22nd Jun2018

West Week Ever: Pop Culture In Review – 6/22/18

by Will

I don’t know how much longer I can do this. Like, seriously. Writing this just gets harder and harder, and I know you’ll say “Nobody’s making you do this, Will”, and that’s true. It’s just the world keeps getting worse and worse, and what was supposed to be a digital respite from all of that is harder and harder to create. We had the celebrity death onslaught of 2016, but 2017 was gonna be better. Then we had a year of Trump blunders, but 2018 was going to be better. We’re only halfway through the year, and there are fucking children in CAGES. And I swear PETA works harder to get animals out of cages than folks are working to rectify this. Social media has become both battleground and echo chamber. Either it’s a cacophony of everyone asking “Can you believe this shit?” OR it’s the opposition coming out with, “Stop being so dramatic, ya snowflake Libtard!” I mean, are you even reading this? I know way too many people on a social media sabbatical because they just can’t deal with it anymore, and since a lot of y’all find out about these posts via social media, I’m just gonna assume I might be talking to myself this week.

I don’t watch the news. I honestly don’t. Still, it’s impossible to go through the world (especially online) and not know what’s going on. So, I may not be the most informed, but I feel I’m informed enough to know I don’t want any more information. Does that make sense? I don’t need to hear the audio of the separated children crying. That’s the kind of emotion porn that keeps people doing shit like watching This Is Us. Don’t you put that evil on me, Ricky Bobby! So, with just dipping my toe in the news I get on timelines, here’s what I gleaned from the past week:

  • The US President threw Starburst at the German Chancellor at the G7 Summit, and said “Don’t say I never gave you anything.” And to think we once thought the worst thing a president could do to her was give her an unwanted neck rub. Remember that?
  • That same president wants to create a fucking Space Force. How is that even gonna work? Will it be like the pre-NASA days, when you had to join the Air Force first (Yeah, I watched I Dream of Jeannie)?
  • THERE ARE CHILDREN IN CAMPS!
  • The same president who greenlit the camps also signed an executive order to stop the separations. Um, that’s some Tony Stark shit. You don’t get points for solving a problem you created.
  • Oh, and while the separations are halted, THERE ARE NO PLANS IN PLACE FOR REUNIFICATION
  • The First Lady set out to visit the camps, wearing a coat that said “I Really Don’t Care. Do U?” Her spokespeople say it meant nothing, while her husband claims it’s a calculated attack against the “fake news” media. At the end of the day, what it truly was was “tone deaf”.
  • And then the US decided to pull out of the UN Human Rights Council, ’cause why the Hell not?
  • Oh, and did I mention the organizer of the Charlottesville bullshit got approved for a White Civil Rights Rally in DC in August?

This is stuff going on in the country. Stuff that MATTERS. Meanwhile, if my timeline isn’t upset about this, they’re still bitching about The Last Jedi or the fact that some woman-beating rapper named Xtension Cord or some shit got murdered. Not only is it hard to care about pop culture at times like these, but it’s even harder to care what others think of said pop culture. I try to tailor this thing to what I think people want to read about each week, but I don’t even know if I know what that is anymore. Something’s got to change, and I only really see 3 options:

A) I get political and, frankly, there’s enough of that out there. I already said I’m not the most informed, so God forbid you get your political analysis from me. I don’t want to come across like a late night talk show monologue, which has become a genre I’ve dubbed “Late Night Liberal Smuggery”. Nobody ever changed their mind because Seth Meyers was yelling at them. The closest one to come close to inacting change was Jimmy Kimmel, but that’s something of an outlier. No, I don’t want to do this, but it almost feels like a necessary pivot.

B) I lean more into the fluff, which might be harder to swallow as bombs start dropping around us. From space. Ya know, from the goddamn star war this man is trying to start. I’m more partial to this one because it’s pretty much just an extreme version of the original intent of this column. Although I’d feel awkward blatantly ignoring the world around us in favor of “The Backstreet Boys have a new single!”

C) I quit. I don’t think this is going to happen because I don’t know how to quit. Eventually Twitter will die and the the Chinese will buy Facebook and I’ll have nowhere to promote these posts, so it’ll just be me reading them, along with the 4 of you who may have bookmarked this site. Even then, I won’t know how to quit. It’ll just be like the early days, when I wrote like no one was reading…because they weren’t.

Anyway, that’s the world we live in right now, folks. Drink it in ’cause the crazy ain’t stopping anytime soon. So, let’s talk about some entertainment stuff, shall we?

HarassmentWatch(TM)

Chris Hardwick Update: So, Hardwick responded to Chloe Dykstra’s allegations, saying that he never sexually assaulted her. Then, in true Hardwick dickish fashion, he wrapped up his statement with “As a husband, a son, and future father, I do not condone any kind of mistreatment of women.” This ranks up there with any time a woman is assaulted, and some famous dude comes out with “As a father of daughters…”, but this is actually worse. Why? Because Hardwick ain’t got no damn kids! HIS WIFE ISN’T EVEN PREGNANT. Many feel that was a knife twist added to dig at Dykstra’s ectopic pregnancy mentioned in her essay.

Meanwhile, someone leaked texts between Dykstra and Hardwick following the breakup, where she spent months begging him to take her back. “If it was so bad, then why did she want him back?”, they ask. Well, this isn’t uncommon in abusive situations, and that question is just as dumb as “If it was so bad, then why didn’t she leave?” We don’t know, but that doesn’t diminish her experience. Still, Hardwick wrote what must be the longest text message known to man, as captured by The Daily Mail.

Reading that, he doesn’t come off as the worst guy. Did he actually write this in 2014? Who knows? But the guy who capped off his official rebuttal with the “future father” comment is the Hardwick that I always suspected was the “real Hardwick”. Still, do I feel bad he got cheated on? Sure. Do I feel bad that what he saw as a promising relationship ended? Sure. From what I’ve heard, he didn’t really keep his promise about not disparaging her in public, so he was two-faced there, as well. What I’m trying to say is that it’s a pretty complex situation that we were not present for, nor can we necessarily hand down a judgement upon.

I swear this would’ve gotten more retweets if I’d been fully awake, and hadn’t misspelled “Acceptable”

Still after discussing this with some people, I will point out the dangers of these things being tried in the court of public opinion. I don’t like Chris Hardwick. I can admit that, and I think I made that known. That said, that doesn’t mean I want these allegations to be true. I wouldn’t wish that on either party. All I meant was I wouldn’t be surprised if they were. As some outlets have pointed out, she didn’t accuse him of doing anything illegal, per se, but it still involved alleged abuse and character assassination. AMC has cancelled the Talking with Chris Hardwick series, as they reassess their business relationship, while NBC has suspended production on his game show, The Wall. Also, the panels that he was set to host at San Diego Comic Con have also been cancelled. Meanwhile, the Nerdist empire, which he built, scrubbed all reference to him from their website. If he did the stuff Dykstra alleges, then these are all great steps. If he didn’t, though…

I’ve always feared what would happen when the #MeToo movement targeted the wrong person. There’s a guy out there who’s not going to be equipped to handle that backlash and he’s going to take his own life. Now, some folks will be quick to say “He hurt women, so fuck him!” We also live in a society, though, where everyone wants to get to the root cause of shit – especially if the perpetrator is White. John Boyd Klemmer shoots up a school and there’ll be the folks who say “Fuck that dude”, but there will also be the contingent of “Well, why did he do it? Did he have a manifesto?” So, applying that sequence of events to #MeToo accusations, nobody really stops to ask these questions. We talk about toxic masculinity, but don’t really acknowledge how it can play into these sorts of scenarios happening. Plus, there are degrees to this stuff. Not everyone is Harvey Weinstein. Aziz Ansari certainly wasn’t, but he had to deal with much of the same caliber of backlash. And I’ll tell ya, I thought Aziz was gonna be the guy to kill himself. He’s kept a low profile since everything went down, and it’s going to be a long road to rebuilding his career, but I think he’ll turn out OK. His situation is mired in interpretation, and it was more embarrassing for him than damning.

Now, contrast that with Louis CK. That dude lost EVERYTHING in, like, 48 hours, and I really hoped someone was looking in on him during that period because I honestly feared he’d commit suicide. I don’t think folks process that these are possible outcomes. You have people in power, who abuse that power, get caught, and then lose everything. The story doesn’t end there, though. This isn’t an episode of Law & Order. There is a large contingent of folks who will just say “Fuck that guy”, but they don’t think to the future. They don’t want these people working anymore, but fail to realize that they’ll need to eat and live somehow. Folks will say “Well, they’re rich”, but that money will eventually run out, especially when they’re cut off from every method of sustaining it. I wonder what people feel is adequate “justice” in these cases. Is it for the person to actually become destitute, and just shrivel up and die in a gutter? Is that what folks really want? I don’t even know what I feel is correct, but I do know that once you enter the #MeToo conversation, it’s fucked up either way. Either you did the stuff, and you lose everything, or you didn’t do the stuff, but you still lose everything.

I used to have this concept in my head, possibly for a story or an actual government policy, who knows? Anyway, it was called the Urban Defender, who was basically an appointed “official”, dressed as a cowboy, who would patrol cities, shooting people seemingly at random. Pretty much, every morning at UD HQ, there was something of a lottery. Someone’s number would come up, and the UD went out on patrol and shot them. The idea was something akin to The Purge, in that you would be on your Ps and Qs at most times because you never knew if the UD was coming for you that day. Also, you’d appreciate life more, as every day would be a gift. Sure, there’s also the counterargument that such an arrangement would just spark anarchy because life would be rendered meaningless, but I thought of this in more “optimistic” days. I feel like we’re getting close to that here. We’re just shooting at everyone, hoping that the ones who are outed will serve as a message to those who might think of committing such atrocities, but there needs to be some controls, some processes, in place, instead of just going at these dudes, guns a-blazing. I feel like the shock & awe was a good introduction to the cause, but it’s just not sustainable for any sort of manageable, reasoned response. Just my two cents.

Man, you Star Wars folks just can’t relax, can you? It’s been how many months since The Last Jedi, and folks are still irate? It’s one thing to have not liked it, but it’s another to be mounting a crowdfunding campaign to raise $200 million to remake it. ‘Cause that’s exactly what happened this week. Some Twitter account called @RMTheLastJedi popped up, with a manifesto about how they wanted to “save Star Wars”. And the sad thing is that they have supporters. This isn’t how IP works. This isn’t how art works. But I’m so exhausted by this shit.

After the lackluster performance of Solo, Disney is taking their Millennium Falcon and going home for a bit. Reportedly, production has halted on all Star Wars spinoffs, including the rumored Boba Fett movie from James Mangold, as well as the rumored Obi-Wan movie. They will focus their attention on Episode IX at this point, which is probably for the best. Still, with the backlash they received, I’m sure Episode IX will be some pandering thing that rubs everyone’s balls so they’ll leave the theater, saying “The Force was with that one! All is forgiven.”

While all movement seems to have stalled on developing the Star Wars universe, the Star Trek universe is starting to rev up again. Star Trek: Discovery showrunner Alex Kurtzman just signed a five-year deal to expand the Trek television slate. While Discovery streams on CBS All Access, these new potential shows could end up anywhere, from broadcast to cable networks. The five shows potentially in development are:

  • A Starfleet Academy series, from Stephanie Savage and Josh Schwartz – the folks behind the Dynasty reboot, as well as the Runaways series. I like this idea, and have always liked this idea since it was floated almost 20 years ago. You see, this isn’t the first time an Academy series was in development (at the time it was described as “Dawson’s Creek in space”), but they opted to go with Enterprise instead. I’d watch this one
  • A miniseries based on the character of Khan
  • A top secret series
  • an animated series
  • A Star Trek: The Next Generation sequel, featuring Patrick Stewart reprising his role as Jean-Luc Picard. I have been clamoring for YEARS for a Trek series that isn’t a prequel. The way DS9/Voyager left things with the Dominion War, I really wanted to know the state of the Federation after all of that. Almost 20 years have passed since the finale of Deep Space Nine, so would the series also experience a similar time jump? As much as I want a “future” Trek series, I’m not sure a Picard series is what I want. I mean, I’d love cameos, but do I really want a show centered on him? It would make up for the fact that the TNG movies just kinda petered out, but I’m on the fence with this one.

Anyway, more Trek TV is a good thing because I refuse to pay for Discovery, so it’s been far too long for me.

In comics news, Batgirl is finally getting a new costume in the upcoming Batgirl #26. If you’re not familiar, they did a soft reboot of the character a few years back, moving her to the hipster Gotham neighborhood of Burnside. At the same time, her van, which held her costume and gear, blew up, forcing her to cobble together a new suit. The “Batgirl of Burnside” costume has pretty much been around now for the past 4 years or so, but it never really made sense for it to stick around. Sure, in the details of the story arc, it made sense. However, once the dust settled, and her life returned to normal, she should’ve gotten a “real” costume again. Still, it served as the influence for her costume in DC Super Hero Girls, as well as other licensed products. I’m not sure how I feel about this one, though – especially with the lack of a cowl. What happens when Barbara Gordon gets a haircut? Will she just wear a wig, like Yvonne Craig did in the 60s TV show? Plus, it feels really irresponsible to have all the hair exposed during combat. I do like the classic aspect of the suit, as it looks like the one Batgirl wore back in the 80s. That said, the little bat ears seem a little stupid. I mean, they’re even kind stupid on Batman, so they’re especially stupid in this presentation.

I better get a cut of this, because I SO called it! Late yesterday evening, ABC announced they had ordered a 10-episode Roseanne spinoff called The Conners for next Fall. Everyone will be back except Roseanne Barr, as she agreed to a settlement that would get everyone back to work, but she wouldn’t have any creative or financial involvement with the show. I don’t know the ins and outs of the deal, but I kinda have to hand it to her. She didn’t have to do this, especially when the show was based on, and influenced by, her life. I don’t know if folks would consider this redemption, but she did look out for the cast and crew who were affected by her actions, plus I know this will be even more of a ratings coup for ABC.

How will they write her out, though? Well, it seems like they’ll kill her off. Here’s the synopsis:

“After a sudden turn of events, the Conners are forced to face the daily struggles of life in Lanford in a way they never have before. This iconic family — Dan, Jackie, Darlene, Becky and D.J. — grapples with parenthood, dating, an unexpected pregnancy, financial pressures, aging and in-laws in working-class America. Through it all, the fights, the coupon cutting, the hand-me-downs, the breakdowns – with love, humor and perseverance, the family prevails.”

Here’s the thing about killing a main character like this: you’ve GOT to start with a time jump. You can’t just pick up after the funeral because the spectre of that character will still cast its shadow over every episode. “Oh, there’s mom’s favorite chair.” Shit like that. You need to pick things up about 6 months later, once the grieving process has settled, and folks are getting back to their everyday lives. Kevin Can Wait tried to do a Kill The Wife Time Jump, but it didn’t work because the show was so new, fans liked the character who was killed, and it was obvious they were trying to reinvent The King of Queens by bringing in Leah Remini. This has a better shot of working, but I don’t know if I’d want it to go past the initial 10-episode order. I’m sure that decision will be dictated by ratings, and ratings alone.

Things You Might Have Missed This Week

  • Talk about moving fast – it was only, like, two weeks ago that I told you Pete Davidson and Ariana Grande were dating. Well, now they’re engaged! That marriage is never happening, as he’ll probably go back to rehab for his weed addiction, and she’ll realize “What the fuck did I get myself into?”
  • Jodi Foster is apparently in talks to star in the FX adaptation of the comic Y: The Last Man. Let’s hope they manage to end the show a lot better than they ended the comic!
  • Good news, Luciferites! Netflix has picked up the recently-cancelled Lucifer, for a 10-episode fourth season.
  • Amazon has ordered an 8-hour “adult animation” series based on the Robert Kirkman comic Invincible.
  • We got the trailer for Creed II. I mean, I was already a guaranteed audience member, but I’m not seeing a lot here. I’m hoping we get more Drago in the next trailer.

  • We also got a trailer for the incredible looking Welcome to Marwen. I don’t know much about the true story upon which it’s based, but I hear there’s a great documentary out there called Marwencol that I need to check out. Anyway, this thing is visually stunning.
  • MTV announced the launch of MTV Studios, which will be tasked with rebooting some older MTV hit shows, like The Real World, a live action Aeon Flux, and a rebooted Daria, called Daria & Jodie. I’m kind of surprised by that last one, as the addition of Jodie to the title feels like a diversity play. I mean, didn’t Daria have more of a rapport with Jane? Anyway, if they want to fix The Real World, just cast more ugly people. Prior to the Vegas season, every cast was at least 50% ugly. Then Vegas happened, and everyone was hot, drank all the time, and fucked each other. Changed the entire franchise. Bring back the uglies!
  • So they’re rebooting the Teenage Mutant Ninja Turtles films again, with Michael Bay still attached. Why?
  • NBC cancelled Timeless for the second time. Wonder if the team can go back in time and stop their second demise.

  • Gotta say, I didn’t expect this sort of speech from Chris Pratt. Didn’t expect that at all.
  • There was more Comcast/Disney shit. I don’t want to get into it, but let’s just say Disney countered, and now they’re winning again in the bid for Fox.
  • Pete Docter (director of Up and Inside Out) and Jennifer Lee (writer of Frozen) have been named Chief Creative Officers of Pixar, succeeding the departing John Lasseter.
  • Speaking of Pixar, The Incredibles 2 had the eight biggest opening weekend of all time in North America, as well as the biggest launch ever for an animated film, with $180 million.

Outside of the 11th hour decision that let the Roseanne cast and crew keep their jobs, nothing GOOD happened this week. Go back up and read that intro. I don’t want you to look back and think “Oh, that’s the week The Incredibles 2 made history.” No, I want you to remember the shit. We are knee deep in it, and I don’t know how much worse things have to get before they start to get better. For that reason, nothing had the West Week Ever.

15th Jun2018

West Week Ever: Pop Culture In Review – 6/15/18

by Will

HarassmentWatch(TM):

Chris Hardwick: Thank sweet Baby Jesus it’s finally acceptable to say Chris Hardwick is a piece of shit! I could’ve told you that from back during the Singled Out days. If you’re not sure what I’m talking about, his former girlfriend, Chloe Dykstra, posted an essay on Medium detailing the abuse that she suffered during their relationship. Not only was he emotionally abusive to Dykstra, but he also regularly made her have sex with him when she didn’t want to do it. Then, when she finally left him, he used his sway in geek circles to have her blacklisted.

Now, I don’t want to make light of what he did for some personal vendetta. All I’m saying is that none of these allegations surprise me. He always came off as an insecure little man who never got over the fact he was bullied in school. He’s the kind of person who’d keep a Shit List to “get back at his enemies” once he was in a position to do so. I never liked the cut of his jib, and there was just something I couldn’t put my finger on. To say these things online, however, were a nonstarter, ’cause he has something of a deplorable fan base. You know how folks hate the Rick & Morty fans? Well, these are basically the same guys. Say something about him, and they come mock you. Why? Because they’re the guys who’d do the same shit in his position. Anyway, he recently renamed his podcast to ID10T and moved from the Nerdist Network that he created, to the ID10T company that he also created. The Nerdist brand now belongs to Legendary, but he remains the CEO even if it’s just a vanity title at the moment, as he has very little day to day involvement. Still, it will be interesting to see how many folks in the ID10T/Nerdist family leave over these allegations.

So, it ain’t looking good for folks who assumed the Disney/Fox acquisition was a done deal. On the heels of the court approving the AT&T/Time-Warner merger, Comcast has submitted an offer for Fox for $65 billion, in an all-cash deal. While the cash aspect might be unattractive, due to the taxes involved, the deal is still worth more than Disney’s offer of $52.4 billion in stock. Plus, to sweeten the deal, Comcast has offered to pay the $1.5 billion “breakup fee” that Fox would have to pay Disney for backing out of their negotiations. So, it’s currently Disney’s game to lose, as they’ll need to come back with a more attractive offer. There’s a chance, though, that the X-Men and Fantastic Four aren’t “coming home” as soon as many previously assumed.

While things for Disney/Marvel are sort of in a holding pattern, things over at Warner Bros/DC Comics are crazy sauce right now! First off, President of DC Entertainment and President of Warner Bros Consumer Products, Diane Nelson, has officially left the company. She reportedly went on a leave of absence back in March to attend to family matters, but now it appears she will not be returning to her post. Insiders stress that she made the decision to leave, and wasn’t ousted.

