15th Nov2019

West Week Ever: Pop Culture In Review – 11/15/19

by Will

HELLO?! IS ANYBODY HERE?! *echo*

 

I feel like I go on hiatus way too much because I find myself apologizing for having done so way too much. This year, West Year Ever is gonna be pretty easy to compile since I took off, like, 1/3 of the year. Seriously, I even considered switching the format to West Month Ever for a while.

So, where have I been? That’s a great question. Long story short: I had nothing to say. Or, better yet, I had nothing positive to say. And you know the saying, “If you can’t say anything nice…” Sure, there was plenty of stuff to rant about, but I couldn’t balance it out with anything I *LIKED*, and that was a problem. The internet is toxic enough, so I really didn’t feel like feeding into that. So, I spent my time catching up on Power Rangers: Beast Morphers episodes, and trying to clean up my basement. There were times when I was on the verge of posting something, and then life would throw a monkey wrench into my plans. One week, I was working at the work site that has my site blocked, so no posting then. Another week, I was in a car accident and had my car battery die (resulting in a 2.5 hour wait for AAA), all in the same Friday. So, I guess I was just supposed to skip the month of October.

This week, though, couldn’t be skipped because just TOO much happened, and it felt like the perfect time to make my grand return.

In the movie realm, I got around to watching White Chicks the other day. No, I’d never seen it, even though I know it’s a guilty pleasure for a lot of folks. At the end of the day, I didn’t love it. I mean, it’s problematic in a way that only a movie from 2004 could get away with, but I also didn’t find it to be that funny. It could be because we’ve sort of left the era of the socialite behind. Sure, the Kardashians are always considered “famous for being famous”, but they’ve built a business empire upon that. Outside the Hadid girls, we don’t really have the Paris & Nicole Simple Life era socialites anymore, even if we still have spoiled, rich White girls. To be honest, though, I probably would’ve preferred a movie about the Dominican bodega owners that Shawn and Marlon are disguised as in the beginning. I’ll also note that I watched this thing on TV One, so it was probably edited for television with all the good stuff taken out. For you fans out there, is it worth revisiting in, say, an unrated DVD sort of way?

One thing that took the past week by storm was the McDonalds Happy Meal 40th anniversary promotion, and BOY do I have thoughts on that! Designed as a limited run from November 7th through 11th, the promotion first leaked from some YouTuber posting about it. Then, Matt from Dinosaur Dracula tweeted about it, at which point he said McDonalds “kindly” asked him to take down the tweet. Then McDonalds formally announced it: for 5 days only, they would be celebrating the 40th anniversary of the Happy Meal by releasing reproductions of some of their most iconic toys. Oh, and in blind bags.

Let me tell you a little bit of my own history with McDonalds Happy Meal toys, as I was once something of a superfan. This is where my collecting lifestyle began. When there was a new promotion, it was my weekend mission to get my mom to drive us all over town so I could complete those sets. This went on from about Kindergarten to maybe 8th grade. I got to a point where I was modding Happy Meal orders to come with Big Macs and Quarter Pounders with Cheese (I was a “husky”, hungry child) until some employee eventually told me “You know, you can just BUY the toys.” That’s when I moved the to the Extra Value Menu, occasionally shelling out an additional $1.89 for Happy Meal toys. So I had the originals of everything in this anniversary promotion. I would have liked a proper tribute to those old toys, but this wasn’t it.

OK, so here’s the first problem: why reproductions? I know you’re all not like me, spending all your free time in thrift stores, but lemme tell ya something: McDonalds toys are NOT hard to find. Plus I feel like there’s got to be some sort of McDonalds Area 51 with a stockpile of old toys they could’ve drawn from. Even if this doesn’t exist (prove me wrong, cowards!), they could’ve really made this special in other ways. Maybe team up with the American Pickers guys, and have them go out and find some dead stock for them to use. It’d make a great special episode of the show, and it would look like some kind of effort went into it. It could’ve been a yearlong buildup, with webisodes and whatnot. Instead, we get this lame promotion that was shoehorned into a week that McDonalds needed to fill between the Hello Kitty/Pokémon promotion and the Frozen II promotion.

Next problem: blind bagged, though numbered. Why act like it’s such a surprise about what you’ll get when everyone knows there are 17 in the US (#9, believed to be a Barbie, was pulled from the promotion before it began), and the numbers are right there on the polybags? It’s not “blind” if you can read numbers. And I’m not talking some sort of secret Braille code, like the LEGO minifigures use. I’m talking a clear as day number, right on the front, that corresponds to a checklist that most social media influencers posted online after they received a promo shipment from McDonalds. When I didn’t get a special box from McDonalds, that’s when I knew I wasn’t shit.

When the toys actually hit, the third problem became apparent: cheap, inaccurate reproductions. The new toys weren’t as well made as the originals, and they all had 2019 date stamps so as to not confuse folks into thinking they were the vintage toys. A lot of strange decisions had been made. The Changeables burger was no longer a Quarter Pounder with Cheese, as both the cheese and sesame seeds had been removed from the mold. And the one that really grinds my gears: the Red Power Ranger. It’s bad enough McDonalds included this thing when the Power Rangers figures were NOT Happy Meal toys (they were add-on items that you could buy for $1.99 each when the original movie was in theaters), but this Red Ranger they’d included only had one arm and one leg that moved, while the opposite limbs were fixed. Why?! Then they included Bugs Bunny from Space Jam, which was odd because A) I wouldn’t call that promotion “iconic” and B) the gimmick of that toy line was that the different characters were on pieces of basketball court that you assembled into something akin to a train. One toy from the line was kind of boring, but to have them all was sort of special. Here, you got one toy. It’d be like if they had just given you one piece of the Inspector Gadget build a figure promotion. What the Hell are you gonna do with ONE piece?!

Anyway, I found myself on the wrong side of history on this one because the nostalgia bloggers were eating it up. I, however, didn’t get it. Surprisingly, even my wife was like “We’re gonna get Happy Meals every day!” I understand the nostalgia factor, but it just felt so poorly executed. Since the promotion was only 5 days long, restaurants got limited stock and a lot of them seemed to have depleted that stock before the 11th even hit. Plus, I can’t believe that McDonalds contracted factories all the way in China to make such subpar repros for this promotion, especially when the marketing department seemingly screwed the pooch. If you enjoyed it, great, but something just felt rushed and disorganized about the whole thing. Here’s hoping they do a better job for the 50th anniversary, but we’ll be so “woke” by then that Happy Meals will be a salad and a toothbrush.

In the world of comics, there was a lot of hubbub about Jonathan Hickman becoming the new architect of the X-Men line. Everything kicked off in the companion series House of X and Powers of X, which were released weekly over the summer. These led to the release of a new X-Men #1, which I grabbed at a midnight release party (Thanks, Third Eye Comics!).

Now, I had read House of X #1 and thought “Interesting start, but I’m not paying $6 a week for this story.” So, I skipped those minis and dove right into the first issue of the ongoing. And my verdict? These aren’t my X-Men. I like the X-Men who are hated and feared, but always recharge after a huge battle by playing baseball at their school in Westchester county. Hickman’s X-Men, however, has too many moving parts, and I’m not on board with a lot of it.

In a lot of ways, Hickman’s vision is basically just a remix of what Grant Morrison brought to the line when he took over “adjectiveless” X-Men and it became New X-Men. Both share the premise that mutants now have the upper hand, causing frightened humanity to go to desperate measures to prevent their own extinction. It’s an interesting viewpoint, but it’s one where I’m always waiting for the other shoe to drop. With X-Men, sometimes that takes years (see: Emma Frost), but to paraphrase Karl Mordo, “The bill comes due. Always.”

I have always felt that the life cycle of superhero comic fandom is about 15 years, because audiences cycle in and out, but that’s about how long it takes for Been There, Done That to set in. I feel like I’ve seen this before, and that just might be a sign that my time with Charles Xavier’s mutants is up. Maybe folks are into that sort of journey, but I don’t wanna stay on this ride.

While I was away from blogging, I was still keeping busy, running my mouth on a few podcasts. First up, I recorded a look back on Batman ’89 with my pal Chad at the Horror Movie BBQ back over the summer, and he never told me that the episode was posted. I’d been over here, stewing for the last 5 months, that he had yet another unreleased episode with me (We recorded an Adam West tribute a while back that devolved into chaos and has never seen the light of day), meanwhile it had been on his site the whole time. So, sorry about that, Chad. It was a good discussion, though, as I talk about my Bat Amnesia and more, so check it out!

Next, I joined the guys over at Nerd Lunch for the final “Ned Lurch” episode. As they prepare to “sunset” their show, they’re taking one last stab at some of their themes, and Ned Lurch is a guy whose friends and advisors are constantly giving him bad business advice, in an attempt to see him fail. In our episode, Ned is talked into launching the worst action figure line ever. Check it out, as I give the worst improv performance you’d ever expect from me, but it was a fun show. Speaking of improv, I don’t think I’ve ever mentioned how I actually auditioned for the improv group in college. Yeah, there was a period of time when I was bored with a cappella and wanted to try something different. The problem with that plan, though, was that group was led by my girlfriend’s ex boyfriend. At least I made it to the final round, though…

Finally, get ready for the Christmas season by listening to me talk about everyone’s favorite “That’s Not a Christmas Movie!” No, not Die Hard. Instead, podcast extraordinaire, Michael May, had me on his Sleigh Bell Cinema show to discuss Iron Man 3. The same way you’ve got to look at Superman III as “Hey, it’s a Richard Pryor movie, featuring Superman”, you’ve got to do some mental gymnastics with this one, as well. What do I think about Tony Stark’s final solo outing? Take a listen to find out!

Trailer Park


Sonic the Hedgehog

I can’t deny that he looks better now, but I loathe the precedent this movie set. In case you don’t remember, the original design for Sonic had fans so outraged that the backlash to the initial trailer led the studio to delay the film and retool Sonic’s look. On the one hand, folks are like “Great job for listening to the fans!” Meanwhile, I’m over here, like, “Ugh, you listened to FANS!” Half the time fans don’t know what they want, and they tend to stick to the familiar because they hate change. That’s fine. I also dislike change. That said, this movie was never going to be a blockbuster, but now folks feel guilty that they have to support it since they raised such a stink. But you see, the internet is full of folks who love a good fight with no vested interest. A lot of the people the most upset about Sonic’s design were never going to see the movie in the first place. So, was the redesign worth it or in vain? I guess we’ll just have to wait and see.


SCOOB!

Is this basically a reboot of A Pup Named Scooby Doo? ‘Cause I was ALL about that era in the 90s when everyone got a “Lil” version of their franchise. The Flintstone Kids, Life with Louie, Hell, even Little Rosey (who’da thunk they would’ve given a cartoon to Roseanne?! But they did). I won’t be seeing this in theaters, but I’ll totally grab it on Black Friday for my girls.


Holiday Rush

This looks kinda cute. You don’t get a ton of Black Christmas movies, and I’m a fan of Romany Falco. The beauty of this is that I’d never go see this in a theater, not even if the tickets were free, but I can watch dude hit on First Officer Michael Burnham, while sitting at home in my underwear? Sure, I’ll buy that for a dollar!


Harley Quinn

Looks fun. Still not signing up for the DC Universe service. There’s got to be a plan to rehome these shows on HBO Max going forward, as the existence of DCU is making less sense by the day. They could repurpose that site to be a purely comic hub, like Marvel has Marvel Unlimited, but it doesn’t make sense to keep the shows on there, especially when Warner Media is trying to brand HBO Max as THE streaming portal for their catalog. So, I’ll watch this when I eventually cave and get HBO Max, since Rick & Morty will probably be exclusive to that service by 2025 or something.

Things You Might Have Missed This Week

  • John Legend was named People‘s Sexiest Man Alive, and even his wife, Chrissy Teigen, is like “Huh?” I mean, he seems nice enough, but kinda soft. Then again, he’s a former collegiate a cappella kid, so I guess I’ve gotta support him in this endeavor.
  • Not content to stand on the sidelines of the upcoming Streaming Wars, Nickelodeon has signed a deal with Netflix to develop movies and shows based on their properties. Personally, I can’t wait for Are You Afraid of the Black Mirror?
  • The sand might be running out of the hourglass for one of your grandma’s “stories”, as the entire cast of Days of Our Lives has been released from their contracts. Many feel this is a negotiation tactic by the show’s producer, Corday Productions, as they head into contract negotiations. Worst case scenario is everyone is fired and they all get recast. Best case scenario is everyone is rehired, but now at a lower, take it or leave it, rate negotiated in new contracts. Despite the fact that soap operas are a relic of the past, NBC seems committed to providing a home for Days for the foreseeable future.
  • For a brief moment this week, folks thought that Ecto Cooler’s return had been confirmed, coinciding with the release of next year’s Ghostbusters film. That shit turned out to be fake, though. Ya know, until it’s not.
  • As if Constance Wu’s Twitter rant last Spring was going to be forgiven so easily, ABC confirmed that this season of Fresh Off the Boat would be its last. Cute show, but everyone seemed ready to move on, and they’ll all be fine. I know the show was symbolic as the longest running Asian American sitcom, but there will be others. One day. Hopefully.
  • Rick & Morty came back to Adult Swim this week, and I…didn’t love it. Probably because I hadn’t seen this episode 37 times like I have the others. No, seriously, it airs daily and there are only about 30 episodes. It only takes a month to run through the existing 3 seasons. I’ve seen this show more than anything else on TV and I’m not even a superfan. Maybe I’ll grow to love this season.
  • Three year after his death, George Michael’s estate released “This Is How (We Want You To Get High)” for the Last Christmas soundtrack. I’m a sucker for both George Michael AND songs with parentheses in their names, so this song is a hit to me!

  • After it was first announced, like, 10 years ago, The Rock’s Black Adam movie finally got a release date: December 22, 2021. Too bad it’s never gonna happen.
  • I know y’all claim you don’t like country, but I know some like Halsey, and here she guested with Lady Antebellum on one of my favorite songs of the year at this week’s CMA Awards.

  • Screw it. Here’s another amazing performance from the CMAs, from Dan + Shay:

  • Music industry supervillain Scooter Braun recently purchased Taylor Swift’s back catalog, and won’t allow her to perform a medley of her past hits as she receives an achievement award at the American Music Awards. Dick move, but a powerful move.

Well, you couldn’t swing a dead cat online this week without hitting something having to do with Disney+. The anticipated streaming service launched Tuesday, and it’s all anyone can talk about. The launch, however, wasn’t without its hiccups. For one thing, they didn’t allow you to download the app until launch day, so there was no testing to make sure all your ducks were in a row before the big day. Also, a lot of people got error screens when trying to watch their desired selection. That said, it’s a repository of a HUGE amount of Disney programming – from Star Wars to Disney Channel Original Movies – and all for a mere $6.99 per month.

I am not a Disney evangelist, so this wasn’t exactly the Second Coming to me that it was for some folks. Regular readers know I wasn’t the biggest fan of the Fox buyout, but I’ve got kids, and kids like Disney, so I got Disney+. In fact, I have TWO accounts! You see, I signed up on Monday to make sure we were good to go, but then I remembered that, as an unlimited data Verizon customer, I actually get a year of the service for free. So, we had my wife sign up that way, and then I just need to remember to cancel my trial before they charge me on Tuesday. Hell, I probably should be doing that instead of writing this. I need that $70! Oh well, I said I wanted to live dangerously…

Despite the minor gripes that folks have had, including series episodes being out of order and the constant error screens, I feel the roll out could’ve been MUCH worse. I think the demand for the service exceeded even Disney’s expectations (with a reported 10 million sign ups), I think things settled down rather quickly. Folks online began to post the “true” viewing order for episodes, and the error screens decreased.

Another pseudo controversial aspect is that they’ve added disclaimers to properties, like Dumbo, stating that they contain outdated views and representations. Some folks feel like those programs shouldn’t be on the service at all, but I disagree. At least Disney is owning up to its past, and making it something of a teachable moment. With the disclaimers, they can have their cake and eat it, too. That said, it’s just gonna rile up the “Where’s Song of the South?!” crowd even more. Personally, I think Disney handled this the right way, but you can’t please everyone, and you can barely please anyone in 2019.

The biggest show at launch was undoubtedly the Star Wars spinoff, The Mandalorian. I’m not the biggest Star Wars fan, but I’ve heard nothing but great things about it, and it clocks in at only 38 minutes. Score! Hopefully I’ll get to it this weekend. Meanwhile, everyone else on social media was posting about the first thing they watched after setting up the service. I’ve got a big audit at work today, so didn’t have time to play around with things myself. My oldest, however, watched Frozen, like we don’t already have 3 copies of that thing around this house somewhere. I’ve got to remind myself that it’s just $6.99, and not a total waste of money. Wait. It’s free. Whatever. She can watch Frozen all day long, ’cause that ain’t costing me a dime!

