11th Jan2018

West YEAR Ever: Pop Culture In Review – 2017

by Will

 

God, did 2017 suck! It’s funny – if you go back and read the WYE 2016 post, it starts pretty much the same way. The problem with 2016, however, is that Death kept coming for all of our favorite celebrities, while 2017 was just a garbage fire through and through. To put in in Community terms, I like to write 2017 off as “The Gas Leak year” (for those who aren’t Community fans, let me explain: the 4th season of the show didn’t have the involvement of creator/showrunner Dan Harmon, so a lot of the stories and characterizations were off. When Harmon returned for season 5, he explained away a lot of the weirdness by saying that the school had experienced a gas leak during season 4, which was the cause of their odd behavior).

I had a rough time dealing with 2017 and it shows. I had to take a lot of weeks off from the site. I was basically on that schedule Regis had before they pretty much forced him to retire. When I did post, I don’t feel like much of it was that strong because I didn’t really have a lot to work with. The world of entertainment was kinda boring until Q4 (more on that later), and the major developments were happening in the world of politics, which is not what you come to this site to read. Still, I managed to crank out 41 West Week Ever posts, even though 4 of those weeks saw nothing crowned as having the West Week Ever. I also managed to post a handful of standalone things, like my tribute to the Toy Biz Hotline and my rundown of my top 40 songs of 2017. Still, with 2017 making it feel like we were constantly on the receiving end of a one-two punch, I feel a lot of stuff fell through the cracks. So, let’s take a look back at some of the stuff that I feel stood out about the year.

2017 was quite the year for “zombie shows” – shows that are long dead but just can’t seem to stay that way. NBC brought back Will & Grace, while ABC got the Roseanne gang back together. On top of those, there are talks in the works to bring back Frasier, King of the Hill, and Mad About You. I don’t have time for these shows. I watch the ones that continue the narrative for the next generation, a la Fuller House and Girl Meets World, but I’ve got no interest in these “The Quest for More Money” sequel series. After all, both Will & Grace and Roseanne had to retcon their series finales in order for these new seasons to work. While the Lottery Season of Roseanne is critically maligned, I was pretty OK with where Will & Grace left things. I don’t need to see these casts, 10+ years later, doing the same shit, and struggling with the same problems.

I recently called Roseanne “The White Good Times” on Twitter because I feel they both shared a lot of depressing traits. Will James get a new job? Is Dan gonna lose the bike shop? Is JJ gonna have to drop out of art school to provide for the family? Will the loose meat sandwich restaurant have to close? I watched these shows when I was younger, but as I’ve grown I just realize how damn poor these folks were and I don’t want to revisit that. The difference between the shows is that the Evans family DOES make it out of the ghetto in the series finale of Good Times. Roseanne, however, seems to be dealing with the same shit, in the same house, still struggling to make ends meet. And now they’ve tacked on that she and Dan are going to be Trump supporters? They clearly want me nowhere near this thing. I know a lot of y’all love Roseanne, especially for the Halloween episodes, so this revival is clearly a love letter to you and not for me.

It was QUITE the controversial year for the folks over at Marvel in 2017. First off, they announced an event where everyone’s favorite patriotic hero became a fascist dictator who was under the influence of Nazis. Sure, we can have the whole “Are Hydra soldiers Nazis?” debate, but it’s basically the same thing as far as the comics go. The fandom was spit, as they couldn’t believe Marvel would do this to Captain America. They’ve become so enamored with the Chris Evans portrayal of the character that they can’t let go of if enough for something different to be done with it. I actually thought it was an interesting idea because the buildup to it was so good. Nick Spencer was telling some great “Not MY Captain America” stories starring the Sam Wilson iteration of the hero. Of course the purists wanted Steve Rogers back, but they weren’t prepared to receive him in the state that he appeared: brainwashed by the Red Skull to believe he’d basically been a double agent. Not only did Marvel do a shitty job of damage control in marketing the story, but they also failed to stick the landing, as the buildup to Secret Empire was much more riveting than the Secret Empire miniseries itself.

Then, continuing to be tone deaf to their audience, Marvel entered into a partnership to print a comic focusing on an elite group from Northrup Grumman. If you’re not familiar with NG, they’re a defense contractor, which is a nice, friendly way of saying “arms dealer”. They had collaborated on a joint comic that was to be distributed that New York Comic Con, but when word got out that this was basically a recruitment tool, Marvel had to act fast, cancelling both the scheduled panel and the distribution of the comic. A few copies got out, making it a sought after item, but mainly the whole thing left fans scratching their heads, wondering why Marvel would enter into such a partnership.

Then there was the CB Cebulski situation. If you’re unaware, CB Cebulski was announced as Marvel’s latest editor-in-chief, but it was soon revealed that some years ago he (a White male) posed as a Japanese writer in order to get work from Marvel – during a period when Marvel employees weren’t allowed to pick up writing work on top of their salaries. Also during a time when Marvel was actively seeking diverse voices who would be able to tell different stories than what everyone had been used to. So, he basically stole somebody else’s shot, and there was never any comeuppance for it. It seems like it was a loosely guarded secret, with some other folks surely in the know. Still, Marvel refused to address it as a company, and Cebulski was left to eventually issue an apology in The Atlantic after a few mainstream publications caught wind of the controversy.

To cap things off, DC Comics pulled off a major coup by poaching writer Brian Michael Bendis from the House of Ideas. Bendis had been THE Marvel Company Man since 2000, and the idea of him at the Distinguished Competition seemed like something that would eventually happen (comics is an incestuous industry, and you really just end up jumping back and forth for work), but not something that would happen anytime soon. Well, things didn’t go as smoothly as they could have. Immediately after the Bendis move was announced, he got a MRSA infection which almost killed him and caused a delay on his remaining Marvel work. So, now not only was Marvel losing him, but they weren’t even sure when, as he had some outstanding deliverables he still needed to get to them. It’s since been announced that his first big DC property will be Superman, while Marvel doesn’t have anyone in their stable who even comes close to having the brand loyalty to them that Bendis had. So, it begs the question: what did Marvel do to make him leave? Whatever it was, it was just another blunder in a long year of mistakes from the House that Stan Built.

Not every relationship made it out of 2017 alive, as there were some fairly high profile splits. Anna Faris and Chris Pratt split up, while Billy Bush continued to shoulder the blame from the Access Hollywood/Trump debacle as he split with his wife of 20 years. Gina Torres and Laurence Fishburne separated after 16 years together, and Fergie took her lovely lady lumps and packed her bags to get away from Josh Duhamel.

Movies I Watched This Year:

I REALLY fell short in this department, as I only managed to watch 18 films in 2017, down from SIXTY-FIVE in 2016. A lot of it had to do with the fact that we moved in with my mom after her stroke. When we lived on our own, I had every premium channel, DVR, and I was up all hours of the night. Now, I don’t even have HBO, no DVR, and my night is split into 2 different shifts. Plainly put, I have neither the time nor resources to watch a lot of movies these days, though I’ll point out that the majority of the movies I did see this year were seen in the theater, which is something of a novelty for me. I’m not a “movie guy”, so the fact that I managed to get to the theater for 13 of 18 movies is somewhat impressive to me.

I know a lot of y’all use Letterboxd to keep track of your movies and reviews, but I’m wary of those kinds of sites. I mean, what happens when Amazon buys it and decides to just wipe it? Back in the early 00s, Wizard: The Guide to Comics used to have a comic portfolio option on their site. Since they were a price guide, you could just enter all the books you owned and it would give you a value. I spent a lot of time on that site. And then, one day, without warning, they yanked it. No option to export what you had or anything. So, at that point, I said “Never again!” I’ll just use my own rinky-dink site to track stuff like that. Anyway, here’s what I saw. If you wanna know my thoughts, just click the links.

  1. Split
  2. The Lego Batman Movie
  3. Central Intelligence
  4. Logan
  5. Power Rangers
  6. Get Out
  7. Guardians of the Galaxy Vol 2
  8. Wonder Woman
  9. The Founder
  10. Spider-Man: Homecoming
  11. Keeping Up With the Joneses
  12. The Nice Guys
  13. The Mountain Between Us
  14. Thor: Ragnarok
  15. Justice League
  16. Star Wars: The Last Jedi
  17. Coco
  18. Daddy’s Home – I’m going to talk about this here because I watched it between my last post of 2017 and now, and never got a chance to write about it. The basic premise of this movie is that Linda Cardellini’s character is a bitch who puts new husband Will Ferrell in an uncomfortable and unnecessary situation. When her first husband, played by Mark Walhberg, comes to town, we find out she’s never even told him that she’s remarried, and it’s clear that he still gets her wet (which she barely even tries to hide). Ferrell is a dutiful and doting stepfather to her kids, but he’s scared he’s going to lose them to their real dad who’s now back on the scene, and is also a total badass. And Cardellini really doesn’t pitch in to help matters. She basically tells Ferrell he needs to establish some ground rules and boundaries for Wahlberg – a situation that could’ve been mitigated had she only told Wahlberg about Ferrell in the first place. Of course the whole thing ends with them as friends and co-fathers, but I can’t get the taste out of my mouth as to how much I disliked Cardellini’s role. I do, however, want to see the sequel now because I loved how they set things up at the end of this one, and I’m curious to see if Cardellini gets her comeuppance.

Surprisingly, while I didn’t see many movies this year, I thoroughly enjoyed everything I did see – including some of the more maligned pics, like Justice League. It wasn’t perfect, but I was entertained. I’m not a cinephile, so I’m not gonna rank them, but I will say that The Founder may have been my favorite film I saw this year. Keaton is just so good in it, I love the McDonald’s story, and I feel like a lot of folks missed out on this gem.

Things You Might Have Missed This Year

January

  • 80’s pop star Richard Marx and wife, former VJ Daisy Fuentes, subdued a crazed passenger on a Korean airline. In other news, how the Hell did Richard Marx land Daisy Fuentes?!

  • In Arizona, folks reported seeing a winged demon, heralding the beginning of the apocalypse. We should’ve known then that we were fucked…

  • Adorable 4-year old, Daliyah Marie Arana, had already read over 1,000 books and visited the Library of Congress as Librarian for the Day

February

  • Playboy gave up on its quest to get on supermarket shelves, and brought back the titties!

March

  • Scientology traitor Leah Remini was announced to star in a gender-swapped What About Bob? sitcom. This would later be scrapped when she joins the cast of a revamped Kevin Can Wait with former The King of Queens costar Kevin James.
  • Han Solo is not the character’s real name. His birth name was Handsome Solowitz, but his manager made him change it

April

  • Barry Manilow came out as gay, which makes me realize that he’s actually been singing about Man D all these years…
  • In news that will only matter to you if you’re a Cornell alum, all-male a cappella group The Cayuga’s Waiters were kicked off campus for hazing. And let me tell you, this couldn’t have happened to a shittier group of douchebags.

May

  • Universal’s Dark Universe shared monsters universe was announced, to be kicked off by Tom Cruise’s The Mummy. By November the idea will be abandoned, as architects Alex Kurtzman and Chris Morgan leave the project.

courtesy of TVLine.com

June

July 

  • CBS basically said “Bye, Felicia” to the Asian cast members of Hawaii Five-0 when Daniel Dae Kim and Grace Park asked for raises on the level of what their White costars were making.
  • The Master of Bar Science himself, Jon Taffer, favorited some of my tweets during a Bar Rescue marathon:

  • Completely tone deaf to the political climate, the showrunners for Game of Thrones announced that their next project would be called Confederate, based on an alternate reality where slavery still exists and the Civil War never ended. This was not well received by folks.
  • After 24 years, Archie Comics ceased publication of the Sonic The Hedgehog comic
  • The directors of the documentary Catfish (which inspired the MTV series) were announced to direct a Mega Man film
  • It was a Black sex scandal trifecta, as R. Kelly was accused of running a sex cult in his house, Usher was accused of paying a woman $1 million to cover up the fact that he’d given her Herpes, and Kevin Hart was caught cheating on his pregnant wife
  • I discovered the All Star Trek block on the Heroes & Icons channel

  • My elementary school friend and her husband did some kickass Saga cosplay at SDCC
  • Amy Schumer dropped out of the Barbie film – a film which I originally mocked, which resulted in her blocking me on Twitter
  • Apple discontinued the Shuffle and Nano models

August

  • On the heels of the Confederate announcement, Boondocks creator Aaron McGruder announced Black America – a show that takes place in an alternate reality where Blacks have established a thriving nation state via the reparations they received after the Civil War.
  • MTV’s Total Request Live rose from the dead to return to airwaves. Only it seems like they’ve eliminated the video portion now, so what’s the point?
  • There was a Nostalgia War going on between streaming services as Hulu added the TGIF library, while Amazon added the Carsey-Werner catalog, including Roseanne, 3rd Rock from the Sun, and A Different World
  • Social media app Sarahah was popular for about a week. Used by teens to cyberbully each other, it gained a spike in popularity as grown folks used it to fish for compliments.
  • Netflix acquired Mark Millar’s Millarworld comic imprint. It’s the best of both worlds, as it gives them an IPO farm, without the overhead of running an actual comic publisher (Millarworld books are published through deals with Image and Marvel).
  • Drama hitmaker Shonda Rhimes moved her Shondaland production house from ABC to Netflix after signing a major deal with the streaming service
  • A My Cousin Vinny sequel was released in book form as Back to Brooklyn, which catches up with the characters 25 years later. ‘Cause some goomba out there wanted that.
  • Wizard Magazine was slated to return as an online website called WizPop to be hosted on the WizardWorld website. As of this post, there’s no sign of that ever having occurred on the site.
  • Controversy struck the Hellboy reboot as British actor Ed Skrein was cast as a character who was originally intended to be of Japanese descent. He eventually dropped out of the role, which was quickly snatched up by Daniel Dae Kim – who was jobless after CBS cut him loose from Hawaii Five-0 last month.
  • Joss Whedon went underground after his ex-wife wrote a scathing tell-all article for The Wrap, where she accused him of serial infidelity and of being a hypocritical feminist. His Whedonesque fansite was shuttered soon afterward.

September

  • There was a LOT of Star Wars shake ups, as Colin Treverrow was fired as director of Episode IX. This was following the earlier firing of Lord and Miller from directing the Han Solo movie. The Solo movie would be picked up by Ron Howard, while it was announced JJ Abrams would return to write and direct Episode IX. Oh, and Episode VIII director Rian Johnson was given his own Skywalker-free Star Wars trilogy.
  • I experienced what is probably my most popular tweet to date:

  • ABC announced a reboot of The Greatest American Hero which will now star an Indian-American woman named Meera. I see you, ABC!
  • There was a lot of controversy in the G.I. Joe fandom as the current writer on the series was driving away the dwindling fan base with his social media tirades.
  • It was revealed that Roald Dahl originally meant for Charlie Bucket to be a Black child until his agent intervened and advised him against it.
  • Toys “R” Us filed for Chapter 11 bankruptcy protection because they don’t understand the word “sale” and are constantly getting their asses handed to them by Target and Amazon.
  • Black-ish creator Kenya Barris was announced to be working on the script for the completely unnecessary Coming to America 2, as Eddie Murphy must be behind on child support or something.

October

  • Milestone Media announced their return to the world of comics at New York Comic Con. And nothing has been mentioned about it since. I expect another reboot announcement somewhere around 2022.
  • The Juice is loose! OJ Simpson was released from prison.
  • AOL announced that Instant Messenger would be shut down on December 15th.
  • Just as easily as I found Heroes & Icon’s All Star Trek block I walked away from it. Oh, and I ranked the pre-Discovery Trek series. 

November

  • Donald Trump was kicked off Twitter for 11 minutes thanks to the inside work of an intrepid engineer. Remember, kids – not all heroes wear capes!
  • Funko experienced the worst IPO in 17 years as the stock opened at $12 and dropped to $7 by the end of the day
  • Smallville star Allison Mack was reported to be allegedly running a sex slave cult in Los Angeles.
  • People Magazine named country star/The Voice coach Blake Shelton the Sexiest Man Alive, and the internet had a field day with that one!
  • Taraji P. Henson will star in What Men Want, inspired by the Mel Gibson film What Women Want. The movie will reportedly only be 10 minutes long, as she will learn the answer is “Pussy and sandwiches”.

December

  • Jay-Z told The New York Times that he cheated on wife Beyoncé because he was in “Survival Mode”, whatever that means. Look for Hallmark to come out with a new line of “I’m Sorry I Survival Moded You Last Weekend” cards
  • THERE’S A NEW BABY WEST ON THE HORIZON!
  • Disney bought Fox for a reported $52 million. And I had thoughts…
  • Quentin Tarantino announced that he wants to direct a Star Trek film. I maintain that it’ll never see the light of day.
  • Apple admitted that they slowed down the performance on older iPhones, supposedly to preserve their batteries, but were then forced to offer low cost replacement batteries to make amends.

 

West Week Ever Recipients of 2017 (with commentary)

1/6/17 – The Mick

See, this is the kind of thing I like: spotlighting a new show that a lot of folks may have missed. Considering It’s Always Sunny In Philadelphia has been around for 12 seasons, it clearly has a fanbase. Since Kaitlin Olsen is essentially playing the same character that she plays on that show, you can basically consider it The Further Adventures of Sweet Dee. Still, it felt very “Fox”, so I was expecting them to cancel it. Imagine my surprise when it got picked up for a second season!

1/13/17 – Donald Glover

He won the Best Musical or Comedy in Television Golden Globe for his nearly perfect series Atlanta, inked an exclusive development deal with FX Networks, AND got to film scenes as Lando Calrissian in the Han Solo movie. Everything was coming up Milhouse for that guy!

1/27/17 – The Women’s March on Washington

I guess I should’ve known what kind of year 2017 was going to be when this event happened so early in the year. See, I kinda thought of it as some kind of royal “F You!” to the establishment. The inauguration had just occurred, drawing anemic crowds, yet here was this march by the opposition to show that there was strength in numbers, and that those numbers weren’t on Trump’s side. Like I said in the post, I’m not the guy to explain the nuances of what the women were fighting for, and there were some interesting takes about how feminism and race haven’t always gone hand in hand. In fact, many feel that the women out there wearing the “pussy hats” were the same White women who had voted Trump into office. Again, I don’t know about all that. What I do know is that I hadn’t seen an organized demonstration like that since the Million Man March, so it certainly seemed noteworthy, even if it wasn’t the most “pop cultury” moment to come along.

2/3/17 – Winona Ryder

So, she made some funny faces at the SAG Awards ceremony. Was she high? Was she ACTING? Who knows? That’s just how low pressure the world of pop culture was at the start of the year. Sure, the progression of faces was amusing, but surely there should’ve been something more attention-worthy happening that week, right? Right? Wrong.

2/10/17 – The New England Patriots

Those sons of bitches Patriots! I’m not a sports guy, and we basically live in a Broncos home. Still, you don’t have to know much about sports to know that everyone who isn’t a Patriots fan hates them for being cheaters, while their fans defend them adamantly. I mean, I’m still amazed you can be suspended for cheating AND win the Super Bowl in the same season. Still, the Patriots pulled off an amazing comeback during Super Bowl LI, as Atlanta blew a TWENTY-FIVE point lead. It was the first Super Bowl to go into overtime. Yeah, I don’t care about football, but I gotta give credit where it’s due.

2/17/17 – CeeLo Green/Gnarly Davidson

So, musician/escaped mutant from Genosha CeeLo Green showed up to the Grammys looking like King Midas himself, calling himself “Gnarly Davidson”. Everyone had a good laugh for about 24 hours, but I bet 9 out of 10 people today couldn’t even tell you what or who Gnarly Davidson is supposed to be. I like to think that things that earn the WWE have made some sort of impact on popular culture, and this wasn’t even a mosquito bite in terms of magnitude.

3/3/17 – Logan

Great comic book movie. Great movie in general. As the year went on, Logan would enter the conversation, but it would quickly be overshadowed by anticipation for Guardians of the Galaxy Vol 2 or Spider-Man: Homecoming. It was even brought up in Oscars speculation. It was a great note for Jackman to go out on, and it’s just a shame that the Wolverine film trilogy is so uneven. Totally deserved the WWE.

3/10/17 – Man Seeking Woman

This was such a great show, and while I’m sad to see it go, I felt it told a very tight story. It didn’t wear out its welcome, and it smartly used the time that it had available to it. Clocking in at 3 seasons, it started with Jay Baruchel’s Josh stumbling out of a failed relationship, trying to get back on his feet in the dating world. It ended with him getting married to the perfect girl for him. Sure, it could’ve dragged along with them being newlyweds, having a kid, etc, but it didn’t want to insult our intelligence or waste our time as it devolved into just a run of the mill sitcom. Part of what made it special was that it was such an absurd show at times. I mean, Josh’s sister had an affair with Santa Claus at one point. But that just added to its charm. This is a great example of one of those “The Best Show You’re Not Watching”, because none of y’all were watching it. Still, it managed to chug along, and tell the story that it originally set out to tell. Most shows can’t say that, so it totally deserved the WWE. I think it’s streaming on Hulu if you ever want to check it out, which you should!

3/17/17 – Tyra Banks

Tyra had a pretty big week, as she was announced as Nick Cannon’s replacement as the host of America’s Got Talent, plus it was announced that she’d be returning to her old stomping grounds as head judge/host of America’s Next Top Model. In the same week, Banks became the grand arbiter of America’s standards of talent and beauty. That’s quite the coup!

3/24/17 – Nothing

As I always say when this happens, “As Nina Simone said, ‘It Be’s That Way Sometimes’.” Not happy with the trajectory the West Week Ever “honor” was on, I just couldn’t throw it at something willy nilly. We were seven posts into the year, and nothing chosen had really blown anyone’s socks off, except maybe Logan. I needed a week to regroup.

3/31/17 – Spider-Man: Homecoming trailer

It was a trailer for a new Marvel movie. When don’t those get the West Week Ever? Sure, we were all hype for the film, but we’re at a point in society where Marvel doesn’t really even have to try anymore with these things. Did it deserve it for the week? Sure. Can I even remember that first Homecoming trailer? Nope, I cannot.

4/7/17 – The Undertaker

By now, most of you know of my love for The Undertaker. In a world where wrestlers basically use some juxtaposition of their real names for their in-ring names, he was a relic of a bygone era of gimmicks and kayfabe. His retirement had been commonly rumored over recent years, but he was on a part-time schedule where he pretty much only came back for Wrestlemania. Well, at Wrestlemania 33, he jobbed to Roman Reigns, left his trademark hat and coat in the ring, kissed his wife, and walked out of the arena – all to chants of “Thank you, Taker”. For all intents and purposes, that seemed to be all she wrote. Now there are reports that he’ll be back for Raw‘s 25th anniversary. I really hope that’s not true, as it was a beautiful way for him to go out. The card for Wrestlemania 33 was weak sauce, but it being the swan song of Taker was what would make it stand out in the history books. I cried when Flair retired, and even though he eventually crawled back, it didn’t take away the experience of his retirement run. If Taker does return, I’m hoping I can feel the same way.

4/14/17 – Thor: Ragnarok teaser

Scroll up, and re-read what I said about the Homecoming trailer. Apply all of that here. Keep in mind, Thor was coming off a serviceable debut and a forgettable sequel. We didn’t have the highest expectations for this movie, even though it was apparent it had been dipping into the GOTG Cookie Jar of Humor. But, like I said, Marvel trailers pretty much always get the WWE, whether they deserve them or not. Actually, ya know what? Black Panther never got it. I think it’s because it debuted during one of my bye weeks, but I’m sure someone out there will say it’s due to my self-hatred or whatever.

