05th Apr2019

West Week Ever: Pop Culture In Review – 4/5/19

by Will

I took last week off, and the week before was a Thrift Justice, so I guess we’ve got a bit to cover, huh?

So a couple of weeks back, there was hubbub from a screening where Zack Snyder sort of kirked out and implied that anyone who expected a character not to kill was living in a fantasy world. Yeah, I’ve got to disagree with that.

First off, there’s a danger in applying real world politics to comics because, at the end of the day, comics are just what my friend James calls “White Male Power Fantasies”. They exist in a theoretical vacuum, so the minute you try to say “Look at the world around us! How would Batman interact HERE?” you’ve already broken the rules.

To think Batman should kill is a gross misunderstanding of what Batman is about.

Ya know, just because Keaton did it in Batman (1989) doesn’t make it *right*. Burton was railing against the most recent depiction of Batman at the time, which had been the ’66 Batman. So, he kinda went to extremes. Now, I wasn’t in theaters in 1989, but I still knew it was messed up when I eventually saw the movie on VHS. Keaton doing it doesn’t mean that Affleck can do it.

To think “Batman should kill. So effing what?” is a such a binary way of looking at things. You all feel he either should or shouldn’t do it, without factoring in the gray area where some outcomes are worse than death. Part of the thing about Batman is the power given to him by his urban legend status. He doesn’t HAVE to kill, because there are enough two-bit hoods out there telling folks they’ve seen him kill. Meanwhile, because of this storytelling, you never quite know WHAT you’re going to face if you even encounter him. And sure, he probably WON’T kill you, but he’ll make it so you walk with a limp for the rest of your life or can’t feel your right arm any more.

Also, let’s think of some other ramifications. If Batman were to kill, that would be terribly taxing on his relationship with the GCPD, who pretty much allow him to operate on their behalf. Sure, real world cops kill people all the time – in a lot of cases where it seems senseless but, again, you can’t “real world” this stuff.

Oh, and if Batman killed, then that would be the end of the villains you love so much. “Why doesn’t Batman kill the Joker?” Probably because that would be the end of the Joker, and all storytelling regarding him. These are the same people who are mad at Peter Quill for screwing up the fight against Thanos. Um, they have an entirely separate movie to pad out so, no, they couldn’t allow Thanos’ defeat that easily. Sometimes you just have to think of the business aspect of things. Companies need you to come back every month, so how are they going to build any sort of drama or suspense, if you just know he’ll mow down that month’s villain, and then do the same to whomever pops up next month? You don’t want Batman. You want The Punisher.

For Batman to kill would make him no better than his rogues gallery, so who’s the “hero” in that case? These were originally considered aspirational characters in certain aspects. Sure, your parents may not get gunned down in an alley leaving you millions, but if life deals you a bad hand, you make the most of it and don’t just go out murdering people. Because that’s what that would be: murder. Now, there’s the argument that maybe he kills in self defense. Maybe, but he’s also been written as such a skilled tactician that it should/would never get to that point. I will say, though, there is a difference between killing and letting someone die. Take Batman Begins, for instance. He doesn’t kills Ra’s, but he sure as Hell doesn’t save him, either. I do think Batman would do that.

I know there are a bunch of y’all who grew up at a certain time, thinking Burton is gospel, but this is the same incarnation that says Joker killed Bruce Wayne’s parents. Sure the movies have shown us a Batman who kills because they wanna be edgelords, but at the end of the day, BATMAN DOESN’T KILL.

I’m about 2 years behind, but I binged the Dirty John podcast a few weeks ago, and now I want to talk about it with someone – primarily the fact that I don’t believe it. I mean, sure, it’s based on a true story, but that finale was so far-fetched that even Uwe Boll is somewhere saying “Yeah, I’m not sure if that’s believable.”

If you’re not familiar, Dirty John recounts the story of John Meehan – a con man with a history of wooing women and then taking them for all they had. Based on reporting from The Los Angeles Times, the podcast focuses primarily on Meehan’s relationship with successful interior designer Debra Newell, and how he basically psychologically abused her, while forcing her to alienate anyone in her family who he didn’t like. It’s a whirlwind courtship, followed by a quickie Vegas wedding, and then the craziness starts. Newell realizes that she doesn’t truly know the man she married, and begins to fear for her safety, as well as the safety of her loved ones.

I know there’s an adaptation on Bravo, starring Connie Britton, right now and, while I’m curious to see them reenact a lot of this stuff, I think I’ll just wait until it’s done to binge it at once. And I really hope they don’t try to make a season 2, because HOW? Then again, based on the ending of the podcast, I could see it and it wouldn’t be any less credible than that.

The always wonderful John Oliver devoted this week’s episode of Last Week Tonight to the working conditions in the WWE. If you didn’t know, wrestler’s contracts are structured where they are considered “independent contractors”, so they’re responsible for their own health insurance, while the company only covers injuries that occur in the ring. I’ve heard of stories where a wrestler might have a motorcycle accident over the weekend, but drag himself to work so that he can claim the injury happened in-ring just so it’ll be covered. This sort of thing might have flown back in the carny days of wrestling, but WWE is a billion dollar corporation, so this is pretty unacceptable. Past attempts by wrestlers to unionize haven’t gone anywhere, but Oliver points out that Vince McMahon does listen to the fans – the WWE Universe – so if there’s enough pressure from them, then things might change.

So, some interesting stuff is going in the world of music, as Lil Nas X went to #1 on the country charts with “Old Town Road”. The problem, however, is that many consider it a rap song instead of a country song, despite it having “country elements” as well as subject matter. So, after some outcry from labels, the song was removed from the charts.

Well, not to be outdone, Lil Nas X re-released the song last night, with an assist from Billy Ray Cyrus, who’s always down to make some coin. And the result still isn’t anywhere near as embarrassing as “Accidental Racist“.

I mean, I get it, but there does seem to be some shady stuff going on here to get it removed from the chart. And most folks are saying it’s based on race. It’s not easy for a Black man to chart in country music, as it’s still a recent phenomenon thanks to Darius Rucker and Jimmie Allen. Also, if you listen to anything by Sam Hunt or the Jason Aldean’s “Dirt Road Anthem“, and you’ll hear that country has been biting hip hop beats for quite some time.

On the flip side, I don’t feel like this was a genuine effort. I mean, for one, the thing is about 2 minutes long. That’s not a song. That’s a snippet. Plus, what Lil Nas X did here was spit in the eye of the country music establishment. It’s not common knowledge to folks who don’t follow the industry, but country radio charts kinda come down to whose “turn” it is. Labels get together and sort that shit out instead of it actually being based on sales or anything. They’ll say “Well, it’s Blake’s turn”, so stations will follow suit and increase the number of spins that Blake Shelton gets that week, and voila #1. Then, the next week, it’ll be Jimmie’s turn. This is why nothing on the country charts sits like songs do on pop charts. You get your week and then you’re cycled out for someone else, which is why charting means SO much less in country. It means you got the seal of approval from the industry, but it’s not reflective of public opinion. It’s simply the labels telling you who they’re backing.

Since nobody actually cares about charts, this was just a publicity stunt, and a damn good one. I say let the song stay. Think of all the flukes and garbage that has made it to #1. Just let it go ’cause there’ll be a new Florida-Georgia Line single up there in about 3 weeks, and nobody will even remember this.

Things You Might Have Missed This Week

  • John Cho has been cast as Spike Spiegel in Netflix’s adaptation of Cowboy Bebop. I still think it should’ve gone to Ben Schwartz, but I don’t hate this.
  • Since the Disney acquisition of Fox, there are rumors that Disney might be in talks to revive the failed baseball series Pitch in an attempt to keep creator Dan Fogelman from jumping ship when his contract is up. Oh, I should mention that Fogelman also created the smash hit This Is Us, which is why folks would want to make sure he doesn’t go anywhere.
  • Emily Bett Rickards announced that she’ll be leaving Arrow prior to its truncated final season, leading me to wonder “WHY?” She couldn’t hang on for 10 episodes? Is she THAT eager to jump back into pilot season?
  • Speaking of The CW, Lucifer finally decided to come collect the souls of Jared Padalecki and Jensen Ackles, as Supernatural will finally end after its 15th season. Don’t cry for these guys, though. They’ve got a long future of MonsterMania and other assorted pop culture conventions ahead of them – which I’m sure is their own personal version of Hell.

There’s nothing quite like going into a movie with ZERO expectations, but that’s exactly what I did last night with SHAZAM! While a lot of folks have already written off the DC movies, I’m still willing to give them a shot. I know almost nothing about the Fawcett/DC Captain Marvel, and most of what I know is from Geoff Johns’s New 52 reboot of the character – which old time fans tell me is something of a travesty. Still, Johns has rarely steered me wrong, and I actually enjoyed what he was doing with the character. It was originally presented in back-up stories in the relaunched Justice League, but then the books hit the “Throne of Atlantis” storyline, and I stopped reading for whatever reason. So I never did see the tail end of what he was doing there. So, without too much continuity and prior knowledge to bog me down, I went into the theater last night not really knowing what I was about to see. And I am SO glad that I did. I REALLY enjoyed the film, and I think it’s more of a course correction for DC than Wonder Woman was.

If you’re not familiar, this take on the character is basically a superhero adaptation of the Tom Hanks classic Big (there’s even a call-out to the most famous scene from that movie). Fourteen year old Billy Batson encounters the wizard SHAZAM, who bestows his powers upon Billy once he says the wizard’s name aloud. He gains a different power from each of the gods. Flight from Socrates, Strength from Hephaestus. Electricity from Aesop, Anger from Zeus, Speed from Archibald, and Punching from Michael. Yeah, clearly I don’t know the pantheon nor do I know his entire power set. It don’t matter – ain’t nobody got time for that! He gets his magic from a wizard, says a magic word, and changes from Boy to Man. A Super Man (but not THE Superman. Yeah, they’ve already been to court about that). Meanwhile, the evil Dr. Sivana had been considered to assume the wizard’s power when he was a boy, but was deemed unworthy, so he’s spent his life and fortune trying to find a way to rectify that situation.

This story plays out over a backdrop showcasing the current foster parent situation in the country. Billy is taken into a group home, run by a married couple of former foster kids, filled with 5 other foster kids. There’s smart ass Freddy, adorable Darla, quiet Pedro, that kid from Fresh Off the Boat Eugene, and the pretty pretty Mary. It deals with what the notions of “home” and “family” mean to Billy, as he hasn’t been able to stay anywhere due to his unending search for his mother. Plus, just as American Pie introduced us to the MILF, Showtime introduced us to the SMILF, this film introduces us to the FMILF (*chef’s finger kiss*).

The thing I loved about the film is that it really doesn’t waste a lot of time world-building. It might be in the DCEU and it might not. There are signs that it could be, but they don’t beat you over the head with them. It’s a movie that pretty much gets in and out. Sure, there’s the obligatory stinger to tease a sequel that may or may not happen, but it didn’t exactly get me excited or anything. I’d be happy for this to just be a one-shot kind of deal, but Hollywood likes money, so it’ll probably, unwisely, become a franchise.

I was surprised by the level of violence in the film. From a special effects standpoint, I feel like the designers took a lot of visual cues from Infinity War, as the Thanos Snap “dusting” effect was employed quite a bit, while the embodiment of the 7 Deadly Sins looked a lot like Cull Obsidian. Still, even though it’s a fun movie about “family”, I don’t know if you want to take young kids, ’cause those monsters…WOW.

Did it have problems? Sure. Like most DC movies, it had a weak 3rd act. I didn’t even realize it was over when it was actually over. It went to the next scene, and you’re like “Oh. Oh, so that was it?” I’m also not sold on Zachary Levi as Captain Marvel. Maybe that’s part of the character, that he’s always 14 years old inside, but I didn’t feel like he ever really became a hero. He was a guy who did heroic things, but – at his core – was a HERO? Even by the end, I wasn’t too sure. He spends a good chunk of the movie Tony Starking: cleaning up problems that were of his own making.

My biggest issue with Levi, though, concerns the potential sequel that would most likely feature Dwayne “The Rock” Johnson as Captain Marvel’s nemesis, Black Adam. If you don’t remember, Warner Bros announced a Black Adam film WAY before they started any of this other stuff. Before Aquaman, Wonder Woman, or even Justice League had filmed, Black Adam was on the schedule because they wanted in on that hot D.J. action. The problem I had with it then is even exacerbated now that he’s MUCH more famous than he was when that deal was signed: NOBODY has the charisma to go toe to toe with him, especially with him in a villainous role.

Black Adam in the comics, especially around the time of Infinite Crisis, tended to go back and forth between villainy and being on the side of angels. He’s basically DC’s Namor. He’s on whichever side suits him best at the time. So, it’s unclear which side he would’ve been on for Johnson’s movie, though it was uncharacteristic at the time for DC to center movies around villains (that has since changed, as we saw from this week’s teaser for The Joker). SHAZAM!, however, not only sets up Black Adam as a villain, but states that he was a “mistake” made by the wizards when choosing a champion. He’s apparently still out there, so he’d likely butt heads with Levi’s Captain Marvel. My question is this: Is the audience prepared to accept The Rock as a villain, and actively cheer against him in favor of Levi’s Captain Marvel? I’m not so sure, which is probably what has held up the project for so long (though they always say it’s due to “scheduling conflicts”. The man makes a movie every 6 weeks, so I hardly believe that).

All that aside, I had a lot of fun with this movie. It’s highly entertaining and might be my favorite DC movie from their modern slate (NOTE: I have yet to see Aquaman. “Scheduling conflicts”). If DC continues just focusing on character instead of world-building, they might be on to something. There’s no need to try to follow the MCU formula, especially when there are other options. It’s got something for everyone, and even a little bit of representation snuck in there that I can’t say more about without spoiling the 3rd act. SHAZAM! was a great way to end the week, which is why it had the West Week Ever.

 

15th Mar2019

West Week Ever: Pop Culture In Review – 3/15/19

by Will

Some weeks, when I know I’m gonna be “on the wrong side of history”, I really don’t want to write this post. This is one of those weeks. Why do I say that? Well, it’s because of Captain Marvel.

As I was saying online last week, it sucks when you dislike something, but can’t vocalize your dislike because there’s a group of folks out there who dislike it for the “wrong” reasons. Ya see, there are all these Men’s Rights Activists upset about how the film’s star, Brie Larson, was regarding them on her press tour. Ultimately, she remarked that she didn’t want everyone reviewing the film to just be straight White guys. She was basically calling for more diversity, but didn’t sugarcoat it, so it was east for some folks to turn it into “Marvel didn’t slap her down, so they’re in on her anti-Male agenda!” They started leaving negative reviews on Rotten Tomatoes, and spreading lies about how there were all these empty theaters where folks had claimed the movie had sold out. It’s so exhausting.

Meanwhile, I’m over here, not excited for the movie because I’ve pretty much always hated the character. I’ve gone into detail about it here before, so there’s no need to rehash all that. Basically, I’ve never found her likable, which is something I look for in my heroes. I’m sorry this skews awfully close to making women want to ask “Why does she have to be likable?”, almost like I’m saying some shit like “You know, you’d be prettier if you smiled more.” That’s not what I’m saying at all. What I’m saying is Captain Marvel (in the comics) in recent years has been equal parts Bitch and Fuck-Up. Just go re-read Civil War II to get a taste of what I’m talking about. So, when I heard they were gonna make a film about her, I wasn’t exactly clamoring for it. When it was pretty much insinuated that she was being introduced now, in order to be the Deus ex machina in Avengers: Endgame, my reaction turned to “Come the fuck on!”

Anyway, like a good little fanboy, I was sitting in a theater last Thursday night, with my trusty buddy Mike. At the end of the day, I liked it, but didn’t love it. I found it to be kinda “meh” as far as Marvel films go. I mean, it’s decent, but we’re at a point where the films have become so epic that “decent” isn’t good enough anymore. I hate ranking things, but it’s easy to place stuff when it disappoints you. To me, this movie is on the level of Doctor Strange. It simply exists, but it’s not something that really left much of an impression on me. My biggest issue, and I’ve gotten in trouble on some message boards for using this language, is the virtue signalling of the whole matter. Like, you wouldn’t believe how many folks I’ve seen who are like “It wasn’t excellent, but man am I glad it’s sticking it to those manbabies!” Or “Incels”, or whatever it is we’re calling the people we dislike this week. I’m not about to act like a “meh” movie was excellent just because of some schadenfreude that it might produce. For all of you cheering this, you didn’t “win” anything in this scenario, and you’re kinda screwing with your own integrity.