Anyway, after my long hiatus, I think I can dust off the title, and present it to Disney+, which clearly had the West Week Ever.

23rd Aug2019

West Week Ever: Pop Culture In Review – 8/23/19

by Will

 

Do we have to talk about the Spider-Man/MCU thing? ‘Cause I really don’t wanna talk about the Spider-Man/MCU thing. Let’s do it Lightning Round style, shall we? OK, imagine Michael Pena’s Luis going through all this, as it’ll make it a lot more entertaining.

*Deep breath* Prior to the establishment of the Marvel Cinematic Universe, long before Disney even purchased Marvel, Sony acquired the Spider-Man film rights. This deal gave us 2.5 good movies with Tobey Maguire and 2 movies starring Andrew Garfield that nobody really talks about. Then came the MCU, and it was good. So, Marvel Studios was able to strike a 5-movie deal with Sony that allowed them to use the character in their universe. It started with Captain America: Civil War and ended with Spider-Man: Far From Home. Everyone assumed a renewal of the deal was a foregone conclusion, but two things happened: 1) Venom, a Spider-Man spin-off NOT connected to anything the MCU was doing with Spider-Man, somehow made close to $1 billion worldwide and 2) Sony’s Spider-Man: Into the Spider-Verse animated feature (without any major input from Marvel Studios) won Best Animated Feature Academy Award. So, now Sony’s shit don’t stink.

Fast forward to this week, when it was reported that Sony and Marvel couldn’t come to a deal, and that the character’s involvement in the MCU was most likely over. This spawned so many questions: How do you explain anything about this Spider-Man without the MCU stuff? Would Tom Holland still play the character in Sony’s standalone films? Did Tony Stark die for nothing (like Zordon did in Power Rangers In Space)? SO. MANY. QUESTIONS – which spawned SO MUCH NERD ANGER. OMG! It was nothing but hashtags about leaving Spider-Man in the MCU, and everyone took a side: Disney/Marvel’s being greedy because they don’t deserve a 50/50 split (later reported to be closer to a request of just 30%), while Sony’s being dumb because Disney/Marvel did all the heavy lifting to make the character worthwhile, so Disney/Marvel deserved anything they were asking for.

Listen here, young person! Come close, ’cause I’ve got something important to tell ya: There are no heroes here. These are both multi-billion dollar companies that have you crying crocodile tears for them. People want to start throwing around how Disney is a growing monopoly – something nobody cared about with the Fox deal, but now that their precious MCU is in danger it’s suddenly a concern. Well, I hate to break it to ya, but it’s not a David and Goliath story. Sony isn’t some little upstart studio like A24. And the problem with a David and Goliath story in 2019 is that everyone wants Goliath to win, and luckily for them, this is Goliath vs Goliath. Ya can’t lose. And, really, you can’t because this will shake down one of two ways: 1) Sony does their own thing, without Disney’s assistance, and you’ll still go see it OR 2) The two companies strike a deal, and you’ll still go see it. At the end of the day, you’re gonna see whatever it ends up being regardless. And if you all could just calm the fuck down, you’ll realize this is more than likely going to end up in your favor. In the meantime, I ask that you have some decorum, as you’re making those #ReleaseTheSnyderCut people look good.

So there’s a Variety article this week about podcasts that has ruffled some feathers. You see, after only 30-something weeks in the mines, Conan O’Brien has been crowned the new golden boy of podcasts. And the folks who have been podcasting for years are feeling some kind of way about this. I totally understand why folks would be upset, as it’s a poorly-written, somewhat naive, piece that acts like podcasts are these newfangled things that just hit the streets. If this were Parade Magazine, I’d understand this kind of take, but this is Variety! I’ve been guesting on podcasts for TEN years. They are NOT new. Still, like most things, a celebrity endorsement gets it in front of more eyes, and celebs are turning to podcasts in order to “diversify their bonds”. It also doesn’t help that Conan was a reluctant host, who basically told his staff “I have a TV show. Why do I need a podcast?” whenever the suggestion would come up. Meanwhile, there are folks putting their blood, sweat, and tears into shows and aren’t blowing up anywhere near as much as Conan O’Brien Needs A Friend has in the past year. So, it’s more than just “sour grapes”.

At the same time, though, there were some folks who were just never going to listen to a podcast. They just weren’t. It’s like me with videos. With very few exceptions (and you know who you are), I am not a YouTube guy, and there’s very little chance of me becoming one. Believe it or not, that’s how some folks feel about podcasts. But then someone they enjoy, like Conan, comes along and introduces them to the medium. Next thing you know, he’s served as a gateway to other podcasts out there, possibly even yours. “A rising tide lifts all boats”, right?

Then again, it’s like being the best football player in Baltimore circa 1994, but it didn’t matter because there was no professional team. So, you toil away in some shitty after work/weekend league only for the Browns to sneak into your city under the cover of darkness (That really happened!). A lot of folks had these dreams that their shows might grow and become these breakout hits, and now they’ve been knocked down a few pegs by celebs who see the medium as a way to supplement their income. I mean, Conan even has a bit on his show when he does ad reads, saying that he’s doing this to pay the mortgage on his expensive beach house. So, it might rub some folks the wrong way because Conan sometimes doesn’t come off as genuine, even though the show is enjoyable. It’s just it feels like he’s not doing it for the “right” reasons.

In any case, I think this might serve as a reality check for some, while it might inspire others. I’m not really sure which way the wind is gonna blow here. Some pods are packing it in, while 5 more have popped up to take the place of each. It’s so 2019 to have a podcast now. You listen to a podcast, and every guest is like “Oh, and listen to MY podcast, which is yadda yadda yadda.” The problem with the rising ships thing is that every show IS competing for the listener’s time. With only 24 hours in a day, choices must be made, as well as sacrifices. Anyway, as someone who weathered both the rise and fall of blogs, I only offer this piece of advice: stay away from Hulk Hogan’s penis, and you should be fine.

Trailer Park

Bombshell

This looks SO good, but it doesn’t feel like a theatrical release. No, this feels like something that would premiere as an HBO Original Movie. I hope they follow Megyn up to her time at NBC just so there’s chance of us getting Aisha Tyler as Tamron Hall.


No Time To Die

Formerly referred to as “Bond 25”, there’s not a lot to chew on here. Why’d they use the font from The Love Boat? Is this movie gonna be set on The Love Boat?! Anyway, that’s probably the only way I would be excited for this, as I’ve actually never seen a Daniel Craig Bond film. He just always seemed humorless, and every time I see him, it’s like he’s still just playing his character from Layer Cake.


The Morning Show (Apple TV+)

Sure, looks good, but it’s not what I was expecting. We all know Carell has range, but I was hoping for something humorous instead of an SVU-esque retelling of the Matt Lauer saga. I’d watch it were it on Netflix, Amazon – Hell, even HBO, but – and mark my words – there is no way in Hell I’m subscribing to this service. And I don’t particularly have an axe to grind with Apple, but I’m also not a devoted disciple that partakes in all of their products. I just see no draw to this service other than this show.

Things You Might Have Missed This Week

  • After 11 years of cohosting The Country Music Association Awards with Carrie Underwood, Brad Paisley has seemingly been ousted, as this year’s awards are being touted as a “Celebration of Women”. Underwood, will instead, be joined by Dolly Parton and Reba McEntire.
  • It was an expensive week for Hasbro, as they revealed they had acquired the Ghostbusters license from Mattel, and they also became the new owners of Peppa Pig and PJ Masks by paying $4 billion in an all-cash deal for studio Entertainment One. Bet they kinda with The Hub was still around now, huh?
  • Original cast member Brandon Routh will be leaving DC’s Legends of Tomorrow after its upcoming fifth season. Guess he’s gotta free up some time for all those conventions he’ll probably end up doing…
  • The show that nobody besides Elizabeth Warren admits to watching, Ballers, will be ending after its upcomign fifth season. I really hope The Rock’s been saving his money, ’cause it’s not like he’s in every other movie that comes out these days.
  • Most of the gang’s going back in the goo as a fourth Matrix film, starring Keanu Reeves and Carrie-Anne Moss, was announced. This makes me wonder about the status of the rumored Michael B. Jordan-starring Matrix film which sounded a lot more interesting to me.
  • Move over Monday Night Wars, as Wednesday is about to be the new wrestling battleground when WWE moves their development show, NXT, to USA in September – opposite All Elite Wrestling (AEW) on TNT, which will debut a few weeks later. Damn, that was a LOT of letters!
  • Speaking of USA, all the shit going down with Chrisley Knows Best, and USA hasn’t even hinted at cancelling that show. Surely the ratings can’t be THAT good, right?
  • If you’re a fan of the He-Mans, there’s a whole lot of He-Manny goodness coming your way out of last weekend’s Power Con. First, there was more info about the Masters of the Universe Origins figure line, which will be updates on the classic figures at retail for $14.99. Then, it was announced that Kevin Smith (yup, THAT Kevin Smith), would be working on an “anime” MOTU series for Netflix, set after the original 80s cartoon.
  • Dancing With The Stars skipped a cycle because they felt the show was broken when “dark horse” Bobby Bones wrangled his radio fan base to help him win. They ain’t seen nothing yet, as former White House Press Secretary Sean Spicer has joined the cast in a controversial move, He doesn’t make it past Week 1.

Alright, y’all – this chicken sandwich shit has just simply gotten out of hand. Last week, I declared that the Popeyes Spicy Chicken Sandwich had the West Week Ever, but I had no clue just how crazy things would get. The memes! The pics of Chick Fil A employees eating at Popeyes! The other chains, like Wendy’s and Shake Shack, trying to “Catch that smoke”, as the kids say! There are lines out the door at Popeyes locations, and many have sold out of the sandwich until the weekend. It’s kind of hard to believe. And then, at the same time, it isn’t.

I don’t want to go all “preachy Hotep” on folks, but Black people are going crazy over a chicken sandwich. In the year of our Lord 2019, my people are living out a racist caricature. Sure, folks will chime in “Just let people enjoy things”, but surely you’ve got to acknowledge the optics of this whole thing! It looks horrible, and it’s all for WHAT? Even HIGHER blood pressure than we already have? As I joked on Twitter, if you turn these Popeyes locations into polling places, then we might actually be on to something. Put that energy into something constructive. And this isn’t me judging someone for their hobbies or extracurricular activities, No, this is me judging you for acting like you’ve never had a damn chicken sandwich before!

Anyway, I can’t act like anything else took the pop culture world by storm this week quite as much as Popeyes so, once again, *sigh* the Popeyes Spicy Chicken Sandwich had the West Week Ever. PLEASE let something amazing happen next week, ’cause I can’t keep doing this. Then again, we’re only about a week away from finding out that Popeyes is the exclusive food vendor to ICE agents, and this shit will all blow over.

19th Jul2019

West Week Ever: Pop Culture In Review – 7/19/19

by Will

Howdy! I take so many breaks that I’ve run out of clever ways to announce my return. I swear this is supposed to be a weekly thing, but it’s been a little over a month since I last wrote something. I’d say that nothing really happened in pop culture during that time, but it wouldn’t be the truth. The truth is that I didn’t really want to talk about what was happening in pop culture. There’s been a shift lately, and I don’t like what I see.

On the one hand, you’ve got the political stuff, which just seems to get worse by the day. Just when you think it can’t get worse, it does. I don’t really do a lot of politics here anyway, so there’s no real value about talking about kids in cages. You already know about that, and you’ve already made up your mind as to how you feel about that. On the other hand, though, there’s a HELL of a lot of regression going on. There’s this retro movement that I can’t really get on board because, if we’re being honest, a lot of that stuff was really bad. I get why it’s happening: things are so bad now that you’d rather retreat back to a simpler time when things didn’t seem so bad (Psst! We were in the middle of the Cold War, and Radon was threatening to kill you in your sleep every night you laid down your little head). I get that whole “safe haven” approach, but it’s become something of a crutch. A lot of folks are going so retro that they have no real ties to the present, and that’s dangerous.

On top of that, it feels like there’s some unspoken competition to see who has the most raging nostalgia boner. It started out as posts about Ecto Cooler, but somewhere along the way it has evolved (or devolved) to the point where I wouldn’t be surprised to see someone tweet “I traveled back in time and sucked New Coke out of Mac Tonight’s dick while ‘Sledgehammer’ played on my Pocket Rockers.” It has gotten THAT bad. If you don’t realize it, then you’re in the thick of it, and part of the problem.

Now, a lot of this comes from the place of me not being able to relate, as I don’t have a soft spot in my heart for a lot of the stuff folks hold dear. So, when something like Stranger Things comes along – a property that relies on the nostalgia of an age I’d prefer to not relive – I’m just left thinking “Come the fuck on! There are important things that need your attention.” But that presents another problem: not everyone needs to worry about the “important” things because many of them aren’t informed enough to weigh in. So, my whole stance the past month was basically “I can’t make you care, but I sure as Hell don’t feel like playing into Little Mermaid race hysteria when it all seems so stupid.”

Also, there are various versions of the above meme floating around social media which I just find to be abhorrent. Sure, your dad used to beat you, and your mom had a drug problem, but it’s the fact that you didn’t watch ThunderCats that your childhood sucked. Got it. That’s the problem with nostalgia: the oversimplistic notion that everything was right in the world because these random things existed. If that’s all that equated a “great childhood” to you, then you’re a lucky SOB.

There is a problem with living in the past. Things change, people change, the world changes. Take music for example. I strive REALLY hard not to be that “Music sucks nowadays” guy. There is still good, NEW stuff out there, even if you have to work a little harder to find what you like. I don’t want to get stagnant, even though age and life would like to say otherwise. Nostalgia is the easy way out. And it may make you feel good, but it also, somewhat unknowingly, disconnects you from the present. Everything is fine in moderation, but from what I see online, “moderation” is a concept that 2019 stabbed through the heart.

Anyway, this isn’t a “subtweet” about any particular person or site. There’s just too much goddamn retro/throwback stuff. Some do it better than others. All I’m saying is I’m seeing more of the past than of the present, and I know there’s some good, modern-day stuff out there so I’m going to try really hard to find it and bring it to this column. Fondly looking back on the past every now and then is fine, but stop using nostalgia as a crutch. Life was not necessarily better just because Knight Rider and ALF were on the air. There’s a great episode of Teen Titans Go! that kinda slams things like the aforementioned Stranger Things in its title alone: “Nostalgia Is Not A Substitute for An Actual Story”. Words to live by.

So, I saw Spider-Man: Far From Home a few weeks ago, but it was the first MCU film in years that I didn’t see on opening night. Maybe back to Thor: The Dark World? Anyway, I really enjoyed it, even though I’m burnt out on the MCU. There’s pre-Endgame and post-Endgame, and the world seems a bit less magical post-Endgame. I don’t have a ton of gripes about it, except for the fact that it does not, in fact, set up the multiverse. I mean, I don’t doubt that there is one, but this movie was sold as “The Snap introduced the concept of the multiverse”, and that was not true. Plus, I need to watch it again because the end credits (not the mid credits) scene kinda changes how you look at the movie. It answers some questions while posing a few others. I love the actors and the characters, though, and I don’t really have many fanboy nitpicks about the film. I may have been more passionate about it 2 weeks ago, but that’s the stuff of hot takes, so I’m glad I got to sit on it a bit before writing about it.

Diddy (is that what he’s going by this week?) announced on Instagram that music reality show Making The Band would be returning. If you don’t remember, the show gave us such chart-topping acts as O-Town and…O-Town. In fact, there were 2 eras of MTB: The original ABC/MTV version, produced by Lou Pearlman, which saw the creation of boyband O-Town, and then the Diddy/MTV version, which gave us hip hop group Da Band, R&B male group Day26, solo artist Donnie Klang, and girl group Danity Kane (There must’ve been some contractual thing that every group had to start with “D”). Looking at that list, I think you can figure out which era was more successful. So, excuse me if I’m not too excited to see what Diddy’s got cooking for this revival.

Elsewhere in the TV world, it was announced yesterday that next season would be the last for Marvel’s Agents of S.H.I.E.LD. As one of the biggest cheerleaders of the notion of “Guys, this show is really in the MCU!”, I have to say that it lost me when it refused to acknowledge the events of Infinity War/Endgame. Yes, I understand that they weren’t sure when ABC was going to air this season, but that’s not good enough for me. In a perfect world, this season of S.H.I.E.L.D. would have been set during the five year post-Snap world. It would’ve been interesting to see S.H.I.E.L.D. as the main line of defense in a world that has lost all hope. Instead, they decided to do their own thing, thereby establishing a different timeline for the show. So, as far as I’m concerned, the Agents of S.H.I.E.L.D. ended last season, with Coulson and May on the beach together. I haven’t even given it a chance since then because, good or not, I’m a guy who only likes to invest in things that “matter” in the grand scheme of things, and AoS no longer fits that description.