But wait, there’s more! Earlier this week, it was reported that the Chief Creative Officer, Geoff Johns, who worked closely with Nelson, would also be leaving the company. His CCO role will now be added to DC Publisher Jim Lee’s plate, while he’s being given something of a consolation production deal at Warner Bros, called Mad Ghost Productions. Unlike Nelson, it seems the writing was on the wall for Johns. The studio wasn’t happy with the response to Justice League, which he produced, not to mention the majority of the DCEU slate. In January, Johns sort of lost his seat at the table when Warner Bros promoted Walter Hamada to oversee the comic book movie division.

Still, I can’t help but think these two departures are related. Were they banging each other? Are they splitting off to form their own company, like Sterling Cooper did that time on Mad Men? I’m honestly not surprised about the Nelson thing, really. I have no clue what she’s going through, but I remember how…unprepared she seemed to be at the “DC in D.C.” event back in January. Sure, it was the inaugural edition of an untested concept, but her speech was more disjointedly off-the-cuff than prepared, and she struck me as someone who probably couldn’t have run a PTA meeting, let alone a company like DC Entertainment. Maybe it was just a bad morning for her, but it was clear that whatever she eventually left to deal with in March was already going on back then.

On the comics side of things, though, there’s some interesting things on the horizon. This week, we got more information about the upcoming event, Heroes In Crisis. Written by Tom King, who I hear has been doing some amazing stuff with the Batman book (and who I can confirm did an amazing job on Sheriff of Babylon), the story focuses on PTSD in the superhero community. In order to deal with it, and get heroes mentally prepared to get back on the streets, the DC Trinity of Superman, Batman, and Wonder Woman established Sanctuary. The facility is something of a secret amongst the hero community, and anonymity is kept because it keeps no patient records. Suddenly, however, some recent patients turn up dead, and a murder mystery is ignited.

I like the sound of this storyline because it’s something we don’t think about too often. Sure, there’s always a danger in incorporating real world events into comics (I’m looking at you, post-9/11 crying Dr. Doom!), but I could see how this would work. I also like how it seems like a more grounded story, where change might occur, but it isn’t necessarily on the “The Universe Will Never Be The Same!” level of most crossover events. It sort of reminds me of Identity Crisis, which is a story I didn’t hate as much as some others. Sure, I thought the ending/reveal was something of a cop out, but it also didn’t seem like a huge betrayal because I wasn’t all that familiar with the character. I kinda hate that they managed to slip “Crisis” into the title, as DC execs are bound to know how triggering that is for fans. Still, I like the more character-based stories, and I don’t feel you have to go to space just to make a storyline seem like it “matters”. So, I’ll definitely be picking this up. And then reading it 2 years from now, because that’s how far behind I am on my DC reading.

They said the Revolution would not be televised, but they were wrong. What they didn’t tell us was that it would end, not with a bang, but with a whimper. Yes, it is with heavy heart that I report that, after 28 seasons, production has ceased on The Jerry Springer Show. In a deal reported this week, The CW has acquired the show’s library to air in the afternoon spot being vacated by cancelled The Robert Irvine Show on their stations. While the door is open for possible tapings down the road, new episodes of the show are no longer in production. I will never fulfill a lifelong dream of sitting in an audience of drunken Spring Break college kids, yelling “Jer-ry! Jer-ry! Jer-ry!”

I mean, I get it. Jerry’s 74 years old, and he’s made his money. When the show hit its peak, the guests seemed like a weird microcosm of American society. We’d watch the show and ask each other “Where do they find these people?” Now, we look around us, and that IS America. We won! No, no we didn’t. We’re a heartbeat away from Idiocracy. You could blame Springer for ushering in this era, or you could credit the show for giving us a preview of what we would become. We had the chance to stop it, but we decided we’d rather laugh at the cousin-fucking chair throwers. This just led to not only the reality show craze, but also inspired the World Wrestling Entertainment “Attitude Era”.

What was always interesting to me was Springer’s pivot. I’ve been with the show from the very beginning, and you wouldn’t recognize those first few seasons, where he was doing his best Phil Donahue impression. He had serious, sometimes heartwarming topics, like little kids with HIV and how they were coping. Then, in the mid 90s, the fights began. The chairs took to the skies. The security budget increased. At some point, they redesigned the set to look like a back alley and installed a stripper pole. The lower they sank, the more popular they became. It was the smart, conservative diligent student who realized she’d be more popular if she said “Screw homework!” and showed a bit more cleavage. It got so bad that the show came under fire for its most outrageous bits, prompting them to do more cutaways, yet it provided more footage to fuel their Girls Gone Wild-esque Jerry Springer: Too Hot For TV video series.

I’ve often wondered which was the REAL Jerry Springer: the early nuDonahue OR the modern-day White Trash ringmaster? The man’s earlier political career was tarnished when a raid on a massage parlor revealed a check that he had used to pay for a prostitute (People used checks to pay for hookers? Can you imagine how many of those had to have bounced?! Man, I miss the old days!). So, was the gentle, caring early Springer something of an image restoration, and in his older age he decided he just didn’t care anymore? Or is he still that Springer, but he’s essentially doing all this because it’s what the people want?

I’ve also been impressed that the production aspect of the show is one of show business’s greatest kept secrets. I mean, it’s been almost 30 years, and we still don’t really know how they pull it off. We know how wrestling is done. We know how some of the greatest magic tricks are done. But we still don’t really know what goes into producing an average episode of The Jerry Springer Show. Where DO they find these people? Are they paid? Are they actors? If they are actors, none of them have ever made it big. There’s no footage of a young Benicio Del Toro on stage for his love of midget strippers. Sure, there have been stories. For example, Lunchbox, who’s a morning radio personality as part of country radio’s The Bobby Bones Show, went on Springer when he was in high school. He admits he lied, though, about his age and his reason for being there. So, that’s one case. From that, we learn they didn’t vet their guests that well, but then why would they? Some of those stories are so fantastical that you wouldn’t want to prove them false, and there’s no real legal ramification for putting it out there without researching it. I mean, it’s entertainment, not a scientific breakthrough needing FDA approval.

Anyway, it’s truly the end of an era, which may not be a bad thing. Nobody could really keep up with Springer’s outlandish show, even though they tried. Some eventually found their niche, like Maury ruling the paternity test roost. The latest trend in syndicated daytime talk shows are known as “conflict talkers”. This is your Steve Wilkos, your Robert Irvine, your Jeremy Kyle. It’s a genre of show where middle-aged White men (usually muscle-bound and/or former cops) yell at poor people. “You need to respect your mom!” “Close your legs and open your eyes!” “Why won’t you let him see his kids?!” In all honesty, it’s a natural progression from the Springer era. Everyone had their fun back then, and this is the wind-down, where you’re forced to look back at what you did. Meanwhile, the more outrageous Springerites have moved over to the world of court shows, just as they used to migrate to the dating shows back at the turn of the century.

My grandmother used to love Springer. She’d pretend she was appalled by it, but her 85 year old self loved to watch people fight. Not boxing fights, but visceral “real people” altercations. She also used to love any episode of Married…with Children when the Bundys grew closer by throwing down with another family. She was an odd bird at times, and I loved her for it. She’s been gone for almost 20 years now, but this is kind of the end of an era of something we shared. Thanks for the memories, Jerry. Until we meet again, you take care of yourself, and we’ll try to take care of each other.

Over the past few years, I’ve had the honor and pleasure of guesting on quite a few friends’ podcasts. One that was especially good to me was the Cold Slither Podcast Network. I was invited on pretty early, and they always supported me during the Will’s World of Wonder years. So, I’d be remiss if I didn’t acknowledge that CSPN chairman/president/CEO, Classick Materia, announced his retirement from the network last week. Now known to the world simply as “Jamal”, his life is in a different place than when he started the Cold Slither Podcast, and then expanded it into a full network with a slate of shows. I’ve been on the flagship show, I’ve been on Comic Book Chronicles, and I’ve had some of the most fun on The Classick Team-Up. So, I do feel like I’m losing a small part of myself here. Still, I understand his decision and wish him well. And it’s not like the CSPN is going away. No, he’s leaving it in capable hands. Still, I don’t know those dudes, so they ain’t asking me on anytime soon!

It’s not all endings, however. We’ve also got some beginnings! My pal Kevin Hellions runs TeamHellions.com, and he’s got a new thrifting column called T.H.R.I.F.T. that you need to check out. When I was doing Thrift Justice, I always meant to do “Tips from the road”, giving folks advice on how to find stuff. Instead, it turned into “Look at my cool shit!” Kevin here has excelled where I fell short. Great stuff!

Things You Might Have Missed This Week

  • Remember when you bought a new outfit that really didn’t fit your personality, but were excited to wear it to school because you thought it would make you cool? But, instead, everyone just laughed at you? That’s pretty much what happened to IHOP this week, when they announced that they were temporarily changing their name to IHOb, for International House of Burgers. Apparently they’ve got some new steak burger line they’re trying to promote, and this is what their genius marketing people came up with. It’s sad because it shows a lack of commitment. Last week, when the change was teased, nowhere did they mention it was temporary. We got the impression they’d be updating signs, menus, etc. Now that we know it’s just a temporary marketing ploy, they just look sad.
  • Not everything in Washington sucks these days, as the Capitals won the Stanley Cup finals. There was a parade and everything. I’m not a sports guy, so I missed all that, but I know folks are happy. They’d be happier if it were football or baseball instead of hockey, but they’ll take what they can get.
  • CBS continues its retooling of the upcoming Cedric The Entertainer-starring sitcom, The Neighborhood. When I did my upfronts post, I mentioned that star Josh Lawson had been replaced by New Girl‘s Max Greenfield. At the time, my only comfort was knowing that Dreama Walker would be on the show. Well, that’s over, as she’s been replaced by 2 Broke Girls‘ Beth Behrs. I already had issues with the one-note nature of the show, and these recasts don’t fill me with any additional confidence.
  • Somehow, author James Patterson and former President Bill Clinton were paired together to write a novel. And someone, somewhere thought it would be a good idea to send them on a book tour on the tail end of the #MeToo movement. I take it that person is currently looking for work. In a pseudo-contentious interview with NBC’s Craig Melvin, Clinton said that he never apologized to former intern/cigar holder Monica Lewinsky, nor does he feel he owes her an apology – all of this while Patterson sat idly by, with “I just wanted to talk about my book” clearly plastered across his face.
  • The Miss America Pageant will be eliminating the swimsuit competition, at which point I feel we should just call a spade a spade and get rid of the whole thing. It’s not that I feel women need to be objectified in swimwear, but it’s that I feel the pageant as a whole doesn’t really offer much more than that. It’s all just surface appraisals, so why start acting like you care about a woman’s character and all that? It was founded in 1921, so do it til 2021 and wrap that shit up with the rest of the historical artifacts.
  • FX has renewed Atlanta for season 3. I actually finally finished season 2 over the weekend, and I would have had no problem if it had ended as something of a 2-season “experiment”. I felt season 2 was weird solely for the sake of being weird. Glover deftly handles that sort of material, but I just wanted some episodes I didn’t have to analyze or Google to get the whole picture. Considering season 2 was “Robbin’ Season”, which saw everyone have something taken away from them, I really hope season 3 is a little more positive for all involved.
  • TBS reversed its renewal of the Conan O’Brien-produced sitcom People of Earth. It had been renewed for a 3rd season last fall, with the season already written, but the show’s creator took to Twitter to report that it wouldn’t be shot. This makes me worry for The Detour, which is a recently-renewed favorite of mine, also on TBS, which was never a ratings darling.
  • The Tony Awards were cattier than ever this year, as Robert DeNiro said “Fuck Trump” on the live telecast, while Neil Patrick Harris started a Twitter feud with Crazy Ex-Girlfriend star Rachel Bloom. And a bunch of shows won some awards, but none of them were Hamilton, so nobody outside the theatre world cared.
  • Keiynan Lonsdale is leaving his role of Kid Flash on both The Flash and Legends of Tomorrow, reportedly for “personal reasons”. Yeah, I’ve got nothing snarky to say there. He seems like a good kid.
  • Bill Cosby’s wife, Camille, is reportedly ready to file for divorce. Bitch, you had 30-plus years to leave him. Bye!
  • The showrunners for Star Trek: Discovery, Aaron Harberts and Gretchen J. Berg, have been ousted, with Alex Kurtzman taking over as showrunner for season 2. Half of the season has already been completed, but the pair were accused of budget overruns, as well as mistreatment of writing staff. Akiva Goldsman, who came on as executive producer last season will also not be returning.
  • Silver & Black, the Silver Sable/Black Cat Spider-Man spinoff film that nobody wanted, has lost its release date, and has been delayed indefinitely. I guess they’re taking notes from the Universal Fancon folks…
  • It’s a confusing story, so I’m not even going to try to make sense of it. Let’s just say that Stan Lee has been granted a restraining order against his supposed business partner Key Morgan. Morgan has served as Lee’s “caretaker” since the death of Lee’s wife, but many suspect he is responsible for elder abuse of Lee. This story has been going for the last 6 months, and only seems to get crazier.
  • We got three trailers last week worth talking about. I’m running short on time, so I’ll use the In Living Color review scale. Ralph Breaks The Internet: Wreck-It Ralph 2 (Hated it!); The LEGO Movie 2: The Second Part (Hated it!); Bumblebee (Two Snaps Up!)
  • Speaking of trailers, though, here’s one for a movie, Hearts Beat Loud, that I’d really like to see. It’s out now, but nobody’s gonna see it, so hopefully it finds life on DVD/streaming.

Here comes the swerve! You know how one of the four in the intro pic gets the West Week Ever? Not today, suckas! I really should’ve written a post last week, ’cause I was scared I wouldn’t get to do this. I mean, nothing really happened in the world of pop culture last week, but this week was something of a shitshow. Still, nothing GOOD happened like this:

Charlotte “Charley” Bruce West was born last Tuesday at 10:33 PM, at 7 lbs and 1 oz. She was originally due May 30th, so you can see she’s pretty stubborn (she didn’t get that from me!). While her older sister took a good 24 hours to come put, this delivery was shorter than Avengers: Infinity War. Her mom didn’t even have time to get an epidural, ’cause she’s a warrior like that!

Anyway, I now have two kids – two daughters at that. I walk around my house, mumbling “Two kids…two kids.” It’s much more difficult than I thought it would be. I mean, changing a diaper while the older one is climbing on your back? It’s like a demented reality show! Anyway, I now have two kids. My mom only had one, so she can’t tell me shit. Every time she opens her mouth, I’m like “Two kids. I won.” So, to me, that’s the best thing that happened in popular culture the past 2 weeks. You can have your Stanley Cup and your CMT awards. I’ve got Charley, and she had the West Week Ever.

01st Jun2018

West Week Ever: Pop Culture In Review – 6/1/18

by Will

There are some weeks where I actually dread writing this post, and this is one of them. I mean, a LOT happened, but nothing I’m really excited about. Still, I guess it all needs to be discussed. Let’s get to it, shall we?

So, I guess we’ve gotta talk about Roseanne. I pretty much went on record that I wasn’t just dying to watch the revival after it was announced it would have more of a political slant, with the Conners as Trump supporters. Now, before any of the 2 Trump supporters who might be reading this get all butthurt, my problem with this is that I didn’t feel like it was inline with what Roseanne Conner would be, regardless of Roseanne Barr’s personal beliefs. The problem with “separating the art from the artist” is that it becomes increasingly harder to do when the artist controls the product and imbues the product with their own personal quirks. While some of you may feel he’s “making America great again”, Trump has a history of being a bullshitter, con artist, womanizer, etc. If there’s one good thing I could say about the character of Roseanne Conner, it’s that she had a really good bullshit detector. I feel like the characters of Dan and Roseanne Conner, in this case, were appropriated to expound on a view that someone, somewhere was trying to get across. On the one hand, you could say, “Well, they’re lower middle class, and he promised to bring jobs.” On the other, though, I don’t think Roseanne Conner would’ve trusted a guy whose sole claim to fame during Roseanne’s original career rise was simply that he was “The Rich Guy In New York”. She would’ve seen right through his bullshit.

So, the revival seemed like they wanted to play both sides. I mean, they establish the Trump thing in the premiere, and then don’t touch on it again. All of the other episodes seem to sort of dip their toe into class anxiety, like “What does it mean when Muslims move next door?” In a heavyhanded Archie Bunker kind of way, Roseanne has her beliefs challenged, and is supposedly better off by the end of the episode. Except for the Trump thing. It was thrown out to establish a foundation, and then abandoned. In many ways, it did more harm than good, even if there are Conservatives who applauded the show for “having the guts to go there.” Anyway, the whole having her beliefs challenged aspect is all well and good – if it were based on any truth.

I didn’t want to support the show because I felt Roseanne had become a vile human being in the time since the original run ended. There’s Conservative, and then there’s Nut Job, and she’s the latter. Were I a Conservative, I’d hate to be lumped in with the likes of her. “Well, what has she done, Will?” First, there’s the Heeb photo shoot, where she dressed as Hitler while putting Jew cookies into an oven. Then, there’s the Twitter feed, which is almost as incendiary as that of…someone else you’re familiar with. No, after all of that, I had no real interest in giving her ratings. I did, however, wonder if she was still trying to exhibit an air of inclusiveness that I felt was in the original show. So, I found myself reading episode recaps, and it seems like she was trying to recapture a lot of that old “magic”. I actually did watch the Muslim episode because it was on in the background at my mom’s one night. After seeing it, I might’ve forgiven the show. I might’ve even binged on the episodes I missed over the summer. Then, any goodwill the show engendered was immediately thrown out the window the minute the Real Roseanne took to her Twitter account.

So, some backstory: Roseanne was talking politics on her feed, as she’s wont to do, and Valerie Jarrett was mentioned. Jarrett, a top aide to President Obama, is also a Black woman. So, Roseanne basically called one of Obama’s top people an ape and tied her to the Muslim Brotherhood. And, rightfully so, people were upset. Little did we realize what would transpire in just a few hours, as ABC announced that it was cancelling the show. Over the next day or so, there was a debate back and forth over whether she should’ve been fired, and how it sucked for all of the cast and crew who were now out of jobs. A couple of Roseanne’s TV kids, including Sara Gilbert and Michael Fishman, “threw her under the bus” (in her words) by tweeting in opposition of her statement. Roseanne later tried to say that the Twitter tirade was the result of the fact that she had taken Ambien, at which point the makers of Ambien popped up and denied her quicker than Peter denied Jesus all three times in the Bible.

Meanwhile, folks really started grasping at straws, claiming this was a “double standard” or a “violation of freedom of speech”. One thing I read a lot were people saying “They fire Roseanne, but let them say whatever they want on The View, and nothing happens.” That’s not true at all. You just don’t hear about that stuff as much because nobody gives a shit about The View. Panelist Joy Behar insinuated that Vice President Mike Pence might have mental problems because he claims that God speaks directly to him, and she was *forced* to apologize for that on air. Don’t say that “nothing happens”! As for “freedom of speech”, sit on back, because a lot of y’all in the cheap seats need to hear this message: Freedom of speech only protects you from the government. It means all of jack shit in private industry. ABC cancelled the show because they knew the repercussions could negatively affect their bottom line. They didn’t censor Roseanne. They just made a business decision.

I’ve got to say that I’m a bit surprised the show got cancelled. I mean, it was the biggest show of the season, and ABC had clearly stumbled onto a cash cow. Yes, I get the gesture they were trying to make, but keep in mind that these were the same folks who greenlit the show in the first place. ABC President Channing Dungey made the call to end the show, but she also made the call to pick it up. There was no regime change in the middle of those decisions. Frankly, I don’t even feel like this is the worst thing Roseanne did THIS YEAR, but I guess it was the straw that broke the camel’s back? It’s just odd to me that a network that was so squeamish about airing a Black-ish episode about the NFL kneeling protests is now trying to earn back some brownie points for slapping down Roseanne.

I also think it was crazy for all of the Viacom networks to pull the reruns of the old show. This is the same thing that happened to Bill Cosby when that shit went down. Everyone yanked the reruns of The Cosby Show. It’s an empty gesture because we all know they’ll eventually come back. Stations pay for a certain amount of airings when they buy a syndication package, and you damn well better believe they’re going to get their money’s worth. It’s like the Hulk Hogan thing to me. WWE scrubbed him from EVERYTHING after his slurs went public, but there’s a constant campaign to reinstate him. We all know it’s not a matter of IF, but rather WHEN. And it’s the same here. Roseanne doesn’t need this money. She doesn’t need the show. It was something for her to do. At this point, this whole thing probably just emboldened her to be a voice for the extreme right, akin to SNL‘s Victoria Jackson, without the failed acting career. Anyway, she fucked over her cast and crew, but at the end of the day, Roseanne will be fine.