The problems…where to begin? OK, let’s get this out of the way: the whole heel turn of the Kree doesn’t come as much of a surprise, seeing as how Djimon Hounsou is playing the same character from Guardians of the Galaxy, and you see Starforce communicating with Ronan The Destroyer (who we KNOW is evil). Sure, they’re calling him off from doing what he does best (nuke the Hell out of planets), but they’re still keeping him on the bench, just in case. So, I guess this is one of those moments where the audience is meant to know more than the protagonist? I dunno, but I’ll chalk it up to that if I have to.

Then there’s the setting. The movie never feels like it takes place in the 90s, and they basically clobber you over the head with references like a late night CD infomercial. “Remember No Doubt?! Remember grunge?! OMG, remember BLOCKBUSTER?!” The setting just felt more forced than organic. The 90s are a hard decade to capture, so I get it, but it quickly became Family Guy‘s opinion of Robot Chicken: “Look! G.I. Joe, Transformers, ThunderCats, He-Man! Yay, those shows existed!” You know how a lot of folks hate Ready Player One because it’s just nostalgia for nostalgia’s sake? I felt that here. It’s like “Ooh, she hacked a pay phone with a Game Boy.”

I was also disappointed in Larson in the role. I know it’s hard to play an amnesiac, but she seemed so wooden at times. And I know they skewed younger, since the future of the MCU rests on her shoulders, but I’ve never been on board with her casting. I feel like Captain Marvel should’ve been an older, “worldlier” actor, like Charlize Theron. Someone with some “miles on her”.

One thing that stuck out to me is that it’s a movie built on the notion of platonic friendship, released in an age where everyone seems to have an ulterior motive. I’m not about to get into the sitcom trope of “Can Men and Women Be Friends?”, but there’s a weird subcurrent to the movie where you just never quite understand a LOT of the relationships on screen. I like how folks have pointed out that it’s the first Marvel film without a love interest, but is that completely true? There were quite a few scenes, whether between Carol and Fury, Carol and Space Jude Law, or Carol and Maria, where I’m like “So…they fuckin’?” I can completely admit that’s probably a personal issue on my part, but I still felt that, so I wondered if anyone else felt it, too.

Finally, and this is a big nitpicky thing but it’s my site and I do what I want, I HATED the thing with Fury’s eye. Now, I’ll completely take the blame here because a lot of us have our fan theories and start speculating about stuff with no real proof, and then we’re disappointed when faced with reality. For the past 11 years, I’ve been thinking he lost that eye in some bad ass op that we might one day see in flashbacks. After Winter Soldier, I kinda thought Pierce had something to do with him losing the eye, or was at least present when the shit went down. But, after all this time, it was the Flerken?! He got fucking scratched by a space cat, and I guess he let it get infected? What a letdown!

Anyway, it’s not all bad. I frontloaded this thing with the negatives, but there were things I truly enjoyed here. We got a Nick Fury movie without ever actually getting a Nick Fury movie. I’d love to see one where he’s actually seen some shit. I mean, here he’s like a cop who’s a few months from retirement. I know he works for S.H.I.E.L.D. but I’m not getting a “bad ass” vibe off of him. Maybe that comes once the eye is gone? Who knows? Anyway, I still like him here for what he was.

I also really loved Maria Rambeau, especially when she and Fury got to play off each other in space. We rarely get the experience of two Black people looking at each other like “Do you see this shit right here!?” in the MCU, so that was a rare treat.

And my favorite, favorite part that I loved, loved LOVED was Talos. I never knew I could love Ben Mendelsohn so much. I mean, I even liked him in his S.H.I.E.L.D. director Brick Tamland disguise, but it got so much better at the farmhouse, when he was just allowed to cut loose. He was SUCH a great character. Shit, I’d have preferred the movie have just been about him. He was just so damn entertaining!

Anyway, I can’t write the character off completely, ’cause I guess we’ll need her against Thanos, but I’m reserving judgement til I see what happens after that post-credits scene we got. I know a lot of people got a lot out of this, from the joy of representation, to the feeling of empowerment it provided. I’m glad it affected so many people positively, and I’m not trying to take away from that for anyone. I just wish I could join ya, ’cause it just kinda felt flat to me. Your mileage may vary. I give it 3 out of 5 Stan Lees.

Speaking of Marvel, we got another Avengers: Endgame trailer. Yeah, it’s nice and all, but I’m just ready for the movie already. I kinda hate how every trailer gets dissected and the fan theories run rampant. I mean, we all do it, but I at least try to keep mine to myself. Not record a 90-minute YouTube video about it. I’ve got no nitpicks here, and no fan theories. My body is ready!

Do we really have to talk about that college scam bullshit? OK, for anyone not in the know, a bunch of folks were rounded up and arrested for bribing college officials and testing coordinators to help get their kids into prestigious schools. Amongst that group were Felicity Huffman, and Mrs. Rebecca Donaldson-Katsopolis herself, Lori Loghlin. We’ve all fired off our “Aunt Becky” jokes on social media, but my final word on this is that it’s a New Money problem.

Did you ever read The Great Gatsby? It delineates between New Money and Old Money. If you won the lottery tomorrow, you’d be New Money, because you’re not used to wealth, and you’ll probably do stupid things with it, like trick out an Escalade or make it rain at the local strip club. Old Money, however, is institutionalized. Old Money have buildings named after them, they have rare and exquisite art collections on loan to the world’s biggest museums. New Money spends, while Old Money invests. Old Money knows how this college system works because they’ve been doing it since the beginning of higher learning. You donate enough money to have a library named after you, and the school really can’t say no. I mean, why risk you taking back your generous gift when all they have to do is open up a seat for your kid? Easy math.

New Money, meanwhile, is up to stupid tricks, like bribing test prep folks, and having coaches create spots on athletic teams for sports the kids don’t even play! Y’all were doing too much and, in the words of DJ Khaled, “Ya played yaself!” Loughlin allegedly paid close to $500,000 to get her Instagram influencer daughter into USC. Half a million dollars for USC?! Look, when I graduated from Cornell, they sent us a catalog detailing what we could get for each level of donation. Think of it like the PBS pledge drive, but with real estate involved. For example, $10,000 got you a practice room in the music hall, without a piano. Meanwhile, $30,000 would get you one with a piano. I remember somebody donated for the piano room, and they dedicated that shit to Jerry Garcia. There was a plaque and everything. And it still both bewilders and angers me that someone had enough money to just throw it away like that. Sure, maybe he’s a big fan of The Grateful Dead, but if I’m throwing $30K at something, I’m either naming it after my mother or Maria Stark.

Anyway, this group of “elite parents” really need some Old Money friends, ’cause there were a ton of folks, laughing their asses off, while greasing the right palms this week. I’d recommend everyone find them an Old Money friend, ’cause it’ll teach you wonders about money.

It was announced last night on The Tonight Show that YouTube star Lilly Singh will be taking over the timeslot being vacated by Carson Daly’s Later. Her show will be called A Little Late with Lilly Singh. Is that where all the hosts of the future will come from? YouTube? I mean, they got the new Double Dare host from there, and now this. Meanwhile, I’m just becoming an old man, and all these kids have names like Chad Zachary Chad and I can’t tell them apart.

In the world of comics, I’m sort of surprised that DC Comics had a bit of a Come to Jesus moment all due to the Bat Penis. If you weren’t aware, DC launched this edgier imprint, called Black Label, last year that was going to take their signature characters in some interesting directions. Well, in the first issue of Brian Azzarello & Lee Bermejo’s Batman: Damned, you can see Batman’s penis. I have the issue, but haven’t read it. Haven’t even seen the panel in question online. Still, it caused quite the stir, forcing delays on the rest of the series for it to be rewritten. At a comic retailer summit last weekend, DC co-publisher Dan Didio said the whole incident made them question who they had become as a publisher. Even though the image was waved off by co-publisher Jim Lee as a result of lightening the page, Didio felt like they had done some damage with their relationship with retailers, and that they had to take a step back and really think about where they were headed. Now, this is a summit for retailers – some of the most cantankerous folks alive – so of course Didio is going to try to sweet talk them. Still, I always find it refreshing when a brand openly admits “We made a mistake.” Learn from it and move on. So few companies, OR PEOPLE, seem to be able to do that in this day and age.

Finally, social media was ablaze yesterday as folks voiced their displeasure in Netflix cancelling the critical hit reboot of One Day at a Time. With this incarnation of the show focusing on a Cuban-American family, it had become quite the beacon of representation in media. So, folks felt that Netflix had a commitment to keep this show going, even when Netflix said that the audience wasn’t large enough to make a 4th season viable.

Have a seat. Let’s chat. I know you’re upset about losing a show you liked, but it’s just business. Ratings are funny because we ultimately don’t need to see them. Folks are always like “Well, what were the ratings?” when their favorite shows are cancelled. Ratings are used to SELL ADS. It’s why streamers don’t have to give us viewer numbers. We don’t know what a network has invested in a show, so we can’t really sit back and ask “Oh, you mean that wasn’t enough people watching?” And if we DID get the ratings, and they were, like, a million viewers short, what then? You gonna call a million of your closest friends? Is a network really supposed to take a loss for “representation” when the represented don’t show up to support it?

Why spend money on a show that has no audience? It ain’t a charity. Now, sure, we don’t know streaming numbers, but they weren’t enough to make them keep the show. At the end of the day, that’s all that matters. Folks want them to keep airing the thing so they get some kind of “brownie points” in their “commitment to diversity”. They’re just gonna create a diverse show, in house, that they’ll OWN. See, that’s the clincher right there: Netflix has to pay the show’s production studio, Sony, a pretty hefty licensing fee to carry the show. This is why Netflix has been cancelling most of the shows they don’t own, like the Marvel series. Still, some folks didn’t like that Netflix didn’t mention this in their statement. What, throw Sony under the bus when they may have to do business with them in the future?

Then I’ve seen folks use the argument that “Well, they could afford it if they hadn’t paid $100 million for Friends!” No! Stop using that defense. They threw $100 million at Friends because White people STILL love Friends and it performs well in syndication. Were that not the case, they’d have paid a lot less than $100 million. Friends is basically a “loss leader”. It cost them a lot on the front end, but they hope it’ll be an investment that brings eyes to the service. It’s not like they just flushed $100 million down the drain. The mentality is basically “Come for some familiar flavor that you know you like, and then try something new.” You need a big show for that to work, not some middling critical darling.

I know y’all out there loved the show and, no, I never saw it. I haven’t fired up Netflix since 2017. There’s just too much shit to do and watch these days. Still, I heard great things so it seems like it was quite a loss. That said, stop taking all this business stuff personally. Channel that anger elsewhere. Create your own stuff. This isn’t the end of representation and it’s possibly not even the end for this show, as Sony plans to shop it around. Based on the groundswell of support it’s gotten over the past 24 hrs, a network would be a fool to instantly pass on it. Only time will tell, but there’s more to these decisions than we like to believe.

OK, it may not have knocked my socks off, but I still know a cultural phenomenon when I see one. Captain Marvel had the highest grossing opening for a film with a female lead. It’s already crossed $500 million. And it put us at the doorstep of Avengers: Endgame. So, giving credit where credit is due, Captain Marvel had the West Week Ever.

08th Mar2019

West Week Ever: Pop Culture In Review – 3/8/19

by Will

 

There’s quite a bit of pop culture-y goodness to discuss this week, which is a welcome change of pace.

First off, yeah, I’ve seen Captain Marvel, but we’ll talk about that next week. Give y’all some time to see it, ’cause I’ve. Got. Thoughts.

In movie news, Warner Bros announced a new animated Scooby-Doo film, that’s to kick off the shared Hanna-Barbera Universe, with the gang taking on Dick Dastardly. Well, in a controversial move, WB replaced Matthew Lillard as the voice of Shaggy, recasting him with Will Forte. It left a bad taste in folks’ mouths because 1) Lillard found out about the recasting along with the rest of the world, and 2) he’s been voicing Shaggy since Casey Kasem stepped down from the role in 2009 (plus he starred in the role in the 2 live action films). So, if you’ve seen Scooby-Doo and the Dairy Queen of Death or whatever the fuck straight to video thing they’re slinging, that voice you heard was Lillard.

I get that Lillard’s had the role for a bit, but I can also see WB wanting more of a “name” for their Hollywood offering, since it’s going to be positioned as a bigger deal than the Warner Home Entertainment releases. And we just happen to live at a weird time where Will Forte can pull up on Matthew Lillard. What’s next? Michael Pena taking roles from Freddie Prinze Jr? Anyway, I get it. It sucks – especially for voiceover actors – but that just seems to be where Hollywood is headed. Tara Strong has voiced Harley Quinn forever, but the upcoming DC Universe animated series has tapped The Big Bang Theory‘s Kaley Cuoco for the role. Why? Because TBBT is the #1 sitcom on television (cue the wailing and gnashing of teeth). I’m not saying the practice is right, but I’m not surprised by it in the least.

Sticking with Warner Bros productions, it was revealed that Arrow will return next Fall for an abbreviated 10-episode final season. Ten episodes would take them right up to next year’s crossover, so I guess we know who dies in “Crisis”? Which, ya know, would be a fitting sacrifice. He’s more than avenged his city, and has grown in his quest. He’s no longer about simple revenge, and he’s inspired countless others. It works. I guess this means I’ve got to catch up on the show now, as I fell off early last season.

And one last, BIG, WB tidbit: Idris Elba is reportedly replacing Will Smith as Deadshot in The Suicide Squad. Frankly, I think Idris should actually play Bronze Tiger. I’m not one of those who feels like Deadshot HAS to be on the Squad. In the comic series, he and Harley are mainstays, which kinda throws a wrench in that whole “Anyone could die on any mission” threat. If he’s killed – even if offscreen – it proves there are actual stakes to the team. And it’ll be the second time Will Smith gets killed off a sequel off panel

 

I give you the most boring toy commercial I’ve ever seen. It lacks energy, and it’s almost like they don’t know their audience. Kids commercials have to be loud and bombastic. Make the kids WANT the shit. This voiceover sounds like she’s my therapist. The movie will do just fine, but I’m not sure the merch sales are gonna be so hot for Captain Marvel

The Kickstarter went live this week for WHITE, which is the sequel to the critically acclaimed graphic novel BLACK, which came out a few years ago. That story dealt with a world where superheroes exist, but the powers are only available to Black people. This sequel (the second part of a reported trilogy) appears to follow how White folks are coping with the fact that they can’t have powers. Well, just looking out the window, I can assume they ain’t gonna be too cool with that.

I’m tempted to pledge to this project, as I did support BLACK. That said, I also find BLACK in the $5 bin A LOT, making it hard for me to justify the $30 pledge when this volume is likely to experience a similar fate. Plus, while I haven’t read the entire story yet (despite having 2 years to do it), I did read the first issue, and it wasn’t very…good. Add to the fact that the Tuskegee Heirs Kickstarter has pretty much killed my faith in that platform for promoting new creative endeavors.

Speaking of comics, this tweet went viral from creator Jimmy Palmiotti, and I couldn’t disagree more. Looking at a lot of the replies, I’m not alone.

Nope, nope, nope! It’s NOT our job, as fans, to provide a living wage for comic professionals, and it’s wrong for said industry to try to guilt us into doing it. Palmiotti’s own friends, like Joe Quesada, prop up an industry that underpays their talent, and then goes out and expects fans to make up the difference. If you wanna give a little more to comics, that’s your choice, but it’s not your job or role to make sure Johnny Comic Book Artist can pay his bills. That’s on his publisher.

Meanwhile, it’s such a tacky ploy to try to pit fans against the “millionaire actors”, who are also there to give back to those fans/make their nut. There is NO money in comics. Most of us, regardless of our place in the pecking order, went into the industry knowing that. Whether the Diamond customer service rep, or the newbie Marvel artist, everybody’s just trying to get by. And it’s the individual’s choice as to what they should do with their money.

This song – “Ladies in the ’90s” – was actually released by Lauren Alaina back in October, but it’s just starting to gain traction with airplay. Seeing as how it’s been out so long, I think this lyric video is all we’re gonna get, which is sad because I can think of a lot of fun stuff to do with this concept. Anyway, the song has been stuck in my head all week, so maybe you’ll find it as fun as I do.

