some kind of way about that. And if it turned out that they only filed bankruptcy to divest themselves of debt, overhead, and responsibility, that’s going to cause even more problems. Had they been a public company, I’m pretty sure the SEC would be stepping in right about now, but they were private, so I don’t really know what happens next. All I do know is that they need to read the room and understand it’s too soon. The body ain’t even cold yet. I mean, I’m half expecting the next marketing image to be Geoffrey rolling back the stone from his tomb. That’s how this feels right now. They really need to give it a bit more time before rushing into this – if only so I don’t have to hear all the armchair quarterbacks talk about “They better lower their prices! That’s what drove them out of business in the first place!” Not exactly, Poindexter, but you keep on thinking that…


I was hesitant to post this ’cause y’all are never on the same page as me musically, but I’d be remiss if I didn’t share the stuff I think is good. Now, I know some of you see “country” and just think “NEXT!”, but I will die on the hill that modern country isn’t what you think it is. There are tons of artists who get airplay on country stations, yet if I played the song for you without telling you that, you’d never know it. Today, I can’t really do that ’cause I think everyone knows Tim McGraw is a country artist. Still, yesterday evening, he released his latest song, “Neon Church”, that I’ve been streaming for the past 24 hours.

While I love the wordplay, likening a bar to a church, I’m really here for the melody and what’s going on in the background. The first time I heard it, I was like “That’s ‘Purple Rain’!” In an interview this morning, McGraw said that while recording, he and his band were listening to a lot of Prince and Journey, and it shows here. I played it for Lindsay, and she didn’t like it – I somehow managed to marry the only White woman who hates Journey. Anyway, listen near the bridge and the at the end – that guitarist is doing his best “cruise ship ‘Purple Rain'”. It’s something of a vocal stretch for McGraw, as it’s at the top of his range, but I’m still really digging what’s going on here.

Trailer Park


Spider-Man: Into The Spider-Verse

So, we got a new trailer for this one. Again, I am one of the BIGGEST Miles Morales fans, and this movie does nothing for me. I’m not digging the animation style, which I’m finding to be just as jarring as the MTV Spider-Man animated series based on the Raimi movies. Plus, I’m not sure Jake Johnson is how I imagined Peter Parker would sound. And Miles’ dad isn’t a cop. I get they had to take certain liberties or whatever, but I’m not feeling it. Maybe it’s not meant for me, which is sad, ’cause I pretty much glom onto any and all Miles merchandise and comic appearances.

Plus, I just don’t know if this is a theatrical project. I mean, I look at this, and think it would be a cool animated special that airs on ABC during primetime on a Wednesday in June or something, but to actually go pay to see it in a theater? I don’t think so. It feels like a nice special one-off event, like that Toy Story That Time Forgot special or something. Maybe even a special event on Disney XD. But this ain’t an “I’m headed to Fandango to order tickets” kind of thing.


Daredevil Season 3

So glad they quickly got this out there, ’cause the teaser I showed you last week left me scratching my head. Apparently this is adapting the “Born Again” storyline, but I read that thing over 10 years ago, and don’t remember it, so don’t take my word for it. It looks good – SO good, that I might just skip that other Netflix shows I haven’t seen and skip right to it.


Runaways Season 2

I’ve never watched an episode of this show, and that’s because A) I don’t have Hulu and B) it looks hokey as Hell. From the special effects to the way the kids all look like “teen outcasts” straight from central casting, it just doesn’t look good to me. I was a big fan of the comic series when it launched, but I watch these trailers, and I’m still waiting for the other shoe to drop. If you’ve read the comic, you probably know what I’m talking about. It’s like, if you think they’re on the run NOW, you just wait! There’s a twist coming, and I might jump onboard if/when I hear they’ve pulled that trigger. Until then, I’m content being in the dark on this one, Cloak & Dagger, and all the teen-centric Marvel stuff.


Harley Quinn

So, they announced that Kaley Cuoco would be voicing Harley, and I was like, “Huh?” I mean, were Tara Strong or Arleen Sorkin busy? But I guess they wanted a “name” behind this, since it’s one of DC Universe’s more high profile upcoming launches. After seeing this trailer, Cuoco does a decent job. And I really love Poison Ivy doing her best Daria. I like that DC seems able and willing to poke fun at them themselves here. I’m curious to see how this plays out since it’s marketed as an “adult animated series”. Let’s just hope the show is good, and not another Stripperella.

Things You Might Have Missed This Week

  • Fox announced the release of Untitled Deadpool Movie slated for December 21st, which will reportedly be a PG-13 cut of Deadpool 2. Keep in mind that this is also the weekend that Aquaman and Bumblebee hit theaters. I was kinda hoping it would be a new movie made up of deleted scenes and cut subplots, kinda like Wake Up, Ron Burgandy. Anyone ever seen that? It’s HORRIBLE but, as an Anchorman completist, I had to see it.
  • Speaking of Fox, they made a lot of schedule moves, as Untitled Deadpool Movie takes the release date of James Cameron’s Alita: Battle Angel, which, itself, is moving to Dark Phoenix‘s previously announced date of February 14th, 2019. Dark Phoenix, meanwhile, is moving to June 7th. Also, Channing Tatum’s X-Men spinoff, Gambit (ya know, that movie that’s never gonna happen?), has been pushed to March 13th, 2020.

  • So, those pitches are teasing a Pitch Perfect 4, and I’ve got to beg them to stop. The only thing they could even possibly do is have it based on NBC bringing back The Sing Off, and having the Bellas compete on it. Anything else would be absurd. No, the 3rd one was just not worth it, so I say we let it die as a trilogy.
  • Before the first episode has even aired, Titans has been renewed for season 2 on the DC Universe streaming service. Ya know, why not? It’s not like they’re sitting on anything else amazing to throw on that thing.

  • Speaking of bad DC live action ideas, Lobo is going to debut on Syfy’s Krypton next season. This looks like a Spirit Halloween ad! Ugh, fucking Lobo. He’s just the absolute WORST. Even though he debuted in the 80s, he’s the 90s at its 90iest, and I hate everything about him. I’ve always said that you can tell a lot about a person if they’re a Lobo fan. They’re usually Special Ed. Probably ate paste in school. They either grow up to own a landscaping business or become a Best Buy stereo installer. Fucking Lobo…
  • Realizing he’s getting too old for this shit, Damon Wayans has announced that he’s leaving Lethal Weapon at the end of season 3’s initial 13-episode commitment. Man, how mad do you think Fox is at the Lethal Weapon office right now? They already had to replace Clayne Crawford with Sean William Scott just to keep the show going, and now THIS?! Somebody’s GOT to be saying “We don’t need this shit! We could’ve renewed Lucifer!” As I said on Twitter, they should replace Wayans with Bill Bellamy, then kill off Scott, and replace him with Peter Facinelli. Then, I’ll get my backdoor Fastlane revival I’ve been wanting since 2003!
  • Kanye did some dumb shit on SNL, and water is wet.
  • Looks like Robert Kirkman is going to have to be content living off his The Walking Dead empire, as Cinemax has cancelled his series Outcast after 2 seasons.
  • Everyone wants in on the fantasy genre, as Netflix is adapting the C.S. Lewis Chronicles of Narnia for series and movies, while Amazon is developing a series based on Robert Jordan’s The Wheel of Time novels.
  • Remember Mischa Barton? Ya know, the It Girl from The O.C. who went nowhere? Well, she’s going to be joining the cast of The Hills: New Beginnings on MTV.
  • Chelsea Peretti announced that she won’t be returning to Brooklyn Nine-Nine as a series regular when the show debuts on NBC this season.
  • Amy Schumer was detained yesterday in DC during the #KavaNope protests, but she blocked me on Twitter ages ago, so she’s dead to me. YOU’RE DEAD TO ME, AMY!

  • We got this poster for the upcoming Hellboy reboot, starring David “You Wouldn’t Even Know My Name Were It Not For Stranger Things” Harbour.
  • Elon Musk took one step closer to becoming The World’s First Supervillain, as he was forced to resign as Tesla chariman, and was fined $20 million by the SEC, due to a tweet where he implied he had secured funding to take Tesla private.
  • Last night marked the finale episode of the hour-long version of Conan on TBS, as he bid farewell to his house band, Jimmy Vivino and the Basic Cable Band (formerly the Max Weinberg 7). The future show will switch to a half hour format, with no musical guests, but with more special events, like shows from foreign countries.
  • Brian Robbins was announced as the new head of Nickelodeon, which is significant since he and his former Head of the Class costar, Dan Schneider, got their behind the scenes careers started by creating All That for the network back in 1994. It’ll be interesting to see if he throws any work to Schneider, whose Schneider’s Bakery production house was sent packing by Nickelodeon earlier this year after allegations surrounding Schneider arose.
  • Talk about an “unfortunate Situation”! Jersey Shore star, Mike “The Situation” Sorrentino, was sentenced to 8 months in prison for tax evasion.
  • Jon Favreau will write and produce Star Wars series The Mandalorian, which appears to follow another Fett, after the events of Empire, but before the rise of the First Order. The series will stream on Disney Play.

I know you’ve gotten this far, and you’re like “Wait, didn’t he have Venom in the header pic? He hasn’t even mention…wait. He WOULDN’T!”

OK, bear with me here. I know the critics gave this film a shellacking, and I can understand why. In the age of the Marvel Cinematic Universe and, to some extent, the DCEU, Venom isn’t what we’ve come to expect from a comic book movie in 2018. And I’m not so sure that’s a bad thing. I swore that I wouldn’t spend money to see Venom, and I kept that promise, as Special Forces wanted to see it, and it was his turn to pay. That said, I didn’t hate it. In fact, I really enjoyed it. Now, I am known for liking shit, so don’t equate “Will liked it” with “It’s a good movie”. I don’t know if I’m “Film Twitter” enough to say it’s good or bad, but I definitely enjoyed it.

OK, so the movie starts out with investigative reporter Eddie Brock on top of the world. He’s got his own cable news show, where he roots out corruption, he’s engaged to corporate attorney Michelle Williams, and he’s about to get a chance to interview Elon Musk analog, Carlton Drake. Actually, that’s not how the movie starts. It actually starts with a space shuttle crashing upon reentry – a shuttle that happens to carry organic samples. All of the astronauts die except one, named “Jameson”, where I guess they’re alluding to J. Jonah Jameson’s astronaut son, John Jameson, who later becomes the Man-Wolf in the comics. Anyway, while transporting Jameson to the nearest hospital, it appears he’s got a symbiote in him that jumps from him to his EMT, wrecking the ambulance. Oh, and that shuttle? It was owned by Carlton Drake.

Brock’s boss wants him to interview Drake, but he doesn’t want to do it because he doesn’t trust Drake. His doubts are reinforced when he hacks into his fiancee’s computer (her firm happens to be representing Drake’s company, The LIFE Foundation), and discovers a wrongful death suit filed against the computer. When he gets his shot at interviewing Drake, instead of sticking to the script, he decides to ask about the wrongful death suit. Well, this doesn’t go well, as Drake kicks Brock out of his building, ends his career, and gets Williams fired from her firm, where she, then, gives Brock his ring back. In one fell swoop, Brock’s life is ruined.

Fast forward six months, and Brock is a drunk, “slumming it” in what has to be a $4500/month apartment (seriously, the thing is huge, and they’re in San Francisco!). He’s got no job prospects and no future, until a horribly miscast Jenny Slate shows up as Dora Skirth, a scientist at the LIFE Foundation who has doubts about the organization’s goals. See, Drake thinks humans have ruined Earth, and the only possible solution is to equip them with the means to survive – whether here or on another planet. He sees the symbiote samples as a means of doing that, and he has ordered trials to begin on humans. LIFE picks up vagrants and has them sign away their rights as they test the symbiotes to see if they’ll bond with humans. Well, this is too much for Dr. Skirth, who seeks out Brock to help her expose the company.

Dr. Skirth sneaks Brock in, who goes exploring while she tries to distract a security guard. While exploring, Brock finds his neighborhood homeless friend in one of the cells. When he breaks her out, she attacks him ’cause she’s got a symbiote in her, which she passes to Brock, unbeknownst to him. As he’s fleeing from security, he notices he can do things he shouldn’t be able to do, like shatter trees and quickly scale great heights. This is when he starts to realize something’s not right, as he starts to hear a voice in his head that wasn’t there before.

So, now he’s riding for two, as Venom’s in his head, but pops out when necessary – like when Drake’s hired security show up to take back the symbiote, and there’s a well-choreographed fight scene in the apartment, leading to a great car chase scene. The action is actually pretty impressive in the film. There’s one scene of Venom versus the SWAT team that plays out like a boss battle in a video game. They’re throwing flash grenades and shooting at shadows, while Venom bounces around the rafters.

I’ll stop spoiling stuff here, as you might actually want to see the movie one day. I’ll say there were a couple of things that bothered me. For one thing, Michelle Williams. I mean, the entire time, I’m watching the film, thinking, “You’re better than this, Michelle! You’ve been nominated for an Oscar FOUR TIMES, yet here you are, doing your worst Great Value Pepper Potts!” Also, there are continuity issues. There’s a scene where Drake is speaking to a field trip at his HQ, and a little girl tries to ask him a question. The rest of the class tries to stop her for interrupting, but Drake says something inspiring like, “No, speak. That’s what people do. They try to dissuade you from asking questions, but that’s how we learn.” He, then, gives her the pin off his lapel, but HE DOESN’T ACTUALLY LET HER ASK A QUESTION! he basically grandstanded, only to shoot her down. I mean, she was happy with the lapel pin, but nobody seems to notice she didn’t ask her question. Lost in editing maybe? Also, I didn’t really like Riz Ahmed as Drake. I thought it was another casting misfire. I would’ve gone for someone with more gravitas, like maybe Dev Patel, if they were going for a “type”. I also didn’t appreciate that it was clearly an R-rated film, edited down to PG-13, and Hardy has said that 40 minutes got cut, including his favorite scene.

Things I did like: Tom Hardy was great as Guy Who Ends Up As Venom’s Host. I can’t honestly say he was a great Eddie Brock, as I don’t have a ton of familiarity with that character. When he was ruling comics in the 90s, I still pretty much a strictly DC guy, so I haven’t read most of those iconic Venom stories. I know Brock was Peter Parker’s rival, so you’re not really supposed to be rooting for him, but you kinda have to here. That’s why I can understand why they wanted Spider-Man as far away from this film as possible. Still, I liked Hardy for what he was, and I loved his interplay with Venom in his head. I also LOVED Venom, as he was funnier than I expected him to be. The CGI wasn’t as troublesome as I was expecting, and I was even fine with no spider symbol on his chest.

As much as I enjoy the MCU movies, I’m getting a little tired of them. As a fanboy, they’re work. It’s not enough to just sit back and enjoy the movie, but Marvel really drives home the interconnectedness of it all. So, the first time you watch, you’re on guard for any Easter egg that might fly by. Like “Hey, he just mentioned Damage Control!”, etc. I get it, Marvel – you’re good at tying your shit together. But I don’t ALWAYS need that. Venom was a nice change of pace. It was still “In Association With Marvel”. I still got my Stan Lee cameo. It did everything it needed to do. And the mid credits scene has me hoping we get a sequel, ’cause there’s a lot of potential with what they teased.

Yes, this was a pretty slow week unless your name was Brett Kavanaugh, so there wasn’t a ton of competition here. So, I’m gonna shock y’all and say that Venom had the West Week Ever.

27th Jul2018

West Week Ever: Pop Culture In Review – 7/27/18

by Will

Well, this is a special week here at WilliamBruceWest.com, as it commemorates my FIFTEENTH year of blogging. Yeah, a lot of y’all just came aboard during the West Week Ever era, but the archives are there (personally, I wouldn’t check anything before 2007 or so, but that’s just me). I started blogging a month after I graduated from college, while I was temping in the Cornell registrar’s office. It’s funny because, about six months prior to that, I had no clue what a “blog” was. You’ve got to remember that these were the days before social media, and we got by with AIM. I’d heard folks met strangers through ICQ and chat rooms, but that made no sense to me. Then, while my a cappella group was updating their website, one member suggested we add a blog to the site. I remember I immediately said, “What’s a blog? Stop making up words, Ted!” He explained it was short for “weblog”, and said some more stuff, but we stopped listening at that point. Probably too busy shoving Gold Bond powder down our pants. What? Y’all never did that? Whatever. Don’t judge me!

Anyway, I was really bored at that temp job, and needed something to make the day more interesting. Prior to this point, I had never really spent much time on the internet. I had an AOL trial with dial-up for, like, a month in high school, and I think I had tried NetZero. We had Computers as a class in high school, and I remember I made a really shitty Power Rangers site on AngelFire or something. Still, in college, I had used the Internet to either do homework or illegally download music. I did a LOT of the latter. So, with a college degree in my hand, and boredom in my heart, I struck out and explored the Internet for what it was. I started finding sites that really engaged me – webcomics, like PvP, and nostalgia sites like X-Entertainment.com (the precursor to what’s now Dinosaur Dracula). The latter site really sort of lit a fire under me, as I could relate to so many of the posts. It was like the Robot Chicken of blogs: “Shark Bites, Fruit By The Foot, and Pogs – these are all things that existed!” Plus, and I think Matt (the site creator) would agree, it had a horrible archive/search function, so you kind had to fall down a rabbit hole, jumping from article to article, instead of being able to search the topics. I spent a LOT of time on X-Entertainment, and it started to show me the potential of blogging.

So, in a way to pass the time, I signed up for a Blogger account, and created The World According To A Russian Exchange Student. I’m not quite sure why I settled on that. While I was an exchange student to Russia when I was 13, that would’ve made me an American exchange student. I feel like I briefly wanted to do some kind of performance art thing where I’d imagine how my Russian host, Sergei, might look at the world. That lasted for maybe a day. At the end of the day, I think I just wanted something that sounded “haughty”. I’ve got a bit of a snob streak in me, and here I was, an Ivy League graduate who’d been spoon fed that the world would be mine, yet  didn’t have a clue what I’d be doing when this temp assignment ended. I was scared. So, I rambled. A LOT. I’d say that if you read the first 6-8 years (yes, years), I wrote like no one was reading. Because no one was. The site was basically a Livejournal without the stigma that Livejournal brought with it. Every now and then I’d post something that I thought would be timeless, but most of those posts are either relationship drama or self pity. Yay. Anyway, I rebranded to WilliamBruceWest.com rather quickly, but I don’t feel like the site really found its footing until the West Week Ever days. So, here we are. Anyway, from the bottom of my heart, thank you – all of you – who have taken the time to read my ramblings at some point over those 15 years.

The wife and I got the chance to see Atlanta‘s Lakeith Stanfield in Sorry To Bother You, and we left that theater like “What the fuuuuu…?” How to describe this movie? Is it a comedy? Is it satire? Science fiction? I guess you’ll have to be the judge if you see it. Stanfield stars as a down on his luck guy who lands a job as a telemarketer, and he doesn’t really have much success until he starts using his “White voice” at the suggestion of a coworker. Almost immediately his success increases, and he becomes a Power Caller, where instead of selling Time-Life books and encyclopedias, he’s now selling weapons and slaves to other countries. And that’s where shit gets CRAZY! I can’t say any more at this point without spoiling some twists. The movie reminded me a lot of Bamboozled, which was a 2000 Spike Lee Joint about a Black TV writer who sort of sells out in order to make his network successful, with a dash of Mike Judge’s Idiocracy. If either of those movies is your cup of tea, then check this out. “Equesapiens, let’s be out!”