Then, The Left just had to go and fall in the swimming pool. I know I’ve touched on this before, but I despise what I call “Late Night Liberal Smuggery”. I hate all of the talk show monologues that get on a soapbox about politics, yet nothing changes. It’s why I was never a fan of Jon Stewart. Even when we’re winning, we’re still somehow losing and want to be snarky about it. That snark gets old. The biting edge eventually dulls. I like Trevor Noah. I have his book and have seen his standup specials, but I’m not the guy to watch The Daily Show every night, yelling “Preach!” to the screen. So, I was especially not much of a fan of Samantha Bee when she came along. It’s like she’s Jon Stewart, but feels she has to work harder because she’s a woman. That’s probably true in comedy, entertainment, and politics, so I’m not trying to take away her work ethic and whatnot. No, what I will take issue with, however, is her inability to read the room.

On Wednesday, Bee called Ivanka Trump a “feckless cunt”. I take it that’s a vagina without fecks? I dunno. Why did she do this? Well, there’s primarily two reasons. First off, Ivanka’s apparently profiting from her position by being granted special patents from China for her product line. It’s a total conflict of interest. Meanwhile, she posts pics of herself with her kids at the same time her father has emboldened ICE to split up families and deport parents. So, her conflict of interest, combined with her perceived insensitivity, seems to have triggered this. But The Right were NOT having it! “Double standard!” “TBS should fire her like ABC fired Roseanne!” And ya know, I wouldn’t have marched if TBS had cancelled her. Again, it would’ve been a business decision. I think Bee made a gross miscalculation thinking she could get away with that smoothly.

This isn’t a question of “Well, was she right?” I think timing is everything, especially in comedy. Had it been pre-taped a few weeks ago, I’d probably let it pass. If she filmed it after the Roseanne shit went down, however, then that was just not smart. I’m just saying she never should’ve thought she’d fire that joke off successfully. And that’s the thing: it’s not a joke. It came from a place of passion and emotion, so you can’t write it off as humor, even if it was said on a “comedy show”. What Ivanka is doing IS wrong, but I’ve always said HOW you say things is just as important as WHAT you say. This wasn’t the way to do that.

What I’m not here for, however, is the pearl-clutching from The Right. We had an entire election season of Hillary being gleefully called the same thing. There were t-shirts emblazoned with it. These are the same “Fuck your feelings, snowflakes!” folks who now get offended when someone acknowledges that Sarah Huckabee Sanders looks like Shrek. Ya can’t have it both ways. Ted Nugent called Hillary a cunt and he got invited to the Trump White House. It’s like the old anti-drug PSA: The Right can’t get mad at The Left, ’cause “I learned it by watching YOU.”

And no, the statements of Roseanne and Bee are NOT the same. Roseanne’s was racial in tone, and compared a Black woman to an ape – something that White people have done for centuries to degrade Black people. Bee called Ivanka feckless (meaning “irresponsible”) and a cunt, which is self explanatory. Think of “Cunt” like “Super Bitch³”. While seen by some as degrading to women, it’s not degrading to a racial group with a history of being oppressed. It’s like the statements by both women went to the same school, but they certainly weren’t in the same grade. Meanwhile, the White House is calling for TBS to fire Bee. This, folks, is where your cries of “Freedom of speech!” should come in. This is a violation of the First Amendment, spearheaded by an administration determined to defeat all of its perceived enemies. Thousand of people are dead in Puerto Rico, yet the President takes time out of his busy schedule of ignoring that by tweeting about how he was still waiting for his own apology from ABC for the “horrible statements” they’ve said about him. What a fucking petulant child. And I realize I can only say that because I’m a nobody with a vanity blog and not someone with a national cable TV show.

Things You Might Have Missed This Week

  • Star Jason Momoa and director Corin Hardy have left the remake of The Crow. I really don’t know why they keep trying to make this happen. That movie is the Heath Ledger of movies, as we’d have completely forgotten it had Brandon Lee not died filming the original.
  • Amazon has officially picked up The Expanse for its fourth season after it was cancelled by Syfy a few weeks ago.
  • Red Sonja herself, Brigitte Nielsen, announced that she is pregnant with her 5th child at the age of 54. Her husband is 39, and I’m just glad she never popped out any kids during that whole Flavor Flav phase…
  • For you car folks, Matt LeBlanc will be leaving Top Gear after its upcoming 4th season.
  • Maybe the third time is the charm for Locke & Key, as a 3rd pilot for the comic adaptation has been ordered by Netflix.
  • L.A.’s Finest, the Bad Boys TV show spinoff starring Gabrielle Union and Jessica Alba, may not be dead after all. After NBC passed on the pilot, apparently Charter Communications entered into discussions to acquire the series to air on their Spectrum service.
  • Sesame Workshop filed a suit against The Happytime Murders because they felt that the trailer was damaging their brand’s image. The film is actually directed by Muppets creator Jim Henson’s son, Brian Henson. The judge threw out the case, siding with the film.
  • Jamie Foxx will star in the film reboot of 90s Image comics hero Spawn. I can’t tell if this is a major coup for the Spawn brand OR if Jamie really needs money to keep hiding his secret relationship with Katie Holmes. I mean, he hosts a Name That Tune rip-off on Fox, so something tells me he may not be the best with money. Anyway, the film will be directed by Spawn creator Todd McFarlane, which is laughable to me seeing as how he hasn’t even inspired *action* in his own toy line for the past 20 years. I really don’t see how he’s gonna pull this off.
  • Andrew Lincoln is reportedly leaving The Walking Dead after next season, with Norman Reedus taking over as the lead. This is quite the departure from the comic, where the character of Rick Grimes is pretty pivotal with all of the goings on. The show, however, solidified its willingness to diverge from the source material with the way that it handled Rick’s son, Carl.
  • Apparently there’s some kind of rap beef going on between Drake and Pusha-T. It seems like Drake was just soft-shoeing it, and then Pusha clapped back by revealing that Drake has a secret child. Man, Pusha went for the jugular! That’s like if you got in a fight with your girlfriend in public over something stupid, and she retorts with “Well, yo’ dick ain’t shit!” Anyway, it appears that funeral services for Drake will be announced shortly.
  • Last week I told you that Fox had entered into a deal to air WWE SmackDown starting in 2019. Well, now there are reports that they’ve also entered into a deal to carry the WWE NXT brand on Fox and FS1 channels.
  • In light of ABC now having another half hour to fill on Tuesdays next fall, there are reports that they are fastracking a spinoff of The Middle, starring Eden Sher’s character, Sue Heck. I am SO here for this, even though I felt The Middle had the perfect finale. Here’s hoping this is more Frasier than Joey.

I guess I’ve gotta give the West Week Ever to Solo: A Star Wars Story? Is that how this works? Wait, why am I asking y’all? This is MY site. I mean, the movie has made $200 million worldwide in its first week, and I believe it was director Ron Howard’s biggest opening. That said, it’s still seen as “underperforming”. While I wasn’t rooting for Solo to bomb, I do hope it causes them to rethink this whole Annual Star Wars Movie strategy. Star Wars just isn’t special anymore.

As I said on social media, Star Wars went from being your rich uncle who bequeaths his fortune to you to being your grandparents who visit every year, and somehow think the $5 bill they slip you can still buy anything in this day and age. I am far from a discipline of the franchise, but I always felt like a lot of what made Star Wars special was The Wait. I’m talking about the anxiety that built between the ending of The Empire Strikes Back and the release of Return of the Jedi. The anticipation of the Prequel Trilogy (contrary to how folks feel now, y’all were looking forward to those things at the time!). Force Friday toy releases, timed to coincide with the first film after one of those extended waits. From outside the fandom, Star Wars always seemed to have a “Good Things Come To Those Who Wait” thing about it, and I think there’s just an embarrassment of riches right now that kinda tarnishes the brand for me. I haven’t seen Solo yet, so this isn’t a knock on quality, but rather business strategy.

I had a friend compare this to Marvel, saying if Superhero Fatigue hasn’t set in, why is it OK to assume Star Wars Fatigue is a thing? He posited that the Marvel machine could be applied the same way to Star Wars, but I just don’t think that’s true. I realize Star Wars is doing the whole One Saga Film, One Spinoff model, but I often wonder what will happen when the Skywalker Saga truly ends. I mean, folks claim they want new things, but their actions show otherwise. A lot of fans hated The Force Awakens because it was too much of a rehash of A New Hope. Then, The Last Jedi offered something new, and it proceeded to destroy friendships and families because it “wasn’t Star Wars“. I wish Disney would take a parental stance on this franchise, and just say “If you can’t appreciate what we give you, then we’ll just take it away from you for a while.” That, then, would trigger a Wait. And hopefully the fans will either discover a newfound appreciation for what they have or they’ll find something else to tickle their fancy. Either way, a lot of Star Wars fans right now don’t deserve Star Wars, but there’s too much money to be made, so look for Star Wars: Lobot’s Reckoning coming soon to a theater near you. Anyway, this is me, begrudgingly saying that Solo: A Star Wars Story had the West Week Ever.

04th May2018

West Week Ever: Pop Culture In Review – 5/4/18

by Will

 

It has been a week. Over the past seven days, I’ve had Internet fights with racist veterans, old friends, and complete strangers. Last Friday I bought a house, only to immediately discover that everything in my mother’s house was breaking down. I’ve been through a flood, a new hot water heater, 2 unresponsive plumbing companies, and 2 failed inspections. So, it would be safe to say that I’m in a bit of a mood…

So, I had been really looking forward to writing about Avengers: Infinity War. I had a lot of thoughts. Sure, a lot of folks left the Thursday night showings with their minds blown, but I wasn’t really happy. I had to process a lot of what I’d seen. There were simply SO many moving parts. I needed to really grasp what I’d seen. I saw it again with my wife on Saturday morning, and I think I came back with a better understanding of the film. Then the weekend happened. On top of the rampant speculation that follows the release of these movies, I also found myself in the middle of drama over on Facebook. It turned into this MCU vs DCEU stuff that I really didn’t want to get into. This shit is about men in capes and tights. It’s not Schindler’s List. Anyway, it kinda put a bad taste in my mouth about the whole thing, so I’m not that excited to talk about it anymore. But “The show must go on!”, so here we are (NOTE: I also owe @zacshipley an apology ’cause we were supposed to podcast about all this before my world started crumbling apart, as detailed above!).

Oh, yeah – SPOILERS

Let me preface this all to say that I am amazed by the tapestry woven by this whole feat. You can like or hate the MCU, but you have to give credit where it’s due that 18 movies culminated in this payoff. The Russos did an amazing job handling characters who weren’t originally theirs (Directors Taika Waititi and James Gunn pitched in to make sure their characters’ voices – Thor and the Guardians, respectively – stayed true). For fans of the world that Kevin Feige has guided, this was pretty much everything you could’ve wanted. Again, SO many moving parts, but they handled it deftly. If you haven’t seen all the films, well, in the words of the great poet laureate Jay-Z, “I feel bad for you, son.” I feel bad because this thing probably made very little sense to you. I joked on social media that my new favorite thing is following Black folks who were introduced to the MCU via Black Panther, only to check out Infinity War and leave, going “What the f-?!”

There’s a review from The New Yorker making the rounds, where the writer basically says that the film is just a culmination of ads for other Marvel films. It lends itself to the argument that there was nothing to grasp onto for the newcomer. First, you’ve got to ask if a newcomer should even be watching this film, and I answer that with a resounding “No!” This isn’t gatekeeper mentality, either. It’s just that you won’t get the full experience of what’s happening. It’s like watching the season finale of a show you’ve never seen before. You might be able to follow it, but you’re still gonna miss some important stuff. The problem with the review is that most folks who are bashing it are too close to the source material to understand where he’s coming from. He’s not wrong. Take, for instance, how the movie treats Steve Rogers.

Steve Rogers is treated as a real life “splash page” in the film (if you’re not a comic fan, a splash is 1-2 pages that showcase some impressive artwork, typically of a battle or character introduction, with minimal dialog or panels to detract from its impact). He shows up in the shadows, catches Proxima Midnight’s staff, and emerges to look badass. Later, he flexes on General Ross (“Who is THAT guy?” asks an unfamiliar audience member), still looking badass but there’s no real context. Yes, you’re reading this, yelling “He’s mad because of the Sokovia Accords!” Yeah, I know that, but I’m immersed in this shit. Still, this film does a poor job of explaining WHY this group is on the outs. The mention of the Accords is brief, and you’d really only get it if you’d seen Civil War – which you probably did, but not everyone did.

There is no substance to Steve Rogers in this entire movie. He shows up, looks badass, the end. Outside of the blurbs on the toy packaging, we don’t know what he and his team have been doing the past 2 years. We don’t know how those years, combined with the events of Civil War, have affected him. They choose a weak rendition of “Show, Don’t Tell”, by giving him a beard, long hair, and a darker costume, but that’s it. Steve Rogers is basically a man who has lost his religion. His religion was Uncle Sam, and he began to sour on it in The Winter Soldier. It was completely Uncle Bad Touch after Civil War. So who is he now? WHAT is he now? How has it all changed him? Is he better for it, or is he now a man with nothing more to lose? Yes, this movie had a lot of moving parts, so we couldn’t get what we wanted in terms of deep character moments for everyone. Still, seeing as how he’s the leader of this whole Earth-bound defense force, I’d kinda like to know more about the man leading everyone into battle. The Captain America movies had done a really good job of showing us the growth of Steve Rogers, and I just didn’t get that here. Oh, and folks love to fawn over everything about and from Wakanda, but those shield gauntlets were stupid. It made Agent Coulson’s TV budget holo shield look better in comparison, which is QUITE the feat!

Another problem I had: The Black Order. I’ve seen the debates on various Facebook pages, but the Black Order didn’t live up to their hype. Now, I realize they’re recent additions to the Thanos mythos, having been created by Jonathan Hickman in his recent Avengers run, but I just never felt they displayed WHY they should be feared. These are the “Children of Thanos”, by his side as he annihilated 50% of PLANETS. They come to Earth, and fail to rack up ONE KILL. Now, sure we can talk about the “formidable human spirit” or how “anything is possible when your back is against the wall”, but Black Widow and Akoye should not have survived that fight. I don’t care if Black Widow is the best graduate of the Red Room or that Okoye is the fiercest warrior in Wakanda. They’re facing an unfamiliar, extraterrestrial threat that kills people like it’s their job. Because it IS. People are saying “It was an even match when it was 1:1, and the Black Order took the L when folks teamed up against them.” Doesn’t matter. They couldn’t even successfully kill a ROBOT. Daddy had to come finish that job. So, I felt they went out like some bitches, even if I do want Ebony Maw to record my voicemail message.

Next problem: Because we, as fans, are so close to the source material – and the business behind it – it’s hard to really take the “deaths” seriously when you know the business side of things. First of all, I wasn’t affected by the deaths because they weren’t graphic. They weren’t impactful. Folks just turn to dust. Remember how I was disappointed by the Black Order? That could’ve been rectified here. Instead, it was more like the characters were *erased* than that they died. The only one that held any weight was Peter Parker’s, which was reportedly ad-libbed. Still, when the vast majority of the stars of the movies that Marvel has in the pipeline are the ones who “die”, it’s like “Whatever”.

And people love to be so smug with their “It’s comics. Characters always comes back from death.” Well, yes and no. Yes, it’s a common trope today, but that wasn’t always true. It wasn’t really until Superman where publishers realized the life/death yo-yo was a cash cow they could return to time and again. No, because the MCU hasn’t established this to be true within the confines of what has been set up.

 

One thing a lot of folks don’t seem to reflect upon is that the MCU has more ties to the Ultimate Marvel Universe than the regular, “616” Marvel Universe. Sam Jackson Nick Fury, Hawkeye with a Black Ops background, – just a few examples of how The Avengers film franchise owes more to the widescreen cinematic depiction of the team in The Ultimates comic than it does to the team seen in The Avengers comic. The Ultimate Universe, as a publishing imprint, ran between 2000-2016, and in that time death meant DEATH. When a character died there, they stayed dead (Don’t talk to me about Peter Parker because I’m proving a point here, and I’m convinced Bendis wrote that arc because someone was holding his family for ransom). Though Jeph Loeb’s Ultimatum event is generally considered a poorly-written gorefest, a shit ton of important characters died, and STAYED dead, forcing that universe and its characters to move forward and grow from it. With that said, the MCU has never really established that resurrections occur. There’s the Coulson thing, but it’s not exactly a routine occurrence, so they still could’ve played it that way here. Instead, though, they took all their cash cows with active contracts and sequels in the works, and “killed” them. Even if we KNOW they’re gonna “comic book” it and bring them back, they kinda shot the pooch in the selection of who stays and who goes.

In true comic fashion, it’s a story where ultimately nothing happens. Sure, there are some amazing set pieces and character moments, but it plays like one of those summer comic events where “The Marvel Universe will never be the same!!!!” Until next summer, when something else happens over 6-10 horribly delayed issues, and we get the same threat/promise. I feel almost like Feige and the lot lied to us when they promised that Infinity War was no longer a Part 1 & Part 2 deal, since it told its own story, just as Avengers 4 would. Nah, that dog don’t hunt. This is clearly a Part 1, even if not in name, and there is no complete story here. There’s a hell of a first (and possibly half of a second) act, but this is the MCU’s The Empire Strikes Back. At least we don’t have to wait 3 years for the resolution.

Last thing I hated: the after credit sequence. I think it might be the first one to make me groan. Why? Because I’m NO fan of Captain Marvel. I’ve followed her for some time, and I’m not against her, but I’ve never really understood the “Carol Corps” and the fan base that has developed around her.

If you’re not familiar, Carol Danvers was a pretty forgettable character for the first the 40 years of her existence. She went back and forth between codenames, calling herself Ms. Marvel, Binary, and Warbird at different times. Until about 10 years ago, her biggest claim to fame was that X-Men member Rogue stole her powers of flight and super strength (also why these powers are missing in the X-Men films, since Fox didn’t have the rights to Ms Marvel to do this). Then, about 10 years ago in the House of M event, Carol gets a glimpse of what she could be. Instead of a recovering alcoholic, C-list jobber, she could actually be the most powerful hero in the universe. So, she really starts to apply herself, and gets promoted from Ms. to Captain. And in a rare feat for comics, it stuck.

Usually when a former sidekick or lesser hero gets a “promotion”, it’s to goose sales and it’s temporary. With Captain Marvel, though, we’re ten years in and it seems like she’s going to stay this way. Good for her. My problem is I just don’t feel like having her Deus Ex Machina her way into Avengers 4 to save the day. As far as the comics go, she’s just not a likable character. Now, there’s some argument to be made that “Maybe you just don’t like strong women!” I don’t think that’s it, YET I feel like she’s written in a way to force folks to have that conversation. She was on the wrong side of history with the Superhero Registration Act. She was on the wrong side of history in Civil War II. In big crossover events, she tends to be written like a headstrong character who’s not really a great team player. “But, the same could be said about Tony Stark, Will!” Yeah, but he’s rich and charismatic. Can’t the same about Carol. Outside of her own book, she’s just kinda written like a fuck-up, yet I’m supposed to take her as the most powerful hero on Earth. Maybe I’ll gain a new appreciation for her after her movie drops in March, but right now, I’m just like “Ugh.”

Oh, and what is Nick Fury’s job now? I mean, he fakes his own death in The Winter Soldier, returns to the land of the living with helicarrier, like “What up, motherfuckers!” in Age of Ultron, and now he’s here. He has his own Personal White Woman (TM) in Maria Hill, but he ain’t the head of S.H.I.E.L.D. Right now, he’s a private citizen with his own flying death machine, which really needs to be explained. Or maybe it doesn’t. Hell, in the comics, S.H.I.E.L.D. has 2 different “Executive Directors” at the same time, depending on what book you’re reading.

So, since we slogged through all of that, and you might be mad, let’s get to what I liked: All of it. Despite the fanboy nitpick stuff I just pointed out, I really had an amazingly enjoyable time at this movie. I just take things further than the casual moviegoer, since I’ve sort of lived a lot of this stuff for the past 25 years. The things I pointed out didn’t make me hate the movie. They were just observations I had while others swore the film was perfect.