Speaking of shows ending, it caught me by surprise a few weeks ago to learn that the episode of The Amazing World of Gumball that I’d just watched was actually its series finale. To make matters worse, Cartoon Network had failed to promote it as such. I only realized it after the creator tweeted some art, thanking the crew, and a little Googling later, I found out that was it. The End. I figure, considering that Gumball is about 40% of their schedule, Cartoon Network can’t really afford to make it known that there’s nothing left in the tank. Still, while people complain (rightfully so) about Cartoon Network’s scheduling practices, I stand by the opinion that Gumball was one of the smartest shows on television. There’s a great episode about privilege and the “glass ceiling”. There’s a scathing episode about homeschooling flat earthers. There’s even a House of Cards parody. For all of its wackiness, there was a lot of heart and intelligence in that show. The episode “The Choices” is just as emotional as the opening of Up! It also doesn’t help matters that the episode was a cliffhanger, insinuating that something bad was headed to the town of Elmore. There are talks that a movie might happen, which would tie things up, but I’ve learned not to put much stock in the “wrap up movie” promise. So, let’s pour one out for Gumball, Darwin, Anais, Mr Dad, and Nicole. May you forever live on in reruns.

Out in the toy world, we got our first looks at 2 high-end products that require fan input to make them a reality. For those not in the know, Hasbro has a concept called HasLab, where they run a crowdfunded, Kickstarter-like model to fund products that wouldn’t normally make it to stores, either because of size or price point. The first HasLab item was the Star Wars Jabba’s Sail Barge, which clocked in around $500. Despite that price, it was pretty popular amongst Star Wars toy collectors. Well, last week, Hasbro debuted the next HasLab item, which took folks by surprise: a $300 Cookie Monster doll. While it seems they’ve nailed the googly-eye tech, it’s surprising that there aren’t any animatronics given the price tag. As you can probably imagine, this didn’t sit well with “hardline” toy fans, so they had their day this week, when Hasbro also revealed the Titans scale Transformers Unicron, which will cost about $575. That mother is HUGE, and most of my timeline is all “I wish I could afford it…” There’s even a hole on the back in which I’m CERTAIN some fans will be inserting their penises. However, as I said on Twitter, for $575, I’d be disappointed if you DIDN’T fuck it!  I’m just glad HasLab focuses on properties I don’t care about. It’ll be a different story when they’re like “Here’s a 6″ scale Avengers Tower.” Then you’ll see me on the news, after I’ve robbed a check-cashing joint.

Trailer Park

The King’s Man

Originally called Kingsman: the Great Game, this is the prequel to the Kingsman franchise, and I’m pretty excited. I loved the first movie, though still haven’t watched the second. This one, however, seems to be playing it more straight than the past 2 installments, as I don’t see the same brand of humor in it. That’s not necessarily a bad thing, though, as some of the humor was really distracting in the first one (the whole bit about Eggsy “buggering” the blonde at the end comes to mind). Not sure I’ll see this one in the theater, but we’ll see.


Legend of the White Dragon

Former Power Ranger Jason David Frank just can’t give up the ghost, so here he is, trying to fund a Kickstarter for what’s basically Mighty Public Domain Rangers. It was one thing when it was just JDF, but now there’s a cottage industry of former Rangers who just can’t seem to shake the morpher. And they’re ALL in this film. Now, I don’t do Kickstarters anymore because I’ve been burned too much, but I’ll definitely watch this if it’s funded. It’s apparently a “movie”, but I’ll bet it’s one of those things that’s gonna clock in at an hour when all is said and done. That’s not a movie. That’s a “special”. If a movie is an LP, this thing will be an EP.


Teen Titans Go! vs. Teen Titans

Yeah, I know this was teased at the end of Teen Titans Go to the Movies, but I’m left wondering: Who’s this for? I find there is very little crossover between audiences for both shows, and this certainly isn’t the “return” that Teen Titans fans were expecting. If I were a fan of the original Teen Titans show (which I’m not), I’d kinda find this whole enterprise offensive. Hell, as a fan of Teen Titans Go! I find the whole thing offensive. I also find it interesting that it’s straight to DVD. It’s not like it’s worthy of a box office release, but considering it is the “return” of that incarnation of the team, I figured DC/WB would’ve found some special way to debut it. I no longer buy those DC direct to DVD movies, so I don’t know how I’m ever gonna see it unless Cartoon Network decides to air it one Saturday (which wouldn’t be that much of a surprise).

Jay & Silent Bob Reboot

“Daddy, put me in a movie! A real movie. Not some shit like Yoga Hosers!” Man, I’m old enough to remember when Harley Quinn Smith was born, and now she’s in her dad’s vanity project. It’s funny how all the “stars” from the last Jay & Silent Bob movie are has beens now. I guess that’s the joke, huh? And please don’t make me have to look at 2019 Shannon Elizabeth! See, this is what I was talking about earlier, about digging up the past! Anyway, I’ll see it, but not in a theater unless I somehow decide to try to go to that traveling roadshow thing they’re doing.

Top Gun: Maverick

Does this movie hold the record for longest amount of time between sequels, featuring the original star? It’s GOT to, right? Anyway, I have no real affinity for the original, but this kinda got me curious. I always thought Top Gun 2 was gonna be about Maverick instructing the next generation of flyboys. Instead, it’s just about some 50 year old dude who doesn’t know how to land the plane. I guess you’d pretty much have to see this one on the big screen, with all the planes doing plane shit and stuff.

CATS

Um, so many confusing and conflicting emotions inside…

Things You Might Have Missed This Week

  • Netflix has decided to remove the controversial suicide scene from season 1 of 13 Reasons Why, which I guess would be 1 reason why I’d not want to waste my time watching this series, seeing as how that’s what the whole thing is about.
  • Comic writer/artist/Deadpool creator Rob Liefeld will be doing a G.I. Joe Snake-Eyes comic, so queue up all your “He can’t draw feet” jokes!
  • “Mumblecore” screenwriter Greta Gerwig is reportedly writing Margot Robbie’s Barbie movie that’ll never be made.
  • Controversial country star Lil Nas X came out as gay to cap off Pride Month, which really shouldn’t come as a surprise to anyone who knew that he was kicked off Twitter back in the day for violating the terms of service with a Nicki Minaj stan account.
  • Hasbro is apparently preparing to reboot the Power Rangers movie franchise with an entirely new cast from the one that starred in the underperforming 2017 outing.
  • Black UK actress Lashana Lynch will reportedly play 007 in Bond25, which will require Daniel Craig’s James Bond to come out of retirement. And the folks, of course, are losing their shit. Or so the Russian bots would lead us to believe!
  • Call up your alcoholic uncle, because his favorite show, Nash Bridges, is being revived with Don Johnson for USA Network!
  • Someone needs to rein in America’s White Trash Food Scientists as, between Burger King’s $1 tacos and KFC’s Cheetos Sandwich, the nation’s colons don’t stand a chance!
  • This is 5 years old, but I just discovered it yesterday, so now you have to join me on this adventure:

Unless you’ve been living under a rock (or in an ICE cage), then you couldn’t get through this week without coming into contact with the FaceApp. Somewhere, on one of your social media feeds, you saw someone laughing along to a pic of them looking like some elderly ghoul. I say that because nobody looked *good*. I hate to break it to you, but you’re all gonna age poorly, looking like Miss Jane Pittman. I didn’t join in the fun because it just seemed too…easy. You’re just letting this random ass app access your photo for…what? To see what you’d look like as a baby? I already have baby pics for that. To see what you’d look like as a woman? Yeah, I’m not about to catfish anybody any time soon. So, it certainly didn’t come as a surprise to me when it was revealed that the app was developed by our good friends, the Russians.

Wireless Lab is the Russian company that created the app, and Lord only knows what’s going to happen from that. It’s been reported that it accesses your entire camera roll and not just the pics you’re editing. And take a gander at the terms of service:

You grant FaceApp a perpetual, irrevocable, nonexclusive, royalty-free, worldwide, fully-paid, transferable sub-licensable license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, publicly perform and display your User Content and any name, username or likeness provided in connection with your User Content in all media formats and channels now known or later developed, without compensation to you. When you post or otherwise share User Content on or through our Services, you understand that your User Content and any associated information (such as your [username], location or profile photo) will be visible to the public.

Some folks thought the app would be used to hone facial recognition software, but this seems far worse. You’ll notice I haven’t included any pics with this entry. Yeah, I’m not gonna be a party to that. I’ve been pretty vocal about the fact that I don’t believe in privacy. It’s why all my screennames are my real name. Anyone can get anything they want about you if they try hard enough. I recognize this, but I’m not going to make it easy for them. We live in a world where folks will record an entire sex tape on their phones, willingly give access to the camera to a random ass app, and then get surprised when their sex tape “leaks”. Not so good at the math, are we? We complain about “privacy”, but we have open mics in our homes just to turn on the lamp ’cause, well, “it’s way over there”.

A friend online mentioned that there are other apps with far worse ToS than FaceApp, but that they weren’t getting nearly as much attention. That may be true, but that doesn’t make it right. Plus, the other sites probably give you an experience to make it worthwhile. I always say Michael Jackson got off all those years because he gave the world Thriller. Same situation here. Facebook’s ToS are pretty bad, but it at least allows me to stalk strangers and look at pics of my enemies’ ugly kids. To me, there’s a worthwhile trade-off there. Not with FaceApp.

If there’s a pic of me floating around out there it’s because someone uploaded one, but it sure as Hell wasn’t me. If the Russians want my secrets, they’re gonna have to do it the old fashioned way: get me into a motel room, and film me being peed on by one of their whores as a means of extortion. It won’t be from FaceApp. Still, can’t knock the hustle, so that’s why FaceApp had the West Week Ever.

Also, before we wrap up here, this week marks the 16th anniversary of the site. While I know that absolutely none of you have been along for the ride all 16 years, I appreciate each and every one of you who has jumped on along the way. If we’re being real, it only got “good” about 10 years ago, but there’s some good H&M drama in the early days if you’re into that sort of thing. Either way, this started as a means to pass the time when I got my first boring ass job. And here we are, many boring ass jobs later, and I don’t know what I’d do without it. Sure, I’ll take the occasional break – either when pop culture fails to produce OR I fear I’m about to burn some bridges – but I always come back. As long as there’s at least one of you out there, I’ll always come back. And probably even after that last one of you gives up. This is because I don’t know how to quit. So, this is my way of saying you’ll never be rid of me. Muhuhahahahahahahaha! But seriously, thanks for giving me something to look forward to every Friday.

21st Jun2019

West Week Ever: Pop Culture In Review – 6/21/19

by Will

Hi! Are you there, readers? It’s me, Will. Yeah, I took a month off. I just wasn’t that excited about anything in popular culture, and you know the saying “If you can’t say anything nice…” I mean, it felt like folks were losing their shit over upside down Whoppers and a re-release of a soda that was universally hated, and I just didn’t understand why. Still, if you say anything, you’re a “hater”, so I decided to “just let people enjoy things”.

So, what have I been up to since I’ve been gone. Well, I’ve been rewatching NBC’s Superstore from the beginning. I usually don’t understand how folks have time to *rewatch* things in this day and age when there are always about 6 shows on everyone’s To Watch List. This came down to logistics. I’ve been trying to clean my basement, and I don’t have cable down there. I do, however, have a Fire Stick and the NBC app, so that led me to Superstore – a show I’ve always loved, but seemed to have missed some episodes here and there. Anyway, if you’ve ever worked retail, it speaks directly to your soul. Plus, I hung out once with Ben Feldman – the actor who plays Jonah – because he’s a friend of a friend from college. Yeah, I’m namedropping. I figure when I’m done with Superstore, I’ll double back to Brooklyn Nine-Nine. It’s something to do until this season of The Good Place hits Netflix.

Another thing I’ve been doing is watching a lot of teen sitcoms. If you’re new here, then I should probably let you know I was obsessed with TNBC growing up. I’m that rare person who loved California Dreams more than Saved by the Bell, and I prefer The New Class to SBTB original recipe. I watched all those Saturday morning shows, and I miss them the way other folks miss Saturday morning cartoons. That said, Nick and Disney Channel stepped in to fill that void, but it’s a little weirder because those shows skew younger. TNBC was all high school stuff, but Disney and Nick are middle school aged, yet applying the same “weight” to storylines as the high school shows. It’s kind of funny because everyone knows that nothing in middle school matters. It’s MIDDLE SCHOOL! Still, they drop a smoothie on their fanny pack, and somehow get a 22-minute plot out of it.

Now, before you think I’m some kind of R. Kelly, I’m watching these shows because I’m a terrible parent, and I let my 4-year old choose her own entertainment. She has no idea what’s going on. She just likes watching tweens do shit because she’s dying to grow up. Last night, she came into my bedroom and said “This place is SICK!” I was like “Do you even know what that means?” And she was sheepishly like “I dunno.” Anyway, since I want to know what she’s watching, I end up watching too.

When did live action kids shows become so convoluted?! When we were younger, it was enough to say “These kids are in high school”. That was it. That’s all you needed to know. California Dreams came along, and it was “These kids are in high school, and they’re in a band.” Fine. But then Disney Channel came along and just kinda lost their minds. It really all goes back to That’s So Raven, back in 2003. If you never saw it, Raven-Symoné played Raven Baxter, a regular high schooler – WHO HAD GLIMPSES OF THE FUTURE! HUH?! Yeah, Raven would have these half-assed psychic visions, but not really know the context of them. And hilarity would ensue! I guess kids loved that shit, ’cause it lasted 5 seasons, and it’s even back as the sequel series Raven’s Home.

One show my oldest is really into right now is Some Assembly Required, which was a Canadian show that is now considered a “Netflix Original”. A 14 year old kid sues a toy company when a defective chemistry set blows up his house, and he wins the toy company. So, it’s a teen sitcom about him and his friends running this toy company, while the former owner schemes to get it back from him. I really like the show because it combines my love of dumb TV with my love of toys. Still, though, I’m like “When do these kids go to school?” and “What are the legal ramifications of something like this?” Meanwhile, my daughter is all “Look, they’re dressed like cupcakes!” It’s the little things.

Another one we’ve watched is Sydney to the Max, on Disney Channel. Sydney is a tween who lives with her widower father, Max, and grandma, played by Caroline Rhea. Its so sad to see Sabrina’s thicc aunt now playing grandma roles, but time marches on. Sydney and her friend Ava get into wacky adventures, and they’re contrasted by flashbacks to 1992 where her dad and his best friend Leo get into wacky adventures. On paper, it’s meant to show how certain things are timeless, regardless of the generation. However, in the episodes I’ve watched, the Sydney/Ava stories have very little to do with the Max/Leo stories. It’s kinda interesting to see a show lose its way during its first season. I get what they wanted to do, but the execution doesn’t really work. Still, it’s an enjoyable show, and a few episodes have been directed by Topanga herself, Danielle Fishel.

There’s one Disney Channel series, though, where I was like “OK, you’ve finally gone too far.” Officially premiering this week, Just Roll With It is a show about an interracial blended family. Black Dad with son marries White Mom with daughter, and the kids have to learn to embrace their new existence as siblings. This could’ve been an interesting premise, and considering the strides Disney made with gay representation in Andi Mack, I was curious to see how/if they’d tackle the interracial thing here. Sure, Andi Mack is a drama, and this is a sitcom, but laughter is a good “foot in the door” for an agenda. Well, they threw out any sort of seriousness with the show by adding a certain conceit: there are certain scenes where the audience gets to decide what happens to the family. The story is just moving along, and then this air horn goes off. The audience is, then, given 3 choices of what they want to happen in the scene, regardless of what the scene is about. In the premiere, it was a heartfelt scene where the kids tell each other they’ve got their back, as they’re now siblings. Meanwhile, the audience decides that this should happen during an earthquake, so the set rocks back and forth, throwing the cast from side to side as they try to deliver their lines. I get that it’s this “Anything Can Happen!” improv vibe, but it’s so dumb that I actually HOPE they avoid anything with meaning. I don’t want a very special episode where dad gets pulled over by the cops, and then the audience decides that everyone should speak in Pig Latin.

Anyway, I also joined my buddies @chapmanrunner and @HorrorMovieBBQ to celebrate the 30th anniversary of Batman (1989). It was a fun podcast, where you might learn a dark secret about me! Give it a listen here.

So, that’s where I’ve been. Guess we ought to look at some pop culture news, huh?

Trailer Park

Bad Trip

I actually love everyone in this, but there’s no way I’d pay money to see it. This is one of those things where you end up watching it on MTV at 1 AM and hope they haven’t edited out the best stuff.