HarassmentWatch(TM)

Chris Hardwick Update:  Late last week, it was announced that not only would Yvette Nicole Brown be taking over hosting Hardwick’s panels at SDCC, but she would also be hosting Talking Dead for a brief period. On Wednesday, however, AMC announced that Hardwick would be returning to the show, after an internal month-long investigation. Two things are odd about the investigation, however. First of all, his accuser, ex-girlfriend Chloe Dykstra, did not participate in the investigation, as she said she “didn’t believe in ‘an eye for an eye’.” In a statement she said that she never set out to ruin his career, though she still doesn’t name him.  The other odd thing is that the investigation seemingly wasn’t conducted by an impartial third party. Instead, Loeb & Loeb was hired, who reportedly have a history of working on business for the Hearst family (who happen to be Hardwick’s in-laws). He may have his job back, but is the stink off of him? Remember how folks shunned Seacrest at the Oscars? Will the geek crowd follow suit here?

James Gunn: This isn’t harassment, per se, but it’s still an inappropriate thing that got a celeb in hot water. You see, Guardians of the Galaxy director James Gunn came up through the ranks of Troma – ya know, the folks behind The Toxic Crusader? He says he was a different guy at that time of his life, but to fit in with that world, you’ve got to be kinda shocking. Everything you do is done for shock value, and that’s exactly what he did when he was tweeting back in 2009. Stuff like rape and pedophilia jokes. He has since apologized for that time in his life, but that didn’t matter when Right Wing muckraker Mike Cernovich dub up the old tweets as something of a retaliation for Gunn’s staunch anti-Trump stance. Well, Disney reacted swiftly by firing Gunn from Guardians of the Galaxy Vol 3. And there was much weeping and gnashing of teeth. The public seems to be on Gunn’s side, saying Disney knew what they were getting, and that he had apologized long before the tweets resurfaced. There’s a petition circulating to get him rehired.

What Disney did was a business decision, as they can’t have something like this in the news just as the Fox deal is about to go through. Shareholders don’t tend to like rape jokes. That said, I’m sort of on the fence for this.

On the one hand, the stuff I’ve seen was kind of messed up, and I’m not sure I’d call them “funny”. Why not just delete the tweets? I mean, sure, everything is archived somewhere, but at least you tried to scrub things clean. I get it, though. I have an “I don’t delete tweets” policy, but I’ve never tweeted anything that bad. Cover your tracks, man!

On the other hand, he did apologize before they even became a thing. Had Disney done their due diligence, none of this would’ve come as a surprise. And I hate the fact that he won’t get to see his vision through to the finished GOTG trilogy. I really doubt he’ll be rehired, as he was fired and not suspended pending an investigation. Disney will likely stick by their decision, but this will have long-reaching effects. For example, Star Wars director Rian Johnson reportedly deleted 20,000 tweets over the weekend.

The Trailer Park

Last weekend was San Diego Comic-Con, which means we got a LOT of trailers for upcoming geek films. Since we’ve got a slew of them, I figured I’d give them their own section this week.

SHAZAM!

I really didn’t expect to like this. I thought the casting of Zachary Levi was wrong, and I just didn’t know how it would fit into the pre-established DCEU. That said, after seeing this trailer, this has the potential to be my favorite DCEU film. It seems to be more based on the New 52 origin of the character, which is just fine for me because that was one of the first times that I actually cared about the character (which reminds me I need to finish that story Geoff Johns started when they were backups in the Justice League comic). At the end of the day, it’s just “Big with powers”, which is a concept that has a lot of potential. Fans of the dark DCEU are gonna hate this, but I’m a fan of comic stuff that doesn’t take itself too seriously. I’m really looking forward to this one now.

Aquaman

Well, it looks pretty. I still don’t know if Momoa can carry a movie yet, and I’m not sure I’m on board with this Aquaman. I know there are Aquaman fans out there (looking at you, Classick), so how do y’all feel about his characterization? I mean, it doesn’t seem faithful to the comics, but Aquaman always seemed boring enough that any adjustment would be a welcome change. I’ll see it. Am I anticipating it? No, but I’ll see it.

Godzilla: King of the Monsters

I’m not a dumb guy. Not the smartest in the room, but not dumb. That said, I don’t know what’s going on here. So we want the Titans to rise? Wouldn’t they just come and fuck shit up? And whose side is Godzilla on? And I know folks got tired of the “slowed down pop song” trope in trailers, but I feel like the music here really doesn’t do much to convey the gist of things, and could’ve benefited from recognizable rock song or something.

Glass

I really liked Unbreakable all those years ago. Split was interesting, but I was more interested in it after its final scene. I think I was more excited about more Unbreakable than the idea of the movies being in a shared universe. It seems like a good ol’ villain team-up, but can old ass Bruce Willis really win here? I mean, comic movies are about folks doing the impossible, but I never really felt like Split committed to James McAvoy’s character being truly evil. Hell, even Mr. Glass was pseudo-sympathetic, as he couldn’t have a normal life due to his brittle bones. So who’s the real villain here? Is there a bigger bad? Is Willis somehow the villain? After all, this is Shyamalan, so there’s bound to be a swerve somewhere. I’m on board, but I kinda want more information right now.

Things You Might Have Missed This Week

  • Reportedly Kelsey Grammer is in talks to reprise his role as Frasier Crane in a revival that would take him away from the Seattle setting of the last show. Sure, why not? I think he’s got crazy alimony payments, and has pretty much proven he’ll take any job (he did an FX sitcom with Martin Lawrence). Everyone else is doing it, so why not go back to that well again?
  • Speaking of revivals, there have been talks of a Buffy The Vampire Slayer reboot/revival(?). At first it seemed like a reboot, but the passionate fan base lost their shit, so showrunner Monica Owusu-Breen sort of backpedaled and insinuated it might be a continuation of the old show, this time following a new Slayer 20 years after the events of the old show. Reports are that they’re looking to cast a Black actress.
  • Demi Lovato was hospitalized for an apparent overdose after she was found unconscious in bed by an assistant.
  • Simpsons Comics is scheduled to end in October with issue #245 after 25 years of publication, leaving the future of its publisher, Bongo Comics, in question.
  • It turns out the third time was the charm, as the live action adaptation of the comic Locke & Key has received a 10-episode order from Netflix. Both Fox and Hulu had previously ordered, and then passed on, pilots for the series.
  • Robert DeNiro is supposedly in talks to join Joaquin Phoenix’s Joker, with the rest of the world left asking “Dafuq?” Seriously, why would he hitch his star to that wagon?
  • R. Kelly released the song “I Admit”, where he denied he was a pedophile, but admitted his affinity for young girls. The song will probably appear on an upcoming album named Daddy’s Day Care or The Pamper Prince or some shit like that.

My most anticipated movie of the year wasn’t Deadpool 2, Ant-Man and the Wasp, or even Avengers: Infinity War (OK, maybe I was kinda looking forward to that last one). No, since the day I found out it was happening, I have been waiting for the release of Teen Titans Go! To The Movies. I’ve made no secret of the fact that, aside from The Amazing World of Gumball (which may just be the smartest show on TV right now, I kid you not), Teen Titans Go! is my favorite show. It took me a while to get used to the modern day 11-minute cartoon format, but I feel it works perfectly for a show like this. So, I had a bit of trepidation that the show wouldn’t translate well to a full-length film. After all, Aqua Teen Hunger Force had tried it and failed. Well, after seeing it last night, I can say that not only did they pull it off, but they did an amazing job.

If you were wondering what it’s about, let me clue ya in: When Batman and Superman receive their umpteenth movie deal, Robin agonizes over the fact that he doesn’t have his own movie because nobody takes the Teen Titans seriously. It’s sort of meta in that way, as it addresses the fact that the shows haters feel the characters are just immature and not very heroic. So, determined to prove they deserve a DC film, too, the team heads to Hollywood, where they learn they’d be more appealing if they had their own archnemesis. Enter: Slade Wilson, otherwise known as Deathstroke: The Terminator. So, the team not only has to defeat Slade, but also convince the studio to make their movie.

It’s not a complicated plot, but they do so much with it. First of all, I didn’t expect it to be a musical. While songs have been pretty integral to the Teen Titans Go! experience, I didn’t stop to think they might pop up in the film. The music is GREAT, including a surprise appearance by Michael Bolton. Speaking of surprise appearances, there are cameos from a lot of DC characters who will NEVER appear on film ever again. I mean, The Challengers of the Unknown?! And did I mention the time travel? Like, I loved the time travel portion so much that I hope they dedicate a sequel solely to it.

Now, let me say that this movie isn’t going to convert you if you already hate the franchise. I know there are a lot of butthurt folks out there who go “They cancelled Young Justice for THAT?”, even though those decisions were made independently of each other. If you don’t go into it with too many preconceived notions, and you like comic-based properties that don’t take themselves too seriously, then Teen Titans Go! is perfect. And it’s not really even made for kids. I mean, sure, they’ll get enjoyment out of it, but there are jokes they’d never get. For example, a recent episode, “TV Knight 3”, featured a Knight Rider parody. That joke right there was for my generation. So it saddens me that so many folks refuse to give it a chance. Anyway, this film may not change many minds, but it’s a true love letter to fans of the show. It’s the show, but cranked up to 11, with crisper animation and longer runtime. It actually has a good story arc to it, it has some great Easter eggs, and the music!

Anyway, I enjoyed this film way more than I did Ant-Man and the Wasp last week, and it far surpassed my expectations. For that reason, Teen Titans Go! To The Movies had the West Week Ever.

13th Jul2018

West Week Ever: Pop Culture In Review – 7/13/18

by Will

I’ve been in California the past few days, and haven’t really been that plugged into the world lately. It’s been so long since I wrote one of these that I’ve kinda forgotten how they work. I mean, it’s been 2 weeks since my last post, and that was the Toys “R” Us tribute. So, it’s been 3 whole weeks since we touched on pop culture news and events. I’ve gotta say, though, not much happened. I mean, stuff happened, but did any of it really matter? Let’s see, shall we?

HarassmentWatch(TM)

Chris Hardwick Update: Not only did Hardwick’s friend, Lady Sif herself, post this tone deaf tweet, but she also circulated a Change.org petition to reinstate him as host of his AMC shows. Read the room, Jaimie! Meanwhile, everyone’s favorite nerd auntie, Yvette Nicole Brown, will be moderating the SDCC panels that were originally to be hosted by Hardwick. She insists she’s not vying for his job, and is merely “helping out a friend”.

Nev Schulman Update: Production has resumed on MTV’s Catfish: The TV Series, as their investigation found that there was no credible evidence that he had committed the harassment reported by his accuser.

Terry Crews Update: While testifying before the Senate Judiciary Committee on sexual assault, Crews admitted that he had turned down a role in The Expendables 4, after being threatened to drop the case by producer Avi Lerner. Lerner reportedly warned Crews that there could be “trouble” if he didn’t drop his case, and Crews decided that passing on the film was the best thing for his personal safety.

John “Papa John” Schnatter: OK, so everyone already kinda knew Papa John was a piece of shit, but this week he was forced to resign as chairman of the board when it came out that he had used the word “nigger” during a conference call. Reportedly, in response to a question about his opposition to NFL players kneeling, Schnatter said that Colonel Sanders used to call Blacks niggers and that there was never any blowback for KFC. Here’s where this gets dicey for me: while there’s no real evidence that the Colonel had a history of doing this, it’s not like Schnatter used the slur against someone on the call. At best, he was telling the truth and didn’t read the room to know “Maybe it wouldn’t be too Kosher for me to use that word.” At worst, he was lying about the Colonel, but still wasn’t slinging it an individual. In any case, there’s other evidence that he’s a shitty human being, so maybe this was just karma catching up to him, like how they got Al Capone on tax evasion. Shitty views, shitty pizza: Papa John’s.

Henry Cavill: Superman done fucked up, y’all. Admittedly, there’s hyperbole on both sides of this argument, but here it goes: In a GQ Australia interview, Cavill admitted his trepidation about dating in the post #MeToo world, saying

“There’s something wonderful about a man chasing a woman. There’s a traditional approach to that, which is nice,” he remarked. “I think a woman should be wooed and chased, but maybe I’m old-fashioned for thinking that.”

“It’s very difficult to do that if there are certain rules in place. Because then it’s like: ‘Well, I don’t want to go up and talk to her, because I’m going to called a rapist or something.’ So you’re like, ‘Forget it, I’m going to call an ex-girlfriend instead, and just go back to a relationship, which never really worked,”

Of course there was social media backlash to this, with the common response being “If you don’t want to be called a rapist, then don’t rape anyone.” I get it. I do. But it’s funny how the “We have to listen to both sides” folks are really selective in when they choose to speak out. I think he suffered from a poor choice of words, but his is still a viewpoint that should probably be acknowledged. Men DON’T know how to read cues anymore, and it’s leading to some bad situations (see: Aziz Ansari). Cavill admits his beliefs are old fashioned, but that’s how a lot of people were conditioned and raised. Sure, there’s concepts like “enthusiastic consent” now, but to many that’s just as foreign a concept as when men learned they’d have to wrap their penises in a tire to make sure they don’t die having sex. Change takes time, and getting these views out and discussing them is the only way folks are going to come to some kind of understanding to move forward. No, I’m not saying “Hug a Nazi”, but I AM saying that you can’t really change anything until folks are comfortable enough to speak, while others are willing to listen. Anyway, he apologized through one of his reps, so nothing was really accomplished here except a whole bunch of folks don’t like Henry Cavill anymore.

I’m not doing so well with the movie viewing this year. I think I watched something like 117 in 2016, and at this point I’ve seen about 7. On the flight home last night, I finally got a chance to watch Pitch Perfect 3. I’m not saying I regret seeing it, but I kinda regret that they made it.

As I’ve said before, I kinda relate more to the Pitch Perfect franchise than most folks do because I lived it. I was in the scrappy underdog college a cappella group that placed at competition. I dealt with the ennui that comes from riding that high, and then being thrust into the real world where nobody gives a shit. In fact, I thought the second movie captured that perfectly, even if it didn’t resonate with a lot of fans of the first movie. As much as I love the Barden Bellas, though, this didn’t need to be a trilogy. They go on a USO tour? Is it really that easy for the alums of a 7-year removed competitive collegiate singing group to get a spot on a USO tour? Are the troops that hard up for entertainment? I mean, even I would get tired of Carlos Mencia after one performance, but is this really all that’s left in the barrel for our boys overseas?

If you haven’t seen it, that’s what happens: the Bellas reunite because of a Three’s Company-esque misunderstanding, but decide to take one last shot at the stage by going on a USO tour – one that happens to be a proving ground for DJ Khaled to find his new opening act. Really? HIM? So, the aged Bellas (and Hailee Steinfeld, whose character must have taken a leave of absence from college) jet around the world, competing against three other acts: country-tinged Saddle Up, hip hop duo Young Sparrow & DJ Dragon Nutz, and the all-female Evermoist. Almost immediately the other 3 acts join forces in the traditional riff-off, to show the Bellas just how ineffective a cappella battles are in the real world. Chloe keeps trying to cite them for breaking non-existent rules, like “They used real instruments, so they’re disqualified.” Of course, the Bellas eventually prove themselves to the USO audiences, after a few embarrassing setbacks put into motion by Evermoist. I guess that would be a decent movie if it didn’t have so many other weird subplots floating around.

It’s a movie that tries to do too many things, and doesn’t do any of them well. There’s a weird B-plot about Fat Amy’s (Rebel Wilson) crooked father (played by John Lithgow), who’s scheming to get the $180 million that her mother had put into a trust for her. This results in some crazy choreographed fight scenes between Amy and her dad’s goons, as well as a Die Hardian explosion on a boat.

Then, there’s a co-B-plot (’cause it’s not quite a C-plot) about Becca (Anna Kendrick) being courted as an artist by one of the members of DJ Khaled’s team. While this storyline eventually turns out well for Becca, it just dangles a romance that could have been pursued if they were audacious enough to make a fourth movie, but doesn’t really go anywhere.

Plus, I get that Kendrick is the star, but the whole Becca As a Solo Artist thing doesn’t work for her characterization. Sure, we’re reintroduced to her dealing with her dead-end producing job, but she was never a front and center showgirl. She was a reluctant performer whose musicality and choreo took the Bellas to new heights. If anything, though, her perfect place is behind the scenes, building new artists, and NOT as a headlining solo artist.

Then, you’ve got Aubrey (Anna Camp) dealing with abandonment issues from her dad (which are hastily wrapped up during the end credits), and Chloe (Brittany Snow) hastily falling in love with their USO liaison. Steinfeld is just there to be insulted by Fat Amy, and you don’t really see much of the fire from the last movie that propelled her to the leadership of the current group of Bellas.

The movie is missing a lot of its heart, which was provided in the previous two installments by love interests Bumper (Adam Devine) and Jesse (Skylar Astin) – both of whom are absent here and clearly missed. Jesse was great support for Becca, and it’s curious that they’d break up offscreen and he’s already moved on. Meanwhile, I didn’t expect Fat Amy and Bumper to get married or anything, but I did expect a cameo or something. I mean, Adam Devine is doing straight to Netflix movies these days, so he’s available.

The biggest thing missing here, though, is the musicality. While the first two movies really showcased what a cappella has become, this movie turns it into the butt of the joke. The riff-off is impressive, as they tend to be, but there are no real performances from any of the acts – Bellas to Evermoist – that are that impressive. It’s probably the only installment in the trilogy where I feel I could easily pass on the soundtrack.

Pitch Perfect 3 is a simple retread of Pitch Perfect 2‘s “There’s Life After A Cappella, But It Ain’t Singing” thesis. We got it, but we didn’t need it. It’s a shame because I really like these movies and the stars, but they didn’t leave the stage on a high note.

In Star Wars news, Keri Russell has reportedly signed on for a role in Star Wars: Episode IX, Seeing as how she’s JJ Abrams’ muse or whatever, this news isn’t that surprising. In another part of the galaxy, however, it was reported that Billy Dee Williams would reprise his role as Lando Calrissian and, for the life of me, I can’t imagine what the fuck for. I mean, all of his friends are dead, and he was absent for the one scene that would’ve made sense for him to be in (Canto Bight). So, I guess I’ll look forward to seeing him come back just to die.

In Marvel news, it was revealed that the sequel to Spider-Man: Homecoming will be called Spider-Man: Far From Home. Let the speculation begin! Does he get left in space after Avengers 4? Does he come back to Earth and end up in Wakanda, hanging out with Suri? The possibilities are endless.

When it comes to hope, though, Sony giveth and Sony taketh away. While Far From Home sounds intriguing, they also announced their continued plans to milk that Spider-Man license dry. Now they’re claiming there will be a Silk movie that’ll never happen. I mean, if they couldn’t get a film off the ground for Black Cat and Silver Sable, I really don’t know how “Asian Spider-Woman”‘s milkshake is gonna bring the fanboys to the yard. On top of that, there are reports that Jared Leto will star in a Morbius film. Yeah, Morbius is the vampire who debuted in the Spider-Man comic, but really has jack shit to do with Spider-Man. If you ask me, Sony making that deal with Marvel Studios was to their detriment, as it left them to play around with the dregs of the Spider-Man license. Imagine if you had a really hot, passionate girlfriend, but then y’all broke up and you ended up with an Amish girl. The Amish girl thinks she’s doing you a favor by flashing a little ankle, but you know what you used to have. That’s this situation right here.

FX announced the cast for their Y: The Last Man pilot, and the biggest surprise is probably that Diane Lane has signed on to play Senator Jennifer Brown, who also happens to be the mother of the main character, Yorick. If you’re not familiar with the story, Y: The Last Man was a comic series published under the DC Comics Vertigo imprint. Running for 60 issues, it featured a world where a virus has killed every male in the world – except for escape artist Yorick and his Capuchin monkey. Women rise up and take on roles that they hadn’t traditionally held in the old world, while Yorick is traveling the globe to be reunited with his girlfriend. It’s one of the most critically acclaimed series of the past 20 years, and I think it was an absolute disappointment.

I have a problem with series creator Brian K. Vaughan because I feel he doesn’t stick the landing when it comes to his long-form series. 60 issues was just enough rope for him to hang himself with. I couldn’t even imagine reading that series on a monthly basis at certain points, because there are YEARS that just drag. So, to me, this just means we might get a compelling show with a really weak season 4 & 5. And don’t get me started on the ending because I felt it was one of those “It’s not about the destination, but the journey” cop out. Anyway, I guess time will tell.