  • I loved Thanos, even if basic knowledge about population growth and sustainability point out the flaws in his plan. “Why didn’t he just create more resources?” Shut up! The movie would’ve been 10 minutes long, and you’d be pissed you paid $15 to see that. And how many times do you get to see the villain win?
  • Thank sweet baby Jesus that M’Baku survived. I was ready to throw my popcorn if he turned to dust.
  • Even though I have no clue how it’s possible, I’m glad that Thor’s little soliloquy established that Thanos only killed HALF of his people, so there’s still hope for Valkyrie and Korg to pop up in the future. I’m just imagining the potential showdown between Valkyrie and Sif (who ain’t dead ‘cause she didn’t take time off from her struggling NBC show just to come back and get killed. Respect!).
  • Even though some folks hated it, I enjoyed the erectile dysfunction joke with Hulk. When he finally does appear next movie, it’ll mean something, and hopefully he’ll get redemption. Still, it had to happen to prove that Thanos was a formidable foe. If he scared Hulk, then he should scare everyone.
  • Xandar got destroyed offscreen, so I’m glad I didn’t have to watch Nova Prime Glenn Close get killed along with John C. Reilly and his little pink daughter. And, with the Corps’ destruction, it certainly does pave the way for a Nova film – just as Feige’s been teasing lately.
  • Thor was SO good here. It’s a damn shame it took them 3 movies to get him right, but with the original team’s contracts expiring, I hope he’ll come back for more. He seems to be having as much fun as we are watching him, and they’ll need a thru-line from the original team to whatever is left standing at the end of the next film. The Avengers cannot live by Black Widow kicks alone.
  • I was glad that this film “fixed” the MCU timeline ‘cause I was really messed up by that “8 Years Ago” from Homecoming, yet Tony establishes here that the Battle of New York was SIX years ago. I know, fanboy problems.

Thoughts about Avengers 4:

  • I don’t think Gamora comes back in this film. I think she’s in the Soul Stone, and I could totally see GOTG 3 as The Search for Gamora.
  • I’m still not convinced Cap ever dies in this franchise. Look at it this way: yes, people are clamoring for a heroic sacrifice, so Bucky (or less likely Falcon) will take up the shield to honor him. I don’t think he needs to die. Bear with me here: Steve Rogers never got a life. Just as he was becoming a man, he volunteered for a way to fight for his country. He was frozen for 70 years, only to thaw out and be thrown right into the next fight. I think he deserves to walk off into the sunset. He’s done more than enough for his country. Now, he could buy himself a fishing boat and find himself a nice girl. It’s what Peggy would’ve wanted for him.
  • Also don’t think Downy dies. If he was gonna go, this was going to be his window. A lot of folks think Pepper was trying to tell him she was pregnant when the comm link cut out, so I could see him taking a step back, and just providing tech and money to the team while he focuses on his family. Can’t you see him giving Clint a new bow, saying something like “Be careful with that. It cost more than that farmhouse of yours!”?
  • To be honest, I see this era of the MCU ending without any meaningful deaths that stick. I know some folks would be fine with that, but when looking back on 19 movies, it leads one to wonder “What were the stakes?” At this point, the only real deaths we’ve had were Coulson, Quicksilver and Agent Carter – and one of those was simply from old age. I’m not some morbid deathmonger, but I feel a calling like this comes with a price. And nobody *important* has paid that price. If that’s how they wanna play it, then so be it, but it’s definitely something that sticks out to me.
  • Completely never realized there was no deal in place for Doctor Strange 2. Feige’s explanation is that he felt like Strange got so much time in Infinity War that he didn’t need a second movie so soon. I could see that, but it’s just odd how a franchise that can’t keep its 5 year plan a secret doesn’t have anything lined up for him (officially) in the next five years. Oh, and I kinda hated him in this movie during my first viewing. I feel like MCU Doctor Strange is Great Value Tony Stark, but I came to appreciate him more during viewing #2.
  • If Agents of S.H.I.E.L.D. does end this season (which is looking less likely, even though this season’s finale was written as a series finale), I really hope it’s acknowledged in this film. No, I don’t think we need a cameo from the whole damn team, but I think the Avengers finally need to learn about Coulson, and they’re clearly setting Chloe Bennett up for something, so she could cameo, too. Sorry, fans of Melinda May. I also don’t need cameos from the Netflix folks. I’m fine with just acting like that’s its own thing, but AoS is supposed to be part of the “Everything is Connected”ness of the MCU. That’s what we were promised, so that’s what I expect. The tangential shows, like Runaways and Cloak & Dagger, can do whatever they want ‘cause I’m never gonna accept them into this family.

I’ve got more to say about Infinity War, but we’ll get to that a bit later down the page.

HarassmentWatch(TM)

Harvey Weinstein Update – Ashley Judd has sued Weinstein for “torpedoing” her career when she rebuffed his advances. Peter Jackson already reported that he was convinced not to cast Judd in The Lord of the Rings due to influence from Weinstein. So, she’s suing him for defamation, sexual harassment, and for violation of California’s unfair competition laws. I swear, if he cost us Where The Heart Is 2: Forney’s Revenge, then I say let the bastard fry!

Bill Cosby Update – The Cos, along with Roman Polanski, found himself expelled from The Academy of Motion Pictures Arts and Sciences, who are responsible for the Academy Awards. While this probably seems like a huge gesture to some, it’s not like they’re taking away his Oscar. Can’t win an Oscar when you’re cranking out shit like Ghost Dad and Leonard Part 6. Nope, he just can’t vote anymore. That’s cool, ’cause convicted felons can’t vote anyway, so… Meanwhile, his wife Camille issued a statement that this is the result of mob mentality, and that he’s being railroaded. If you ever want to feel sad for humanity, hop over to his Facebook page for the litany of “I stand by you, Mr. Cosby!” The motherfucker gave us a TV show. He didn’t cure cancer. Let that shit go. It’s a numbers game. Even if you think some of those women lied, ALL of them aren’t lying. We’re talking over 50 women! People want to act like it’s a giant conspiracy, but you can barely get 50 women to respond to an Evite, let alone corroborate a rape story. How many do you need? What’s your threshold on sexual assault? Get back to me if you need to think on that.

So, I guess we should get this out of the way since everyone in my life has asked my thoughts on it: in a somewhat surprising move, toymaker Hasbro announced they have purchased the Power Rangers franchise from Haim Saban for a reported $522 million. They also bought some other stuff, like 80s property My Pet Monster, but ain’t nobody got time for that. I say “somewhat surprising” because we knew it was a possibility. After all, it was in the fine print when Hasbro acquired the master license to produce Power Rangers toys in the United States. The company would have the first right of refusal should Saban ever decide to sell. It looked like this was a sure thing down the road – ya know, after they’d had a season or two under their belt, making product. Instead, they pulled the trigger before the next incarnation of the show, and before the Bandai license has fully lapsed. It kinda makes one wonder: “What’s the rush?” I mean, does Saban need to send an envelope of cash over to Israel or something?

OK, sidebar – if you’ve never been to this site before, or don’t know much about Haim Saban, then you saw that last sentence and said, “Whoa, Will! That was kinda anti-Semitic!” Not exactly. You see, Saban has always called himself a one-issue voter, and that issue is Israel. He’s quite the political donor, and has no real political allegiance except to anyone who promises to make the affairs of Israel a priority. He was quite the donor to the Clintons (which was always intriguing to me, as early on the Clintons railed against violence in children’s programming, like Power Rangers. Nothing that a few million dollars couldn’t fix!). He would go on to publicly lambaste both Bernie Sanders and DNC chair candidate Keith Ellison as being “anti-Israel”. Oh, and he firmly believes that the key to political power is to control media outlets. Yup, that old conspiracy theory about the media is actually one of his dreams. Betcha didn’t know all that about the guy behind your favorite spandex heroes! Anyway, the dude is worth over $5 billion, so it wouldn’t be shocking if a quarter of this sale is earmarked for Israel.

Anyway, the writing was on the wall with this sale. Hasbro needs something to bolster the aging Transformers franchise, and the essentially lifeless G.I. Joe franchise. This is a something of a renaissance for them, as owning something like the Power Rangers franchise changes the game. It’s not one of those “It’ll keep the lines on” situations like Teenage Mutant Ninja Turtles is for Playmates Toys, but it’s definitely the shot in the arm that Hasbro could use these days. Meanwhile I don’t think Saban ever really recovered from the anemic box office for last year’s Power Rangers movie. He knows, as any smart man would, that the franchise’s best days – as far as he was concerned – were behind him. He would never again experience the Beatlemania that accompanied the 93-94 era of the franchise, but that didn’t mean it couldn’t be a valuable franchise for someone else.

Plus, let’s just look at the numbers here: Saban originally sold Fox Family Worldwide (which included Power Rangers and the Fox Kids library) to Disney for $5.3 BILLION in 2001. Yes, Disney paid more for that than they paid for Star Wars OR Marvel. Disney, then, proceeded to junk everything from that sale (Where’s my Eek! The Cat, bitches?) except Power Rangers, while never really figuring out what to do with it. They went on to produce seven original Power Rangers seasons of varying quality, from Ninja Storm to RPM. After a rumored failed animation pilot, and a half season where they just added Batman ’66 effects to old Mighty Morphin episodes, Disney sold the Power Rangers franchise back to Saban for a reported $43 million. He spends a few years doing basically the bare minimum as far as maintaining the brand, and then sells if off for half a BILLION dollars. You can say a lot of things about Haim Saban, but you can’t say he’s not a smart businessman!

So, what do I think? I’m not really sure. We’ve had multimedia franchises owned by toy companies before, but I can’t remember the last time we’ve seen a transition like this. I mean, it’s basically going from Saban’s Power Rangers to Hasbro’s Power Rangers, and I don’t entirely know what that will mean. That’s like if it went from Jimmy’s G.I. Joe to Hasbro’s G.I. Joe. Will all of the wit and charm that Jimmy brought to the franchise be honored and respected by the new owner? Who knows? And we don’t know in my scenario, as there was no Jimmy and Hasbro always owned Joe. So, the question is How does Hasbro put its mark on Power Rangers, while retaining what it has come to mean over the past 25 years?

From a toy perspective, I don’t think we have a lot to worry about. Hasbro is a friend to the “adult collector”, so I’m confident we’ll get some sort of 6″ Black Series/Legends action figure line to rival what we got with Bandai’s Legacy Collection. They’re also good at articulation, when they want to be. So, we could end up with 4″ Rangers with 5 points of articulation, in some sort of weird, retro throwback model, or they could give us the $13 Walmart exclusive Star Wars figure articulation. Plus, with their “Big Toys for Poor Kids” Titan Heroes line, they can continue to give us the same unnecessary 12″ shampoo bottle figures that Bandai cranks out. Where they will fall short, however, is when it comes to role play toys.

Kid sized Ranger weapons and morphers are a big part of the Power Rangers toyline legacy, and that just ain’t Hasbro’s strong suit. The closest they’ve come to a morpher in recent years is the Star Wars Force Link, which has now died on the vine in two different iterations (three, if you count its “father”, the CommTech Reader from the Star Wars prequel toylines). They have never simply gotten the consumer to care about those things, though it might help if it’s an item that’s actually featured in the show, instead of some weird, out-of-left-field piece of tech that isn’t featured in the source material. On top of that, Hasbro goes the extra mile for role play stuff that the marketplace isn’t really demanding. Take the recent Hero Vision Iron Man helmet for Avengers: Infinity War, which is an augmented reality experience where you put your cell phone into an Iron Man helmet to pretend you’re fighting Thanos. Cute idea, but not for the $50 price point. This is not something that works at mass market retail. You know how I know? Because Walmart can’t even sell $15 VR sets, so the addition of a plastic Iron Man helmet ain’t gonna make these fly off the shelves. No, this is a hobby piece. This is the kind of thing you MAKE yourself, with the help of a YouTube tutorial. It’s not the kind of thing that you BUY. For other recent role play offerings, it’s clear the Action Figure folks just farmed the development out to the Nerf team. So, I really hope they’ve got some PR experts on the team (possibly from Bandai) instead of trying to acclimate their current folks to the Power Rangers brand.

I guess my biggest worry surrounds the show itself. Does Hasbro know how to produce a weekly live action kids show? Will it stay in New Zealand? Is this the end of the franchise’s love affair with actor Jason David Frank? He’s spent years ingratiating himself to the folks at Saban and Bandai. I mean, the current comic book storyline is based around his character. What happens now that he has a new master to please? Will Hasbro allow Nickelodeon to keep forcing so many breaks between new episodes? Can Hasbro void the Nick contract Saban just signed, and take the show elsewhere? Those are the questions I have. The toys will be fine, but Power Rangers, while toyetic in nature, wasn’t necessarily a brand created to sell toys. Sure, like anything else, it was created to make money, but not primarily to sell toys. How does that change when its new owner is primarily in the business of selling toys? I guess we’ll have to wait and see…

On the other end of the pop culture spectrum, Kanye West went on a bit of a press tour this week, and proceeded to make a fool of himself. Most notably, he went on TMZ and said that slavery was a “choice”. He went on to give this extended rant:

He also gave an interview to Charlamagne tha God on The Breakfast Club, where we learned the following things about him:

  • He developed an Opiod addiction after getting liposuction. Now, let me just say that if my mom died on a plastic surgeon’s table, I’m fairly certain you wouldn’t catch me getting plastic surgery. Most folks won’t even return to a restaurant that gave them food poisoning!
  • He was hurt that Jay-Z and Beyonce didn’t come to his wedding
  • He likes that Trump won because it gives him hopes for his own political aspirations. He feels that Trump’s win means that anyone can win, and that inspires him.
  • He turned on Obama because Obama once said that Kanye was his favorite artist, but then proceeded to call him a “jackass” when asked about more recent antics. That hurt Kanye’s widdle feelings.
  • He recently bought 300 acres on which to build a community

Here’s the thing: some of what he says isn’t the craziest thing I’ve ever heard, but even a broken clock is right twice a day. His issue is he’s conflating physical slavery with mental slavery, which are 2 different things. Meanwhile, there are a bunch of Hoteps out here, saying “He’s right!” It saddens me that there are modern day Black people who hear about slavery, and then think “They wouldn’t have made ME no slave!” Yes, they would have. Slavery was more than just the fact that White people owned us. There are psychological underpinnings to that system that held us, and continue, to hold us down. I am all for ignorance being brought into the light, but in the year of our Lord 2018 there are way too many White Supremacists who’ve been waiting for someone like this to come along to bandy about. This would be a “mistake” if he’d said the dumb stuff ONCE, but he just keeps digging his hole. This is a full on meltdown, but to what end? At what cost? The “bad” people hear his words, and it just empowers them. Kanye lives in an ivory tower, so he doesn’t have to deal with a lot of the day to day stuff folks face. He’s out of touch, and making things worse for those who are not.

The problem with Kanye is he’s all over the place and, as they say in the South, he “can’t get to Hell fast enough”. It’d be one thing if he wanted to talk Black empowerment. It’s an entirely other matter when his “argument” is merely used as a distraction from his MAGA hat wearing photo op. He’s not the guy saying “Let me show you another way of thinking”, at least not eloquently. Instead, he’s a petulant child who’s saying “I do what I want, and your reasons for your views don’t apply to me.” OK, cool. But he shouldn’t expect folks to take his views seriously when he’s been so dismissive of theirs. People don’t forget so easily, yet they see what they want to see. It’s like Cosby, who we’re supposed to hold up as this paragon of Black greatness, who also spent the past 20 years berating the Black community. Like Kanye, a lot of what he said wasn’t “wrong”, but it was HOW he said it. Context AND delivery are just as important as the words themselves.

I don’t feel “betrayed” by Kanye West. If nothing more, I hate how he’s giving my “family” a bad name (even though there’s no relation…I hope). No, I have NEVER given Kanye money (thank you, Shawn Fanning, for teaching me about the wonderful world of free music!), and he’s never been a “musical genius” to me. No, I reserve that praise for folks like Max Martin, because I have the musical taste of a 14 year old girl who was punted forward in time from the year 1998. I just think this thinking is dangerous. It’s one thing to have this kind of discussion in the parlor, over brandy, but it’s another to go on the steaming pile of muckraking shit that is TMZ and hold court. I give TMZ some credit because they’re the first ones to let us know when a celebrity dies, but Harvey Levin would make PT Barnum clutch his pearls. When he looks at you like you’re a piece of shit, well, it’s pretty clear that you’re a piece of shit. And the same folks who are saying that “We need to stop being divisive and love each other” are just suffering from “Winner’s Bullshit”. They weren’t worried about divisiveness when they were trying to prove the last president was a secret Kenyan Muslim who killed Santa Claus. Nor did they apologize when they couldn’t prove it. So, in conclusion, fuck Kanye West, fuck Kenny Chesney, and fuck anyone else who wants to tell me that all my great grandmother had to do was clock out at the end of the day on the plantation, and everything would’ve been hunky-dory.

Wow. That felt good to get out. Sorry to the White people (which is pretty much all of you) who are feeling some kind of way right now. I’ll lighten things up at this point. Promise!

In TV news, it was reported that Conan on TBS will switch to a 30-minute format. I don’t really know what to think about Conan anymore. I mean, yes, he got royally screwed by NBC. That said, he’s basically now the Hillary Clinton of the late night world. He needs to read the room and realize he’s never going to be Johnny Carson. There are other things he could do, though. Leave the late night space to the other guys, and focus on producing. The Conaco brand isn’t that strong right now, and it could use his stewardship. Out of the three shows he’s currently producing (Conan, People of Earth, and Final Space), only one of them is actually good. His late night show isn’t breaking new ground, nor does anything from it go viral, which is the new measure of “worth” in that sector. Final Space is just a miss all around, and People of Earth isn’t the kind of show that’s gonna last 10 years. I just don’t know what he’s trying to prove at this point. TBS has been a great home for him and his projects. It’s to his benefit that he didn’t go to Fox when his non-compete was over ’cause they would’ve cancelled Conan YEARS ago. Over on TBS, he’s a big fish in a small pond, but he’s not contributing much to the late night space anymore, and it seems like TBS doesn’t want to hurt him by showing him the door, but clearly realizes that they could be doing more with the timeslot. Sadly, they could probably bring in more eyes just by bringing back those reruns of Cougar Town.

In other TV programming news, DC Comics began teasing the DC Universe streaming service. Details are scarce at the moment, so we don’t know price point, or what will make up the bulk of the programming. We do know that the previously announced live action Titans will be joined by a live action Swamp Thing series, as well as the third season of Young Justice and an animated Harley Quinn series. Meanwhile, the ill-conceived Metropolis, that featured Lois Lane and Lex Luthor solving mysteries, is being “redeveloped”. This all sounds TERRIBLE to me. I feel like this is going to be the home of the shows they couldn’t sell to other networks. I mean, if you remember, TNT passed on Titans. TN-fucking-T. Their schedule is nothing but Bones reruns and NBA games. Sure, you could make the argument that “Maybe it just didn’t fit their network image”, but I can assure you more people get TNT than will initially sign up for this service. Plus, are folks really creaming their jeans over a Swamp Thing show?

Wanna make this thing a Must Have expense? First, pull all existing shows from networks and put them on the service. Sure, The CW would collapse, but Fox wouldn’t have to worry about renewing a bubble show like Gotham, and the service would officially become THE exclusive home for DC programming.  ‘Cause even if the service has every DC production in history, it should be acknowledged that a lot of that stuff was shit. Yes, there’d be Justice League Unlimited and the rest of the DCAU, but there’d also be Lois & Clark, that really bad 80s syndicated Superboy, and The Zeta Project. People talk about how Disney is buying Fox to bolster their streaming service, but there’s REALLY nothing about DC’s catalog that’s gonna bring all the boys to the yard. You really going to pay a monthly fee just so you can watch Superman III whenever you want? The shit is in the $5 bin at Walmart. Knock yourself out. Your credit card will thank you. Anyway, I’m putting this in the Need More Information file for now.

Things You Might Have Missed This Week

  • We got this new trailer for Teen Titans GO! To The Movies, and I cannot wait! I posted how I’m more excited for this movie than I am for Deadpool 2, and some dude on Twitter felt the need to tell me that it’s going to make no money. Cool story, bro! Why is the Internet full of people who simply don’t want you to be happy about something? Anyway, Will Arnett as Deathstroke…I mean, “Slade”? Sign me up!
  • I have never loved Arrested Development as much as a lot of folks, but I’ve been meaning to give it a second chance. I became even more inspired to do so when, this week, series creator Mitch Hurwitz announced that a “remix” of season 4 would actually be dropping on Netflix today. Due to the conflicting schedules of the cast, season 4 was originally filmed with each episode focusing on one character. This new edit, however, treats it like a traditional sitcom, much in the way the first 3 seasons were filmed. New jokes, and actual character interaction. This should be interesting, even if just as a case study to see if such a thing can be done well.