Things You Might Have Missed This Week

  • Alex Trebek announced that he is fighting Stage 4 pancreatic cancer. In a recorded message, he jokingly said that he’d have to beat it, as he still has 3 more years on his contract. I’ll say this: when Trebek is done with Jeopardy! I want them to put it on ice for a few years. Family Feud disappeared after the Ray Combs era, and it had to slog through Richard Karn, Louis Anderson, and J. Peterman before they hit pay dirt with Steve Harvey. I’d rather not endure that slog with Jeopardy! any time soon. Let it stand as a monument to the man’s work until quite some time has passed.
  • The Mad About You revival has finally found a home on Spectrum, along with the Bad Boys spinoff, LA’s Finest. The 10-episode “event series” will focus on Reiser and Hunt’s characters dealing with “empty nest syndrome” as their daughter goes off to college. And I don’t know a single person who wants to watch this. I was a Mad About You FAN, and I don’t want this. All I know is Ira better be there, or they can go straight to Hell.
  • I don’t normally cover death here, but Luke Perry sadly passed away earlier this week after the massive stroke he suffered last week. The thing that’s been most surprising to me, however, are all of the great stories folks have shared about his kindness. I always kinda figured the former 90210 star was something of a douchebag (though I had absolutely nothing to back that up), so it was great to hear that I was wrong and had judged him too quickly. It doesn’t seem like Hollywood is filled with NICE people, but it certainly sounds like they just lost one with the loss of Perry.
  • The Twitter Sleuths are on the case! Between the release of the documentary Leaving Neverland, focused on the Michael Jackson sexual assault allegations, and the Gayle King/R. Kelly 2-day interview, folks got their fill of juicy morsels to dissect and try to figure shit out. Nevermind the fact that these are situations that ruined kids’ lives. I blame Serial for this, but it’s also 2019, which is a blanket excuse for anything these days.

  • I’m not really one to do food reviews, but I HAD to grab the brand spanking new Orange Vanilla Coke Zero. I don’t taste even a HINT of Coke. It might as well just be some Orange Fanta with some vanilla syrup in it. It’s not to say I don’t like it, but it’s not something I can guzzle back to back. I can tear through some Vanilla Coke Zero, but I need something of a refractory period after drinking just one of these.

I am a Power Rangers fan. That’s no secret to anyone who’s been to this site before. Still, being a fan of that franchise for the past few years has been like cheering on a losing sports team. I’ve checked in every now and then, but nothing really piqued my interest. I made a promise to myself, some 20 years ago now, that I’d watch the show as long as it was on the air. It had been good to me in rough times, so I would never leave it. I had no idea, however, that the friggin’ thing was gonna follow me to the grave! Over the years, watching every episode became watching every premiere and finale, which became watching every premiere. It was just enough to keep my promise to myself, but it kept me from getting engrossed – a good thing, since I would just end up focusing on how bland the Neo-Saban era of Power Rangers had become. Last year, however, toymaker Hasbro purchased the franchise from creator Haim Saban, with a desire to breathe new life into the property. Now, suddenly I realized I didn’t have to be an Orioles fan anymore because now we had the Nationals (did I do the sports right there?)!

Hasbro’s first offering premiered last Saturday morning, as Power Rangers Beast Morphers. I was cautious. Not cautiously optimistic. Simply cautious. I didn’t know what to expect, but I knew everything about what had come before. So there was an uphill battle ahead of Beast Morphers. That said, this was the first time I’d felt open to a new incarnation since Power Rangers Samurai, which was a disappointment out of the gate (WHY didn’t Nick air the PILOT as the first episode?!).

As the show began, I was already seeing some familiar tropes. A gym & juice bar, and a young White guy leading a Karate class? Is it 1993 again?! OK, I was settling in. As the show went on, what I found I really enjoyed about it was how it honored and embraced what had come before. In the first episode, we not only get a reference to Mighty Morphin Power Rangers villain Rita Repulsa, but it was also tied to the most recent villain – a show of support for the continuity that Saban had dodged so deftly. This was a show that was built on what had come before. Sure, it was a clean slate, but it wasn’t a jarring hard reboot.

Plus, there were quite a few swerves when it came to the characters. This is the first group of Rangers, in about ten years, that I have actually found likable. I already care about them and want them to succeed. They’re not just bland pretty kids, which was the call sheet description from the past few seasons. AND (and this is a BIG and) it’s the first time in a very long time that I even liked the supporting characters. The wacky brother and sister who run Grid Battleforce security, the teen prodigy who has figured out how to tap into the Morphing Grid, even the stern, with a heart of gold, commander of Grid Battleforce – I loved them all.

It’s still early, and strong pilots can quickly turn into mundane series, but I think we might have a winner here. I think Power Rangers is actually GOOD right now, y’all. That’s CRAZY! Anyway, this is why Power Rangers Beast Morphers had the West Week Ever.

08th Feb2019

West Week Ever: Pop Culture In Review – 2/8/19

by Will

So, is this a monthly thing now? I’m not entirely sure. I mean, I was thinking of ways to kind of retool this feature and make it more engaging. I know folks don’t like to read, so I thought in terms of stand-up comedy, trying to come up with my “tight 15”. However, that plan isn’t gonna work this week. There’s quite a bit to talk about, but I’m gonna be selective. We’re not gonna cover everything from the week ’cause, well, it was a dumpster fire.

I’ve been wavering about whether to address this, but I kinda feel like I owe it to some folks. You see, almost ten years ago, I did this thing on Twitter for the month of February, chronicling great moments in Black History. A year later, I kinda refined it and made it into a blog post. I had a lot of fun writing those things, and I guess it was some ploy to try to go viral. Over the years, February would roll around, and I would start with the tweets again. Some of them I LOVED, while some were just kinda “meh”, and I swore that I’d spend the next year thinking of better things to supplant the weaker jokes. However, the next thing I knew, February would roll around again, and I’d have nothing to show for that promise of new tweets. About 2 years ago, something changed.

I don’t really need to rehash politics on here, as y’all have eyes and ears. You know what’s going on in this country. Anyway, back when those seeds started to bear fruit, I kinda noticed a change in what I was seeing when those tweets went out. Now I’m not trying to say I’m on his level at all, but I had what I called my “Chappelle Moment”. If you don’t know, back before he infamously walked away from his Comedy Central show, he said one of the reasons was that he noticed that the laughter had changed. He found certain crowds were laughing at him rather than with him. It was like he had lost control of the audience, and I completely felt that. I noticed folks with MAGA accounts retweeting the stuff, and I wasn’t really liking the interactions I was seeing. So, that kinda put a bad taste in my mouth. However, we’re about to employ that “both sides” argument that’s so popular these days.

While this was going, there were other changes going on across social networks. #BlackTwitter was becoming something of a monolith, but I can’t get arrested by that crowd. They have never given a shit about anything I’ve done unless I’ve “caped” for a White man that had fallen out of favor for that particular period of time (this was prior to the rise of Cancel Culture). What I was doing was far from original, but just as the 1 Gotta Go dude saw a bunch of imitators rise up, I was seeing the unfunniest “Today in Black History” tweets going viral over there, and I guess I was like “Why are you drinking Dr. Thunder when you can have Dr. Pepper?” On top of that, this “friend” from high school had a moment on Facebook, where she felt the need to ask me why I only refer to Blackness to poke fun at it. “I only see you talking about Black people when you’re making jokes.” It’s like, “C’mon, Stephanie. We were all having a good time til you showed up with your bullshit.” So, I did a lot of thinking.

The whole “Why aren’t they retweeting MY stuff?” is clearly sour grapes, but at the end of the day I felt I’d lost control of the thing anyway. People would retweet them out of order (there actually is an ebb and flow to them), or blast them all out on one day. It wasn’t “mine” anymore. So, I stopped. I might do it again one day. Maybe I’ll keep my promise and actually spend the next 11 months thinking of new stuff for a grand return. I really don’t know what will happen, but all of that is why there are no Today In Black History tweets this year.

So, enough with the narcissism. Let’s take a look at the what happened in the world this week.

Oh, WORD? Blackface? He wanted to kill a random Black man? THE NATIONAL ENQUIRER IS BLACKMAILING THE RICHEST MAN IN THE WORLD?!

OK, if you follow me on Twitter (@williambwest), I’ve already addressed some of this. Can’t look at the past through 2019 eyes. Northam was in blackface in 1984, yet the movie Soul Man, in which C. Thomas Howell dons blackface in order to scam an affirmative action scholarship, made $35 million (approximately $84 million today) just 2 years later. My thoughts have changed over the week regarding Neeson. Might talk about that another week. Might not. No, today, we’re gonna talk about Jeff Bezos. Again, this thread was on Twitter this morning, but I feel it needs to be restated here.

Jeff Bezos, the founder and CEO of Amazon, is being blackmailed by the National Enquirer‘s parent company, American Media Inc (AMI). See, Bezos has been poking the bear into AMI’s ties to the Saudi Arabian government, so AMI (believed to be acting under direction from their ally Donald Trump) tried to persuade Bezos to drop his investigation by threatening to release some salacious texts and pics that he may have sent to his new girlfriend while he was still married. Oh, did I mention that his private investigator believes these texts were intercepted by a government entity, possibly indicating that Trump is using the governmental tools at his disposal to target his enemies? Anyway, Bezos decided that he wouldn’t be bullied, so he got in front of it and revealed the whole thing, including the emails that AMI sent him. Wait a minute, though – he didn’t reveal the WHOLE thing. He never said “I sent these texts while I was still married, but that is a personal matter.” So, maybe AMI actually was on to something, but he burst their bubble.

Yeah, it’s fun to watch powerful people fight each other, but let’s not forget that some bystander always gets killed by debris. I’m not about to be so quick to cheer on Bezos, even if he IS “standing up to a bully”. To continue my comic analogy, this is like when The Hulk fights Namor. Sure, they’ve both been on the side of angels at one time or another, but it’s not always clear which one is the “good guy” in any given engagement, at first glance.

Of course we want Bezos to “win”, ’cause fuck the National Enquirer. However, when it’s all over, Bezos will still go back to being the richest man in the world, giving pretty much nothing to charity, and continuing to subject his employees to harsh working conditions. Not to mention the little alarm bells the letter set off for me. For example, sure, we encounter folks from all walks of life in our travels, but why has Bezos known the best private investigator in the business for 20 years? What else has that guy done for him? Or the fact that he takes credit for delivering all of Amazon’s initial orders to the post office HIMSELF, when it’s been confirmed many times over the years that his soon-to-be-ex-wife did a lot of the “courier” work in those days – the same ex-wife who’s kinda being slighted if the AMI narrative of “Married Executive Cheats on Wife and We’ve Got Proof!” turns out to be true.

At the end of that day, that’s none of our business. Nobody should be extorted. I’m just saying look at the actors in the roles before you decide to buy tickets to the show.

I’ve been watching a lot of television lately, and saw some stuff I wanted to discuss with you beautiful people.

I’ve got to admit that I kinda betrayed Conan O’Brien when he lost The Tonight Show. I’d been by his side since his NBC debut, yet while he was at his lowest point, I was kinda like “Eh, it wasn’t a great fit, so get over it.” When he and Andy moved to TBS, I never watched the show, and as he never entered the next morning’s watercooler conversation like his contemporaries, I found myself wondering why he was still doing this to himself. Just quit, and go fishing.

However, Conan recently entered the pop culture conversation as it was announced his TBS show was being retooled into a 30-minute format, forgoing suits and the band. I read a bunch of interviews with about about what we could expect from the new format, and to get a “temperature check” on where his head is at right now. I was really intrigued by a lot of what I read, and found myself checking out his Conan Without Borders travel specials on Netflix. This led to me falling down a YouTube rabbit hole, watching clips of the TBS show that I’d ignored the past 10 years.

Oh my God! What was wrong with me?! This stuff is so good! From his ribbing of associate producer Jordan Schlansky to the wacky adventures he gets into with his assistant, Sona, it felt like Old Conan. Late Night Conan, and not the guy who was trying to be “normal” for the earlier timeslot. I’m sure it’s documented on here, but I ALWAYS felt The Tonight Show was the wrong move for him. I understand it’s The Big Chair, and I was proud that he was “graduating”, but a lot of what made him special was not going to work in that timeslot. You think Leno could’ve had the Masturbating Bear? I’m sure he would have LOVED something that risky, but instead he had to stick to Jaywalking, asking randos stupid questions on street corners.

Anyway, all of this primed me for the debut of the new, sleeker Conan, and so far I’m not disappointed. Still get a monologue. Only one guest per show. There’s no padding. Still has that “We’re figuring this out as we go along” feel that he originally had on NBC – the same feel that made me a fan. So, if you haven’t checked it out, definitely catch up on Conan (we’re only 3 weeks into the new format).

Tropical Cop Tales – I don’t even know where to begin with this. Airing Fridays at midnight on Adult Swim, I can’t describe it. On the surface, it’s about 2 city cops who transfer to an island, and the crazy adventures that ensue. That’s basically all I can say. It’s, by far, one of the weirdest things I’ve ever seen. When it started, I immediately wondered “What the fuck am I watching?” In fact, it gave me an appreciation for drug users, ’cause I know they would embrace the shit out of this show. By the end of the second episode, though, I found myself loving it more than I ever thought possible. I don’t know why. I can’t explain it. It has to be seen to be believed. Oh, and I had a nice chuckle when I realized the title was a play on “tropical cocktails”.

Teen Titans Go! Three of the shows I regularly watch on Cartoon Network had some great “homage” episodes this week. It kicked off with TTG, where the writers throw some MAJOR SHADE at Stranger Things. In fact, the title of the episode is “Nostalgia Is Not A Substitute For An Actual Story”. Fuuuuckkkkkk. I should point out that this kinda aligns with my initial impression of the show, which is why I’ve never cared to watch it. Anyway, it’s a time travel episode, where the team goes back to the 80s. If you loved that part of Teen Titans Go to the Movies, then you’ll LOVE this episode.

Then, We Bare Bears had a Power Rangers homage, where the bears are using their imagination to become a part of their favorite show, Ultra Meteorite Fighters. Since that show features 4 teens, and there are only 3 bears, they use their imagination to conjure up a 4th team member, Silver Bear, voiced by the Greatest Power Ranger of All Time, Jason David Frank (original Green Ranger). In a flip of the original Green Ranger Saga, Silver Bear starts out as the Bears’ ally, until they realize he’s out of control and try to cut him loose. That’s when he becomes the evil Black Stone, and they have to take him down. There’s Zord battles, and a Dragon Dagger. That 12-minute episode, though “unofficial”, was the best episode of Power Rangers I’ve seen in the past 10 years. Not even lying.

Finally, if you weren’t aware, Unikitty from The LEGO Movie has her own cartoon. I kinda hate it. It’s just got TOO much going on, and it gives me whiplash. Still, in the episode I saw the other day, Unikitty finds Batman’s suit at the laundromat, and proceeds to put it on and patrol the city. The entire time, LEGO Batman (again voiced by Will Arnett) keeps calling her, demanding that she return his suit. There are some funny in-jokes if you’re a Bat fan, and it was certainly the first episode of that series that I enjoyed.

There’s a lot of interesting stuff going on in the world of podcasts. First off, the guys over at Nerd Lunch announced that they’ll be winding down…soon? I really don’t know. They have a date in mind, but they’re not going to tell us until it gets close. This hits a bit close to home for me, as they’re probably the last show standing that invites me on as a guest. So, I guess I’m retiring from podcast guesting soon? I guess we’ll have to see.

Since I totally made their swan song about me, let’s continue on the narcissistic train, shall we? I kinda have this unspoken (until now) rule that I don’t listen to podcasts that have never had me on as a guest. It’s not that I’m so important, but I like having that relationship with them. I like that, instead of yelling at my phone or the computer, I can email or tweet them and say, “You meant to say ‘Hugo Weaving’.” Yeah, I’m an asshole. Plus, there are just WAY too many podcasts out in the world (approximately 630,000, according to CBS), so why waste time on something where I don’t have a personal connection? Anyway, with all “my” shows coming to an end (Did *I* kill them?), I’ve had to “diversify my bonds” when it comes to podcasts. Let’s see where that’s taken me, shall we?

Conan O’Brien Needs A Friend – This was discovered during my personal Conan Renaissance. Launched back around October, there are only about 15 or so episodes at this point, and I binged them all last week. the premise is that Conan is so busy working that he doesn’t have any friends. So, he invites former show guests/people he’s always admired to record with him, to see if they might become friends. I like it because it’s all surface. It’s none of that “What was your motivation when you played this role?” Instead, it’s like “So, back when we were at SNL, I remember you used to love eating White Castle while wearing gloves.” I like funny anecdotes more than critical analysis. If you’re in that boat, then check it out!