Things You Might Have Missed This Week

  • A bunch of shows got cancelled, but don’t feel bad – they’re dead because nobody cared about them. Likewise, no one will miss them. They include: Famous In Love (Freeform), Nobodies (TV Land), Ghosted (Fox), Champions (NBC), and SIX (History). See? Bet you never watched any of them.
  • In other TV news, Charter Communications has picked up the Bad Boys spinoff, L.A.’s Finest, starring Gabrielle Union and Jessica Alba. It’s set to air on their Spectrum cable service, which is about a step up from ending up on the Playstation Network (Yes, that was a jab at Powers).
  • In a recent interview, Paul Reiser admitted that the Mad About You revival “likely won’t happen” for the sheer fact that no network seems to want it. It’s fine with me. Paul and Jamie Buchman had a terrible marriage, and I haven’t ONCE wondered “I wonder where those two crazy kids would be right now.” If anything, I spend time wondering why Leila Kenzle and John Pankow didn’t become household names from that show. They were the only reasons to tune in.
  • WWE SmackDown Live will officially air on Fridays next year on Fox, meaning that Tim Allen’s Last Man Standing revival is basically getting evicted before it even returns to the airwaves.
  • Speaking of WWE, there are reports that they will add a second Wrestlemania branded show in 2020. This sounds like a terrible idea because it’ll just take away the prestige of the now-annual event, especially if it’s a watered down ‘Mania, similar to the recent Saudi Rumble.
  • Classic Nickelodeon show Double Dare is back on the air, and I had stronger feelings about it when it debuted 3 weeks ago. All I can say now is that new host Liza Koshay is kind of annoying, while I wanted to kill this little prick who kept dabbing after every victory. It was a nice nostalgia trip to watch that first night, but it’s nothing I’ve returned to since. Apparently there’s a Kenan & Kel episode coming up, so I’ll probably tune into that, as they play for their favorite charity: Keeping Kel’s Lights On.
  • Jeremy Renner has been cast as Detective “Twitch” Williams in the upcoming Spawn movie. I know that announcement is supposed to be big news, but all I can muster is a Kanye shrug. Remember those? Ya know, before he married that Armenian donkey and lost his mind?
  • The TV series based on The Purge will debut September 4th, on both Syfy and USA Network.
  • Marvel Studios reportedly met with 70 different directors, and settled on Cate Shortland to direct the planned Black Widow solo film.
  • District 9/Chappie director Neill Blomkamp will direct a new Robocop movie for MGM. Have you ever seen any of his movies? Come for the hamfisted allegory on Apartheid, but stay for the wise-cracking alien go-kart that Robocop rides around in!
  • Djimon Hounsou has been cast as the Wizard in that SHAZAM! movie I can’t seem to get excited about.
  • Steven Universe featured the first lesbian wedding on a kid’s cartoon show, but does it count if they’re really space gems? I dunno. I’ve tried to watch that show, and it makes no sense to me, but yay for progress!

I’m amazed that it’s been 3 weeks since I saw Won’t You Be My Neighbor? and it has still stuck with me. If you’re not familiar, the documentary is the story behind Fred Rogers and the creation of Mr. Rogers’ Neighborhood. And let me tell you – it is a life-changing experience. Seriously, they broke the mold when they made Fred Rogers, and no one has stepped up to fill the void that he left behind.

The movie focuses on what a remarkable man Mr. Rogers was, and how he impacted the lives or children. An ordained minister, he discovered television in its infancy, and realized the power that it could have in speaking directly to children. He didn’t like how a lot of children’s television seemed to talk down to the audience, so he wanted to meet them at their level, and help them through the roadblocks of life. It contained interviews with everyone from his wife to former crewmates and friends. I’m not a movie crier, but this thing pushes all the buttons of a Pixar movie.

The movie definitely left an impact on me as I left the theater. There’s one clunky part, where an old friend mentions that Rogers was a lifelong, card-carrying Republican. I guess it was meant to imply that his work was imbued with his sense of family values and whatnot, but all I could think was “What the fuck happened to the Republican Party?” Along those lines, how would he feel about the current state of things? He had retired prior to 9/11, but was consulted to create material to help folks cope with the events of that day – and it nearly broke him. As great as he was, even he wouldn’t be able to heal the divide facing the country. At least, not alone. The world needs more people like Mr. Rogers. “Look for the helpers.”

I’m not sure if it’s delusions of grandeur, or lack of sleep, but for a brief period of time after leaving the theater, I thought “I could do it!” I could pivot everything to be more family friendly, I have an early childhood background, and I love (and worry about) kids. But my wife quickly reminded me that I’m a hateful man online, but that it’s what I’m good at, so I wouldn’t be the heir apparent to King Friday’s empire anytime soon. Womp womp.

I can’t believe I still feel this way three weeks later, but nothing has come close to that experience. It’s the best movie I’ve seen in a long time, and I think everyone should see it. That’s why Won’t You Be My Neighbor? had the West Week Ever.

11th Jan2018

West YEAR Ever: Pop Culture In Review – 2017

by Will

 

God, did 2017 suck! It’s funny – if you go back and read the WYE 2016 post, it starts pretty much the same way. The problem with 2016, however, is that Death kept coming for all of our favorite celebrities, while 2017 was just a garbage fire through and through. To put in in Community terms, I like to write 2017 off as “The Gas Leak year” (for those who aren’t Community fans, let me explain: the 4th season of the show didn’t have the involvement of creator/showrunner Dan Harmon, so a lot of the stories and characterizations were off. When Harmon returned for season 5, he explained away a lot of the weirdness by saying that the school had experienced a gas leak during season 4, which was the cause of their odd behavior).

I had a rough time dealing with 2017 and it shows. I had to take a lot of weeks off from the site. I was basically on that schedule Regis had before they pretty much forced him to retire. When I did post, I don’t feel like much of it was that strong because I didn’t really have a lot to work with. The world of entertainment was kinda boring until Q4 (more on that later), and the major developments were happening in the world of politics, which is not what you come to this site to read. Still, I managed to crank out 41 West Week Ever posts, even though 4 of those weeks saw nothing crowned as having the West Week Ever. I also managed to post a handful of standalone things, like my tribute to the Toy Biz Hotline and my rundown of my top 40 songs of 2017. Still, with 2017 making it feel like we were constantly on the receiving end of a one-two punch, I feel a lot of stuff fell through the cracks. So, let’s take a look back at some of the stuff that I feel stood out about the year.

2017 was quite the year for “zombie shows” – shows that are long dead but just can’t seem to stay that way. NBC brought back Will & Grace, while ABC got the Roseanne gang back together. On top of those, there are talks in the works to bring back Frasier, King of the Hill, and Mad About You. I don’t have time for these shows. I watch the ones that continue the narrative for the next generation, a la Fuller House and Girl Meets World, but I’ve got no interest in these “The Quest for More Money” sequel series. After all, both Will & Grace and Roseanne had to retcon their series finales in order for these new seasons to work. While the Lottery Season of Roseanne is critically maligned, I was pretty OK with where Will & Grace left things. I don’t need to see these casts, 10+ years later, doing the same shit, and struggling with the same problems.

I recently called Roseanne “The White Good Times” on Twitter because I feel they both shared a lot of depressing traits. Will James get a new job? Is Dan gonna lose the bike shop? Is JJ gonna have to drop out of art school to provide for the family? Will the loose meat sandwich restaurant have to close? I watched these shows when I was younger, but as I’ve grown I just realize how damn poor these folks were and I don’t want to revisit that. The difference between the shows is that the Evans family DOES make it out of the ghetto in the series finale of Good Times. Roseanne, however, seems to be dealing with the same shit, in the same house, still struggling to make ends meet. And now they’ve tacked on that she and Dan are going to be Trump supporters? They clearly want me nowhere near this thing. I know a lot of y’all love Roseanne, especially for the Halloween episodes, so this revival is clearly a love letter to you and not for me.

It was QUITE the controversial year for the folks over at Marvel in 2017. First off, they announced an event where everyone’s favorite patriotic hero became a fascist dictator who was under the influence of Nazis. Sure, we can have the whole “Are Hydra soldiers Nazis?” debate, but it’s basically the same thing as far as the comics go. The fandom was spit, as they couldn’t believe Marvel would do this to Captain America. They’ve become so enamored with the Chris Evans portrayal of the character that they can’t let go of if enough for something different to be done with it. I actually thought it was an interesting idea because the buildup to it was so good. Nick Spencer was telling some great “Not MY Captain America” stories starring the Sam Wilson iteration of the hero. Of course the purists wanted Steve Rogers back, but they weren’t prepared to receive him in the state that he appeared: brainwashed by the Red Skull to believe he’d basically been a double agent. Not only did Marvel do a shitty job of damage control in marketing the story, but they also failed to stick the landing, as the buildup to Secret Empire was much more riveting than the Secret Empire miniseries itself.

Then, continuing to be tone deaf to their audience, Marvel entered into a partnership to print a comic focusing on an elite group from Northrup Grumman. If you’re not familiar with NG, they’re a defense contractor, which is a nice, friendly way of saying “arms dealer”. They had collaborated on a joint comic that was to be distributed that New York Comic Con, but when word got out that this was basically a recruitment tool, Marvel had to act fast, cancelling both the scheduled panel and the distribution of the comic. A few copies got out, making it a sought after item, but mainly the whole thing left fans scratching their heads, wondering why Marvel would enter into such a partnership.

Then there was the CB Cebulski situation. If you’re unaware, CB Cebulski was announced as Marvel’s latest editor-in-chief, but it was soon revealed that some years ago he (a White male) posed as a Japanese writer in order to get work from Marvel – during a period when Marvel employees weren’t allowed to pick up writing work on top of their salaries. Also during a time when Marvel was actively seeking diverse voices who would be able to tell different stories than what everyone had been used to. So, he basically stole somebody else’s shot, and there was never any comeuppance for it. It seems like it was a loosely guarded secret, with some other folks surely in the know. Still, Marvel refused to address it as a company, and Cebulski was left to eventually issue an apology in The Atlantic after a few mainstream publications caught wind of the controversy.

To cap things off, DC Comics pulled off a major coup by poaching writer Brian Michael Bendis from the House of Ideas. Bendis had been THE Marvel Company Man since 2000, and the idea of him at the Distinguished Competition seemed like something that would eventually happen (comics is an incestuous industry, and you really just end up jumping back and forth for work), but not something that would happen anytime soon. Well, things didn’t go as smoothly as they could have. Immediately after the Bendis move was announced, he got a MRSA infection which almost killed him and caused a delay on his remaining Marvel work. So, now not only was Marvel losing him, but they weren’t even sure when, as he had some outstanding deliverables he still needed to get to them. It’s since been announced that his first big DC property will be Superman, while Marvel doesn’t have anyone in their stable who even comes close to having the brand loyalty to them that Bendis had. So, it begs the question: what did Marvel do to make him leave? Whatever it was, it was just another blunder in a long year of mistakes from the House that Stan Built.

Not every relationship made it out of 2017 alive, as there were some fairly high profile splits. Anna Faris and Chris Pratt split up, while Billy Bush continued to shoulder the blame from the Access Hollywood/Trump debacle as he split with his wife of 20 years. Gina Torres and Laurence Fishburne separated after 16 years together, and Fergie took her lovely lady lumps and packed her bags to get away from Josh Duhamel.

Movies I Watched This Year:

I REALLY fell short in this department, as I only managed to watch 18 films in 2017, down from SIXTY-FIVE in 2016. A lot of it had to do with the fact that we moved in with my mom after her stroke. When we lived on our own, I had every premium channel, DVR, and I was up all hours of the night. Now, I don’t even have HBO, no DVR, and my night is split into 2 different shifts. Plainly put, I have neither the time nor resources to watch a lot of movies these days, though I’ll point out that the majority of the movies I did see this year were seen in the theater, which is something of a novelty for me. I’m not a “movie guy”, so the fact that I managed to get to the theater for 13 of 18 movies is somewhat impressive to me.

I know a lot of y’all use Letterboxd to keep track of your movies and reviews, but I’m wary of those kinds of sites. I mean, what happens when Amazon buys it and decides to just wipe it? Back in the early 00s, Wizard: The Guide to Comics used to have a comic portfolio option on their site. Since they were a price guide, you could just enter all the books you owned and it would give you a value. I spent a lot of time on that site. And then, one day, without warning, they yanked it. No option to export what you had or anything. So, at that point, I said “Never again!” I’ll just use my own rinky-dink site to track stuff like that. Anyway, here’s what I saw. If you wanna know my thoughts, just click the links.

  1. Split
  2. The Lego Batman Movie
  3. Central Intelligence
  4. Logan
  5. Power Rangers
  6. Get Out
  7. Guardians of the Galaxy Vol 2
  8. Wonder Woman
  9. The Founder
  10. Spider-Man: Homecoming
  11. Keeping Up With the Joneses
  12. The Nice Guys
  13. The Mountain Between Us
  14. Thor: Ragnarok
  15. Justice League
  16. Star Wars: The Last Jedi
  17. Coco
  18. Daddy’s Home – I’m going to talk about this here because I watched it between my last post of 2017 and now, and never got a chance to write about it. The basic premise of this movie is that Linda Cardellini’s character is a bitch who puts new husband Will Ferrell in an uncomfortable and unnecessary situation. When her first husband, played by Mark Walhberg, comes to town, we find out she’s never even told him that she’s remarried, and it’s clear that he still gets her wet (which she barely even tries to hide). Ferrell is a dutiful and doting stepfather to her kids, but he’s scared he’s going to lose them to their real dad who’s now back on the scene, and is also a total badass. And Cardellini really doesn’t pitch in to help matters. She basically tells Ferrell he needs to establish some ground rules and boundaries for Wahlberg – a situation that could’ve been mitigated had she only told Wahlberg about Ferrell in the first place. Of course the whole thing ends with them as friends and co-fathers, but I can’t get the taste out of my mouth as to how much I disliked Cardellini’s role. I do, however, want to see the sequel now because I loved how they set things up at the end of this one, and I’m curious to see if Cardellini gets her comeuppance.

Surprisingly, while I didn’t see many movies this year, I thoroughly enjoyed everything I did see – including some of the more maligned pics, like Justice League. It wasn’t perfect, but I was entertained. I’m not a cinephile, so I’m not gonna rank them, but I will say that The Founder may have been my favorite film I saw this year. Keaton is just so good in it, I love the McDonald’s story, and I feel like a lot of folks missed out on this gem.

Things You Might Have Missed This Year

January

  • 80’s pop star Richard Marx and wife, former VJ Daisy Fuentes, subdued a crazed passenger on a Korean airline. In other news, how the Hell did Richard Marx land Daisy Fuentes?!

  • In Arizona, folks reported seeing a winged demon, heralding the beginning of the apocalypse. We should’ve known then that we were fucked…

  • Adorable 4-year old, Daliyah Marie Arana, had already read over 1,000 books and visited the Library of Congress as Librarian for the Day

February

  • Playboy gave up on its quest to get on supermarket shelves, and brought back the titties!

March

  • Scientology traitor Leah Remini was announced to star in a gender-swapped What About Bob? sitcom. This would later be scrapped when she joins the cast of a revamped Kevin Can Wait with former The King of Queens costar Kevin James.
  • Han Solo is not the character’s real name. His birth name was Handsome Solowitz, but his manager made him change it

April

  • Barry Manilow came out as gay, which makes me realize that he’s actually been singing about Man D all these years…
  • In news that will only matter to you if you’re a Cornell alum, all-male a cappella group The Cayuga’s Waiters were kicked off campus for hazing. And let me tell you, this couldn’t have happened to a shittier group of douchebags.

May

  • Universal’s Dark Universe shared monsters universe was announced, to be kicked off by Tom Cruise’s The Mummy. By November the idea will be abandoned, as architects Alex Kurtzman and Chris Morgan leave the project.

courtesy of TVLine.com

June

July 

  • CBS basically said “Bye, Felicia” to the Asian cast members of Hawaii Five-0 when Daniel Dae Kim and Grace Park asked for raises on the level of what their White costars were making.
  • The Master of Bar Science himself, Jon Taffer, favorited some of my tweets during a Bar Rescue marathon:

  • Completely tone deaf to the political climate, the showrunners for Game of Thrones announced that their next project would be called Confederate, based on an alternate reality where slavery still exists and the Civil War never ended. This was not well received by folks.
  • After 24 years, Archie Comics ceased publication of the Sonic The Hedgehog comic
  • The directors of the documentary Catfish (which inspired the MTV series) were announced to direct a Mega Man film
  • It was a Black sex scandal trifecta, as R. Kelly was accused of running a sex cult in his house, Usher was accused of paying a woman $1 million to cover up the fact that he’d given her Herpes, and Kevin Hart was caught cheating on his pregnant wife
  • I discovered the All Star Trek block on the Heroes & Icons channel

  • My elementary school friend and her husband did some kickass Saga cosplay at SDCC
  • Amy Schumer dropped out of the Barbie film – a film which I originally mocked, which resulted in her blocking me on Twitter
  • Apple discontinued the Shuffle and Nano models

August

  • On the heels of the Confederate announcement, Boondocks creator Aaron McGruder announced Black America – a show that takes place in an alternate reality where Blacks have established a thriving nation state via the reparations they received after the Civil War.
  • MTV’s Total Request Live rose from the dead to return to airwaves. Only it seems like they’ve eliminated the video portion now, so what’s the point?
  • There was a Nostalgia War going on between streaming services as Hulu added the TGIF library, while Amazon added the Carsey-Werner catalog, including Roseanne, 3rd Rock from the Sun, and A Different World
  • Social media app Sarahah was popular for about a week. Used by teens to cyberbully each other, it gained a spike in popularity as grown folks used it to fish for compliments.
  • Netflix acquired Mark Millar’s Millarworld comic imprint. It’s the best of both worlds, as it gives them an IPO farm, without the overhead of running an actual comic publisher (Millarworld books are published through deals with Image and Marvel).
  • Drama hitmaker Shonda Rhimes moved her Shondaland production house from ABC to Netflix after signing a major deal with the streaming service
  • A My Cousin Vinny sequel was released in book form as Back to Brooklyn, which catches up with the characters 25 years later. ‘Cause some goomba out there wanted that.
  • Wizard Magazine was slated to return as an online website called WizPop to be hosted on the WizardWorld website. As of this post, there’s no sign of that ever having occurred on the site.
  • Controversy struck the Hellboy reboot as British actor Ed Skrein was cast as a character who was originally intended to be of Japanese descent. He eventually dropped out of the role, which was quickly snatched up by Daniel Dae Kim – who was jobless after CBS cut him loose from Hawaii Five-0 last month.
  • Joss Whedon went underground after his ex-wife wrote a scathing tell-all article for The Wrap, where she accused him of serial infidelity and of being a hypocritical feminist. His Whedonesque fansite was shuttered soon afterward.

September

  • There was a LOT of Star Wars shake ups, as Colin Treverrow was fired as director of Episode IX. This was following the earlier firing of Lord and Miller from directing the Han Solo movie. The Solo movie would be picked up by Ron Howard, while it was announced JJ Abrams would return to write and direct Episode IX. Oh, and Episode VIII director Rian Johnson was given his own Skywalker-free Star Wars trilogy.
  • I experienced what is probably my most popular tweet to date:

  • ABC announced a reboot of The Greatest American Hero which will now star an Indian-American woman named Meera. I see you, ABC!
  • There was a lot of controversy in the G.I. Joe fandom as the current writer on the series was driving away the dwindling fan base with his social media tirades.
  • It was revealed that Roald Dahl originally meant for Charlie Bucket to be a Black child until his agent intervened and advised him against it.
  • Toys “R” Us filed for Chapter 11 bankruptcy protection because they don’t understand the word “sale” and are constantly getting their asses handed to them by Target and Amazon.
  • Black-ish creator Kenya Barris was announced to be working on the script for the completely unnecessary Coming to America 2, as Eddie Murphy must be behind on child support or something.