  • *NSYNC received their star on the Hollywood Walk of Fame this week. Three things stood out to me about this: 1) I’m amazed Justin Timberlake actually showed up for the ceremony, as I was certain it was just gonna be the 4 less successful ones there. 2) Apparently Loki is real, and he now goes by the name “JC Chasez” on Midgard. 3) Chris Kirkpatrick still looks like the kid that you only let hang out with you because he either has a hot, slutty sister OR his brother is your weed dealer.
  • On a related *NSYNC note, they popped up on Ellen, where it was revealed that Timberlake once hooked up with a Spice Girl. If it was Sporty, he will have my undying love. It was probably Scary or Ginger, though.
  • Comedian Michelle Wolf hosted the White House Correspondents Dinner, and the butthurt, snowflake libtards couldn’t take a few jokes! Wait…we’re receiving an update on this story. Oh, so it wasn’t the Liberals? How interesting…

  • We got the new trailer for Ant-Man and The Wasp, which looks like a MUCH needed, light fare palette cleanser after the heavy events of Infinity War.
  • Taking a page from DC’s marketing of The Dark Knight, Fox is dropping X-Men from the title of the series’ next installment, which will now just be called Dark Phoenix. Yeah, I think the great Dwayne Johnson put it best when he said, “IT DOESN’T MATTER WHAT YOUR NAME IS!”
  • Speaking of The Rock, he just cast John Cena as the lead in The Janson Directive, which Johnson is producing, based on a Robert Ludlum book. A Robert Ludlum book that sounds a lot like The Bourne Identity
  • Detective/Captain/Mayor Quentin Lance is leaving the Arrowverse, as actor Paul Blackthorne is exiting Arrow at the end of the season. I’ve felt he’s been living on borrowed time since season 2, but I grew to love him. Here’s hoping he gets to walk off into the sunset instead of getting killed off.
  • The Unbreakable Kimmy Schmidt will be ending after its upcoming 4th season, with a planned movie that will wrap up any loose ends. Sad to see it go, but I never made it through season 2, and I guess this gives Tina Fey time to work on that 30 Rock revival she’s been teasing.
  • The Handmaid’s Tale (Hulu), The Good Fight (CBS All Access), and Westworld (HBO) were all renewed for a 3rd season this week.
  • Thought I’ve never encountered anyone who liked the show, Netflix somehow renewed Friends from College for a second season, and Sarah Chalke will be joining the cast.
  • The Simpsons surpassed Gunsmoke to become the longest-running, scripted primetime series on television, with 636 episodes.
  • Because we’re in the midst of a conservative TV family renaissance, with the success of Roseanne, it’s being reported that Fox is close to reviving Tim Allen’s Last Man Standing for a 7th season. I get the Why, but Fox ain’t the right home for that show. They don’t have any other multicam sitcoms to pair with it. It’ll be an anomaly on their schedule, but it ain’t my money, so…
  • Speaking of Fox, they renewed Empire for season 5. I can only imagine that Lucious spends half the season in space, only to return to an Earth where everyone has seemingly forgotten about Dre.
  • The current story arc on Black-ish makes it seem like Dre and Rainbow are headed for splitsville. There are so many things at play here. It’s rare to have a positive, Black nuclear family on television, so they’d spit in the faces of a lot of fans to destroy that. It’s also reportedly based on the real-life relationship of show creator Kenya Barris, and he and his wife (also named Rainbow) worked through their problems. Still, this is a matter dictated by business. Star Tracee Ellis Ross is upset that she doesn’t make as much as costar Anthony Anderson. She’s said she’s willing to reduce her role to part-time in order to take work on another series to make up the difference. Negotiations are ongoing, and there’s no renewal deal yet for next season. Oh, and Barris is trying to get out of his ABC deal. So, yeah, this is gonna come down to the 11th hour, and it doesn’t look good.

  • We got this cast pic from the upcoming Murphy Brown revival. I love how Faith Ford’s face basically says “God, I wish my husband hadn’t racked up all that gambling debt…” Anyway, before conservatives get all upset, they didn’t recast Murphy’s kid with that Indian dude. No, he’s the social media manager for FYI, which is only slightly less offensive…

  • 16 year old Isabela Moner has been cast as the lead in the live action Dora the Explorer film. Look, I know I grew up in a time when high schoolers were played by 30 year old actors, but I draw the line at a 16 year old Dora. The Sketchy Dad contingent, however, is gonna eat this up!

So, I bet you thought we were done with Infinity War. Well, you were wrong, sucka! Up top we discussed opinions, but now we’re gonna talk about facts.

  • It’s the culmination of 18 films, released over the past 10 years
  • The film is expected to pass $1 BILLION worldwide this weekend – just ONE WEEK after its release, and it doesn’t even in China until May 11th

  • The film beat Star Wars: The Force Awakens to have the biggest opening of weekend of all time, with $250 million. Game recognizes game. And they have the same corporate parent, but whatever.
  • It was the payoff of a decade’s worth of film-making, and it provided an experience that a lot of comic fans never dreamed they ever see on film.
  • It’s the endgame of Book 1 of the Marvel Cinematic Universe. When the dust settles, we’ll have the entire story of Steve Rogers as Captain America, Tony Stark as Iron Man, and possibly more. And what a ride it has been!

All of this is just a long winded way of saying that Avengers: Infinity War, hands down, without a doubt, had the West Week Ever.

13th Apr2018

West Week Ever: Pop Culture In Review – 4/13/18

by Will

Thanks for bearing with me as I migrated my hosting over the past couple of weeks. Hopefully this new home will keep me from getting notifications that I’ve maxed out my resources every 24 hours! I mean, it’s nice to know I’m popular, but the threshold that hosting company had set was embarrassingly low, so it’s not like I was doing gangbusters. Anyway, here’s to the future!

It’s April, but I’m finally starting to get the ball rolling on this movie watching thing for 2018. Last week I found myself in the theater to watch Blockers. Now, I love a teen sex comedy as much as the next guy, but I’m also 36 now, so it’s a bit of a weird feeling. I mean, I felt strange sitting in Superbad, and that was 11 years ago, and I’m much older now and still feeling just as weird about it. The thing about Blockers, though, is that it’s really more from the parents’ perspective, so your focus is more on them and not on their teenage kids preparing to lose their virginity.

If you’re not familiar with it, Blockers is the story of three parents, played by Leslie Mann, Ike Barinholtz, and John Cena (yup, THAT John Cena), who discover that their daughters have made a sex pact to lose their virginity on prom night. Once they find out about the pact, the parents set out to make sure that the plan fails. In the middle of the crass humor there’s a discussion about gender politics, as well as a coming out story. As a lot of reviews have said, it’s a teen sex comedy with heart.

The thing that stood out most to me is that the casting is so odd. While Barinholtz is perfectly cast as the philandering dad who had previously been cast out of the parent group, and Mann does a good job as doting mother afraid to cut the cord, I don’t know where Cena came from. At the beginning of the film, he seems to be treating it like an SNL skit where he’s desperately trying not to break. His character is this macho sports guy with a sensitive side, but it’s played more for laughs than ever really seeming genuine. Over the course of the film, he begins to settle into the role a bit more, but the whole time you’re never at a point where you don’t realize “That’s John Cena!” The kids themselves are OK, I guess. There’s the main, “pretty blonde girl” who’s the leader of the group, there’s the jock, who normally would’ve been the Black one, but in a twist is half Indian, and then there’s the frumpster who’s clearly the hottest but frumped up to make the other two look better. If you ask me, frumpster, played by Gideon Adlon (daughter of Pamela Adlon) is the breakout star of the film. Still, there are wasted opportunities, like with Hannibal Buress and June Diane Raphael, who just aren’t given much to do.

In the end, I really enjoyed the film. It’s not quite as iconic as, say, American Pie, but I don’t think it’s meant to be. Instead of being the teen sex comedy for the Snapchat generation, this is the parent cockblock comedy for the American Pie generation. When you approach it like that, I think it works pretty well.

So, there’s this controversy going around about the Apu character on The Simpsons. You see, last year “comedian” (I put that in quotes because I don’t remotely find anything he does funny) Hari Kondabolu produced a documentary called The Problem With Apu, where he detailed his problems with the racial stereotypes associated with the character. Kondabolu also took issue with the fact that the character was voiced by a White man doing an accent. The documentary made the rounds for a bit, and even aired on TruTV. And that seemed like the end of it – until this week, when The Simpsons actually addressed it. In a scene between Lisa and Marge, they basically insinuate that the backlash towards the character is merely founded in political correctness, with the argument that “Well, it wasn’t a problem when we started.” It was clear what they were referencing, as they look at a picture of Apu, and then directly at the audience.

I’m on the fence on this one. On the one hand, The Simpsons didn’t have to address this whole thing, especially if this was going to be their stance. I mean, it’s an aging show with little bark or bite left in it, so why squander time and resources on this? It just seems petty. On the other hand, Kondabolu isn’t wrong, as there are a lot of things in popular culture that were created during a time when folks weren’t as “woke” as they are now. It’s not a case of infringing “political correctness” but rather a case of righting wrongs of the past. But on the theoretical, alien third hand, this is a perfect case of how important it is to carefully choose who you’re hitching your wagon to. While it’s a valid argument, I find Kondabolu so fucking insufferable where I’d almost side with The Simpsons just because it rubs him the wrong way. He’s like the Neil deGrasse Tyson of identity politics comedy, and that’s a terrible thing. In many cases the person pushing an issue is just as important as the issue itself, and I feel like if this had come from someone like Russell Peters, Kumail Nanjiani, or even Kunal Nayyar, it would’ve been readily accepted by more people. Instead, folks see Kondabolu and don’t want some New York hipster talking down to them about the same “beloved” Simpsons that they’ve spent the past 15 years saying it should’ve been canceled 10 years ago.

Anyway, it’s a tough position to be in. They can’t kill off Apu because that doesn’t do anyone any good, but they’re not gonna recast Hank Azaria ’cause, well, they aren’t. So, this is where we are. I kinda wish this Civil Race War would start already just so we can get it over with.

Meanwhile, there are suspicions that the godfather of Marvel Comics himself, Stan Lee, is the victim of elder abuse. There have been rumblings the past few months concerning an abrupt change in his handlers, as well as him being cut off from friends and family. He came down with pneumonia, but wasn’t in a hospital. Vials of his blood had been stolen and used to sign books sold at conventions. A lot of industry folks are worried that the people surrounding him are just vultures trying to bleed him dry. This recent profile in The Hollywood Reporter gives some good background on the battle over Lee’s finances. Anyway, Lee fired back at the claims with this video:

Yeah, that’s totally not filmed under duress. Blink twice if you need a quick evac, Stan! Anyway, this seems like a situation that’s only going to get worse unless someone steps in and does something.

A few weeks back, I was invited by the good folks at OAFE to share some of my Toys “R” Us memories. I shared one I think you’ll enjoy.

Last week, I had the pleasure of joining the Down the Rabbit Hole Podcast from the Nerd Lunch crew. If you’re not familiar with the concept of the show, you basically choose a Wiki on a topic, and see where the links take you. For this episode we chose the RangerWiki, in order to explore the world of Power Rangers. Since the hosts didn’t have a lot of familiarity with the franchise, I got to drive the car and had a lot of fun doing so. I never realized just how crazy some of those plotlines were until I had to boil them down to 5 minute explanations. Anyway, do yourself a favor and go check out the episode!

Things You Might Have Missed This Week

  • Hot on the heels of Willa Holland’s departure, it was announced that Colton Haynes will return as a series regular on Arrow next season. Methinks maybe they hated each other on set?
  • The streaming services were vicious in their cancellations this week, as Netflix cancelled Everything Sucks! after one season, while Amazon cancelled Golden Globe Award winning Mozart In The Jungle after four seasons. Will Mozart ever get out of that jungle?! The world may never know…
  • It’s not all doom and gloom, though, as Netflix renewed Jessica Jones for a third season. I’m never gonna catch up on those Netflix Marvel shows at this point.
  • Fed up with being bumped every week on What Up With That?, Lindsey Buckingham is finally demanding respect. Following a disagreement, Buckingham announced he would not be participating in Fleetwood Mac’s upcoming tour. The band responded by officially firing him, and announcing that Crowded House’s Neil Finn and Mike Campbell of Tom Petty & The Heartbreakers would be taking his place.
  • The 5th season finale of Agents of S.H.I.E.L.D. is titled “The End”, written as a possible series finale should the show not be picked up for season 6.
  • Speaking of struggling ABC Marvel shows, Anson Mount, most recently of Inhumans, has been cast as Captain Christopher Pike for the second season of Star Trek: Discovery. I’m sure he’s happy he’ll actually get to speak this time.
  • It was announced yesterday that the upcoming 5th season of Broad City would be its last. If you ask me, it’s the right time. I got so bored by season 4 that I didn’t even finish it, and it’s clear that Abbi and Ilana want to spread their wings.
  • Word on the street is that Paul Reiser and Helen Hunt have negotiated their return to Mad About You. This is yet another show that will probably have to retcon its 20 year old series finale in order to make this work. I’m really getting tired of this, especially since there’s nothing that Paul and Jamie Buchman have to say about life in 2018 that I really want to hear.
  • Already in hot water for his alleged sexual misconduct, Hollywood moron TJ Miller apparently called in a fake bomb threat on a train. Apparently he got into a drunken altercation with a woman on an Amtrak train, and reported her as a suspected terrorist to get back at her. Wow.
  • In News We’ve Known Since 2001, Mariah Carey revealed she suffers from Bipolar Disorder. We all remember that TRL appearance, Mimi. We knew all along.
  • Deadpool 2‘s David Leitch is attached to direct the untitled Fast & The Furious spinoff starring The Rock and Jason Statham.

  • We got our first set pics of the Titans cast, and it looks like something that would’ve been released in the 80s by Cannon Films.
  • AMC has ordered a vampire series called NOS4A2, based on Joe Hill’s 2013 novel of the same name. That same, stupid name.

It was a big week in wrestling, as we’re coming off the end of WrestleMania Week. WrestleMania 34 was held in New Orleans, featuring some electrifying matches, like the HHH/Stephanie McMahon vs Kurt Angle/Ronda Rousey match, as well as the Royal Rumble champ Shinsuke Nakamura going up against WWE Champion AJ Styles. Plus, it featured the in-ring return of Daniel Bryan. For a card that really didn’t seem that exciting on paper, most who watched seemed to have enjoyed what they saw.

For me, the biggest part of the night was the return of The Undertaker. Gone since his seeming retirement at WrestleMania 33, Taker was at the top of John Cena’s list as a competitor for the event. Cena spent weeks pleading for Taker to accept his challenge, but was met with silence. At the actual show, Cena was content to watch from the audience as a fan, until someone whispered to him and he went running up the ramp. Yeah, so the Undertaker came back, and I’m not happy. You see, his departure at the end of last year’s match was perfect. While he wasn’t at his best, it was clear that we were seeing the waning days of an aging warrior. He’s 52 and really shouldn’t be putting himself through all of that anymore. He had been a good company man, and now it was time for him to go to his reward. Time for the Undertaker to be undertaken. Or so I thought.

Next, there were rumblings that he might not be done. I was really hoping those rumors weren’t true, because I really didn’t know what else he had to prove. “Well, it could be John Cena vs. Taker at Mania.” Yeah, so? That match-up means absolutely nothing to me. “Well, maybe he’ll come back as The American Badass.” OK, I’m listening. You see, back in the early ’00s, WWE had really built up the working class hero aspect of Stone Cole Steve Austin, but he had the knees of 1994 Nancy Kerrigan. So, he wasn’t always in working shape. During one of his hiatuses, The Undertaker took on a new persona, closer to how he is in real life, of a biker. He’d ride his hog down to the ring, wore a sleeveless vest and bandana, and did a lot more talking than he did as The Dead Man. While this gimmick is highly unpopular with a lot of fans, I loved it. I’ve loved every aspect of The Undertaker (except the whole Lord of Darkness thing, where he was crucifying people, that I missed during the Attitude Era), and I love any glimpse into what he’s like in real life (SIDE NOTE: One of my favorite books is the coffee table book WWE: Unscripted. They ask Undertaker about the “Sara” tattoo on his neck, and what he’d do if they ever broke up. His response: “I guess I’ll just have to find another girl named ‘Sara’.” His next wife would be named Michelle, and he’d remove the tattoo, but I always loved that answer).

Anyway, it seemed like a smart idea. He had retired the Dead Man gimmick at WrestleMania 33, leaving his coat and gloves in the ring. So, if he wanted to come back, like the mighty caterpillar he would have to become a majestic butterfly! Plus, Kid Rock was being inducted into the WWE Hall of Fame that weekend, for whatever reason, and his song “American Bad Ass” just happened to have been the entrance song for Undertaker’s American Badass stint. All the pieces were coming together. So, fast forward to Sunday night, as I was following along on Twitter (What? I ain’t got $9.99 to give to Vince McMahon every month!), imagine my disappointment when Mark William Calaway came to the ring, as The Dead Man. From my rants about Will & Grace and Roseanne, y’all already know how much I hate when finales are retconned. Sure, Mania 33 wasn’t the greatest match, but it was a fitting end. And WHAT, exactly, does he get out of this return?

Apparently the win earned Undertaker a casket match at The Greatest Royal Rumble taking place in the Middle East later this month. I don’t even know why folks care about that show, as it’s basically a really elaborate house show, with no bearing on the actual titles or storylines. Still, Taker was set to face Rusev until Rusev’s wife, Lana, feared for her husband’s safety and begged him not to do it. So, now Taker will face fellow over the hill wrestler Chris “Y2J” Jericho. Yay. You wanna talk about elder abuse? THIS is elder abuse. WWE dragged Taker back out for no good reason, and the only fitting end I could see would be for him to lose his own casket match, which would suck in a match that’s basically “out of continuity”.

Anyway, back to Mania. Folks loved Rousey using HHH like a punching back, but lost their shit when Braun Strowman won the Tag Team title with surprise partner, Nicholas – a 10 year old kid, seemingly plucked from the audience. When Power Rangers Turbo tried this, it was met with fan revolt, but WWE seemed to know what they were doing, as it turned out to be many fans’ favorite part of the night. Again, for an event that looked pretty lackluster on paper, and didn’t seem like it could follow in the greatness that was The Royal Rumble, WrestleMania 34 still manage to pull out a few surprises and give fans an enjoyable night of wrestling. So, with that in mind, WrestleMania 34 had the West Week Ever.

30th Mar2018

West Week Ever: Pop Culture In Review – 3/30/18

by Will

It might be a controversial one this week, so let’s get to it, shall we?

 

Last night I saw my second movie of 2018 (it’s been a busy year so far…), and that honor was bestowed upon Ready Player One. Yeah, I already know some of y’all have already decided to hate it, so you can just jump down to where I talk about the molesters and the wang danglers. For those who are actually willing to give the movie a chance, however, strap on in.

Remember this commercial?

Yeah? Well, Ready Player One is that, but two hours long. Is that a good thing or a bad thing? Well, your mileage may vary. As my friend pointed out, it’s really just the Willy Wonka story laden with pop culture references. Poor kid finds himself in a magical world, with the chance to take over said world if he survives various challenges. We’ve heard this before, right? Still, don’t count it out yet. The injection of those pop culture references is pretty amazing. I mean, it’s pretty astonishing to me that a group of Hollywood lawyers paved the way for HALO, Overwatch, Batman, TMNT, The Shining, Back to the Future, and more to be featured in the same movie, yet we still don’t have peace in the Middle East! The soundtrack is great, as you would expect from anything that was a legitimate 80s nostalgia wank.

If I had any problems with the film, it’s that it didn’t take enough chances. For example, when the movie starts out, everything set in the fantastical world of The OASIS just looks like cut scenes from a video game. And while we live in a time where those cut scenes can be pretty amazing, at the end of the day, they’re still just cut scenes and I expect more from a Hollywood blockbuster than that. I mean, the OASIS is an engaging world, and it’s certainly the kind of game I’d be interested in playing. That said, there’s a generational gap going on in gaming. When I was growing up, it SUCKED having to sit there and watch your friend play, waiting for it to be your turn. Nowadays, hot chicks are paying their rent by having fans watch them play video games online. I just don’t get it, but if you get it, then you’ll like the cut scene stuff.

Another way it fell short was in some of the characters. Tye Sheridan’s Wade Watts has got the most punchable face I’ve seen this side of Miles Teller, but they kinda take you out of that mindset by primarily showing him as his avatar, Parzival, who’s basically “What if Bob from ReBoot was a scaly Albino?” There are some twists with a few characters, which I won’t spoil here, but one thing that really got me was the character of Art3mis. In the OASIS, she’s a hot, scaly pinkish character who gives this whole speech to Parzival about how he’s not in love with the real her, but rather what she has projected herself to be. She insists that he wouldn’t like the “real” her. Nice opening for some daring casting, right? Maybe she’s in a wheelchair. Maybe she’s mangled or something. We meet her in the real world and nope! She’s a cute White girl. Sure, she has a birthmark on one side of her face about which she acts is the end of the world, but it’s nothing you’d kick her out of bed over. Lame! I also didn’t really like the characterization of OASIS creator James Halliday until the very end. Nothing about him really made sense until they got to the final act.