4/21/17 – Girls Series Finale

While Girls pretty much became the poster child for Millennials, I’m not quite sure history will be kind to it. After all, the characters embodied everything we tend to hate about that demographic. They’re spoiled, they have delusions of grandeur, they don’t want to pay their dues, and they’re tremendously self-centered. Marnie sucked because she only used people to pursue her own happiness. Jessa sucked because she was a junkie succubus. Hannah sucked because she thought she was the Voice of a Generation, while commonly looking unwashed and unhygienic. She spent 6 seasons making us accept her body positivity while engaging in the unsexiest sex scenes imaginable.

Still, through all of that, the characters actually seemed to experience some growth in that final season. Hanna found herself pregnant, eventually giving birth to Grover (Fuck you, Lena Dunham. Just fuck you right in the ear for that shit). And she found out she had to grow up FAST. Marnie thrust herself into the role of doting aunt, as if to make amends for being such a shitty person to those around her. She soon found, though, that she couldn’t assume that role and still continue to grow. She had her path, and Hannah/Grover had their own. And the only character with some sense was strangely neurotic/possibly on the spectrum Shoshana, who managed to remove herself from the equation before the series finale because she realized she was better than those with whom she had surrounded herself.

As a whole, Girls is a forgettable mess that I hope I never see on any of those Greatest Series of All Time lists. That finale, though, made up for a lot of problems I’d had with those characters over the course of the show. I went from Hate Watching it to just Watching it. And, to her credit, as much as Hannah sucked, Dunham was the voice of a generation, like it or not. They say that the mark of a good series finale is that you can watch it and get a whole, fulfilling story even if you weren’t an avid viewer of the series. Since I’d been watching the show, I can’t attest to whether that’s true here, but I do feel like it was a damn fine finale that did more for its characters and narrative than the whole rest of the series put together.

4/28/17 – Nothing

I guess I felt like Girls had set a pretty high bar, and nothing came close to that in the week following its finale. Go figure!

5/5/17 – Ryan Seacrest

Next to maybe Steve Harvey,  Seacrest is the hardest working man in show business. It was announced that he would be taking over Michael Strahan’s cohost role on Live with Kelly, and a grueling schedule was floated that would allow him to maintain that job while also flying to the West Coast multiple times a week in order to host ABC’s reboot of American Idol. While he hadn’t officially signed on to the Idol revival at that point, he would later take the job, and that theoretical travel schedule would become reality. I know folks love to make fun of him, and make all the gay jokes, but I don’t think he gets nearly enough credit for his work ethic. The man rarely sleeps and is constantly developing new projects. And he’s a shrewd businessman, as evidenced in how he pretty much just swooped in and assimilated Dick Clark’s New Year’s Rockin’ Eve.

5/12/17 – Guardians of the Galaxy Vol 2

I really enjoyed this movie, but I’m scared I’m falling into that cynical thing where I’m like “Well, it’s a Marvel movie”. We pretty much know what to expect at this point. I’m not getting bored by the formula or anything, but I don’t think it’s a surprise when these things come out and dominate the pop culture conversation for the week following.

5/19/17 – CBS

This was my annual upfronts post, and I felt like CBS had the most promising schedule for their Fall lineup. They had a few misses (Wisdom of the Crowd, Me, Myself, and I), but I still stand by that assessment, as Young Sheldon was a breakout hit and SEAL Team was the only successful military drama of the three that launched in the fall.

5/26/17 – Red Nose Day Actually

I still feel like bringing the Red Nose Day thing to America is the equivalent of trying to make “fetch” happen. I don’t think it’s going to catch on, but I won’t say anything bad about something that gives me a sequel to one of my favorite movies. Yes, I’m that guy who adores Love Actually. And this year we got a “sequel” short during the telethon that caught up with the characters in the present day. The Sam and Joanna portion alone made me want to cry, but it was like catching up with old friends. Totally the best thing that week had to offer.

6/2/17 – Wonder Woman

This was a great comic book film that seemed to right the ship for the DCEU. Sure, it’s not perfect, but it’s a far cry stronger than BvS and Suicide Squad. We thought this was shades of things to come from Justice League. Perhaps we expected too much. Still, it’s a strong entry into the comic book movie universe, and totally deserved the WWE.

6/9/17 – Wonder Woman

This made me realize a problem with how this weekly post is scheduled. You see, I’m an avid Thursday night viewer of these movies. Since the post comes out Friday, I could theoretically post about it the next day. And many times I have. That’s what happened with Wonder Woman. I saw it Thursday night, and it got the WWE the next day – at a time when most of my readers had not had the chance to see the movie yet. This is problematic because they tend to not read that post for fear of spoilers. So, I’ve tried to change things up where I sit on my review for a week, giving folks a chance to see the movie first. This is the week when Wonder Woman should have gotten the WWE, but instead it just made me look lazy.

6/16/17 – West Life Ever: Adam West

Ah, the very first West Life Ever recipient. As you probably know by now, there’s a pretty strict No Death policy for this column. Sure, once in a blue moon, someone will come along whose death needs to be acknowledged, but I knew that there were a few people whose death would require me to make a bigger deal. Adam West was always at the top of this list. When I posted that entry, I called it the West Week Ever Hall of Fame, which never quite felt right. My pal Zac Shipley came up with West Life Ever, which was perfect. So, the post was changed and that’s what the honor will be called going forward. It’s still not something that I plan to abuse, but I’m glad it exists when I need to use it. Sadly, I would have to use it again not much later.

6/23/17 – Nothing

I guess I was still affected by West’s death, and I thought I was gonna be able to promote my appearance on a podcast where we looked back on his life. That episode has never seen the light of day (Looking at you, Chad!). So, nothing was worthy of the WWE mantle that week.

7/7/17- Michael Keaton

I had seen Spider-Man: Homecoming and The Founder that week, both films showcasing amazing performances by Keaton. The surprising thing to point out here is that Homecoming had been seen by me, but did NOT get the WWE. Keep in mind, though, I was moving to my schedule of waiting a week so that more folks have time to see the film. Will it get the WWE next week?

7/14/17 – Milana Vayntrub

Nope! Yes, in a world where there’s a new Marvel film in theaters, I give my highest honor to the AT&T Girl. I didn’t love Homecoming. In fact, it’s probably the first Marvel movie since I’ve been doing this column where I wasn’t just immediately smitten. I probably need to watch it again but the timeline of the film challenged my inner fanboy the entire runtime, and it ruined the experience for me. Why did Vayntrub get it? Well, she’d been cast as Squirrel Girl in Marvel’s New Warriors series for Freeform. I really thought it was going to be her big break. Well, later Freeform would decide that it didn’t have room for the show on its schedule, and its future is currently in limbo. Womp womp. Marvel thinks the show has a lot of promise, but they’re no longer allowed to farm out their shows to non-Disney owned networks, so that limits their possibilities. It was probably the biggest week she’s ever had, but it didn’t really pay off into anything. Yet.

7/21/17 – Jodie Whittaker

A female Doctor Who? That shit is history in the making! I don’t care anything about that franchise, but I know when history is being made. Totally deserved.

7/28/17 – West Life Ever: Jim Vance

When I first conceived of the WWE: Hall of Fame/West Life Ever, there were 2 particular people in mind for it. I never really thought it would expand outside of those two unless it was a rare, special case. And that’s exactly what it was when local newsman, and DC institution, Jim Vance succumbed to cancer. He was a great example of “Ya don’t know what you’ve got til it’s gone”, as it never felt like he’d made that much of an impact on my life until he was no longer in it. My whole response to his passing surprised me, and I’m sort of curious to see what other surprises are in store for the West Life Ever honor.

8/4/17 – Female Comic Editors

Some dumb shit about female comic editors going out for a milkshake to honor the passing of Marvel staple “Fabulous” Flo Steinberg, and ended up being heckled by a bunch of stupid dudes online. It somehow turned into this symbolic gesture throughout the industry. Fellow creators were posting selfies of themselves drinking milkshakes, and it all just kinda fizzled out. It’s really one of those “You had to be there” kinds of things because the whole “controversy” just sounds stupid to me in hindsight.

8/18/17 – DuckTales reboot

I watched the pilot and loved it. Then I promptly forgot about it. I kinda expected more from it, to be honest. I guess that’s my own fault. I thought it was just going to compel me to watch it every week, but instead if became just another forgotten animated show of 2017, like that Big Hero 6 premiere I would totally miss in November.

8/25/17 – Solar Eclipse of 2017

These things don’t happen that often! At least, that’s what the science folks always tell us, even though it feels like there’s some kind of eclipse every time we turn around. Well, I never claimed to be Thomas Einstein-Tesla, so I’m not the best person to get your science info from. Anyway, it was a big deal that week, as those free glasses needed to look at the thing were being sold for, like, $250 a pair, as if they came from Sunglass Hut or something. And the President even looked directly into the thing, ya know, ’cause he’s a stable genius and all. This thing was all anyone could talk about that week.

9/8/17 – Batman: The Animated Series

This week marked the 25th anniversary of the debut of the classic animated series which, I believe, changed animation for the better. It was a show that was gritty and intelligent enough for primetime, yet worked on a level to keep kids engaged – all the while dodging some incredible mandates from Fox Kids Standards & Practices, like “No blood” or “Can’t say ‘kill'”. In some ways it might be seen as a cop-out to look to the past for a WWE winner. After all, for all the fans of the show, there wasn’t a lot of fanfare surrounding the anniversary. Instead of Warner Bros making a big deal, it was more like the hardcore fans were holding thousands of little private wakes for the show. Still, 25 years ain’t nothing to shake a stick at, so I felt the show’s milestone needed to be acknowledged and honored.

9/15/17 – Cory Chase/Reality Kings

When this post originally went up, I put it to a vote: should the WWE go to horror remake IT OR should it go to porn star Cory Chase and the Reality Kings porn franchise? Ya see, IT had a successful week, but all anyone could talk about around the time of publication was the fact that Senator Ted Cruz’s personal Twitter account had Liked a video clip of some of Chase’s work. It was quickly blamed on a staffer, but the damage had been done by that point. Cruz was just like the rest of us, trawling the web for porn. Hell, if he’d been smarter, he could’ve spun that into some sort of political clout, but he took the coward’s way out. Anyway, the readers spoke and decided that Chase should be the victor. While I don’t disagree, I think it was very “2017” that such a salacious choice was even an option for Biggest Pop Culture Thing of the Week. We’d sunk so low, and we weren’t even close to the bottom yet.

9/29/17 – Star Trek franchise

This week not only saw the premiere of Star Trek: Discovery on CBS and CBS All Access, but it was also the 30th anniversary of the premiere of Star Trek: The Next Generation. Just as with Batman: The Animated Series, these were milestones deserving of recognition. I haven’t revisited Discovery since the free premiere on CBS, but I’ve heard enough good things that I’ll circle back around to it eventually.

10/6/17 – The West Family

Self-indulgent post because it’s my site, and I do what I wanna! It was my 5-year wedding anniversary, and nothing else was going on. If you go back in the archives, pre-2010 or so, this thing reads like a really bad LiveJournal. “I’m tired of my boss at H&M”, yadda yadda yadda. I later pivoted to a solely pop culture focus, but I left most of those posts up because I hate to delete anything. So, every now and then, I feel like I’ve written enough about celebrities that I’ve earned a personal post or two, so this was me pulling that trigger. Had it not gone to us, it would’ve been another week when it went to Nothing.

10/13/17 – Nothing

Kinda like this week.

10/27/17 – Super Mario Odyssey

I’m not a gamer, but it was easy to tell who the gamers were, as they were all anticipating this release. I’ve heard nothing but great things about this game, it I feel this was totally deserved.

11/3/17 – Stranger Things Season 2

I’ve never seen the show, have almost no real desire to see the show, and I’m kinda sick of seeing those kids everywhere. Still, I have to put my own issues aside for the good of “real reporting” sometimes. This was one of those times. Everyone was anticipating the second season of this show and, while the general consensus seems to be that it wasn’t as good as the first season, I’ve yet to hear anything actually negative about the season.

11/10/17 – Thor: Ragnarok

Here we are, back to having a Marvel film get the WWE. Earlier I said that I was beginning to wonder if all this hype was deserved, as we pretty much know what we’re going to get from the MCU franchise at this point, but I feel this was totally deserved here. Easily the best Thor film of the trilogy (not a difficult feat, really), but it presented a new side of the title character. And it totally took some creative notes from Guardians, which was to its advantage.

11/17/17 – Justice League

I kinda broke my own rule here. I know I was trying to wait a week before reviewing new, highly anticipated films, but I felt like this one needed a shot in the arm. So many folks were determined not to see it, that I felt I needed to post about it on opening weekend to get some more butts in seats. I’m hardly an influencer, but if I convinced just one person to see the movie who had been on the fence, then I guess I did my job. I hate to do a comparison, but it’s “No Marvel movie”. That said, I was happy it did something different, and I was thoroughly entertained. It’s not a “great” film by any stretch of the imagination, but nobody should expect Citizen Kane when one of the main characters runs around, dressed like a bat.

12/1/17 – Avengers: Infinity War trailer

Obligatory WWE for new MCU film trailer. All it did was fortify millions of speculation boners without really giving us anything other than eye candy. We’ve reached a point where I don’t even know if we’re capable of determining if these things are good anymore. Part of the problem is that they’ve yet to really have a “miss”, so would we even know it if/when it happened? Like, Black Panther could be the worst thing they ever put onscreen. It won’t be, but even if it is, there are certain communities who are going to refuse to admit it. It’s just fascinating to me how that works. Anyway, this came out while Marvel was avoiding the Cebulski controversy, while its parent, Disney, was making a play for Fox. It was a nice little distraction that caught everyone’s attention at just the right time. Their success rate is just so unprecedented that I guess I’m waiting for the other shoe to drop, which is somewhat unfair to them.

12/8/17 – MCU Fanboys

Remember how I just said there are some folks who would refuse to acknowledge Marvel’s “failure” even if it were right in front of them? Enter the MCU fanboy. And nobody had a better week than them because Disney’s play for Fox became official, meaning that the X-Men and Fantastic Four film rights were finally “coming home”. And you couldn’t swing a dead cat without running into one of them surmising how the X-Men would be integrated into the established MCU. Would Marvel honor everything Fox had done with the franchise, or would it be a complete reboot? These discussions were going on everywhere online, so this week truly belonged to those folks. Who cares if the acquisition would result in redundancies and the loss of anywhere from 5,000-10,000 jobs? You’re finally getting the chance at a House of M movie, right? Right?

12/15/17 – Black Women

While there was a tongue in cheek aspect to this, I totally meant it. It was a big week for Black women. Omarosa got kicked out of the Trump White House, to the delight of many, while the Black female vote helped keep suspected child molester Roy Moore out of office in a very close congressional race in Alabama. A lot of folks were taking a break from social media that week, for fear of being spoiled by those who had already seen The Last Jedi, so they missed this one. It’s a shame, because I felt there was a lot of good stuff in this post.

12/22/17 – Fandom Gatekeepers

You know how I was just talking about MCU fanboys? Well, this is what happens when that shit is cranked up to 11. It’s like the Chappelle’s Show sketch, When Keepin’ It Real Goes Wrong. These are the folks who take shit too far, and there was a lot of that going on due to the polarizing reactions to The Last Jedi. I felt kinda bad about this one, because I typically want the WWE to be a *celebration* of something, but I couldn’t not acknowledge it, and I had a lot of thoughts on the matter, born from a late night Twitter rant.

I had to do something different this year. Usually, to determine who had the West Year Ever, we look at the list of folks who earned the West Week Ever throughout the year. There are always entities that receive it multiple times throughout the year, like Marvel and DC, and then there’s a runoff between them to see who truly deserved it. That doesn’t work this year, though. You see, most of the WWE recipients this year had no real lasting impact outside of the week that they won. The only thing that got the honor more than once this year was Wonder Woman, but it surely didn’t have the West Year Ever. Close, but no cigar. No, I had to take a closer look at trends of the year, and get a feel for what truly dominated the news cycle.

Remember how I said that the entertainment world was boring until Q4? Well, once October hit, the whole thing blew wide open thanks to one man: Harvey Weinstein. The reports and allegations of his sexual improprieties opened the floodgates for more reports on other celebrities. All across the country, men in power were being exposed for the lotharios that they were. There seemed to be certain patterns that surfaced. For example, a lot of them liked to abuse their power by masturbating in front of women over whom they held some sort of influence. Every week, there was a new LIST of men to add to the list. I hate to create HarassmentWatch(TM) just to keep track of it all, and mine isn’t even close to an exhaustive list. Still, I managed to track allegations on the following men:

  • Producer Harvey Weinstein
  • The Loud House creator Chris Savino
  • Actor Kevin Spacey
  • Actor Jeremy Piven
  • Director Brett Ratner
  • Actor Dustin Hoffman
  • Actor Danny Masterson
  • Actor Charlie Sheen
  • Mad Men creator Matthew Weiner
  • Actor Jeffrey Tambor
  • Comedian Louis CK
  • Actor George Takei
  • Actor Richard Dreyfuss
  • Actor Tom Sizemore
  • Actor Ed Westwick
  • The Royals/One Tree Hill creator Mark Schwahn
  • Flash/Supergirl showrunner Andrew Kreisberg
  • Actor Steven Seagal
  • Producer Gary Goddard
  • Actor Sylvester Stallone
  • DC Comics Editor Eddie Berganza
  • Senator Al Franken
  • Producer John Lasseter
  • On Air Personality Ryan Seacrest
  • Singer Nick Carter
  • Producer Russell Simmons
  • Humorist Garrison Keillor
  • Newsman Charlie Rose
  • New York Times Reporter Glenn Thrush
  • Newsman Matt Lauer
  • US Representative John Conyers
  • Chef Mario Batali
  • Talk Show Host Tavis Smiley
  • US Representative Blake Farenthold
  • Documentarian and Fast Food Truther Morgan Spurlock
  • Comedian TJ Miller
  • NFL Media VP David Eaton
  • Newsman Chris Matthews
  • Director Paul Haggis
  • Pastry Chef Johnny Iuzzini
  • Half the damn NFL Network

That’s over FORTY instances reported just since October! And they’re still coming (tune into tomorrow’s West Week Ever for some new 2018 additions to the list!). This shit is crazy! Keep it in your pants, powerful men! Even though it was a phenomenon that came along later in the year, I feel like it colored the whole year, and fit tonally with what a trash heap fire the year became. So, in my mind, 2017 was the Year of the Wang Dangler. In October, the weather started getting cold and, for whatever reason, the wangs started coming out. There were reports of forced oral sex, public masturbation, walking amongst staff while naked, and secret buttons under desks to lock vulnerable women in uncomfortable places. What pieces of shit these men are! But they’re the official mascots of 2017. So, without further ado, the celebrity wang danglers had the West Year Ever. Here’s hoping we can aim a bit higher in our aspirations in 2018.

27th Dec2017

The WBW40 – Will’s Top 40 Songs of 2017

by Will

It’s been a rough year. 2017 has been the longest and shortest year I’ve ever experienced. On the one hand, it feels like 2016 was only yesterday, and we had a deadpool going as to who’d be the next celebrity to shuffle off this mortal coil. On the other hand, between politics and the wang danglers, it feels like this year has been going on for a decade. I don’t know about you, but one of the things that kept me sane this year was music. So, I thought I’d share the top 40 songs that got me through the year, with the idea that maybe they’ll help you get through 2018 since it’s right at our doorstep.

Before we start, let me address some glaring omissions. First of all, there’s no Cardi B. I realize “Bodak Yellow” was one of the biggest songs of the year, but I just don’t get Cardi B. She’s got some weird speech impediment that makes her sound like she took the special bus to school, and her “flow” just does nothing for me. So, she’s not here. Also, I know everyone loved SZA, but “The Weekend” didn’t do much for me, either. There is some diversity on the chart (more sexual than racial), but I was going more for a diverse sound than diverse background. That’s my way of saying there might be a lot of White folks representing on the chart. I did, however, leave off Princess of the White Folks, Taylor Swift, because everything on Reputation that I’ve heard underwhelmed me. So, without further ado, I present to you the WBW40!

40) Ed Sheeran – Shape of You

While some charts would put this as the biggest song of the year, it was probably my least favorite. I can acknowledge a hit when I hear it, but it was such a departure from what we expected from Sheeran. I mean, in my mind, Ed Sheeran is just James Blunt with a guitar. When did he get some kind of “cred”? Was it his bestie friendship with Taylor Swift that did it? I dunno. Apparently he was gonna give this song to Rihanna before deciding to keep it for himself. People loved this song, and that album was huge. It just didn’t make much of an impact on me.

39) Imagine Dragons – Believer

I heard this song in a car commercial for, like, the ENTIRE year. I didn’t even know what they were singing at first. Had to look it up. Still, it was ALWAYS there in 2017, and the full song ain’t half bad.

38) Kane Brown featuring Lauren Alaina – What Ifs

I hated this song for the longest time but it eventually wore me down. It just tickles me that there’s this halfy out there halfassing country music. He’s not rapping, but he’s barely singing. What’s he doing? Still, folks seemed to like it, as the song hit #1 on the Hot Country Charts, knocking Sam Hunt’s “Body Like A Back Road” out of the spot it had held for 34 weeks. I don’t know what to make of Kane Brown yet, as he’s basically the country Justin Bieber, in that he was discovered via social media. Is that where all of our future starts will come from? I guess time will tell…

37) High Valley – She’s With Me

It’s got an Evan and Jaron vibe to it, from the fact that High Valley are brothers (just like Evan & Jaron), and the sound is very similar. It reminds me of the Not-A-Boyband-But-Basically-A-Boyband songs that came out around 2000, like Evan & Jaron’s “Crazy For This Girl”. This song might be on country radio, but it easily could’ve come from BBMak in 2001.

36) Zach Williams – Old Church Choir

I was flipping through radio stations (Yes, I still listen to the radio), and I landed in the low 90s. Anyone who knows radio frequencies knows that the low 90s are nothing but public radio and Christian pop stations. This song happened to be playing, though, and I was stuck. In college, my friend Jed and I used to joke how Christian pop had “stolen” all the best melodies in pop, and that’s definitely on display here. I love the church choir in the background, but I especially love the “Youth Pastor Who Rides a Motorcycle” vibe that Williams puts out.

35) Arcade Fire – Everything Now

I stumbled upon this song because Rolling Stone mentioned that it sounded like ABBA’s “Dancing Queen”. I was immediately sold. I can’t say I’ve been an Arcade Fire fan in the past, and I don’t think this has necessarily made me an Arcade Fire fan. Still, I love what they’ve done here, and it’s one of the more enjoyable songs I’ve encountered this year.

34) Florida Georgia Line featuring Backstreet Boys – God, Your Mama, and Me

I’m gonna be honest and say that this song is here because of the personnel involved. I love Florida Georgia Line and I love Backstreet Boys. On paper, this collab is a dream I never knew I had. In execution, though, it just falls flat. The song is basically a love song from the guys to their kids, about how no one will ever love them more than God, their mama, and them. Cute, sure, but I can’t help but wonder what we could’ve had on something closer to FLAGA’s hit debut single “Cruise”. I mean, that even had a Nelly remix.

33) Brett Young – In Case You Didn’t Know

It’s a pretty ballad. It’s on country radio, but I wouldn’t say there’s anything inherently “country” about it. I feel like Young got in where he could get in, and I can’t fault him for that. It’s got “2017 Wedding Season” written all over it, and I’m sure that contributed to its success.