October

  • Milestone Media announced their return to the world of comics at New York Comic Con. And nothing has been mentioned about it since. I expect another reboot announcement somewhere around 2022.
  • The Juice is loose! OJ Simpson was released from prison.
  • AOL announced that Instant Messenger would be shut down on December 15th.
  • Just as easily as I found Heroes & Icon’s All Star Trek block I walked away from it. Oh, and I ranked the pre-Discovery Trek series. 

November

  • Donald Trump was kicked off Twitter for 11 minutes thanks to the inside work of an intrepid engineer. Remember, kids – not all heroes wear capes!
  • Funko experienced the worst IPO in 17 years as the stock opened at $12 and dropped to $7 by the end of the day
  • Smallville star Allison Mack was reported to be allegedly running a sex slave cult in Los Angeles.
  • People Magazine named country star/The Voice coach Blake Shelton the Sexiest Man Alive, and the internet had a field day with that one!
  • Taraji P. Henson will star in What Men Want, inspired by the Mel Gibson film What Women Want. The movie will reportedly only be 10 minutes long, as she will learn the answer is “Pussy and sandwiches”.

December

  • Jay-Z told The New York Times that he cheated on wife Beyoncé because he was in “Survival Mode”, whatever that means. Look for Hallmark to come out with a new line of “I’m Sorry I Survival Moded You Last Weekend” cards
  • THERE’S A NEW BABY WEST ON THE HORIZON!
  • Disney bought Fox for a reported $52 million. And I had thoughts…
  • Quentin Tarantino announced that he wants to direct a Star Trek film. I maintain that it’ll never see the light of day.
  • Apple admitted that they slowed down the performance on older iPhones, supposedly to preserve their batteries, but were then forced to offer low cost replacement batteries to make amends.

 

West Week Ever Recipients of 2017 (with commentary)

1/6/17 – The Mick

See, this is the kind of thing I like: spotlighting a new show that a lot of folks may have missed. Considering It’s Always Sunny In Philadelphia has been around for 12 seasons, it clearly has a fanbase. Since Kaitlin Olsen is essentially playing the same character that she plays on that show, you can basically consider it The Further Adventures of Sweet Dee. Still, it felt very “Fox”, so I was expecting them to cancel it. Imagine my surprise when it got picked up for a second season!

1/13/17 – Donald Glover

He won the Best Musical or Comedy in Television Golden Globe for his nearly perfect series Atlanta, inked an exclusive development deal with FX Networks, AND got to film scenes as Lando Calrissian in the Han Solo movie. Everything was coming up Milhouse for that guy!

1/27/17 – The Women’s March on Washington

I guess I should’ve known what kind of year 2017 was going to be when this event happened so early in the year. See, I kinda thought of it as some kind of royal “F You!” to the establishment. The inauguration had just occurred, drawing anemic crowds, yet here was this march by the opposition to show that there was strength in numbers, and that those numbers weren’t on Trump’s side. Like I said in the post, I’m not the guy to explain the nuances of what the women were fighting for, and there were some interesting takes about how feminism and race haven’t always gone hand in hand. In fact, many feel that the women out there wearing the “pussy hats” were the same White women who had voted Trump into office. Again, I don’t know about all that. What I do know is that I hadn’t seen an organized demonstration like that since the Million Man March, so it certainly seemed noteworthy, even if it wasn’t the most “pop cultury” moment to come along.

2/3/17 – Winona Ryder

So, she made some funny faces at the SAG Awards ceremony. Was she high? Was she ACTING? Who knows? That’s just how low pressure the world of pop culture was at the start of the year. Sure, the progression of faces was amusing, but surely there should’ve been something more attention-worthy happening that week, right? Right? Wrong.

2/10/17 – The New England Patriots

Those sons of bitches Patriots! I’m not a sports guy, and we basically live in a Broncos home. Still, you don’t have to know much about sports to know that everyone who isn’t a Patriots fan hates them for being cheaters, while their fans defend them adamantly. I mean, I’m still amazed you can be suspended for cheating AND win the Super Bowl in the same season. Still, the Patriots pulled off an amazing comeback during Super Bowl LI, as Atlanta blew a TWENTY-FIVE point lead. It was the first Super Bowl to go into overtime. Yeah, I don’t care about football, but I gotta give credit where it’s due.

2/17/17 – CeeLo Green/Gnarly Davidson

So, musician/escaped mutant from Genosha CeeLo Green showed up to the Grammys looking like King Midas himself, calling himself “Gnarly Davidson”. Everyone had a good laugh for about 24 hours, but I bet 9 out of 10 people today couldn’t even tell you what or who Gnarly Davidson is supposed to be. I like to think that things that earn the WWE have made some sort of impact on popular culture, and this wasn’t even a mosquito bite in terms of magnitude.

3/3/17 – Logan

Great comic book movie. Great movie in general. As the year went on, Logan would enter the conversation, but it would quickly be overshadowed by anticipation for Guardians of the Galaxy Vol 2 or Spider-Man: Homecoming. It was even brought up in Oscars speculation. It was a great note for Jackman to go out on, and it’s just a shame that the Wolverine film trilogy is so uneven. Totally deserved the WWE.

3/10/17 – Man Seeking Woman

This was such a great show, and while I’m sad to see it go, I felt it told a very tight story. It didn’t wear out its welcome, and it smartly used the time that it had available to it. Clocking in at 3 seasons, it started with Jay Baruchel’s Josh stumbling out of a failed relationship, trying to get back on his feet in the dating world. It ended with him getting married to the perfect girl for him. Sure, it could’ve dragged along with them being newlyweds, having a kid, etc, but it didn’t want to insult our intelligence or waste our time as it devolved into just a run of the mill sitcom. Part of what made it special was that it was such an absurd show at times. I mean, Josh’s sister had an affair with Santa Claus at one point. But that just added to its charm. This is a great example of one of those “The Best Show You’re Not Watching”, because none of y’all were watching it. Still, it managed to chug along, and tell the story that it originally set out to tell. Most shows can’t say that, so it totally deserved the WWE. I think it’s streaming on Hulu if you ever want to check it out, which you should!

3/17/17 – Tyra Banks

Tyra had a pretty big week, as she was announced as Nick Cannon’s replacement as the host of America’s Got Talent, plus it was announced that she’d be returning to her old stomping grounds as head judge/host of America’s Next Top Model. In the same week, Banks became the grand arbiter of America’s standards of talent and beauty. That’s quite the coup!

3/24/17 – Nothing

As I always say when this happens, “As Nina Simone said, ‘It Be’s That Way Sometimes’.” Not happy with the trajectory the West Week Ever “honor” was on, I just couldn’t throw it at something willy nilly. We were seven posts into the year, and nothing chosen had really blown anyone’s socks off, except maybe Logan. I needed a week to regroup.

3/31/17 – Spider-Man: Homecoming trailer

It was a trailer for a new Marvel movie. When don’t those get the West Week Ever? Sure, we were all hype for the film, but we’re at a point in society where Marvel doesn’t really even have to try anymore with these things. Did it deserve it for the week? Sure. Can I even remember that first Homecoming trailer? Nope, I cannot.

4/7/17 – The Undertaker

By now, most of you know of my love for The Undertaker. In a world where wrestlers basically use some juxtaposition of their real names for their in-ring names, he was a relic of a bygone era of gimmicks and kayfabe. His retirement had been commonly rumored over recent years, but he was on a part-time schedule where he pretty much only came back for Wrestlemania. Well, at Wrestlemania 33, he jobbed to Roman Reigns, left his trademark hat and coat in the ring, kissed his wife, and walked out of the arena – all to chants of “Thank you, Taker”. For all intents and purposes, that seemed to be all she wrote. Now there are reports that he’ll be back for Raw‘s 25th anniversary. I really hope that’s not true, as it was a beautiful way for him to go out. The card for Wrestlemania 33 was weak sauce, but it being the swan song of Taker was what would make it stand out in the history books. I cried when Flair retired, and even though he eventually crawled back, it didn’t take away the experience of his retirement run. If Taker does return, I’m hoping I can feel the same way.

4/14/17 – Thor: Ragnarok teaser

Scroll up, and re-read what I said about the Homecoming trailer. Apply all of that here. Keep in mind, Thor was coming off a serviceable debut and a forgettable sequel. We didn’t have the highest expectations for this movie, even though it was apparent it had been dipping into the GOTG Cookie Jar of Humor. But, like I said, Marvel trailers pretty much always get the WWE, whether they deserve them or not. Actually, ya know what? Black Panther never got it. I think it’s because it debuted during one of my bye weeks, but I’m sure someone out there will say it’s due to my self-hatred or whatever.

4/21/17 – Girls Series Finale

While Girls pretty much became the poster child for Millennials, I’m not quite sure history will be kind to it. After all, the characters embodied everything we tend to hate about that demographic. They’re spoiled, they have delusions of grandeur, they don’t want to pay their dues, and they’re tremendously self-centered. Marnie sucked because she only used people to pursue her own happiness. Jessa sucked because she was a junkie succubus. Hannah sucked because she thought she was the Voice of a Generation, while commonly looking unwashed and unhygienic. She spent 6 seasons making us accept her body positivity while engaging in the unsexiest sex scenes imaginable.

Still, through all of that, the characters actually seemed to experience some growth in that final season. Hanna found herself pregnant, eventually giving birth to Grover (Fuck you, Lena Dunham. Just fuck you right in the ear for that shit). And she found out she had to grow up FAST. Marnie thrust herself into the role of doting aunt, as if to make amends for being such a shitty person to those around her. She soon found, though, that she couldn’t assume that role and still continue to grow. She had her path, and Hannah/Grover had their own. And the only character with some sense was strangely neurotic/possibly on the spectrum Shoshana, who managed to remove herself from the equation before the series finale because she realized she was better than those with whom she had surrounded herself.

As a whole, Girls is a forgettable mess that I hope I never see on any of those Greatest Series of All Time lists. That finale, though, made up for a lot of problems I’d had with those characters over the course of the show. I went from Hate Watching it to just Watching it. And, to her credit, as much as Hannah sucked, Dunham was the voice of a generation, like it or not. They say that the mark of a good series finale is that you can watch it and get a whole, fulfilling story even if you weren’t an avid viewer of the series. Since I’d been watching the show, I can’t attest to whether that’s true here, but I do feel like it was a damn fine finale that did more for its characters and narrative than the whole rest of the series put together.

4/28/17 – Nothing

I guess I felt like Girls had set a pretty high bar, and nothing came close to that in the week following its finale. Go figure!

5/5/17 – Ryan Seacrest

Next to maybe Steve Harvey,  Seacrest is the hardest working man in show business. It was announced that he would be taking over Michael Strahan’s cohost role on Live with Kelly, and a grueling schedule was floated that would allow him to maintain that job while also flying to the West Coast multiple times a week in order to host ABC’s reboot of American Idol. While he hadn’t officially signed on to the Idol revival at that point, he would later take the job, and that theoretical travel schedule would become reality. I know folks love to make fun of him, and make all the gay jokes, but I don’t think he gets nearly enough credit for his work ethic. The man rarely sleeps and is constantly developing new projects. And he’s a shrewd businessman, as evidenced in how he pretty much just swooped in and assimilated Dick Clark’s New Year’s Rockin’ Eve.

5/12/17 – Guardians of the Galaxy Vol 2

I really enjoyed this movie, but I’m scared I’m falling into that cynical thing where I’m like “Well, it’s a Marvel movie”. We pretty much know what to expect at this point. I’m not getting bored by the formula or anything, but I don’t think it’s a surprise when these things come out and dominate the pop culture conversation for the week following.

5/19/17 – CBS

This was my annual upfronts post, and I felt like CBS had the most promising schedule for their Fall lineup. They had a few misses (Wisdom of the Crowd, Me, Myself, and I), but I still stand by that assessment, as Young Sheldon was a breakout hit and SEAL Team was the only successful military drama of the three that launched in the fall.

5/26/17 – Red Nose Day Actually

I still feel like bringing the Red Nose Day thing to America is the equivalent of trying to make “fetch” happen. I don’t think it’s going to catch on, but I won’t say anything bad about something that gives me a sequel to one of my favorite movies. Yes, I’m that guy who adores Love Actually. And this year we got a “sequel” short during the telethon that caught up with the characters in the present day. The Sam and Joanna portion alone made me want to cry, but it was like catching up with old friends. Totally the best thing that week had to offer.

6/2/17 – Wonder Woman

This was a great comic book film that seemed to right the ship for the DCEU. Sure, it’s not perfect, but it’s a far cry stronger than BvS and Suicide Squad. We thought this was shades of things to come from Justice League. Perhaps we expected too much. Still, it’s a strong entry into the comic book movie universe, and totally deserved the WWE.

6/9/17 – Wonder Woman

This made me realize a problem with how this weekly post is scheduled. You see, I’m an avid Thursday night viewer of these movies. Since the post comes out Friday, I could theoretically post about it the next day. And many times I have. That’s what happened with Wonder Woman. I saw it Thursday night, and it got the WWE the next day – at a time when most of my readers had not had the chance to see the movie yet. This is problematic because they tend to not read that post for fear of spoilers. So, I’ve tried to change things up where I sit on my review for a week, giving folks a chance to see the movie first. This is the week when Wonder Woman should have gotten the WWE, but instead it just made me look lazy.

6/16/17 – West Life Ever: Adam West

Ah, the very first West Life Ever recipient. As you probably know by now, there’s a pretty strict No Death policy for this column. Sure, once in a blue moon, someone will come along whose death needs to be acknowledged, but I knew that there were a few people whose death would require me to make a bigger deal. Adam West was always at the top of this list. When I posted that entry, I called it the West Week Ever Hall of Fame, which never quite felt right. My pal Zac Shipley came up with West Life Ever, which was perfect. So, the post was changed and that’s what the honor will be called going forward. It’s still not something that I plan to abuse, but I’m glad it exists when I need to use it. Sadly, I would have to use it again not much later.

6/23/17 – Nothing

I guess I was still affected by West’s death, and I thought I was gonna be able to promote my appearance on a podcast where we looked back on his life. That episode has never seen the light of day (Looking at you, Chad!). So, nothing was worthy of the WWE mantle that week.

7/7/17- Michael Keaton

I had seen Spider-Man: Homecoming and The Founder that week, both films showcasing amazing performances by Keaton. The surprising thing to point out here is that Homecoming had been seen by me, but did NOT get the WWE. Keep in mind, though, I was moving to my schedule of waiting a week so that more folks have time to see the film. Will it get the WWE next week?

7/14/17 – Milana Vayntrub

Nope! Yes, in a world where there’s a new Marvel film in theaters, I give my highest honor to the AT&T Girl. I didn’t love Homecoming. In fact, it’s probably the first Marvel movie since I’ve been doing this column where I wasn’t just immediately smitten. I probably need to watch it again but the timeline of the film challenged my inner fanboy the entire runtime, and it ruined the experience for me. Why did Vayntrub get it? Well, she’d been cast as Squirrel Girl in Marvel’s New Warriors series for Freeform. I really thought it was going to be her big break. Well, later Freeform would decide that it didn’t have room for the show on its schedule, and its future is currently in limbo. Womp womp. Marvel thinks the show has a lot of promise, but they’re no longer allowed to farm out their shows to non-Disney owned networks, so that limits their possibilities. It was probably the biggest week she’s ever had, but it didn’t really pay off into anything. Yet.

7/21/17 – Jodie Whittaker

A female Doctor Who? That shit is history in the making! I don’t care anything about that franchise, but I know when history is being made. Totally deserved.

7/28/17 – West Life Ever: Jim Vance

When I first conceived of the WWE: Hall of Fame/West Life Ever, there were 2 particular people in mind for it. I never really thought it would expand outside of those two unless it was a rare, special case. And that’s exactly what it was when local newsman, and DC institution, Jim Vance succumbed to cancer. He was a great example of “Ya don’t know what you’ve got til it’s gone”, as it never felt like he’d made that much of an impact on my life until he was no longer in it. My whole response to his passing surprised me, and I’m sort of curious to see what other surprises are in store for the West Life Ever honor.

8/4/17 – Female Comic Editors

Some dumb shit about female comic editors going out for a milkshake to honor the passing of Marvel staple “Fabulous” Flo Steinberg, and ended up being heckled by a bunch of stupid dudes online. It somehow turned into this symbolic gesture throughout the industry. Fellow creators were posting selfies of themselves drinking milkshakes, and it all just kinda fizzled out. It’s really one of those “You had to be there” kinds of things because the whole “controversy” just sounds stupid to me in hindsight.

8/18/17 – DuckTales reboot

I watched the pilot and loved it. Then I promptly forgot about it. I kinda expected more from it, to be honest. I guess that’s my own fault. I thought it was just going to compel me to watch it every week, but instead if became just another forgotten animated show of 2017, like that Big Hero 6 premiere I would totally miss in November.

8/25/17 – Solar Eclipse of 2017

These things don’t happen that often! At least, that’s what the science folks always tell us, even though it feels like there’s some kind of eclipse every time we turn around. Well, I never claimed to be Thomas Einstein-Tesla, so I’m not the best person to get your science info from. Anyway, it was a big deal that week, as those free glasses needed to look at the thing were being sold for, like, $250 a pair, as if they came from Sunglass Hut or something. And the President even looked directly into the thing, ya know, ’cause he’s a stable genius and all. This thing was all anyone could talk about that week.

9/8/17 – Batman: The Animated Series

This week marked the 25th anniversary of the debut of the classic animated series which, I believe, changed animation for the better. It was a show that was gritty and intelligent enough for primetime, yet worked on a level to keep kids engaged – all the while dodging some incredible mandates from Fox Kids Standards & Practices, like “No blood” or “Can’t say ‘kill'”. In some ways it might be seen as a cop-out to look to the past for a WWE winner. After all, for all the fans of the show, there wasn’t a lot of fanfare surrounding the anniversary. Instead of Warner Bros making a big deal, it was more like the hardcore fans were holding thousands of little private wakes for the show. Still, 25 years ain’t nothing to shake a stick at, so I felt the show’s milestone needed to be acknowledged and honored.

9/15/17 – Cory Chase/Reality Kings

When this post originally went up, I put it to a vote: should the WWE go to horror remake IT OR should it go to porn star Cory Chase and the Reality Kings porn franchise? Ya see, IT had a successful week, but all anyone could talk about around the time of publication was the fact that Senator Ted Cruz’s personal Twitter account had Liked a video clip of some of Chase’s work. It was quickly blamed on a staffer, but the damage had been done by that point. Cruz was just like the rest of us, trawling the web for porn. Hell, if he’d been smarter, he could’ve spun that into some sort of political clout, but he took the coward’s way out. Anyway, the readers spoke and decided that Chase should be the victor. While I don’t disagree, I think it was very “2017” that such a salacious choice was even an option for Biggest Pop Culture Thing of the Week. We’d sunk so low, and we weren’t even close to the bottom yet.

9/29/17 – Star Trek franchise

This week not only saw the premiere of Star Trek: Discovery on CBS and CBS All Access, but it was also the 30th anniversary of the premiere of Star Trek: The Next Generation. Just as with Batman: The Animated Series, these were milestones deserving of recognition. I haven’t revisited Discovery since the free premiere on CBS, but I’ve heard enough good things that I’ll circle back around to it eventually.

10/6/17 – The West Family

Self-indulgent post because it’s my site, and I do what I wanna! It was my 5-year wedding anniversary, and nothing else was going on. If you go back in the archives, pre-2010 or so, this thing reads like a really bad LiveJournal. “I’m tired of my boss at H&M”, yadda yadda yadda. I later pivoted to a solely pop culture focus, but I left most of those posts up because I hate to delete anything. So, every now and then, I feel like I’ve written enough about celebrities that I’ve earned a personal post or two, so this was me pulling that trigger. Had it not gone to us, it would’ve been another week when it went to Nothing.