Things You Might Have Missed This Week

  • In its quest to unseat the undeserving Avatar, the majestic Avengers: Endgame will be re-released in theaters with additional footage.
  • The Today Show celebrated 25 years in Studio 1A, but in their video package Matt Lauer was retconned from existence.
  • A Daily Beast article reminded the world that piece of shit Max Landis is still a piece of shit.
  • Fresh off the cancellation of Fox’s The Passage, Mark-Paul Gosselaar has been cast as the dad in ABC’s Mixed-ish, after Anders Holm was let go after the pilot was picked up.
  • DC Comics confirmed the rumor that the Vertigo imprint would be going away, with all imprints moving under the DC Comics brand, with age recommendations
  • After speculation ran wild that Marvel would be adapting Sam Raimi’s script for the unmade Spider-Man 4, in comic form, the announcement was actually something less interesting: J.J. Abrams, and son Henry, will be writing a 5-issue Spider-Man miniseries debuting in September. I know we’re supposed to be excited about this, but it really just feels like Successful Director Uses Connections to Secure Job for Son.

By now, everyone has heard of Lil Nas X and his song “Old Town Road”. Hell, I even wrote about it. Well, the Black invasion of country music didn’t end there. As I said on Twitter, we’ve cracked the code. We took the White House, and we’re coming for the Waffle House! The next artist you should familiarize yourself with is Blanco Brown, whose song/dance The Git Up is about to invade your family reunion.

I heard an interview with Blanco this week, and he seemed like a real cool dude. Plus, he can SANG! Seriously, if you hear him sing Sam Cooke’s “A Change Is Gonna Come”, you’ll wonder why he’s doing novelty songs like this. Anyway, you’ve got to find your joy in life, and this brought me joy, so I’m giving Blanco Brown the West Week Ever.

03rd May2019

West Week Ever: Pop Culture In Review – 5/3/19

by Will

Well, would you look at this! A whole post dedicated to recent happenings in pop culture! Been a while since we’ve had one of these, huh? I took last week off because I knew a lot of folks had gone dark so as not to have Endgame spoiled for them. And the week before that, I took you back to some of the great fires in sitcom history (and the stats showed me you care for stuff like that WAY more than this post! Guess I ought to do something about that). Anyway, I’m back to pop culture because, honestly, I need the practice. My annual TV network upfronts post is coming in 2 weeks, and I’m actually pretty scared. Not only am I somewhat out of touch, but it’s looking like this was a terrible pilot season. How bad was it? Well, The CW cancelled NOTHING. That…that just doesn’t happen. This means there was nothing in development that they felt was strong enough to join their schedule. The CW. So, if things are this bad for them, I can only imagine how bad it’ll be for the big boys. One doesn’t simply walk into an upfronts post – especially in a year full of dogs. So, I’m here to brush off the cobwebs.

Didn’t really expect to spark the CGI Furry Civil War this week, but it almost happened. Late last week, I tweeted that I didn’t really understand for whom Detective Pikachu was made. I mean, sure, it’s an engaging world where Pokémon are just regular creatures, but there are certain choices that don’t make sense to me, like Ryan Reynolds as the voice of Pikachu. Did Tara Strong turn them down or something? Reynolds is not the voice I’d imagine coming from Pikachu, so it makes me feel like they’re going for that Deadpool sardonic wit as opposed to cutesy. Anyway, after posting that, a bunch of 40 year old men came to the movie’s defense, like “This movie is for ME!” Okie doke.


So, imagine my surprise when there was such backlash to the release of the Sonic the Hedgehog trailer this week. The world that had embraced Detective Pikachu with open arms was shitting all over Sonic. I mean, I get the complaints. He looks weird, it’s a tired “CGI character in the real world” plot, it looks nothing like the games, and then there’s the reemergence of 90s Jim Carrey. It’s a lot. But you’d think the trailer jumped out of the computer and shot folks’ grandmothers in the face. Some Poindexter online tried to argue that Pikachu was clearly a universe crafted with care, where the characters are accepted residents, while Sonic is just lazy by throwing him into our world in a tired battle against the military. I told this person they sure knew a lot about a movie that wasn’t even out yet. Got blocked.

My argument is, at the end of the day, it’s the same shit. It’s all part of a new “genre” that you might as well call “CGIve Action”, and there’s a spectrum. You can have CGI creature in human world, like these two movies, and it runs all the way to Disney’s upcoming “live action” The Lion King. This is just the world we live in now. But to argue if one furry property is better than another just seems stupid. It’s really just a popularity contest. In 2019, Pokémon is more popular than Sonic. It’s really that simple, though folks will come up with all sorts of reasons as to why I’m wrong. It’s a lot like the concept of harassment. It’s “harassment” if you’re not attracted to the harasser. Otherwise, it’s simply “courting”. Everyone wants to be “booed up” with Pikachu, while Sonic is the ugly girl they hooked up with at camp but won’t acknowledge when they’re all back in school.

Anyway, the Let People Enjoy Things! crowd is real vocal until it comes time to shit on something they don’t like. I got response after response from strangers with anime avatars about how lazy Sonic looked, while so much care had clearly been put into Detective Pikachu. I just stopped responding after a while because life is short and I was never gonna get back that time I was wasting. I thought that would be the end of it, until last night, when reports started coming out that Paramount was going to “fix” Sonic’s design.

Like the movie, hate the movie, this is a terrible decision by Paramount. A project was changed due to audience backlash. Whatever happened to creative and artistic vision? For all we know it was a very vocal minority. Sure, you might support this decision because it’s for something you didn’t like. However, remember all those folks who hated Rose Tico? Or the Release the Snyder Cut folks? This just emboldens them. Seriously, whoever made this decision at Paramount needs to be fired, because this gives hope to every Fuck Star Wars or Fuck Captain Marvel psychotic out in these streets. A studio bowed to the pressure of a vocal minority who’ll swear they were the majority. I can’t even begin to fully capture how horrible a precedent this sets, yet here we are. The funny thing is, though, there simply isn’t enough time to fix anything. Even if the VFX team works overtime, it just means they’re screwing over all the licensees, as Sonic’s appearance will no longer match any of the movie merch that’s already been created. Paramount should’ve just taken the loss and moved on to the next thing. To be honest, outside of their cable channel that no one watches, I didn’t even realize Paramount was still a thing. If they keep making decisions like this one, they won’t be for much longer.


Burger King was trending on social media for this video yesterday. There’s been a lot of chatter online about their new marketing campaign addressing mental health. As someone who suffers from depression and anxiety (“Not YOU, Will!”), the campaign speaks to me, but probably not in its intended fashion. You see, when I was in 7th grade, it was my lone year in public school. I remember that someone put snot on my locker in much the same way the “skank” finds gum on hers. I’m sure it was one of the kids who routinely called me “faggot” that year. Ain’t kids a buncha stinkers?

Anyway, I feel like the commercial would’ve worked without the associated boxes. Instead, like my pal @thesurfingpizza said, I just wanna collect the boxes. Can you choose a box or is it at random? Can I just go up and order a DGAF Meal? Plus, it feels kinda juvenile. Case in point: the wife and I toured a preschool over Spring Break, and they had this thing where the kids come in and put a clothespin on the emotion board to show how they’re feeling that day, so the teachers will know how to approach them. This feels like that. Like, if I come home with the PISSED Meal, and slam it on the table, the family is gonna go “OH SHIT!” and scatter immediately. Actually, that might be kinda cool…

Trailer Park

The Righteous Gemstones (HBO)

This show is sure to ruffle some feathers when it premieres, but it looks SO GOOD. The only people offended will be the folks who need a wake up call from megachurch-owning televangelists, but it’s also gonna give cynical atheists quite a bit of ammunition. I don’t even have HBO, but I love everyone in this, so you’d better believe I’m going to find some way to watch it.

Agents of S.H.I.E.L.D. Season 6 (ABC) 

I just can’t get excited about this show anymore for 2 reasons: 1) the events of Avengers: Infinity War and Avengers: Endgame are pretty much a big “Fuck You” to this series (I’ll get more into this later) and 2) the show’s inability to let go of actors is really starting to grate on me. I love Clark Gregg as much as the next guy, but let the dude go. This whole “He only looks like Coulson, but isn’t Coulson” is just the Ward saga all over again. I don’t feel like sitting through that again. Plus, it can only end one of two ways: he truly is evil and gets defeated in some ambiguous manner (he totally gets defeated ’cause the show has already been picked up for season 7) OR he’s redeemed somehow. Knowing the show, and the Whedon DNA in it, I’d bet on option #2. I know folks say last season was great, but I didn’t even make it through the 2-hour season premiere. I’ve fought long and hard about “No, guys! This is the show that actually matters to the MCU!”, but I no longer see how that’s possible. I feel like it’s overstayed its welcome at this point, and if everything truly isn’t connected, then I’m ready to get off this ride.

Will’s Jukebox


“More Hearts Than Mine” – Ingrid Andress

The gist of this song is to not bring anyone you’re dating home to meet your friends and family. Why? ‘Cause if/when y’all break up, they’ll be breaking more hearts than just yours. Actually, the chick in the song is pretty resilient, ‘cause she’s like “I’ll get over it, but you’ll be hurting these other people.” It’s more about protecting your loved ones than the other way around. I just found it an interesting angle for a song. And I know folks think I skew too country, but I’d say this song is without genre. Seriously, in the early 00s, there were all these artists like Jem and Nellie McKay and Rufus Wainwright who really didn’t fit standard “genres”. I loved all of them, and I’d put this in that club.


“Late Night Feelings” – Mark Ronson ft. Lykke Li

I liked Lykke Li’s “Little Bit”, which is now about ten years old. Damn. And in ten years, she still hasn’t really become a household name. That’s really a shame. In any case, on this song, she sounds like she’s vying for the Gaga Belt, which Stefanie vacated when she went off to bang Bradley Cooper. I love the vintage feel of this one, but I wonder if I’d love it as much without the visuals of the video. Seriously, she even kinda looks like a Gaga impersonator here. Anyway, it’s actually Mark Ronson’s song, and I’m convinced he’s a goddamn Time Lord. He has mastered these long gone genres that don’t really get a lot of play these days. Remember that Amy Winehouse’s 60s-tinged Black to Black was pretty much masterminded by Ronson. I swear that, without Ronson, she would’ve died an unknown. Or she might still be alive, struggling along, ‘cause she wouldn’t have had the fame she got following the success of Black. Want proof? Check out her Ronson-less debut, Frank. Anyway, with this song, I see Ronson’s managed to move up a decade.


“Me” – Taylor Swift ft Brendon Urie

I haven’t really fucked with Taylor since 1989. I only saw this video because it auto-played as an ad following another video I watched. That’s shifty! Or is it SWIFTY? Anyway, this song is saccharine but does little for me. Honestly, in this pairing, I’m here more for Panic at the Disco dude than Taylor. Such an odd choice to have him here, but it works. This is the kind of song that will be a hit merely because it’s Taylor, but isn’t really a “hit song”.

Things You Might Have Missed This Week

  • Did you know that great storytelling doesn’t rely on gimmicks and can’t be ruined by “spoilers”? No? Then you clearly haven’t tweeted this week with someone who self-published a fantasy novel!
  • So, get this: Hulu has picked up 2 Marvel series, including Ghost Rider and Helstrom. To even put the cherry on top, Gabriel Luna, who played Ghost Rider on Agents of S.H.I.E.L.D. will be starring in this show. HOWEVER, this show will not be related to the character he played on AoS. HUH? Meanwhile, Helstrom is the Son of Satan, so I can only imagine they’re trying to tap into that Lucifer fanbase.
  • At some point during my hiatus, retro channel MeTV started airing their first original program, Collector’s Call. Hosted by Lisa Whelchel of The Facts of Life fame, each week focuses on someone’s strange and interesting collection. I don’t think MeTV even airs in the DC market anymore, but you can watch past episodes on the channel’s website.
  • The -ish empire is growing, as not only has Black-ish been renewed for a 6th season, but its prequel, Mixed-ish just got the greenlight from ABC, which will focus on Tracee Ellis Ross’s Rainbow growing up in the 80s/90s.

Links I Loved

This used to be a regular part of West Week Ever, but y’all weren’t clicking the links, so I killed it. Still, there’s so much great writing out there that needs to be shared, so let’s give it another shot.

Avengers: Endgame. What is there to say that hasn’t already been said? Or felt? By now, most of you have seen the film, so we can now relate to one another on that level. Sure, it wasn’t the best movie ever made, but considering it was the endcap to 11 years and 21 movies, it was a friggin’ masterpiece! So many moving parts, so many characters to showcase. And it did the damn thing. The way I see it is, if you never really cared for the MCU (I see you, James, Jenn, and Chad), this movie ain’t gonna be the one to convert you. However, if you’ve been a fan for most of this journey, then you’ll be pretty satisfied by what Endgame delivers.

Since everyone and their father has opinions on this film, I’m not gonna review it, per se. Instead, I’m just going to share the thoughts that went through my head following my two viewings of the film:

  • Hated Smart Hulk. Was really expecting a moment where he would forego that and truly HULK OUT
  • Not a fan of John Slattery as middle-aged Howard Stark. I know they don’t like to reference the TV shows much, but I feel like Dominic Cooper should’ve reprised the role, as he was Stark on Agent Carter, during this phase of Howard’s life. Plus, they had TV’s Jarvis! It just would’ve made sense.
  • Speaking of TV, we’re on a 24 timeline now. Despite the fact that 24 lasted 9 seasons, the seasons were set some distance apart – some as little as 18 months, while some were around 5 years. That means that the 24 timeline, once said in done, spanned about 17 years. What I’m getting at is Where does this leave Agents of S.H.I.E.L.D.? Since it seems to take place in “real time”, and premieres in about a week, is it now set in the post-snap 5 year period? And, if they are gonna acknowledge that aspect of Endgame, how are they gonna explain how NONE of the team got dusted from The Snap?
  • I thought it was a bad move to just bring everyone back in the present day INSTEAD of backing up the clock 5 years. That leads to so many problems in the “real world”. Did insurance companies go bankrupt from all the payouts from The Snap, and did they get that money back when everyone returned? So, Peter Parker is just gonna go back to school, with a bunch of kids who were in elementary school when he disappeared? Think of all the folks who died during that period of time, either through suicide or natural causes, who still won’t see their loved ones again.
  • Great character work from Thor
  • So, a lot of the Timey-Wimey stuff didn’t make a lot of sense. We start with time travel, then we move to predestination paradoxes, and then we get to branch off into alternate timelines. In standard science fiction, Present Day Nebula would’ve disappeared when she killed Past Nebula because killing herself in the past would prevent her from existing in the present. This, however, was not “standard science fiction”, and I guess all of our time travel knowledge truly was shaped by Back to the Future.
  • As cute as the A-Force scene is, can we admit that Hope Van Dyne is hopelessly outclassed in this fight, and probably should’ve died on the battlefield? What makes it even funnier is how she’s the one with the most swagger as they’re slow-walking into battle.
  • Um, Clint murdered a LOT of people. Sure, they were “bad” people, but he straight up murdered them. Is he not gonna pay for those crimes?
  • Howard Stark says that he rarely chooses the greater good over self interest, and that shows in Tony, as well. Think about it: the only reason he doesn’t want to turn back the clock is that it would erase Morgan from existence. He told Cap and co that he had too much to lose from the time heist, but let’s be honest that there’d be a lot fewer questions to answer had they just reconstituted the universe at an earlier point in time or some shit, instead of just bringing everyone back to life five years later. Sure, his sacrifice is selfless, but the timeline, man, the timeline…
  • The Morgan stuff really got to me, since my oldest is her age. I’m not about to go die to save the galaxy, but it was still like “Huh, Tony Stark and I have something in common.”
  • I said this on social media, but it’s still true: In the MCU, after his Winter Soldier programming is broken, Bucky’s characterization can best be described as “Older brother, just home from rehab, who really hopes the treatment sticks this time”.
  • It’s interesting to see what Steve Rogers will look like when he’s addressing an empty chair onstage at the 2024 Republican National Convention.

Anyway, all these thoughts aside, it was such an amazing experience. It’s also a film that you MUST see in the theater. Now that the spoilers are out, I’m not sure if it’ll have the same effect, but it was transformative sharing those emotions and twists and turns with a room full of strangers. I had never given much of a shit about the “movie-going experience” until I saw this film. It just… *chef’s finger kiss*. As you can probably figure out by now, Avengers: Endgame had the West Week Ever.

05th Apr2019

West Week Ever: Pop Culture In Review – 4/5/19

by Will

I took last week off, and the week before was a Thrift Justice, so I guess we’ve got a bit to cover, huh?

So a couple of weeks back, there was hubbub from a screening where Zack Snyder sort of kirked out and implied that anyone who expected a character not to kill was living in a fantasy world. Yeah, I’ve got to disagree with that.

First off, there’s a danger in applying real world politics to comics because, at the end of the day, comics are just what my friend James calls “White Male Power Fantasies”. They exist in a theoretical vacuum, so the minute you try to say “Look at the world around us! How would Batman interact HERE?” you’ve already broken the rules.

To think Batman should kill is a gross misunderstanding of what Batman is about.