There were things I absolutely loved, however. For example, there’s a female badass of unknown racial origin named “F’Nale”, who fittingly shows her mettle in the final act. I also LOVED Director Krennic as a technological Vince McMahon. I know Bradley Cooper might be in that Pandemonium film about McMahon, but Ben Mendelsohn does SUCH an amazing job channeling Attitude Era Mr. McMahon. I kept waiting for him to scream “WADE SCREWED WADE!” And I know he’s caught a lot of heat lately for his possible sexual misconduct, but TJ Miller is pretty much the only person I could’ve imagined cast as the mercenary i-R0k.

In all, I really enjoyed this movie. I know a lot of you have read the book, and hate how it does the Family Guy thing of “Hey, Bill & Ted was a thing that happened” when appealing to nostalgia. It’s all surface pop culture. Sure, having some knowledge of the world of gaming might help out in some places, but mainly it’s nostalgia boner eye candy. Why does the Back to the Future DeLorean have K.I.T.T.’s scanner? Don’t worry about it! Just go with it! That’s pretty much how the movie treats the audience. If you find that offensive, then this might not be the film for you. They don’t really wax philosophically on Star Wars, but the mere mention of the Millennium Falcon is supposed to be enough for the audience to be like, “Hey, I get that reference!” To some, that’s enough. They feel like they’re “in the goddamn club”. To others, that approach lacks depth. I can appreciate both stances, but I hope you’ll at least give the film a shot, as it is a marvel for the eyes, and I think a lot of it will get lost outside of the big screen presentation.

HarassmentWatch(TM)

Dan Schneider – This is a BIG one. A lot of you might know him best as “the fat guy from Head of the Class“, but to anyone under the age of 25 he kind of defined their Nickelodeon experience. You see, he and his Schneider’s Bakery production company launched the careers of Miranda Cosgrove, Victoria Justice, Amanda Bynes, and Ariana Grande. Not only did he co-create All That and Kenan & Kel, but he went on to create The Amanda Show, iCarly, Drake & Josh, Victorious, and Sam & Cat, to name a few. Well, this week Nickelodeon ended a relationship that has lasted over two decades, parting ways with the Schneider’s Bakery production company.

Apparently it all kicked off earlier in the week, when Nick executives told Schneider that they’d be cancelling his most recent show, Game Shakers, after its third season. Known for a very bad temper, Schneider protested because the season ends on a cliffhanger, and fans wouldn’t get closure. Also, since his other show, Harvey Danger, is on hiatus, Nick wanted a new, non Schneider’s Bakery show, Cousins for Life, to move into the production space that Schneider had previously used exclusively. He didn’t feel he should have to share, based on his history with the network, and it all culminated in the end of the relationship.

That’s not the whole story, though. Apparently, Schneider had been living under a “cloud of suspicion” for some time, as his relationship with his young actors and actresses seemed inappropriate to some. For example, he has tweeted pictures of his young actresses’ toes. Plus, working conditions on set are considered long and grueling for the young actors, while his shows regularly ran over budget. At the moment, this seems more like a harassment thing than a sexual harassment thing, but I wouldn’t be surprised if more came out as the story develops.

John Kricfalusi – The Ren & Stimpy creator was the subject of a Buzzfeed News article this week, as two women accused him of sexual misconduct, while they were underage, with the promise of career advancement attached. One of the women even became his live-in girlfriend when she was 16 and he was 37. One of the women also accused Kricfalusi of possessing child pornography. It seems like his proclivities were known in animation circles, but nobody ever did anything about it, I suppose for fear of retribution or negative impacts on their careers. It’s a whole long saga, dating back 25 years, and it’s not clear if anything will be done to Kricfalusi, who’s now 62.

Ryan Seacrest Update – Seacrest’s former stylist, and accuser, Suzie Hardy has now filed a police report against Seacrest. While his employers seem to be taking Seacrest’s side on this one, it was an uncomfortable situation at the Oscars when many of Hollywood’s elite went out of their way to avoid him on the red carpet. It’s unclear what’s going to happen here, but I can’t help but feel that Carson Daly has been going to sleep, smiling from ear to ear lately.

Allison Mack Update – You all thought I was crazy when I wrote about it back in November, but now it’s pretty much confirmed that the Smallville actress was, in fact, second in command of a sex cult! But it gets better: apparently her Smallville costar, Kristin Kreuk is the one who originally recruited Mack, and they used their celebrity status to recruit women to the cult. Led by self-help guru Keith Raniere, the upstate New York-based group, called NXIVM (pronounced Nexium), was believed to be involved in sex trafficking, and reportedly branded women in their pubic area. Raniere was arrested in Mexico this week, and extradited to the US on the sex trafficking charges. Mack is expected to be arrested next, as a co-conspirator. Somebody SAAAAAAAAAAAAVE her!

So, almost as stealthily as it was announced, Donald Glover’s Deadpool animated series for FXX has been cancelled. If we’re being honest, he really only got the gig because Atlanta was such a huge hit and they wanted to stay in the Donald Glover Business. It’s kinda like how Fox jumped on Oscar Isaac for Apocalypse just because everyone in Hollywood was lining up to fellate him during that particular window. Anyway, it seems like it came down to “creative differences” between Glover and Marvel, but he doesn’t seem to be taking it well. He took to Twitter, posting 15-pages of a faux script about the show’s cancellation. In true Deadpool, 4th wall breaking action, the tweets allude to the cancellation of Deadpool’s show within the show itself:

Reportedly, Marvel didn’t like the direction Glover and his team were taking the show, while FX stood by them – ’cause they don’t wanna lose Atlanta (even though Glover will probably have a nervous breakdown and walk away from the show halfway through its 3rd season…)! I’m not quite sure what Marvel expected, but Glover always seemed like an odd choice. It’s unclear if the project will be revived elsewhere, with a new team, or if Deadpool solely has a box office presence for the moment.

After 3 years without a book to call their own, it was announced yesterday that the Fantastic Four would be returning in August, in a series by Dan Slott and Sara Pichelli. And folks pretended to be excited. I maintain that nobody really likes the Fantastic Four. They either see a lot of potential in the franchise, or they just like stuff they can’t have, but there really aren’t as many Fantastic Four “fans” as you’d be led to believe. The book wasn’t cancelled out of some movie rights spite. It was cancelled because it didn’t sell. Any business worth its salt wouldn’t cancel something that’s virtually a license to print money, simply because they didn’t have the movie rights. Marvel also doesn’t have the film rights to the X-Men, but they didn’t cancel them. They ran them through the ringer, and did some dumb shit with them, but they still printed the books. Marvel did the smart thing with the FF: they extracted the characters that folks actually find interesting, like Johnny, Ben, and Doom, and kept them in the spotlight in new settings. Reed Richards and his neglected wife are simply not interesting. Or at least, that’s been the case. Maybe Slott has something great planned for them. I know folks loved his Thing run, so he’s familiar with at least some of the franchise. Still, it’s Slott, so he’s polarizing. The folks who claimed they’d do anything for a return of the FF are now having to eat their words since Slott was announced at the helm. I’ll give it a shot, and I doubt Marvel will take them off the board for this long again, but I won’t be surprised if the book ends up being frequently relaunched like recent Fantastic Four runs.

In other Marvel news, Agent Phil Coulson is returning to the MCU! Don’t get too excited, though, ’cause it won’t feature the Avengers finding out he’s alive. No, he’ll be appearing in the Captain Marvel film, which is a 90s-set prequel to his MCU/Agents of S.H.I.E.L.D. adventures. Also appearing in the film will be Lee Pace reprising his role as Ronan the Accuser and Djimon Hounsou reprising his role as Korath – both from Guardians of the Galaxy. There’s also a petition to include Ming-Na Wen’s Melinda May in the film, mainly because those “Philinda” shippers are insufferable. Either way, it’ll be good to have Phil back in the movies, especially if Agents of S.H.I.E.L.D. ends up killing him off this season.

Things You Might Have Missed This Week

  • There’s a Jack Black movie coming, called The House With A Clock In The Walls. Yeah. that’s actually its title. They couldn’t call it Clock House or something? Casa de Clock? Anyway, I’m not posting the trailer simply because of how stupid that title is.

  • We got a new look at Incredibles 2, which I’m really starting to warm up to.
  • Freeform has cancelled Beyond, after 2 seasons. This is the first I’ve ever heard of it, so…
  • SEAL Team and S.W.A.T. have both been renewed for season 2 at CBS, so your cranky grandpa will be pleased. Ya know, until he remembers there was a Negro President for 8 years. Then watch out!
  • Speaking of renewals, One Day At A Time and the Queer Eye reboot have been renewed on Netflix.
  • Locke & Key is dead…again. The second pilot, this time filmed for Hulu, was passed on due to a regime change amongt its executives. The IDW comic adaptation was originally developed by Fox, who previously passed on the project.
  • 80s heartthrob Corey Feldman claims he was stabbed at a red light, as retribution for speaking out about a secret Hollywood pedophilia ring. The LAPD, however, said Feldman had no lacerations or wounds, and that he drove himself to the hospital. He’s been a bit loony lately, but this is gonna be one of those things where, 30 years from now, we’ll learn it was all true, and it’ll be too late…
  • Screenwriter Zak Penn is developing ROM: Spaceknight for Paramount/Hasbro. Sure he is. That Hasbro film slate, outside of Transformers, is doomed.
  • Apparently SuperMansion season 3 will debut soon on Crackle. Really? Still? I figured once it had graduated to Adult Swim it had left Crackle behind. Man, Sony (Crackle’s parent) must have quite a bit of dirt on Senreich and Wells to keep the show in its streaming ghetto.
  • Overnight comedy sensation Tiffany Haddish is voicing secret character in The LEGO Movie 2
  • Pop group Fifth Harmony announced they were going on hiatus, which is fancy pop music talk for “We’re racing to see who can get their solo album out first.” If you’ll remember, they were already down to four harmonies, as member Camila Cabello quit the group back in 2016 and launched a successful solo career of her own.
  • Already announced to voice the character in an upcoming TV series, Gina Rodriguez has been cast as Carmen Sandiego in a live action film for Netflix.
  • Music mogul Scooter Braun, and David Maisel, founding Chairman of Marvel Studios, have created Mythos Studios which has acquired a 50% stake in Aspen Comics as well as the entertainment rights for the comic book company’s IP. So, get ready for that Fathom movie that nobody asked for…
  • There’s a Russian remake of CBS’s The Good Wife heading to television over there. I can only assume their title is Wife Is Good? Actually, it’s Khoroshaya Zhena, which actually translates to “Good Wife”. How often does THAT happen, huh?
  • Gearing up for their possible purchase by Disney, Fox is rearranging the deck chairs on the X-Titanic, as X-Men: Dark Phoenix has been delayed from November 2nd, 2018 to February 14th, 2019. Happy Valentine’s Day! Here’s a bald guy and some weird kids he took in like strays! Also, tone deaf, “horror-driven” The New Mutants moves from February 22nd, 2019 to August 2nd, 2019.
  • Adult film star Stormy Daniels went on 60 Minutes to detail the sexual encounter she had with the current President back in 2006. This came on the heels of 1998 Playboy Playmate of the Year Karen McDougal’s claims of an affair with the man during the same period of time. And yet, he’s still President. Go figure! Remember when Obama caused a stir by wearing a tan suit? Or how Howard Dean lost his shot at the big chair because of a primal growl? Good times!
  • The upcoming 6th entry in the Sharknado franchise will be the end…for now (you know they’ll reboot it with James Van Der Beek or some shit in 5 years). Apparently, the world ended in Sharknado 5: Global Swarming (which I missed, so now I HAVE to go back and watch it!), so this installment will feature Steve Sanders going back in time to stop the events from the last movie from occurring.

I have this thing where I have to give credit where it’s due, even when I might not want to. That brings me to this week’s Roseanne revival. It was highly publicized, and turned out to be a ratings success. I’m sure that TV execs will take away the wrong message from this, as that’s pretty much what they do. In any case, I find myself struggling to really be happy about its success.

I’m not boycotting the show by any means, and only missed Tuesday’s back-to-back airing due to a scheduling conflict. I will say I found the whole Trump thing off-putting, and still don’t believe it lines up with Roseanne Conner as a character. I know people change, but this is the same woman who was championing Hillary the last time we saw her. Then again, that season “never happened”, so maybe it was just more make believe. No, I’m not very interested in the show because I’m not a fan of what some folks have taken to calling “zombie shows”. They’re shows that just don’t know when to die. And it’d be one thing if they originally had an open-ended finale, or on a cliffhanger that deserved resolution. In the case of Roseanne AND Will & Grace, however, they had to retcon both series finales in order to make these new seasons possible. Both shows ended with some pretty drastic changes/time jumps, and all that was thrown out in The Quest For More Money.

I’m fine with sequel shows, like Girl Meets World or Fuller House because they’re kind of doing a new spin on an old favorite, but Roseanne and the Will & Grace are just trying to hope we’re too dumb to realize they’re just doing more of the same, as if there’s really been no passage in time.  Anyway, I plan to check out the Roseanne premiere just so I can know what I’m talking about, but I really don’t want to support it, per se. At the end of the day, Roseanne is something of a vile human being these days, and I can’t separate the art from the artist – especially when the artist is incorporating some of that into the art. I also don’t think it’s fair to brand this as some bold, conservative move to display an alternate viewpoint, when it was aired by the same network that just recently refused to show an episode of Black-ish that dealt with the NFL player kneeling scandal. Again, I don’t want execs to learn the wrong lessons from this, even though I know that’s what will happen.

So, Tuesday night’s Roseanne was the highest rated sitcom airing in 3 and a half years, so a renewal is more than likely. It broke a bunch more records, but the most interesting part is that a show that’s been off the air for 20 years can come back and still appear to be relevant to some folks. The president even took time away from golfing and ignoring the Parkland kids/Stormy Daniels saga to call Roseanne to congratulate her on the success of the revival. So, clearly she’s doing something right, right? Right? Anyway, the Roseanne revival had the West Week Ever.

23rd Mar2018

West Week Ever: Pop Culture In Review – 3/23/18

by Will

HarassmentWatch(TM)

Fred Savage – Just weeks after former The Wonder Years costar Alley Mills revealed that the show ended because ABC was trying to squash a harassment claim against star Fred Savage, now he’s being accused of assault on the set of his cancelled Fox series The Grinder. A former costume designer said that he was abusive to women on set, and that the studio allowed his behavior to continue unchecked. She went on to recount a time he hit her in the arm after she brushed dandruff off his jacket. Yeah…America loves Fred Savage, and she doesn’t seem to have enough to really back this up. I don’t see much happening with this one.

There were a lot of big moves in the wrestling world this week. First up, Daniel Bryan was cleared by WWE doctors for his in-ring return. You see, he retired in 2016 due to health concerns arising from multiple concussions, and he remained with WWE as the “general manager” of SmackDown. Like most athletes, though, he wasn’t really finding life outside the ring to be that fulfilling, so he was going to end up wrestling again somewhere. Most folks believed that when he contract was up he’d bolt for Japan, where they’d probably have him wrestling in a burning ring with barbed wire ropes. They simply don’t give a shit over there. So, it comes as little surprise that WWE doctors would “miraculously” clear him just as that contract was set to expire.

I’ve never liked Daniel Bryan. I’ll admit that a lot of his “heyday” was during a time I wasn’t really watching wrestling. Still, his whole bearded Vegan thing just didn’t work for me. I like my wrestlers on The Gas, and he was built too much like me. I shouldn’t be able to look at a wrestler and say “Oh, I could look like that.” No, we live in a world of the chiseled in-ring physique, so little guys like Bryan and CM Punk just don’t impress me. Get some steroids! Everyone’s on the steroids! Anyway, Bryan’s return seems to have ignited a fire in some long dormant parts of the fandom, so it’s clearly a good business move. I joked on Twitter, though, that he should be subjected to nothing but chair shots to the head until he’s forced to retire again. What? In wrestling, we wish bad things on the stars we don’t like! We all have a part to play in this!

Then, on RAW we were presented with The Ultimate Deletion match between Matt Hardy and Bray Wyatt. Where to even begin with this? I actually gave the Final Deletion the West Week Ever last year because it was so groundbreaking. It was the last gasp of a wrestling promotion struggling to remain relevant. While the owners were having their own issues, that pretty much paved the way for the writers to basically say “Fuck it, Hardy. Do whatever you want.” And what he did was SO strange, and SO weird, but it kinda worked. He became this Phantom of the Opera-esque villain with a Shakespearean bent to him. He was now “Broken” Matt Hardy, as it appeared the years of Team Xtreme, the drugs, and everything else had finally caught up to him. He started feuding with his brother, Jeff, who he now referred to as “Brother Nero”. In the Final Deletion, the culmination of the entire TNA gimmick, he defeated Jeff in a crazy pre-taped match at the Hardy Compound. Again, it was like nothing we had ever seen, and for a minute folks were saying “That TNA might just be OK.” And then he left and went to Ring of Honor.

Matt eventually made his way back to WWE last year, but he didn’t legally acquire the rights to the Broken gimmick until January of this year. So, time to do something fresh with it, right? Nope, more of the same. Instead of targeting Brother Nero, Woken/Broken Matt Hardy has spent most of his recent WWE run going after Bray Wyatt in a series of matches. This week, he invited Wyatt to a match at the Hardy Compound for the Ultimate Deletion, which played out pretty much like the Final Deletion. Which is sad. When TNA did it, it was outside-the-box thinking. It was something you weren’t getting from the competition. Now, however, said competition is just repeating the same gimmick, without increased production values or anything. Wyatt ended up losing the match, which means he’s been “deleted”. So, this has really been a months-long process to repackage Wyatt – once considered the heir to The Undertaker’s supernatural corner of wrestling, but lately more of a wrestler that WWE didn’t know how to handle. Wyatt will return after Wrestlemania as Danny Sunshine or something, but what of Hardy? The Broken thing helped the WWE out with the Wyatt problem, but what’s the future for it? It already feels stale, and he’s just gotten the rights to use it. I realize Wyatt wasn’t making waves, but it’s starting to feel like Hardy’s the one who needed repackaging.

The situation for Toys “R” Us got more dire, as liquidations were announced to start yesterday. Then, when folks showed up at stores, they were met with signs telling them that the liquidations wouldn’t be starting yet, due to “unforeseen circumstances”. This prompted folks to joke that TRU couldn’t even successfully go out of business.

Meanwhile, a new challenger entered the arena. Ya see, Kay-Bee Toys announced an upcoming return, with scant details on what that meant. If you remember, Kay-Bee (later just KB) was “The Toy Store In The Mall”, which was basically their claim to fame. They typically had about a 25% markup on their items because the mall rents were too damn high. Near the end of their life, they were pretty much a clearance depot for Toy Biz Marvel figures, repackaged Power Rangers, and obscure wrestling toys.

Anyway, it appears that Strategic Marks, LLC acquired the KB rights when Toys “R” Us (which had bought them years ago) allowed them to lapse. Claiming “We’re Going To Save the Toy Industry”. Strategic Marks founder Ellia Kassoff said they had accelerated their plans to revive the KB brand in light of the TRU liquidation, and they plan to have pop-up stores ready by Christmas. He said, “We’re in discussions with many of the toy manufactures, as we try to find out the best way to support them and the 20% loss of the US toy market due to the Toys R Us liquidation. We believe we will have the infrastructure in-place and [hopefully] save the toy industry.” Uh-huh. Cool story, bro.

Then, @realkbtoys popped up on Twitter, and seemed like it wasn’t connected to the Strategic Marks initiative. In fact, it seems like the work of some fanboy. They’re touting dumb initiatives, like subscription boxes of 90s toys, and talking about focusing mainly on online sales, to which I said:

the subscription box idea prompted this response from me:

I know I’m something of a TRU apologist, with my history with them and all, but this just feels like opportunist claptrap. They’re taking advantage of the TRU situation in the worst way. And that whole “innovative” plan to have pop-ups ready by Christmas? WE ALREADY HAVE THOSE. Go! Toys & Games pretty much came along to fill the vacuum left by KB’s demise. They open around late October, close around late January. No fuss, no muss. So what’s KB going to have that Go! doesn’t, other than playing up nostalgia? Right now, I’m putting this in the “I’ll believe it when I see it” file.

Speaking of the TRU situation, I had a great chat about it with my pal Zac Shipley on The Zac Shipley Show this week. Definitely check it out if you haven’t already!

Over in Power Rangers land, we got something you don’t see every day: a trailer for an upcoming comic book event. This summer, the various Boom! Power Rangers comic series will join together for Shattered Grid.