Gettin’ Better – This one is hosted by comedian Ron Funches, and I learned about it when he was a guest on Conan’s podcast. If you’ve ever seen Funches, you already love him. It’s impossible to hate that guy. From his voice to the fact that he just comes off as “huggable”, you’ll be an instant fan. Anyway, his show features his friends who come to discuss ways in which they’re trying to better themselves. For example, Funches has lost over 140 lbs over the past 3 years, so he’s just brimming with positivity and what’s people to find their “thing”. It might sound “self-helpy”, but it’s a really good show typically featuring fellow comedians (and X-Pac!), talking about how they’re trying to “get better”.

The Ron Burgundy Podcast – It’s funny how “exclusive” means nothing anymore. iHeartRadio spent the whole holiday season bragging that they were gonna be the exclusive home of The Ron Burgundy Podcast, with Will Ferrell reprising his role from the Anchorman films. It was gonna debut Jan 31st. Then, they bumped the debut a week and the next thing you know, the ads changed to “Available wherever podcasts are found”. So, it’s basically like “Thanks, iHeartRadio for handling the marketing work for your competitors!”

Anyway, that unsteady marketing plan seems to be a good measure of the show itself. I was really wondering how it was gonna work, because there’d have to be some degree of “time displacement” for it to work, since podcasts didn’t exist during Ron’s heyday. Would he be in modern times? Would it be more of a radio play? Whatever it is, it doesn’t fully work. Yet.

The first 20 minutes are basically Ferrell stretching the joke that Ron doesn’t exactly know what a podcast is. He’s got this weary producer named Carolina where it’s not clear if she’s real or a character. Her delivery is forced, and by the end of the episode, you’re not entirely sure whose side she’s on. Meanwhile, the premiere episode had Ron tackling the True Crime genre. Basically, think of what you’d get if Ron Burgundy hosted Serial. Yeah, that idea works for about 10 minutes – not the 49 minutes that we get.

I’ll stick with it, ’cause I love Ferrell, and I love that character. Still, I’m not sure I’d recommend it yet. Anybody else listen to it and has any thoughts?

There’s no Things You Might Have Missed this week. Maybe next week. We’ll see. And nothing really stood out this week as being the BEST thing, so there’s no West Week Ever this week. Hang on, though, as we’re still getting our 2019 sea legs. We’ll figure this all out together. Anyway, leave a comment below, and don’t forget to subscribe!

08th Nov2018

Blider-Man: Thoughts On Marvel’s Black Spider-Man

by Will

NOTE: I wrote this post 7 years ago for my friend’s site, TheRobotsPajamas.com. Since that site is currently on hiatus, I decided to post it over here for posterity. Enjoy! 

Hi, my name is Will West and I’d like to be your leader. Don’t worry, though; I just want to be the black one – it’s a separate, but equal thing. I’ve decided I’d like to become America’s Top Black Nerd, or Blerd if you will. As a result, it would make me the spokesperson for all things that pertain to the world of geeky blackness. Black Spider-Man? Check! Luke Cage movie? Check! The racism in Just Imagine Stan Lee’s Batman? Check! Basically, I’d be like the geek Al Sharpton, without the track suits, and the perm, and the crazy. OK, that was a bad example. Anyway, maybe it would net me a position on G4, as the other half of Olivia Munn’s genetic recipe is the closest thing to a minority I’ve seen on that network. Well, that and everyone on Cops and Cheaters, but I digress. Comics tend to be thought of as a white hobby, but there are a lot of us of color who also enjoy the four-colored excitement that comics offer the world. I’ve been reading comics for about 20 years now, and I occasionally rant about them over on my site, williambrucewest.com. Today, it was announced that the next Spider-Man in Marvel’s Ultimate Comics line would be half-Hispanic and half-black. Naturally, this is the kind of thing that America’s Top Blerd would be called upon to discuss. To be honest, I’m feeling a bit lazy today, but the people have spoken, so I must answer the call!

 

For those not in the know, the Ultimate Marvel line was introduced by Marvel in 2000 as a modernization of their flagship franchises. Originally slated to be called “Ground Zero Comics”, the line was meant to reintroduce aged concepts to a new audience. Spider-Man, X-Men, and Fantastic Four were now Ultimate Spider-Man, Ultimate X-Men, and Ultimate Fantastic Four. The Avengers franchise was reimagined as the grim and gritty The Ultimates. Set in a different universe of the Marvel Universe’s multiverse, the line was meant to recapture the early days of the Marvel Universe when characters weren’t burdened by 40 years of continuity. The chief architects of the line were Brian Michael Bendis and Mark Millar, who promised that the Ultimate Universe was a place where “anything can happen”. This was true for the first few years, as the creators threw curveballs at concepts that we had known for some time. Spider-Man revealed his identity to Mary Jane in the second year of his series, Cable was a future incarnation of Wolverine, and EVERY event of the Ultimate Universe was the result of someone trying to recreate Captain America’s super soldier serum. In fact, in the Ultimate Universe, the creation of mutants was the result of the same experiments. However, what began as a close-knit, shared universe soon became more of what we had already seen in the “normal” Marvel Universe. Reboots, lackluster crossovers, and late books changed a world where “anything could happen” into a world of “been there, done that”. A couple of years ago, the line was relaunched as Ultimate Comics, but has just coasted along without much direction. It was at that point that Marvel announced “The Death of Spider-Man”.

 

Death is nothing new in comics. Since the death of Superman in 1992, comics have regularly returned to the death well in order to drum up sales or put the right exclamation point on a storyline. It’s a device that’s been used so commonly that no one takes it seriously anymore. Like our parents used to tell us when we were little, Nightcrawler’s just sleeping – just like Grandma. Whenever a publisher needs that 4th quarter sales push, guess who’s found in a subspace pocket/underwater cocoon/secret laboratory? Hint: It ain’t Grandma! So, when Marvel announced the Death of Spider-Man, most of us just groaned and went on with our lives. A few folks desperate for web hits cleverly left out an important detail: it was Ultimate Spider-Man we were talking about here. See, a lot of old school fans never fell in love with the Ultimate line. It was a slap in the face to the stories they’d read growing up. So, you say that Spider-Man’s dead, and alarms go off. You say Ultimate Spider-Man’s dead, and a lot of people respond with “Oh, I thought you mean the REAL Spider-Man.” Yeah, so this announcement had 2 things going against it: comic fans are jaded by death AND it wasn’t the “real” version of the character. All that said, I’ve been a diehard fan of the Ultimate comics since their debut. In fact, they’re the few lines for which I have complete runs. Even variant covers. To me, the Ultimate line was a chance for me to get in on something on the ground floor. I thought maybe I could experience the feelings that old school fanboys had felt when they first experienced the “original” Spider-Man. In reading the books, Ultimate Spider-Man became one of my favorite series EVER. I thought it was refreshing to read about a teenage Spider-Man, who had to juggle school and heroism. I always had a problem with “regular” Spidey, as his life apparently sucks so much, yet he still goes home to bang his supermodel/soap star wife (that is, until the devil took her away). Ultimate Spider-Man, however, was a great character, brought to life by Bendis’ gift with dialogue. Sure, I didn’t believe they’d actually kill this guy, but I think there’s a part of every fanboy that wonders “Is this REALLY gonna happen?” I was going to buy the issues anyway, but as the storyline kicked off, each issue filled me with more trepidation. It should also be stated that most of the people who died in the Ultimate Universe stayed dead. Sure, there are a few exceptions, but this is also the line that killed some of the most popular X-Men, and decimated New York’s population with a biblical flood. Though they’d gotten complacent, you still couldn’t be sure of what you’d get with the Ultimate line. And sure enough, they killed him. Not even in one of those “his body disintegrated so maybe he was transported away” kinds of ways. He died a touching death, but it was the death of a hero gone too soon.

 

Prior to the storyline, Marvel had already teased that a new Spider-Man would star in a brand new Ultimate Spider-Man series. Ugh, here we go again. Then, Bleeding Cool presented an interesting rumor: the new Ultimate Spidey would be black. Now, this is a big deal for several reasons, especially because old school fanboys would HATE it. You know how I know that? Well, when Sony announced they were rebooting the Spider-Man movie franchise, there was an internet campaign to get black comedian Donald Glover a chance to audition. He was a self-proclaimed nerd (yes, he would be a more popular blerd than me, but he doesn’t have time to blog!), and people thought he’d bring a fresh perspective to the role. This sparked a ton of “Spider-Man’s NOT Black!” rhetoric online. As a comic fan, and a black comic fan, I can see where they’re coming from. Since his creation, Spider-Man had been white. However, there was nothing inherently *white* about the character. He’s a kid, with dead parents, whose uncle was shot, and now lives in Queens with his aunt. Sounds black to me. As we already know, Andrew Garfield won the role, but a lot of people online showed their true colors. Despite my intro above, I don’t play the race card unless it’s for humor’s sake. However, I’ve got to say that I was saddened by a lot of stuff that I read online during those debates. Was it really that offensive to you if a popular character looked like me? Huh. So, I kinda hoped Bleeding Cool was on to something, if only to watch the shitstorm that would surely ensue from the announcement. It also worked within the continuity of the book, as black character Ben Reilly actually acquired a sample of Peter Parker’s blood during the first volume of the Ultimate Spider-Man series.

 

Well, today USA Today announced that the new Ultimate Spider-Man would be a new biracial character named Miles Morales. Half-Hispanic, and half-black, the new Spider-Man will be introduced this week in the Ultimate Fallout series, with more background given when the new Ultimate Spider-Man series launches this fall. From a political standpoint, I commend Marvel for this. Comics are often admonished for their lack of diverse characters, and Marvel kinda checked off three boxes here: Hispanic, black, and biracial. Sure, a lot of people are complaining that the change wasn’t “organic”, but most of these are people who weren’t interested in the Ultimate line to begin with. Those are the same people who would say “he’s not the REAL Spider-Man”. That’s fine. Let us have him. He’s real to us. This is comics, Jim Crow style. You still have the “real” Spidey, what with his retconned marriage and his Spider Island and whatnot, and now we have our own. If this helps bring more people to comics, then so be it. There’s room for everyone in this hobby, and it would be nice if everybody was represented. Lately, I’ve been wondering about the kids I hope to have someday. As much as it never really bothered *me* growing up, I’ve wondered what I’d do if they tried to get into comics, yet were bothered that nobody looked like them. Luke Cage was a blaxploitation joke until recently, the Milestone line was never as established as people like to think, and Black Panther is more Coming to America than African Batman. Spider-Man is my favorite Marvel character. Not just Peter Parker, but Spider-Man. There’s something that happens when he puts the suit on. I don’t think Marvel would just put anyone in the suit (I’ll punch you if you mention the Spider-Clone Saga), so I feel like he’ll STILL be Spidey, yet bring something new to the character that we never got in any of the Peter Parker incarnations. Hell, his secret identity even still has alliteration going for it! No, I don’t expect tap-dancing, watermelon eating Spidey. I don’t think he’d do anything to besmirch the Spider-Man legacy. This change returns the Ultimate Universe to a place where anything can happen, and it makes me look forward to the future once again. Though he’ll probably be killed, canceled or retconned before they’re born, I’ve gotta say that I’m looking forward to having a MARQUEE superhero that I can share with my kids. He won’t have “Black” in his name, and he’ll look like them. Hopefully, he won’t be marginalized like black characters in the past. I say “All hail Blidey*!” I hope you’ll give him a chance, too.

 

*Blidey TM williambrucewest.com 2011

26th Oct2018

West Week Ever: Pop Culture In Review – 10/26/18

by Will

Sometimes I need to take a week off just so I can come back fired up – and I am FIRED UP this week!

Whatever happened to the days when we just let people say stupid shit and we just shook our heads and kept it moving? Yes, I’m talking about Megyn Kelly. The NBC talk show host came under fire this week, as she was discussing Halloween costumes with a panel of guests, which included Melissa Rivers and Jenna Bush Hager. Kelly was appalled by the restrictions that some universities were putting on certain Halloween costumes, such as prohibiting people from dressing as things like cowboys.

The conversation soon switched to the topic of blackface, as Kelly mentioned that you get in trouble as a White person for dressing up in blackface, but that it was seen as OK when she was younger, as long as you were dressed as a character. The panel somewhat disagreed, and Rivers pointed out that the concepts of politeness and decency seem to be missing in today’s society, and that if you think you might be offending someone, then you probably are. Kelly seemed to sort of take this in stride, the segment ended, and she moved on to talk about some other morning show fluff, like “How to clean your sock drawer potpourri” or whatever. That’s what you’ll see in this clip:

See? Not really a huge thing. I mean, sure, Kelly was wrong, but this is the same chick who argued that Santa Claus was White (Psst! He’s not real!). But you wouldn’t think the situation played out like that based on every report of it on the internet. It was Racist Megyn Kelly Strikes Again! And Tone-Deaf Kelly Doesn’t Understand Racism of Blackface! Um, did you watch the same clip I did?

Let’s point out a few things. First of all, her audience was ’bout it ’bout it when it came to this topic. And it was a diverse audience. I’m not saying what she said was OK, but I’m saying that she was clearly among “her people”. Next, I think it bears pointing out that the topic didn’t really linger. In what’s an 11 minute clip, the whole blackface part took up about 2.5 minutes. It’s not like she dwelled on it, or even tried to argue her side too much. She evoked the image of Real Housewives of New York cast member LuAnn de Lesseps dressed in blackface as Diana Ross, and said, “I thought ‘Maybe she just wanted to be Diana Ross for a day’.” If you ask me, what Kelly said was ignorant, but not racist.

We live in a society that shuns ignorance. No one wants to be the one to ask the “stupid question”, or admit when they don’t know something. At times this coincides with some dicey topics, like race. You’re not really going to get an understanding, however, unless you confront these things in conversation. We have to talk about things! Yet that’s not how we live. We all pretend to know everything, since all knowledge can be found in the palm of our hand. And when someone deigns to ask a question, the impatient simply retort “Google is your friend.” Great. Good talk.

Sure, racism is a by-product of ignorance, but ignorance can sometimes be innocent. Now, we can paint all sorts of things we want onto Megyn Kelly because, again, she’s the chick who swore up and down that Santa Claus HAD to be White. I get it. But I’m not seeing the Evil White Media Racist here that everyone seems to want me to see. I’ve had a lot of opinions where I was probably on the wrong side of history, and this is just another one of them.

Now Kelly’s future with NBC is in jeopardy. She had to apologize for her statements later that day, and then her words were publicly denounced by NBC News chairman Andrew Lack. Then it was reported that the cast of House of Cards pulled out of a planned appearance on her show, due to her remarks. Later on, however, House of Cards cast member Greg Kinnear (remember him?!) said that the cast was told that Kelly had jury duty, which is why the appearance was cancelled. Whatever happened, reruns have been airing instead of live episodes since the event. There are reports that Kelly had met with NBC brass recently and expressed the desire to get back to “real news” coverage, as she hasn’t taken to the lighter side of morning talk. Now, however, it appears the network wants her out, and she’s reportedly demanding a payout of the rest of her contract.

OK, meanwhile, Fox News just announced that their streaming service, Fox Nation, will launch November 27th. So, you mean to tell me that former Fox News darling Megyn Kelly’s highly publicized NBC deal is falling apart just as Fox announces their entry into the streaming market? A streaming service that’s going to need a big name to help launch it? And I’m supposed to think these are just coincidences? This is all orchestrated. Ya know how I know? Because I look at that clip, and I don’t see any fireable offense taking place there. No, this is a mountain being made out of a molehill, and social media and the court of public opinion are being used to throw fuel on the fire. Someone at NBC clearly wanted her gone (word on the street is that it’s Al Roker), while she needs somewhere to land when they snatch the rug out from under her. Mark my words: she’s going back to Fox, and she’s going to double down on her “conservative Megyn Kelly” persona. After all, the folks who were behind her sexual harassment claims at Fox are either gone and/or dead. The time is ripe for a homecoming, and she’s got a lot of fuel against the Liberal Media for how she was treated during this “ordeal”. Great job, Liberals: you just helped one of your greatest foes level up.

So, you got Megyn Kelly fired. Meanwhile, trans folks are potentially about to be erased, and bombs are being sent to prominent Democrats. But I’m glad to see y’all focused on the real issues…

You thought I was done? Oh, I’m just getting started!