32) Bobby Bones and The Raging Idiots – Chick – Fil- A (…But It’s Sunday)

Sure, it’s a comedy song, but it’s a sentiment shared by many of us at one point or another. I love how radio DJ Bobby Bones treats this as just a charity side project, but has actually grown as a writer and performer. This almost got edged out by his song “Namaste”, but I felt this was the stronger offering.

31) Walker Hayes – You Broke Up With Me

Walker Hayes is an artist with 6 kids and a 7th on the way. I know more about his life than his music. My wife saw him in concert earlier this year and loved him. My daughter has been obsessed with this song all year, and calls it “Minute”. Every time we get in the car, she demands “Song!” When you ask which song, chances are she’ll say “Minute”. Anyway, the song grew on me after hearing it 72,346 times this year, and I DO love the chorus.

30) Lana Del Rey featuring The Weeknd – Lust For Life

She’s come a long way from that terrible SNL performance that basically sank her mainstream introduction, but she’s still chugging along, delivering gems like this. And I’m a recent convert to The Weeknd, so his addition here just makes this a better song. This is the kind of song you’d hear when you have a near-death/out of body experience.

29) MUNA – I Know A Place

I know nothing about MUNA, and I think I originally heard this song in a store. Apparently, they’re an LA-based, queer girl band, and they’re touring with Harry Styles. Okie doke. Anyway, this song kinda touched me on a deeper level, as electronic stuff tends to do that sometimes. I look forward to hearing more from them.

28) Carly Pearce – Every Little Thing

It’s like the female Harry Styles, as Pearce delivers one of 2017’s best haunting ballads. It’s still too early to tell where her career is going, as it almost felt like this song was released before she had anything else to back it up with. I hope that’s not the case, though, because she’s got a ton of potential that transcends the country genre she’s found herself placed in.

27) Kenny Chesney – All The Pretty Girls

This is just a catchy song. It’s not Shakespeare, and Chesney brings his typical “Chesney” to the party. There’s nothing extraordinary here, but it’s a fun song that I never switched off whenever it came on the radio.

26) Jon Pardi – Heartache On the Dance Floor

I WANTED to chart him with his megahit “Dirt On My Boots”, but it was officially released at the end of 2016, so it didn’t fit the rules. Had that been available, Pardi would be in the Top 10 of this list EASILY. That said, “Heartache” isn’t a bad song, but it’s not the best thing he had on radio this year. He seems to be another country artist who really wants to bring back “country”, which is why “Heartache” is something of a departure in his young career.

25) Scotty McCreery – Five More Minutes

Forgotten American Idol winner Scotty McCreery tried to return to the spotlight with this song, which got lost on the charts because it was released while he wasn’t attached to a label. It’s a bit of a tearjerker if you really listen to it, focusing on how life is short and we always want the best times to last. It’s a shame it fell through the cracks, as it’s something of a thematic companion to the Tim McGraw classic “Live Like You Were Dying”.

24) P!nk – What About Us

P!nk is such an interesting artist. She went from “The Chick Who Clearly Dates Black Guys” to “The Chick Who Might Be Married to a White Supremacist” in the span of about 15 years. She was wild and free and now she’s married and a mom. I do like that she’s matured into her vocals, as she just did a bunch of rap-singing early in her career. She’s got chops, and they’re definitely on display here.

23) Garth Brooks – Ask Me How I Know

Yes, this is a Garth Brooks song, and yes it went to #1 on the Country Airplay chart. At the end of the day, though, it’s not a great song, and it’s definitely not one of the great Garth songs. I honestly think it went to #1 because the industry wanted to throw him a bone since he’s Garth, and the fact that his “comeback” single, “Baby, Let’s Lay Down and Dance”, tanked. A Garth Brooks song, in this day and age, should make an impact and this song really didn’t. It had to WORK to climb that chart. I can’t hold it against Garth, though, that it didn’t perform. By any other artist, it’s a decent song. It just isn’t Garth Good.

22) Devin Dawson – All On Me

If I didnt know better, I’d swear this was Gavin DeGraw, and I LOVED Gavin DeGraw. If this is gonna be Dawson’s sound, then he’s got a new fan for his entire career.

21) Zedd, Alessia Cara – Stay

Over the summer this song was everywhere, especially in an iHeartRadio commercial that stayed in rotation, so it kinda burrowed its way into my brain. For me, the real gem is the chorus. It’s got a weird staccato that I like. I could do without the verses and just take the chorus on repeat, to be honest.

20) Thomas Rhett featuring Maren Morris – Craving You

Maren found a way to sneak onto this chart twice (you’ll see what I mean later), as she provides an assist on this song. She’s not in the original version, as it was never intended to be a duet. She was brought in later to punch it up, and I think it helped. I probably would’ve ignored this song if my daughter didn’t love it and request it a thousand times this year.

19) Bruno Mars – That’s What I Like

I didn’t realize this was Bruno when I first heard it, as it’s something of a new sound for him. I think I liked his old stuff better, but you can’t deny this song makes you move. Plus it’s got a catchy chorus.

18) LANCO – Greatest Love Story

The best songs tell a story, and this one does it in spades. It’s a musical coming of age tale, as it follows a relationship from high school to post college. I’m sure it’ll become a staple for a lot of weddings where the couple jumped through a lot of hoops just to rekindle their love and discover they were meant for each other.

17) HAIM – Want You Back

I LOVE HAIM. To me, they’re a real life Josie & The Pussycats. Love their sound. This is the debut single off their long-awaited sophomore album, and I see no sign of a Sophomore Slump here.

16) Portugal. The Man – Feel It Still

This song is EVERYWHERE. Movie trailers, commercials for Vitamin Water. It’s the Two Princes of the 21st century. That said, it’s just a one-off song from the group’s EIGHTH album. They’ve put out 8 albums and this is their first big break? Yeah, next stop: One Hit Wonderville. I mean, without “Please, Mr. Postman” as its basis, there’s really nothing there. It’s a weird cover/sample hybrid, but it’s catchy and has certainly made its impact on 2017

15) Maren Morris – I Could Use A Love Song

Another artist with crossover potential, as it always seemed like Maren used country as a way to enter the industry, but has never truly felt country. It’s like I used to always say I’d enter the industry as a Christian pop artist ’cause it has the lowest barrier to entry, though crossover is more difficult. Anyway, this song isn’t as soulful as her debut “My Church”, nor is it as bouncy fun as the follow-up “80s Mercedes”. What it is, however, is a slow ballad with a great two-step beat to it. She’s done better, which is why the song is where it is here, but that doesn’t make this a “bad” song by any means.

14) Luke Bryan – Light It Up

Oddly enough, this isn’t what I’d call a “good” song. It’s a catchy song and that’s what got it on the chart. At the end of the day, though, it’s gimmicky. As my wife Lindsay pointed out, it’s the kind of song that wouldn’t even work 20 years ago because it’s so steeped in cell phone culture. I hated it when I first heard it, but it quickly grew on me. It’ll hit #1 because, well, every country song eventually hits #1, but it won’t really be deserved. Industry-wise, it’s a Top 10 song, but it ain’t a #1 song. To me, it doesn’t even break the year’s top 10. It does have crossover appeal, though, which could happen once the world gets to know him better from the American Idol reboot.

13) Justin Bieber featuring Luis Fonsi and Daddy Yankee – Despacito (Remix)

The original puts your high school Spanish to the test. Eventually you realize you’re just singing “taco taco taco” to the melody. I somehow managed to miss the song taking the world by storm, and am a late convert. I know it was the biggest song of the year, but maybe it’s because I’m an old man now. Still it just doesn’t move me like it would’ve ten years ago. This song belongs to the young kids, which is why it didn’t chart higher.

12) Harry Styles – Sign of the Times

I looped this song for about a week when it first came out. It’s a beautiful, haunting ballad, and it surprised me because I was never a One Direction fan (In the One Direction/The Wanted rivalry, I was Team Wanted). It was so close to cracking my Top 10, but that top tier was just so stacked. I’ve heard nothing else from his self-titled album, and he could turn out to be a one-hit wonder for all I care (he won’t), but he’s left behind a damn good single.

11) Sam Hunt – Body Like A Back Road

This is one of the few crossover successes of the year, as folks are learning they love Sam no matter what genre he might fall under. So many interesting lyrics here. He’s got a “girl from the south side, with braids in her hair”. Then, “Got hips like honey, so thick and so sweet. It ain’t no curves like hers on them downtown streets”. Is Sam dating a sistah?! And he didn’t even give us an official video to answer the question! This isn’t even his best song, but it’s all we got from him this year. Honestly, due to its popularity, it probably should’ve cracked the top 10, but I have two issues with it: 1) it’s too damn short at 2:48 and 2) it ain’t got a bridge. What is it with modern country songs just simply ignoring the bridge in song structure?

10) Lady Antebellum – You Look Good

This song is such a play against type. They might be considered a country group, but this is blue eyed funk. The only reason it’s lower on the list is because I gradually grew tired of it over the course of the year (it was released in January). This really should’ve been a crossover hit for the group, but something just didn’t happen for them here. I’m also amazed it never hit #1 on the country airplay charts, given some of the songs that hit the top of the chart this year. I guess country radio couldn’t give it the push it needed, while non country radio wanted no part of it. Sad outcome for such a great single.

9) Blake Shelton – I’ll Name The Dogs

I loved Blake before he got all the heat for People’s questionable choice of him as Sexiest Man Alive. This is far from his best song, but it’s a simple cutesy song with a cute message. Not sure it’s a wedding song as much as the video would like to imply, but I do like the whole “simple folk” partnership on display in the song. That chorus works its way into your brain and just doesn’t get out.

8) Brothers Osborne – It Ain’t My Fault

It just drives so hard, and if you ever hear them play it live, they stick an 8-minute guitar solo right into the middle of it. And don’t even get me started on that church choir! Hailing from Deale, Maryland, they’re local boys who made good and I’m glad this song made such an impact for them.

7) Morgan Wallen – The Way I Talk

Being eliminated on The Voice is probably the best thing that could’ve happened to Wallen’s career. Right now, he’s got a new single with Florida Georgia Line, but this is where it all began. I relate to this song more than folks realize, but I just love the structure of it so much. It’s got a laid back swing til you get to the chorus, which still manages to maintain the laid back flow, while also somehow being rapid fire.

6) Luke Combs – When It Rains It Pours

A catchy chorus wins out every time. It’s a little redneck ditty, but it grew on me quickly, plus I like the spin he puts on the whole “when it rains it pours” adage. He almost made the chart twice, with his debut single “Hurricane”, but I wanted to spread the wealth. Let’s just say Combs hit the ground running, and clearly has a promising country career ahead of him

5) Midland – Drinkin’ Problem

When you think of “country”, this is probably what comes to mind. The funny thing is their whole thing is manufactured. One of them used to be an underwear model, for God’s sake, while another won an MTV VMA for directing Bruno Mars’ “Locked Out of Heaven” video. They’re basically cosplaying as country artists. They met at a wedding about 2 years ago, and they’ve barely paid their dues. Still, they’re opening for Faith Hill, Tim McGraw, Thomas Rhett and Little Big Town, plus they’re providing a throwback sound that isn’t prevalent today.

4) Fall Out Boy – The Night Begins To Shine

There’s a long story behind this one, so sit down and relax. You see, this song was actually written in 2005, as the band B.E.R. had recorded it for a music library (Think stock photo library but for music), and the song just sat. When the producers of Teen Titans Go! needed to fill time in an episode that was running short, they featured 10 seconds of Cyborg lip syncing to the song. It quickly became a fixture of the show, culminating in the Teen Titans Go! The Night Begins To Shine special earlier this year. It actually hit #23 on the Billboard Hot Rock Songs Charts for the week of 8/26/17. My favorite version, however (and the one actually released this year), is the Fall Out Boy cover from the special heard here.

3) The Weeknd featuring Daft Punk – I Feel It Coming

I love when artists get songs that clearly would’ve gone to MJ were he still alive. This has a Bad deep cut vibe to it that can’t be denied. As I said earlier, I’m a recent convert to The Weeknd, so is all his stuff like this? If so, then sign me up!

2) Little Big Town – Better Man

This is the only way Taylor Swift was getting on this chart, ’cause I thought everything on Reputation was garbage. This song is gorgeous, yet I’ve spoken to a lot of folks who felt that knowing that Taylor wrote it kinda negatively impacted the song for them. The harmonies are beautiful, and the tempo is just perfect. This song really helped to put Little Big Town on the map as more than just “The Group You Call When Lady Antebellum’s Busy”

1) Sam Smith – Too Good At Goodbyes

It’s just beautiful. It’s the kind of thing we’ve come to expect from Sam, and he doesn’t disappoint. To me, it’s the sonic successor to Jon Secada’s 1992 hit “Just Another Day”. It came out a bit later in the year, but I feel it’s the absolute best the year had to offer.

Well, those are the songs that got me through 2017. I especially love that we got a video that gave us this still, which just might be the most 2017 thing of all:

Hear anything you like? Got any songs you’d like to throw on the pile? Let me know in the comments, or catch me on social media!

01st Dec2017

West Week Ever: Pop Culture In Review – 12/1/17

by Will

Welcome back! I took last week off, to give thanks and all that jazz (you weren’t gonna read it anyway!), but we’re back with a TON to talk about. So, let’s get to it!

HarassmentWatch (TM) Update

I’m so tired of writing these blurbs, but these dudes just can’t seem to keep their dicks in their pants. Just as last time, there are so many that we’ll just use bulletpoints:

  • John Lasseter – The Chief Creative Officer of Walt Disney and Pixar Animation announced that he is taking a six-month leave of absence following some “missteps”, including his penchant for giving long, awkward, unwanted hugs to female employees. Still, it seems like he kept his dick in his pants, so the Pixar brand isn’t completely tarnished.
  • Ryan Seacrest – A former stylist is saying that Seacrest engaged in a series of sexually aggressive behavior towards her, and she was demanding $15 million to not go to the media with the allegations. Guess he didn’t pay (He denies the claims). So, you think when he allegedly exposed his penis to his stylist, he announced “Seacrest OUT!”?
  • Nick Carter – The youngest Backstreet Boy was accused of sexually assaulting Melissa Schuman of the girl group Dream back in 2002. Schuman alleges that Carter took her virginity in the bathroom of his Santa Monica apartment while her friend waited in the next room. He has released a statement that anything that happened between them was consensual, and emphasized that this is the first he’s heard of these claims in the nearly twenty years since it allegedly happened.
  • Russell Simmons – Russell, Russell, Russell…First, former model Keri Claussen Khalighi accused Simmons of forcing her to have sex with him, when she was 17, WHILE Brett Ratner watched and did nothing. Simmons responded that everything that happened between them was consensual. So, just so we’re all on the same page, he basically said, “I didn’t RAPE rape her. I just statutory raped her. But she was cool with it, and so was Brett.” As if that wasn’t bad enough, Lena Horne’s granddaughter/Sidney Lumet’s daughter, Jenny Lumet, wrote a guest post at The Hollywood Reporter detailing how Simmons had sexually assaulted her in 1991. Simmons again said that his recollection of the night differed from hers, but offered a halfhearted apology. Yesterday, Simmons announced that he would be stepping away from all of his companies to “commit myself to continuing my personal growth, spiritual learning and above all to listening”. Uh-huh. Meanwhile, HBO is scrubbing all mention of, and appearances by, him in their upcoming Def Jam Comedy reboot, All Def Comedy.
  • Garrison Keillor – The women of Lake Wobegon can sleep easy tonight, knowing that Garrison Keillor has been fired from Minnesota Public Radio following allegations of inappropriate sexual behavior. As a result, MPR is cancelling distribution of reruns of Keillor’s creation, A Prairie Home Companion, and the new episodes will undergo a name change.
  • Charlie Rose – The bloom is off the rose, as Charlie was was fired from CBS This Morning AND his PBS show was cancelled, following allegations of sexual harassment and groping over the past 20 years. Rose said that he didn’t believe that all of the allegations were true, so clearly he did some of it. Apparently he liked to walk in front of women while naked. Ya know, ’cause ladies love seeing 75 year old balls swinging low.
  • Glenn Thrush – The New York Times star reporter was suspended following allegations that he had sexually harassed younger female colleagues. Since many of the incidents were influenced by alcohol, Thrush announced that he would be entering a substance abuse program.
  • Andrew Kreisberg Update – Warner Bros has officially fired the Supergirl/The Flash showrunner following the reports of his sexual harassment of NINETEEN men and women.
  • Jeffrey Tambor Update – Tambor officially left the Amazon series Transparent when it became apparent that the attention to him was negatively impacting the show.
  • Al Franken Update – Franken was removed from the PBS special David Letterman: The Kennedy Center Mark Twain Prize following the allegations against him, as two more women have come forward with claims.
  • Gary Goddard Update – Following the allegations that he molested ER/Top Gun star Anthony Edwards, Goddard announced he is taking a leave of absence from his entertainment design firm The Goddard Group so that the company can continue on without being affected by the recent spotlight on him.
  • Matt Lauer – Shocking everyone, NBC fired Lauer from The Today Show Tuesday night following a complaint lodged against him by a female colleague. Having hosted the show for the past 20 years, a Variety story reported that Lauer had given a sex toy to one female colleague, and had a special button under his desk that would lock his office door when women would enter. Oh, and he used to love to play Fuck, Marry, Kill with staffers, letting everyone know who he’d like to sleep with. It’s unclear if he will be paid the remainder of his two-year, $50 million contract set to expire next year.

Not all the crazy news this week was confined to men whipping out their penises. Nope, incoming Marvel Editor-In-Chief CB Cebulski said, “Hold my beer”. You see, comic industry muckraker Rich Johnston uncovered that Cebulski had written Marvel comics under a pseudonym 13 years ago. This was bad for TWO reasons:

  1. Marvel employees were forbidden from taking on creative work on top of their salaries at the time
  2. He pretended he was a Japanese writer, named Akira Yoshida, during a time when Marvel was looking for an authentic Japanese voice to lend some of that manga flair all the kids were loving to their books.

Now, the pseudonym thing doesn’t bother me so much. I don’t talk about it too much lately because it’s been ten years now, but I took QUITE the pay cut to work in comics. Say it with me, kids: There’s NO money in comics. Sure, you might end up writing Spider-Man or Batman for 10+ years, but that job security is few and far between. A lot of publishers/companies know that you love the product, so figure you’ll work for peanuts. And many will. It’s amazing what you’ll give up for free Dynamite Entertainment comps and a trip to San Diego. I know several folks who are working for comic companies and publishing comics. Conflict of interest out the ass, but you do what you’ve got to do to survive. Why? Because there’s NO money in comics. Now, one could say, “Then why not get a better job?” Well, I did. I’m just giving you the lay of the land.

No, the worst part of the whole Cebulski thing is the ethnic deception. Why a Japanese writer? Why couldn’t he just publish as “Rick Jones”, and everyone would have a good laugh? Well, EVERYONE loved manga at the time, and I guess he saw his opening. That leads me to another problem, though: How did this random guy, right off the street, manage to get high profile gigs like Thor and Wolverine miniseries? He was an unproven talent who hadn’t paid his dues. Nobody had even heard of him, but Marvel just rolled out some of their highest profile characters instead of giving him a Power Pack series or something? Nah, I call foul! I don’t think he’s the only one who knew about this secret, and I’d even wager that it goes all the way up to Quesada. Look, as a Marvel employee, Cebulski used his experience to know exactly to whom and how to pitch his stories. And to top it all off, he trotted in a random Japanese dude to help support his ruse. Apparently he introduced a Japanese translator to several Marvel staff members, leading them to believe that had actually just met Yoshida. At the end of the day, Cebulski took advantage of a program meant to seek out diverse voices, and he turned out to be just another White dude writing comics.

I’m AMAZED that Marvel hasn’t issued a statement yet, but here we are, 4 days later and nothing. Cebulski was set to start work on Wednesday, but I just don’t know how that’s gonna work. I don’t know how Marvel can move forward with that kind of heat on him. I say they demote him back to his old job of VP of Brand Management and Development, and quietly ship him back to Asia. Then, they give senior editor Tom Brevoort the EIC gig, which he’ll only hold for a short tenure of about 1-2 years. While that’s going on, they resume their search for a permanent replacement. That’s what I’d do, at least…

Fergie will host Fox’s new musical reality show The Four: Battle for Stardom, and if you’ve ever seen her cohost New Years Eve with Seacrest, then you know this is a horrible idea. Her hosting probably isn’t the worst thing about the show, however. You see, the show starts with the four finalists in place, so you already skip the schadenfreude of the audition stage that brings in all the ratings. Then, each week, the finalists will have to maintain their standing, as they’re challenged by random singers thrown into the mix. The judges (though they aren’t called that) are Diddy, DJ Khaled, Meghan Trainor, and record exec Charlie Walk. The prize is that this panel will help the winner become a breakout star. You know, because Diddy’s been such a starmaker in recent years. And Meghan Trainor’s gift to pop culture was her hit signalling her love of Black guys (c’mon, listen to “All About That Bass” and get back to me). If the actual relevant stars of The Voice can’t make a household name, I don’t see how these guys are gonna do it. Luckily it’s just a six-episode season, though, so it won’t stick around long enough to get tired.

My favorite current cartoon, Teen Titans Go!, celebrated its 200th episode and boy was it…disappointing. Seriously, I know a lot of you already hate the show, so this won’t come as much of a surprise to you, but I really expected something great. In the double-sized ep, the Titans enter the real world as their world begins to disappear. It’s then that they meet the animators behind the show, who reveal the show’s writers haven’t provided a script for episode #200. The animators are glad to have the break, as it’s a grueling work schedule, but the Titans will fade out of existence if a script isn’t written soon. There are cartoon cameos by everyone behind the show, as well as some of their family members. I guess it was “cute”, but it was also really self-indulgent (a fact they even acknowledge). I wish they had sat on the far superior “Night Begins to Shine” special and used it as the 200th episode celebration.