10/13/17 – Nothing

Kinda like this week.

10/27/17 – Super Mario Odyssey

I’m not a gamer, but it was easy to tell who the gamers were, as they were all anticipating this release. I’ve heard nothing but great things about this game, it I feel this was totally deserved.

11/3/17 – Stranger Things Season 2

I’ve never seen the show, have almost no real desire to see the show, and I’m kinda sick of seeing those kids everywhere. Still, I have to put my own issues aside for the good of “real reporting” sometimes. This was one of those times. Everyone was anticipating the second season of this show and, while the general consensus seems to be that it wasn’t as good as the first season, I’ve yet to hear anything actually negative about the season.

11/10/17 – Thor: Ragnarok

Here we are, back to having a Marvel film get the WWE. Earlier I said that I was beginning to wonder if all this hype was deserved, as we pretty much know what we’re going to get from the MCU franchise at this point, but I feel this was totally deserved here. Easily the best Thor film of the trilogy (not a difficult feat, really), but it presented a new side of the title character. And it totally took some creative notes from Guardians, which was to its advantage.

11/17/17 – Justice League

I kinda broke my own rule here. I know I was trying to wait a week before reviewing new, highly anticipated films, but I felt like this one needed a shot in the arm. So many folks were determined not to see it, that I felt I needed to post about it on opening weekend to get some more butts in seats. I’m hardly an influencer, but if I convinced just one person to see the movie who had been on the fence, then I guess I did my job. I hate to do a comparison, but it’s “No Marvel movie”. That said, I was happy it did something different, and I was thoroughly entertained. It’s not a “great” film by any stretch of the imagination, but nobody should expect Citizen Kane when one of the main characters runs around, dressed like a bat.

12/1/17 – Avengers: Infinity War trailer

Obligatory WWE for new MCU film trailer. All it did was fortify millions of speculation boners without really giving us anything other than eye candy. We’ve reached a point where I don’t even know if we’re capable of determining if these things are good anymore. Part of the problem is that they’ve yet to really have a “miss”, so would we even know it if/when it happened? Like, Black Panther could be the worst thing they ever put onscreen. It won’t be, but even if it is, there are certain communities who are going to refuse to admit it. It’s just fascinating to me how that works. Anyway, this came out while Marvel was avoiding the Cebulski controversy, while its parent, Disney, was making a play for Fox. It was a nice little distraction that caught everyone’s attention at just the right time. Their success rate is just so unprecedented that I guess I’m waiting for the other shoe to drop, which is somewhat unfair to them.

12/8/17 – MCU Fanboys

Remember how I just said there are some folks who would refuse to acknowledge Marvel’s “failure” even if it were right in front of them? Enter the MCU fanboy. And nobody had a better week than them because Disney’s play for Fox became official, meaning that the X-Men and Fantastic Four film rights were finally “coming home”. And you couldn’t swing a dead cat without running into one of them surmising how the X-Men would be integrated into the established MCU. Would Marvel honor everything Fox had done with the franchise, or would it be a complete reboot? These discussions were going on everywhere online, so this week truly belonged to those folks. Who cares if the acquisition would result in redundancies and the loss of anywhere from 5,000-10,000 jobs? You’re finally getting the chance at a House of M movie, right? Right?

12/15/17 – Black Women

While there was a tongue in cheek aspect to this, I totally meant it. It was a big week for Black women. Omarosa got kicked out of the Trump White House, to the delight of many, while the Black female vote helped keep suspected child molester Roy Moore out of office in a very close congressional race in Alabama. A lot of folks were taking a break from social media that week, for fear of being spoiled by those who had already seen The Last Jedi, so they missed this one. It’s a shame, because I felt there was a lot of good stuff in this post.

12/22/17 – Fandom Gatekeepers

You know how I was just talking about MCU fanboys? Well, this is what happens when that shit is cranked up to 11. It’s like the Chappelle’s Show sketch, When Keepin’ It Real Goes Wrong. These are the folks who take shit too far, and there was a lot of that going on due to the polarizing reactions to The Last Jedi. I felt kinda bad about this one, because I typically want the WWE to be a *celebration* of something, but I couldn’t not acknowledge it, and I had a lot of thoughts on the matter, born from a late night Twitter rant.

I had to do something different this year. Usually, to determine who had the West Year Ever, we look at the list of folks who earned the West Week Ever throughout the year. There are always entities that receive it multiple times throughout the year, like Marvel and DC, and then there’s a runoff between them to see who truly deserved it. That doesn’t work this year, though. You see, most of the WWE recipients this year had no real lasting impact outside of the week that they won. The only thing that got the honor more than once this year was Wonder Woman, but it surely didn’t have the West Year Ever. Close, but no cigar. No, I had to take a closer look at trends of the year, and get a feel for what truly dominated the news cycle.

Remember how I said that the entertainment world was boring until Q4? Well, once October hit, the whole thing blew wide open thanks to one man: Harvey Weinstein. The reports and allegations of his sexual improprieties opened the floodgates for more reports on other celebrities. All across the country, men in power were being exposed for the lotharios that they were. There seemed to be certain patterns that surfaced. For example, a lot of them liked to abuse their power by masturbating in front of women over whom they held some sort of influence. Every week, there was a new LIST of men to add to the list. I hate to create HarassmentWatch(TM) just to keep track of it all, and mine isn’t even close to an exhaustive list. Still, I managed to track allegations on the following men:

  • Producer Harvey Weinstein
  • The Loud House creator Chris Savino
  • Actor Kevin Spacey
  • Actor Jeremy Piven
  • Director Brett Ratner
  • Actor Dustin Hoffman
  • Actor Danny Masterson
  • Actor Charlie Sheen
  • Mad Men creator Matthew Weiner
  • Actor Jeffrey Tambor
  • Comedian Louis CK
  • Actor George Takei
  • Actor Richard Dreyfuss
  • Actor Tom Sizemore
  • Actor Ed Westwick
  • The Royals/One Tree Hill creator Mark Schwahn
  • Flash/Supergirl showrunner Andrew Kreisberg
  • Actor Steven Seagal
  • Producer Gary Goddard
  • Actor Sylvester Stallone
  • DC Comics Editor Eddie Berganza
  • Senator Al Franken
  • Producer John Lasseter
  • On Air Personality Ryan Seacrest
  • Singer Nick Carter
  • Producer Russell Simmons
  • Humorist Garrison Keillor
  • Newsman Charlie Rose
  • New York Times Reporter Glenn Thrush
  • Newsman Matt Lauer
  • US Representative John Conyers
  • Chef Mario Batali
  • Talk Show Host Tavis Smiley
  • US Representative Blake Farenthold
  • Documentarian and Fast Food Truther Morgan Spurlock
  • Comedian TJ Miller
  • NFL Media VP David Eaton
  • Newsman Chris Matthews
  • Director Paul Haggis
  • Pastry Chef Johnny Iuzzini
  • Half the damn NFL Network

That’s over FORTY instances reported just since October! And they’re still coming (tune into tomorrow’s West Week Ever for some new 2018 additions to the list!). This shit is crazy! Keep it in your pants, powerful men! Even though it was a phenomenon that came along later in the year, I feel like it colored the whole year, and fit tonally with what a trash heap fire the year became. So, in my mind, 2017 was the Year of the Wang Dangler. In October, the weather started getting cold and, for whatever reason, the wangs started coming out. There were reports of forced oral sex, public masturbation, walking amongst staff while naked, and secret buttons under desks to lock vulnerable women in uncomfortable places. What pieces of shit these men are! But they’re the official mascots of 2017. So, without further ado, the celebrity wang danglers had the West Year Ever. Here’s hoping we can aim a bit higher in our aspirations in 2018.

06th Oct2017

West Week Ever: Pop Culture In Review – 10/6/17

by Will

So, I guess I’ve got to start off by talking about Vegas, huh? Ya know, it’s been really hard writing this column in 2017. Like, I’m sure some of y’all are thinking, “Man, Will is slipping” or you’ve put me in the category with The Simpsons where “This isn’t as funny as it used to be.” Sadly, it’s just the state of the world, and all I can do is my best to mine the entertainment news that still manages to trickle out. That said, it is really hard talking about pop culture in 2017.

But anyway, Vegas. Unless you’ve been offworld fighting the Jem’Hadar or whatever, then you already know some dude (not gonna name him ’cause why should I?) shot up the Route 91 Harvest 3-day country music festival, killing 59 people, and injuring over 500, in the deadliest US gun attack in history. And while this was a horrific loss of life, I’m kind of numb to these things now. I mean, sure, you wonder “Is anywhere safe anymore?” but at the same time, this is America, and these sorts of things have become somewhat annual, if not more frequent. After all, this is only the deadliest gun attack since the Pulse shooting in Miami back in June of 2016. It’s saddening and exhausting, yet nothing seems to be changing.

I’m seeing a lot of sentiments, post-Vegas, about how we’re all Americans and should now unite and, basically, “cut the bullshit”. But what does that ultimately mean? I mean, around what ideal are we uniting? It sure as Hell ain’t gun control. Or mental health. There’s no “evil foreigner” trope for us to pursue. If anything, it seems to be a plea to stop protesting and kneeling and all that jazz, because it’s “divisive”. Nah, I’m good. I know these things teach us that life is precious and we shouldn’t waste time on squabbles, but the stuff folks are mad about isn’t menial. And I think it’s gonna take more than a “lone wolf” at a country festival to sweep all the issues under the rug, for the sake of “unity”.

Anyway, as you can imagine, Vegas cast a bit of a pall on pop culture this week, and this wasn’t more evident than with the return of MTV’s TRL.

Members of the N’SYNC pose with Carson Daly at MTV Studios in New York City’s Times Square on January, 26, 2000. (photo by Todd Plitt)

Originally Total Request Live, the video request countdown was a powerhouse on the pop music landscape at the turn of the century. It put Carson Daly on the map, and it was what everyone watched when they came home from school (unless they were watching 106 & Park). You weren’t shit if you didn’t stop by TRL to promote whatever new project you had coming up. It was THE place to be. Then the internet got bigger, and you could watch music videos whenever you want on YouTube (and later Vevo). So, the show packed its shit and left us in 2008.

Feeling a bit of nostalgia, I suppose, Viacom decided to revive the show this year with a team of hosts. With the internet being what it is now, surely it’d be more interactive than the original. What nobody told us, though, is that it wouldn’t have any videos!

Monday’s premiered chugged along, despite having to deal with a national tragedy and experiencing technical difficulties, and didn’t air a single video. Yeah, they still make videos. CMT plays ’em, so at least they’re still viable for country. Taylor Swift and Katy Perry still make them. There are videos out there, yet the show known for its video countdown ain’t got no videos! Exactly WHAT is the audience expected to request? Instead, the show featured live performances from Ed Sheeran and Migos, and displayed some awkward banter between the hosts as they tried to fill out the intermittent silences.

People have said “What’s the point of then showing videos if you can get them online?”, and while that’s true, I’d counter with “Then why bring back the show at all?” Imagine if VH1 revived Pop-Up Video, but didn’t actually do the pop-ups because “folks do that better on YouTube now”? That would be a useless show. And in an age where MTV seems to want to get back into the music business somewhat, and they still host an awards show for music videos you’d think they would see this TRL reboot as a golden opportunity. Anyway, maybe they’re just experiencing first week growing pains, but things certainly don’t look all that great for this incarnation at the moment.

Another way that Vegas affected pop culture is that Netflix pulled their Punisher panel that was planned for this weekend’s New York Comic Con. While some folks are asking “What’s that gonna change?”, I selfishly applaud the decision. I say selfishly because I don’t understand anyone who holds The Punisher as their favorite comic character. At least no one over the age of 13, that is. Why, in this day and age, is he still a thing? Sure, he has his roots in the whole Dirty Harry/Death Wish popularity of decades past, but let’s not forgot that comic are just power fantasies. So who does he appeal to?

If you’re not familiar with The Punisher, Frank Castle was originally a Vietnam vet whose family was murdered because they witnessed a killing in Central Park. He then begins his one-man war on crime. Sure, this was “cool” in the 89s, but now? Do you really wanna give a Vietnam vet with a screw loose a bunch of weapons? Shit, most of y’all wouldn’t even give him a dollar!

In recent years, they’ve tried to make him more “comic booky”, sending him after Hydra and having him somewhat idolize Captain America, but at the end of the day, he’s not a good dude. And it’s not like he does it in a funny way, like Deadpool (and I’ve got thoughts about that, too). He’s so “ripped from the headlines” that I’m surprised there aren’t Punisher copycats running around in the streets.

They say that every character is somebody’s favorite, but if yours is Punisher, not only do I want to know who hurt you, but I’m also afraid of you. We’ve got comic retailers pissed that Iron Man is currently a Black girl, or Captain America was a Black man, but don’t bat an eye that there’s this White dude who’s been on a killing spree since the mid 70s. I just don’t know if we need that character anymore.

Anyway, enough Vegas talk. Over at ABC, they finally locked their judges panel for the American Idol reboot and I’ve got problems with it.

The lineup on the judges panel will be Katy Perry, country star Luke Bryan, and 80s superstar Lionel Richie. And my problem is that these judges are current recording artists, so what’s to keep them from torpedoing the hopes of a contestant that they night see as competition? We already know Katy’s petty from her feud with Taylor Swift, so I wouldn’t put it past her.

When the original Idol aired, the judges were comprised of a producer, a hasbeen, and a pop music magic maker. None of them were active recording artists. The only show that has active recording artists as judges is The Voice, and notice how that show has yet to produce a household name after 13 seasons. Not even in the first season, where all eyes were on this newfangled show to see what it was all about, did the winner become a “star”. That show has always been, and will always be about the judges. You think Blake Shelton is gonna choose someone who might compete with him over a CMA? No the fuck not!

Katy’s experienced a lot of success, but I don’t know if she’s really anyone to be judging singing. Despite the fact that she’s the biggest star on the panel, and making the most money, Katy fills the Paula role, as she’s more of an entertainer than a vocalist. Luke, while he’s paid his dues in the country industry, is still a novice to stardom. Not really sure what advice he has to offer the next generation of stars. And Lionel is just there to fill that Randy Jackson, elder statesman role. If you’ll notice, the panel is missing a Simon. There’s no one there who truly understand the behind the scenes aspect of the industry. How to package an artist, how to match them with the right songs, etc. Katy has been packaged, and Lionel has written songs, but there’s no “godfather” on the panel, which I think will be to the show’s detriment.

In comic news, it was announced at NYCC yesterday that DC would be completely rebooting the “urban” Milestone properties, led by a new Static Shock series from Kyle Baker and Reginald Hudlin.

The minority pockets of comic fandom have been claiming for years that they’d support a Milestone reboot, so now it’s time for them to out their money where their mouth is. Frankly, I don’t believe them. It’s the “woke”, socially conscious thing to say, but when you’re faced with paying $3.99 a month for Static, your attitude is gonna change.

Several companies have tried to fill the void left by the Milestone books, and the only one that has come close to succeeding is Lion Forge’s current Catalyst Prime universe. While it’s still very early to tell where this imprint might go, they’ve delivered a quality product, with known creators, and even their footprint doesn’t seem to be that large. Retailers are ordering conservatively, as they, too, aren’t sure how things will shake our. Sure, Milestone will have DC Comics money behind it, but is DC giving then just enough rope with which to hang themselves? I guess time will tell, but I’m not overly optimistic about their chances. Plus, there have been so many bait & switch Milestone announcements over the years that I’ll believe it when I see the books on shelves.

Speaking of DC, there are reports that they’re backing away from their shared DC Extended Universe films, as they’ll downplay the interconnectedness going forward. While I, for one, applaud this decision, money talks, so the success or failure of Justice League will most likely dictate the future of their film universe. It’s increasingly seeming like the Flash movie will be Flashpoint, which is odd because we’re not even invested enough in the characters yet to go through a universe-changing event like that.

If you’re unfamiliar, Flashpoint was the DC Comics event that changed the DC timeline and resulted in the New 52 relaunch a few years back. Most of the DC heroes started with a clean slate, and the books picked up early in the heroes’ careers. While a Flashpoint movie wouldn’t have to be so drastic, as they haven’t really established much of that universe yet, it is interesting that they would do a soft reboot of the films so soon. My feelings is that they’ll keep what works and throw out what doesn’t. Gal Gadot ain’t going anywhere. And Aquaman is probably safe, too.

I think the biggest wild card is Affleck. It was sort of dumb for them to build a film universe around an older Batman, where the most interesting stuff about him occurred before we even meet him. I know they wanted to go all The Dark Knight Returns with his battle against Superman, and that required an older, more skilled Batman. However, Affleck and the DCEU are like a couple who’s clearly unhappy, but neither is willing to pull the trigger on a break-up. Plus, it doesn’t help that Affleck’s most recent non-DC films have been flops, so he’d be a fool to walk away from a sure thing. The films might not be universally loved, but they do make money.

Anyway, we got some character posters for Justice League this week, which is something I guess. It comes out 2 weeks after Thor: Ragnarok, yet I’ve seen almost no promotion for it, while Thor has had TV spots since late August. In fact, the only time I even remember there’s a Justice League movie coming is when I’m in the toy aisle and see those uninspired basic figures on the pegs. They’re really gonna need to pump up the hype machine in the next few weeks. With the way DC’s acting, I almost feel like they’re ready to take the L and move on to the next phase of their movie-making.

Last weekend I went to TFCon 2017, which was a Transformers convention held locally. While I had a great time finally meeting Twitter pals @briantruitt and @brock626, and catching up with my bud @FakeEyes22, the show itself was meh. Like, I can’t believe that people actually travel for that show. Imagine paying for tickets to a music festival with big name acts, only to get their and they say “Psych! Most of these are cover bands!” That’s TFCon, ’cause about 40% of the “convention floor” (AKA hotel ballroom) was nothing but 3rd party knockoff toys and Reprolabels. After all, why buy a legitimate Optimus Prime when you can buy a $70 “Supreme Leader”? I know that 3rd party stuff is popular amongst Transformers fans, but I didn’t think you could prop up a convention with it, especially since it seemed like Hasbro was starting to crack down on those knockoff peddlers. Anyway, I bought my first 3rd party Transformer, KBBMP 21+ Beetle Wasp , who is really just a large G1 Bumblebee.

Song of the Week

You know why. My a cappella group used to sing this and it was one of my favorite arrangements to sing. I tried to find our version on YouTube, but the one that’s up is the quality of hot garbage, so you get the original instead.

Things You Might Have Missed This Week

  • Film sites are teasing that “big star” Kate Winslet is reteaming with James Cameron and joining the Avatar franchise. Sorry, but she hasn’t been a star since 1997.
  • Fast 9 has been given the release date of 4/10/20, while the Fast spin-off starring Dwayne “The Rock” Johnson and Jason Statham now has a release date of 7/26/19.
  • Grammy award-winning singer/songwriter/actress Jill Scott has been cast as the villain Lady Eve in The CW’s Black Lightning. I still feel like they’re dooming this show to fail by not connecting it to the preexisting Arrowverse.
  • OJ Simpson was released from prison last Sunday morning at midnight, after serving a 9-year term. He immediately resumed his hunt for the real killers. Just kidding. He’s reportedly staying on a golf course somewhere.