So, during my blogging break, Netflix cancelled Iron Fist, and all the folks who were like “How the fuck they gonna have a White dude as Iron Fist? They better cancel that show before it airs!” suddenly turned into “Oh Noez! How dare Netflix cancel Iron Fist?!” people. It was actually quite the thing to witness. I wish I’d kept the receipts from a year ago. Anyway, Netflix totally doubled down, and cancelled Luke Cage just a few days later. And then the armchair quarterbacks came out: “Oh, they’re totally gonna make Heroes for Hire instead.” Or “Disney’s just gonna put them on their streaming service.” I don’t know about the former, but you’re wrong about the latter, and here’s why:

While we don’t know streamer ratings, we know that pretty much everyone hated the first season of Iron Fist, while they felt Cage seasons were too long. Add in the fact that the Netflix shows are tangential, at best, to the Marvel Cinematic Universe. Disney is putting actual MCU actors on the streaming network, so I don’t see them wasting their time and resources on the Great Value properties.

Next, let’s look at the politics at play. The Netflix shows are produced by Marvel Television, while the Marvel Cinematic Universe films are produced by Marvel Studios. Those two divisions HATE each other. Lots of bad blood, which is why Agents of S.H.I.E.L.D. is the only show that takes place “firmly” in the universe of the films, as it was established before all the shit went down. Everything established later has been in this nebulous “Maybe it’s in the MCU/maybe it’s not” gray area. When the streaming service was announced, they specifically pointed out that the Marvel shows on the service would A) be entrenched in the MCU, and B ) produced by Marvel Studios (and not Marvel Television). So, long story short, the Netflix shows didn’t get invited to the party because of their origin with Marvel Television. Also add in the mature nature of the Netflix shows, while it’s been pretty widely reported that Disney Play won’t venture past PG-13 content.

So, Iron Fist and Luke Cage may live to fight another day, but it ain’t gonna be on Disney’s streaming service. One theory I’ve heard is that they might end up on Hulu, should Netflix ever give up the rights, as Disney will be the majority shareholder of Hulu after the Fox deal closes. As with most things, however, we’ll just have to wait and see.

Yesterday it was announced that Rick & Morty head writer Mike McMahan has been hired to develop the animated Star Trek: Lower Decks series for CBS All Access. And I think this is a horrible idea. I know that the Trek TV franchise has been pretty dormant in recent years, but CBS All Access is wasting no time diluting the fuck out of it now. Seriously, there is an announcement of a new Trek series almost weekly, to the point that I’ve lost track. Right now, there’s Star Trek: Discovery, Star Trek: Short Treks, Star Trek: There Are Four Lights (which is my working title for the Picard-centered show), and now there’s Star Trek: Lower Decks – all for CBS All Access. There are about to be a LOT of discussions about what IS and ISN’T “Star Trek“. Animated series from a Rick & Morty writer? Yeah, that ain’t Trek.

I know I’m biased, but as a lifelong Trekker, I’ve always felt there was some pomp and ceremony to the Star Trek franchise. In a lot of ways, you could say that it’s a franchise that tends to take itself too seriously. That’s why I hesitate to embrace something, officially licensed, that pokes fun at that. Sure, over the years there have been fanzines and things like Star Wreck that parodied Trek, but this show, which is supposed to focus on the unnamed crewmen who help run things on an unimpressive Starfleet vessel, sounds like something in the vein of those parodies, and I think it takes away from the franchise rather than adds to it. It feels a lot like Star Trek selling out. Maybe they’re trying to make it accessible to new audiences – ones who may have been put off by the “rigidity” of prior series, but I’d argue that rigidity is part of what makes Star Trek what it is.

My pal Peter pointed out that it’s worth comparing how CBS is treating Trek to how Disney is treating Star Wars. At a glance, Lower Decks feels like something you’d get from the Star Wars franchise. It seems like it’s in the same spirit as the Tag & Bink comic series that Dark Horse put out many moons ago. That was a comedic take on the Star Wars movies, as seen through the eyes of two Jedi in training, who kind of “Forrest Gump” their way through the important events of the original trilogy. A lot of folks liked that series, but keep in mind that it was a comic. It wasn’t seen by the vast majority of Star Wars fans. So, it was treated like the niche thing it was. Lower Decks, however, is being given the same platform as the current, “core” Trek series, Discovery. If they wanted to make some web shorts or something, fine, but a full series (with a 2-season order, at that), just seems to legitimize something that shouldn’t really exist.

Back to the Trek/Wars comparison, I feel like, despite the backlash to The Last Jedi, that Disney is doing it right when it comes to the Star Wars franchise, primarily because they “spread the wealth”. There are the movies, but there’s also the animated series on cable, there’s the upcoming series for Disney Play, and other outlets. Meanwhile, CBS is blowing their entire wad on All Access. They know folks aren’t shelling out a monthly fee for that Tim Meadows cop show, or that spinoff of The Good Wife. No, the ones who are subscribing are doing it, begrudgingly, for Star Trek, BUT there are a LOT of Trek fans (myself included) who can’t even be swayed by that. Instead of being forced to pay for another streaming service, I’m content to just refuse to acknowledge that Discovery even really exists. And even if I acknowledge its existence, I refuse to believe it’s actually contributing anything worthwhile to the mythos. I realize I could be completely wrong about that, but it’s the fault of CBS for hiding it behind a paywall. The insistence on continuing to do this with this ONE particular franchise isn’t going to soften my resolve, but rather just make me resent CBS even more. So, bring on your hateful, sardonic Star Trek cartoon, but I most likely won’t be watching it.

Had I written a post last week, the West Week Ever probably would’ve gone to The Conners, for pulling off an unnecessary, but adequate feat. You see, the show doesn’t really need to exist. Sure, there are the stories of John Goodman saying that they “owed it to the fans”, and sure people were worried about the cast and crew who were out of jobs after the abrupt cancellation of the reboot. To that, I have 2 thoughts: 1) they owe the fans nothing. It could’ve stood as a Done In One “special” season, like the kind of thing you’d get in the UK, and everyone could’ve kept it moving and 2) It’s not like this all happened during season 10 of a long-running series. Yes, it was technically season 11, BUT 20 years had passed in between. The cast already had lives they’d established. Sara Gilbert still has The Talk to go back to, and Michael Fishman could probably get his job back at the Winn Dixie. It’s not like folks had totally uprooted their lives during the ONE season of this reboot, and it’s Hollywood, so the crew would have no trouble getting work on the next project they throw at Joel McHale.

No, The Conners was an experiment that we have to live with even if we weren’t sure we wanted it. I was one of the early champions of the whole “Why not just ‘pull a Hogan Family‘, and keep going with the rest of the cast?” Yeah, I said it, but I didn’t mean it. I really just wanted to see if Hollywood still had the balls to pull off a move like that. That was one of my “Wanting to watch the world burn” moments. Anyway, much to my surprise, they did have the balls to do it. I feel like I’ve also gone on record saying that I didn’t really get why Roseanne was fired. Sure, what she said was fucked up, but it was only the most recent fucked up thing in a string of Roseanne’s fuckedupness. She really hasn’t been stable for the past 15 years or so. Someone had to know she was capable of this, but they still gave her a chance. Back in my day, you’d say something fucked up and racist, you’d do a mea culpa, and then you’d do a photo op with Al Sharpton after donating to the NAACP. So when did the rules change? ABC got her out of there with the quickness, and I’ll bet James Gunn was even somewhere like “Man, I hope they never do that to me!” [Editor’s Note: That is exactly what ABC/Disney would end up doing to him]

The thing that really strikes me about The Conners is the notion of “family”. One of the strengths of the original Roseanne was the family unit, and it’s what a lot of folks were anticipating upon its return. Once the reboot was announced, the cast was making the talk show rounds, about how they were a family and how great it felt to be back together. So, when Roseanne fucked up, where was her family? They turned on her. I know it’s naive (and not always true), but I like to think family sticks together. That’s not what happened here. When the shit hit the fan, they denied her like Peter denied Jesus, and they were all like, “Hey, I’ve got bills”.

I mean, it’s cutthroat Hollywood, but something doesn’t sit right with me. Roseanne tried to make it right, by signing over her rights and financial ties to the show, so that the cast and crew could carry on steering the ship that she built. And yeah, (spoiler alert), they killed off her character with a drug overdose, which is just so…unglamourous. I mean, there was a precedent for it, as it was established last season that she had an opiod addiction, but it was also established that she was worried about dying on the table during her knee surgery. Would it have killed them to go with the latter instead of the former? It reminds me of the overkill the South Park guys did to Chef went Isaac Hayes got all sanctified and quit the show.

Anyway, The Conners picks up a few weeks after Roseanne’s death, and the family is trying to adjust with her not around. They assumed her heart gave out, but midway through the episode, the coroner’s office calls, saying she had actually died of a drub overdose. Well, this is news to Dan, as well as Darlene and Becky. When they find out Roseanne had gotten drugs that had been prescribed to some other woman, Dan goes all “small town vengeance” on her, by putting a sign on his truck naming the woman, and blaming her for killing his wife. Eventually, the woman shows up to the house to apologize for Roseanne’s death, but also to ask Dan to remove the sign as it’s ruining her life. So, I guess the show is going to tackle the opiod crisis that’s plaguing Middle America right now, but it just feels so…unnecessary. If it were a story about recovery and redemption, that’s a story that I’d be interested in seeing how it plays out. But it’s not that story, as Roseanne is already dead, and she ain’t coming back. So what now? I truly don’t know the answer to that. I wonder if anyone associated with the show does, either, or if they’re just cashing their checks and keeping their heads down.

I had the pleasure of joining my buddy, Corey Chapman, on his podcast The Chap Report this week. It was a really fun time, as we discussed Halloween and modern scary movies, as well as the current state of the WWE. Plus a bunch of other stuff. It was fun to record, and just as fun to listen back to, so check it out and put it in your ear holes!

Trailer Park

F is for Family

This show is one of those hidden Netflix gems that nobody talks about, like LoveSick (AKA Scrotal Recall). I really enjoyed season 1, but totally missed season 2. I’ll probably catch up so I can watch this when it debuts on November 30th, ’cause I really liked it.


Broad City

We got this trailer for the 5th, and final, season of Broad City, and I guess it looks OK? As they say in the South, this show “got out from good”. When it debuted, I LOVED it. Crushed hard on both Abbi and Ilana. Then I feel like they jumped the shark somewhere around the Hillary cameo. And I bailed halfway through last season ’cause it just felt like it’d lost its spark. If I could find it somewhere, I’d watch the eps I missed, but I think I’m ready for this show to end.


Nobody’s Fool

I love a good red band trailer. Apparently Tiffany Haddish made the “Kevin Hart” deal with the Devil, in which she is required to appear in one movie a month. Good for her, I guess. I won’t see it in a theater, but I’d watch it if it were convenient to do so.


Bird Box

Folks are saying they’re getting A Quiet Place vibes from this trailer, which is another film I need to watch. I tend not to like stuff like this, but I’m intrigued, and I like Sandra Bullock. Plus, I already have Netflix, so it’s a plus that I won’t have to leave home to see it.

Things You Might Have Missed This Week

  • As anyone with a brain could’ve predicted, Ariana Grande and Pete Davidson are dunzo!
  • Marvel fired Star Wars comic writer Chuck Wendig after he was told that his social media activity was too political and profanity-laden.
  • There was some casting on that Pennyworth series for Epix (Ya know, Batman’s butler before he was Batman’s butler?). Anyway, you don’t know who any of the folks are, nobody has Epix, and the show’s a terrible idea, so I’m just gonna jump to the next item.

  • Speaking of ill-advised DC TV moves, we got our first look at Shane West as Bane on Gotham. Oh man, did they run out of money? It’s like a poor kid’s homemade Darth Vader costume or something.
  • DC Comics revealed The Other History of the DC Universe, written by John Ridley, which will focus key events in the DC Universe through the eyes of its Black heroes. It’s part of DC’s Black Label imprint, but it’s mostly prose, with a $7.99 per issue price tag. Yeah, PASS!
  • Avengers 4 spoilers are starting to trickle out, including a pic of Ms. Gwenyth Paltrow. I’ll just leave it at that.
  • Disney had met with the writers of the Deadpool films about a potential reboot of the Pirates of the Caribbean franchise. It’s unclear if Johnny Depp would be involved this time.
  • Alan Tudyk will voice The Joker on the upcoming Harley Quinn animated series on the DC Universe streaming service.
  • Steve Carell has been cast in Apple’s untitled morning show drama, also starring Reese Witherspoon. Do Apple shows ever come out? I always hear about them in development, and then something stupid happens, like “Whoops! We shot all 13 episodes but forgot to put film in the camera!” Seriously, name ONE Apple series that is complete and ready to go.
  • Speaking of Apple, they’re reportedly going to launch their own streaming service ’cause, y’know, everybody’s doing it. I guess it’ll be the home of all these shows that live in Canada that they keep talking about.
  • There are rumblings that Fuller House will end after its 4th season, though Netflix commented that no decision has been made at this time (translation: Time to look for work, Jodie Sweetin!).
  • Netflix has definitely made up its mind about Orange Is the New Black, as this will be its last season.
  • An NYPD Blue reboot is in the works, which would focus on the son of Andy Sipowicz (played by Dennis Franz in the original series). In this series, Sipowicz Jr will be investigating the murder of his father. Naw! They done killed Sipowicz?! They couldn’t let him retire to fish or some shit?
  • It’s the end of an era, as Caroll Spinney, the Sesame Street puppeteer behind Big Bird and Oscar the Grouch for the past 50 years (!), would be stepping away from the roles. My oldest calls it Elmo Street anyway, so I guess he picked the right time to go…
  • Your HBO sex scenes are about to get lame, as the network has hired Intimacy Coordinators to be on set whenever a sex scene is to occur between actors. Due to the #MeToo movement, they want to ensure that consent is there, and that the actors are comfortable. Meanwhile, Shannon Tweed is somewhere, going “What a crock!”
  • So, MTV is reviving The Real World, but on Facebook Watch? What is that? Is that free? Seems odd they’d farm out one of their most iconic franchises. Anyway, I’m closer to 40 than 20, so this ain’t for me. Plus – and I’ve said it before – the show won’t return to its hard-hitting glory until they start casting ugly people again.
  • Speaking of Facebook, they will soon add the ability for you to add songs to your profile. Hey, 2006 MySpace called and boy do they have some shit to say!
  • CMT is reviving the ABC series Wife Swap, which will premiere in February. I will always think of this Chappelle sketch whenever that show, or its clone Trading Spouses, comes up.
  • The Wonder Woman sequel, Wonder Woman 1984, has been moved to June 5th, 2020, so as not to crowd out the Todd Phillips Joker movie coming out next fall. There are also rumors that the film will serve as a Flashpoint-like reboot to the DC movie universe.

  • British police are on the case to catch a David Schwimmer lookalike who stole some beer from a liquor store.

So this is a tough one. I can’t say this person had a “good” week, but he certainly had an important week. I haven’t been the biggest wrestling fan in recent years, but you couldn’t get near the WWE without knowing about Roman Reigns. The biggest reason is that the company seemed to be giving him a push that the fans didn’t really support. Over time, I was pretty much conditioned to dislike him, just like “everyone else” supposedly did. I knew he was part of The Shield, and pseudo-related to The Rock (since all Samoans seem to be born from 3 women), and he wasn’t bald (which meant he wasn’t a heel). Other than that, though, I had never really seen him wrestle, so I was peer-pressured into disliking him. That all changed on Monday night, though.

On Monday Night RAW, Roman broke character and introduced himself as “Joe” (his real name is Joe Anoa’i), and told the world that his Leukemia had returned. He was apparently diagnosed 11 years ago, and had beaten it. Unfortunately, it’s back, leading him to relinquish his WWE Universal Championship title. It was an emotional moment, especially when you watched the reaction of the WWE starts backstage. Even if the fans didn’t love him, it was clear he was loved by his colleagues, and they were genuinely concerned for him.

Since I’m dumb, I immediately texted my friend “Does this mean we’re not allowed to hate him anymore?” The thing is, though, that I never had a real reason to hate him. And instead of merely tolerating him, I now find myself concerned for his well-being. It’s a crazy string of emotions, and it all happened so fast. He made a point to say that this wasn’t a retirement speech, and he has every intention of coming back. I certainly hope that’s true, and I look forward to seeing how the fans will regard him on that day. Is this the thing that he “needed”? Did he have to show he was human to get over with them? Wrestling is such a strange thing sometimes. Anyway, prayers up for Roman Reigns, who had the West Week Ever.