Ya know, just because Keaton did it in Batman (1989) doesn’t make it *right*. Burton was railing against the most recent depiction of Batman at the time, which had been the ’66 Batman. So, he kinda went to extremes. Now, I wasn’t in theaters in 1989, but I still knew it was messed up when I eventually saw the movie on VHS. Keaton doing it doesn’t mean that Affleck can do it.

To think “Batman should kill. So effing what?” is a such a binary way of looking at things. You all feel he either should or shouldn’t do it, without factoring in the gray area where some outcomes are worse than death. Part of the thing about Batman is the power given to him by his urban legend status. He doesn’t HAVE to kill, because there are enough two-bit hoods out there telling folks they’ve seen him kill. Meanwhile, because of this storytelling, you never quite know WHAT you’re going to face if you even encounter him. And sure, he probably WON’T kill you, but he’ll make it so you walk with a limp for the rest of your life or can’t feel your right arm any more.

Also, let’s think of some other ramifications. If Batman were to kill, that would be terribly taxing on his relationship with the GCPD, who pretty much allow him to operate on their behalf. Sure, real world cops kill people all the time – in a lot of cases where it seems senseless but, again, you can’t “real world” this stuff.

Oh, and if Batman killed, then that would be the end of the villains you love so much. “Why doesn’t Batman kill the Joker?” Probably because that would be the end of the Joker, and all storytelling regarding him. These are the same people who are mad at Peter Quill for screwing up the fight against Thanos. Um, they have an entirely separate movie to pad out so, no, they couldn’t allow Thanos’ defeat that easily. Sometimes you just have to think of the business aspect of things. Companies need you to come back every month, so how are they going to build any sort of drama or suspense, if you just know he’ll mow down that month’s villain, and then do the same to whomever pops up next month? You don’t want Batman. You want The Punisher.

For Batman to kill would make him no better than his rogues gallery, so who’s the “hero” in that case? These were originally considered aspirational characters in certain aspects. Sure, your parents may not get gunned down in an alley leaving you millions, but if life deals you a bad hand, you make the most of it and don’t just go out murdering people. Because that’s what that would be: murder. Now, there’s the argument that maybe he kills in self defense. Maybe, but he’s also been written as such a skilled tactician that it should/would never get to that point. I will say, though, there is a difference between killing and letting someone die. Take Batman Begins, for instance. He doesn’t kills Ra’s, but he sure as Hell doesn’t save him, either. I do think Batman would do that.

I know there are a bunch of y’all who grew up at a certain time, thinking Burton is gospel, but this is the same incarnation that says Joker killed Bruce Wayne’s parents. Sure the movies have shown us a Batman who kills because they wanna be edgelords, but at the end of the day, BATMAN DOESN’T KILL.

I’m about 2 years behind, but I binged the Dirty John podcast a few weeks ago, and now I want to talk about it with someone – primarily the fact that I don’t believe it. I mean, sure, it’s based on a true story, but that finale was so far-fetched that even Uwe Boll is somewhere saying “Yeah, I’m not sure if that’s believable.”

If you’re not familiar, Dirty John recounts the story of John Meehan – a con man with a history of wooing women and then taking them for all they had. Based on reporting from The Los Angeles Times, the podcast focuses primarily on Meehan’s relationship with successful interior designer Debra Newell, and how he basically psychologically abused her, while forcing her to alienate anyone in her family who he didn’t like. It’s a whirlwind courtship, followed by a quickie Vegas wedding, and then the craziness starts. Newell realizes that she doesn’t truly know the man she married, and begins to fear for her safety, as well as the safety of her loved ones.

I know there’s an adaptation on Bravo, starring Connie Britton, right now and, while I’m curious to see them reenact a lot of this stuff, I think I’ll just wait until it’s done to binge it at once. And I really hope they don’t try to make a season 2, because HOW? Then again, based on the ending of the podcast, I could see it and it wouldn’t be any less credible than that.

The always wonderful John Oliver devoted this week’s episode of Last Week Tonight to the working conditions in the WWE. If you didn’t know, wrestler’s contracts are structured where they are considered “independent contractors”, so they’re responsible for their own health insurance, while the company only covers injuries that occur in the ring. I’ve heard of stories where a wrestler might have a motorcycle accident over the weekend, but drag himself to work so that he can claim the injury happened in-ring just so it’ll be covered. This sort of thing might have flown back in the carny days of wrestling, but WWE is a billion dollar corporation, so this is pretty unacceptable. Past attempts by wrestlers to unionize haven’t gone anywhere, but Oliver points out that Vince McMahon does listen to the fans – the WWE Universe – so if there’s enough pressure from them, then things might change.

So, some interesting stuff is going in the world of music, as Lil Nas X went to #1 on the country charts with “Old Town Road”. The problem, however, is that many consider it a rap song instead of a country song, despite it having “country elements” as well as subject matter. So, after some outcry from labels, the song was removed from the charts.

Well, not to be outdone, Lil Nas X re-released the song last night, with an assist from Billy Ray Cyrus, who’s always down to make some coin. And the result still isn’t anywhere near as embarrassing as “Accidental Racist“.

I mean, I get it, but there does seem to be some shady stuff going on here to get it removed from the chart. And most folks are saying it’s based on race. It’s not easy for a Black man to chart in country music, as it’s still a recent phenomenon thanks to Darius Rucker and Jimmie Allen. Also, if you listen to anything by Sam Hunt or the Jason Aldean’s “Dirt Road Anthem“, and you’ll hear that country has been biting hip hop beats for quite some time.

On the flip side, I don’t feel like this was a genuine effort. I mean, for one, the thing is about 2 minutes long. That’s not a song. That’s a snippet. Plus, what Lil Nas X did here was spit in the eye of the country music establishment. It’s not common knowledge to folks who don’t follow the industry, but country radio charts kinda come down to whose “turn” it is. Labels get together and sort that shit out instead of it actually being based on sales or anything. They’ll say “Well, it’s Blake’s turn”, so stations will follow suit and increase the number of spins that Blake Shelton gets that week, and voila #1. Then, the next week, it’ll be Jimmie’s turn. This is why nothing on the country charts sits like songs do on pop charts. You get your week and then you’re cycled out for someone else, which is why charting means SO much less in country. It means you got the seal of approval from the industry, but it’s not reflective of public opinion. It’s simply the labels telling you who they’re backing.

Since nobody actually cares about charts, this was just a publicity stunt, and a damn good one. I say let the song stay. Think of all the flukes and garbage that has made it to #1. Just let it go ’cause there’ll be a new Florida-Georgia Line single up there in about 3 weeks, and nobody will even remember this.

Things You Might Have Missed This Week

  • John Cho has been cast as Spike Spiegel in Netflix’s adaptation of Cowboy Bebop. I still think it should’ve gone to Ben Schwartz, but I don’t hate this.
  • Since the Disney acquisition of Fox, there are rumors that Disney might be in talks to revive the failed baseball series Pitch in an attempt to keep creator Dan Fogelman from jumping ship when his contract is up. Oh, I should mention that Fogelman also created the smash hit This Is Us, which is why folks would want to make sure he doesn’t go anywhere.
  • Emily Bett Rickards announced that she’ll be leaving Arrow prior to its truncated final season, leading me to wonder “WHY?” She couldn’t hang on for 10 episodes? Is she THAT eager to jump back into pilot season?
  • Speaking of The CW, Lucifer finally decided to come collect the souls of Jared Padalecki and Jensen Ackles, as Supernatural will finally end after its 15th season. Don’t cry for these guys, though. They’ve got a long future of MonsterMania and other assorted pop culture conventions ahead of them – which I’m sure is their own personal version of Hell.

There’s nothing quite like going into a movie with ZERO expectations, but that’s exactly what I did last night with SHAZAM! While a lot of folks have already written off the DC movies, I’m still willing to give them a shot. I know almost nothing about the Fawcett/DC Captain Marvel, and most of what I know is from Geoff Johns’s New 52 reboot of the character – which old time fans tell me is something of a travesty. Still, Johns has rarely steered me wrong, and I actually enjoyed what he was doing with the character. It was originally presented in back-up stories in the relaunched Justice League, but then the books hit the “Throne of Atlantis” storyline, and I stopped reading for whatever reason. So I never did see the tail end of what he was doing there. So, without too much continuity and prior knowledge to bog me down, I went into the theater last night not really knowing what I was about to see. And I am SO glad that I did. I REALLY enjoyed the film, and I think it’s more of a course correction for DC than Wonder Woman was.

If you’re not familiar, this take on the character is basically a superhero adaptation of the Tom Hanks classic Big (there’s even a call-out to the most famous scene from that movie). Fourteen year old Billy Batson encounters the wizard SHAZAM, who bestows his powers upon Billy once he says the wizard’s name aloud. He gains a different power from each of the gods. Flight from Socrates, Strength from Hephaestus. Electricity from Aesop, Anger from Zeus, Speed from Archibald, and Punching from Michael. Yeah, clearly I don’t know the pantheon nor do I know his entire power set. It don’t matter – ain’t nobody got time for that! He gets his magic from a wizard, says a magic word, and changes from Boy to Man. A Super Man (but not THE Superman. Yeah, they’ve already been to court about that). Meanwhile, the evil Dr. Sivana had been considered to assume the wizard’s power when he was a boy, but was deemed unworthy, so he’s spent his life and fortune trying to find a way to rectify that situation.

This story plays out over a backdrop showcasing the current foster parent situation in the country. Billy is taken into a group home, run by a married couple of former foster kids, filled with 5 other foster kids. There’s smart ass Freddy, adorable Darla, quiet Pedro, that kid from Fresh Off the Boat Eugene, and the pretty pretty Mary. It deals with what the notions of “home” and “family” mean to Billy, as he hasn’t been able to stay anywhere due to his unending search for his mother. Plus, just as American Pie introduced us to the MILF, Showtime introduced us to the SMILF, this film introduces us to the FMILF (*chef’s finger kiss*).

The thing I loved about the film is that it really doesn’t waste a lot of time world-building. It might be in the DCEU and it might not. There are signs that it could be, but they don’t beat you over the head with them. It’s a movie that pretty much gets in and out. Sure, there’s the obligatory stinger to tease a sequel that may or may not happen, but it didn’t exactly get me excited or anything. I’d be happy for this to just be a one-shot kind of deal, but Hollywood likes money, so it’ll probably, unwisely, become a franchise.

I was surprised by the level of violence in the film. From a special effects standpoint, I feel like the designers took a lot of visual cues from Infinity War, as the Thanos Snap “dusting” effect was employed quite a bit, while the embodiment of the 7 Deadly Sins looked a lot like Cull Obsidian. Still, even though it’s a fun movie about “family”, I don’t know if you want to take young kids, ’cause those monsters…WOW.

Did it have problems? Sure. Like most DC movies, it had a weak 3rd act. I didn’t even realize it was over when it was actually over. It went to the next scene, and you’re like “Oh. Oh, so that was it?” I’m also not sold on Zachary Levi as Captain Marvel. Maybe that’s part of the character, that he’s always 14 years old inside, but I didn’t feel like he ever really became a hero. He was a guy who did heroic things, but – at his core – was a HERO? Even by the end, I wasn’t too sure. He spends a good chunk of the movie Tony Starking: cleaning up problems that were of his own making.

My biggest issue with Levi, though, concerns the potential sequel that would most likely feature Dwayne “The Rock” Johnson as Captain Marvel’s nemesis, Black Adam. If you don’t remember, Warner Bros announced a Black Adam film WAY before they started any of this other stuff. Before Aquaman, Wonder Woman, or even Justice League had filmed, Black Adam was on the schedule because they wanted in on that hot D.J. action. The problem I had with it then is even exacerbated now that he’s MUCH more famous than he was when that deal was signed: NOBODY has the charisma to go toe to toe with him, especially with him in a villainous role.

Black Adam in the comics, especially around the time of Infinite Crisis, tended to go back and forth between villainy and being on the side of angels. He’s basically DC’s Namor. He’s on whichever side suits him best at the time. So, it’s unclear which side he would’ve been on for Johnson’s movie, though it was uncharacteristic at the time for DC to center movies around villains (that has since changed, as we saw from this week’s teaser for The Joker). SHAZAM!, however, not only sets up Black Adam as a villain, but states that he was a “mistake” made by the wizards when choosing a champion. He’s apparently still out there, so he’d likely butt heads with Levi’s Captain Marvel. My question is this: Is the audience prepared to accept The Rock as a villain, and actively cheer against him in favor of Levi’s Captain Marvel? I’m not so sure, which is probably what has held up the project for so long (though they always say it’s due to “scheduling conflicts”. The man makes a movie every 6 weeks, so I hardly believe that).

All that aside, I had a lot of fun with this movie. It’s highly entertaining and might be my favorite DC movie from their modern slate (NOTE: I have yet to see Aquaman. “Scheduling conflicts”). If DC continues just focusing on character instead of world-building, they might be on to something. There’s no need to try to follow the MCU formula, especially when there are other options. It’s got something for everyone, and even a little bit of representation snuck in there that I can’t say more about without spoiling the 3rd act. SHAZAM! was a great way to end the week, which is why it had the West Week Ever.

 

08th Mar2019

West Week Ever: Pop Culture In Review – 3/8/19

by Will

 

There’s quite a bit of pop culture-y goodness to discuss this week, which is a welcome change of pace.

First off, yeah, I’ve seen Captain Marvel, but we’ll talk about that next week. Give y’all some time to see it, ’cause I’ve. Got. Thoughts.

In movie news, Warner Bros announced a new animated Scooby-Doo film, that’s to kick off the shared Hanna-Barbera Universe, with the gang taking on Dick Dastardly. Well, in a controversial move, WB replaced Matthew Lillard as the voice of Shaggy, recasting him with Will Forte. It left a bad taste in folks’ mouths because 1) Lillard found out about the recasting along with the rest of the world, and 2) he’s been voicing Shaggy since Casey Kasem stepped down from the role in 2009 (plus he starred in the role in the 2 live action films). So, if you’ve seen Scooby-Doo and the Dairy Queen of Death or whatever the fuck straight to video thing they’re slinging, that voice you heard was Lillard.

I get that Lillard’s had the role for a bit, but I can also see WB wanting more of a “name” for their Hollywood offering, since it’s going to be positioned as a bigger deal than the Warner Home Entertainment releases. And we just happen to live at a weird time where Will Forte can pull up on Matthew Lillard. What’s next? Michael Pena taking roles from Freddie Prinze Jr? Anyway, I get it. It sucks – especially for voiceover actors – but that just seems to be where Hollywood is headed. Tara Strong has voiced Harley Quinn forever, but the upcoming DC Universe animated series has tapped The Big Bang Theory‘s Kaley Cuoco for the role. Why? Because TBBT is the #1 sitcom on television (cue the wailing and gnashing of teeth). I’m not saying the practice is right, but I’m not surprised by it in the least.

Sticking with Warner Bros productions, it was revealed that Arrow will return next Fall for an abbreviated 10-episode final season. Ten episodes would take them right up to next year’s crossover, so I guess we know who dies in “Crisis”? Which, ya know, would be a fitting sacrifice. He’s more than avenged his city, and has grown in his quest. He’s no longer about simple revenge, and he’s inspired countless others. It works. I guess this means I’ve got to catch up on the show now, as I fell off early last season.

And one last, BIG, WB tidbit: Idris Elba is reportedly replacing Will Smith as Deadshot in The Suicide Squad. Frankly, I think Idris should actually play Bronze Tiger. I’m not one of those who feels like Deadshot HAS to be on the Squad. In the comic series, he and Harley are mainstays, which kinda throws a wrench in that whole “Anyone could die on any mission” threat. If he’s killed – even if offscreen – it proves there are actual stakes to the team. And it’ll be the second time Will Smith gets killed off a sequel off panel

 

I give you the most boring toy commercial I’ve ever seen. It lacks energy, and it’s almost like they don’t know their audience. Kids commercials have to be loud and bombastic. Make the kids WANT the shit. This voiceover sounds like she’s my therapist. The movie will do just fine, but I’m not sure the merch sales are gonna be so hot for Captain Marvel

The Kickstarter went live this week for WHITE, which is the sequel to the critically acclaimed graphic novel BLACK, which came out a few years ago. That story dealt with a world where superheroes exist, but the powers are only available to Black people. This sequel (the second part of a reported trilogy) appears to follow how White folks are coping with the fact that they can’t have powers. Well, just looking out the window, I can assume they ain’t gonna be too cool with that.

I’m tempted to pledge to this project, as I did support BLACK. That said, I also find BLACK in the $5 bin A LOT, making it hard for me to justify the $30 pledge when this volume is likely to experience a similar fate. Plus, while I haven’t read the entire story yet (despite having 2 years to do it), I did read the first issue, and it wasn’t very…good. Add to the fact that the Tuskegee Heirs Kickstarter has pretty much killed my faith in that platform for promoting new creative endeavors.

Speaking of comics, this tweet went viral from creator Jimmy Palmiotti, and I couldn’t disagree more. Looking at a lot of the replies, I’m not alone.