Things You Might Have Missed This Week

  • I guess Billy Ray Cyrus has come down with another case of Achy, Breaky Heart, as CMT has cancelled his sitcom, Still The King, after 2 seasons
  • Speaking of CMT, they also announced that the upcoming 6th season of Nashville will be its last. Parent company Viacom is moving to unscripted programming for most of its networks, as its cheaper to produce.
  • The crowd has spoken, as Jeremy Piven’s Wisdom of the Crowd has essentially been cancelled amid sexual assault allegations against the star.
  • A Harley Quinn animated series being developed by the guys behind Powerless for DC’s streaming service. Remember anything good about Powerless? Yeah, neither does anyone else. Pass.
  • Fox has ordered 6 more episodes of Ghosted, and is bringing in The Office showrunner/Toby, Paul Lieberstein, to run the show. They say it will go through a tonal change, and become more of a workplace comedy.
  • Speaking of Fox, the soon-to-be-cancelled LA to Vegas will premiere January 2nd.
  • This Scooby ain’t got no Doo: Ashley Tisdale’s Blondie Girl Productions, in conjunction with Warner Bros Home Entertainment, is developing the live action Daphne and Velma. To be released next year, the movie features Daphne (Sarah Jeffrey) and Velma (Sarah Gilman) as they fight zombies. Um, OK.
  • Jersey Shore Family Vacation was announced, which will reunite most of the original cast of Jersey Shore, and will premiere on MTV in 2018
  • There are reports that Kiersey Clemons may be replaced as Iris West for Flashpoint. In other news, somebody thinks Flashpoint is still getting made.
  • The Good Place has been renewed for season 3 at NBC. If only the real world were in The Good Place right now…
  • There was an Arrowverse crossover. I hear it was good. I missed it. Will report back once watched.
  • Chinese actress Liu Yifei has been cast as the lead in Disney’s live action Mulan. I hear they only went with her because Dakota Fanning and Chloë Grace Moretz had scheduling conflicts.
  • Seth Meyers will host the Golden Globes – you know, the awards that folks only care about because they think they predict the Oscars outcomes.
  • A whole bunch of people were nominated for Grammys, but I’ve never heard of most of them because I am an old man now.
  • The next Hellboy film will be released January 11th, 2019. Some folks feel like the movie is being “dumped” in January, but it’s not like it has the star power to open on Memorial Day or anything.
  • Lizzy Caplan is in talks to be the female lead in Channing Tatum’s The Little Gambit That Could X-Men spinoff film
  • Dove Cameron has been cast in a mysterious role on Agents of S.H.I.E.L.D., which returns to airwaves tonight.
  • Michael Green and Bryan Fuller are out as showrunners of American Gods at Starz over budget concerns. Season 1’s budget ballooned to Game of Thrones levels, and Starz ain’t got HBO money like that…
  • Not that anyone cares, but Miss South Africa Demi-Leigh Nel-Peters won the Miss Universe title. Can’t really claim to be Miss Universe if Earth is the only contestant. Just sayin’…
  • In an interview with The New York Times, Jay-Z confessed that he cheated on Beyoncé because he was in “Survival Mode”, whatever the fuck that means. Here’s to all the guys telling their girls about Survival Mode Sunday morning, after they fucked up the night before! Good luck with that!
  • The character of Morgan, portrayed by Lennie James, will be migrating from The Walking Dead to the prequel series Fear The Walking Dead. In 5 years, he’ll join the cast of the prequel’s prequel, The Toddling Dead.
  • Suits star Meghan Markle is engaged to Prince Harry of Britishtown. We up in a castle now, baby!
  • Jennifer Hudson has requested a protective order against former fiance, wrestler David Otunga. Otunga got pissed because he alleges she was sleeping with her producer while he was home, taking care of their kid. But one look at Otunga and there’s no way she’s not getting that protective order. The system is broken, y’all.

I did two podcasts this week. Hell, I did two podcasts in one night! I was a podcast gigolo. After a 7-year absence, I made my grand return to Superhero Time. Back when I was on before, it was still a Power Rangers/Tokusatsu podcast. Now, however, they talk about Star Trek. My kind of guys! So, we discussed the Star Trek: The Next Generation episode “Rascals”, where Picard and a few others are de-aged into their pre-pubescent selves, and hi-jinks ensue! It’s a great episode, so if you like Trek or just like my ramblings, then definitely check it out. Then, I hopped over to the 3 Black Geeks feed for their Morphin Metacast Podcast, where we discussed the debut series of the Neo-Saban era, Power Rangers Samurai. The link’s not up yet, but I’ll post it next week.

So, based on the fact that Kevin Feige is calling Avengers 4 a “finale” of sorts, it’s piqued my curiosity about that film. Still, that’s over a year away, and we’ve still got another Avengers to get to first. Yup, this week we got the first trailer for Avengers: Infinity War. Watch this shit, man:

Did you see it? DID YOU SEE IT?! I don’t want to be called a Marvel shill, but how can you watch that, after having seen all the MCU films before it, and NOT get excited about it?! Sure, folks have issues with the look of Thanos (he does look like Bruce Willis ate some bad shrimp), but that’s just nitpicking. Plus, the trailer release had the desired effect of making comic fans ask “CB WHO?”, as they quickly forgot about the controversy from earlier in the week.

I can’t wait for May. My daily prayer has been, and will continue to be, “Lord, please don’t let me die before Infinity War”. I think He understands. Anyway, it goes without question that the Avengers: Infinity War trailer had the West Week Ever.

Wait!

 

There’s more!

 

OK, before I leave you, I have to announce that there is a big change coming to the multiverse very soon. That’s right, a new West will debut in May! Stay tuned!

27th Oct2017

West Week Ever: Pop Culture In Review – 10/27/17

by Will

Work is killing me right now, so I had to take a week off. As we return to our regularly scheduled program, I thought we’d take a closer look at what I’ve been up to in the world of pop culture.

Two weekends ago, my buddy @classickmateria and I journeyed up to Oaks, PA for Retro Con. I believe this was the 5th year of the show, and I’ve been to four of them. If you’ve never heard of Retro Con, they describe themselves as ” a pop culture and memorabilia show catering to anything considered ‘retro’, especially the 80’s! Transformers, Star Wars, GI Joe, Ghostbusters, He-man, classic video games, etc..”

After attending for 4 years, I have mixed feelings on the show itself. I’ve been to SDCC, so I’m a bit of a con snob. As a convention, it’s a shitty show. It has never really deserved to be a 2-day affair except for the fact that it’s located in the middle of nowhere, so you’ve got to find a way to justify the travel. On the other hand, it’s a great meetup spot for Twitter friends. I see more folks at Retro Con than I see in any other place throughout the year, and this year didn’t disappoint. At some point during the day, I spent time with @RD80s, @LamarRevenger, @Jordamus_Prime, @3BlackGeeks, and @DeeTheBlackGeek. These regional shows are great for putting faces to screennames, so that’s pretty much what I look forward to when I go.

The problem with Retro Con is that it’s not really a convention, but rather a toy show. If you’re wondering what the difference is, it’s that a convention is more of an experience. There are guests, and panels, and a certain sort of ambiance to the venue. A toy show is usually in a place that’s not too fancy, where dealers set up their WWE folding tables and pile them high with dusty old toys. The fact that the venue looks like a really big high school gymnasium, and the WWE tables runneth over, this was a toy show. Sure, they try to have panels and guests, but it’s nothing to really write home about. This year, the marquee guests were Dirk Benedict and Dwight Schultz from The A-Team. Meanwhile, they also had voice actors Rob Paulsen and the dude who played Destro on G.I. Joe. My friends checked out some of the Q&A sessions, but I really preferred to spend my time digging through the nostalgia.

Here’s my haul from the show. With the exception of one item, I didn’t pay more than $5 for anything, so I was pretty proud of myself. Let’s take a closer look at what I got, shall we?

I collect movie-based Marvel Legends…who am I kidding? It started at movie-based, and then I added X-Men, and then I added Spider-Man, and now I basically collect them all. Now, this J. Jonah Jameson isn’t technically a Legend, but he’s the right scale, and he does a little angry dance when you push the lever on his back. So, he had to come home with me. Next up is who I affectionately refer to as “Obama Superman”. Technically, he’s Earth-23 Superman, who’s Black and also happens to be the President of the United States, who happened to debut while Obama was in office. I always kinda wanted this figure, but never wanted to pay retail for him. Little did I realize he would continue to the Black Hero Shrine I was unwittingly constructing that day. Also in this batch is The Rookie from Mattel’s Ghostbusters line. If you’re a toy guy, and haven’t been hiding under a rock, you know that the original 4 Ghostbusters have started popping up at Five Below stores. These things were originally $20 a piece, and now you can buy the team for that price. Still, The Rookie is an interesting character to me because he’s from the video game, and he has gone on to star in the comics. With the exception of Louis and Janine, he’s the only additional Ghostbuster added to the team in over 30 years. To me, he’s a Must Have, so I didn’t mind paying $10 for him complete.

This Nightwing came from a 2 for $5 table. I still don’t know what the catch was, considering this figure still goes for about $30 online. It’s the precursor to Mattel’s DC Universe Classics line, so the articulation is slightly limited. I already have the figure, but I wasn’t about to leave it behind for $2.50, so I snatched him up immediately.

To round out that Nightwing purchase, I HAD to have this doll of Black Space Jesus himself, Commander Benjamin Sisko. I have always loved Deep Space Nine, and my recent rewatch of the show has made me appreciate Sisko so much more than I did in the past. My kids are gonna need some kind of characters in fiction to look to (#RepresentationMatters), so I might create a Black Hero Toy Shrine with him and Obama Superman and Winston from Ghostbusters as a modern-day Black Jesus presentation in the living room.

I always wanted this Alex Ross DC Mythology book, but never felt like dropping $75 on it when it was first out in stores. At $5, though? It wasn’t even a question!

Finally, I really wanted a last minute deal to close the show out on. After all, I swear by the fact that dealers don’t want to take that shit home, so Sunday afternoon is when you can strike the best deals. The show closed at 4, and folks were walking to their cars. Some dealers had already packed up and left hours earlier, but the folks who were there to make money stayed put. Jordan and I did another lap around the floor, and he told me about a Castle Grayskull he’d seen but didn’t have any room for. And the kicker? The guy was going to let him have it for $5! I HAD to have it. We found the dealer, and I thought he’d try to jack up the price on me, but he said he’d offered it to Jordan for $5 so he’d honor that deal for me. SOLD!

I’m not even a Masters of the Universe guy, but I know not to leave behind a 200X Castle Grayskull when it’s only gonna cost me one figure in cash. It needs to be cleaned up a little, and it’s missing some small parts, but the electronics still work and it’s a great display piece. I’ve already got it up on some local sale sites and apps, so hopefully I won’t even own it by the time you read this. What? I ain’t got no room for this thing!

In comic news, something interesting happened to me a few weeks back. You see, I was on Twitter talking smack, as I’m wont to do, about DC’s latest event, Dark Knights: Metal. I’ve been kinda anti-writer Scott Snyder because he blocked me on Twitter a few months back, and I was butthurt about it. I figured he had seen me talking trash about his Batman run at some point and time, and didn’t like what he read.

Anyway, later that night, I get an email from…Scott Snyder. Apparently he had been doing a Twitter search for folks talking about the series, and he had come across my Tweet (odd, seeing as how I’m blocked). He thanked me for taking a chance on the series even though I hadn’t been a fan of his Batman run. Well, I was so taken aback by this that I HAD to write him back. I won’t print the emails ’cause I didn’t ask his permission or anything, but basically I told him how I had been butthurt about the blocking, and that while I wasn’t exactly a “fan” of his run, I had still bought every issue of it. I also took the opportunity to tell him how I felt his Batman “danced between the raindrops of continuity”, so it never felt like he was moving the character forward.

In any case, it was a long, rambling response, but he wrote back and apologized for the block. He said that it had probably been an accident, as he would’ve tried talking to me instead of just outright blocking if he’d read I hadn’t liked his run. He said he’d have to digest the rest later. I never heard from him again, but I’m unblocked! Now to get Amy Schumer to do the same…

In TV news, I am officially retiring from the Heroes & Icons All Star Trek programming block. If you remember, I told you a few months back of how I’d discovered the digital subchannel Heroes & Icons, and how they showed all 5 Star Trek series every night. When I first started, The Next Generation and Voyager were in their 7th and final seasons. After watching their finales, I hung on for the end of Deep Space Nine, as it’s my favorite in the franchise. When that was over, I told myself I’d finish out Enterprise because my friend Brandon swore that it was better than I thought it would be. And he was right.

Sunday night was the airing of “These Are The Voyages…”, which is the series finale of Enterprise. If you’ve never seen it, it’s a HUGE slap in the face to the Enterprise cast and fans, as it’s framed as a holodeck sequence aboard The Next Generation‘s Enterprise-D during that whole Pegasus incident with Riker. So, technically, the Enterprise crew doesn’t even appear in the episode, but rather their holographic representations do. Enterprise‘s producers once said that they wanted to give a love letter to the fans, as they knew it would mark the end of Star Trek‘s continuous 17-year run on television. Over time, however, they’ve even come to realize their hearts might’ve been in the right place, but the execution was not. In the end, Enterprise was a much better series than people claim, and it was never treated well. Hell, it didn’t even get the requisite 2-hour series finale that all the other Trek spinoffs got. Nope, they crammed 4 years’ worth of character development into one hour and a senseless death.

Anyway, I don’t retire out of anger. Not entirely. I retire because I’ve done what I set out to do. I revisited old friends, and gained a new appreciation for new ones. I’ll still check in from time to time, but it’s no longer “destination television” for me, as I accomplished what I wanted to do. When I say it’s not entirely in anger, I refer to the motley crew of fans I met while livetweeting the show. You see, Heroes & Icons set up the #AllStarTrek hashtag to use while tweeting along with the show. While doing so, I was constantly reprimanded by fans who had co-opted the hashtag. “Don’t tweet spoilers!” Um, Deep Space Nine ended TWENTY-SIX YEARS AGO. “Watch the language, as there might be children present.” It’s midnight! Put those little fuckers to bed! While there were a couple of nice people, I just came across a bunch of miserable folks who refer to themselves as “Captain” and other fake ranks I’m sure they don’t hold down at the gas company or wherever the fuck they work in real life. So, no, I won’t miss them. So, thanks for the memories, Heroes & Icons. It was nice to revisit the 24th (and 22nd) centuries for a bit, and I know where to find ya when I need ya. Oh, and new Trek ranking: DS9>TNG>Enterprise>Voyager>TOS. FIGHT ME!

Things You Might Have Missed This Week

  • We got this amazing Star Trek: Deep Space Nine reunion pic. Oh Lord, what happened to Leeta?
  • Netflix’s The Punisher will premiere November 17th – the same day that Justice League hits theaters. Marvel actually did DC a favor, because the only thing that’s gonna make Justice League look like a ray of sunshine is the goddamn Punisher…
  • Speaking of DC, they apparently want Gareth Evans to direct a Deathstroke movie.  Yup, the company that owns Batman, Superman, Wonder Woman, and friggin’ Booster Gold, thinks the world is clamoring for a Deathstroke movie.
  • Star Trek: Discovery has been renewed for a second season on CBS All Access. I have to admit I was wrong because I swore a second season wouldn’t end up on that streaming service. That’s still not enough to get me to subscribe.
  • The Han Solo Star Wars movie will be called Solo. It has no “wow factor”, but it works.
  • We basically got our first cancellation of the fall TV season, as ABC’s Ten Days In The Valley will be given a Saturday night burn-off.
  • Ryan Potter of Supah Ninjas/Big Hero 6 fame has been cast as Beast Boy in the live action Titans series
  • Speaking of Big Hero 6, Big Hero 6 The Series will debut November 20th, with a one-hour TV “movie”, Baymax Returns, which will air simultaneously on Disney Channel and Disney XD
  • And speaking of Disney Channel, Andi Mack is a series where a teenage girl finds out her sister is actually her mom. Well, to keep pushing that envelope, the show will feature the coming out of one of her best friends.
  • A Magnum P.I. reboot is being developed at CBS. $20 says they change the character to a Latina in a wheelchair…
  • I thought America got its fill of Jane Lynch from Glee/Celebrity Game Night, but apparently a daytime talk show is being developed for her for Fall 2018. This will be the 21st century’s The Marsha Warfield Show.
  • The Night Shift, which was basically the RC Cola to ER‘s Coke, has been cancelled by NBC after 4 seasons.
  • The former Joan Rivers vehicle, Fashion Police, has been cancelled by E! after 22 years.
  • Somewhere, your great grandfather is really happy that CBS is looking into reviving Name That Tune.
  • Chelsea Handler’s Chelsea has been cancelled at Netflix, yet she’s spinning it as a personal decision so that she can become more educated about politics. OK, Chelsea.
  • The Loud House creator Chris Savino was fired by Nickelodeon after sexual harassment allegations. I kinda hated this show, but it hurt me to the core when the same thing happened to the creator of Clarence. Keep it in your pants, animation dudes!
  • Because America has a short memory, Justin Timberlake will be hosting the halftime show at Super Bowl LII. Of course everyone’s wondering if we’ll get an *NSYNC reunion, but I’m more curious to know if it’ll mark the return of Janet Jackson’s nipple.
  • Zoo was cancelled by CBS after 3 seasons. I’m really amazed it lasted that long.
  • I don’t know anyone who watches it, but Preacher has been renewed for season 3 at AMC
  • There’s a live action Dora the Explorer movie being developed, with Michael Bay producing. Dora will now be a 19 year old whose exotic dancing career takes her around the world.
  • The Goldbergs aired its 100th episode this week. Between besmirching Star Trek, and the fact that Adam basically looks 20 now, I think I’m over that show. It’s kinda like how I dropped Fresh Off the Boat when I remembered that Eddie Huang grows up to be an asshole.
  • Ben “Director Krennic” Mendelsohn is in talks to be the main villain in the Captain Marvel movie. Heh, I just realized it’s probably gonna be called Marvel’s Captain Marvel.
  • Fresh off having all her footage cut out of Justice League, Kiersey Clemons will be joining the cast of TBS’s Angie Tribeca next season.
  • Vincent D’Onofrio will return as Wilson Fisk in Daredevil season 3
  • Bill O’Reilly reportedly paid a $32 million settlement for sexual harassment allegations. Remember, kids – nobody ever dropped that kind of coin for something they didn’t do…
  • Hot off the cancellation of Being Mary Jane, it’s reported that Gabrielle Union will star in a TV spinoff of Bad Boys, reprising her character from the second movie. One day I’ll get around to watching those movies…
  • Sex and the City 3 won’t happen because of Kim Cattral, who admitted the women were never friends, but hopes that the movie will go ahead, with her character recast with a Black or Hispanic actress.

I haven’t really ever been a video game guy. I owned the original Nintendo Entertainment System, and later a Playstation, a Playstation 2, and an XBox 360. But I’d never call myself a “gamer”. Still, I understand that there’s no video game character more revered than Mario. That’s why it’s a big deal whenever a Mario game is released. Well, today saw the release of Super Mario Odyssey, and the review this game is getting are incredible. I don’t own a Nintendo Switch, but now I kinda want one. I love a good Mario game, and it seems like this might be one of the best. I haven’t been online as much lately, but whenever I’ve popped on, I’ve just seen folks overhyped for this game. Sure, Stranger Things season 2 comes out today, but I think this weekend will belong to Mario. It might be a bit early to tell, but I think Super Mario Odyssey is going to have the West Week Ever.

06th Oct2017

West Week Ever: Pop Culture In Review – 10/6/17

by Will

So, I guess I’ve got to start off by talking about Vegas, huh? Ya know, it’s been really hard writing this column in 2017. Like, I’m sure some of y’all are thinking, “Man, Will is slipping” or you’ve put me in the category with The Simpsons where “This isn’t as funny as it used to be.” Sadly, it’s just the state of the world, and all I can do is my best to mine the entertainment news that still manages to trickle out. That said, it is really hard talking about pop culture in 2017.

But anyway, Vegas. Unless you’ve been offworld fighting the Jem’Hadar or whatever, then you already know some dude (not gonna name him ’cause why should I?) shot up the Route 91 Harvest 3-day country music festival, killing 59 people, and injuring over 500, in the deadliest US gun attack in history. And while this was a horrific loss of life, I’m kind of numb to these things now. I mean, sure, you wonder “Is anywhere safe anymore?” but at the same time, this is America, and these sorts of things have become somewhat annual, if not more frequent. After all, this is only the deadliest gun attack since the Pulse shooting in Miami back in June of 2016. It’s saddening and exhausting, yet nothing seems to be changing.

I’m seeing a lot of sentiments, post-Vegas, about how we’re all Americans and should now unite and, basically, “cut the bullshit”. But what does that ultimately mean? I mean, around what ideal are we uniting? It sure as Hell ain’t gun control. Or mental health. There’s no “evil foreigner” trope for us to pursue. If anything, it seems to be a plea to stop protesting and kneeling and all that jazz, because it’s “divisive”. Nah, I’m good. I know these things teach us that life is precious and we shouldn’t waste time on squabbles, but the stuff folks are mad about isn’t menial. And I think it’s gonna take more than a “lone wolf” at a country festival to sweep all the issues under the rug, for the sake of “unity”.

Anyway, as you can imagine, Vegas cast a bit of a pall on pop culture this week, and this wasn’t more evident than with the return of MTV’s TRL.

Members of the N’SYNC pose with Carson Daly at MTV Studios in New York City’s Times Square on January, 26, 2000. (photo by Todd Plitt)

Originally Total Request Live, the video request countdown was a powerhouse on the pop music landscape at the turn of the century. It put Carson Daly on the map, and it was what everyone watched when they came home from school (unless they were watching 106 & Park). You weren’t shit if you didn’t stop by TRL to promote whatever new project you had coming up. It was THE place to be. Then the internet got bigger, and you could watch music videos whenever you want on YouTube (and later Vevo). So, the show packed its shit and left us in 2008.

Feeling a bit of nostalgia, I suppose, Viacom decided to revive the show this year with a team of hosts. With the internet being what it is now, surely it’d be more interactive than the original. What nobody told us, though, is that it wouldn’t have any videos!

Monday’s premiered chugged along, despite having to deal with a national tragedy and experiencing technical difficulties, and didn’t air a single video. Yeah, they still make videos. CMT plays ’em, so at least they’re still viable for country. Taylor Swift and Katy Perry still make them. There are videos out there, yet the show known for its video countdown ain’t got no videos! Exactly WHAT is the audience expected to request? Instead, the show featured live performances from Ed Sheeran and Migos, and displayed some awkward banter between the hosts as they tried to fill out the intermittent silences.

People have said “What’s the point of then showing videos if you can get them online?”, and while that’s true, I’d counter with “Then why bring back the show at all?” Imagine if VH1 revived Pop-Up Video, but didn’t actually do the pop-ups because “folks do that better on YouTube now”? That would be a useless show. And in an age where MTV seems to want to get back into the music business somewhat, and they still host an awards show for music videos you’d think they would see this TRL reboot as a golden opportunity. Anyway, maybe they’re just experiencing first week growing pains, but things certainly don’t look all that great for this incarnation at the moment.

Another way that Vegas affected pop culture is that Netflix pulled their Punisher panel that was planned for this weekend’s New York Comic Con. While some folks are asking “What’s that gonna change?”, I selfishly applaud the decision. I say selfishly because I don’t understand anyone who holds The Punisher as their favorite comic character. At least no one over the age of 13, that is. Why, in this day and age, is he still a thing? Sure, he has his roots in the whole Dirty Harry/Death Wish popularity of decades past, but let’s not forgot that comic are just power fantasies. So who does he appeal to?

If you’re not familiar with The Punisher, Frank Castle was originally a Vietnam vet whose family was murdered because they witnessed a killing in Central Park. He then begins his one-man war on crime. Sure, this was “cool” in the 89s, but now? Do you really wanna give a Vietnam vet with a screw loose a bunch of weapons? Shit, most of y’all wouldn’t even give him a dollar!

In recent years, they’ve tried to make him more “comic booky”, sending him after Hydra and having him somewhat idolize Captain America, but at the end of the day, he’s not a good dude. And it’s not like he does it in a funny way, like Deadpool (and I’ve got thoughts about that, too). He’s so “ripped from the headlines” that I’m surprised there aren’t Punisher copycats running around in the streets.

They say that every character is somebody’s favorite, but if yours is Punisher, not only do I want to know who hurt you, but I’m also afraid of you. We’ve got comic retailers pissed that Iron Man is currently a Black girl, or Captain America was a Black man, but don’t bat an eye that there’s this White dude who’s been on a killing spree since the mid 70s. I just don’t know if we need that character anymore.

Anyway, enough Vegas talk. Over at ABC, they finally locked their judges panel for the American Idol reboot and I’ve got problems with it.

The lineup on the judges panel will be Katy Perry, country star Luke Bryan, and 80s superstar Lionel Richie. And my problem is that these judges are current recording artists, so what’s to keep them from torpedoing the hopes of a contestant that they night see as competition? We already know Katy’s petty from her feud with Taylor Swift, so I wouldn’t put it past her.