12th Oct2018

West Week Ever: Pop Culture In Review – 10/12/18

by Will

HarassmentWatch (TM)

It’s everyone’s favorite segment, where you find out who couldn’t keep their dick in their pants this week!

James Franco – In her upcoming book, actress Busy Philipps writes that Franco physically assaulted her on the set of their TV series Freaks and Geeks. She later said that he apologized for the incident, but most of the news outlets seem to have missed that tidbit. Anyway, this is familiar territory for Franco, as around 5 women have already accused him of sexual assault. While his encounter with Philipps wasn’t sexual in nature, it still goes to show how Franco views women. On a side note, who out there is gonna read a memoir by Busy Philipps? I mean, I like her and all, but I’ve never once thought “I’d love to know more about her life”. They really will just give anyone a book deal these days…

Harvey Weinstein – A victory for Harvey? One of the six counts of sexual assault has been dropped by a NY judge. Lucia Evans alleged that Weinstein forced her to perform oral sex on him during a meeting in his office, but this accounted was disputed by a friend of Evans. The D.A.’s office says is still plans to proceed with the remaining 5 charges, however, which Weinstein has denied.

So, it was announced this week that James Gunn will possibly write and direct Suicide Squad 2, and there was much rejoicing amongst the geek set. I dunno, y’all. I’m still not on the #RehireJamesGunn train. Yeah, I know it was for stuff he did years ago, and I know he’s apologized for it. Plus, I realize it was part of a biased smear campaign from the Right. Still, I’ve never been onboard with the whole “Well, he worked for Troma and he had to say that stuff to fit in.” Plus, I would’ve felt better about the whole thing had he put all his cards on the table in the beginning. Instead, there were the tweets. And folks rallied and yelled “He apologized!” Then, a few weeks later, there were the pics of him as the pedophile priest at the Troma party. Eventually, I was like, “How much shit are they gonna find on you, dude?” I don’t feel like his life should be ruined, but I understood Disney’s business decision. Still, I don’t know if it’s such a major coup for Warner Bros to be getting him. It’s basically damaged goods giving a 2nd chance to more damaged goods. Had he been fired from Warner Bros and picked up by Disney, THAT would’ve been something to cheer. This is a second chance, but it’s a demotion. Even the best Suicide Squad movie is still, at the end of the day, just a Suicide Squad movie. You wanna impress me? Let him take on Superman.

There’s some shady shit going on, where the world of politics is finding itself intersecting with the world of professional wrestling. You see, Washington Post journalist Jamal Khashoggi is believed to have been murdered in the Saudi consulate in Istanbul, due to pieces he had written in opposition to the Saudi royal family. It’s believed that a Saudi death squad arrived, confronted him in the consulate, murdered him, and then dismembered him in order to smuggle out his body.

Meanwhile, WWE has a lucrative, long-term deal with Saudi General Sports Authority (SGSA), and plans to hold the Crown Jewel event in Riyadh on November 2nd. Many fans already hated the Saudi deal because it messes up current storylines for the American programs, plus there are other issues. there was The Greatest Royal Rumble event held in Saudi Arabia in April, and none of the female performers were allowed to wrestle because of the Saudi views on women (though reports indicate the women were paid well to sit out the event). Now, fans believe WWE should pull out of the event since it appears the Saudi government could be behind the murder of a journalist working for an American publication.

Here’s where things get interesting: Donald Trump has vowed to investigate the disappearance of Khashoggi – ya know, the same Donald Trump who calls the press the “enemy of the people”. Meanwhile, he, as well as his son-in-law Jared Kushner, have a close relationship to the Saudi Royal family. You think he’s really gonna lift a finger here? My friend Tarek and I used to have this joke, where if there was something we didn’t want to do, we’d pretend we tried and failed and that was that. We’d just say “I tried my hardest”, as that was code for “I didn’t really give a shit, but isn’t this a cool code we have?” That’s exactly what’s going to happen here. Trump’s gonna “try his hardest”.

Plus, let’s not forget Trump’s Administrator of the Small Business Administration, Linda McMahon – who also happens to be the former WWE President and CEO. Yeah, there’s no way that deal’s going anywhere, and there’s also not going to be a thorough investigation. At least, not by the American government. I guess it’ll be up to Khashoggi’s journalistic colleagues to discover the truth of what happened to him.

Trailer Park

Aladdin Teaser

It’s OK, I guess. Of course Will Smith gets top billing. Well, here it appears he got the ONLY billing. What else were they gonna put there, though? “Also starring the girl from that Power Rangers movie you didn’t see?” I dunno, but I feel like Disney has stalled creatively. Nobody was clamoring for live action versions of their animated hits. This feels like the pre-The Little Mermaid era, when they were just re-releasing all the old shit that made them famous.  I also don’t like the look of Disney’s modern live action films. It’s hard to explain, but they all look like they were directed by Baz Luhrmann. I didn’t even post the Dumbo trailer because it looked like Moulin Rouge with an Elephant. Is Pixar the only Disney division with any creativity anymore?


Glass

Didn’t we just get a new trailer for this? Was that just another teaser? When the Hell did Hollywood move to this three-trailer system? Just give me the damn movie already. Anyway, I liked Unbreakable. I liked Split. I thought I liked the idea of them in a shared universe. This isn’t what I had in mind. I mean, I’ll see it. I’m just not really enthralled by what they’re showing me so far.


Star Trek: Discovery Season 2 (CBS All Acces)

Yeah, looks interesting. Still not subscribing to another service, though. I’ll just buy it when it comes out on physical media. I mean, I own all the other Trek series, so no need of stopping now. And what is it about Anson Mount as Captain Pike that I just can’t accept? Maybe it’s the editing on these trailers, but he doesn’t seem very commanding. Like, he seems like a caring Captain, but he also never seems like he’s taking any of this seriously – almost like he’s trying not to burst out into laughter. Maybe he lost his mind during all that silence on Inhumans. Anyway, the show moves to Thursdays this season, and Rebecca Romijn will star as Number One, Captain Pike’s first officer.


Deadly Class (Syfy)

Based on an Image comic I’ve never read. Is the comic even done? Image shit never finishes these days. Anyway, it pretty much just looks like Battle Royale with White kids. Though, I guess you could say Battle Royale was just Lord of the Flies with Japanese kids. Nothing I see here really interests me, so I’m gonna count one of y’all to watch it and tell me what you thought.

Things You Might Have Missed This Week

  • Earlier in the week, we got this pic of Ruby Rose as Batwoman in the upcoming Arrowverse “Elseworlds” crossover. I have no complaints. Except why is there a Batwoman signal? Does her world have NO Batman? Are there multiple signals? Who’s providing all these spotlights? How much is the GCPD’s electric bill? OK, I’ve got lots of questions…
  • While the DC shows on The CW keep reaching for the stars, Gotham, in its final season, is totally in “Fuck It” Mode. They announced that Shane West would, in fact, be playing Bane. Ya know, the guy who breaks Batman’s back? The guy with the mask? PLEASE tell me he’s gonna break little 14 year old Bruce’s back!
  • I already mentioned a few weeks ago that Heidi Klum and Tim Gunn were leaving Project Runway, but now we know their replacements: model Karlie Kloss and season 4 winner Christian Soriano.
  • In an announcement that surprises no one, Ryan Coogler has officially signed on to write and direct Black Panther 2.
  • Selena Gomez has entered a treatment center for anxiety and depression. Must  be nice. The rest of us have to make do with Lexapro and Wellbutrin…
  • After a software bug exposed hundreds of thousands of users’ data, Google announced that the Google+ social network would shut down by August 2019. I hear there are about 20 people upset about this.
  • He may have mastered the concepts of law & order, and the emergency services of Chicago, but Dick Wolf can’t seem to nail down FBI, as the show has just experienced its 3rd showrunner change – the second in 3 months.
  • Because humans spend too much time asking if we could instead of if we should, a hologram of Amy Winehouse is going on a world tour next year. As someone who actually saw Amy in concert, please don’t buy tickets for this.
  • A pilot based on DC’s comic Secret Six has been ordered by CBS, which means it’ll probably just end up dumped on The CW since a DC show wouldn’t fit anywhere on CBS’s schedule. If you didn’t read it, it was basically Suicide Squad when the company wasn’t using that property. So, this will just be Great Value Suicide Squad.
  • A Mr. Mom reboot is being developed for the Vudu service, of all places. It will follow the baby from the Michael Keaton movie, who’s all grown up and is about to return to the workforce as her husband stays home with the baby. Um, why tie it to the movie? Is there some rich mythology with this family? I think folks could pretty easily pick up on the concept without making it a sequel, and there’s no way in Hell they’re gonna land Michael Keaton, so why do this?
  • ScarJo reportedly landed a $15 million payday to sign on for a solo Black Widow film, and a bunch of folks are like “It’s about time!” If you ask me, it was time FIVE YEARS AGO. I don’t even care about her anymore at this point. Plus, Red Sparrow basically beat them to it.
  • Finally bowing to the pressure, Taylor Swift decided to shake off her detractors and get political. Tay Tay upset a portion of her fanbase when she endorsed 2 TN Democratic candidates, resulting in a surge of young folks registering to vote before the deadline.
  • Street artist Banksy punked all the bourgeoisie when a piece of his art, “Girl with Balloon”, sold at auction for $1.4 million, only for it to be fed into a built-in shredder at the time of sale.
  • The cognitive dissonance was wild on the Right, as Fox News couldn’t understand how noted gun reform activist Jamie Lee Curtis could use a gun as her character in the upcoming Halloween. Ya know, they’ve kinda got a point. If she meant business, she’d just bite Michael Myers’s dick off.
  • There was a colorism debate in the Black community when it was announced that Dwayne “The Rock” Johnson would be developing a film where he would play folk hero John Henry. “He’s not dark enough!” Well, first of all, John Henry isn’t real. Secondly, this is a movie being made for Netflix, where there’s already a decidedly “straight to video” vibe to their “originals”. The Rock will bring an audience that Calvin from House of Payne would not.

Ya know who had the West Week Ever? It wasn’t even a person this week. Nope, it’s a thing. Ya see, nothing had a week quite like Kanye West’s Make America Great Again Hat. It was on a plane! It got to go to the White House! It even got to hug a rich White man! Sure, it probably smells like Cheez Whiz at this point, but there’s no stopping it.

I mean, we even learned that it holds magical powers. According to Kanye, it can make you feel like Superman, and enhance your masculinity. Forget gas station sex pills and prescription antidepressants! This hat does it ALL! So, if I could tip my hat to another hat, I would, but nothing had a whirlwind week like Kanye’s MAGA hat, and that’s why it had the West Week Ever.

28th Sep2018

West Week Ever: Pop Culture In Review – 9/28/18

by Will

HarassmentWatch (TM)

Brett Kavanaugh – PASS. Next!

Drake – So, 14 year old Stranger Things star Millie Bobby Brown recently said that Drake texts her and gives her advice about boys. Now, this is already after he was coming off a week where he was reportedly seen out on a date with a teenager. Ol’ Aubrey better watch himself, because even the King of Pop himself couldn’t shake the pedophile allegations. It’s probably an innocent thing, but he might wanna tell her to stop bringing shit like that up in interviews.

Nelly – There are reports that Nelly settled with a woman who alleges he forced her to perform oral and vaginal sex on his tour bus, When he was done, he reportedly threw her off the bus and threw a $100 bill at her. Now, reports are saying they reached a settlement, which would normally imply guilt. The thing here, though, is that “settlement” doesn’t seem to be the correct word. Apparently, the victim refused to cooperate with prosecutors, and both sides dropped their suits against one another (Nelly had countersued). They agreed to cover their own legal costs, but Nelly’s lawyer reports no money changed hands, which the victim’s attorney is disputing. At the end of the day, I guess she didn’t wanna go and take a ride wit’ him.

Bill Cosby Update – Surprising EVERYONE, Bill Cosby received a sentence of 3-10 years in prison for puttin’ the pill in the bubbly when the girls wanna drink. There are reports that someone threw a hot dog at him in lockup on his first day, plus he almost fell down some stairs. On the one hand, it’s like “He was an evil man and this is what he has coming to him”. But on the other, it’s like “Who wins from an 83 year old man being put in jail?” I think he deserves to be there, but I’m not gonna laugh at his misfortune while in there. Hopefully, he’s not only a cautionary tale, but also the first of many more to follow.

Trailer Park

We’ve got a lot of trailery goodness this week, so let’s dive right in.

Creed II

Honestly, the first trailer did more for me. The whole rap in the background, the final tease of Drago Jr. That was great. I felt there was too much here, and not even the juicy bits. Just a bunch of Adonis being a deadbeat dad because he’s obsessed with his father’s legacy. Hands down, the best scene here is the staredown between Drago and Rocky. Man, the Russians clearly have the better Human Growth Hormone, ’cause Rocky looks like shit compared to Ivan. I’ll see it. Not sure if I’ll see it in the theater, but I’ll see it.

Bumblebee

So much 80s goodness in here. I was never a huge Transformers fan, so whatever Michael Bay did to them didn’t scar me as much as it did a lot of y’all. That said, I’ve always been a big fan of Bumblebee. Long story short, Bumblebee was the last birthday present I got from my dad before he passed away. So, even though a lot of y’all hate that he’s become the Urkel of the TF franchise, I will always stan for the ‘Bee. I will definitely be seeing this one.

Dark Phoenix

Ooh, we’re going all “Dark Knight“, and removing the name of the title characters’ franchise from the name of the movie. Whatever. A friend of mine texted me and asked “Did you see the Dark Phoenix trailer?” I replied, “No, but I saw a piece of shit with some X-Men characters in it.” This trailer is on Lexapro. There are no highs or lows. It just coasts right through the middle, offering nothing exciting. It’s a shame that everyone is all “Bring on the MCU X-Men!”, because it seems like that rubbed off on the filmmakers. Well, if nothing else, at least we know we’ll have a cool Quicksilver sequence to look forward to. If this is the 90s, I’m hoping it’s set to something by either C&C Music Factory of La Bouche.

ABC’s TGIF

Comedy has changed a lot and, while there’s a lot of nostalgia for the TGIF brand, I’m not sure Fresh Off the Boat and Speechless are gonna be the torchbearers for the 21st century incarnation of the comedy block. Anyway, here’s a cute video of some former TGIF stars imparting their wisdom to the newbies.


Star Trek: Short Treks – “Runaway”

Considering that there seems to be new Star Trek news every day, one of the projects that got lost in the news cycle was the Short Treks series, which are four anthology episodes that…well, I don’t know a whole lot more than that. Here’s the trailer for the first one, though, set in the Discovery era, starring Ensign Sylvia Tilly. Again, I’d check all this shit out if it didn’t require me to subscribe to CBS All Access. So, I’ll catch it once it ends up on YouTube or something.

Daredevil Season 3 (Netflix)

Well, that was certainly Kingpin and Matt Murdock. That’s all I’ve got. I’m seriously behind on those shows.

So, here’s an interesting, “shoe is on the other foot” moment. The curator for the hip hop collection at the Smithsonian’s National Museum of African American History, Timothy Anne Burnside, is a White woman (full disclosure: she’s a friend of a friend). I’ve known about this since before the museum even opened. Still, I guess the news was on CP Time, ’cause the Black community didn’t seem to notice until over the weekend, and it was a SHITSTORM. All over social media, they couldn’t understand how a White woman was the curator of something so dear to our culture. Why wasn’t the job offered to a Black person? There was a lot of back and forth, and the Smithsonian even issued a statement about the whole thing. This debate comes up a lot, like “Should minority characters only be written by a person who’s from the same minority group?” From what I’ve heard, Timothy knows her shit, and I don’t think the Smithsonian would choose just anybody to handle this project (fuller disclosure: my mother worked for the National Museum of Natural History for 28 years). Still, the museum is in an uncomfortable situation, where they have to decide whether they’re going to side with Timothy, or with the critics. For the culture. If they do try to replace her, this has got “discrimination suit” written ALL over it.

This week saw the debut of the ABC sitcom Single Parents, starring Taran Killam. It wasn’t as bad as I expected, but it wasn’t great. Basically, Killam is a divorced dad who dotes on his daughter, and this group of single parents in his daughter’s class try to show him that there’s a world out there that he’s missing. The odd thing to me is that their friendship wasn’t organic. The group was just like “Ooh, new single parent!” and decided to make him their project. I had someone tell me on Twitter that I don’t understand single parenting, and that you “find your tribe quickly”. I don’t know about all that, but I know that trust takes time, and this crammed it all into 22 minutes. I get that they’re basically an elementary school Dear John, but the whole support group angle doesn’t really work unless the audience believes the trust is there. Anyway, I don’t know if I’ll be back for this one.