Nope, nope, nope! It’s NOT our job, as fans, to provide a living wage for comic professionals, and it’s wrong for said industry to try to guilt us into doing it. Palmiotti’s own friends, like Joe Quesada, prop up an industry that underpays their talent, and then goes out and expects fans to make up the difference. If you wanna give a little more to comics, that’s your choice, but it’s not your job or role to make sure Johnny Comic Book Artist can pay his bills. That’s on his publisher.

Meanwhile, it’s such a tacky ploy to try to pit fans against the “millionaire actors”, who are also there to give back to those fans/make their nut. There is NO money in comics. Most of us, regardless of our place in the pecking order, went into the industry knowing that. Whether the Diamond customer service rep, or the newbie Marvel artist, everybody’s just trying to get by. And it’s the individual’s choice as to what they should do with their money.

This song – “Ladies in the ’90s” – was actually released by Lauren Alaina back in October, but it’s just starting to gain traction with airplay. Seeing as how it’s been out so long, I think this lyric video is all we’re gonna get, which is sad because I can think of a lot of fun stuff to do with this concept. Anyway, the song has been stuck in my head all week, so maybe you’ll find it as fun as I do.

Things You Might Have Missed This Week

  • Alex Trebek announced that he is fighting Stage 4 pancreatic cancer. In a recorded message, he jokingly said that he’d have to beat it, as he still has 3 more years on his contract. I’ll say this: when Trebek is done with Jeopardy! I want them to put it on ice for a few years. Family Feud disappeared after the Ray Combs era, and it had to slog through Richard Karn, Louis Anderson, and J. Peterman before they hit pay dirt with Steve Harvey. I’d rather not endure that slog with Jeopardy! any time soon. Let it stand as a monument to the man’s work until quite some time has passed.
  • The Mad About You revival has finally found a home on Spectrum, along with the Bad Boys spinoff, LA’s Finest. The 10-episode “event series” will focus on Reiser and Hunt’s characters dealing with “empty nest syndrome” as their daughter goes off to college. And I don’t know a single person who wants to watch this. I was a Mad About You FAN, and I don’t want this. All I know is Ira better be there, or they can go straight to Hell.
  • I don’t normally cover death here, but Luke Perry sadly passed away earlier this week after the massive stroke he suffered last week. The thing that’s been most surprising to me, however, are all of the great stories folks have shared about his kindness. I always kinda figured the former 90210 star was something of a douchebag (though I had absolutely nothing to back that up), so it was great to hear that I was wrong and had judged him too quickly. It doesn’t seem like Hollywood is filled with NICE people, but it certainly sounds like they just lost one with the loss of Perry.
  • The Twitter Sleuths are on the case! Between the release of the documentary Leaving Neverland, focused on the Michael Jackson sexual assault allegations, and the Gayle King/R. Kelly 2-day interview, folks got their fill of juicy morsels to dissect and try to figure shit out. Nevermind the fact that these are situations that ruined kids’ lives. I blame Serial for this, but it’s also 2019, which is a blanket excuse for anything these days.

  • I’m not really one to do food reviews, but I HAD to grab the brand spanking new Orange Vanilla Coke Zero. I don’t taste even a HINT of Coke. It might as well just be some Orange Fanta with some vanilla syrup in it. It’s not to say I don’t like it, but it’s not something I can guzzle back to back. I can tear through some Vanilla Coke Zero, but I need something of a refractory period after drinking just one of these.

I am a Power Rangers fan. That’s no secret to anyone who’s been to this site before. Still, being a fan of that franchise for the past few years has been like cheering on a losing sports team. I’ve checked in every now and then, but nothing really piqued my interest. I made a promise to myself, some 20 years ago now, that I’d watch the show as long as it was on the air. It had been good to me in rough times, so I would never leave it. I had no idea, however, that the friggin’ thing was gonna follow me to the grave! Over the years, watching every episode became watching every premiere and finale, which became watching every premiere. It was just enough to keep my promise to myself, but it kept me from getting engrossed – a good thing, since I would just end up focusing on how bland the Neo-Saban era of Power Rangers had become. Last year, however, toymaker Hasbro purchased the franchise from creator Haim Saban, with a desire to breathe new life into the property. Now, suddenly I realized I didn’t have to be an Orioles fan anymore because now we had the Nationals (did I do the sports right there?)!

Hasbro’s first offering premiered last Saturday morning, as Power Rangers Beast Morphers. I was cautious. Not cautiously optimistic. Simply cautious. I didn’t know what to expect, but I knew everything about what had come before. So there was an uphill battle ahead of Beast Morphers. That said, this was the first time I’d felt open to a new incarnation since Power Rangers Samurai, which was a disappointment out of the gate (WHY didn’t Nick air the PILOT as the first episode?!).

As the show began, I was already seeing some familiar tropes. A gym & juice bar, and a young White guy leading a Karate class? Is it 1993 again?! OK, I was settling in. As the show went on, what I found I really enjoyed about it was how it honored and embraced what had come before. In the first episode, we not only get a reference to Mighty Morphin Power Rangers villain Rita Repulsa, but it was also tied to the most recent villain – a show of support for the continuity that Saban had dodged so deftly. This was a show that was built on what had come before. Sure, it was a clean slate, but it wasn’t a jarring hard reboot.

Plus, there were quite a few swerves when it came to the characters. This is the first group of Rangers, in about ten years, that I have actually found likable. I already care about them and want them to succeed. They’re not just bland pretty kids, which was the call sheet description from the past few seasons. AND (and this is a BIG and) it’s the first time in a very long time that I even liked the supporting characters. The wacky brother and sister who run Grid Battleforce security, the teen prodigy who has figured out how to tap into the Morphing Grid, even the stern, with a heart of gold, commander of Grid Battleforce – I loved them all.

It’s still early, and strong pilots can quickly turn into mundane series, but I think we might have a winner here. I think Power Rangers is actually GOOD right now, y’all. That’s CRAZY! Anyway, this is why Power Rangers Beast Morphers had the West Week Ever.

18th Jan2019

West YEAR Ever: Pop Culture In Review – 2018

by Will

2018 was the longest year in the history of years. It’s funny – I always look at past posts to figure out if I ever decided on a format for this wrap-up, and the past few years all start with “Man, this year SUCKED!” So, I guess things are just getting worse, huh? Anyway, when I first started doing West YEAR Ever, it was two-fold: 1) to bring attention to some of the “evergreen” posts I’d written throughout the year that you might have missed and 2) provide something of a director’s commentary to the West Week Ever choices I’d made over the past year. Here’s the rub, though: I didn’t really write any evergreen posts this year. Nope, my focus was pretty much solely on West Week Ever, which are totally disposable posts – which is a great way to think of 2018: disposable.

Between HarassmentWatch(TM), Trailer Park, Things You Might Have Missed This Week and, of course, West Week Ever, we talked about the celebrity wang danglers (reigning WYE Champ of 2017), looked at some movie trailers, I gave you bulletpoint news, and then I tried to point out something about the week that stood out above everything else. That’s the West Week Ever formula you’ve come to know over the past 6 years.

The most interesting stuff about the year is probably the stuff I didn’t write about. For example, I was interviewed by Vulture in anticipation of Spider-Man: Into the Spider-Verse, as I was considered a Miles Morales “superfan”. I sat on that chestnut for a couple months, anxiously waiting for the article to come out. Finally, my views on something would get more exposure! Well, it came out, and none of my contributions made the finished article. Womp womp.

Or the fact that I won a $50 gift card at the county fair by DOMINATING at 90s song trivia. I promptly used it to buy a gaming chair from Staples. I’m not even a gamer, but that’s a sweet ass chair!

Or the the fact that I won a pair of Google Home Hubs the week before Christmas, because I was miraculously caller #9 to a radio station (Thanks, WMZQ and iHeartRadio!).

Nah, I didn’t write about any of that. Probably should have. Oh well. Hindsight, and all that.

Anyway, let’s take a look back on 2018, and see if anything really stood out about it.

2018 In Movies

As far as movies went, I only saw 15 – down from last year’s 18, and WAY down from 2015’s 78.

1. Gotham By Gaslight
2. Black Panther
3. Ready Player One
4. Blockers
5. Avengers: Infinity War
6. Pitch Perfect 3
7. Won’t You Be My Neighbor?
8. Ant-Man and the Wasp
9. Sorry to Bother You
10. Teen Titans Go to the Movies
11. The Meg
12. Venom
13. Megamind
14. The Christmas Chronicles – I have to review these last two here, as I watched them in that gap between my last post of 2018 and my first of 2019. This was a cute movie. Kurt Russell as Santa actually works, but I have SO many questions about the universe in which the movie is set. I mean, Santa is real, but he only comes to Believers. Are we sure this thing wasn’t sponsored by The 700 Club?
15. Commando Ninja – I didn’t know anything about this movie until someone in a Facebook group mentioned it. After about 5 minutes of research, I felt like it looked like Kung Fury, so I was immediately on board. I think I’ve said it before, but I didn’t grow up watching 80s action movies. And I still haven’t seen most of them. So, I’m sure this thing hit all the right notes for some folks, while some of it just goes over my head. Still, it was hilarious, it was free on YouTube, and it was short. What more could you ask for?

2018 In Television

  • Roseanne announced that her character would be a Trump supporter when her show returned. She subsequently said some dumb shit and the show got cancelled. Then her TV family made deals to return to the show without her. Awww, family!
  • Murphy Brown also returned, to the delight of…well, nobody, really. She fired off her Trump jokes, and will probably be put back in moth balls by CBS.
  • ABC pulled an episode of Black-ish that would deal with the NFL kneeling issue. While it was reported as a “mutual decision” between the network and series creator Kenya Barris, Barris would go on to leave ABC for a 7-figure deal with Netflix.
  • The Fox adaptation of Lethal Weapon was a hotbed of problems. First there were reports of misconduct by show star Clayne Crawford, which put the show’s renewal chances in jeopardy. Then, Crawford was fired and replaced by Seann William Scott (the extra “n” is for flavor!). Then the show’s other star, Damon Wayans, announced he was leaving after fulfilling the season’s original 13-episode order.
  • The Simpsons surpassed Gunsmoke to become the longest-running, scripted primetime series on television, with 636 episodes.
  • After 27 scandalous seasons, The Jerry Springer Show went out not with a bang but with a whimper.
  • The Sharknado franchise came to an end with The Last Sharknado: It’s About Time. Yes, it was time.
  • The Power Rangers 25th anniversary special aired, with obligatory Jason David Frank cameo. Hell, the whole thing was a JDF wankfest.
  • Brian Robbins was announced as the new head of Nickelodeon, which is significant since he and his former Head of the Class costar, Dan Schneider, got their behind the scenes careers started by creating All That for the network back in 1994. It’ll be interesting to see if he throws any work to Schneider, whose Schneider’s Bakery production house was sent packing by Nickelodeon earlier in the year after allegations surrounding Schneider arose.
  • DC Comics debuted the DC Universe streaming service, which is still struggling to find subscribers
  • Kanye West went on TMZ to declare “Slavery was a choice!”
  • And, of course, I wrote my annual Network Upfronts post, with my thoughts on the upcoming TV season.

2018 In Music

Yeah, I already covered that. No, you didn’t read it because you’re scared of the unknown!

West Week Ever Recipients of 2018:

1/12/18 – Fire and Fury: Inside the Trump White House
1/19/18 – Black Lightning
1/26/18 – Vince McMahon
2/2/18 – WWE Royal Rumble
2/9/18 – Quincy Jones
2/16/18 – Black Panther
2/23/18 – Black Panther
3/2/18 – Atlanta
3/9/18 – DC Black Label
3/16/18 – Avengers: Infinity War trailer
3/23/18 – Nothing
3/30/18 – Roseanne
4/13/18 – Wrestlemania 34
4/27/18 – James Shaw Jr.
5/4/18 – Avengers: Infinity War
5/11/18 – Donald Glover
5/18/18 – CBS
5/25/18 – The Middle series finale
6/1/18 – Solo: A Star Wars Story
6/15/18 – Charley
6/22/18 – Nothing
6/29/18 – West Life Ever: Toys “R” Us
7/13/18 – Won’t You Be My Neighbor?
7/20/18 – DC Entertainment
7/27/18 – Teen Titans Go to the Movies
8/3/18 – Lebron James
8/10/18 – Patrick Stewart
8/17/18 – Omarosa Manigault Newman
8/24/18 – Crazy Rich Asians
9/7/18 – Nike
9/14/18 – John Legend
9/21/18 – Marvel Studios
9/28/18 – Lady Gaga, “Shallow”
10/5/18 – Venom
10/12/18 – Kanye’s MAGA Hat
10/26/18 – Roman Reigns
11/9/18 – Jeopardy! Champion (and friend of the site!) Mary Ann Borer
11/16/18 – West Life Ever: Stan Lee
11/30/18 – Wolverine: The Long Night
12/7/18 – Avengers: Endgame trailer
12/14/18 – Spider-Man: Into the Spider-Verse
12/21/18 – Nothing

This is normally where I’d give you some insight on my thought process, but I feel like a lot of this needs no explanation. It’s either obvious why it was chosen, or it’s indicative of just what kind of a shitshow pop culture was for that particular week. I’m particularly proud of my West Life Ever posts, for both Toys “R” Us and Stan Lee. Unbeknownst to most, the West Life Ever distinction was created with Adam West and Stan Lee in mind. As they got older, we all knew it was only a matter of time, and they both meant a lot to me. While the designation has been given to a few other things, (like TRU), it was custom made for those two, and I don’t know when, or if, it’ll ever be used again. I can’t think of anyone else in pop culture that meant as much to me, but I guess time will tell.

The year basically started with Black Panther and ended with Spider-Man: Into the Spider-Verse. In between the two, we all lived about five lifetimes and have the scars to prove it. I spent a lot of time thinking about what this is all about, and why it is that I do it every week. In the end, I guess I want to make some kind of an impact – leave something behind. While pop culture is fleeting, I pour a lot more into “disposable” posts than makes actual sense. I know I’ve said that I stop caring about these things once the clock strikes 12:00 on Saturday morning, but up until that time, I’m as wired as a kid waiting for his dad to come back from “going out to get cigarettes”. “Are they reading it?”, I anxiously wonder as I constantly retweet the links and look for engagement. Like the aforementioned kid, whose dad is never coming back, the audience never really comes. It leads to a lot of existential questions, like “Well, who am I?” and “Why would anyone care what I think?” Maybe the posts were too long. Everyone’s in a hurry, and don’t like reading long things. I don’t want to contribute to “Hot Take Culture”, and I try to write reasoned arguments for my opinions. Yeah, yeah blogs are dying. I get it. Maybe I need a podcast, ya know, ’cause everybody has a podcast. Maybe this should be video, but that hardly seems worth the effort. Still, in all this introspection, one thing stood out – one thing that proved my “impact”, and would withstand the test of time.

If you’re a longtime reader, this shouldn’t come as much of a surprise, ’cause I did it for my first kid, and I don’t need to look like I’m playing favorites. Still, the best thing about 2018 was Charlotte Bruce West. I know it’s the hip thing now to hate kids and love the Hell out of dogs instead, so if that’s you, then you should probably stop reading.

This was not a fun year for anyone, and some days were harder than others. The thing about Charley, which was so surprising to me, is that she’s such a happy baby. Sure, those first few months she didn’t realize she was smiling, and it was just something her mouth was doing. Over time, though, they became genuine smiles. Smiles that could make a bad day better. She’s just such a happy baby. Where does she get that from? Was I ever that happy? If so, what happened? I only hope it’s something she can hold onto throughout life. I hear a positive attitude can take ya places, and I sure as Hell wouldn’t know. I’m not one of those parents who’s all “She’s going to be President someday.” She could be a blogger with readership in the double digits, and that’d be just fine. At least she came by it honestly.

I read this Conan O’Brien interview in The New York Times the other day, and it really resonated with me. If you’ve run out of free NYT articles for the month, or just don’t feel like clicking, it’s him discussing the decision to change his TBS show from a full hour to a half hour format. After 25 years in late night, he looked back on what he had done, and thought about how he would like to go forward. He said that, while it might seem selfish, he wanted an experience that allowed him to have the most fun because, in the end, none of it matters. “This is going to sound grim, but eventually, all our graves go unattended.”

On the worst days, I can come home and play “Grocery Store” with my oldest, while keeping the youngest from swallowing a Hatchimal. I’ve made, and continue to make, my impact on them, and that’s what matters. As for this, let’s make it fun again. No more “writing for the audience”. I want to be as blissfully happy as a 7-month old baby, and that’s accomplished by focusing on things a lot of people don’t care about, like 90s boybands and forgotten teen sitcoms. Let’s bring back Thrift Justice! Let’s dive into that backlog of comics that’s only been growing. No more expectations, as I’m leaving that mentality in 2018. It won’t be an overnight process, but it’s the destination I’m working towards. I’ve already made a mark somewhere, so let’s see where that takes us. As a great, rich man once yelled, “You wanna get nuts?! Let’s get nuts!” Let’s consider 2019 the year of How Will Got His Groove Back. In the meantime, let’s leave 2018 behind like the garbage year that it was.