When the original Idol aired, the judges were comprised of a producer, a hasbeen, and a pop music magic maker. None of them were active recording artists. The only show that has active recording artists as judges is The Voice, and notice how that show has yet to produce a household name after 13 seasons. Not even in the first season, where all eyes were on this newfangled show to see what it was all about, did the winner become a “star”. That show has always been, and will always be about the judges. You think Blake Shelton is gonna choose someone who might compete with him over a CMA? No the fuck not!

Katy’s experienced a lot of success, but I don’t know if she’s really anyone to be judging singing. Despite the fact that she’s the biggest star on the panel, and making the most money, Katy fills the Paula role, as she’s more of an entertainer than a vocalist. Luke, while he’s paid his dues in the country industry, is still a novice to stardom. Not really sure what advice he has to offer the next generation of stars. And Lionel is just there to fill that Randy Jackson, elder statesman role. If you’ll notice, the panel is missing a Simon. There’s no one there who truly understand the behind the scenes aspect of the industry. How to package an artist, how to match them with the right songs, etc. Katy has been packaged, and Lionel has written songs, but there’s no “godfather” on the panel, which I think will be to the show’s detriment.

In comic news, it was announced at NYCC yesterday that DC would be completely rebooting the “urban” Milestone properties, led by a new Static Shock series from Kyle Baker and Reginald Hudlin.

The minority pockets of comic fandom have been claiming for years that they’d support a Milestone reboot, so now it’s time for them to out their money where their mouth is. Frankly, I don’t believe them. It’s the “woke”, socially conscious thing to say, but when you’re faced with paying $3.99 a month for Static, your attitude is gonna change.

Several companies have tried to fill the void left by the Milestone books, and the only one that has come close to succeeding is Lion Forge’s current Catalyst Prime universe. While it’s still very early to tell where this imprint might go, they’ve delivered a quality product, with known creators, and even their footprint doesn’t seem to be that large. Retailers are ordering conservatively, as they, too, aren’t sure how things will shake our. Sure, Milestone will have DC Comics money behind it, but is DC giving then just enough rope with which to hang themselves? I guess time will tell, but I’m not overly optimistic about their chances. Plus, there have been so many bait & switch Milestone announcements over the years that I’ll believe it when I see the books on shelves.

Speaking of DC, there are reports that they’re backing away from their shared DC Extended Universe films, as they’ll downplay the interconnectedness going forward. While I, for one, applaud this decision, money talks, so the success or failure of Justice League will most likely dictate the future of their film universe. It’s increasingly seeming like the Flash movie will be Flashpoint, which is odd because we’re not even invested enough in the characters yet to go through a universe-changing event like that.

If you’re unfamiliar, Flashpoint was the DC Comics event that changed the DC timeline and resulted in the New 52 relaunch a few years back. Most of the DC heroes started with a clean slate, and the books picked up early in the heroes’ careers. While a Flashpoint movie wouldn’t have to be so drastic, as they haven’t really established much of that universe yet, it is interesting that they would do a soft reboot of the films so soon. My feelings is that they’ll keep what works and throw out what doesn’t. Gal Gadot ain’t going anywhere. And Aquaman is probably safe, too.

I think the biggest wild card is Affleck. It was sort of dumb for them to build a film universe around an older Batman, where the most interesting stuff about him occurred before we even meet him. I know they wanted to go all The Dark Knight Returns with his battle against Superman, and that required an older, more skilled Batman. However, Affleck and the DCEU are like a couple who’s clearly unhappy, but neither is willing to pull the trigger on a break-up. Plus, it doesn’t help that Affleck’s most recent non-DC films have been flops, so he’d be a fool to walk away from a sure thing. The films might not be universally loved, but they do make money.

Anyway, we got some character posters for Justice League this week, which is something I guess. It comes out 2 weeks after Thor: Ragnarok, yet I’ve seen almost no promotion for it, while Thor has had TV spots since late August. In fact, the only time I even remember there’s a Justice League movie coming is when I’m in the toy aisle and see those uninspired basic figures on the pegs. They’re really gonna need to pump up the hype machine in the next few weeks. With the way DC’s acting, I almost feel like they’re ready to take the L and move on to the next phase of their movie-making.

Last weekend I went to TFCon 2017, which was a Transformers convention held locally. While I had a great time finally meeting Twitter pals @briantruitt and @brock626, and catching up with my bud @FakeEyes22, the show itself was meh. Like, I can’t believe that people actually travel for that show. Imagine paying for tickets to a music festival with big name acts, only to get their and they say “Psych! Most of these are cover bands!” That’s TFCon, ’cause about 40% of the “convention floor” (AKA hotel ballroom) was nothing but 3rd party knockoff toys and Reprolabels. After all, why buy a legitimate Optimus Prime when you can buy a $70 “Supreme Leader”? I know that 3rd party stuff is popular amongst Transformers fans, but I didn’t think you could prop up a convention with it, especially since it seemed like Hasbro was starting to crack down on those knockoff peddlers. Anyway, I bought my first 3rd party Transformer, KBBMP 21+ Beetle Wasp , who is really just a large G1 Bumblebee.

Song of the Week

You know why. My a cappella group used to sing this and it was one of my favorite arrangements to sing. I tried to find our version on YouTube, but the one that’s up is the quality of hot garbage, so you get the original instead.

Things You Might Have Missed This Week

  • Film sites are teasing that “big star” Kate Winslet is reteaming with James Cameron and joining the Avatar franchise. Sorry, but she hasn’t been a star since 1997.
  • Fast 9 has been given the release date of 4/10/20, while the Fast spin-off starring Dwayne “The Rock” Johnson and Jason Statham now has a release date of 7/26/19.
  • Grammy award-winning singer/songwriter/actress Jill Scott has been cast as the villain Lady Eve in The CW’s Black Lightning. I still feel like they’re dooming this show to fail by not connecting it to the preexisting Arrowverse.
  • OJ Simpson was released from prison last Sunday morning at midnight, after serving a 9-year term. He immediately resumed his hunt for the real killers. Just kidding. He’s reportedly staying on a golf course somewhere.

  • We got a trailer for Syfy’s Happy!, based on the Grant Morrison and Darick Robertson graphic novel of the same name. While this left me with a feeling of “What did I just watch?”, this feels like it’d be more at home on FX than Syfy.
  • It seems like Universal’s Dark Universe is falling apart, after The Bride of Frankenstein just lost its release date. The actors, including Javier Bardem and Angelina Jolie, are on hold until the script can be worked on.
  • Natalia Cordova-Buckley has been upped to series regular for season 5 of Agents of S.H.I.E.L.D., so expect to see her yo-yoing through space this year.
  • Black superhero series Raising Dion is being developed by, and will co-star, Michael B. Jordan. The show has received a 10-episode order from Netflix.
  • Apparently there’s a Bob’s Burgers movie coming in 2020. Just like the show, I’ll have no direct interest in seeing it, but I’m sure I’ll eventually catch it on FXX one day and enjoy every minute of it.
  • Gore Verbinski, of Pirates of the Caribbean and The Ring fame, will reportedly direct Channing Tatum’s Gambit film spin-off of the X-Men franchise. Man, what kind of blackmail material does Tatum have to keep this movie in production?! I’ll bet it’s some dirt from his days as a stripper!
  • Bruce Willis’s Death Wish reboot has been moved from later this year to March 2nd, 2018. They claim it’s because the Thanksgiving film corridor is crowded, but it’s more likely the fact that a movie about an old White guy shooting up people ain’t so kosher right now. But we’ll have forgotten all about this stuff by March, so it’s cool.
  • The future of Nickelodeon’s Nicky, Ricky, Dicky & Dawn is in question, as they ain’t got no Dicky! Actor Mace Coronel (are we sure he’s not a video game character with that name?) abruptly left the show over the summer, and announced his departure on Instagram this week.
  • TNT announced that the upcoming 6th season of Major Crimes would be its last, despite the fact that it’s the highest rated show on the network. This is like when CBS initiated the Rural Purge, where they cancelled all their high-rated “bumpkin” shows because they wanted to change their image.
  • Alyssa Milano is developing her comic series Hacktivist into a TV series for The CW
  • Freshman ABC drama The Good Doctor has scored a full season order after only airing 2 episodes.
  • The Sonic the Hedgehog film has jumped from Sony to Paramount, and announced director Tim Miller (Deadpool) will now produce, as Jeff Fowler will be making his theatrical directorial debut on the film.
  • After 15 seasons, Pauley Perrette is leaving NCIS at the end of this season. In other news, NCIS has somehow been on for 15 years…

  • CBS is adding Will Ferrell-produced comedy No Activity to the All Access streaming service, to debut by end of year. However, Tim Meadows just joined the cast as the co-lead, so the show is already cancelled.
  • Larry Wilmore and Viola Davis are developing the comedy Black Don’t Crack for ABC, which sounds like an older Girlfriends reboot
  • Co-head writers Chris Kelly and Sarah Schneider have left Saturday Night Live to work on a pilot for Comedy Central. Kelly also wrote for Broad City, while Schneider wrote for Master of None.

  • We also got a trailer for Hulu’s Future Man from Seth Rogen. It looks funny, but Hulu doesn’t seem like the right home for it, as it feels like a Fox show.
  • Glee‘s Mark Salling issued a plea in his child pornography case. One of the stipulations of sentencing means he’ll have to stay away from events frequented by minors, such as “video arcade facilities”. Here’s hoping he not a pedophile AND a time traveler!

So, this has been a Hell of a week. One great thing about it, though, is that today is my 5-year wedding anniversary. Yup, on October 6th, 2012, I married a girl I met on the Internet, and she hasn’t killed me yet. We’ve actually been together 9 years, but only 5 in the eyes of the District of Columbia. It has certainly been a ride. She got skinnier, I got fatter. We’ve had a kid together, which is pretty cool. Sometimes I feel like said kid gets the attention that I used to get, but I’m not supposed to be jealous of a toddler, right? RIGHT?

Anyway, when things like Vegas happen, you do realize that you’re lucky/blessed to be alive, and you look at the life you’ve built around yourself. I certainly could’ve done a lot worse, and probably not much better. Look, I was a lot better at writing this kind of stuff 9 years ago, when we were both still in the “OMG, you love breathing? I love breathing, too!” phase. Life comes along, and shit gets hard. I’m not even going to lie about that. But it’s a lot easier to handle when you’ve got a good person beside you to deal with it together. So, I think the West Family is having the West Week Ever. I love y’all!

02nd Jun2017

West Week Ever: Pop Culture In Review – 6/2/17

by Will

Whoo boy! This is gonna be a controversial one this week, but I’ve got some stuff to get off my chest.

First up, there was controversy surrounding the new Wonder Woman film (in theaters now!). Theater chain Alamo Drafthouse announced women-only screenings for the film, where proceeds would go to women’s charities, including Planned Parenthood. Originally planned to be 5 screenings at the Austin and Brooklyn locations, tickets sold out instantly and more screenings were added. According to Alamo, the screenings were meant to be a celebration of “Girl Power”, and were only open to those who identified as women. Now, this isn’t the first time Alamo has done special screenings, as they have screenings for active military members, as well as for children with special sensory needs.  I’ve also heard other explanations, like the screenings give women a safe space to watch the film without having it mansplained to them the entire time. But, of course, the social media shitstorm started. A lot of folks who might be considered Men’s Rights Activists felt that this was discrimination, and that they should retaliate with all-male screenings of the next Star Wars movie.

As Twitter was dead over the holiday weekend, I tweeted that the backlash to the screening was stupid, but the screening itself is also kinda stupid. Now, hear me out: I see both sides of the issue here. Alamo wanted to make a fun exclusive event to celebrate the release of a movie starring a female superhero. That doesn’t happen every day, so it was a cause to celebrate. I’m not “butthurt” over the idea. That said, Alamo had to know they’d get this kind of reaction, as this kind of thing is somewhat of a slippery slope. “How is it a slippery slope, Will?” So glad you asked! Let’s, for a moment, propose a different kind of screening. Let’s say it was a Black Only screening of Get Out. I mean, it had a similar pedigree in that it was a Black horror/suspense film from a Black director – something that also doesn’t happen every day. You’d better believe people would have a problem with that! Sure, it could be spun as a celebration “for the culture”, meant to foster community and whatnot, but White people would shit ALL the bricks! So, as this has been great publicity for both Wonder Woman and Alamo Drafthouse, they knew exactly what they were doing when they set out to do this. In the long run, this isn’t gonna hurt Alamo or Wonder Woman one bit, but let’s not act like this was some kind of altruistic celebration of sisterhood. This was Shrewd Marketing 101.

See? I toldja this would be a controversial one, and I’m just getting started!

Let’s visit the world where Hollywood and politics intersect. You see, comedienne Kathy Griffin posted a photo of herself holding what was meant to be Donald Trump’s severed head. AND PEOPLE LOST THEIR MINDS! Trump, himself, even took time off from golfing and nudging his way to the front of photo ops to tweet about it, saying that it had affected his 11 year-old son, Barron, who apparently thought the photo was real. The backlash was strong against Griffin, who apologized hours later, but still ending up losing her Squatty Potty endorsement, as well as her CNN New Year’s Eve gig with Anderson Cooper. A lot of people seem to be in agreement of the backlash, but I’m gonna take a different approach: I don’t think the photo was that bad.

There are so many things to unpack here, so bear with me as I try to navigate through all of it. Societies have a history of burning politicians in effigy as a form of protest so, while extreme, how is this any different? Had she actually decapitated the man, and was brandishing his severed head on social media as some sort of trophy, that would’ve been too far. Like it or not, this was “art”, and you don’t really get to judge art. It can make you uncomfortable but at least it triggered some sort of opinion or emotion, which means it did its job.

I also feel like this is a situation where folks are more upset by the messenger than the message. Kathy Griffin isn’t taken seriously. We’ve put her in this box along with Andy Dick and several other unpredictable, slightly unstable comedians who at one time did a stint on an NBC sitcom. We don’t expect anything “deep” from her, because we’ve already written her off. She knows this, as she’s in on the joke. I mean, her reality series was called My Life On The D-List, so she knows she’s not a top-tier celebrity. Still, she has a team behind her, as everyone in Hollywood does, and they all decided that this was something she was going to do. Maybe she felt it’d just blow over because of her lessened celebrity status, or maybe it’s doing just what she thought it would. A friend and I were talking about it the other night, and he’s the one who made me realize it was the messenger we were blaming here. After all, if Samantha Bee had done this, liberals would be creaming their jeans about how daring and smart it was. Why? Because that’s what people expect of her. Griffin made the simple mistake of veering out of her lane, and that’s how we got to where we are now.

Now, let’s look at the photographer, Tyler Shields, whose work tends to push boundaries like this. For him, this was just another Tuesday photoshoot, and this isn’t the first time that Griffin has worked with him. I mean, just look at some of his work above. He likes weird shit, but again, it’s art and we don’t really get to police it.

Meanwhile, there’s the whole thing about Barron thinking the photo was real. That poor, poor boy. To quote Hank Hill, “That boy ain’t right”, and the family either refuses to acknowledge it or is dealing with it in secret. On the one hand, I guess I have to commend the fact that we’ve “grown” to the point of saying “Kids are off limits”, but I find it convenient that we’re adopting that stance now. Where was that when comedians were calling little Chelsea Clinton a “dog” every chance they got? Where was that when Sasha and Malia had to see the stuff folks said about them and their family? It’s a shame that Barron doesn’t know the difference between a photo and reality but, as one Tweeter put it, it wouldn’t be an issue if Donald actually lived with his son. But I digress. I think this whole thing has been blown way out of proportion to dominate the news cycle. After all, last weekend it was looking like Jared Kushner was in the hot seat, and then next thing you know, it’s Kathy Griffin this, and covfefe that.

Where to next? Oh yeah, remember Mary Kay Letourneau? She was one of the first stories of teachers sleeping with their students to hit the news. Back in the late 90s, Letourneau fell in love with her student, 12 year old Vili Fualaau, and ended up getting impregnate by him. She was convicted of child rape, served 3 months in jail, and THEN got caught having sex with Fualaau in her car just two weeks after her release. And she got pregnant again. She served 6 years that time, but married Fualaau when she got out. And they lived happily ever after…until May 9th of this year, when Fualaau filed for legal separation from Letourneau. Now 33, perhaps Letourneau simply got too old for him at 55. But the plot thickens! Yesterday, that bastion of journalistic integrity, The New York Post, reported that the separation was really just something of a scam. You see, Fualaau wants to get a license to sell pot, but he knows they’ll do a background check before granting it to him, and it wouldn’t look good to be married to a registered sex offender. He claims they’re still in love and this is just a business arrangement. So, while he awaits his pot license, he’s working as a DJ in Washington state. Too bad she couldn’t fuck some ambition into him all those years ago! Fun fact: one of Letourneau’s brothers is a foreign policy adviser to the president. He’s clearly been doing a heck of a job lately!

Still here? OK, then let’s talk about some pop culture stuff. Someone at NBC must’ve read my Upfronts post, as they just announced changes that perfectly mirror my suggestions. This Is Us will no longer be moving to Thursday, and will stay put on Tuesday nights. Meanwhile, the comedies planned for Tuesday, Superstore and The Good Place, are moving to Thursday to join Will & Grace and Great News for a 2-hour comedy block. This is how it alway should’ve been, and I’m not quite sure what’s going on at NBC. From the cancellation/uncancellation of Timeless to this new schedule scramble, it makes you wonder who’s at the wheel over there. Still, I think these are smart moves, so hopefully they’ll work out in the long run.

The hardest working man in Hollywood, Ryan Seacrest, is developing a new show. Best.Cover.Ever. will air on YouTube and will feature people singing cover songs, vying for the chance to sing a duet with the original artist of the song they sang. Hosted by Ludacris, the show will feature Demi Lovato, Jason Derulo, and Backstreet Boys to start out. Contestants are asked to upload videos of covers of “Trumpets”, “Confident”, and “As Long As You Love Me”. The artists will each choose two finalists, who will be the contestants actually featured on the show. The winner gets to duet with the original artist for an exclusive YouTube performance. It’s an interesting concept, and it requires a partnership with a streaming service to work, but I’m still not sure it’s going to be successful. I’m also surprised that it’s not on YouTube Red, where they can charge for it. After all, nobody really talks about the offerings on YouTube Red, but this is the kind of thing that could get folks talking and maybe boost subscriptions. I’m a sucker for “As Long As You Love Me”, so I’ll be keeping tabs on this just to see how it fares.

Major news in the world of pop music this morning, as will.i.am confirmed that Fergie has left the Black Eyed Peas to focus on her solo career. The news isn’t exactly a surprise, as last week it was announced that she was leaving the band’s label, Interscope, to start her own label, Duchess Music, over at BMG. It’s still a pretty big deal, though, as she’s been with the band for the past 15 years. Still, I feel like their time has come and gone. They showed up, gave the world a suitable soundtrack replacement for Jock Jams, and left their mark. However, will.i.am says they’re still together, recording new music to celebrate their 20th anniversary as a band. To be honest, I thought they were gonna be done in 2008, when they released The E.N.D., but it proved successful enough, with the hits “Boom Boom Pow” and “I Gotta Feeling”, that they just kept trucking along. Now there are rumors swirling that Nicole Scherzinger might replace Fergie in the group, which would be her third time in a group, after Eden’s Crush and The Pussycat Dolls. I swear, Scherzinger must have a tail or something, because there’s some sort of defect that’s preventing a label from being able to package her as a solo act. Always a bridesmaid…Anyway, let’s pour one out for The Duchess and her tenure with Your Grandma’s Favorite Rap Group.

Netflix founder and CEO Reed Hastings recently said that he felt Netflix should be canceling more shows. In his mind, they have too many hits, which results in creators taking fewer chances and not “swinging for the fences”. The successful shows are basically taking real estate from potential new hits. Now, it being the internet, there’s no “real estate”, per se, but it’s still marketing dollars, bandwidth, etc. It used to be that you could count on a Netflix series getting at least 2 seasons, but they just killed that with the cancellation of The Get Down after its first season. Yesterday, they followed the trend and canceled the sci fi series Sense8 after its second season just debuted last month. If the axe is swinging, I’m worried about the shows that aren’t generating a ton of buzz right now, like F is for Family and the adaptation of Dear White People. Kind of a weird problem to have, though: too much success might be making them complacent. It’ll be interesting to see how this affects the Marvel shows, as well as the Netflix perennials like House of Cards and Orange is the New Black.

There was a scary moment last weekend at Phoenix Comicon, when police arrested a man who reportedly had three handguns, a shotgun, knives, pepper spray, and throwing stars, and had a reminder on his phone that said “Kill JDF.” That’s right, folks – his plan was to kill the Greatest Power Ranger of All Time, Jason David Frank, as well as some police officers. Sidebar: can you imagine being so absentminded that you need to set a phone reminder to make sure you remember to murder your target?! Anyway, the reason police were able to capture 31 year old Mathew Sterling was because he had told his plan to some chick on social media, who then tipped off the police. Anyway, JDF continued with the convention as if nothing had happened, claiming that he wasn’t going to let fear govern his life. Meanwhile, the convention cracked down on prop weapons and banned them from the show. In fact, if you were getting your Saba or Dragon Dagger swords signed by JDF that weekend, he was posting on social media that you would have to leave them in their boxes. This has caused other conventions to look at their own weapons policies, so look for some changes coming up on the con circuit.

Song of the Week

This week, I give you “You Look Good”, but Lady Antebellum. This is just such a funky song, and could’ve been a contender for Song of the Summer had they waited a bit longer to release it. Anyway, it’s like the 2017 offspring of Santana and Rob Thomas’s “Smooth”. I really dig it, and I think you will, too.

Things You Might Have Missed This Week

  • Hailee Steinfeld is in talks to star in the Transformers spinoff, Bumblebee
  • After 14 years off the air, MTV is bringing back the MTV Beach House this summer
  • WGN America has canceled slavery drama Underground after 2 seasons
  • There are reports that Steven Spielberg is gearing up for an Animaniacs reboot
  • Fresh off the recently canceled Powerless, Vanessa Hudgens was announced as a judge on the upcoming season of So You Think You Can Dance
  • Scott Pelley is out as the anchor of CBS Evening News, and will return to 60 Minutes in a full-time capacity
  • A Sin City TV series is in the works
  • Universal is reportedly interested in Dwayne “The Rock” Johnson for the role of The Wolfman in their Dark Universe franchise
  • Speaking of Dark Universe, I called it last week: Warner Bros may sue Universal over the Dark Universe title. According to official documents, however, it appears Universal may have had the name first.
  • Charlie Heaton, of Stranger Things fame, is reportedly up for the role of Cannonball in the X-Men spinoff, New Mutants – which is now supposedly going to be a straight horror movie. Um, OK…
  • Speaking of New Mutants, Fox continues to mine Netflix shows, as 13 Reasons Why‘s Henry Zaga has been cast as Sunspot
  • Ben Stiller and Christine Taylor have split after 18 years together
  • The Ludacris-hosted Fear Factor reboot premiered on MTV this week
  • Tiger Woods was arrested for a DUI, even though he had no alcohol in his system and was found passed out in his car. He says it was the result of mixing prescription drugs, but the whole thing sound fishy

  • Sharknado 5: Global Swarming will premiere August 6th on SyFy, guest starring Charo, Fabio, Tony Hawk, and Chris Kattan. This thing is one Ted Lange appearance away from becoming a Love Boat reboot
  • Thanks to an article on Slate, we now know to pronounce the “T” in Gal Gadot’s name.