  • We got a trailer for Syfy’s Happy!, based on the Grant Morrison and Darick Robertson graphic novel of the same name. While this left me with a feeling of “What did I just watch?”, this feels like it’d be more at home on FX than Syfy.
  • It seems like Universal’s Dark Universe is falling apart, after The Bride of Frankenstein just lost its release date. The actors, including Javier Bardem and Angelina Jolie, are on hold until the script can be worked on.
  • Natalia Cordova-Buckley has been upped to series regular for season 5 of Agents of S.H.I.E.L.D., so expect to see her yo-yoing through space this year.
  • Black superhero series Raising Dion is being developed by, and will co-star, Michael B. Jordan. The show has received a 10-episode order from Netflix.
  • Apparently there’s a Bob’s Burgers movie coming in 2020. Just like the show, I’ll have no direct interest in seeing it, but I’m sure I’ll eventually catch it on FXX one day and enjoy every minute of it.
  • Gore Verbinski, of Pirates of the Caribbean and The Ring fame, will reportedly direct Channing Tatum’s Gambit film spin-off of the X-Men franchise. Man, what kind of blackmail material does Tatum have to keep this movie in production?! I’ll bet it’s some dirt from his days as a stripper!
  • Bruce Willis’s Death Wish reboot has been moved from later this year to March 2nd, 2018. They claim it’s because the Thanksgiving film corridor is crowded, but it’s more likely the fact that a movie about an old White guy shooting up people ain’t so kosher right now. But we’ll have forgotten all about this stuff by March, so it’s cool.
  • The future of Nickelodeon’s Nicky, Ricky, Dicky & Dawn is in question, as they ain’t got no Dicky! Actor Mace Coronel (are we sure he’s not a video game character with that name?) abruptly left the show over the summer, and announced his departure on Instagram this week.
  • TNT announced that the upcoming 6th season of Major Crimes would be its last, despite the fact that it’s the highest rated show on the network. This is like when CBS initiated the Rural Purge, where they cancelled all their high-rated “bumpkin” shows because they wanted to change their image.
  • Alyssa Milano is developing her comic series Hacktivist into a TV series for The CW
  • Freshman ABC drama The Good Doctor has scored a full season order after only airing 2 episodes.
  • The Sonic the Hedgehog film has jumped from Sony to Paramount, and announced director Tim Miller (Deadpool) will now produce, as Jeff Fowler will be making his theatrical directorial debut on the film.
  • After 15 seasons, Pauley Perrette is leaving NCIS at the end of this season. In other news, NCIS has somehow been on for 15 years…

  • CBS is adding Will Ferrell-produced comedy No Activity to the All Access streaming service, to debut by end of year. However, Tim Meadows just joined the cast as the co-lead, so the show is already cancelled.
  • Larry Wilmore and Viola Davis are developing the comedy Black Don’t Crack for ABC, which sounds like an older Girlfriends reboot
  • Co-head writers Chris Kelly and Sarah Schneider have left Saturday Night Live to work on a pilot for Comedy Central. Kelly also wrote for Broad City, while Schneider wrote for Master of None.

  • We also got a trailer for Hulu’s Future Man from Seth Rogen. It looks funny, but Hulu doesn’t seem like the right home for it, as it feels like a Fox show.
  • Glee‘s Mark Salling issued a plea in his child pornography case. One of the stipulations of sentencing means he’ll have to stay away from events frequented by minors, such as “video arcade facilities”. Here’s hoping he not a pedophile AND a time traveler!

So, this has been a Hell of a week. One great thing about it, though, is that today is my 5-year wedding anniversary. Yup, on October 6th, 2012, I married a girl I met on the Internet, and she hasn’t killed me yet. We’ve actually been together 9 years, but only 5 in the eyes of the District of Columbia. It has certainly been a ride. She got skinnier, I got fatter. We’ve had a kid together, which is pretty cool. Sometimes I feel like said kid gets the attention that I used to get, but I’m not supposed to be jealous of a toddler, right? RIGHT?

Anyway, when things like Vegas happen, you do realize that you’re lucky/blessed to be alive, and you look at the life you’ve built around yourself. I certainly could’ve done a lot worse, and probably not much better. Look, I was a lot better at writing this kind of stuff 9 years ago, when we were both still in the “OMG, you love breathing? I love breathing, too!” phase. Life comes along, and shit gets hard. I’m not even going to lie about that. But it’s a lot easier to handle when you’ve got a good person beside you to deal with it together. So, I think the West Family is having the West Week Ever. I love y’all!

07th Jul2017

West Week Ever: Pop Culture In Review – 7/7/17

by Will

I took last week off, but I hope y’all had a great 4th of July weekend. Life’s still kinda kicking my ass, so this’ll be an abridged edition this week.

I finally got around to watching a movie! It’s been on my list since I first heard it was in pre-production, and I’m amazed it took me this long to watch it, considering my love for the source material. The Founder stars Michael Keaton as Ray Kroc, the “founder” of McDonald’s who really just stole the concept from the McDonald Brothers. A down-on-his-luck shake machine salesman, Kroc happens upon the fledgling McDonald’s restaurant in Southern California. Knowing a good thing when he saw it, he pretty much insisted on becoming a part of the operation, mainly focused on franchising the business. And that’s when things get interesting. I LOVE McDonald’s. You can hate me all you want, but like Jim Gaffigan says, “Everyone has their own McDonald’s”. Mine just happens to be the actual company. I don’t know enough about the history of the company to know how factual an account the movie was, but it was sure damn entertaining. Keaton is amazing in it, and I feel like anyone would enjoy the movie even if they think they don’t give a rat’s ass about McDonald’s as a company. I highly recommend this film.

We finally got our first trailer for Marvel’s Inhumans, and now I realize why they were so hesitant to release it. MY GOD THIS LOOKS TERRIBLE! It looks like Into The Badlands – a show that I hate because people fawn over it when it looks like something that would’ve aired after Xena on Saturday afternoons 20 year ago. Yeah, I even told one of the Badlands creators that when he confronted me over my “appraisal” on Twitter. Badlands is a bad show, but it gets “diversity points”, so folks give it a pass. This show doesn’t even get diversity right, so it’s really just a shitshow in the making. I hate hate HATE that this is considered an official part of the MCU, even if it’s just a part of the never-referenced TV wing. Anyway, this trainwreck debuts in IMAX on September 1st, but will officially air on ABC beginning September 22nd.

Speaking of diversity points, CBS lost all of theirs when they let the Asians go from Hawaii Five-O last weekend. Daniel Dae Kim and Grace Park both left the show after salary negotiations broke down as they requested pay equal to their costars. I’ve never seen more than 15 minutes of that show, but I know the dude from Lost seemed pretty important to things. He was basically the White guys’ interpreter to all things native. CBS has claimed that they offered them sizable increases, which weren’t deemed acceptable to Park and Kim. Now the Five-O showrunner, Peter Lenkov, is now joining the side of the network, saying that CBS made “generous offers” to the stars, yet they decided not to renew their contracts.

This has turned into a discussion of race in Hollywood and how things still aren’t equal across the board. I’m a big fan of billing. Billing is important, and should go to the most well-known star. It’s the reason all the ’89 Batman posters say “Jack Nicholson” first. Dude was a bigger star. Now, I didn’t watch Lost and I didn’t watch Battlestar Galactica, but I still recognize Kim and Park from those shows. Maybe it’s just because I’m a geek and folks were always talking about those shows. The show’s star, Alex O’Loughlin? I can’t name a thing he’s been in. Don’t know that dude from Adam. And the other lead? James Caan’s kid? Whatever. Y’all mean you couldn’t pony up the cash to keep Lost Dude and Battlestar Girl? We’re not talking about big names here so, unless there was a favored nations clause where O’Loughlin would have to get a raise if they got raises, thereby thwarting the whole “equality” thing, I don’t see what the problem was. As has been pointed out, all O’Loughlin and Caan had to do was stand in solidarity with their costars and this would’ve been a non-issue. Word on the street it O’Loughlin is quitting at the end of the season anyway, so it’s not like we’re talking another 5 years here. He couldn’t keep his ego in check for a season? Nah, for too many folks, as long as they’ve got theirs, they don’t care if you’ve got yours.

We also got a trailer for Pitch Perfect 3, forcing me to reiterate that NOT EVERYTHING NEEDS TO BE A TRILOGY. I know everyone involved likes money, but sometimes there are natural, built-in ends to things. That thing was a 2-movie franchise and that’s it. Don’t forget – I lived that life. I was in the same competition the Bellas won in the first film (we came in 2nd), and I experienced the aca-graduation blues that the girls experienced in the second film. That’s pretty much it. There’s nowhere else to go. I mean, sure there are some random outlier outcomes. One of my groupmates is a hit producer in Asia now. Another is a pretty big pop star in Hong Kong. The rest of us? Dead-end jobs and bills. I used to occasionally do karaoke, but even that got to be too depressing. That shit is fun while it lasts, and then you’ve got to move on. So, in that vein, I can understand the plot of the 3rd movie, with the girls wanting to have one last hurrah, but I don’t really understand the concept of putting them on a USO tour. Is that something the troops wanna see? Has Pentatonix been dropped into the theater of war? It just seems kinda farfetched to me, and I was fine with how things were left in the last movie. Sure, I’ll see it, but it won’t be in a theater.

Things You Might Have Missed This Week

  • Hide grandma’s wallet – QVC is buying out Home Shopping Network.
  • After 3 seasons, The Carmichael Show has been canceled by NBC. I really wish someone else would snatch it up, as it’s a smart show
  • Netflix has renewed Dear, White People for a 2nd season. Meanwhile, they canceled Girlboss after one season. Reed Hastings giveth and he taketh away.
  • Speaking of Netflix, hearing the cries of fans, Sense8 will officially conclude with a 2-hour finale special
  • Netflix also renewed one of my favorite original shows, F is For Family, for a 3rd season.
  • Apparently a series based on the popular Step Up film series, called Step Up: High Water, will premiere on YouTube Red, where absolutely NOBODY is gonna watch it.
  • Fuller House season 3 will coincidentally premiere on the 30th anniversary of Full House, September 22nd.
  • Make your vacations weird again, as Cirque du Soleil has purchased Blue Man Group.
  • Patton Oswalt is engaged to 80s actress Meredith Salenger. Ya know, the same Patton whose wife died last year. I guess we all grieve in our own ways…
  • Lack of interest brought down The House, which bombed at the box office last weekend. It was reportedly Will Ferrell’s lowest live-action opening for a major studio.
  • Nick Fury will reportedly be making his MCU return in 2019’s Captain Marvel
  • HBO is reportedly getting the True Detective band back together, with a 3rd season to star Mahershala Ali
  • Nixing speculation that she was still up for the White House Press Secretary job, Kimberly Guilfoyle has reupped her contract with Fox News
  • Rob Lowe and his sons will chase the supernatural in The Lowe Files, and I literally cannot wait.
  • New game show, Snap Decision, premieres August 7th. Hosted by David Allen Grier, the show breaks precedent because it will debut on GSN and in syndication on the same date.

  • The world’s leading (and only) bar scientist favorited my tweet this week

We’re gonna do something different here this week. Usually, if you’ve been paying attention to the week’s news, you can at least try to figure out who or what had the best week. Some weeks it’s harder to choose something than others. Then I remembered, “Will, this is YOUR site.” After all, this is all pop culture through my lens, so it’s my rules. So, sometimes I might choose something that meant a lot to me that week, while you were none the wiser. But I bring it up on the site so that we’re all on the same page. And that’s the kind of pick I have this week.

After watching The Founder, I was left thinking, “Michael Keaton is a goddamn national treasure”. After watching Spider-Man: Homecoming last night (yeah, we’ll talk about it next week, when more of y’all have had a chance to see it), I was thinking “Why have we been sleeping on Keaton the past 20 years?” I mean, with the exception of The Other Guys, I honestly hadn’t seen a Michael Keaton movie since probably Batman Returns, and yet Birdman is the one considered his “comeback vehicle”. In The Founder, he really made you feel for a traveling salesman who was at the end of his rope. After a string of laughable failures, he finally found something to which he could hitch his wagon: McDonald’s. And while he also had to prove this to everyone in his sphere of orbit, most importantly he had to prove this to himself. He really needed a win, and Keaton did such a great job conveying that.

In Homecoming, Keaton plays Adrian Toomes, better known as the Vulture (though he’s never called that by name in the film). Not unlike Alfred Molina’s Dr. Octopus, he’s something of a sympathetic villain. Were it not for the fact that comic book franchises deal in the good/bad binary, you could almost relate to him and understand where he’s coming from. He’s a modern-day working class guy who feels ignored by the fat cats up on high. He doesn’t have evil goals. He simply wants to provide for his family, and he has a code of honor that dictates he must do whatever it takes to make good on that promise. I felt that Keaton did a great job expressing the plight of the working man. Sure, he got to utter some cheesy villain dialogue, but that simply comes with the territory. If you stopped for a minute, and ignored the fact that Spider-Man HAS to win, you realize that Toomes is actually kind of on to something. Again, though, I’ll get into more Homecoming thoughts next week.

My pal Chad pretty much swears by Michael Keaton as his favorite actor – a lot of that having to do with his immense love of 1989’s Batman. I’ve gotta say, I was never a huge fan of Keaton’s Batman, and when Chad would laud Keaton’s praises, I wasn’t really seeing it. I see it now, though. I have seen the light and I am healed! Dear Hollywood, more Michael Keaton, please! He pretty much impressed me on two different cinematic fronts this week, and that’s why Michael Keaton had the West Week Ever.

19th May2017

West Week Ever: Pop Culture In Review – 5/19/17 (Upfronts Edition)

by Will

 

Since this is my 4th annual network TV upfronts recap, we’re doing things a bit differently this week. So, sit back and hunker down, as this is gonna be a long one!

First up, I joined my buddy @ClassickMateria for the Classick Team-Up! Podcast last week, and the episode is now available to download. We chatted about Guardians of the Galaxy Vol 2, recent TV news, and everything else under the sun. Definitely check it out here!

Things You Might Have Missed This Week

  • Avi Kaplan quit the Grammy Award-winning a cappella group Pentatonix, because he missed his friends and family. I dunno about you, but I think that money could replace them!
  • Katy Perry has signed on as the first judge on ABC’s American Idol reboot, while there are reports that Idol finalist Chris Daughtry is in talks to join the show
  • The Big Bang Theory star Jim Parsons married his longtime partner, Todd Spiewak
  • The Flash cast member Keiynan Lonsdale came out as bisexual in an Instagram post
  • Hamilton‘s Daveed Diggs will star in TNT’s Snowpiercer pilot, based on the film, based on the French graphic novel
  • Conan O’Brien’s contract with TBS has been renewed through 2022, though no word on whether his show will switch to a weekly format as previously rumored.
  • DC stays losing, as actor Billy Crudup has left the Flash film, while it’s reported that Sam Raimi has turned down the director job
  • Power Rangers movie Black Ranger Ludi Lin has joined DC’s Aquaman film in the role of “Murk”, whoever that is…

  • Fox News personality, and former wife of California Lt Governor Gavin Newsom, Kimberly Guilfoyle has stated that she is currently being considered by the Trump Administration to replace Sean Spicer as White House Press Secretary. Gee, wonder what they see in her…
  • After 9 seasons, this weekend’s season finale will by Bobby Moynihan’s final episode of Saturday Night Live, as his series Me, Myself, and I was picked up at CBS.

  • LEGO Marvel Superheroes 2 was announced, but it won’t be on the Xbox 360, so it means nothing to me
  • In the Live Stage Show on TV department, Fox announced that they will air A Christmas Story Live in December, followed by Rent Live later in the season. Meanwhile, ABC will air The Wonderful World of Disney: The Little Mermaid Live in October

I covered a ton of renewals and cancellations that went down last week, but this week was no different, as the networks had to lock in their schedules for the fall. Here’s what’s been canceled/renewed since the last time we talked:

Cancellations

  • Shots Fired (Fox)
  • 2 Broke Girls (CBS)
  • Baby Daddy (Freeform)
  • The Great Indoors (CBS)
  • Criminal Minds: Beyond Borders (CBS)
  • Scream Queens (Fox)
  • The Odd Couple (CBS)
  • Training Day (CBS)
  • Ransom (CBS)

Renewals

  • Brooklyn Nine-Nine (Fox)
  • Speechless (ABC)
  • Fresh Off The Boat (ABC)
  • The Son (AMC)
  • The Exorcist (?! – Fox)
  • Timeless (uncanceled by NBC)
  • Law & Order: SVU (NBC)
  • Elementary (CBS)
  • The Amazing Race (CBS)
  • Quantico (ABC)
  • New Girl (abbreviated 8-episode final season, with 3 year time jump – Fox)
  • Code Black (CBS)
  • Arrested Development (Netflix)

courtesy of TVLine.com

So, as I pointed out up top, this was Upfronts Week for the major networks, where they unveil their fall schedules to reporters and critics. I’ve got to say that this upcoming season does very little for me. While last year’s presentations had me excited, this year’s stuff just looks like retreads of ideas we’ve already had or obvious film scripts that have been adapted for television. That’s something that you’re going to notice a lot this year: shows that would probably make decent movies, but aren’t something you’d want to check in on a weekly basis. The week started with NBC’s presentation, so let’s start with their new shows:

NBC

NBC renewed a big chunk of their schedule, and they’re holding a lot of their new shows for midseason (for which they didn’t give us trailers!), so there’s not a lot of new for the Fall.

The Brave – Formerly known as For God and Country, The Brave follows a multicultural team doing what I call “soldier shit”. That’s not to minimize what soldiers do; it’s just that there are certain things, like rescuing hostages, killing terrorists, etc, that are pretty much taken care of mainly by soldiers. Ya know, soldier shit. There are a lot of soldier shit shows coming this season, and this is merely one of them. We’re not necessarily in the most patriotic place right now, so I don’t know how these shows will fair. The trailer gives away the whole pilot, so do with that what you will. There’s an audience for this show, but I’m not it. Airing Mondays at 10, it’ll have a great lead-in in the form of The Voice, and its main competition in the timeslot will be Scorpion on CBS. By all accounts, it should have a fighting chance, so it’s The Brave‘s game to lose.

Law & Order True Crime: The Menendez Murders – I guess enough time has passed that this case is considered “sexy” now. Back in the early 90s, the Menendez Brothers killed their parents and it was a big deal. The brothers went to jail, where they started amassing groupies like they were in a boyband or something. I’m not even lying! Anyway, this is an anthology series, so it really doesn’t matter how it does. If it does well, we get another installment based on another real life crime. If it flops, then they can just act like it was a One & Done idea, and throw it out like all the other Law & Order spinoffs we’ve had over the years. It’s only 8 episodes long, and the timeslot goes to Chicago Med once it’s done. Anyway, it’s perched atop NBC’s newly rechristened Must See Thursday Night, with This Is Us as a lead-in, so they clearly expect big things from it. Its competition will be How To Get Away With Murder, which is by far the lowest rated of the ABC Shondaland dramas, and Shemar Moore’s S.W.A.T. over on CBS. I think it’ll do just fine.

Will & Grace – So, this show’s back. Yay? I really loved the show in its original run, but I didn’t need it back. And while I barely remember its series finale, I remember something about Will & Grace not having spoken to each other for 15 years. So, is that out the window now? Who cares, I guess. I mean, if they can bring Roseanne back with all its continuity issues (yeah, I’ll get to that), then they can pull this off. I just don’t really know what the endgame is here. I mean, besides the fact that we’re in the Trump Administration, has the world really changed that much to be reflected in this show? I mean, any rights Will or Jack were granted are basically about to be taken away any day now, but is the show even going to go there? I just don’t see the point of this one. But it’s only, like, 12 episodes and, like all of these revivals, they’ll play it coy on longevity until they see how the numbers look. It’s going up against Grey’s Anatomy, Gotham on its new night, Supernatural, and The Big Bang Theory. Now, from a socioeconomic demographic standpoint, W&G and TBBT are going after different audiences, but I feel like the W&G audience moved on to Grey’s. It’ll be interesting to see how this one plays out.