So, for being the best thing to happen to me in 2018, and for inspiring this introspection, Charley West had the West Year Ever.

04th Jan2019

The WBW40 – Will’s Top 40 Songs of 2018

by Will

Well, here we are again, with another year behind us. While this is the second year of me compiling this list, I’m actually starting to enjoy it more than West Year Ever. I know that most of you don’t listen to “my” music, so it’s basically me introducing new stuff to you rather than boosting things you’ve already heard. I have, however, changed the way it works this year. You see, last year I had this rule that the song had to be released in 2017. This was problematic because it left out a lot of songs that came out near the tail end of 2016 that didn’t really get exposure until 2017. So, this year I’m throwing that out the window; if it was released as a single, released to radio, or just plain became “popular” in 2018, it counts.

Remember, this is just me, talking about music I loved during the year. It doesn’t necessarily take into account chart position or anything like that. Some of these songs will be hugely popular, while some you’ll be experiencing for the first time. And, yes, while a lot of these are part of the “country” genre, I put that in quotes because format really means nothing anymore. You could put the vast majority of them on Z100, Hot 99.5, or KIIS-FM (basically any iHeartMedia station with a Jingle Ball) and they’d be right at home. Don’t believe me? Then let’s take a closer look!

40. Dean Summerwind (Dustin Christensen) – Parked By The Lake

Let’s start out with a joke track, huh? After 2018, I feel like we need a laugh. I was introduced to this song by The Bobby Bones Show, as Bobby had stumbled upon it online and felt the world needed to hear it. The beauty of it is its earnestness. I mean, Summerwind sings it like he’s NOT just singing the same 6 words over and over again. The song is actually by season 9 contestant of The Voice, Dustin Christensen, who released it online as “Dean Summerwind”. I’m not sure if the exposure really did much for the song, but it has a little over 400,000 streams on YouTube, so maybe it’s helping to get him some attention.

39. Travis Denning – David Ashley Parker from Powder Springs

I swear, I didn’t put 2 joke tracks back to back! This is actually a REAL song. Still, I love a song that tells a story, and this one does it in spades. In case you didn’t click “Play”, let me break it down for ya: Denning is singing about the guy whose fake ID he’d bought in order to buy beer. Since he knew he’d be quizzed about his demographic info, the chorus is basically him running down all the stats he’d memorized from the ID. Well, I thought this was a kinda clever idea for a song.

38. Brantley Gilbert – The Ones That Like Me

First, some backstory. I wasn’t so sure about Brantley Gilbert. I mean, you see him in the video, and we all know what we tend to think about country artists. He wasn’t necessarily a guy I think I’d want to befriend. Then, something earlier this year changed my mind about him. Remember that Waffle House shooting, where James Shaw Jr (a Black man) overpowered the gunman? Well, when the dust settled, Gilbert started a fundraiser for Shaw and the victims of the shooting. Immediately, I was like, “You OK, Gilbert.”

So, this song. It really speaks to me – so much so that, were I a tattoo person, I’d probably get the chorus put on my back or something. I’ve been blogging for 15 years, and pretty active on social media for, like, 11. I think this song definitely describes me both IRL and online. I’ve come to find I’m somewhat polarizing. You either love me or you don’t give a shit. At least that’s what my Google Analytics stats would tell ya!


37. Tim McGraw & Faith Hill – The Rest of Our Life

So, you’ll know this song is “country” just by looking at the artists, right? Well, did you know it was co-written by Ed Sheeran? Huh? Well, did ya? Anyway, this entry exemplifies a problem I have with the format of these posts. Ideally I’d throw together a Spotify playlist, but not everyone uses Spotify, so I use YouTube. That, however, is problematic because sometimes the video distracts from the song. That’s what’s happening here. What the Hell is up with McGraw’s hat? It’s not even a normal cowboy hat, and he’s wearing that with a tuxedo?! And I love how it’s trying to convey “We fight like everyone else”, yet they have to get their limo driver to stop and let them out, and you just know Faith didn’t have any money to pay that diner. Anyway, it’s a nice song about spending your lives together, so close your eyes and listen to really get that message.

36. LANCO – Born to Love You

LANCO made last year’s list with “Greatest Love Story”, and they’re back this year with this song. Did you realize that the Backstreet Boys never really stopped recording or performing? No, they’ve spent the past 10 years or so cranking out forgettable songs that sound just like this. That is when OneRepublic doesn’t put out something like this first. What I’m saying is that it’s not an amazing song, but it’s pretty catchy and would be right at home outside of country radio, where it hasn’t really performed too well.

35. Florida Georgia Line – Simple

I actually really like Florida Georgia Line, and have ever since Nelly helped them put “Cruise” on the map all those years ago. The problem, though, is that for every 3 songs they put out with the impact of “Cruise”, we get a “Simple”. It just didn’t leave an impact on me like a lot of their other stuff. That’s why this isn’t higher. Still, who doesn’t love a song that teaches you how to count AND spell?! Anyway, this probably won’t be the last time we hear from them on this list…

34. Thomas Rhett – Life Changes

Again, a catchy song that tells a story. A few years ago, nobody really knew who Rhett was. As his star was rising, he and his wife adopted a baby from Uganda, only to find out that his wife was pregnant. So, now he’s juggling his new family with his career. He put out a few songs this year, but this one wasn’t my favorite, which is why it’s down here. We’ll come back to him later.

33. Jason Aldean – You Make It Easy

I like its bluesy sound. It’s that easy. Still, it’s not my favorite Aldean release of the year, which we’ll get to in a bit.


32. Dylan Scott – Hooked

Scott is just BEGGING to cross over to other formats. I mean, his last single’s chorus talked about how he loved when his wife rapped Eminem songs. It was a decidedly country song, but I don’t feel that way about this offering, which is pretty catchy. If he keeps putting out stuff like this he just might get his crossover wish.

31. Dustin Lynch – Good Girl

The chorus here is just great to me. This might be too country for some, but I don’t care, I don’t care. “I could take you home to mama, take you to the church right down the street!” It was a song that definitely grew on me, but it’s more infectious than you might think right now. Anyway, this is a case where I actually like what the video does for the song, as it’s the antithesis of what the song is talking about. She is NOT a good girl!

30. Chris Jansen – Drunk Girl

OK, if you’ve made it this far, thank you. And also, I’m sorry. Why? Because you’re going to HATE me for this one. It’s basically the country version of “The Christmas Shoes” in how cloying it is, but I do think it’s a clever spin on what you think it’s going to be about. Still, it’s a good message for those willing to heed it, and it’s kinda weird the video comes with a trigger warning, but I get it. In the words of every man after a scandal, “as a father of daughters”, I get it.

29. David Lee Murphy & Kenny Chesney – Everything’s Gonna Be Alright

There’s not a lot here, but it got a lot of airplay and eventually worked its way into my heart. It’s just got that laid back beat, and it’s the kind of thing you’d expect from Chesney. It’s “White folks smoking weed on the beach” music. White people can actually get away with that shit! It’s basically a modern, Caucasian “Don’t Worry, Be Happy”.

28. Luke Combs – Beautiful Crazy

You’re going to be seeing Combs a lot on this list. I feel like country, more than other genres, operates like pro wrestling. Certain artists get a “push” to the top more than others. For whatever reason, the labels decided that Combs was going to get that push. I’m not taking anything away from him. I enjoy pretty much everything he puts out. I just find it odd how some get the push while others don’t. He doesn’t look like every other country star today, so maybe that’s why. His look is “relatable”. Anyway, this is just a nice little ballad, but we’ll see more of him down the line.


27. Luke Bryan – Sunrise, Sunburn, Sunset

When my wife first hear this song, she said “That’s a guaranteed way to get skin cancer.” While she’s not wrong, it’s a catchy song. A lot of the country was introduced to Bryan as he joined the judges panel on the American Idol reboot. I didn’t watch any of that, so I don’t know if they ever used any of his music. I will say this is probably his strongest song on this list, from a “musical” perspective, but he will appear later for reasons.

26. Lindsay Ell – Champagne

Remember I was talking about Bobby Bones? Well, he also introduced me to Ell. You see, they were dating and he gave her music a lot of exposure on his show. That backfired, though, because a lot of other country radio shows hate him, so they wouldn’t play her music. He felt bad that he was affecting her career, and they broke up. And she started getting more airplay elsewhere. I don’t understand what her affinity is for the country genre, though, because this song is NOT country, and she would do so much better as a Top 40 artist.

25. Jordan Davis – Singles You Up

I like the phrase “singles you up” better than “breaks up with you”. Like, you’re talking to your friend about his relationship, and you just drop, “Oh, she’s about to single you up!” I really hope that becomes a thing, but everyone knows that slang is stolen from the gays and the Blacks, so unless one of them created it, it ain’t gonna stick. Anyway, it was a big song this year, and it’s just so fun to sing along to.


24. Kenny Chesney – Get Along

I hated this song when it came out, and I remember even linking to it with “Fuck Kenny Chesney” back when it came out. You see, I hated the timing of the song, as it was when everyone was calling for civility while doing nothing to actually promote it. It was that “There’s bad people on both sides” argument, when one side had Neo Nazis who were running over protestors, while the other side had knitted pussy hats. NOT the same.

Anyway, after cooling down, and if you can actually stand the cloying sentimentality of it, it’s a catchy song. Plus, I love how stream of consciousness it gets at the end of the chorus: “Learn to dance, call your mom, buy a boat.” Um, some of these are easy, and some are gonna require a loan agent. Anyway, I think the video is tone deaf, because while Chesney probably thinks it’s something of a love letter to his fans, it doesn’t promote the diversity the song speaks of. Ain’t no Black people at a Kenny Chesney concert. Shit, I once had a country mega ticket, but I wasn’t going to a Kenny Chesney concert. If you get bored, just look up how many fights and 911 calls those things typically generate.

23. Carrie Underwood – Cry Pretty

Ah, the debut of Underwood’s new face. You see, a little over a year ago, she had a bad fall at her house and her face required a bunch of stitches. She was holed up like Jack Napier for a bit because she didn’t want folks to see her. Anyway, this was something of her “comeback” from that ordeal and, surprise, she looks exactly the same. Anyway, it’s a pretty good power ballad, but it wasn’t strong enough to really get her into my top 20.

22. Brett Young – Mercy

Last year, Young made #33 on this list, with “In Case You Didn’t Know”. Just like that song, this is a beautiful ballad, with nothing inherently country about it. I’m starting to think that country is the new contemporary Christian genre, in that it attracts new artists because of the ease of entry. Then, once established, they gravitate to their natural genre (see: Creed, Katy Perry).

21. Dan + Shay – Speechless

Dan + Shay are prime examples of what I was saying in the last entry. Listening to the Bobbycast (Man, I pimp Bones so hard he ought to be paying me!), these guys did NOT set out to be country artists. Hell, Shay was a solo artist on T-Pain’s Nappy Boy Entertainment before the duo was formed. No, these guys are less Brooks & Dunn, and more Savage Garden. Anyway, pretty song, but not my fave D+S track of the year, which we’re getting to. You know how some movies are clearly made for “Oscar season”? Well, this was clearly made to cash in on Wedding Season.


20. Jake Owen – I Was Jack (You Were Diane)

Funny story – I always hated “Jack & Diane”. Even with its iconic intro, I couldn’t deal when the lyrics started. I didn’t even like when Jessica Simpson sampled it. Then some things started happening in pop culture, which softened my stance on the song. First, there was Black-ish, where the twins are named Jack & Diane, which I thought was kinda cute. Then, Jake Owen came along with this song. I like Owen, and I felt he did something different with the source material. It’s basically a Jack & Diane remix, and who doesn’t love a good remix? Anyway, I think I may like “Jack & Diane” now.

19. Midland – Burn Out

Midland made #5 on last year’s list, with “Drinkin’ Problem”. This song is more of the same, and it’s not higher because I just can’t vouch for their “authenticity”. Like I said last year, it’s almost like they’re cosplaying country. They don’t come from the industry, and it feels like their act was put together studying game tapes. Still, they’re so fucking good at the vintage country formula that you can’t help but be impressed by what they’re cranking out. I also love how all their videos take place in this early 80s yesteryear.


18. Thomas Rhett – Marry Me

Hey, Rhett’s back! This time, he’s singing about “The One That Got Away” – only now he’s got to go to her wedding. I don’t feel like this got as much airplay as “Life Changes”, but I felt it was the better song.


17. Maren Morris – Rich

Last year, Morris was #15 on this list with “I Could Use a Love Song”. Again, another artist who could be doing so much more if she crossed over, as we’re going to see in a bit. Anyway, it’s so coquettish how could you NOT love this song?


16. Jason Aldean, featuring Miranda Lambert – Drowns The Whiskey

I love the play on words here, about how whiskey’s supposed to drown the memories, but instead it’s the other way around. I feel like the song kinda misses its mark, though. With the addition of Lambert, you’d think it was supposed to be like the old country duets, but this is no Loretta Lynn & Conway Twitter collaboration. Lambert really doesn’t bring enough to the song to warrant her being here. Any up and coming country startlet could’ve done this harmony. Did Kelsi Ballerini not answer Aldean’s calls or something?


15. Luke Combs – She Got The Best of Me

Our old buddy Luke Combs is back, breaking the top 20 with this hit. I don’t know if the voiceover in the video is true, but if he really didn’t pick up a guitar until he was 21, he’s done AMAZING things in the past 7 years. Kind of inspirational, really. Again, though, the video is distracting because you’re led to believe the “she” is the chick from the breaking news segment at the beginning of the video, and he she got the best of him because he can’t get over her death. But then it turns into a standard on the road/tour video, and just kinda kicks that narrative to the curve. Anyway, good song.


14. Dierks Bentley featuring Brothers Osborne – Burning Man

Bentley’s first appearance in the Top 20 won’t be his last. We’ll get to that later. No, I really like this song, and can’t really categorize it. It’s not “country”, but it’s not “rock”. It’s got that bar band vibe to it, where it wouldn’t have been out of place for it to be a Hootie and the Blowfish song.


13. Zedd, Maren Morris, and Grey – The Middle

If you’ve set foot in a Target this year, then you’ve no doubt heard this song. It’s just as infectious as Zedd’s entry from last year, “Stay”, featuring Alessia Cara, and it shows just what Morris is capable of doing outside the country genre. More of this, please!


12. Brett Eldredge – The Long Way

A ballad about a guy wanting to know more about his new girl by her showing him around her hometown, taking the “long way” around. I think it’s a beautiful song and sentiment. He wants to know her in and out and thinks this is best way to know where she comes from. I like Eldredge and he’s had a bunch of songs that would’ve made the list had I been doing this longer than 2 years. Anyway, I expect to see more of him here in the future.


11. Morgan Wallen featuring Florida Georgia Line – Up Down

I told ya Florida Georgia Line would be back! I love this song but I just couldn’t let it crack the Top 10. If you remember, Morgan got to #7 with “The Way I Talk”, but this song didn’t speak to me as much as that one. Still, it’s a great FLAGA Line collab, and just a fun song. It’s a song about drinkin’ and the weekend. What’s more country than that? Plus, bonus points for shoving “BFE” into a song that gets national airplay.


10. Tim McGraw – Neon Church

Who knew McGraw and his wacky hat would make it back to the countdown? Well, if you’re a regular West Week Ever reader, then it shouldn’t be too much of a suprise, as I basically spotlighted it one week. Yeah, it’s Tim McGraw, but this is basically his rendition of “Purple Rain”. Now, some of you might call that sacrilege, but I’m talking more about what’s going on in the song’s background than I am about him attempting to evoke Prince. I looped this song for an entire work day once, so if that’s not enough for it to crack the Top 10, I don’t know what is.


9. Luke Bryan – Most People Are Good

OK, I feel like I should apologize for this song first. Isn’t that sad? I mean, I really like the song, even if it’s not Bryan’s strongest vocals of the year (those would’ve been in “Sunrise, Sunburn, Sunset”). No, I’m apologizing because I know how treacly the message of the song is going to come across. Hell, it’s almost the same as Chesney’s with “Get Along”. The difference here, though, is that there’s a subtle message that gets lost: in the chorus “I believe you love who you love, ain’t nothing you should ever be ashamed of.” That’s the closest country music has ever gotten to not only acknowledging, but also embracing, its LGBTQ fan base. Plus, it really does have a positive message. For the record, this is the video Chesney should’ve shot for “Get Along”.