I had absolutely no desire to see Wonder Woman. While she was my favorite part of of Dawn of Justice, I just wasn’t jazzed about the idea of her starring in a World War I period piece. I mean, we already got that movie, and it was called Captain America: The First Avenger (before you history buffs come out of the woodworks, I know that movie was set in WWII: War Harder). I wasn’t looking forward to DC’s lackluster attempt at a retread of that. So, imagine my surprise when I found myself in the theater on opening night. And then imagine my surprise when the movie ended, and I realized that I LOVED it!

It might be premature to say that Warner Bros has finally righted the DCEU ship, but Wonder Woman is definitely a step in the right direction. My buddy Chad predicted that it would be the new gold standard in comic book movies, and while I don’t think it quite achieves that, it’s definitely the gold standard for the DC Universe. It’s one of the rare comic book movies where I left and didn’t really have any issues with plot holes. It was such a joy to watch, thanks to the acting of Gal Gadot. First of all, she’s so goddamn beautiful that it should be illegal for the camera to be trained on her for prolonged periods of time. Seriously, I thought I was gonna have a seizure like those kids did from that Pokémon episode back in ’99. She does such a great job playing  up Wonder Woman’s sweet naiveté about “Man’s World”, but is also a commanding presence during the battles. It’s funny how when she was cast, we were all saying “She’s too small to be Wonder Woman”, but watching her onscreen, all those doubts slip away.

Now, as much as I loved it, it’s not a perfect film. It deftly straddles the line between “suspension of disbelief” and just plain hokey, but it sort of feels like a 90s comic book movie in that way. And while Patty Jenkins may have directed it, Zack Snyder’s fingerprints are ALL OVER IT (as he co-wrote it with Allan Heinberg). I swear, I think about 60% of it was pure green screen, as I sat there thinking to myself, “This is on a soundstage. That is on a soundstage. Oh, that’s definitely a sound stage.” At points (especially during the final act), it shifts into that “Snydervision” that most of the DCEU movies are in, where it just becomes a copper-tinted music video.

Plus, I’m still not sure about the shared universe nature of the DCEU. While Marvel has almost flawlessly built their world over the course of many films, it just feels so forced with the DC movies. Whereas the MCU feels organic, the DCEU feels copycat. The framing device of the movie is meant to sort of further that idea of a shared universe, but I’m not sure it works. To be honest, I’d probably enjoy it more if I knew nothing about Dawn of Justice or the fact that she’ll pop up in Justice League later this year. She’s strong enough to stand on her own, and the rest of the disappointing DCEU almost taints her.

All that said, it’s really a great cinematic debut for the character, and young girls finally have their own big screen hero. Not to give too much away, but as the film starts, Diana is a wide-eyed little girl, and I could see so much of the audience connecting with that. I thought of my own daughter, and the fact the she now has her own hero. I think that will mean a lot to folks. As far as I’m concerned, scrap Justice League and the rest of the solo films on DC’s slate, and rush Wonder Woman 2 into production stat! For these reasons, Wonder Woman had the West Week Ever.

19th May2017

West Week Ever: Pop Culture In Review – 5/19/17 (Upfronts Edition)

by Will

 

Since this is my 4th annual network TV upfronts recap, we’re doing things a bit differently this week. So, sit back and hunker down, as this is gonna be a long one!

First up, I joined my buddy @ClassickMateria for the Classick Team-Up! Podcast last week, and the episode is now available to download. We chatted about Guardians of the Galaxy Vol 2, recent TV news, and everything else under the sun. Definitely check it out here!

Things You Might Have Missed This Week

  • Avi Kaplan quit the Grammy Award-winning a cappella group Pentatonix, because he missed his friends and family. I dunno about you, but I think that money could replace them!
  • Katy Perry has signed on as the first judge on ABC’s American Idol reboot, while there are reports that Idol finalist Chris Daughtry is in talks to join the show
  • The Big Bang Theory star Jim Parsons married his longtime partner, Todd Spiewak
  • The Flash cast member Keiynan Lonsdale came out as bisexual in an Instagram post
  • Hamilton‘s Daveed Diggs will star in TNT’s Snowpiercer pilot, based on the film, based on the French graphic novel
  • Conan O’Brien’s contract with TBS has been renewed through 2022, though no word on whether his show will switch to a weekly format as previously rumored.
  • DC stays losing, as actor Billy Crudup has left the Flash film, while it’s reported that Sam Raimi has turned down the director job
  • Power Rangers movie Black Ranger Ludi Lin has joined DC’s Aquaman film in the role of “Murk”, whoever that is…

  • Fox News personality, and former wife of California Lt Governor Gavin Newsom, Kimberly Guilfoyle has stated that she is currently being considered by the Trump Administration to replace Sean Spicer as White House Press Secretary. Gee, wonder what they see in her…
  • After 9 seasons, this weekend’s season finale will by Bobby Moynihan’s final episode of Saturday Night Live, as his series Me, Myself, and I was picked up at CBS.

  • LEGO Marvel Superheroes 2 was announced, but it won’t be on the Xbox 360, so it means nothing to me
  • In the Live Stage Show on TV department, Fox announced that they will air A Christmas Story Live in December, followed by Rent Live later in the season. Meanwhile, ABC will air The Wonderful World of Disney: The Little Mermaid Live in October

I covered a ton of renewals and cancellations that went down last week, but this week was no different, as the networks had to lock in their schedules for the fall. Here’s what’s been canceled/renewed since the last time we talked:

Cancellations

  • Shots Fired (Fox)
  • 2 Broke Girls (CBS)
  • Baby Daddy (Freeform)
  • The Great Indoors (CBS)
  • Criminal Minds: Beyond Borders (CBS)
  • Scream Queens (Fox)
  • The Odd Couple (CBS)
  • Training Day (CBS)
  • Ransom (CBS)

Renewals

  • Brooklyn Nine-Nine (Fox)
  • Speechless (ABC)
  • Fresh Off The Boat (ABC)
  • The Son (AMC)
  • The Exorcist (?! – Fox)
  • Timeless (uncanceled by NBC)
  • Law & Order: SVU (NBC)
  • Elementary (CBS)
  • The Amazing Race (CBS)
  • Quantico (ABC)
  • New Girl (abbreviated 8-episode final season, with 3 year time jump – Fox)
  • Code Black (CBS)
  • Arrested Development (Netflix)

courtesy of TVLine.com

So, as I pointed out up top, this was Upfronts Week for the major networks, where they unveil their fall schedules to reporters and critics. I’ve got to say that this upcoming season does very little for me. While last year’s presentations had me excited, this year’s stuff just looks like retreads of ideas we’ve already had or obvious film scripts that have been adapted for television. That’s something that you’re going to notice a lot this year: shows that would probably make decent movies, but aren’t something you’d want to check in on a weekly basis. The week started with NBC’s presentation, so let’s start with their new shows:

NBC

NBC renewed a big chunk of their schedule, and they’re holding a lot of their new shows for midseason (for which they didn’t give us trailers!), so there’s not a lot of new for the Fall.

The Brave – Formerly known as For God and Country, The Brave follows a multicultural team doing what I call “soldier shit”. That’s not to minimize what soldiers do; it’s just that there are certain things, like rescuing hostages, killing terrorists, etc, that are pretty much taken care of mainly by soldiers. Ya know, soldier shit. There are a lot of soldier shit shows coming this season, and this is merely one of them. We’re not necessarily in the most patriotic place right now, so I don’t know how these shows will fair. The trailer gives away the whole pilot, so do with that what you will. There’s an audience for this show, but I’m not it. Airing Mondays at 10, it’ll have a great lead-in in the form of The Voice, and its main competition in the timeslot will be Scorpion on CBS. By all accounts, it should have a fighting chance, so it’s The Brave‘s game to lose.

Law & Order True Crime: The Menendez Murders – I guess enough time has passed that this case is considered “sexy” now. Back in the early 90s, the Menendez Brothers killed their parents and it was a big deal. The brothers went to jail, where they started amassing groupies like they were in a boyband or something. I’m not even lying! Anyway, this is an anthology series, so it really doesn’t matter how it does. If it does well, we get another installment based on another real life crime. If it flops, then they can just act like it was a One & Done idea, and throw it out like all the other Law & Order spinoffs we’ve had over the years. It’s only 8 episodes long, and the timeslot goes to Chicago Med once it’s done. Anyway, it’s perched atop NBC’s newly rechristened Must See Thursday Night, with This Is Us as a lead-in, so they clearly expect big things from it. Its competition will be How To Get Away With Murder, which is by far the lowest rated of the ABC Shondaland dramas, and Shemar Moore’s S.W.A.T. over on CBS. I think it’ll do just fine.

Will & Grace – So, this show’s back. Yay? I really loved the show in its original run, but I didn’t need it back. And while I barely remember its series finale, I remember something about Will & Grace not having spoken to each other for 15 years. So, is that out the window now? Who cares, I guess. I mean, if they can bring Roseanne back with all its continuity issues (yeah, I’ll get to that), then they can pull this off. I just don’t really know what the endgame is here. I mean, besides the fact that we’re in the Trump Administration, has the world really changed that much to be reflected in this show? I mean, any rights Will or Jack were granted are basically about to be taken away any day now, but is the show even going to go there? I just don’t see the point of this one. But it’s only, like, 12 episodes and, like all of these revivals, they’ll play it coy on longevity until they see how the numbers look. It’s going up against Grey’s Anatomy, Gotham on its new night, Supernatural, and The Big Bang Theory. Now, from a socioeconomic demographic standpoint, W&G and TBBT are going after different audiences, but I feel like the W&G audience moved on to Grey’s. It’ll be interesting to see how this one plays out.

Let’s talk about some of NBC’s moves. Both Thursday night veterans Superstore and The Good Place are shifting to Tuesdays at 9 and 9:30. Now, they will have The Voice as a lead-in, but I feel like they should’ve stayed on Thursday if NBC really wanted to rebuild that night. I get that This Is Us is the breakout hit of the season, but that doesn’t mean it’s time to move it. It means it’s gonna be an uphill battle for NBC’s Tuesday comedies, as they’ll now be going up against Black-ish on its new night, as well as the Fox combo of Brooklyn Nine-Nine and The Mick. As far as Tuesday comedies go, somebody’s gonna have to flinch. The Fox shows don’t do all that well, but the NBC shows are kinda precious right now. They need to be nurtured, which is what leaving them on Thursday would’ve done. The Blacklist, meanwhile, moves to Wednesdays at 8, where it’ll go up against the moved Riverdale and Empire. I think they all have different audiences, though, so it shouldn’t take too much of a hit. Thursday got blown up, with Great News getting the post-Will & Grace slot mainly because Tina Fey. And This Is Us on its new night will now go up against Scandal *in its final season*. The balls on NBC! I get that it’s their chance to install a show that could take over Thursday once Scandal is done, but this is a risky move. Meanwhile, Blindspot and Taken are moving to Fridays where they’ll die because they’re both bubble shows that were narrowly renewed in the first place.

Fox

Next up, we’ve got Fox, where a WHOLE lot of shows are moving around. As for their new shows, they all look like interesting movies, but they just don’t grab me enough to want to be a regular viewer. Fox is really good about that. I remember loving Lethal Weapon this season, and then I didn’t watch a single episode after the pilot. I see a lot of that happening this season.

Ghosted – Wow, where to begin? Two regular guys are kidnapped and recruited by a top secret organization that investigates the supernatural. As for casting, you can’t really go wrong with Craig Robinson and Adam Scott. This show is basically Hot Tub Time Machine 3, with more of a supernatural twist. The problem, however, is that’s exactly what this should have been: a mid-budget theatrical release that later finds its audience when it airs monthly on FX. This isn’t a weekly series, regardless of the fact that Robinson and Scott have fanbases. It’s slotted between The Simpsons and Family Guy, which sounds like a good thing, but that’s where middling comedies go to die. This season alone, that slot killed Son of Zorn and Making History. Now, it doesn’t really fit anywhere else on Fox’s schedule, as its “out there” nature makes it more at home with the animation stuff than, say, with New Girl and The Mick. So, that rules out Tuesday nights, which is the only other place Fox does comedies. Another problem is that Fox Sunday night just hasn’t been strong since they abolished the Animation Domination block. The Simpsons is a decent performer, and they keep it around to break records, while Family Guy is a shell of its former self, yet they don’t want to be the network that canceled it TWICE. Last Man on Earth is constantly a show on the bubble. Sunday nights need a shot in the arm, but this isn’t the show to do it. I don’t see this one having legs.

The Gifted – This is the one everyone’s got their eyes on. A spinoff of the X-Men films, this show follows a family on the run when they discover that their kids are mutants. It doesn’t help that their dad is a former mutant hunter, so it’s his employers who are after them. I mean, it looks OK, but I didn’t wet my pants or anything. It’ll be really hard to do anything mind-blowing with a weekly TV budget, but the pilot was directed by Bryan Singer, so that’s gonna put butts in seats. Hell, if Gotham is going into season 4 (now on Thursdays at 8), I think this thing can survive. It’s probably pretty expensive, but Fox has been wanting to expand their comic offerings (after all, Black Lightning was originally meant for them), so this will be a good fit for the post Lucifer slot. Speaking of Lucifer, I never thought I’d see the day when a show about The Devil would air during the 8 PM hour (its new timeslot). I wonder how they feel about that in the Bible Belt. After all, I originally said they weren’t gonna let the show survive, and here it is entering season 3. I sure called that one wrong!

The Orville – I love the idea here, as it’s basically Galaxy Quest: The Series. I mean, it’s clear Seth MacFarlane has an affinity for Star Trek, even if he’s spent more time reenacting the Star Wars saga on Family Guy. I’d love for this show to work, but I’m sure it’s on the expensive side. Now, Seth’s got a relationship with Fox, but I wouldn’t be surprised if they canceled it. It looks like the kind of show Fox loves to cancel. Now, it’s going up against Scandal and This Is Us, but I don’t think they share an audience. However, Arrow has been moved to Thursdays at 9, which I feel is its closest competition, as far as the male 18-49 demographic is concerned. There’s no way it wins its timeslot, so the question is what will Fox consider a “success” as far as its ratings go?

So, Fox’s moves are interesting. Lethal Weapon moves to Tuesday at 8, where it’ll go against The Voice, NCIS, and The Flash. It won’t win the timeslot, but maybe it can take some of The Flash‘s audience away from it. The Mick nows leads into Brooklyn Nine-Nine, as it’s now the stronger comedy, while Nine-Nine narrowly got renewed. On Wednesday, they moved Empire to 8, hoping it’ll be a good lead-in for Star. I honestly don’t think Star is a winner, and I think the only reason it got renewed was because A) it was created by Lee Daniels and B) its initial run was too short for them to gauge whether or not it was a success. For people looking for a nighttime soap as sudsy as Empire, they’re probably gonna choose the Dynasty reboot over on The CW, airing at the same time as Star. Meanwhile, Gotham moves to Thursday at 8, where it’ll go against The Big Bang Theory and Grey’s Anatomy. I think its biggest threat, however, comes in the form of Supernatural, now at 8 over on The CW.

Fox’s midseason bench doesn’t look too strong. I’ll take a quick look at those shows:

LA To Vegas – It’s a show about the antics of a flight crew that handles the weekend LA to Vegas route. I don’t care who’s producing the thing, this is gonna be just another forgotten Fox sitcom.

The Resident – Another “young doctor doesn’t play by the rules” show. It’s got Emily VanCamp, so that’s a plus. It could work. It looks very “Fox”.

ABC

ABC didn’t really do anything too drastic, with only a couple of new shows and a few moves.

Ten Days In The Valley – Kyra Sedgwick plays a workaholic TV writer whose daughter goes missing. So, the show revolves around the hunt, and the fact that she can’t trust anyone around her, yadda yadda yadda. ABC probably feels like Sedgwick was quite the “get” after her critically acclaimed run on The Closer, but I just don’t know about this show. There’s nothing special about it. Sure, there will be twists and turns, but the fact that you can already predict those twists is what’s working against the show. Airing Sunday at 10, its only scripted competition, however, will be Madam Secretary over on CBS. I don’t think Madam is gonna destroy it, but I simply think this show is going to struggle to both find an audience and also keep that audience engaged. And what would a season 2 look like? I don’t think this is a winner.

The Good Doctor – Fresh off A&E’s Bates Motel, Freddie Highmore stars as a young surgeon with autism. It’s from the creator of House, so you kinda know what you’re gonna get there. Ya know, he’s a miracle doctor who doesn’t do shit by the book. I really like the cast, with Richard Schiff (The West Wing), Hill Harper (CSI: NY), and Antonia Thomas (Misfits). I probably won’t watch it, but it could find an audience. The trick will be whether it genuinely portrays what it would be like to be an autistic surgeon. A lot of special interest groups will probably be keeping a close eye on this one, and I think a lot of people will be talking about it. Scheduled Monday at 10, its main competition is Scorpion and The Brave. I think it’ll do fine.

The Mayor – A young rapper decides to run for mayor in order to get attention on his mixtape. Then he wins, and has to figure out how to actually be mayor. This sounds terrible. This is the kind of thing that would’ve gone straight to DVD starring fat Anthony Anderson back in 2001. I think the network was just desperate to get into bed with Daveed Diggs because of his Hamilton pedigree. While it will have Black-ish as its lead-in, it’s slotted where Imaginary Mary and The Real O’Neals went to die. Just like Tuesday 10 PM is the Death Slot, 9:30 isn’t much better. This thing simply doesn’t have legs. I just hope it lasts long enough for the rapper and Lea Michele to become a couple.

The Gospel of Kevin – This looks like a reboot of Highway to Heaven. Jason Ritter plays Kevin Finn, who supposedly “isn’t a good guy”, even though the trailer doesn’t elaborate on why someone would think that. Anyway, one night he discovers a meteor, which actually contains an angel, played by comedian Cristela Alonzo. She’s gonna be his spirit guide, as he travels to country to gain his powers and change the lives of others. Yeah, it’s in the Tuesday Night Death slot, so that’s certainly a strike against it. Typically, new shows in the Tuesday 10 PM slot fail for ABC. Agents of S.H.I.E.L.D. only survived because it was a veteran, and even it got banished to Friday. Nothing can survive at in that slot, for whatever reason, and I don’t see Kevin bucking that trend. This thing is simply too high concept, and I’m not sure America’s ready for another angel show right now. This one doesn’t have a prayer.

Let’s talk about ABC’s moves. Shark Tank moves to Sundays at 9. I don’t know about that one. I know they’re rebranding Friday nights, but now it’ll be going up against football and NCIS: LA. I think this is only temporary, as it’ll eventually find a new home on the schedule – perhaps Tuesdays at 10? One that’s kinda controversial in my mind is the Minority Block they’ve created on Tuesday night. Things kick off with the struggling Hecks of The Middle, who’re then followed up by the Asians of Fresh Off The Boat, and the Blacks of Black-ish and The Mayor. I haven’t seen something this calculated since the days of UPN. Still, I guess we should just shut up and be glad for the representation. It’s weird because ABC’s Wednesday night is their comedy crown jewel, though they’re clearly trying to take back Tuesday. It’s just a question now of how they’re branding those nights. I get that they don’t want to move Modern Family, but Black-ish benefited from the 9:30 Wednesday timeslot because, even though they were different races, the Dunphys and the Johnsons occupied the same socioeconomic class. That’s got to translate into some sort of data for ad buyers. I guess you could say Black-ish “graduated” if they feel it can survive without Modern Family protecting it, but I hate that its old timeslot was given to American Housewife, which I’m kinda surprised was renewed. On Friday, Once Upon A Time moves from Sunday, while Agents of S.H.I.E.L.D. will take over the 9 PM slot once Inhumans ends its run. A lot of folks feel like this is the death knell for both shows, since a move to Friday is always seen as a death sentence. I’ve never understood that, though, because if nerds truly have no lives, then shouldn’t they be home to watch these shows? Anyway, these shows are still on the air because they perform well on DVR/internationally, so their ratings clearly aren’t the only deciding factor.

Oddly enough, ABC’s most interesting new shows are being held for midseason. Since they won’t show up until January, I’m only gonna do some quick drive-by thoughts on them:

Alex, Inc – Zach Braff quits his successful job to start a podcast company. This is gonna look so dated when we look back on it, kinda like Selfie (remember that show?). It’s apparently going into the Sunday at 10 slot, so I guess Ten Days In The Valley will have wrapped by then. CBS will still probably have Madam Secretary, but Sunday Night Football will be over, so it’ll be interesting to see what NBC puts against it.

The Crossing – Steve Zahn is a small town cop who gets pulled into a mystery when a bunch of refugees from the future (!) wash up on his beach. I know I said I don’t like saga shows, but I really liked this trailer, and I can’t wait to see what this show is all about.

Deception – a cool as shit illusionist helps the FBI solve crimes. It’s SUCH a procedural, and there’s the whole will they/won’t they trope between him and the lady agent, but I don’t care. It looks so slick! I can’t wait.

For the People – A new Shondaland show about young sexy lawyers doing young sexy lawyer shit. It’ll be right at home in TGIT, especially once Scandal ends and frees up a slot.

Splitting Up Together – This is a movie, not a show! It’s good to see Jenna Fischer again, and I’ve loved Oliver Hudson since Rules of Engagement. It’s basically about a married couple trying to manage a “conscious uncoupling” while keeping their sanity. And there’s the slight hint that they may realize new things about each other and want to stay together. I have no idea how this is gonna go, but I’ll check it out.

Let’s revisit that Tuesday night situation, though, shall we? I feel like Black-ish is only keeping that slot warm for Roseanne‘s 8-episode run that debuts in 2018. They wouldn’t use it to kick off the night, as Roseanne‘s blue collar humor doesn’t necessarily translate at that hour, and I hardly see them bumping Modern Family on Wednesday night. So, I could see Roseanne returning to her Tuesday 9 PM roost of yesteryear. By this point, of course, The Mayor will already have been canceled, but Roseanne pairs better with The Middle than with Black-ish. I see a lot of comedy moves coming midseason for ABC.

CBS

CBS is “America’s Most Watched Network”, so they’re not making too many moves. Let’s take a look at their new shows.

Wisdom of the Crowd – Jeremy Piven, with a fresh set of hair plugs, stars as a software developer who creates a crowdsourcing app to help solve the murder of his daughter. Sounds a lot like Person of Interest, right? I mean, didn’t they have a machine that predicted crimes or some shit? I dunno. I never watched it. I just know it starred Jesus after he couldn’t get any work anywhere. Anyway, you should really watch this trailer because it contains stuff that is totally possible, and I’m not sure that’s such a good thing. It’s probably where society is heading, but the idea of crowdsourcing evidence to solve crimes just sounds like there are SO many things that could go wrong. As you see in the trailer, they’re gonna play the long game with the case surrounding Piven’s daughter, as that takes a backseat to the app being used to help the cops solve other crimes. CBS audiences are older and not very tech savvy. They don’t like when their shows get too “techy”. Sure, Person of Interest lasted 5 seasons, but take a look at Pure Genius from just this season. It was about a young tech billionaire who was gonna use cutting edge technology to cure all the world’s diseases. It was canceled after its initial 13 episode order. I know Piven can be polarizing, so I just don’t know about this one. Luckily, it’s scheduled Sunday at 8, with no scripted competition other than The Simpsons, so it should have room to breathe.