Let’s talk about some of NBC’s moves. Both Thursday night veterans Superstore and The Good Place are shifting to Tuesdays at 9 and 9:30. Now, they will have The Voice as a lead-in, but I feel like they should’ve stayed on Thursday if NBC really wanted to rebuild that night. I get that This Is Us is the breakout hit of the season, but that doesn’t mean it’s time to move it. It means it’s gonna be an uphill battle for NBC’s Tuesday comedies, as they’ll now be going up against Black-ish on its new night, as well as the Fox combo of Brooklyn Nine-Nine and The Mick. As far as Tuesday comedies go, somebody’s gonna have to flinch. The Fox shows don’t do all that well, but the NBC shows are kinda precious right now. They need to be nurtured, which is what leaving them on Thursday would’ve done. The Blacklist, meanwhile, moves to Wednesdays at 8, where it’ll go up against the moved Riverdale and Empire. I think they all have different audiences, though, so it shouldn’t take too much of a hit. Thursday got blown up, with Great News getting the post-Will & Grace slot mainly because Tina Fey. And This Is Us on its new night will now go up against Scandal *in its final season*. The balls on NBC! I get that it’s their chance to install a show that could take over Thursday once Scandal is done, but this is a risky move. Meanwhile, Blindspot and Taken are moving to Fridays where they’ll die because they’re both bubble shows that were narrowly renewed in the first place.

Fox

Next up, we’ve got Fox, where a WHOLE lot of shows are moving around. As for their new shows, they all look like interesting movies, but they just don’t grab me enough to want to be a regular viewer. Fox is really good about that. I remember loving Lethal Weapon this season, and then I didn’t watch a single episode after the pilot. I see a lot of that happening this season.

Ghosted – Wow, where to begin? Two regular guys are kidnapped and recruited by a top secret organization that investigates the supernatural. As for casting, you can’t really go wrong with Craig Robinson and Adam Scott. This show is basically Hot Tub Time Machine 3, with more of a supernatural twist. The problem, however, is that’s exactly what this should have been: a mid-budget theatrical release that later finds its audience when it airs monthly on FX. This isn’t a weekly series, regardless of the fact that Robinson and Scott have fanbases. It’s slotted between The Simpsons and Family Guy, which sounds like a good thing, but that’s where middling comedies go to die. This season alone, that slot killed Son of Zorn and Making History. Now, it doesn’t really fit anywhere else on Fox’s schedule, as its “out there” nature makes it more at home with the animation stuff than, say, with New Girl and The Mick. So, that rules out Tuesday nights, which is the only other place Fox does comedies. Another problem is that Fox Sunday night just hasn’t been strong since they abolished the Animation Domination block. The Simpsons is a decent performer, and they keep it around to break records, while Family Guy is a shell of its former self, yet they don’t want to be the network that canceled it TWICE. Last Man on Earth is constantly a show on the bubble. Sunday nights need a shot in the arm, but this isn’t the show to do it. I don’t see this one having legs.

The Gifted – This is the one everyone’s got their eyes on. A spinoff of the X-Men films, this show follows a family on the run when they discover that their kids are mutants. It doesn’t help that their dad is a former mutant hunter, so it’s his employers who are after them. I mean, it looks OK, but I didn’t wet my pants or anything. It’ll be really hard to do anything mind-blowing with a weekly TV budget, but the pilot was directed by Bryan Singer, so that’s gonna put butts in seats. Hell, if Gotham is going into season 4 (now on Thursdays at 8), I think this thing can survive. It’s probably pretty expensive, but Fox has been wanting to expand their comic offerings (after all, Black Lightning was originally meant for them), so this will be a good fit for the post Lucifer slot. Speaking of Lucifer, I never thought I’d see the day when a show about The Devil would air during the 8 PM hour (its new timeslot). I wonder how they feel about that in the Bible Belt. After all, I originally said they weren’t gonna let the show survive, and here it is entering season 3. I sure called that one wrong!

The Orville – I love the idea here, as it’s basically Galaxy Quest: The Series. I mean, it’s clear Seth MacFarlane has an affinity for Star Trek, even if he’s spent more time reenacting the Star Wars saga on Family Guy. I’d love for this show to work, but I’m sure it’s on the expensive side. Now, Seth’s got a relationship with Fox, but I wouldn’t be surprised if they canceled it. It looks like the kind of show Fox loves to cancel. Now, it’s going up against Scandal and This Is Us, but I don’t think they share an audience. However, Arrow has been moved to Thursdays at 9, which I feel is its closest competition, as far as the male 18-49 demographic is concerned. There’s no way it wins its timeslot, so the question is what will Fox consider a “success” as far as its ratings go?

So, Fox’s moves are interesting. Lethal Weapon moves to Tuesday at 8, where it’ll go against The Voice, NCIS, and The Flash. It won’t win the timeslot, but maybe it can take some of The Flash‘s audience away from it. The Mick nows leads into Brooklyn Nine-Nine, as it’s now the stronger comedy, while Nine-Nine narrowly got renewed. On Wednesday, they moved Empire to 8, hoping it’ll be a good lead-in for Star. I honestly don’t think Star is a winner, and I think the only reason it got renewed was because A) it was created by Lee Daniels and B) its initial run was too short for them to gauge whether or not it was a success. For people looking for a nighttime soap as sudsy as Empire, they’re probably gonna choose the Dynasty reboot over on The CW, airing at the same time as Star. Meanwhile, Gotham moves to Thursday at 8, where it’ll go against The Big Bang Theory and Grey’s Anatomy. I think its biggest threat, however, comes in the form of Supernatural, now at 8 over on The CW.

Fox’s midseason bench doesn’t look too strong. I’ll take a quick look at those shows:

LA To Vegas – It’s a show about the antics of a flight crew that handles the weekend LA to Vegas route. I don’t care who’s producing the thing, this is gonna be just another forgotten Fox sitcom.

The Resident – Another “young doctor doesn’t play by the rules” show. It’s got Emily VanCamp, so that’s a plus. It could work. It looks very “Fox”.

ABC

ABC didn’t really do anything too drastic, with only a couple of new shows and a few moves.

Ten Days In The Valley – Kyra Sedgwick plays a workaholic TV writer whose daughter goes missing. So, the show revolves around the hunt, and the fact that she can’t trust anyone around her, yadda yadda yadda. ABC probably feels like Sedgwick was quite the “get” after her critically acclaimed run on The Closer, but I just don’t know about this show. There’s nothing special about it. Sure, there will be twists and turns, but the fact that you can already predict those twists is what’s working against the show. Airing Sunday at 10, its only scripted competition, however, will be Madam Secretary over on CBS. I don’t think Madam is gonna destroy it, but I simply think this show is going to struggle to both find an audience and also keep that audience engaged. And what would a season 2 look like? I don’t think this is a winner.

The Good Doctor – Fresh off A&E’s Bates Motel, Freddie Highmore stars as a young surgeon with autism. It’s from the creator of House, so you kinda know what you’re gonna get there. Ya know, he’s a miracle doctor who doesn’t do shit by the book. I really like the cast, with Richard Schiff (The West Wing), Hill Harper (CSI: NY), and Antonia Thomas (Misfits). I probably won’t watch it, but it could find an audience. The trick will be whether it genuinely portrays what it would be like to be an autistic surgeon. A lot of special interest groups will probably be keeping a close eye on this one, and I think a lot of people will be talking about it. Scheduled Monday at 10, its main competition is Scorpion and The Brave. I think it’ll do fine.

The Mayor – A young rapper decides to run for mayor in order to get attention on his mixtape. Then he wins, and has to figure out how to actually be mayor. This sounds terrible. This is the kind of thing that would’ve gone straight to DVD starring fat Anthony Anderson back in 2001. I think the network was just desperate to get into bed with Daveed Diggs because of his Hamilton pedigree. While it will have Black-ish as its lead-in, it’s slotted where Imaginary Mary and The Real O’Neals went to die. Just like Tuesday 10 PM is the Death Slot, 9:30 isn’t much better. This thing simply doesn’t have legs. I just hope it lasts long enough for the rapper and Lea Michele to become a couple.

The Gospel of Kevin – This looks like a reboot of Highway to Heaven. Jason Ritter plays Kevin Finn, who supposedly “isn’t a good guy”, even though the trailer doesn’t elaborate on why someone would think that. Anyway, one night he discovers a meteor, which actually contains an angel, played by comedian Cristela Alonzo. She’s gonna be his spirit guide, as he travels to country to gain his powers and change the lives of others. Yeah, it’s in the Tuesday Night Death slot, so that’s certainly a strike against it. Typically, new shows in the Tuesday 10 PM slot fail for ABC. Agents of S.H.I.E.L.D. only survived because it was a veteran, and even it got banished to Friday. Nothing can survive at in that slot, for whatever reason, and I don’t see Kevin bucking that trend. This thing is simply too high concept, and I’m not sure America’s ready for another angel show right now. This one doesn’t have a prayer.

Let’s talk about ABC’s moves. Shark Tank moves to Sundays at 9. I don’t know about that one. I know they’re rebranding Friday nights, but now it’ll be going up against football and NCIS: LA. I think this is only temporary, as it’ll eventually find a new home on the schedule – perhaps Tuesdays at 10? One that’s kinda controversial in my mind is the Minority Block they’ve created on Tuesday night. Things kick off with the struggling Hecks of The Middle, who’re then followed up by the Asians of Fresh Off The Boat, and the Blacks of Black-ish and The Mayor. I haven’t seen something this calculated since the days of UPN. Still, I guess we should just shut up and be glad for the representation. It’s weird because ABC’s Wednesday night is their comedy crown jewel, though they’re clearly trying to take back Tuesday. It’s just a question now of how they’re branding those nights. I get that they don’t want to move Modern Family, but Black-ish benefited from the 9:30 Wednesday timeslot because, even though they were different races, the Dunphys and the Johnsons occupied the same socioeconomic class. That’s got to translate into some sort of data for ad buyers. I guess you could say Black-ish “graduated” if they feel it can survive without Modern Family protecting it, but I hate that its old timeslot was given to American Housewife, which I’m kinda surprised was renewed. On Friday, Once Upon A Time moves from Sunday, while Agents of S.H.I.E.L.D. will take over the 9 PM slot once Inhumans ends its run. A lot of folks feel like this is the death knell for both shows, since a move to Friday is always seen as a death sentence. I’ve never understood that, though, because if nerds truly have no lives, then shouldn’t they be home to watch these shows? Anyway, these shows are still on the air because they perform well on DVR/internationally, so their ratings clearly aren’t the only deciding factor.

Oddly enough, ABC’s most interesting new shows are being held for midseason. Since they won’t show up until January, I’m only gonna do some quick drive-by thoughts on them:

Alex, Inc – Zach Braff quits his successful job to start a podcast company. This is gonna look so dated when we look back on it, kinda like Selfie (remember that show?). It’s apparently going into the Sunday at 10 slot, so I guess Ten Days In The Valley will have wrapped by then. CBS will still probably have Madam Secretary, but Sunday Night Football will be over, so it’ll be interesting to see what NBC puts against it.

The Crossing – Steve Zahn is a small town cop who gets pulled into a mystery when a bunch of refugees from the future (!) wash up on his beach. I know I said I don’t like saga shows, but I really liked this trailer, and I can’t wait to see what this show is all about.

Deception – a cool as shit illusionist helps the FBI solve crimes. It’s SUCH a procedural, and there’s the whole will they/won’t they trope between him and the lady agent, but I don’t care. It looks so slick! I can’t wait.

For the People – A new Shondaland show about young sexy lawyers doing young sexy lawyer shit. It’ll be right at home in TGIT, especially once Scandal ends and frees up a slot.

Splitting Up Together – This is a movie, not a show! It’s good to see Jenna Fischer again, and I’ve loved Oliver Hudson since Rules of Engagement. It’s basically about a married couple trying to manage a “conscious uncoupling” while keeping their sanity. And there’s the slight hint that they may realize new things about each other and want to stay together. I have no idea how this is gonna go, but I’ll check it out.

Let’s revisit that Tuesday night situation, though, shall we? I feel like Black-ish is only keeping that slot warm for Roseanne‘s 8-episode run that debuts in 2018. They wouldn’t use it to kick off the night, as Roseanne‘s blue collar humor doesn’t necessarily translate at that hour, and I hardly see them bumping Modern Family on Wednesday night. So, I could see Roseanne returning to her Tuesday 9 PM roost of yesteryear. By this point, of course, The Mayor will already have been canceled, but Roseanne pairs better with The Middle than with Black-ish. I see a lot of comedy moves coming midseason for ABC.

CBS

CBS is “America’s Most Watched Network”, so they’re not making too many moves. Let’s take a look at their new shows.

Wisdom of the Crowd – Jeremy Piven, with a fresh set of hair plugs, stars as a software developer who creates a crowdsourcing app to help solve the murder of his daughter. Sounds a lot like Person of Interest, right? I mean, didn’t they have a machine that predicted crimes or some shit? I dunno. I never watched it. I just know it starred Jesus after he couldn’t get any work anywhere. Anyway, you should really watch this trailer because it contains stuff that is totally possible, and I’m not sure that’s such a good thing. It’s probably where society is heading, but the idea of crowdsourcing evidence to solve crimes just sounds like there are SO many things that could go wrong. As you see in the trailer, they’re gonna play the long game with the case surrounding Piven’s daughter, as that takes a backseat to the app being used to help the cops solve other crimes. CBS audiences are older and not very tech savvy. They don’t like when their shows get too “techy”. Sure, Person of Interest lasted 5 seasons, but take a look at Pure Genius from just this season. It was about a young tech billionaire who was gonna use cutting edge technology to cure all the world’s diseases. It was canceled after its initial 13 episode order. I know Piven can be polarizing, so I just don’t know about this one. Luckily, it’s scheduled Sunday at 8, with no scripted competition other than The Simpsons, so it should have room to breathe.

9JKL – HATE the title. It sounds like text speak or some shit. Instead, it’s about 3 apartments. Recently divorced actor Mark Feuerstein moves into apartment 9K, which happens to be between his parents, Elliot Gould and Linda Lavin, in 9J and his brother and his family in 9L. So, it’s a multigenerational, multi camera sitcom, starring a bunch of folks who tend to star in shows that are canceled. Again, I think the title hurts it, but it’s the kind of show that CBS could take or leave. The Big Bang lead-in should definitely help it, but the true test will be when Bang moves back to Thursday. I don’t think it’ll be a breakout hit, as it’s not exactly reinventing the wheel, but it might end up on the bubble and eke out a second season if CBS doesn’t have a deep bench next pilot season.

Me, Myself, and I – Oh, boy. Where to start with this? OK, we follow the main character at 3 different points in his life: age 14, when he meets the love of his life, age 40, when he’s newly divorced and trying to put his life back together, and age 65 when he’s reunited with the love from age 14. This show is doing A LOT! The casting is what makes it, though. The kid is a newcomer, but I think audiences will take to him like they did Sean Giambrone as Adam Goldberg. The 40 year old is a hapless loser, played capably by SNL‘s Bobby Moynihan. Meanwhile, the 65 year old is played by Night Court great John Larroquette. Oh, and Jaleel White must’ve spent all his Urkel money, ’cause he plays the 40 year old’s best friend. For me, the casting is what sells this show. I really want it to succeed ’cause I like everyone involved. It’s just going to be tricky to navigate 3 different time periods, and is there some sort of master 7-season plan where everything converges? I’m really pulling for this one, but its quirkiness asks a lot of its audience – especially since it’s going to dance around CBS’s Monday schedule for the first few months.

SEAL Team – More soldier shit, and this time the team is led by the sidekick from Bones, while taking assignments from Don Draper’s “third” wife. It’s the familiar trope of “They do such terrible shit out there that it’s hard for them to adjust to civilian life when they’re home.” Out of the three soldier shit series debuting this season, however, I think this one has the best chance of renewal based on the fact that it appeals to the NCIS/CSI sensibilities of CBS’s built-in audience. Fun fact: the lead role was originally going to Jesus himself, Jim Caviezel, but was recast when Caviezel left the project over creative differences. He might’ve brought the Person of Interest audience with him, but seeing as how Bones ran for 12 years (and don’t forget Angel), Boreanaz probably has a deeper fanbase.

Young Sheldon – This is such an interesting experiment: a single camera prequel to an aging multi camera sitcom. I know CBS wants to keep The Big Bang Theory machine chugging along, especially considering it’ll most likely be done in two years. I just always felt like a Sheldon was a Less Is More kind of character. I don’t need to know about his childhood because I get enough of a glimpse from his anecdotes. I feel like the audience that enjoys him actually enjoys Jim Parsons’s portrayal of him, rather than the character himself. On his own, Sheldon is kinda unlikeable, due to his lack of social skills and decorum. Since he’s on the spectrum, however, that’s all forgiven. Now, I think Iain Armitage does a pretty capable job of being a young Sheldon, but he’s also very off-putting to the viewer. I’m not sure anyone is going to root for him. Instead, you kinda feel sorry for the people in his orbit: his family, his teachers, etc. They simply live in a different world than he does. I will say that Zoe Perry does an amazing job portraying a younger version of Sheldon’s mom, played by her real-life mom, Laurie Metcalf. One of the biggest complaints about The Big Bang Theory is that its humor kinda appeals to the lowest common denominator. It might be a show about smart people, but it’s not necessarily a smart show. That said, the single camera format tends to be used for smart shows, i.e. Modern Family, Arrested Development, etc. Will the traditional TBBT audience migrate over to this new show and format? I’ll be very interested to see how this does.

S.W.A.T. – Ah, the show based on the movie based on the show. I wasn’t sure about this at first. I honestly didn’t see Shemar Moore as a leading man. I mean, he couldn’t even carry Soul Train back in the day, so how could he headline his own series? Anyway, the captain from Stargate Universe shoots a kid, and gets fired (can you believe that justice?!), so his S.W.A.T. unit is handed over to Shemar Moore. Now Moore’s forced to police the inner city neighborhood in which he grew up. There’s gonna be a lot of Black Lives Matter vs Blue Lives Matter stuff going on here. What happens where you’re both? The show is executive produced by Justin Lin (Star Trek Beyond, Fast & Furious 6), but something about this feels like a late 90s NBC show instead of a 2017 CBS series. The same way we may not be patriotic enough for soldier shit shows right now, I’m not sure this is the show that’s gonna redeem cops in a lot of folks’ eyes. It kinda fits CBS’s demographic, but they don’t do so well with the TV shows based on movies (Training Day, Rush Hour). It’s going against How To Get Away With Murder, which is the lowest rated of the Shondaland dramas, but it’s also going against NBC’s Law & Order Menendez spinoff. Even with limited competition, I don’t think this one gets a second season.

And while this isn’t going on the main network, it’s still a CBS show. Star Trek: Discovery. All I can say is “NO!” “NO! NO! NO! NO! NO!” I don’t know what I wanted, but this wasn’t it. I know some folks are so desperate for new Trek, but I want it to make sense, and I want it to be good. I knew a prequel was the wrong move because technology has come so far, so you can’t help but make it look better than The Original Series, though it should look less advanced due to when it’s set. A lot of people are gonna “cape” for it because it has a strong, Black woman as the protagonist, but those people can’t see the forest for the trees. Everything about this looks wrong to me. It’s funny that so many of us were wondering how we were gonna pirate this show, but after seeing this, I have no interest. It looks like a well-made fan film. Pass.

Looking at CBS’s moves, they really played it safe. On Sunday, NCIS: Los Angeles and Madam Secretary both move back an hour, filling the slot left by Elementary (coming back midseason), and making room for Wisdom of the Crowd. At this point, CBS is the only network with scripted drama on Sunday night, so I think they’ll do fine. Monday is in constant flux, depending on whether or not its football season. When the season starts, The Big Bang Theory will kick off the night, before it eventually moves back to Thursday, ceding its timeslot to Kevin Can Wait (which will start the season at 9 PM prior to the move). Once football ends, Superior Donuts will return to take the 9:30 slot occupied by new comedy Me, Myself, and I (which will shift to 9 PM). Whew! See, that’s CBS’s big problem: they move their “iffy” shows around so much that they can’t find an audience. 2 Broke Girls was all over the schedule this season before it got the chop. Even if folks don’t watch TV live anymore, these moves make them forget a show even comes on anymore. On Wednesday, Criminal Minds shifts to 10 to make room for David Boreanaz’s Seal Team. Thursday and Friday remain pretty much the same. Like I said, other than the Monday kerfuffle, CBS played it pretty safe while introducing more new shows that the other networks.