If you’re not familiar with the comic, it originally was set during the period of time immediately following the Mighty Morphin Power Rangers “Green With Evil” TV storyline, which introduced Tommy, the Green Ranger. The comic dealt with the Rangers learning to trust their mysterious new teammate. Well, somewhere along the way, they kinda got away from that timeline and introduced Lord Drakkon, who’s an amalgam Green & White Ranger Tommy from an alternate dimension if he’d stayed evil. And that’s pretty much all we’ve had to go on. We never really knew his motivations, or why he stayed evil or any of that.

Suddenly stuff started to not make sense with the continuity that had already been set up. For example, Saba, the White Ranger’s saber, appears in the comic, even though he’s not supposed to debut until Tommy becomes the White Ranger, which is a season 2 development. And now, this Shattered Grid event is supposed to affect Ranger team picked from throughout the franchise. So, it’s a nice grand spectacle – something that makes this year’s 25th anniversary of the franchise feel more special – but something still feels off about it to me.

First off, there’s a growing part of the fandom that’s really tired of the Tommy character being the end all, be all of the franchise, partly because they find the actor, Jason David Frank, insufferable. From merchandise on down, the Power Rangers machine simply won’t let us forget about Tommy – sometimes at the expense of other characters. The franchise can have a decent thing going on, and suddenly JDF shows up and sucks all the air out of the room. He just has that effect.

Secondly, I applaud Boom! and Saban Brands for working together on this, but I can’t help but feel that this sort of thing should’ve been happening to promote last year’s film. If that film had gotten this level of promotion, perhaps we’d be getting a sequel. I’m not sure if I should fault Lionsgate for not doing enough to hype up the film OR Boom! for doing too much to hype up a mere comic book.

I’ll say that it definitely feels like an *event* with all corners of the franchise playing a part (well, except the current show, Super Ninja Steel), and I’m curious to see that state of things when it’s over. After all, this was a comic that was supposed to “dance between the raindrops of continuity”, but it’s now clear that it has its own continuity. Still, this trailer falls somewhere between “really good toy commercial/merely decent fan film” territory for me.

 

Things You Might Have Missed This Week

  • After weeks of teasers, we finally got the full-length trailer for YouTube Red’s Cobra Kai series. OK, you got me. This started out sounding like one of the dumbest concepts I’d ever heard. The more I saw, though, the more I liked it. Plus, I never really liked Daniel Larusso, so if this paints him as the antagonist, then I’m ALL for it. Bring it, YouTube Red! NO MERCY!

  • We also got a new trailer for Deadpool 2, and I think I’m starting to care about this movie. I didn’t just love the first one like every else did, but now that we’re seeing some semblance of a plot, I’m curious. It feels like the tired “save the chosen kid” trope, but they’ll probably throw us a curveball, seeing as how it’s Deadpool and all.
  • Apparently former Making The Band castmember/Danity Kane member Aubrey O’Day had an affair with Donald Trump Jr back in 2012, after she was a contestant on Celebrity Apprentice. If ya ask me, 2007 Aubrey was the GOAT. The milk had gone sour by the time DJT got to her. Oh, and she recorded a song about the whole thing, called “DJT”.
  • Sexual Chocolate/The World’s Strongest Man Mark Henry will be inducted into the WWE Hall of Fame Class of 2018.
  • Tomb Raider had an opening weekend gross of $23 million, based on a reported budget of $100 million. For some reason, however, nobody is calling it the box office bomb that it clearly is. Did Warner Bros pay off the press?
  • Matt Ryan’s John Constantine will join Legends of Tomorrow as a series regular if the show is renewed for a 4th season.
  • Sex and the City‘s Cynthia Nixon is running for governor of New York. I’m fairly certain that more people hated Miranda Hobbs than hated Hillary Clinton, but good luck with that campaign…
  • Spike Lee may direct a Nightwatch movie, based on a Spider-Man character. I have no clue who that is, but Sony seems determined to mine every corner of those Spider-Man film rights.
  • The X-Files may FINALLY be done, as the revival aired its season finale this week, and Gillian Anderson has stated that she’s ready to move on from the character with which she has been associated for the past 25 years.
  • For my fans across the pond, TV host Ant McPartlin (of the duo, Ant & Dec – they were in Love Actually) was caught “drink driving” as the Brits call it. That’s so cute. It sounds so classy and dainty. “Yes, I’ll have spot of tea, and then go out for some drink driving.” When we call it “drunk driving”, the “drunk” implies you’re already a shitshow, but “drink driving” makes it sound like you could still have your shit together. Anyway, the duo’s losing sponsorships, as Ant heads to rehab.

Nothing really blew me away this week. Did I miss something? If you felt like something had the West Week Ever, chime in below of find me on social media. Otherwise, I’m calling it: nothing had the West Week Ever this week.

16th Mar2018

West Week Ever: Pop Culture In Review – 3/16/18

by Will

HarassmentWatch(TM)

Jeff Franklin – I kinda missed this one from a few weeks back, but the Full House/Fuller House creator, showrunner, and executive producer was fired for misconduct allegations. While it doesn’t seem like he was dangling his wang around the office,  he would tell coworkers about his sexual exploits, and he’d bring his girlfriends to the set and give them bit parts in episodes. Not only was he fired from Fuller House, but his entire deal with Warner Bros Television was terminated.

James Levine – the Metropolitan Opera fired conductor was following a sexual misconduct investigation. Hey, he’s a baton waver, so he might as well be a wang dangler, right? Anyway, Levine is now suing the Met, accusing them of “cynically hijacking the good will of the #MeToo movement,” He’s seeking roughly $6 million in damages for breach of contract.

Fresh off the success of A Wrinkle In Time, Ava Duverney has been tapped to direct New Gods for DC/Warner Bros. And I could not care less. The New Gods/Fourth World stuff is a pretty big thing that Jack Kirby’s known for, but ya see, I’m not a Jack Kirby fan. You know how there are those folks who root for Johnny instead of Daniel in The Karate Kid? That’s how I am with the whole Stan vs Jack debate. People will tell you that Kirby did so much for the medium, and how comics were never the same after him, but I feel like it’s one of those “You had to be there” situations. I’ve seen some Kirby stuff that looked like cave drawings. So, not a Kirby fan.

Also not a New Gods fan. I think I’ve always seen Darkseid as Not Thanos (yes, I understand Darkseid came first, but I was introduced to Thanos first). But their whole mythology has never interested me. I like Mr. Miracle and Barda, as a married couple and as Justice Leaguers, but I don’t care about anyone else from that corner of the DC Universe. Not Granny Goodness, not the Furies, not Apokolips, none of it. So, as great as Ava is, not even she can excite me about this. I honestly can’t name anything that would make me care about it. While Taika Waititi incorporated some Kirbyisms into Thor: Ragnarok, sometimes I feel like the vast majority of that Kirby stuff can’t really be translated to film. While he did a lot with the comics medium, that’s just it – it was the *comics* medium. He did it there because it couldn’t really be done any other way. Sure, we have the technology now, but can it be done? And even if it’s accurate, it could end up like Watchmen. A lot of folks will tell you that Watchmen was a faithful adaptation of the original miniseries, but was that a good thing? I like parts of that movie, but not all of it. Maybe I’ll like parts of New Gods, but I’m not even a guaranteed movie ticket sale at this point.

There was quite a bit of controversy in the world of wrestling this week as WWE announced the Fabulous Moolah Memorial Battle Royal at Wrestlemania 34. It was meant to honor late female wrestler Fabulous Moolah (AKA Mary Lillian Ellison) but, ya see, Moolah wasn’t such a good person, according to various reports. After her death in 2007, reports started to trickle out that Moolah used to abuse the women who trained at her compound, and she kept them in indentured servitude. She routinely took about 30% of everything they made, while charging them rent and expenses, but there are also reports that that she pimped out some of the girls to a nearby brothel. So, you can see why there was fan backlash against WWE’s idea.

The company always seems to end up on the wrong side of history with controversial topics. After all, the late Chyna can’t be inducted into the WWE Hall of Fame because she did porn, and Triple H doesn’t want his kids to know he banged her before he met their mom (Hey CBS – there’s a reboot idea for ya!). Meanwhile, Moolah was the first woman inducted into the WWE HOF in 1995, and she was a frickin’ pimp! The backlash against the announcement was strong, causing WWE to disable the comments on the announcement video, as a petition was also circulating, which gathered 10,000 signatures. WWE bowed to the pressure, and did the right thing by changing the name. It will now just be called the Wrestlemania Women’s Battle Royal, which is kinda generic, but at least it doesn’t offend anyone. They could have called it The Godfather’s Ho-Tacular Battle Royal, but they don’t pay me for ideas…

People are always surprised when I say that Elton John is my favorite solo artist of all time. Why, ’cause I’m Black?! To take it even further, my favorite Elton era is the late  80s, early 90s, pre Lion King Elton, when nobody gave much of a shit about him. He was cranking out “Sacrifice”, “I’m Still Standing”, and “Simple Life” and I LOVED IT! I own the entire Elton discorgraphy, and he’s actually been doing so really great experimental stuff in recent years, like when he dipped his toe in the country waters on The Union – his duet album with the late Leon Russell.  Well, the experiments just keep coming with this upcoming Elton tribute two album tribute. First up, there’s Revamp, which has some of today’s hottest artists and bands tackling Elton and songwriter Bernie Taupin’s hits. Here’s the track listing for that one:
1. “Bennie and The Jets” – Elton John, P!nk, Logic
2. “We All Fall In Love Sometimes” – Coldplay
3. “I Guess That’s Why They Call It The Blues” – Alessia Cara
4. “Candle In The Wind” – Ed Sheeran
5. “Tiny Dancer” – Florence + The Machine
6. “Someone Saved My Life Tonight” – Mumford & Sons
7. “Sorry Seems To Be The Hardest Word” – Mary J. Blige
8. “Don’t Go Breaking My Heart” – Q Tip feat. Demi Lovato
9. “Mona Lisas And Mad Hatters” – The Killers
10. “Daniel” – Sam Smith
11. “Don’t Let The Sun Go Down On Me” – Miley Cyrus
12. “Your Song” – Lady Gaga
13. “Goodbye Yellow Brick Road” – Queens of the Stone Age

From this collection, the tracks I’m most worried about are 1, 11, and 12. P!nk better not screw up “Bennie”, while I don’t think Miley has the chops for “Don’t Let”. And Gaga could be really good on “Your Song”, but will she be?

Next up is Restoration, which Elton said was Bernie’s project. Basically, it features a bunch of country artists taking a swing at Elton’s hits:
1. “Rocket Man” – Little Big Town
2. “Mona Lisas And Mad Hatters” – Maren Morris
3. “Sacrifice” – Don Henley and Vince Gill
4. “Take Me To The Pilot” – Brothers Osborne
5. “My Father’s Gun” – Miranda Lambert
6. “I Want Love” – Chris Stapleton
7. “Honky Cat” – Lee Ann Womack
8. “Roy Rogers” – Kacey Musgraves
9. “Please” – Rhonda Vincent and Dolly Parton
10. “The Bitch Is Back” – Miley Cyrus
11. “Sad Songs (Say So Much)” – Dierks Bentley
12. “This Train Don’t Stop” – Rosanne Cash and Emmylou Harris
13. “Border Song” – Willie Nelson

I actually prefer the Revamp tracklisting to Restoration‘s, but I’m excited to hear what Little Big Town does with “Rocket Man”. All I know is Don Henley better not screw up “Sacrifice”! Anyway, both collections come out April 6th, so I guess I’ll be buying my first CDs in about 3 years.

I’m still getting my thoughts together around Toys “R” Us, so I’m sorry to disappoint ya if you were looking for that this week. Maybe it’ll be its own post. I’m not even sure. What I do know is that it’s still too early to tell what’s going to happen. Sure, the company did announce that they would sell OR close their remaining roughly 700 stores. That’s what I’m hung up on. Someone could come in and buy the name and TRU will live again in some way. I don’t know. All I know is that we went to say our possible goodbyes as a family last weekend. I’d be lying, though, if I said I felt it was truly the last time I’d be in a Toys “R” Us.

I had a funny interaction online last weekend with a popular radio DJ. I’ve been listening to country now for about 10 years (the things we do for women!), and I guess Evie’s being raised on it. The biggest morning show in the format is The Bobby Bones Show, and we all listen to it every morning. Well Evie, being all of 2.95 yrs old, has come to think ALL radio is Bobby Bones. So, when we get in the car, she’ll demand “Bobby Bones!” I decided to tweet Mr. Bones and let him know about this. Not only did he Like the tweet, but he even retweeted it with a modified Jeff Foxworthy joke. I’ll take it!

Unless you’re new here, you know I love to talk. This means I love being on podcasts, and I was honored to join the Nerd Lunch Extra Helping episode on Black Panther that went up this week. I actually had more to say about the film than what you probably heard on Classick Team-Up, so think of that episode as Part 1 of my thoughts, and this one as Part 2. Will there be a Part 3? Have your people call my people!

Things You Might Have Missed This Week

  • For all the parents out there, you’ll be glad to know that Disney Channel has renewed Mickey and The Roadster Racers for a 3rd season. Actually, I kinda hate that show. I prefer the pre-K nuance of The Mickey Mouse Clubhouse myself.
  • AMC has announced a 31-hour Marvel Cinematic Universe marathon, culminating in the release of Avengers: Infinity War. Some of y’all have enough of a problem showering for a 2-hour movie, so this is a hard pass for me.
  • Speaking on theater events, Fathom Events has announced Survival Sunday, which will see the 8th season finale of The Walking Dead and the 4 season premiere of Fear The Walking Dead shown up on the big screen for one night only – April 15th.
  • Noted physicist Stephen Hawking passed away with week after a LOOOONG battle with ALS. I’ve got to say that I’ve always been surprised that his appearances on The Big Bang Theory didn’t lend the show any “legitimacy”. Like, here’s this brilliant guy who thought it was funny (or at least liked the paychecks), but that wasn’t good enough for folks.
  • Fresh off her firing from Grey’s Anatomy last week, Sarah Drew has been cast alongside Michelle Hurd as the stars of CBS’s Cagney & Lacey reboot. Not sure if she’s Cagney or Lacey. Also not sure it even matters.
  • Calling all fast teenage girls – you’ll have to get your kicks at the Piercing Pagoda from now on, as your beloved Claire’s plans to file for Chapter 11 bankruptcy protection. Oh, and they’ve found asbestos in the makeup. Remember when your biggest high school problem was whether Johnny was gonna ask you to the big dance? Now you’ve got to worry about asbestos?!
  • Despite the fact that we live in a world of YouTube and Tosh.0, America’s Funniest Videos was somehow renewed for its 29th (!) season this week
  • Bravo developing limited series based on the New York Times bestselling graphic novel, The Fifth Beatle: The Brian Epstein Story
  • Kindly peek your head into your distant stepfather’s study, and inform him that The Librarians has been cancelled on TNT after 4 seasons.
  • The Church of Scientology launched The Scientology Network this week, as a 24 hr TV network on DirecTV. For now, it’s probably just episodes of Rebecca Chambers era Cheers reruns and Dharma & Greg.
  • HBO has ordered a pilot for Euphoria, based on an Israeli show described as Kids meets Trainspotting. Um, wouldn’t that just be Skins?
  • Norm Macdonald Has A Show, a new talk show hosted by, well, Norm Macdonald, has gotten a 10-episode order at Netflix
  • CNBC is bringing back Deal or No Deal, which will again be hosted by Howie Mandel. What’s the show about again? Something about a briefcase? Never seen it.
  • Black-ish creator Kenya Barris and ABC “mutually decided” (uh-huh) to pull an episode about the NFL kneeling debacle, due to “creative differences”. Whatever. It’ll just sweeten the syndication deal when that rolls around.
  • ABC’s Katy Perry-fronted American Idol reboot debuted on Sunday night, while Fox aired an OJ confession. Man, I’d forgotten what it was like to live in 2003!
  • Fresh on the heels of the completely irrelevant iHeartRadio Music Awards, the parent company, iHeartMedia Inc., filed for Chapter 11 bankruptcy protection. Ya know why? BECAUSE THEY WASTE MONEY ON THINGS LIKE IRRELEVANT AWARDS SHOWS!
  • There were recent tests screenings of Deadpool 2 at and apparently it was a mess of a film. I kinda don’t find this surprising. There are reshoots going on now, but that’s not unusual for a movie to do. Nothing to see here, kids.

  • We got a trailer for Sorry To Bother You, starring Atlanta‘s Lakeith Stanfield as a reluctant telemarketer, and it looks really quirky. It’s definitely got a Bamboozled vibe to it.
  • Some chick online was upset about Bruno Mars’s fame, saying that his success was the result of cultural appropriation. I’ve gotta say I never even knew he wasn’t Black. I knew he wasn’t Djimon Hounsou Black, but I thought he was, like, Dwayne Johnson Black. Either way, he’s dark enough to not be able to drive through certain areas late at night, so that’s good enough for me!


Behold! I’ve been waiting all week for this, and it did not disappoint. There will be many tears shed by the end of this film. Yeah, the final Avengers: Infinity War trailer had the West Week Ever.

09th Mar2018

West Week Ever: Pop Culture In Review – 3/9/18

by Will

HarassmentWatch(TM)

Ryan Seacrest – Last week I said that he was basically Teflon, as the sexual misconduct allegations against him were sliding right off him. Well, last week I was wrong. Ya see, the Oscars were on Sunday, and celebrities were going out of their way to shun him on the red carpet. I mean, this is his livelihood, and he can’t do his job because the accusations are affecting that. Right now, American Idol seems to be standing by him as they prepare for their premiere this Sunday, but I really wonder what the end result of this is going to be. I don’t “cape” for him because I like the guy. I mean, I certainly admire his work ethic, but he’s not my favorite celebrity or anything. Still, I guess I’ve kinda put this into the Paul Haggis category – Haggis seemed more like the target of a Scientology smear job, while I thought we had all agreed as a people that Seacrest didn’t even like women. What happened to that?

Terry Crews – I don’t know if I ever even wrote about this when it initially happened (cut me some slack – I do this weekly, and my site search is broken), but Terry Crews was the victim of inappropriate physical advances by a high-level Hollywood executive. He was on the verge of being blackballed, as no one was really coming to his defense. Still, he continued his fight, suing talent company William Morris Endeavor – the company led by the exec – for sexual assault. Well, this year, prosecutors decided not to press charges, as the statute of limitations had passed because the incident occurred in 2016. It really seems like some powerful folks in Hollywood are trying to bury this, but Crews isn’t backing down. It’ll be interesting to see how this plays out.


Remember how Finn was completely wasted in Star Wars: The Last Jedi? Remember how he really didn’t have his “moment” – the thing you’d remember about him most from the movie? Well, it turns out such a thing does exist. They just didn’t use it. Here’s the alternate cut of his confrontation with Captain Phasma. I think this scene actually provides more depth to both characters, and it’s shame we lost it. I mean, up to this point, Phasma is just Boba Fett Mark II: she’s all style and no substance. Meanwhile, Finn really could’ve used a “win” in this film, and this would’ve done it. The only problem I have is that the effect of him blasting her away looked like it was straight out of an 80s movie, but I’ll just blame it on the fact that the effects were probably unfinished.

Another week means another Cobra Kai teaser, and I might slowly be coming around on this thing. I still think YouTube Red is just Yahoo! Screen Redux, and this series ain’t gonna get me to subscribe to it. Still, I’d watch this if it were right in front of me. I was hung up on the point that Karate Kid wasn’t a comedy. Still, over the years, there’s been that growing fan theory that Daniel is the real asshole of the story (Thanks for that, Barney Stinson!), and this series seems like it’s leaning into that. That’s actually a story I’d be interested in seeing. Plus, they made Daniel a car salesman. Name ONE car salesman in pop culture who isn’t The Asshole? Even Moesha’s father did a heel turn there for that last season, where we found out he was actually the father of his “nephew”.  Anyway, I’m down for a Johnny Lawrence redemption story.

So, I know nothing of the current state of hip hop, but apparently there’s a dude named Vince Staples who seems to have a lot of haters. So many haters, in fact, that he set up a GoFundMe where he’s asking those haters to raise $2 million for him. In return, he will simply GO AWAY. Yup, he said, he’ll stop performing, doing interviews, all of it. He’ll take his ball and go home. A lot of this is in response to recent negative reviews of his live performances,  He basically gives the audience an alternative: “Get off of my dick OR fund my lifestyle”. So far, he’s raised over $1500. To add to the campaign, he just released the song “Get The Fuck Off My Dick”, to further drive home his point:

I’ve gotta say, I admire his business sense. He’s taking “Fuck you, pay me!” to a whole new level.