9JKL – HATE the title. It sounds like text speak or some shit. Instead, it’s about 3 apartments. Recently divorced actor Mark Feuerstein moves into apartment 9K, which happens to be between his parents, Elliot Gould and Linda Lavin, in 9J and his brother and his family in 9L. So, it’s a multigenerational, multi camera sitcom, starring a bunch of folks who tend to star in shows that are canceled. Again, I think the title hurts it, but it’s the kind of show that CBS could take or leave. The Big Bang lead-in should definitely help it, but the true test will be when Bang moves back to Thursday. I don’t think it’ll be a breakout hit, as it’s not exactly reinventing the wheel, but it might end up on the bubble and eke out a second season if CBS doesn’t have a deep bench next pilot season.

Me, Myself, and I – Oh, boy. Where to start with this? OK, we follow the main character at 3 different points in his life: age 14, when he meets the love of his life, age 40, when he’s newly divorced and trying to put his life back together, and age 65 when he’s reunited with the love from age 14. This show is doing A LOT! The casting is what makes it, though. The kid is a newcomer, but I think audiences will take to him like they did Sean Giambrone as Adam Goldberg. The 40 year old is a hapless loser, played capably by SNL‘s Bobby Moynihan. Meanwhile, the 65 year old is played by Night Court great John Larroquette. Oh, and Jaleel White must’ve spent all his Urkel money, ’cause he plays the 40 year old’s best friend. For me, the casting is what sells this show. I really want it to succeed ’cause I like everyone involved. It’s just going to be tricky to navigate 3 different time periods, and is there some sort of master 7-season plan where everything converges? I’m really pulling for this one, but its quirkiness asks a lot of its audience – especially since it’s going to dance around CBS’s Monday schedule for the first few months.

SEAL Team – More soldier shit, and this time the team is led by the sidekick from Bones, while taking assignments from Don Draper’s “third” wife. It’s the familiar trope of “They do such terrible shit out there that it’s hard for them to adjust to civilian life when they’re home.” Out of the three soldier shit series debuting this season, however, I think this one has the best chance of renewal based on the fact that it appeals to the NCIS/CSI sensibilities of CBS’s built-in audience. Fun fact: the lead role was originally going to Jesus himself, Jim Caviezel, but was recast when Caviezel left the project over creative differences. He might’ve brought the Person of Interest audience with him, but seeing as how Bones ran for 12 years (and don’t forget Angel), Boreanaz probably has a deeper fanbase.

Young Sheldon – This is such an interesting experiment: a single camera prequel to an aging multi camera sitcom. I know CBS wants to keep The Big Bang Theory machine chugging along, especially considering it’ll most likely be done in two years. I just always felt like a Sheldon was a Less Is More kind of character. I don’t need to know about his childhood because I get enough of a glimpse from his anecdotes. I feel like the audience that enjoys him actually enjoys Jim Parsons’s portrayal of him, rather than the character himself. On his own, Sheldon is kinda unlikeable, due to his lack of social skills and decorum. Since he’s on the spectrum, however, that’s all forgiven. Now, I think Iain Armitage does a pretty capable job of being a young Sheldon, but he’s also very off-putting to the viewer. I’m not sure anyone is going to root for him. Instead, you kinda feel sorry for the people in his orbit: his family, his teachers, etc. They simply live in a different world than he does. I will say that Zoe Perry does an amazing job portraying a younger version of Sheldon’s mom, played by her real-life mom, Laurie Metcalf. One of the biggest complaints about The Big Bang Theory is that its humor kinda appeals to the lowest common denominator. It might be a show about smart people, but it’s not necessarily a smart show. That said, the single camera format tends to be used for smart shows, i.e. Modern Family, Arrested Development, etc. Will the traditional TBBT audience migrate over to this new show and format? I’ll be very interested to see how this does.

S.W.A.T. – Ah, the show based on the movie based on the show. I wasn’t sure about this at first. I honestly didn’t see Shemar Moore as a leading man. I mean, he couldn’t even carry Soul Train back in the day, so how could he headline his own series? Anyway, the captain from Stargate Universe shoots a kid, and gets fired (can you believe that justice?!), so his S.W.A.T. unit is handed over to Shemar Moore. Now Moore’s forced to police the inner city neighborhood in which he grew up. There’s gonna be a lot of Black Lives Matter vs Blue Lives Matter stuff going on here. What happens where you’re both? The show is executive produced by Justin Lin (Star Trek Beyond, Fast & Furious 6), but something about this feels like a late 90s NBC show instead of a 2017 CBS series. The same way we may not be patriotic enough for soldier shit shows right now, I’m not sure this is the show that’s gonna redeem cops in a lot of folks’ eyes. It kinda fits CBS’s demographic, but they don’t do so well with the TV shows based on movies (Training Day, Rush Hour). It’s going against How To Get Away With Murder, which is the lowest rated of the Shondaland dramas, but it’s also going against NBC’s Law & Order Menendez spinoff. Even with limited competition, I don’t think this one gets a second season.

And while this isn’t going on the main network, it’s still a CBS show. Star Trek: Discovery. All I can say is “NO!” “NO! NO! NO! NO! NO!” I don’t know what I wanted, but this wasn’t it. I know some folks are so desperate for new Trek, but I want it to make sense, and I want it to be good. I knew a prequel was the wrong move because technology has come so far, so you can’t help but make it look better than The Original Series, though it should look less advanced due to when it’s set. A lot of people are gonna “cape” for it because it has a strong, Black woman as the protagonist, but those people can’t see the forest for the trees. Everything about this looks wrong to me. It’s funny that so many of us were wondering how we were gonna pirate this show, but after seeing this, I have no interest. It looks like a well-made fan film. Pass.

Looking at CBS’s moves, they really played it safe. On Sunday, NCIS: Los Angeles and Madam Secretary both move back an hour, filling the slot left by Elementary (coming back midseason), and making room for Wisdom of the Crowd. At this point, CBS is the only network with scripted drama on Sunday night, so I think they’ll do fine. Monday is in constant flux, depending on whether or not its football season. When the season starts, The Big Bang Theory will kick off the night, before it eventually moves back to Thursday, ceding its timeslot to Kevin Can Wait (which will start the season at 9 PM prior to the move). Once football ends, Superior Donuts will return to take the 9:30 slot occupied by new comedy Me, Myself, and I (which will shift to 9 PM). Whew! See, that’s CBS’s big problem: they move their “iffy” shows around so much that they can’t find an audience. 2 Broke Girls was all over the schedule this season before it got the chop. Even if folks don’t watch TV live anymore, these moves make them forget a show even comes on anymore. On Wednesday, Criminal Minds shifts to 10 to make room for David Boreanaz’s Seal Team. Thursday and Friday remain pretty much the same. Like I said, other than the Monday kerfuffle, CBS played it pretty safe while introducing more new shows that the other networks.

The CW

Finally, we come to The CW where moves abound. First, however, let’s look at the new shows.

Valor – More soldier shit, only this time it’s with overacting pretty people and a dash of PTSD. It falls into the category of something I’d watch as a movie, but I just don’t like getting on board “saga” shows these days because they have so many layers, and run the risk of being canceled before answering all, or any, of their questions. If they’re smart, this is a one season storyline, and then they’ll have to reinvent the show for season 2. That said, from what I see, I don’t think they need to be rushing to figure out a second season quite yet. Airing Monday at 9, it’ll probably get trounced by The Gifted over on Fox, as they both seem to be male-skewing shows, and I see Fox winning this round. I also don’t feel like Supergirl is the proper lead-in series, but they seem committed to keeping her kicking off Monday nights.

Dynasty – I’m too young to have watched the original, but this reboot is The CW’s bread and butter. I don’t know if the characters or plot points are the same, but it’s rich, pretty White people doing trifling shit to each other. And it’s by the producers of The O.C. and Gossip Girl? Yeah, they’ll get a good 4-5 seasons out of this. This isn’t the first franchise The CW has resurrected, as they also did it with 90210 and Melrose Place. The latter didn’t go so well for them, but the former was a reliable staple of their schedule for 5 seasons. I can definitely see the same here.

Black Lightning – It looks like your standard Berlantiverse show, even if it takes place in its own universe. The question is whether or not “The Community” is going to support it. People always plead for diversity, but then they don’t show up when it’s time. If you put out a Black Lightning comic right now, it would not sell. It just wouldn’t. So, will White audiences want to watch a show about a Black inner city vigilante trying to clean up the streets – especially when there’s no lure of a crossover with the shows they already love? It’s being held for midseason, so maybe it’ll take over Legends of Tomorrow‘s timeslot once it airs its unusual number of episodes (seriously, they have, like 16-episode seasons over there for whatever reason). Here’s the kicker, though: according to the network, the show won’t take place in the established Arrowverse, mainly due to logistics. It will be filmed in Atlanta, while the other shows film in Vancouver. As such, they’re also not planning a 5-way crossover between the shows. That last part makes me kinda glad, as I didn’t really think they tuck the landing with this season’s 4-way “Invasion” crossover. People might come out for this, but they might not. I really don’t know which way the wind blows with this one.

Life Sentence – This is a movie, not a TV series. A young girl who thought she was dying finds out she’s cured and now has to learn how to live her life. I’d like it to survive, as it’s co-executive-produced by Bill Lawrence of Scrubs fame, but this has as much staying power as this season’s No Tomorrow. Oh, you never even heard of No Tomorrow? It was about a young woman who thinks the world is going to end, so she has to learn to live life to its fullest in the time that she has left. Yeah, kind of the reverse of this. It got canceled after its initial 13 episodes. Anyway, it’s cute and quirky, but I figure there’s enough there for about 90 minutes – not a full season. Anyway, it’s pretty clear why they’re holding this lil midseason.

Now, let’s talk about the moves because they are drastic. Riverdale moves from Thursday to Wednesday at 8, pitting it against Empire, The Blacklist, Survivor, and The Goldbergs. The show has a following, though, so I really don’t think this move will hurt it too much. If anything, it’ll give White folks a sudsy alternative to Empire at the same time. On Thursday, Supernatural moves to 8, while Arrow, ceding its timeslot to Riverdale, now occupies Thursday at 9 – pitting it against This Is Us, The Orville, and the final season of Scandal. Poor fucking Arrow. That is not an enviable place to be, but DVR might help it. If it gets absolutely killed, six seasons was a good run. I think it’ll make it to seven, but this move does it absolutely no favors. On Friday, Crazy Ex-Girlfriend moves to 8, while Jane the Virgin moves from Monday at 9 to Friday at 9. Online buzz is what keeps Crazy on the air, so maybe they’re hoping that’ll be the case for Jane? I know Jane has a fanbase, and Supergirl wasn’t the most logical lead-in for it, but Friday is always such an uncomfortable situation.

Anyway, after all of this, I think ABC has the best new offerings, though they’re holding most of them til midseason. I feel like NBC has the most stable schedule, and they’re taking the fewest risks, but CBS has more new Fall shows that I’m genuinely curious about. So that’s why CBS won the upfronts and had the West Week Ever.

14th Apr2017

West Week Ever: Pop Culture In Review – 4/14/17

by Will

I was going to skip this week, with it being a holiday weekend and all, but then I realized that this would be the last post written from the WilliamBruceWest.com HQ of the past 6 years. So, simply to commemorate that, you get a quick post.

I didn’t watch any movies this week (dumb, since I need to clear off a 90% full DVR by Tuesday), but I did catch the HBO stand-up special Pete Holmes: Faces and Sounds. Holmes has recently become one of my favorites, as I’ve really been digging his HBO comedy Crashing, which seems to be loosely based on the early days of his stand-up career. He’s at a point now in his career where he seems to be a lot more comfortable onstage. And he cusses a lot more. Something about him reminds me of a modern-day John Ritter – it’s not the physical comedy, but it’s written all over his face. He genuinely just comes off like a good guy that you could have around your mom. I think that’s part of his appeal. Anyway, it’s a pretty good hour, so check it out if you’re looking for a new stand-up special to watch.

In movie news, Jonah Hex/Thanos will now be adding Cable to his resume. In a surprise casting move, Josh Brolin has been cast as the time-traveling hero in the Deadpool sequel. This, supposedly, won’t affect filming of Avengers: Infinity War because most of his work on that movie will be motion capture. Still, it’s odd to see another comic book movie actor jump across the studio aisle. We’ve seen two actors jump from Fox to the MCU (Chris Evans and Michael B. Jordan), but you never see them go the opposite direction. I guess he’ll do OK, but I was hoping for someone like Ron Perlman or Stephen Lang. Personally, I’d be more impressed if they’d cast his father, James Brolin.

I didn’t catch the Rick & Morty 3rd season premiere when it was posted online on April Fools Day, but luckily Adult Swim aired it every night last week. It was so good to have the show back, even though I’m not entirely sure I know what was going on. As some folks have said, I really wouldn’t be surprised if it turned out that was justa “bonus”episode, and not the actual premiere. If it was real, it definitely set up an interesting new family dynamic. Of course all anyone can talk about, however, is the McDonald’s Mulan Sauce. Apparently, back when Mulan came out, McDonald’s had a special Szechuan sauce for their McNuggets. It was only for a limited time, as those things are wont to be, but now it’s been thrust back into the spotlight thanks to the episode. Fans of the show are trying to get McDonald’s to bring the sauce back, to coincide with the release of the upcoming live action Mulan film (despite the fact that Disney ended their relationship with McDonald’s a few years ago in an attempt to disassociate themselves with unhealthy eating). Already, though, I’ve seen some thinkpieces about how the sauce is cultural appropriation and all that so, basically, welcome to 2017.

In comics news, the X-Men were the source of controversy this week after the artist on X-Men Gold, Ardian Syaf, snuck some incendiary references into the background of his art in the first issue of the book. I don’t have a religious studies degree, so I can’t really get into the minutiae. Basically, though, he slipped in some references to the Qua’ran that are anti-Christian and anti-Jewish. Sure, he can have his beliefs and all, but you don’t sneak that stuff into a corporate comic book. Marvel said that he was going to be disciplined, and later in the week he was fired from the book. Syaf immediately went online and basically said “My career is over”. I kinda wanted to feel bad for him ‘cause he almost seemed suicidal, and I wasn’t sure he initially understood the magnitude of what he had done. In follow up interviews, however, he didn’t really seem to back down. As controversial as he might be right now, it’ll be a major PR opportunity when some publisher, like Dynamite Entertainment, eventually gives him work again.

On the music front, it’s no secret that I’m a huge boyband guy. That said, I never really got into One Direction. It’s not that I was old when they came out, but more of a case where they didn’t have any Max Martin songs. Coming from the late 90s/early 00s era, I feel like you HAVE to have Max Martin songs in order to have hits. I mean, they still had their share of earworms, like “That’s What Makes You Beautiful”, but I never glommed onto them that much. So, when they broke up to pursue solo careers, I wasn’t expecting much – which is why I was surprised to find that I really like “The Sign of the Times”, which is the debut single from Harry Styles. I had the thing looped all day last Friday and, while I’m not sure if it’s a “hit”, I’m really digging what’s going on here. I wonder how the 1D fans are gonna take it. I mean, they’ll eat it up because they love Harry, but it’s not like the 1D songs that they’re used to. You’d expect him to bust out of the gate with something bombastic, but instead he went with something chill and melodic. Anyway, I’m looking forward to hearing the rest of the album when it hits on May 12th.

Things You Might Have Missed This Week

  • Grace and Frankie has been renewed by Netflix for a 4th season. And I think my wife is the only person I know who’s happy about that. Anyway, Lisa Kudrow is joining the cast.
  • Jude Law has been cast as young Dumbledore in the Fantastic Beasts sequel
  • There’s a Fear Factor reboot coming to MTV, which will be hosted by Ludacris

    • We got a new Justice League poster. Um, OK. I don’t want to hate the DCEU but they make it so easy
    • The Get Down’s Shameik Moore has been tapped to voice Miles Morales in the upcoming animated Spider-Man film
    • John Ridley produced Guerrilla, a miniseries about the Black Power movement, and included basically no Black women in it. Good luck with that, my dude.
    • TLC are back. Well, T and C; you’d need a necromancer to get L back. Anyway, the single “Way Back” debuted on radio this week. It’s nothing special, really.
    • Sam Elliott has signed on to star in The Man Who Killed Hitler and Then The Bigfoot, which is a Must See based on the title alone

    • This looks fun. Not “see it in a theater” fun, but fun nonetheless.
    • This Fall, NBC’s Dateline will become a weekday syndicated true crime series, which will probably end up replacing former correspondent Chris Hansen’s Crime Watch Daily. Coldblooded!


Thor: Ragnarok’s teaser trailer hit this week and it was amazing. Now, keep in mind that the Thor movies are lower on the MCU scale, so it’s not like it had to do much heavy lifting to blow our minds. We’re at a point where we just don’t expect that much from the Thor films. Still, it looks like Guardians of the Galaxy 1.5, and that’s exactly what people love about it. After the departure that was Thor: The Dark World, we’re back to a Thor tale that feels epic and world-spanning. And the Hulk cameo! Anyway, I could ramble about it, or you could just watch it for yourself. All I know is that the Thor: Ragnarok teaser trailer had the West Week Ever.

And if you’re jonesing to read some more, be sure to check out my comic post from this week: Comical Thoughts: The One Where Our Hero Read 30 Marvel Comics In One Night!

31st Mar2017

West Week Ever: Pop Culture In Review – 3/31/17

by Will

So, as a week has passed, I find I’ve got some more thoughts on Power Rangers. I watched it again (don’t ask me how), and I actually liked it a lot better. The first viewing is pretty jarring, but once you know what you’re getting yourself into, it’s easier to let go and let Zordon.

Something about it struck me, though: the teens have an odd bloodlust thing going on. They’re really jonesing to kill something/somebody. When they first encounter Alpha, and don’t realize he’s “one of the good guys”, Zack’s immediate response is “We could kill it”. Not “Hey, we should run” or “We need to get away from it”. It was basically “We could end its life”. And while I know kids shows have to use language like “destroy” or “eradicate” or anything that’s not “kill”, I’m not used to applying “killing” to the world of Power Rangers. Even Zordon says that Rita must be “stopped”, and the kids immediately take that as “We have to kill Rita.” Hold your horses, hoss! I know they live in some little podunk fishing town, but have these kids killed before? Will they kill again?!

Also, Brian Tyler’s score needs to be applauded. It’s one basic theme that’s repeated throughout the film, but I didn’t realize how epic it was until the second viewing. Sure, it’s not “Go Go Power Rangers” or any of the show’s songs from Ron Wasserman, but it really conveys that superhero aesthetic the movie is going for.

It’s not all sunshine and roses in the world of Power Rangers, however. First up, original Green Ranger Jason David Frank was apparently kicked out of the premiere of the film because he took out his camera to film the audience’s reaction to his onscreen cameo. If you’re not familiar with his antics, his lives his life online. He thinks he’s giving a ton of access to his fans, so he basically vlogs EVERYTHING. Signings, convention panels, etc. He was a web series called My Morphing Life, so I assume  he was trying to get footage for that. Well, security did what the original 5 Power Rangers couldn’t do, and that was defeat the Green Ranger. They escorted him out and he didn’t even get to see the mid credit scene. They tried to take his phone, which he wasn’t about to let them do, so he yelled “It’s morphin time” and proceeded to beat up a bunch of middle aged men. Well, I don’t know about that last part, but it’s still fun to imagine.

Next up, murderous Wild Force Red Ricardo Medina Jr has been sentenced to 6 years in jail for the 2015 stabbing death of his roommate. Earlier this month he pleaded guilty voluntary manslaughter, and he got the maximum sentence for that charge. While I poke fun at it, the whole matter kinda sucks. I mean, he claims it was in self defense. In this crazy country, if he’d shot the guy, we probably wouldn’t even be having this discussion. Instead, he had to go and use a sword, and the American legal system just isn’t built for that. Here’s hoping he gets off early for good behavior or something.

There was a Justice League trailer released last Saturday, and that’s all I have to say about that. No, I guess I have more to say. Look, if the DCEU movies still get you hard, then more power to you. I’ve been fooled enough by those films to know that they’re more than likely not going to be my cup of tea. I felt like I was in Bizarro World, though, as everyone seemed to love the trailer but hate Cyborg. I was the opposite. I just can’t get excited about these things anymore, but I thought Cyborg looked cool. I’ve been told the CGI is outdated, but I’d rather he look like that than just a Black guy in a silver suit. Anyway, Snyder makes long-form stylized music videos. That’s what Watchmen was, and Dawn of Justice was a darker version of that. Here, it’s business as usual for him.

Speaking of DC movies, apparently Joss Whedon is in talks to write, produce and direct a Batgirl movie. Ya know, until he drops out. I’ve never worshipped at the altar of Joss, as I can see the holes in his whole gimmick. He’s always the go-to guy for “strong, female characters”, but I feel like it’d make more sense to just hire a woman instead of hiring a man who seems to understand women. I think DC is just trying to hedge their Bat bets because they know Affleck has one foot out the door. DC is the KING of announcing shit with nothing to back it up. The only time the MCU did that was with Inhumans, but DC has promised Green Lantern Corps, Black Adam, and  Cyborg films – all of which seem to be in Development Hell. To me, this is just another empty promise. DC is the dad who makes a ton of empty promises because he’s scared you love mom’s new boyfriend (Marvel) more than him. And they’re right. Have people forgotten all the Wonder Woman drama? People act like this is a major heel turn, with Whedon “defecting” from Marvel to DC, but I think the Russo Bros effectively swept away any influence folks thought Joss had on the MCU. Age of Ultron was a bore of a chore, so I’m not exactly jazzed about him crossing the aisle. I also don’t like the idea of a standalone Batgirl film that didn’t organically evolve from an existing Batman franchise. The Batman is falling apart, and instead of fixing that, they move on to Batgirl? Get your shit together, DC!

In the world of TV, Katie Cassidy is reportedly returning to Arrow next season as a series regular. Instead of playing Laurel Lance, however, she’ll be reprising her Earth 2 identity as villain Black Siren. If you remember, she crossed over into our world this season, and Oliver’s determined to rehabilitate her. I’m bored just thinking about it. However, if you know anything about the Arrowverse, you know that “series regular” doesn’t mean much. After all, Willa Holland is a series regular, and we’ve seen Thea how much this season? And Cassidy already had that exclusive Berlantiverse contract this season that yielded few results. I guess we’ll have to wait and see how much exposure she actually gets.

Speaking of the Arrowverse, we finally got our first look at Cress Williams as Black Lightning in the pilot being filmed by The CW. Fox passed on this a few months ago, so naturally The CW came to the rescue. Personally, I don’t think that universe needs a fifth show. They always add a show to the detriment of another. Arrow suffered when Flash came along, Flash suffered when Supergirl and Legends of Tomorrow came along. Supergirl‘s still getting used to its new home, while Legends is only just starting to get good. I think they should focus on what they have instead of trying to expand right now. Someone online said that Black Lightning was corny, but so was Static and folks are always claiming they wanna see that character make a comeback. Sure, Black Lightning hails from a different era, and I really hope they just call him Lightning, kinda like how Ollie was just The Arrow in the beginning. The only important storyline I remember featuring Black Lightning was when he was chosen to be the Secretary of Education under the Luthor Administration. Other than that, his daughters have had more page time than he has in recent years. I’d be all for the character joining the Legends team, but I don’t know if there’s enough meat on that bone for a series. And knowing The CW, they’re gonna green light it anyway – not even stopping to think how a failure would devalue the brand.