Last night was the premiere of the Murphy Brown revival, and woo boy! First of all, it features a cameo that’s so obvious that I can’t believe they even tried to tease it like it was a surprise (HINT: There’s a joke about emails). One thing another reviewer said, that I have to agree with, is that it seems horribly dated. I mean, the premiere features the pussy hats from the Women’s March (they don’t call them “pussy hats”, even though you could totally get away with that on broadcast today, while you couldn’t when the original series aired). If this had premiered a year ago, it might have seemed on the cutting edge of comedy, but this just seems slow and lazy. It’s kinda like how other animated shows reference how South Park already beat them to making the joke they’re trying to make. Why? Because South Park is a well oiled machine, cranking out shit based on last night’s headlines. This show, however, was Liberal Smuggery at its worst.

“What’s Liberal Smuggery,” you ask? It’s what I call the state of liberal comedy, where they think they’re so much smarter than the conservatives – they’re so biting and witty, yet they’ve got NOTHING to show for it. Even when they’re in power, they’re somehow the weaklings. Late night talk show hosts are the leaders in Liberal Smuggery. Jon Stewart made his name on it. But at the end of the day, what does that get you?  The “moral high ground”? I feel like this premiere went for a lot of low-hanging fruit that even those talk show hosts would’ve avoided.

In the UK, they might do a one-off special to catch up with a beloved show’s characters. They recently did one for Are You Being Served? I would’ve liked this more had it been that format: a one-off special to see how Murphy Brown feels about the Trump Administration. After last night’s episode, I’m pretty sure I’ve got my answer, and I’m good. I’m not so sure this needed to be a full season.

Things You Might Have Missed This Week

  • Dr. Dre’s series Vital Signs was cancelled by Apple before it even aired, due to graphic sex and violence. I know what bootleg I’m looking for at the next pop culture convention!
  • Inside The Actor’s Studio is returning to Ovation TV, but it will be without James Lipton. After 25 years, he’s stepping down, and the show will be led by “a rotating array of guest hosts”.

  • Writing has begun on the Picard-centric Star Trek series, and we got this pic of the writers room from Patrick Stewart’s Instagram. I’m struck by the fact that there are 2 women – one of whom is Black. I see you, sista! Oh yeah, Michael Chabon is there, too.
  • Formerly of The View, Rosie O’Donnell is set to guest host on The Talk today, in a possible bid to replace the departed Julie Chen.
  • The CW Arrowverse crossover this season will be called Elseworlds, which comic fans will remember as the DC imprint that was home to out of continuity stories.

  • Speaking of DC shows, we got this poster for Titans, which will be streaming on the DC Universe service next month. Yeah, not only does this poster do nothing for me, but where are Hawk & Dove? Aren’t they supposed to be on the show, too? Was Minka Kelly too expensive for the whole season?
  • Terry Crews has been tapped to host the America’s Got Talent spinoff, America’s Got Talent: the Champions, which seems like it might be their all-star edition. Who hosts the regular show since Nick Cannon quit? *Googles* Tyra Banks? STILL?!
  • So, um, Kareem Abdul-Jabbar has joined the writing team for the Veronica Mars revival. Yup, that Kareem Abdul-Jabbar. Huh.
  • For some reason, Disney is remaking High Fidelity, only Zoe Kravitz will be in the John Cusack role. I don’t get it. Will she be a womanizing lesbian? Will she work still work in a record store? Let’s pump the brakes on these reboots, huh?
  • Dunkin Donuts is reportedly planning to drop the “Donuts” from their name, as they refocus their brand as a “beverage-led company, not limited to just donuts”. Yeah, how ’bout y’all ask IHOB how well that shit went for them.
  • Apparently, there was backlash about how The Princess & The Frog‘s Princess Tiana appears in the upcoming Ralph Wrecks The Internet, as her skin has been lightened, and her hair processed. Disney is correcting the appearance to match what fans are used to. Of course, old White men are mad, and Black folks are like “We were just gonna buy that movie bootleg at the barbershop anyway, so it really don’t matter what color she is based on the shaky cam quality it’s gonna be.”
  • Mary Elizabeth Winstead & Jurnee Smollett-Bell have been cast, respectively, as Huntress and Black Canary in DC’s unnecessary Birds of Prey film that will probably never see the light of day. I mean, my man Ray Fisher is still waiting for his call to report to the set of that Cyborg movie, so…

It was a bad week. Especially the past 2 days. But out of all the bullshit there rose a phoenix. That phoenix also goes by the name of Stefanie Germanotta, but you can call her “Lady Gaga”. She’s making her debut as a lead in Bradley Cooper’s remake of A Star Is Born. Yesterday, the single “Shallow” was released, and I’ve probably listened to it 400 times by now. If there’s any problem with the song, it’s the fact that it’s too short. While everyone was screaming at the Kavanaugh hearing yesterday, I was keeping my cool by looping this. I’d suggest you try it. That’s why Lady Gaga’s “Shallow” had the West Week Ever.

14th Sep2018

West Week Ever: Pop Culture In Review – 9/14/18

by Will

HarassmentWatch(TM) 

SO MUCH HARASSMENT THIS WEEK! Usually, these things are kinda like footnotes to the week, but the shit really hit the fan this week.

Jeff Fager: The longtime 60 Minutes executive producer was ousted, as he didn’t think before sending that angry text. You’ve always got to count to 10 – unless it says “You up?”, and it’s after midnight. Then you go handle your shit. No, here’s what happened: it was reported that Fager liked to touch and grope CBS employees at company parties. When this news broke, he was displeased with how his own network was reporting the investigation into his behavior. So, he fired off a text to CBS News correspondent Jericka Duncan, which was capped off with “Be careful. There are people who lost their jobs trying to harm me and if you pass on these damaging claims without your own reporting to back them up that will become a serious problem.” So, Fager wasn’t fired because of the claims against him. No, he was fired because of his reaction to the claims against him. I think it’s Stephen Covey who promotes the 10/90 Principle, in that life is really just 10% of things you can control, and 90% of how you react to the things you can’t. Guess Fager should’ve read that book.

Les Moonves Update: Man, it was an executive bloodbath over at CBS this week, as Moonves stepped down as Chairman of CBS when the original count of 6 women with claims against him doubled to 12. After resigning, he released a statement denying the allegations, as folks are wont to do in his predicament. If It’s A Wonderful Life taught us anything, it’s that rich people, even when evil, still tend to finish the game rich. That’s exactly what’s happening here, as Moonves is set to receive a severance package worth around $240 million, but it’s on hold pending the results of the investigation against him.

Meanwhile, Moonves’ wife, TV personality and Big Brother host, Julie Chen decided to be a real bitch about things. At the end of last night’s broadcast of Big Brother, she signed off as Julie Chen Moonves – a name she has NEVER used professionally, and it was symbolic in that she was showing her support for her husband. Well, good for you, Julie. You ain’t been nothing but a sell-out your whole career anyway. Seriously, that was her spitting in the faces of all of Les’s accusers, when she knows there could be some validity to all this. After all, she was allegedly his sidepiece while he was still married, and he petitioned the court for an early divorce just so he could be with her. Les Moonves ain’t shit, and neither is she. I really hope CBS boots “Chen Moonves” out on her ass, ’cause everybody knows the only reason she got that Big Brother gig – amongst others – is because of Moonves. Let’s see HER get kicked out of the Big Brother house.

But wait – there’s more! Last week, I told you about how Moonves made it his life’s mission to ruin Janet Jackson’s career after Nipplegate. That’s his thing. He loves to ruin people. Well, Designing Women/Evening Shade creator Linda Bloodworth-Thomason wrote this detailed account of how Moonves kept her shows off CBS, as well as scuttled her $50 million development contract. While she was never sexually harassed by Moonves, she knows people who were, plus he fucked with her money. I usually don’t get this “involved” with a HarassmentWatch subject, but Moonves is really being revealed as quite the piece of shit.

Shane Black Update: So, there was some blowback about the sex offender originally being in the film, but that didn’t stop folks from seeing The Predator, and reporting that it’s not very good. The news that came out this week, however, is that actress Olivia Munn is the one who tipped off the studio to the sex offender’s involvement in the film. And now it seems like she may have been blackballed, because she reached out to the cast to inform them of what she planned to do, and received no support from her male costars. In fact, they all bailed on a group interview that was scheduled at the Toronto International Film Festival. Since that news broke, however, Sterling K. Brown has apologized to her, but it was probably at the urging of the This Is Us producers, as they don’t want that bad juju affecting their ratings.

Norm MacDonald: Sometimes I wish I gave out the WORST Week Ever, as that would most certainly have gone to Norm this week. I mean, how many ways can you fuck up an apology tour? Well, he was determined to find out. So, early in the week, Norm did an interview where he said that he was glad the #MeToo movement was slowing down. He made a statement that Louis CK and Roseanne should get together and talk, because only they understand the experience of losing everything in one day. He said that folks always talk about the victims in these things, but they don’t realize that folks like Louis and Roseanne are basically victims, too. Well, this did NOT go over well, as people felt that he was minimizing what had actually gone down in these two particular cases. He tweeted out an apology, explaining that the 2 comedians were his friends, yet he didn’t condone their actions, nor was his intent to minimize what had occurred. Despite this, his Tuesday appearance on The Tonight Show was cancelled after Jimmy Fallon made him aware that some producers were “in tears” about the thought of him being on the show. Then, he went on The Howard Stern Show, and he doubled down, saying that a person would have to have Down Syndrome to not feel sorry for the victims of sexual assault. So, then he had to apologize for that. He’s apologizing for prior apologies on his apology tour. As they say in the South, “That boy just can’t get to Hell fast enough.”


So Henry Cavill is out as Superman in the DCEU. Oh wait – he’s back in? I can’t even keep track anymore. Apparently they wanted him to film a cameo for SHAZAM!, and he was all “Show me the money!” And when they did show it to him, it was flaccid and disappointing. Then, Cavill proceeded to post some cryptic video of him on Instagram with a Superman figure. Was this him telling us he’s done? That’s the conclusion to which everyone jumped, though there was no real precedent for it. You see, there’s no Superman project in development. right now. While Affleck is probably done as Batman due to his rehab stint, it’s not like DC is working on anything Superman related at the moment. So, the statement released basically said that if/when there’s a project, Cavill would be considered. Man, this is one messy break-up!

Meanwhile, as the fires burned all around us, somehow a rumor got started that Michael B. Jordan was being considered to replace Cavill as Superman. Let that sink in a minute. I feel like the Elite are tired of waiting for the inevitable Race War, and they’ve just decided to nudge things in the right direction to get the shit started. Yes, I know about Earth-23 Superman, but I don’t need Black Superman. Yes, representation matters, but I don’t need Black Superman. The only way I want Michael B. Jordan is if Warner Bros uses the same wack CGI they used to hide Cavill’s mustache in Justice League, but instead uses it to make Jordan White throughout the entire film. It’d be the biggest waste of CGI in movie history. Folks would be like “Why couldn’t they just cast a White guy?” And then there’d be the whole argument of “The best man got the job!” and some folks would be like, “Well, did he?” This is how the world ends, folks. You heard it here first.

All I know is that Cyborg movie ain’t ever happening, so I hope Ray Fisher didn’t spend all that Justice League money. If it did happen, and they did cast Jordan as Superman, I’ve GOT to have a version of this scene somewhere in the film:

Tomorrow is International Batman Day, and I really couldn’t tell you what we’re celebrating. I mean, it started on an anniversary year, but now it’s just an annual day to get a free Batman comic. OK, I’ll take it. It’s also the official launch date for the DC Universe streaming service. We got some DCU news this week, as Derek Mears has reportedly been cast as the suit actor for the Swamp Thing character, while Maria Sten will be Liza Tremaine. As far as content, the series is expected to be a “Hard R”. Also, it was revealed that Titans will feature Robin II, Jason Todd. We got this new pic of the series, and it still does nothing to make me want to watch this show.

In other comics news, Top Cow is planning a relaunch of The Darkness, which was originally a spin-off of Witchblade. Let’s hope it’s better than their recent reboot of Witchblade! To give you some backstory, the Witchblade was one of the powerful artifacts of the Top Cow universe that bonded with strong women over time. Once it got to the 90s, however, all the women’s empowerment went out the window, as it was nothing but a T&A book. While it put artists like Michael Turner on the map, it would be years later that the book gained any real substance.

The Darkness was one of those concepts introduced way too soon. It was a demonic force that, like the Witchblade, was passed down to males, from generation to generation. The power manifests on the bearer’s 21st birthday, but the problem is that the power is passed on at the moment of conception, killing the current host. It’s like that heavy handed 2nd verse of TLC’s “Waterfalls”! So, imagine how much it sucked for Jackie Estacado, a 21 year old mobster, who finds himself as the latest host for the Darkness. I mean, he was a womanizer, but now he couldn’t have sex.

And this is my problem with 90s comics. They wanted to be so edgy, but still remain so chaste, due to the Comics Code Authority. It was bandied about that Jackie couldn’t have sex, or he’d die. Um, condoms? Was this some poorly written AIDS allegory? X-Men tried to do the same thing. Gambit and Rogue are star-crossed because they can’t touch. Gloves and condoms, fool. A horny 13 year old kid can come up with a LOT of ways to make that work, and he was the primary audience for that book.

Anyway, Witchblade was just reimagined with a new host, and ZERO T&A. It’s like they’re not smart enough to realize why people bought that book. Witchblade, as a character, goes in that category with Lady Death and Vampirella, where you know exactly what you’re throwing down your money to read. This new book is just about some boring blonde girl, and I dropped it after one issue. Some concepts can be reimagined. Some can’t. I feel like Witchblade is only gonna work as a T&A book, and Darkness only works as her brooding, on-again, off-again boyfriend.

In TV news, the new cast of Dancing with the Stars was announced this week, and there were some surprises. I don’t watch the show at all, but I still keep up with who’s been tapped for the show. While I don’t know 3/4 of these people (because they’re all either reality show or Disney Channel stars), I do recognize some interesting choices. First, there’s the Ryan Seacrest of Country Music, Mr. Bobby Bones. He’s been branching out into other media, but the guy has a daily morning radio show. I feel like he’s gonna take an early L just to get back to his 37 other jobs. Then there’s 1984 Olympic gold medalist Mary Lou Retton, on whom I’ve had a crush since I was 3 years old. What? She was EVERYWHERE back then. It was like when Bobby Hill had that crush on Kerri Strug. The big one that stood out to me, however, was former Dukes of Hazzard star John Schneider, who was recently in the news because he was trying to get his jail time (for non payment of spousal support) reinstated, as he couldn’t afford to pay his ex-wife. Guess he said, “I can’t pay the bitch, so send me back to jail” – all while his car horn plays “Dixie” as he speeds through the center of town.

Things You Might Have Missed This Week

  • The will reportedly be a death on Modern Family next season, of a “significant character” according to Co-creator Christopher Lloyd. All signs are pointing to Fred Willard’s Frank Dunphy.
  • Game of Thrones star Kit Harington blasted Marvel for not casting gay actors as any of their onscreen heroes. Not really sure what he was going for there. Maybe his manager told him to do it?
  • “They’re robots, bitch.” Expect that line next season, as Jesse Pinkman himself, Aaron Paul, joins the cast of Westworld.
  • The Blue’s Clues reboot, Blue’s Clues & You, has found its new host in Joshua Dela Cruz. That’s for all you parents/perverts out there.
  • The sun continues to shine on former Cosby Show star/more recent Trader Joe’s employee, as he is set to appear on NCIS: New Orleans next season.
  • Shane West is joining Gotham next season as a mysterious new villain. Remember when folks had high hopes for Shane? Man, that was some week!
  • American Gods must be cursed, as the show is about to lose its third showrunner. There are reports that Jesse Alexander was let go by Starz because the show is 6 weeks behind schedule and has gone over budget.
  • I guess we’re really doing this: after the Academy got rid of the “Popular Oscar”, Disney released its For Your Consideration list for Black Panther to Academy voters. Yup, they’re trying to get King T’Challa an Oscar!
  • Since the Roseanne thing didn’t really go as planned, ABC is going back to the well and has picked up the Designing Women reboot. It turns out the series is actually planned as a sequel, which will focus on the next generation of Sugarbaker women – which will be interesting since they were all past menopause by the end of the last series…
  • Rappers Nicki Minaj and Cardi B came to fisticuffs after a party during New York Fashion Week
  • Adult film star Stormy Daniels announced her upcoming book, Full Disclosure, which is supposedly her tell all account of her affair with Donald Trump. If I didn’t read Omarosa’s book, or Woodward’s book, or even Comey’s book, then why the Hell would I read this? I don’t need to read “He produced his turgid Cheeto, which I proceeded to ride, filled with ennui.”
  • X-Men: Extermination #1 saw the death of Scott Summers’ son, Cable – killed by a younger Cable! Oh, and this is the second time Cable has “died” in the past 10 years. Space that shit out, Marvel!