Things You Might Have Missed This Week

  • Apparently Amazon Alexa-powered devices are laughing at their owners, and folks don’t seem to know why. “First they laughed at the Socialists. And I did not speak out…”
  • The Oscars were this week, with a lot of fan favorites taking home awards, including The Shape of Water winning Best Director and Best Picture, Coco winning Best Animated Feature Film, and Get Out won Best Original Screenplay.
  • Following a recent domestic violence arrest, Heather Locklear is heading to rehab. If I know my Hollywood, Dr. Drew is talking to his people as we speak.
  • Box office wunderkind Black Panther could possibly top $1 BILLION worldwide today.
  • Tom Cruise may be in talks to play Green Lantern for DC/Warner Bros. So, I guess that means there’ll be at least one scene of him running. After seeing the Mission Impossible: Fallout trailer, where he’s just treated like a death-defying ragdoll, I’d pay to see CGI’d Tom Cruise slamming into shit. I don’t hate this idea.
  • Wonder Woman director Patty Jenkins confirmed that Kristen Wiig has been cast as Cheetah for the sequel. I guess I’m just gonna have to trust Patty on this one…
  • In light of Marvel moving the Avengers: Infinity War release date up a week, from May 4th to April 27th, New Line Cinema has moved the Rampage release date up a week, from April 20th to April 13th. Gotta make sure The Rock gets all the ticket money has has coming to him!
  • Jon Favreau will be producing a live action Star Wars series for Disney’s upcoming streaming service. He also apparently has a role in Solo: A Star Wars Story, which was news to me!
  • Vin Diesel has been cast in the Bloodshot movie, based on the Valiant Comics character. If you spend a lot of time online, you know that former Power Rangers actor Jason David Frank had been cast as the character for a web series, and it was pretty obvious he was using that to lobby for the big role. Folks might wanna stay out of is way for the next few days!
  • Bronson Pinchot has been cast in Netflix’s Sabrina series, as the title character’s principal. Sounds like he’ll be more Principal Snyder than Mr. Belding, as he’s described as a “constant thorn in her side”.
  • An upcoming episode of Supernatural, called “Scoobynatural”, will feature the Winchester brothers being sucked into a Scooby-Doo cartoon and teaming up with the Scooby Gang. I’m kinda surprised Warner Bros is giving this away for free instead of selling it from Warner Bros Home Entertainment.
  • There are reports that Barack and Michelle Obama are in talks for a production deal with Netflix. I…don’t really know what to think about that. I mean, won’t this void his membership in The X-Presidents? WILL HE BE MAKING AN X-PRESIDENTS SERIES?!

  • Here’s a pic of Zachary Levi in his SHAZAM Captain Marvel costume. I guess it looks OK. I mean, I’m not about to lose my shit over SHAZAM until I see a trailer.
  • Speaking of ill-advised DC movie ideas, the rumored standalone Joker film will position the character as a failed comic from the 80s. Do you know how much you had to suck to bomb in the 80s? Was Joker losing gigs to Yakov Smirnoff?

  • Luke Cage season 2 will debut on June 22nd on Netflix, and it’ll be interesting to see how the show is received in a post-Black Lightning/Black Panther world. Cage tends more to Lightning than Panther, with his street level heroics, but it seems like Lightning has achieved what Cage was trying to do in that first season. From what I’ve read, at least. Technically, I’m still on Daredevil season 2. Hopefully I catch up by this release date. Meanwhile, Jessica Jones season 2 debuted this week, and nobody”s saying shit about it. Are folks over MCUFlix (patent pending)?

  • This thing is depressing as Hell. Up until the 30-second mark, I thought, “Are they remaking Schindler’s List?” I don’t think Christopher Robin is for me. And when you think about it, this is just a socially-acceptable, family friendly Ted. I’ll stick to the original recipe, thank you very much!

  • Why is every upcoming live action Disney movie set in some sort of 1930s dystopia?! What the Hell, Disney? Anyway, I don’t remember the first Mary Poppins, so this thing didn’t tug on any heartstrings for me. Your mileage may vary.
  • The Toys “R” Us situation has gotten more dire, as complete liquidation of their assets in the United States is now an option on the table – one that several creditors are hoping they’ll choose. On Monday, we’ll find out if Geoffrey is headed to the dog food factory.

This week’s I’ve got less of a “This blew my socks off!” and more of a “Hmm…This Could Be Interesting”. You see, DC Comics announced the DC Black Label imprint, which will feature high-profile creators on outside-of-continuity stories about their biggest characters. Ultimately, and they make no bones about this, this is their quest for the next The Dark Knight Returns – the classic Frank Miller Batman story that changed the world of comics, for better or for worse. DC has always positioned themselves as a legacy publisher, which I’ve felt is sometimes to their detriment. After all, at times it seems they spend so much time reminding folks of where they’ve been that they don’t focus enough on where they’re going. This seems like a little bit of both. They’re trying to make more timeless, evergreen stories that they can keep in print, and also get out into the book market as another channel of revenue. The titles and creators announced are kinda interesting, though. Let’s take a closer look at the creative teams and synopses for the upcoming stories:

SUPERMAN: YEAR ONE from Frank Miller (THE DARK KNIGHT RETURNS, BATMAN: THE DARK KNIGHT: MASTER RACE) and John Romita Jr. (ALL-STAR BATMAN, SUPERMAN)
A groundbreaking, definitive treatment of Superman’s classic origin story in honor of his 80th anniversary. This story details new revelations that reframe the Man of Steel’s most famous milestones—from Kal-El’s frantic exile from Krypton, to Clark Kent’s childhood in Kansas, to his inevitable rise to become the most powerful and inspiring superhero of all time.

Will’s Thoughts: Sounds like a pass for me. The teaser art is horrible, and John Romita Jr. hasn’t really tried in a LONG time. Outside of Kick Ass, everything else he’s done recently has been lazy, and Miller is batshit crazy these days. Plus, how many times do we have to get Superman’s origin? That’s gonna be a “No” for me, dawg.

BATMAN: LAST KNIGHT ON EARTH from Scott Snyder and Greg Capullo, the creative team behind DARK KNIGHTS: METAL
Batman wakes up in a desert. He doesn’t know what year it is or how The Joker’s head is alive in a jar beside him, but it’s the beginning of a quest unlike anything the Dark Knight has undertaken before. In this strange future, villains are triumphant and society has liberated itself from the burden of ethical codes. Fighting to survive while in search of answers, Bruce Wayne uncovers the truth about his role in this new world—and begins the last Batman story ever told.

Will’s Thoughts: I’m oddly intrigued. A lot of the problems I had with the Snyder and Capullo Batman run was their treatment of continuity. It’ll be interesting to see what they can do without those shackles. And I’m sucker for “Last ____ Story Ever” tales.

BATMAN: DAMNED from Brian Azzarello and Lee Bermejo, the creative team behind JOKER
On a deserted Gotham City bridge, a body is found. Whispers spread the news: Joker is dead. But is this a dream come true or a nightmare being born? Now Batman and DC’s outlaw magician John Constantine must hunt the truth through a Gotham City hellscape. The city’s supernatural recesses are laced with hints about a killer’s identity, but the Dark Knight’s descent into horror will test his sanity and the limits of rationality, as he must face a horror that doesn’t wear a mask.

Will’s Thoughts: Out of the two Batman stories launching with Black Label, this is probably the one I trust the most. I know what I’m getting from this creative team, based on their work on Joker and Lex Luthor: Man of Steel – both of which I loved. Azzarello “gets” Batman, while Bermejo’s style is a treat that you don’t get on a monthly book.

WONDER WOMAN HISTORIA: THE AMAZONS from Kelly Sue DeConnick (Bitch Planet) and Phil Jimenez (INFINITE CRISIS)
A Homeric epic of the lost history of the Amazons and Queen Hippolyta’s rise to power. Featuring monsters and myths, this three-book saga spans history from the creation of the Amazons to the moment Steve Trevor washes up on the shores of Paradise Island, changing our world forever.

Will’s Thoughts: I’m curious to see this, as it’s DeConnick’s first real work for DC. That said, I’m not sure I’m what you’d call a “DeConnick fan”. I read Bitch Planet, and I was like “Yeah, I don’t get intersectional feminism enough to appreciate this.” I also don’t love Wonder Woman, but I know Jimenez has a strong track record with the character. I’ll check it out, but it’s still an unknown to me at the moment.

WONDER WOMAN: DIANA’S DAUGHTER (working title) from Greg Rucka (WONDER WOMAN, BATWOMAN)
It’s been 20 years since the world stopped looking to the skies for hope, help, and inspiration. Now the world keeps its eyes down, and the powers that have risen have every intention of keeping things that way. Amongst a scattered, broken resistance, a young woman seeks to reclaim what has been forgotten, and on the way will learn the truth about herself, her heritage, and her destiny.

Will’s Thoughts: Rucka *gets* Wonder Woman – one of few creators from the past 25 years for which you could say that. I think they need to make sure he has the right artist here, but it sounds like an interesting concept. It’s basically an origin story with a new backdrop. Even without knowing the artist, if I had to bet on one of the Woman Woman Black Label series, this would be the one. Hopefully they’re trying to get J.G. Jones, so we get a reunion of the creative team behind the great Wonder Woman: The Hiketeia.

THE OTHER HISTORY OF THE DC UNIVERSE from John Ridley (12 Years a Slave, THE AMERICAN WAY)
A compelling literary series analyzing iconic DC moments and charting sociopolitical gains through the perspectives of DC Super Heroes who come from traditionally disenfranchised groups, including John Stewart, Extraño, Vixen, Supergirl, Katana and Rene Montoya, among others. At its core, the story focuses on the lives of those behind the costumes, and their endeavors to overcome real-world issues. It isn’t about saving the world, it’s about having the strength to simply be who you are.

Will’s Thoughts: Out of all of the announced titles for the first wave, this is probably the one I’m most eager about. The story was teased over the weekend that DC in D.C. was taking place, and Ridley was present but couldn’t provide any details. When it comes to the minority lens, Marvel tends to do a better job at this than DC, but I think they’ve got the right guy here to do it, especially if you’ve read his series The American Way. Looking at the list of characters, it almost feels like “One of these things is not like the others” with Supergirl there. I know she’s an alien, but it’ll be interesting to see how she’s categorized as “disenfranchised”. Anyway, this has the potential to be DC’s own version of Marvels, which is just the kind of classic tale they’re trying to create here.

While Marvel is busy with their “fresh start” to right the ship over there, DC is finally thinking outside the box and taking some risks. At a glance, sure it seems like, “Ugh, MORE Batman, another Superman origin, and a bunch of uncertain Wonder Woman books.” On paper, I can see how it comes off that way. But DC is VERY protective of their continuity, so they’ve created a little corner where some industry stars can just go wild. I also think this is a more focused approach than DC’s more recent imprint, Young Animal, where “Weird!” seems to be the only driving principle. DC has been making a lot of moves that have impressed me, and this is just another one to add to that list. I think DC Black Label shows a lot of promise, and that’s why it had the West Week Ever.

02nd Mar2018

West Week Ever: Pop Culture In Review – 3/2/18

by Will

HarassmentWatch(TM)

Brendan Fraser – So, first a correction: last week I said there’d been no Wang Dangler Hanky Panky (that would’ve been a great name for an early 90s Country song), but I was wrong. There was a GQ interview with Brendan Fraser that I didn’t have the chance to read before I wrote the post, where he explained why he had “disappeared” from Hollywood. It turns out a former president of the Hollywood Foreign Press Association had grabbed his buttcheek and sort of fingered his taint, in a public situation much like what happened to Terry Crews. His reps demanded an apology from the HFPA, and he believes that’s what led to his career downturn.

Ryan Seacrest – A few months ago, a former stylist accused Ryan Seacrest of sexual misconduct. Oddly enough, the investigation just ended, and he wasn’t found guilty of any wrongdoing, but the woman still went public with the full account of what happened to her. E! says they’re standing by her, and Seacrest must be Teflon, because this is sliding right off of him.

We’re beginning to get more information on Marvel’s big “fresh start”, as Black Panther writer Ta-Nehisi Coates will add the Captain America comic to his workload. Anyone who thought that this was a return to the “old days” is wrong, because Coates is going to bring anything but an old fashioned approach to the character. That said, I can’t say I’m excited because I find his Black Panther run boring as fuck. It’s like watching paint dry. You came for the Vibranium and the jungle fights, but all you end up with is African political intrigue. Pass! It’ll be interesting, though, to see how folks receive his Cap run. I mean, it was one thing when he was on Black Panther, but it’s another thing for him to be writing the Star Spangled Champion of Freedom.

Meanwhile, former Captain America writer, Nick Spencer, is taking over Amazing Spider-Man once Dan Slott’s ten-year run ends. And the crowd is butthurt! See, they still haven’t gotten over Secret Empire, where Cap was basically turned into a sleeper Nazi agent. Fans need to realize that these are not their personal toys, and that things can be done with them that they might not have considered. I will admit that Secret Empire wasn’t the greatest thing since sliced bread, but that’s more in the execution and not the concept itself. You had people deriding it online who had never read a comic book. I felt the lead-up to the event, especially in the Sam Wilson: Captain America comic, was some of the best character work I’d read in years. It’s just the execution of the event itself, marred by fan outcry, left me wanting. Anyway, those same folks feel like Spencer ought to be punished for not properly “landing the plane” instead of being “rewarded” with the main Spidey book. Spencer will be joined by Ryan Ottley on art, who’s just coming off a LONG stint on Invincible. I think Ottley’s style works, but it’ll take me some getting used to.

Meanwhile on the distribution side of comics, a sort of “White Flight” is taking place in the Previews catalog. You see, Previews is the “phone book” that retailers use every month to place their orders, and there’s a hierarchy in how publishers are listed. Your “premiere publishers” are in the front of the book. This includes Marvel, DC, Image, and IDW, leaving all the small publishers in the back under simply “Comics & Graphic Novels”. Or it did. A few years back, Marvel began to feel they weren’t getting enough coverage in the catalog, so they introduced their own spinoff catalog, Marvel Previews, which is still published by Diamond, and comes free with the purchase of the main catalog. I knew this was a terrible precedent to set, and now that’s coming true, as DC announced that in about 3 months, they’ll be introducing DC Previews, which is their own standalone catalog for ordering their books – and it will come free with the purchase of Previews. So, now Previews is comprised of 4 books (the main catalog, Marvel Previews, DC Previews, and Adult Previews), but that made room up front in the catalog, so it was announced that BOOM! and Dynamite will now be promoted to “premiere” status in the front of the main catalog. But how long until we get Image Previews, huh? This is just a dumb concept all around.

 


Have I ever told y’all how much I hate YouTube? To me, it should be used for nothing but watching movie trailers, music videos, and old commercials. I only watch one or two shows, and when it comes to “YouTube personalities” and web series, I just don’t get it. That’s how I’m feeling about The Has Been, which is a new web series from every early Millennial’s first crush, Amy Jo Johnson. Yes, the original Pink Ranger has a web series about an A-list actress, who started out on a children’s TV show, who finds out she now has nothing and has to resort to going on the convention circuit. So, she’s basically using cons as the backdrop for this show. Isn’t that, basically, the same thing as Con Man – the other web series with Nathan Fillion and Alan Tudyk?

Sure, the whole thing is kinda tongue-in-cheek. I mean, AJJ was never A-list, not even in her Felicity days. But she has recently thrown herself into the convention world, with the help of her old TV beau, Jason David Frank. Still, the whole Hollywood Bitch Falls From Grace and has to Grovel to the “Little People” shtick has been done countless times. But here’s where my issue with a lot of web series comes in: it’s not really even a finished product. At this stage, it’s an idea, with a trailer. The thing ends with “Help us get this made”. So, she’ll probably set up some crowdfunding thing, while she’s basically amassing free footage from conventions, for which she’s already being paid to attend. I don’t really think that’s fair. Anyway, YouTube is littered with vanity projects like this that go nowhere, and I’m not too swayed by the trailer. What say you?

There’s a new social network everyone’s talking about called Vero. While it’s been around since about 2016, its claim to fame is that it doesn’t have any adds, so there’s no data mining in the background, plus there’s still a chonological timeline. It got a lot of attention last week, and it also helped that Chris Hardwick mentioned he had joined the network during Sunday’s Talking Dead. It got SO much attention, actually, that the servers couldn’t handle the demand, so you couldn’t really do much with it until around Wednesday. One interesting aspect is that you can divide your audience into Close Friends, Friends, and Acquaintances. Silly ol’ me, though, just put everyone down as “Friend” to make it easy. Still, if you wanted to talk shit about someone, you could just switch them to Acquaintance, and then send the message about them out to your Friends only. So, it’s got a lot of Cyberbullying/backstabbing potential.

Of course, whenever there’s something new, meant to be the “Twitter Killer” or “Instagram Killer”, folks just kinda laugh and wonder when it’ll peter out, like Ello and Mastodon did before it. Well, apparently the co-founder of Vero wasn’t paying his workers or some shit, and folks got on their high horses to tell everybody that’s why it’s bad to use the app. Um, the PRESIDENT routinely didn’t pay workers, and that didn’t stop some of y’all for voting for him. So the guy used “slave labor”. Most of y’all are reading this very post on a smartphone made in a sweatshop. My point is that you have to pick and choose your battles, and that you’ll find horror stories for anything if you dare to pull back the curtain. If you wanna say that the Vero interface sucks, you can, because it does, but when you bring the other stuff into it, I feel it just sort of weakens your argument. Not a sermon, just a thought. Anyway, I expect to be done with Vero by Easter unless something amazing comes along and gives it a shot in the arm. If you wanna find me, just look for William Bruce West on there!

Things You Might Have Missed This Week

  • We got another teaser for Youtube Red’s Karate Kid spinoff, Cobra Kai, and just like with the first one, I’m left asking “…why?”
  • Because Marvel loves us, and only wants good things for us, Avengers: Infinity War‘s release date has been moved up a week to April 27th.
  • Snootchie Bootchies! We almost lost Kevin Smith, as he suffered a massive heart attack during a stand-up special he was filming on Sunday.
  • Random aside: am I the only one not feeling A Wrinkle In Time? Nothing about its marketing campaign makes me wanna see that movie. It makes me wanna read the books, but not see the movie. I think it’s Oprah. She’s just taking me out of the whole thing. And let’s hear it for Mindy Kaling’s agent, who somehow got her in the film, even though she manages to look out of place in a world where everything is meant to look out of place…
  • ABC is doing a stealth release of Alec Baldwin’s new talk show, Sundays with Alec Baldwin, this Sunday after the Oscars. It’s based on his podcast, Here’s the Thing with Alec Baldwin, which I used to love until I somehow forgot it existed. No, seriously, I think the WNYC site stopped posting them or something. Anyway, his first guests will be Jerry Seinfeld and Kate McKinnon.
  • Speaking of the ladies of Saturday Night Live, apparently Kristen Wiig is in talks to play the villain Cheetah in the Wonder Woman sequel. OK, so now we’re at the point where those fabled monkeys with typewriters are coming up with the DCEU’s ideas now, huh?
  • I only know one person who watches this show, and I’m about 98% sure he doesn’t even know I have a blog, but he would be happy to know that The Magicians has been renewed for season 4 on Syfy

  • We got our first teaser for Ralph Breaks The Internet: Wreck-It Ralph 2. Yeah, never saw the first one. I do, however, think Wreck-It Ralph would be a great porn franchise, where a guy named Ralph just WRECKS that…well, you get the picture.
  • There’s a rumor that Time Warner is interested in selling off Warner Bros and DC Comics if their merger with AT&T doesn’t go through. Disney might as well just swoop in a buy it. They own everything else already…

Donald’s Glover’s Atlanta came back last night, and it was just as great as I remembered it. While engaging, there’s this underlying discomfort about it. Remember how The Office used to get when Michael would say something more cringeworthy than funny and you just had to sit in the discomfort? It’s sort of like that, where I kinda feel like someone’s about to get shot any second, even though it’s supposedly a “comedy”. The entire first season finale made me feel that way, even though everyone made it out unscathed. Can’t say the same about the second season premiere, though, ’cause there was definitely some shooting. Still, I think we can say that Glover has created a masterpiece, which could be to his detriment.

You see, a New Yorker article on Glover went up this week, and man was it a doozy. He’s kinda hit his John Lennon “We’re more popular than Jesus” phase, though he’s not exactly talking out of his ass. To hear his process, and his general philosophy on where the world is, and where it’s going, it’s both intriguing and frightening. If he were any other person, I might say he needs to be on suicide watch. I only trust that he knows what he’s doing, and can handle his shit. All that aside, whatever he’s going through, he’s channeling it into his work, which has given us some damn fine television. So, with that in mind, Atlanta had the West Week Ever.

 

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