Things You Might Have Missed This Week

  • The Big Bang Theory scored a 2-season renewal, which will take it through season 12. Suck it, haters!
  • Han Solo is not the character’s real name. His birth name was Handsome Solowitz, but his manager made him change it
  • Adam Sandler inked a deal for another 4 Netflix movies. When, exactly, did he officially become the White Tyler Perry?
  • In the upcoming film, Jumanji will now be a video game console and not a board game. As someone who never saw the first film, and has never played many board games, this doesn’t bother me in the least
  • The upcoming Astonishing X-Men comic series will feature a different artist every issue. All I know is that each issue better be a self-contained, done-in-one affair, or this is gonna get messy!
  • TLC is planning to bring back Trading Spaces. Paige Davis better return to host, or GTFO.
  • Jack the Ripper time travel drama Time After Time has been canceled by ABC
  • Bones ended its 12-year run, making it the longest-running Fox drama
  • AMC has renewed sci fi android drama HUMANS after a blink-and-you-missed-it second season.
  • Jordan Peele is being sought after to direct the live action Akira movie. Seems like an odd choice, but I guess he can write his own ticket after Get Out‘s success.
  • Mindy Kaling announced that her series, The Mindy Project, would end after its next season on Hulu.
  • In music news, I’ve just discovered a new Chinese boyband called Acrush. There’s a catch, however – it’s actually made up of androgynous girls! CRAZY!


Did you see that? I’m just glad Spider-Man is in the MCU now. Nobody does a shared universe like Marvel, so it’s nice to see him come home. It still feels like it’s an Ultimate Spider-Man movie, what with Gank…”Ned Leeds”. Seriously, why would Marvel go to the trouble of clearly putting Miles Morales’ best friend Ganke in the movie but then call him one of the Hobgoblins? Am I really supposed to expect this kid to become Hobgoblin down the road, a few sequels from now? It almost feels like fanservice to give him that name, to make fans wonder what might happen in the future, while never actually delivering it.

Anyway, every announcement about this film just gets better and better. For example, it was announced that it would officially introduce Damage Control to the MCU. In the comics, Damage Control was a construction firm co-owned by Tony Stark and Wilson Fisk (The Kingpin) that was tasked with rebuilding NYC after superhero battles. It’s such a logical concept, but something that gets lost in the suspension of disbelief that comics require. I’ve loved every appearance of Damage Control, so it’s nice that we’ll finally get to see them onscreen. They were actually mentioned in an episode of Agents of S.H.I.E.L.D., as a division of S.H.I.E.L.D. itself, so it’ll be interesting to see how the movie handles this.

Also, it was reported that Pepper Potts might be making her return to the MCU in the film. I tend to hate Gwyneth Paltrow, but I really like her take on Pepper, as she serves as a good match for Downey’s Stark. If this rumor pans out, I’ll be very happy.

At this point, the only thing I’m not looking forward to is The Vulture. I always thought he was a lame character, but here’s hoping Keaton can do something to make him interesting. I’m as eager for this film as I’m not eager for Justice League. I swear I’m not just some Marvel fanboy, as I’m currently reading more DC than Marvel. That said, Marvel simply makes better movies, and it appears this will be one of them. So, for those reasons, the Spider-Man: Homecoming trailer had the West Week Ever.

18th Jan2017

West YEAR Ever: Pop Culture In Review – 2016

by Will

Thank 8 pound, 6 ounce newborn Baby Jesus that 2016 is over! I mean, I guess there was some good stuff peppered in there, but it was an overall rough year for a lot of people. I tried to keep my sanity here on the blog, but even I checked out for the month of November. Like Kenny Rogers told us, sometimes you’ve gotta know when to walk away. But I did make a return in December just to kick the year in the ass on its way out. So, besides celebrity deaths, what did 2016 bring us? Well, there was that week we were all mesmerized by Pokemon Go! Those were fun times. We got new X-Files episodes. Peyton Manning retired after winning the Super Bowl with the Denver Broncos. Atlanta and Luke Cage came along and entertained us on television. And things weren’t too shabby here on the blog either.

During Spring Break Week, I discussed several of the most underrated TV theme songs, including Webster, California Dreams, and Enterprise.

I also covered the worst Batman comic ever written, in the form of Just Imagine Stan Lee’s Batman

I did my annual Fall TV Upfronts post, where I discussed the upcoming fall lineups of the major broadcast networks.

A post that was several years in the making, I ranked the Hot Moms of Teen Shows over on The Robot’s Pajamas

I also did a guest post ranking the hottest Power Rangers Villains

It wasn’t all fun and games, though. The country was going through some dark stuff, and I’m particularly proud of this West Week Ever where I discussed the racial problems in the country.

I also experience my first live wrestling event as I attended a taping of WWE Monday Night Raw.

I brought back my graphic novel review column, Adventures West Coast, where I covered Wonder Woman: Earth One.

I also brushed off my Comical Thoughts column, where I discussed IDW’s disappointing Hasbro-centric Revolution event.

Finally, I closed out the year with a post that I’m particularly proud of, discussing the greatest problems facing comic retailers.

I saw about 13 fewer movies in 2016 than in 2015. It wasn’t for lack of trying, but there are only so many hours in the day. As you know, I’m not necessarily Mr. Movie, so I’m not even going to try to rank them. Here they are, simply in the order that I saw them. Wanna know my thoughts? Plug the title into the search box up on the top righthand corner!

Movies I Watched This Year

  1. Lucy
  2. Beauty Shop
  3. Bikini Spring Break
  4. Fifty Shades of Grey
  5. X-Men: Days of Future Past (The Rogue Cut)
  6. We Don’t Live Here Anymore
  7. Gone Girl
  8. Cloudy With A Chance of Meatballs 2
  9. The Martian
  10. Inside Out
  11. Sisters
  12. Batman: Bad Blood
  13. Son of Batman
  14. Batman vs. Robin
  15. The Hundred-Foot Journey
  16. Tomorrowland
  17. Deadpool
  18. San Andreas
  19. Diary of a Wimpy Kid: Rodrick Rules
  20. Autism In Love
  21. Cop Car
  22. Batman v. Superman: Dawn of Justice
  23. Dead 7
  24. Justice League vs. Teen Titans
  25. Pacific Rim
  26. All Things Must Pass: The Rise and Fall of Tower Records
  27. CHAPPiE
  28. Unhung Hero
  29. Trainwreck
  30. Confirmation
  31. The Boss
  32. Captain America: Civil War
  33. They Live
  34. Ted 2
  35. Creed
  36. Zoolander 2
  37. The Ladykillers
  38. 10 Cloverfield Lane
  39. X-Men: Apocalypse
  40. The Intern
  41. You’re F@#k’n Dead!
  42. LEGO DC Comics: Batman Be-Leaguered
  43. LEGO DC Comics Superheroes: Justice League: Attack of the Legion of Doom
  44. Focus
  45. The Good Dinosaur
  46. Sleeping with Other People
  47. Big Hero 6
  48. Keanu
  49. Southpaw
  50. The Night Before
  51. The Equalizer
  52. The Bronze
  53. Popstar: Never Stop Never Stopping
  54. Batman: The Killing Joke
  55. Sharknado: The 4th Awakens
  56. Suicide Squad
  57. The Day
  58. Kingsman: The Secret Service
  59. Independence Day: Resurgence
  60. Miss Peregrine’s Home for Peculiar Children
  61. Meet The Hitlers
  62. Mike and Dave Need Wedding Dates
  63. Neighbors 2: Sorority Rising
  64. Doctor Strange
  65. Rogue One: A Star Wars Story

 

West Week Ever Recipients of 2016 (with commentary)

1/8/16 – Fall Out Boy’s “Irresistible” video

I’m a huge boyband fan, so the news that one of my favorite bands (Fall Out Boy) had reimagined the It’s Gonna Be Me video by one of my favorite boybands (*NSYNC) definitely made my week. The sheer fact that it didn’t really move the world of pop culture, however, shows you how slow of a news week it was. There would be many weeks like this in 2016.

1/15/16 – Power Rangers

This was quite the week for the Power Rangers franchise. First off, it was revealed that Saban would be skipping the train-centric sentai series Ressha Sentai ToQger, and instead adapt Shuriken Sentai Ninninger as Power Rangers Ninja Steel. This announcement was almost a year to the date of the premiere of the show (scheduled to debut next Saturday), and we spent the next few months getting casting and toy news about the show. Meanwhile, the #0 issue of the Mighty Morphin Power Rangers comic was released by Boom! that week, setting up a series that is so much better than it has any right to be. I’ve written about it several times over the year, as I’m a big fan. And finally, former Wild Force Red Ranger actor Ricardo Medina was formally charged that week for killing his roommate with a sword. All in all, I think Power Rangers truly earned the West Week Ever that week.

1/22/16 – DC Entertainment

The Suicide Squad trailer was released this week, as well as the series premiere of Legends of Tomorrow. The Suicide Squad promotion machine would see its ups and downs over the year, the Legends premiere was fairly strong, even with a bunch of useless characters (I’m looking at you, Hawks). The show would get stronger in its second season, but this is where it all started. We also got a DC movie special hosted by Kevin Smith, giving us some Wonder Woman and Justice League footage. Marvel usually dominates the news cycle, but DC showed that they can also step up to the plate.

1/29/16 – The X-Files

When news of an X-Files revival hit, it was pretty big news. Then it launched, and it wasn’t exactly what folks were expecting. Clocking in at 6 episodes, only half of them focused on the conspiracy aspect of the show, plus they were aired out of order.  I went from really liking the premiere to completely forgetting it existed, in a very short amount of time. If it was going to get the WWE, it would had to have been this week of the premiere, as it ended with more of a whimper than a bang.

2/5/16 – UnderScoopFire Podcast

I appeared on the UnderScoopFire Podcast 8 times over the years, and had a great time on every one of them. Those guys are some of my good friends that I’ve met online, so of course I was sad to see it go. After 150 shows (give or take a few. Yeah, I’m not letting that go!), I think their swan song deserved the West Week Ever.

2/12/16 – Denver Broncos

I couldn’t give two shits about sports, but Lindsay’s from Denver, so we’re a Broncos household. So, everything was coming up Milhouse this week, as the Broncos won Super Bowl 50. Not only was it a nice, round, milestone number, but it also served as future Hall of Famer Peyton Manning’s final game. It was the perfect storybook ending that sports fans seem to love so much. So, yeah, they totally deserved the West Week Ever.

2/19/16 – Deadpool

Deadpool came out and blew away everyone’s expectations. I mean, this thing is getting nominated for awards. And not Razzies, too! Personally, I thought it was too gratuitous. I’ve gone over my reasoning before, so I won’t rehash that here. Still, it went on to become the second highest grossing superhero film of the year, just behind Captain America: Civil War. Totally deserved.

3/4/16 – Fuller House

After Girl Meets World came along, the runway was cleared for any and every nostalgic reboot to come along. And along came Fuller House. Every fan of TGIF awaited it with bated breath, hoping for the same mindless entertainment they got from the original show. And it did not disappoint! The second season just debuted a few weeks ago, and it’s already been picked up for a 3rd on Netflix. This show not only showed the power of Netflix as a home for original comedies, but also showed that old dogs still have some fight left in them. I think this was definitely the high point of that week.

3/11/16 – Jay Pharaoh

This was a slow week. Sure, Pharaoh did an amazing impersonation spree during that week’s Saturday Night Live Weekend Update. Like, it was AMAZING. And to pay him back, the show fired him at the end of the season. He’s OK, as he immediately booked a Showtime pilot, but the fact that this was the most noteworthy thing of the week shows how slow things were.

3/18/16 – Nothing

Some weeks you’ve just gotta call a spade a spade. Instead of insulting anyone’s intelligence, nothing had the West Week Ever.

3/25/16 – Wonder Woman

Like a lot of people, I did not like Batman v. Superman: Dawn of Justice. Like a lot of people, I also felt that Wonder Woman was the brightest spot in that dark film. Totally deserved

4/1/16 – Batman v. Superman: Dawn of Justice 

I may not have liked it. A lot of folks may not have liked it. But it made some money. A lot of money. And it was the true springboard to DC’s cinematic universe. So, for its money-making and its importance, I think it earned the West Week Ever. Just because I don’t like something doesn’t mean that it’s bad. It just wasn’t for me.

4/8/16 – American Idol

Idol‘s series finale aired that week, marking the end of a pop culture juggernaut. Unlike The Voice, Idol actually created household names. It gave us Kelly Clarkson, Clay Aiken, Carrie Underwood, and Fantasia. On the flip side, it also gave us William Hung, Taylor Hicks, and Daughtry. It spawned so many copycats, but it was the original recipe. Its influence may have waned in later years, but no one can deny what it was in its heyday. I think it’ll eventually come back, but this was when we said “Ta ta, for now.”

4/15/16 – Marvel

That week, we found out Natalie Portman wasn’t coming back for Thor: Ragnarok, we got a teaser trailer for Doctor Strange, an we learned that the new Spider-Man movie would be called Spider-Man: Homecoming. Marvel definitely dominated the news cycle that week.

4/22/16 – Harriet Tubman

While it was pretty monumental that a woman (a Black woman, mind you) would be adorning American currency, it doesn’t really move the pop culture needle that much. So, I ended up giving the West Week Ever to a dead woman – in a column that has a pretty strict No Death policy. This was kind of a slow week…

4/29/16 – Beyoncé

The singer dropped the surprise album Lemonade following their airing of her HBO special. One of the songs alluded to the possibility that her husband, Jay-Z, might have cheated on her. For the next week, everyone was pondering the identity of “Becky, with the good hair”. This is the kind of thing the drives pop culture. Totally deserved.

5/6/16 – Captain America: Civil War

I had seen the movie, and thought it was excellent.

5/13/16 – Captain America: Civil War

Then the movie made a lot of money. I mean, a fuckton of money.

5/20/16 – Nothing

It was just one of those weeks

5/27/16 – DC Universe: Rebirth #1

DC Comics lost a lot of fans after the New 52 event, in which they rebooted their universe. So, the Rebirth event was something of a mea culpa to those fans. More like a “Please come back! We promise to make stuff you’ll like again!” And for the most part it has worked. This special not only brought fan favorite Wally West back into the fold, but it also sort of introduced the Watchmen comic into the mainstream DC universe. We don’t yet know how that’s all going to play out, but this move helped DC to dominate more market share than Marvel for most of the year.

6/3/16 – Ecto-Cooler

I never really liked Ecto-Cooler. I mean, it tasted kinda like tropical piss, but I loved the fact that Slimer was on the box. That’s about where my nostalgia ended. But a lot of y’all out there LOVED that shit! So, when it was announced that Coca Cola was bringing it back in conjunction with the Ghostbusters movie, y’all started assembling street teams to track it down. I swear, if the 2016 election had been run in a manner similar to the vim and vigor displayed trying to track down green sugar water, I might actually have some hope for tomorrow!

6/10/16 – Awesome Con 2016

Slow week. Cool show, great company, but slow week.

6/17/16 – Hamilton

I discovered the Hamilton soundtrack the same week that it won 11 of the 16 Tony Awards for which it was nominated. We’ll talk more about the show later, but the West Week Ever was deserved, even if the wins did fall short of the Tony Award record.

6/24/16 – Black actors in Hollywood

This was more of a joke, as every Black actor in Hollywood was being cast in the upcoming Black Panther film. That trend has continued since this post. Still, slow news week.

7/1/16 – The 683 New Members of the Oscar Academy

Another joke. Due to the #OscarsSoWhite hashtag, signifying that the Academy was lacking in diversity, 683 people were invited to be members, bolstering the number of women and minorities. Still, slow news week.

7/8/16 – TNA’s The Final Deletion

Oh, man! This thing was incredible. They went on to milk it for the rest of the year, andI missed all subsequent installments. Still, this got me to pay attention to a wrestling promotion not owned by Vince McMahon, and for a brief moment, all wrestling eyes were on TNA to see what Matt Hardy would do next. Completely deserved.

7/15/16 – Pokemon GO!

This game came along and took the world by STORM. To say it was a success would be an understatement. It was envisioned to promote fitness, as kids would have to walk around to find perks and to get their eggs to hatch, but there were workarounds. Hell, I drove around looking for Pokestops. For about 4 weeks, this was all anyone could talk about. It was the Tamagotchi of a new generation, and I think, outside of all the political stuff, it’s one of the things we’ll remember most about 2016.

7/22/16 – Ghostbusters

It was a slow week, but Ghostbusters and the Republican National Convention were the only newsworthy events of the week. As much as we want to pile on that movie, it did take in a respectable $46 million, and it set a record for Paul Feig/Melissa McCarthy movies. I know a lot of folks don’t feel the movie’s deserving of any kind of accolades. As you saw above, I didn’t watch it, but I still think it’s not as bad as people would like me to believe. I swear, though, had they named it anything other than Ghostbusters, we’d still be talking about it.

7/29/16 – DC Entertainment

DC, back with their SECOND West Week Ever of the year? The word on the street was that they “won” San Diego Comic Con, with their new footage of Justice League, as well as the debut of the Wonder Woman trailer. Considering Marvel usually dominates SDCC, this was a feat worth acknowledging.

8/12/16 – Suicide Squad

The movie made $160 million in 5 days, which is nothing to sneeze at. Plus, I actually enjoyed it. I didn’t like it as a component of DC’s cinematic world building, but I liked it as a standalone thing on its own.

8/19/16 – Ryan Lochte

He was an Olympian at the center of a fake robbery attempt in a foreign country, who then fled to let his teammates take the fall. It’s the stuff of a great Aaron Spelling show. He had the West Week Ever simply because he got away with it.

8/26/16 – Guardians trailer

Slow news week, even if the trailer is pretty awesome. Billed as “Russia’s Avengers”, the English version of Guardians trailer started making the rounds because of its crazy action and gun-wielding bear man. Yeah, you’ve gotta see it to believe it. The movie might not even be released over here, and if it is, it’ll never get higher than cult status. Still, if you want to know what everyone was talking about that week, it was Guardians.

9/2/16 – Are You Being Served? one-off special

Some might say this was a slow news week, but I think this applied the West Week Ever to an international stage when I typically just focus on the US. After all, this special didn’t even air in America (nor has it since, nor do there seem to be plans to do so in the future), and I had to resort watching it on YouTube. Still, I grew up with Are You Being Served? and I was more than curious to see how an update of it might hold up. With a few small exceptions, it was pitch perfect, and definitely in the spirit of the original series. This one might’ve been a bit personal for me, but I think it was the best part of this particular week.

9/9/16 – Atlanta

The show just won the Golden Globe for Best Comedy Series. I think I called this one correctly.

9/16/16 – Better Late Than Never

Another personal one for me, but it’s my site, so whatever. I’m more than certain none of my friends were watching this show, but I watched it weekly with my mom and we enjoyed it. I wrote about it to get folks to seek it out, but I doubt that happened. Still, in a week when nothing happens, things like this are allowed to shine.

9/23/16 – Lindsay West

Mah wife. Running your first half marathon is pretty impressive. And nothing happened in the overall pop culture world. If you’ve followed West Week Ever since the beginning, you know that every so often some random person gets the honor. Hell, last year, my kid had the West Year Ever, so you never know where I might play that card.

10/7/16 – Luke Cage

It broke Netflix! So many people tuned in that Netflix couldn’t handle it. I still haven’t seen it, but I haven’t heard a bad thing about it other than the fact that it kinda drags in the middle – like most Marvel Netflix shows.

10/14/16 – Will & Grace

Considering I think I was the only one impressed by this Will & Grace special that was designed to get folks to get out and vote, I’m sure a lot of folks disagreed with this choice. Still, if you were a Will & Grace fan, then you can’t deny how great it was to see those characters in a way that felt like they’d never left us.

10/21/16 – Logan trailer

Can’t say much more because the movie’s not out yet, but we were ALL talking about this after it dropped, and it’s on most folks’ most anticipated movies of 2017 lists. I don’t think it’s going to disappoint.

10/28/16 – The Walking Dead

I don’t watch it, but I did tune into this episode just to watch a man die. Or two men. Whatever. All folks could talk about this week was whether or not the show had gone too far. The Walking Dead dominated the discussion, so this West Week Ever was well-deserved.

11/4/16 – The Chicago Cubs

Um, the “cursed” team won their first championship after 108 years. Yeah, this was deserved.

12/2/16 – Search Party

I don’t feel like a lot of my readers had seen the show when I wrote this, but I know a few who checked it out because I’d written about it. That’s why I do this, kids! It was one of my favorite shows of 2017, and if you haven’t checked it out yet, I’m not quite sure what you’re waiting for.

12/9/16 – Hamilton

Hamilton for the second time this year. The last time was for its Tony wins, but this one was two-fold: The Hamilton Mixtape was released and a beautifully pirated copy of the play was uploaded to YouTube. I watched it during the 5 days that it was allowed to stay on the site, and I can now die saying that I saw Hamilton. This was on the heels of a controversy where the cast members took a moment to address Vice President-Elect Mike Pence while he was taking in the show. For the next week, the conversation was whether or not they should’ve done that. So, it’s safe to say that Hamilton was on everyone’s lips around that time.

12/16/16 – WWE’s New Day

Yeah, then they lost two days after I posted this. I guess that’s how the cookie crumbles. Still, they deserved the West Week Ever for all they had put in leading up to this point.

12/23/16 – Rogue One: A Star Wars Story

It was the last thing to make a dent in pop culture before the clock ran out on 2016. A lot of folks are saying it’s one of their favorite Star Wars movies. I don’t really get that, but I’m happy for them if that’s the case. I thought it was entertaining, but I didn’t really like it. It’s hard to explain, and I’ve tried. Still, there’s no way anything else is going to take center stage when there’s new Star Wars to be consumed.

So, who had the West Year Ever? In the past, I’ve added up who had the most West Week Ever wins and then it’s a runoff. If we’re being honest, Death had the West Year Ever. There were SO many celebrity deaths this year, that it would take another post just to do a proper In Memoriam for everyone we lost. And of course, you have those guys who wanna “Neil deGrasse Tyson” everything by pointing out that people die all the time, or that the year is an arbitrary number. Whatever, asshole. That doesn’t help anybody, and it’s why you don’t get invited to many parties. Anyway, I don’t like to focus on death in West Week Ever -not because it’s morbid, but more because I feel like I’d have to acknowledge every celebrity death, even when I didn’t personally give a shit about that person. Ain’t nobody got time for that!

Doing the math, it’s a three-way tie between DC Entertainment, Captain America: Civil War, and Hamilton. DC Entertainment really stepped up this year, taking a good chunk of the comics market share away from Marvel, as well as by launching their cinematic universe. After years of being the joke of the industry, DC finally started pushing back. And the Rebirth initiative didn’t hurt things, either. Meanwhile, not everyone loved Civil War. I did, but even I’ll admit that it’s basically “Dawn of Justice Done Right”. They’re both superhero slugfests that surround the concept of dead moms. Some called it “Civil Bore”, but I don’t agree with that. Still, I have to kind of acknowledge that there is a divide out there. Finally, there’s Hamilton. It had a big year, but I don’t know if we’ll look back and say “Hamilton really came into its own in 2016.” If anything, that’s more likely to happen at a time when the show can more easily be consumed by the masses. So, Hamilton’s year may actually be ahead of it, but it’s not 2016. So, I think it’s pretty clear. 2016 was the year where retailers stopped buying everything Marvel was selling, and so did the fans. The quality of Marvel’s output was in question more this year than it was in recent years, yet people still seemed to be able to find positive things about the DC Universe. Meanwhile, their movies might not be your cup of tea, but they made money, and the critics haven’t deterred them from forging ahead. So, with that, I believe I simply have to admit that DC Entertainment had the West Year Ever.

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