  • Marvel’s trying to get some of the DC Super Hero Girls money, with Marvel Rising: Secret Warriors, which has a toyline launching next month. I just hope these do better than those Star Wars: Forces of Destiny dolls, ’cause those did NOT find an audience.
  • Speaking of DC, there’s a new sheriff in town for the comics division, as it will now report directly to the President of New Warner Bros Global Brands & Experiences, Pam Lifford. Two interesting things here: 1) she’s a Black woman and 2) she used to work for the competition, as she was Disney exec until Marvel CEO Ike Perlmutter used his influence to have her division closed. This should be interesting!

It was a great week for John Legend. First off, he won an Emmy Award for his work on Jesus Christ Superstar Live in Concert. Now, this would be an amazing accomplishment for anyone, but it was even more so for Legend, as it got him EGOT status: someone who has won a Emmy, Grammy, Oscar, and Tony Award. While I originally learned the term from 30 Rock, it was apparently coined by Miami Vice‘s Phillip Michael Thomas – like he ever had a chance. That’s like if I said I want to win 3 Olympic gold medals, as I sit on my couch, crunching on Doritos. Anyway, I believe that, at 39, Legend is the youngest person to get an EGOT. And the big news didn’t stop there, as it was also announced that he will be replacing Jennifer Hudson as a coach on The Voice next season. Not too shabby for a former a cappella kid who used to lament the fact that he was just one of the “Ordinary People”. That’s why John Legend had the West Week Ever.

07th Sep2018

West Week Ever: Pop Culture In Review – 9/7/18

by Will

 

I took last week off since it was a 3-day weekend, and y’all never read my shit when you’re watching the clock for your 72 hr orgy, or barbecue, or whatever the Hell it is y’all get into. Then, I took a “mental health day” today because my mental ain’t so healthy lately. So, this is coming out after 5 PM, which means you’ve already left work, and you’re probably pregaming for your 48 hr orgy. I hope ya read it, ’cause we’ve got 2 weeks of stuff to talk about, but I stopped tracking stats long ago. It’s better for the mental health….

HarassmentWatch(TM)

Shane Black: Apparently a scene was removed from The Predator, which contained a cameo by one of Black’s friends, who’s also a registered sex offender. Now, why he thought throwing his friend a job like this was a good idea, I’ll never know. I’m not sure if he’s “loyal” or just “stupid”, but hey, it’s 2018 and shit like that don’t go unnoticed.

Les Moonves Update: While Moonves was allowed to keep his job during the investigation into the sexual harassment claims against him, there are now rumors that he’s seeking a quiet exit from CBS. To add to that, there was an interesting article yesterday about how he made it his life’s mission to destroy Janet Jackson following her “wardrobe malfunction” after the 2004 Super Bowl.

As a “student of pop culture”, I never really had much of an opinion on the wardrobe malfunction. It was one of the few Super Bowls I missed, so I didn’t see it with the rest of you. And while I stanned for JT, I was still more mad at how he blew off his bandmates than for this. It didn’t go unnoticed that he pretty much got out of the whole thing unscathed but, according to the article, this was only because he tearfully approached Moonves about it, which Moonves loved. What a dickhole.

Louis CK Update: Louis returned to the stage in an unannounced set at the Comedy Cellar. From most accounts, his “comeback” wasn’t that great, and now he’s got a new enemy: the owner of the Cellar, Noam Dworman. Dworman claims he was never made aware of Louis’ plans, and he also didn’t appreciate that his club was chosen, as it’s put him in the middle of the controversy. On top of it, he is disappointed that Louis didn’t even address the allegations in his set. To Dworman, what should’ve been a mea culpa, hat-in-hand moment was more of a “Surprise! Here’s business as usual, like nothing happened.” So, it doesn’t seem like the world of comedy is ready to forgive Louis just yet.

Mahoney! Apparently, Steve Guttenberg is going around, saying there’s a new Police Academy movie coming, and I’m gonna need him to stop. The problem is this is a HORRIBLE time for that movie, I don’t care how lovable those guys are. Let’s Be Cops got in at the very last minute that folks were cool with cops. It’ll be quite some time before folks are ready to embrace a Police Academy movie again.

Plus, the franchise came out during a time when we didn’t care about everyone’s opinion. At this point, we’d have the fraternal orders of police weighing in about how they feel disrespected. Fox News would want a boycott for the film that “disparages our heroes!”, and Sheriff David A. Clarke would use it as an excuse to do more rounds on the talk show circuit. And it’s kind sad watching old ass Michael Winslow try to make sounds that I can just download an app to produce. Let that shit go. Give it a few years, and then introduce Mahoney’s kid, who’s joining the academy. I’ll only watch, though, if they “Weekend at Bernie’s” Commandant Lassard, by dragging George Gaynes’s corpse around the whole film.

In TV news, It’s Always Sunny In Philadelphia started its 13th (!) season this week, in an episode that was…serviceable. First of all, they dealt with the mystery of whether or not Glenn Howerton’s Dennis was coming back, seeing as how his new series, AP Bio, was renewed at NBC. So, to replace Dennis in their circle of friends, the gang recruited…Mindy Kaling? Yeah, it didn’t work for me. Her casting just didn’t feel right. Should’ve been a blonde White chick. A real Fox News type for what they were going for. Dennis looks old as shit. Waitress looks HORRIBLE with that hair. In all, I’m glad the show’s not cancelled, but they just seem out of ideas.

In other TV news, last week we celebrated Power Rangers Day, as the 25th anniversary episode of Power Rangers Super Ninja Steel aired in primetime on Nickelodeon. And it was…OK. It wasn’t as rushed as the Legendary Battle special from Power Rangers Super Megaforce, but it was SUCH a Tommy wankfest that I almost can’t believe it. Yes, I realize that Jason David Frank is basically the patron saint of Power Rangers, but little kids have GOT to be wondering “Who’s this old guy who keeps coming around?” In the episode, Rangers from different dimensions are pulled together to help the current team fight Lord Draven, who’s trying to tear down the barriers between realities. It’s a shame that the current team is so bland. They’re basically Power Rangers Sanka. The only interesting part of Ninja Steel/Super Ninja Steel is watching the creative ways that the production crew come up with to hide the Pink Ranger’s insane ass. No, seriously, it’s INSANE. The special posed SO many questions, but it also pretty much gave some sneak peaks at toys that I’m positive we’re getting from Hasbro next year.

In comic news, it was announced that fan favorite writer, Gail Simone, will become the chief architect of Lion Forge’s Catalyst Prime superhero universe. I’m kinda torn on this one. No, I’m not really torn at all. You see, the Catalyst Prime books aren’t very good. Launched as a universe that featured diverse heroes, and science-based powers, there were some hits (Noble) and quite a few misses (everything else). I only supported them because the old chief architect of the line was a buddy of mine from my comic days, and I always support his stuff. Catalyst, however, just wasn’t hitting the right buttons for me, and I guess it wasn’t for others, as well, as they announced a creative shake-up. And at just the time of that shake-up, my buddy jumped ship to another publisher. So then I felt bamboozled that I had sunk several hundred dollars (Oh, I was ALL IN) into a line that wouldn’t see its original ideas to fruition, nor did it seem like it was guaranteed to stick around. I had no desire to see where Catalyst was going at that point.

Now, to Gail. I like Gail. I do. But she kinda has this undeserved reputation as a “fixer”. As one of the few prominent women in comics, whenever a female comic character needs “fixing”, the fans immediately go “Give her to Gail!” This worked with Birds of Prey. She also did some fan favorite work with Agent X/Deadpool, at a period of time before he was emblazoned on everything in Hot Topic. But I also remember the failures. She couldn’t “save” Wonder Woman, and turned in a run that is pretty much forgotten. She couldn’t “reimagine” Gen13 for the 21st century. And I remember she kinda got in some shit with my friend, Jenn, a few years back for her portrayal of Asian hero Ryan Choi, who was The Atom at the time. So, I wish her well, but I think I’m taking my leave of the Catalyst Prime universe.

Speaking of female comic characters, Entertainment Weekly gave us our first glimpse of Brie Larson as Captain Marvel. I know some of y’all are big Carol Danvers fans (looking at you, Zac), but I just can’t board that train. I do not like Captain Marvel. She’s a character that once held promise, but has been woefully mischaracterized in recent years. This guy articulates exactly how I feel about her. Basically, if you’re desperate for a White feminist icon in comics, she gets the job done, but she is horribly flawed.

I know the movie will be good ’cause they’ll take some liberties. There are lots of MCU characters whose comic versions I loathe (Black Panther, anyone?). I feel she was more interesting as Binary. Hell, she was more interesting as ANY incarnation until her “promotion” to Captain. The House of M story was both the best and worst thing to ever happen to her. It was the best because she was shown a world where she met her true potential, and it inspired her to stop being such a self-pitying fuck-up. It was the worst, though, because she became a social climber, willing to use and/or step on anyone in order to become the best that she could be. She got Rhodey killed, she was WRONG in Civil War II, and she’s pretty much been wrong about every decision she’s made since House of M, but she’s got the Carol Corps fan base behind her, who feel she can do no wrong. I have no problem with flawed characters. Marvel’s FULL of them. In many ways, she’s just a female Tony Stark. My problem is that, for some reason when it comes to her, they refuse to call a spade a spade. She’s promoted as this aspirational hero when she’s really just a fuck-up who’s trying to fake it until she makes it. Whew! Breathe, Will. Anyway, the movie looks good. I just hope it makes me like her as a character, ’cause I sure as Hell don’t like her right now.

Lots of DC Universe streaming news came out, and none of it makes me want to give them my money. First up, we got that logo you see for the Stargirl series. Plus, Timothy Dalton has been cast in Doom Patrol. The service will launch next Saturday, which also happens to be Batman Day. The Titans live action series will launch next month, on October 12th. The show everyone’s waiting for, however – Young Justice: Outsiders – won’t premiere until 2019. So, yeah, good luck with that.

 

Let’s get political for a bit, ’cause it’s 2018, and that’s what we do now. So, an “anonymous” person within the Trump White House wrote this New York Times op/ed about how there are members of the administration who are hard at work for making sure he doesn’t get us all killed. As the article made the rounds, folks were like “Ooh, what a coup!” But that dog don’t hunt for me. I’ve posted this on various social media, but I think it bears repeating here:

Yeah, I couldn’t even finish that article. There’s too many “Sure, he’s insane, but good things have come from this administration” interjections. Plus, y’all only have to keep him in check ’cause you were dumb enough to put him there in the first place. Eat ALL the dicks!

Plus, they are striving REAL hard to make sure you realize whose side they’re on. It’s like “We’re part of the Resistance, but not the Left’s Resistance. Don’t get it twisted.” That distinction shouldn’t matter if the situation is as dire as you claim.

Your whole “Don’t worry. We got this” means absofuckinglutely NOTHING to me seeing as how you created this problem and are now Tony Starking your way out of it. You’re just as culpable, so don’t think this 11th hour play absolves you of that. Remember all the dicks? EAT THEM

Things You Might Have Missed This Week

  • This Fall, ABC is trying to bring back the TGIF branding (for the third time, mind you) for its Friday night shows. This iteration of the comedy block will include Fresh Off The Boat, Speechless, and the one-hour game show, Child Support. Also, the network is peppering in former TGIF stars as guest stars, as Jaleel White is scheduled to pop up on FOTB (sadly NOT as Urkel), while Ben Savage will appear on Speechless.
  • Mr. Robot is ending after its upcoming 4th season, which is exactly 2.5 seasons after I stopped giving a shit.
  • It was announced that Saturday Night Live‘s season premiere will air September 29th.
  • Emmy Rossum announced that she’s leaving the Showtime series Shameless. While I’ve never seen the show, I know she’s topless a lot in it and, thanks to the Internet, I’ve seen her breasts about 184 times.
  • The new Bachelor will be former San Diego Chargers tight end, Colton Underwood. I refuse to believe that’s his real name, but if it is, he’d better be a Hollywood stuntman who’s a bounty hunter on the side.
  • Fox executives probably let out a collective “FUCK!” this week, as it was announced that Netflix was saving the recently-cancelled ABC series Designated Survivor, which stars former 24 hero Kiefer Sutherland. I guess they’ll have to get back to work on all those non-Jack Bauer ideas they had…
  • Alicia Silverstone’s American Woman has been cancelled at Paramount Network after one season. Meanwhile, the TVLand series Younger will be moving to Paramount Network next season.
  • America’s favorite 80s lesbian, Jo Polniaczek, will soon be putting down the edibles, and dancing over our heads, as Nancy McKeon joins the next cycle of Dancing With The Stars.
  • Insecure and Ballers have been renewed at HBO. I remember liking Insecure, but Ballers feels like Dwayne Johnson is only doing it because one of the creators is a friend who owes money to the mob.
  • Formerly on Fuse and TruTV, Billy Eichner’s Billy on the Street will be returning with new episodes…on Funny or Die’s website. This is like a notch higher than just throwing the shit on Crackle.
  • Henry Cavill will be starring in Netflix’s adaptation of The Witcher. Now, I don’t know much about vidya games, as I owned a Nie-tenda, but didn’t have one of them Sagas. I hear the games are good, but it seems like a demotion to go from Superman to Netflix adaptation series. Maybe the Superman Curse is wearing off, though, as it could be worse: he could have Dean Cain’s career…
  • Former Doctor Who star Matt Smith has been cast in a secret role for Star Wars Episode XI, and folks act like they care, but they don’t really care. They’re just waiting to learn more so they can talk shit about it. I know you Star Wars fans!
  • Dick Wolf’s wallet will soon be getting fatter, as NBC has ordered Law & Order: Hate Crimes, which will spin out of Special Victims Unit. Call me when they get to Law & Order: Jaywalker Elimination Force.
  • In a surprising move for the franchise, Tim Gunn and Heidi Klum are leaving Project Runway to create their own project over at Amazon. Auf wiedersehen!
  • So, according to Michael Moore, our current state of affairs can be blamed on that Hollaback Girl, Gwen Stefani. According to Moore, when Trump heard that Gwen was making more money as a coach on The Voice than he was making on The Apprentice, he planned to announce a run for president in order to coax more money out of the network. Thanks a lot, Gwen. I guess Tony Kanal’s isn’t the only life you’ve fucked up now…
  • Remember that new Academy Award that was basically gonna be “Best Popular Film”? Yeah, that’s dead already. Womp womp.

This is a tough one this week. When the week started, Fox News was trying to shame former Cosby Show actor Geoffrey Owens because he had been caught working as a bagger at a New York area Trader Joe’s. It turned into a big conversation about how working actors don’t make that much, and how there’s nothing wrong with making an honest living. Over the course of the week, there was backlash against Fox News and against the woman who snuck the pic in the first place. As of yesterday, however, it was reported that Tyler Perry had cast Owens in his OWN series The Haves and Have Nots, and that he was on his way to Atlanta to start a recurring role. So, West Week Ever? Maybe, but Nike was like, “Hold my jock strap.”

You see, Nike chose currently unemployed football star Colin Kaepernick to be the face of their new ad campaign, and the Conservatives lost their shit. One of the roadies for country act Big & Rich went viral for cutting the Nike “Swoosh” off his socks in protest. Folks started burning their Nike products and demanding a boycott. “How could Nike align themselves with someone who disrespects our HEROES?!” If that’s your interpretation of what this whole thing is about, then there’s pretty much no reaching you and you’re just determined to be offended.

Doubling down on their decision, Nike released the following commercial during last night’s NFL season opener:

Sorry, Elvin, but it looks like you’ve been emasculated yet again. It was gonna be a tie, but this commercial “got me in the feels” as you kids like to say. Are YOUR dreams crazy enough? That gave me a lot to chew on. So, Nike had the West Week Ever.

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