8. Jake Owen – Down To The Honkeytonk

I love the Hell out of this song, and let me tell you why. A few years ago, I had a shortlived feature (“shortlived”? I think I wrote TWO posts) called “Reboot That Bitch” where I’d take an old concept and reboot it. Ya know, kinda like what Hollywood is doing now. Anyway, I chose the Lee Majors 80s drama The Fall Guy, and I feel like this song would be PERFECT as the theme song for a reboot of that show. As the original theme sung about the lack of glory behind being a stuntman, this song is about a regular guy who might not be spectacular, but in his neck of the woods – the honkytonk – he’s The Man. Press play, close yur eyes, and picture a Rounded-Line 1981 GMC K-2500 Wideside jumping over shit.


7. Luke Combs – One Number Away

If I were doing a West Year Ever of just music, it’d go to Luke Combs. Making his THIRD appearance on the chart, and OH SHIT! THIS VIDEO IS THE PREQUEL TO “SHE GOT THE BEST OF ME”!!! Yeah, I’m just watching this video for the first time. Huh. So, he took this and made it a Don’t Talk and Drive PSA. Interesting choice. Anyway, I feel like, as with all of Combs’s songs, he really puts his soul into this one. It was kinda hard ranking his 3 biggest singles of the year, but I definitely feel this was his best.

6. Blake Shelton – Turnin’ Me On

This song isn’t as fun as Shelton’s entry last year, “I’ll Name The Dogs”. Still, there was something haunting about this song, and I didn’t realize what it was until a local DJ spelled it out for me: It’s basically a Stevie Nicks song. You can get lost in its retro sound, and I recommend that you do, because otherwise you’ll realize he’s singing about Gwen Stefani, and it’ll take you completely out of it (I’m pretty sure her kisses taste like Bubble Yum and NOT whiskey). Anyway, this song achieves that same yesteryear vibe that Midland specialize in.


5. Dierks Bentley – Woman, Amen

A bombastic ode to women, from a country star no less! I really like this track, and it became something as an inside joke in our family. My wife and I would listen to it, and I’d say something like, “Man, she sounds terrific. I wonder where I could get a wife like that.” Yeah, I’m an asshole, but we all had a good laugh.


4. Dan + Shay – Tequila

They’re back! While they closed out the year with “Speechless”, they dominated most of the year with “Tequila”. It’s just so smooth – something tequila is not. Still, it is highly relatable in how the taste of something can bring back so many memories. I really hope more people discover this duo.


3. Lady Gaga & Bradley Cooper – Shallow

Another song that got a mention in West Week Ever. In fact, it HAD the West Week Ever. From the soundtrack for A Star Is Born, this song is just so much better than it has any right to be. Cooper handles his part deftly, but Stefani (I’m not even gonna call her Gaga here because she’s shed that disguise effortlessly) really swings for the fences in the second half of the song. Another song I looped for an entire work day, as I kept discovering new things about it.


2. Jimmie Allen – Best Shot

I’m sure some of y’all skimmed this list, and said “What, Will? No Black people at all?” Well, here ya go. It’s not that I’m holding out on you, but there just aren’t many Black artists on the stations I listen to. For the longest time, there was just Darius Rucker and Cowboy Troy. Well, that changed this year, as Jimmie Allen made his way onto the scene. It’s good to see a brother make his way in an industry not necessarily cut out for him, and he also just seems like a genuinely good guy. I’ve listened to a ton of his interviews this year, and followed his rise. “Best Shot” is such a great song.  He probably doesn’t do enough vocal runs to get on R&B radio, but he’s a force that really deserves to be out there, and I’m glad he’s found his way in a genre that might surprise some.


1. Bebe Rexha featuring Florida Georgia Line – Meant To Be

Funny story – this song just missed making it onto the bottom of the 2017 list, but I didn’t think it was going to make much of an impact. The thing I like about FLAGA Line is that they don’t always have to be the center of attention. Sure, they’ve got their own hits, but they spent a good chunk of the past year and a half just doing guest spots for other artists, like Morgan Wallen and Rexha here. Meanwhile, I felt like Rexha was just another flash in the pan Pop THOT who’d be here today, and gone tomorrow. Surel she’s hot, but was that going to matter on the charts? Well, it made Rexha the first female artist to debut at the top of the Hot Country Songs chart, and proceeded to spend FIFTY WEEKS at the top spot. It spent the majority of the year as the #1 country song. It’s gone 4 times platinum in a music industry where songs and albums just don’t perform like that anymore. It was without a doubt the biggest country song of the year and, with its crossover appeal, was one of the biggest songs, period, of 2018.

So, there you have it. They might not have all been the best songs of 2018,  but they were certainly my favorite songs of the year. I’m sure that you stumbled upon something up there that you liked, so drop me a comment down in my shiny new Disqus commenting system!

30th Nov2018

West Week Ever: Pop Culture In Review – 11/30/18

by Will

I took last week off ’cause it was Black Friday, and I know this site was the last thing on y’all’s minds. Gotta get them $199 PS4s! Anyway, that just means we’ve got twice as much stuff to talk about this week!

First, allow me to rant. Every time there is a celebrity death, the internet instantly becomes filled with tribute art to the person. Sure, the artists typically mean well, but a lot of it is very, very bad – sometimes just in poor taste. Stan Lee died a couple weeks back, and what did we end up seeing? Stan Lee at the pearly gates, Stan Lee being hugged by his creations, Stan Lee with his creations surrounding his hospital bed, Stan Lee with the MCU stars photoshopped into his funeral. You get the picture. The one that really got me, though, is the one above: Stan and his dearly departed wife, Joanie, reunited in space, wearing spacesuits. This comes off as some kind of secular desire to have an afterlife, but still trying to apply Earth logic to things. Why are they in space? Is that where you think “souls” go? Why are they in spacesuits? Shouldn’t they no longer have the need to breathe? Bottom line, I thought this was stupid. This was just stupid. And I said so when someone posted it in a Facebook group I’m in, with a bunch of crying emojis. And the floodgates opened!

Let me give you some backstory about this group. I’ve met some great folks in there, but it’s chock full of Brits who are constantly making fun of EVERYTHING. For example, you can’t mention people being offended by Apu, because “Everyone’s too sensitive”. Seriously, every serious conversation on there is derailed by a bunch of guys chiming in with “Well, they’re being cunts!” So, imagine my surprise when I found the limits of the rapscallions! So, I had to reply:

A few days later, a few of the same folks were laughing about that missionary who got killed by the tribe. You know the one. And, yeah, I have my issues with missionaries and all that, but if you’d seen some of the stuff they were saying, and LAUGHING at…And I’M the asshole for thinking somebody’s DeviantART space pic is stupid? Oh, hell the fuck no! It took everything in my power not to run back into that group and tear it apart like Jesus in the temple. So, I subtweeted with my own status.

So, imagine my surprise when the group founder commented on it:

That’s where it pretty much ended – until now. If there’s one thing I’ve learned from the Trump Administration, it’s the art of doubling down. And I’m here to say that a LOT of that fan art shit is stupid. Sometimes a beloved artist will do some, and maybe sell it and give the money to charity. Nice use of the moment. What I don’t like is Johnny Cash Grab who decides he’s going to throw together a shitty t-shirt to sell to capitalize on the moment:

But also, money isn’t everything. There’s a lot of FREE fan art out there that’s stupid. The minute SpongeBob SquarePants creator Steven Hillenburg succumbed to ALS earlier this week, I immediately asked “How long before the fan art of SpongeBob meeting Stan Lee?” And while it’s not exactly what I described, the Internet did not disappoint:

WHO IS THIS FOR?! But, “let people mourn how they want to mourn.” It doesn’t mean I can’t question it.

Trailer Park


Artemis Fowl

This just looks like Great Value Harry Potter to me, only he’s in the Men In Black now? I mean, if Harry Potter knockoffs are what’s bringing in the big bucks, I’ve been sitting on the Charlie Panner franchise for about a decade, and I need to talk to someone pronto! Yeah, I know it’s based on a book series, but I’m not 14, nor do I hang around any since the court case. So, I’m gonna need a little bit more from my teaser trailers. This? This was just meh.


The Lion King

OK, but WHY? I get it. It’s stunning, and it’s a beloved story, but we already have the original. I feel like those people who get upset when their favorite old property is rebooted. No, this one doesn’t mean that the old one doesn’t exist, but there are so many other things Disney could be doing with this money and technology. I feel like Disney is creatively stale, like they were prior to The Little Mermaid, and live action versions of their 90s hits ain’t really impressing me all that much. Still, I’ve never had the same love affair with Disney movies as some folks, so I guess I’m just dead inside. Nice job they’ve done here, though.


Once Upon A Deadpool

A PG-13 cut of Deadpool 2? Sure, it’s a cash grab, but I respect their hustle. Maybe it would’ve been cooler to have had this as a bonus feature on the Blu Ray, but if there’s theatrical money, and it fills a hole in Fox’s schedule, then do it. I still haven’t seen Deadpool 2, so I guess I’ve got homework before December 12th. And I kinda like Nickelback more than the Beatles…


The LEGO Movie 2: The Second Part

So this is the second trailer we’ve gotten for this movie, and it really wasn’t doing much for me until Rex Dangervest showed up. That’s cute what they did there. I mean, I’ll see it, but nothing about this is like “WOW, I CAN’T WAIT!” Plus, if you cast Tiffany Haddish, you’re only going to get “Tiffany Haddish”. Make sure that voice works with the character, ’cause if it doesn’t, then…you get this.

Runaways Season 2

This looks like the Freeformiest Freeform show that ever Freeformed – which is odd, since it’s NOT on Freeform. It’s like if Claire’s, Urban Outfitters, and Hot Topic decided to go in together on a TV production deal. I’m sure the teens and tweens probably love it, but I can’t see myself watching a single episode of this show – which probably why I never watched any of season 1. Plus, I don’t have Hulu, so…

Things You Might Have Missed This Week

  • ABC’s Sue Sue In The City spinoff of The Middle will not be going forward. It’s kinda sad, as I liked Eden Sher in the role, but I also felt like it wasn’t necessary, as The Middle gave a nice ending to her story. This show would’ve had to serve as an “Inbetwequel” to the ending the show had set up for her. This is probably for the best.
  • Speaking of ABC spinoffs, Schooled, the 90s-set AJ Michalka starring spinoff of The Goldbergs, will debut on January 9th. Oh, look -Tim Meadows is in the cast. Yup, this show is D.O.A.
  • In a somewhat surprising move, Netflix has cancelled Marvel’s Daredevil series. I’m gonna say this one more time, for the cheap seats in the back: DISNEY IS NOT PICKING UP THE CANCELLED MARVEL NETFLIX SHOWS! I’ve already explained the WHY, and I’m just tired of the same time armchair speculation.
  • I can admit when I’m wrong, and I once said that Agents of S.H.I.E.L.D. wouldn’t be around for Avengers 4, yet not only will it, but it’s been renewed for it’s seventh season before the sixth even launches next summer. I felt like the show was going to be the “connective tissue” of the MCU around that Winter Soldier/pre-Age of Ultron era, and then go away. Then it kinda distanced itself from the movies except when it couldn’t be explained away (due to the politics), and started doing its own thing. They say last season was great, but I’ll have to check that out for myself.
  • Country radio personality Bobby Bones won season 27 of Dancing with the Stars, which has fired off this outcry of how the show is “broken”. “It’s just a popularity contest now!” Um, EVERY reality show is a popularity contest, Doris!
  • Jon Cryer has been cast as Lex Luthor in Supergirl and, while I have no interest in watching that show, I don’t hate that casting. I don’t hate it at all.
  • Back in 2012, ABC aired a series called GBC, based on the semiautobiographical book Good Christian Bitches. Of course it didn’t last, as we’re not currently talking about the 7th season of GCB, are we? Well, The CW is developing a reboot of the show, and it will retain its original title. Man, there are gonna be SO many evangelical groups up in arms about this one.
  • It was a busy week for celebrity profiles, as one focused on the renaissance of Amanda Bynes (glad she’s not dead!), while the other focused on Lena Dunham coming to terms with the fact that she’s a bit much to handle at times.
  • There are rumblings of a revival of the 90s CBS series Northern Exposure, with most of the cast – including original star Rob Morrow – back on board. This is interesting, seeing as how most of the cast and crew reportedly hating working with Morrow. I guess they loved that money more than they hated him, huh?
  • There was a One Tree Hill Christmas movie on Lifetime that was NOT a One Tree Hill movie. WTF? Yeah, they cast about 60% of the One Tree Hill cast in The Christmas Contract, yet it wasn’t a One Tree Hill project. Who does that? That’s like if I brought in Matthew Perry, Lisa Kudrow, Matt LeBlanc, and David Schwimmer and was like, “OK, in this show, you guys all work in a bar”…
  • Jerry Springer will be bringing original content to your syndicated airwaves next season, when his court show, Judge Jerry, launches. I’m not kidding. What bothers me is that his talk show fizzled instead of going out with a bang. Its best years were probably 20 years ago, but it still deserved more of a sendoff than it got. To me, this court show is just the Three’s A Crowd to his Three’s Company.
  • Even though Spider-Man: Into The Spider-Verse isn’t even out yet, Sony is reportedly developing an animated Spider-Women spinoff probably focusing on Spider-Gwen, or Ghost Spider, or whatever they’re calling her this week. I’ve got thoughts about Into The Spider-Verse, but you’ll hear more of them in the coming weeks.
  • Netflix is developing animated series based on the works of the “ORIGINAL J.K. Rowling” himself, Roald Dahl. Debuting in 2019, they’re set to be event series and specials.

  • Speaking of Netflix, they’ve announced a 10-episode order for a live action adaptation of the Cowboy Bebop anime, and this could either be the best or worst thing they could ever do. People love the Hell out of that series, and I can already hear the cries of “They’re whitewashing characters!” I only know two things: 1) they’d better cast Ben Schwartz as Spike (I’d also take David Tennant) and 2) the in-show bounty hunter series Big Shot better be worked into this version.

So I have this slightly narcissistic thing about me where I don’t listen to a podcast unless the hosts have had me on as a guest at some point or another. I just like having the ability to interact more than just yelling at the computer, and when I know the hosts, I can drop them a line, or even go on a future show to add to that conversation. There are a few exceptions to this rule, but that’s pretty much how my Stitcher playlist is designed.

Anyway, I had a long drive home from Richmond last weekend, and I was all out of my usual podcasts, having listened to them on the way down. I didn’t really feel like music, either, but I needed something to listen to. Then I remembered that a coworker had recommended Wolverine: The Long Night to me when he was trying to pitch the idea of audio books to me (I still prefer print). He said that this was more of a radio show than an audio book, but I might like it. What it was, actually, was a podcast that was a co-production between Marvel and Stitcher. Broken up into 10 chapters, all were available to listen to, ad-free, so my bingeing began!

Wolverine: The Long Night takes place in its own sort of timeline (which they’re hinting might expand into the Marvel Podcast Universe), so you can’t really place it in the movies or the comics. Some grizzly murders have occurred in the small Alaskan town of Burns, where everyone is hiding, or running from, something. The police are simply telling the public that the murders were committed by a grizzly bear, but could there be something more? Could the short, mysterious loner who just came to town be responsible for the deaths? Well, that’s what Special Agents Pierce and Marshall are there to find out. They are our “eyes” through the whole story, so we see everything from their viewpoint. We’re able to check in on other characters because of bugs that the agents placed around the town. Otherwise, you don’t know it’s happening unless Pierce & Marshall have somehow documented it.

Despite the title, the series is less about Wolverine, and more about how his mere presence has affected everyone in the town. We don’t “see” him much, but when we do, it counts. Meanwhile, there’s some other stuff going on in the town that could be connected to the murders. There’s the mysterious Aurora cult, who have come to the town to establish a base. There’s the wealthy Langrock family, whose money and generosity have kept the town afloat for years, but are they hiding something? As it should come as no surprise to anyone, all of these things overlap heading toward the conclusion of the story.

I really want to discuss this thing with someone else who’s listened to it because there are a lot of 3rd act issues with it. There’s a swerve that you saw coming a mile away, but it doesn’t go in the direction in which you thought it would have gone. Plus, because it’s in its own universe, things happen for which there’s no in-canon precedent. I don’t want to spoil it here, but if you have listened, give me a shout.

Wolverine is voiced by English actor Richard Armitage, who comes off sounding like an angry George Clooney – which doesn’t exactly sound like it fits on paper, but it surprisingly works very well. The rest of the cast is fleshed out by Scott Adsit, Bob Balaban, Brian Stokes Mitchell and more talented folks. I really didn’t know if I was going to take to the whole thing, but I got home with about 3 hours left in the story. I went down to the basement, and just listened to the rest like I was in the ’40s or some shit. What’s a “television”?

Would I listen to more like this? Sure and, as I said before, there are even talks of expanding this into a whole universe. I really enjoyed the experience, and it’s an engaging story. I’m not entirely sure it stuck the landing, ’cause that last episode…whoa. Still, of the experience as a whole, I give it an A, and as the best thing I experienced in the past week, Wolverine: The Long Night had the West Week Ever.

 

Pages:123456»