The CW

Finally, we come to The CW where moves abound. First, however, let’s look at the new shows.

Valor – More soldier shit, only this time it’s with overacting pretty people and a dash of PTSD. It falls into the category of something I’d watch as a movie, but I just don’t like getting on board “saga” shows these days because they have so many layers, and run the risk of being canceled before answering all, or any, of their questions. If they’re smart, this is a one season storyline, and then they’ll have to reinvent the show for season 2. That said, from what I see, I don’t think they need to be rushing to figure out a second season quite yet. Airing Monday at 9, it’ll probably get trounced by The Gifted over on Fox, as they both seem to be male-skewing shows, and I see Fox winning this round. I also don’t feel like Supergirl is the proper lead-in series, but they seem committed to keeping her kicking off Monday nights.

Dynasty – I’m too young to have watched the original, but this reboot is The CW’s bread and butter. I don’t know if the characters or plot points are the same, but it’s rich, pretty White people doing trifling shit to each other. And it’s by the producers of The O.C. and Gossip Girl? Yeah, they’ll get a good 4-5 seasons out of this. This isn’t the first franchise The CW has resurrected, as they also did it with 90210 and Melrose Place. The latter didn’t go so well for them, but the former was a reliable staple of their schedule for 5 seasons. I can definitely see the same here.

Black Lightning – It looks like your standard Berlantiverse show, even if it takes place in its own universe. The question is whether or not “The Community” is going to support it. People always plead for diversity, but then they don’t show up when it’s time. If you put out a Black Lightning comic right now, it would not sell. It just wouldn’t. So, will White audiences want to watch a show about a Black inner city vigilante trying to clean up the streets – especially when there’s no lure of a crossover with the shows they already love? It’s being held for midseason, so maybe it’ll take over Legends of Tomorrow‘s timeslot once it airs its unusual number of episodes (seriously, they have, like 16-episode seasons over there for whatever reason). Here’s the kicker, though: according to the network, the show won’t take place in the established Arrowverse, mainly due to logistics. It will be filmed in Atlanta, while the other shows film in Vancouver. As such, they’re also not planning a 5-way crossover between the shows. That last part makes me kinda glad, as I didn’t really think they tuck the landing with this season’s 4-way “Invasion” crossover. People might come out for this, but they might not. I really don’t know which way the wind blows with this one.

Life Sentence – This is a movie, not a TV series. A young girl who thought she was dying finds out she’s cured and now has to learn how to live her life. I’d like it to survive, as it’s co-executive-produced by Bill Lawrence of Scrubs fame, but this has as much staying power as this season’s No Tomorrow. Oh, you never even heard of No Tomorrow? It was about a young woman who thinks the world is going to end, so she has to learn to live life to its fullest in the time that she has left. Yeah, kind of the reverse of this. It got canceled after its initial 13 episodes. Anyway, it’s cute and quirky, but I figure there’s enough there for about 90 minutes – not a full season. Anyway, it’s pretty clear why they’re holding this lil midseason.

Now, let’s talk about the moves because they are drastic. Riverdale moves from Thursday to Wednesday at 8, pitting it against Empire, The Blacklist, Survivor, and The Goldbergs. The show has a following, though, so I really don’t think this move will hurt it too much. If anything, it’ll give White folks a sudsy alternative to Empire at the same time. On Thursday, Supernatural moves to 8, while Arrow, ceding its timeslot to Riverdale, now occupies Thursday at 9 – pitting it against This Is Us, The Orville, and the final season of Scandal. Poor fucking Arrow. That is not an enviable place to be, but DVR might help it. If it gets absolutely killed, six seasons was a good run. I think it’ll make it to seven, but this move does it absolutely no favors. On Friday, Crazy Ex-Girlfriend moves to 8, while Jane the Virgin moves from Monday at 9 to Friday at 9. Online buzz is what keeps Crazy on the air, so maybe they’re hoping that’ll be the case for Jane? I know Jane has a fanbase, and Supergirl wasn’t the most logical lead-in for it, but Friday is always such an uncomfortable situation.

Anyway, after all of this, I think ABC has the best new offerings, though they’re holding most of them til midseason. I feel like NBC has the most stable schedule, and they’re taking the fewest risks, but CBS has more new Fall shows that I’m genuinely curious about. So that’s why CBS won the upfronts and had the West Week Ever.

28th Apr2017

West Week Ever: Pop Culture In Review – 4/28/17

by Will

So the big media news this week was the announcement of the DC Comics streaming service, which will be the home of the long-delayed live action Titans series, as well as the third season of the Young Justice cartoon. Other than that, very little else is known about the service. Most fans suspect that it’ll have the entire DC library, including animated films, older cartoons like Justice League, and live action series not currently on The CW/Fox. That’s a bit ambitious, though.

I’m reminded of how the concept of UPN was introduced to the public, with ads that touted all of the classic television that Paramount had given us over the years: Family Ties, Cheers, Star Trek – did this mean that this new network would become the exclusive home for those shows? No, it instead meant we were to brace ourselves for Love Boat: The Next Wave and Shasta McNasty. I get that same feeling here. DC has a great slate of animated films, and some classic animated series, but I think this might end up the hub for newer, untested properties. Take the Titans show for instance. TNT passed on that thing. TNT! They know drama! Sure, it’s produced by Greg Berlanti, but I feel like if it had any real promise, it wouldn’t be relegated to a digital platform that’s not Hulu or Netflix. Same with Young Justice. Sure, it had a following, and the reasons for its cancellation vary depending on who you ask, but expecting the fans to shell out for yet another streaming service isn’t exactly a gesture of goodwill. I’m not paying CBS to watch Star Trek, and I ain’t paying DC for this until I get some more details. Right now, though, it’s a typical DC announcement, where they rushed to announce before a lot of key aspects were in place.

Speaking of DC, NBC basically cancelled Powerless this week by removing all upcoming episodes from their schedule. It’s not a big surprise, as the entire cast deserved better than that show had to offer. In all honesty, I feel like the ties to the DC Universe actually hurt it. If they wanted to do the whole Workplace Comedy Set In A Comic Universe thing, then it probably would’ve worked better with generic superheroes and villains created just for the show. Sure, they mentioned Batman, and the Wayne family plays a pivotal role (which I also had problems with), but they showed Crimson Fox TWICE. CRIMSON FOX! Just mentioning Superman or Wonder Woman isn’t enough. Hell, they can mention those characters on The Middle and it wouldn’t violate any rights or copyright laws. No, this was a big case of Show, Don’t Tell and the show never really had a strong hand when all the cards were on the table. At least this frees up Ron Funches and Danny Pudi for bigger and better things.

I loved Kingsman: The Secret Service, so I am ALL IN for Kingsman: The Golden Circle. To be honest, I’m probably looking more forward to this than Star Wars Episode 8. Apparently, Kingsman is forced to team up with their American counterpart, Statesman, so it should be interesting to see how the teams play off each other. And I’m really hoping for some extreme American stereotypes. Based on Channing Tatum’s cowboy agent, I don’t think I’ll be disappointed.

In other movie news, Seth Rogen and Billy Eichner are rumored to be up for the roles of Pumbaa and Timon in Disney’s live action adaptation of The Lion King. I like both of these guys, but I really don’t even know why this movie is being made. I mean, sure, putting The Lion King on something is basically the same as printing money, but the recent debut of  the lackluster The Lion Guard showed that there’s a limit to how much you can mine from the property. I haven’t seen the live action adaptation of The Jungle Book, but I guess this will be like that? I mean, the whole thing is animals. How are they gonna do this? Maybe I’m overthinking it, but it just feels like Disney is out of ideas for the moment.

We got a trilogy, y’all! In a surprise move, M. Night Shyamalan tweeted that Glass would be released on January 18th, 2019, serving as the sequel to both Unbreakable and Split. I really enjoyed both of these movies, and it feels like M’s finally got his groove back, so this should be good.

In news that will only matter to you if you’re a Cornell alum, all-male a cappella group The Cayuga’s Waiters have been kicked off campus for hazing. And let me tell you, this couldn’t have happened to a shittier group of douchebags. When people think of a cappella, they always think of lame kids who probably did show choir in high school. And, in most cases, they’d be correct. The Waiters, however, were cut from different cloth. Originally a subset of the Cornell University Glee Club, they were basically a lewd fraternity that occasionally sang songs. Around 25 years ago, one of them wrote “We Didn’t Go To Harvard”, a parody of Billy Joel’s “We Didn’t Start The Fire”, and they’ve pretty much been coasting on that ever since. Their offstage behavior rivaled that of actual rock stars. For example, they got kicked out of a charity concert when one of their members reportedly peed in the corner of the stage. And while there were a few good guys in that group, the core members were THE WORST. They were basically a singing Duke rape scandal waiting to happen. According to news reports, the hazing included making new members take naked ice baths and having them rub IcyHot on each others’ balls. Considering they got shut down, I’m thinking there was more serious stuff that the paper couldn’t print, like elephant walks or something. Anyway, good riddance to bad rubbish. Bet they wish they’d gone to Harvard now!

Things You Might Have Missed This Week

  • Captain America: The First Avenger director Joe Johnston will direct The Chronicles of Narnia: The Silver Chair
  • Sony has given the Masters of the Universe film a December 18th, 2019 release date, but McG is no longer attached to direct. None of this matters, though, ‘cause this movie is never getting made.
  • Speaking of Sony, they’ve reportedly fired Dr Luke, and I HAVE SO MANY THOUGHTS ABOUT THIS! But there’s no way I’m putting them in a blog post, for them to be dissected and taken out of context.
  • One of the former Bachelors killed a dude. Nah, I don’t know his name or care enough to look it up. Bachelors are just as replaceable as Duggar kids. He will be forgotten again soon enough
  • Jeff Goldblum will reportedly return to the land of dinosaurs in the Jurassic World sequel.
  • Riverdale’s Reggie Mantle will be recast prior to season 2, as actor Ross Butler is committed to Netflix’s 13 Reasons Why, which is close to being renewed for a second season
  • Star Wars Episode IX’s release date has been revealed as May 23rd, 2019, which shifts the franchise’s releases out of the month of December

  • Darius “Eddie Winslow” McCrary posted the above pic, asking folks if they’d want a Family Matters reunion. Considering they both look like shit here, I’m leaning towards “no”

  • Speaking of TGIF reunions, Perfect Strangers stars Bronson Pinchot and Mark Linn-Baker reunited for Chiller Theatre Expo last weekend in New Jersey. Cousin Larry has aged appropriately, but Balki clearly discovered Crossfit/discount mail-order steroids.
  • Jeb Bush and Derek Jeter are in a group trying to buy the Miami Marlins. Hey, it’s better than ending up on Dancing with the Stars!
  • Next fall, Steve Harvey’s TV talk show, Steve Harvey, will move to Los Angeles, and will take on a new format as Steve.
  • With this week’s series finale of Bates Motel, A&E announced they’re abandoning scripted television and moving to a reality show model.

Maybe it’s just the mood I’m in this week, but nothing really had the West Week Ever. Try harder next week, America!

17th Jun2016

West Week Ever: Pop Culture In Review – 6/17/16

by Will

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WWE Edit

 

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On the movie front, I watched a lot of Lego specials this week. First up was Lego DC Comics: Batman Be-Leaguered, featuring the Justice League trying to recruit the Caped Crusader. Now, my first issue is that I never saw the preceding movie, Lego Batman: The Movie – DC Super Heroes Unite. So, I was unaware that there was a different portrayal of Lego Batman out there. I was expecting the same depiction that we got in The Lego Movie. So, I was majorly disappointed when this wasn’t that guy. The biggest issue, however, was that it’s really just a 22-minute commercial designed to sell toys. I mean, most children’s cartoons are that, but this was just brazen about it. All of the vehicles showcased in the special are existing Lego sets, and the only thing missing from the show was having the Lego set number flash onscreen whenever a set appeared. It was the most toyetic thing I’ve seen in the past 20 years. The animation just felt like cut scenes from the Lego Batman games. And to make matters worse, it’s just a poorly written show. It’s got none of the heart of The Lego Movie, and in the end *SPOILER ALERT* it turns out that Bat Mite was the “villain” behind everything. You can’t take anything seriously when Bat Mite is involved. It was just a big waste of time.

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Next up, I watched Lego DC Comics Super Heroes: Justice League: Attack of the Legion of Doom. THIS is what I wanted. I don’t watch the Lego TV shows, like Chima and Ninjago, so I have no idea of their quality, but this actually reminded me of The Lego Movie. They actually took advantage of the fact that the world was made of bricks, so when a car exploded, it reverted to a pile of bricks. That kind of detail is what was missing in Be-Leaguered. Anyway, the movie is basically an arms race to see who can get Martian Manhunter on their side to tip the scales in the battle between the Justice League and the newly formed Legion of Doom. Also, the movie focuses on Cyborg, as he struggles to fit in as the rookie of the team. He’s young and optimistic, so he pretty much serves as the Emmitt of the movie. Plus, it really made me appreciate Cyborg as a character. I have been vocal in my opposition to his promotion to the Justice League in the New 52 DC Universe. I felt that he was more important and effective as the big brother of the Teen Titans than he has ever been as the junior member of the Justice League. This movie, however, really made me root for him, and I kinda wanna seek out Justice League comics that focus on his role as the new kid on the block. It also didn’t hurt that Cyborg was voiced by Khary Payton, who also voices him on Teen Titans/Teen Titans Go! Of course there were some toyetic aspects (like the Batman vs Gorilla Grodd Lego set was on display), but I felt they were more spread out as this special had more time to work with, clocking in at 72 minutes. Anyway, this was really entertaining, and I’d definitely recommend it.

GMW High Schoolers

Girl Meets World came back about a week ago, and now the gang’s in high school. If I thought this show got heavyhanded last season, I had no clue what I’d be in for this year. First off, it pisses me off that Zay isn’t a regular cast member now, considering he’s one of “the gang”. Anyway, the focus of the premiere was that the kids were supposedly “kings” in middle school, but are nobodies in the big world of high school. I’m not so sure they were kings. I mean, Riley’s dad was their teacher and they pretty much got away with anything. Riley’s dad is still their teacher, but they’re all in a new environment. The oddest part, though, is that they’ve got these 30 year olds playing high school students, who are determined to make Riley and her friends learn their place in the new pecking order. Now, I’m used to older people playing high school students, but this is just absurd. One dude looks like Jason Segel’s less successful younger brother. Meanwhile, I’m starting to feel like the show should actually focus on Riley’s little brother Augie, and his friend Ava. Her parents are going through a divorce, and Augie’s her support system. They’re probably the best actors on this show, and I find that situation more compelling than the whole “High school is scary” plotline. Anyway, I’m gonna try to stick with this show, but I really miss the zaniness of iCarly.

donald-glover

In Marvel news, it was reported that Donald Glover has joined the cast of Spider-Man: Homecoming. Of course, since the #DonaldGloverforSpiderman social media campaign, everyone wants him to be Miles Morales. There’s no way 32-year old Glover is gonna play Morales on the big screen. There’s been a lot of misinformation surrounding the casting of this movie, as a few weeks ago, folks were saying that Michael Barbieri had been cast as Ganke – who happens to be Miles’ best friend. Of course, that’s been debunked by the director, but it didn’t stop of from getting a few weeks worth of “Why is Ganke white?/Why is Ganke in this movie?” tweets. People are gonna speculate all they want, but it doesn’t change the fact that Glover will probably just be playing something like “Mike, the Pizza Delivery Guy”. Or “Jack, Who Works In I.T.”

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Meanwhile, in DC TV news, it was reported that Nick Zano is joining the Legends of Tomorrow team as Dr. Nate Heywood, the grandson of Commander Steel of the Justice Society of America. In the comic, Heywood becomes Citizen Steel, so it’s pretty likely he’ll don some sort of heroic identity here, as well. The biggest news, however, is that Teen Wolf’s Tyler Hoechlin has been cast as Superman on Supergirl. That casting was FAST! I don’t watch the show, so I don’t really care, but it seems like that’s the sort of thing that has to be earned. You don’t just play your Superman card in season 2. That must’ve been a requirement for renewal: Superman MUST show up or no season 2. Anyway, folks seem to like the show, so I hope his arrival doesn’t derail it.

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In comic news, we finally got character sketches from the new M.A.S.K. series, as we got quite the surprise: Matt Trakker is Black now! And of course, some people were pissed off about this. Look, I also grew up with a Matt Trakker who looked like a cartoon John Tesh, but that appearance didn’t have any impact on his character. Changing him here isn’t going to make him any less Matt Trakker, even if they do seem to be going to a more diverse, Fast and the Furious-esque team makeup. To me, Duke from G.I. Joe and Matt Trakker were kinda the same person, so at least this will make them visibly different. All I know is that I’m now a Hell of a lot more interested in checking it out than I was before. Yay, representation!

Things You Might Have Missed This Week

  • Orphan Black has been renewed for a fifth, and final, season. One day, I’ll actually start watching that show.
  • Kevin Smith has reported that Mallrats 2 will no longer be a movie, but will instead be a 10-episode television series. Since the move from movie to show, there is no news on casting or potential networks.
  • After Hulkamania ran wild on it in the courtroom, Gawker Media has filed for Chapter 11 bankruptcy protection
  • Larry David is coming back for a 9th season of Curb Your Enthusiasm. I really hope it doesn’t focus on David’s renewed career portraying Bernie Sanders, but it probably will.
  • John Stamos has joined Scream Queens as a series regular. I swear, that man works like he’s got several secret, illegitimate children to support.
  • Wilmer Valderrama has joined the cast of NCIS. Yeah, I don’t even know what to make of that.
  • Helen Mirren has entered the “Fuck It” stage of her career, by reportedly signing on to star in Fast 8.

MAD TV New Cast

  • This is the cast of The CW’s MadTV revival. Take a close look, as you might be looking at the next Key & Peele. Then again, you also might be looking at the next Artie Lange.

hamilton

There’s a culture war going on in America, and the Broadway show Hamilton is at the forefront of it. Rich people have seen it, while poor people are clamoring to do so. It’s kinda like health insurance in that respect. The work of Lin-Manuel Miranda, the show focuses on founding father Alexander Hamilton’s life, from immigrant to duel casualty.

Now, I’ve been known to be something of a “hater” at times. Sometimes justified, sometimes not. So, I was not onboard this show. I mean, it was kinda deplorable to see folks obsessed over a show they’ll probably never see. Sure, the soundtrack went platinum, but that’s as close as many folks will ever get to Hamilton. Still, this week was all about Hamilton, as the show picked up 11 of the 16 awards it was nominated for at the 70th Annual Tony Awards on Sunday. So, I decided to see what all the fuss was about, and fired up the soundtrack on Spotify. And I LOVED it. Now, let me say that it didn’t move me as much as I was moved by Ragtime or Les Miz, but it’s a good soundtrack. A lot of repeating themes, but they’re strong and catchy, so it’s not much of a bad thing. A lot of people know I was an a cappella kid, but many don’t realize that I started as a theatre kid. So, I know my way around a Broadway soundtrack. Certain songs just stay with you, though, like the opening number “Alexander Hamilton” and “My Shot”. My favorites are probably “It’s Quiet Uptown” and the finale “Who Lives, Who Dies, Who Tells Your Story”. The latter is a sentiment that I think about often: who’s going to tell your story and what will they say? In my case, I hope they say “Yeah, he meant well.” Anyway, I’ll probably never see the show, but I still got the music, and that’s good enough for me (especially since Miranda is leaving the Broadway production on July 9th, so anything after that will be like a “second printing” to me anyway). So, for its 11 Tony wins, and for cracking my hard exterior, Hamilton had the West Week Ever.

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