12th May2017

West Week Ever: Pop Culture In Review – 5/12/17

by Will

In movie news, it was reported by Hellboy creator Mike Mignola that there will be an R-rated Hellboy reboot film. Hellboy: Rise of the Blood Queen will star Stranger Things‘s David Harbour in the title role, and will be directed by Neil Marshall (The Descent). As most fans were holding out for a Hellboy 3, this news came as quite a surprise. Still, it won’t star Ron Perlman, nor will it be directed by Guillermo Del Toro, so folks are a bit hesitant. I think Harbour will be good in the role, and I remember enjoying The Descent, so I think the franchise is in good hands if the intent is to scare the audience.

We got a trailer for Blade Runner 2049, which did absolutely nothing for me. Back when I was in college, I did a summer in London where I was supposed to be learning about globalization. Instead, the professor had us watch Blade Runner. I still don’t know how the two topics tied together. Anyway, I hated that movie. It tried too hard. Like Peter Griffin describes The Godfather, it insists upon itself. It wants to be so deep and mysterious, with its whole “Is Decker a Replicant?” thing. I just wasn’t a fan. So this sequel isn’t exactly on my Must Watch list, which is a shame seeing as how I’ve loved Ryan Gosling since Breaker High. Yup, even in Young Hercules. Some folks seem excited for this film, though, so good for them I guess.

Over on cable, shows are playing musical chairs. The Untitled Black-ish Spinoff that we talked about last week may now be moving to Freeform It seems that the audience that tuned in were a bit lower than what ABC would like to see for a Wednesday night, but the demographics are perfect for the show to be on Freeform. Meanwhile, fantasy series The Shannara Chronicles is moving from MTV to Spike TV (which will soon be rebranded as The Paramount Network). I never watched Shannara, but it didn’t seem like the kind of thing that belonged on MTV, except for the fact that it starred pretty teens. I’m not even sure Spike is the right home for it, either, but maybe this is a hint as to how they’re planning to use The Paramount Network.

Speaking of cable, out of nowhere it was announced that Donald Glover would be the showrunner for a Deadpool animated series on FXX. Yeah, that Donald Glover. It’s odd that we’re not getting season 2 of Atlanta until 2018 at the earliest because of his other commitments, but he’s gonna have time to do this? He’ll be running the show with his brother Stephen, but it still sounds like a tall order. I’d rather have Atlanta. Plus, this just feels like it’s gonna be Marvel’s Archer. 10 episodes have been ordered for a 2018 debut.

On basic TV, Modern Family scored a 2-season renewal, with the grown-up cast members getting a raise from $350,000 to $500,000 an episode. The contract negotiations came down to the wire, but in the end ABC was able to keep its Wednesday night lynchpin. I honestly feel like this show should’ve ended 3 years ago. I stopped being able to really relate to them when I realized they whole upper middle class status made their lives unrealistic. They never seem to have money problems, they can take trips and do whatever they want. It’s funny – the same reasons I hate Roseanne (they were so damn poor) is what I feel are missing from Modern Family. Plus, there’s the elephant in the room in the form of Ariel Winter. Unless you’ve been living under a rock, she has grown up into what some might call “hot as shit”, yet they still frump her up on the show because her character, Alex, is supposed to be mousy next to Sarah Hyland’s Haley. If they really want to make these final (yes, I’m calling it: final) two seasons interesting, they will address this fact, and force Haley to realize she’s no longer the “hot daughter”. That might actually make me watch the show again.

Meanwhile, The CW officially ordered Black Lightning to series. This would typically be seen as good news, but I can’t help but feel like the Berlantiverse is too big and unwieldy at this point. Whenever a new show is introduced, the existing shows suffer. Everyone loved Arrow until The Flash came along. Then, they loved The Flash, yet felt Arrow had slipped. Then Supergirl and Legends of Tomorrow debuted, and The Flash suffered while Supergirl was praised. This has been something of a rebuilding season across the board. Supergirl had to adjust to a network switch, while Legends saw an increase in quality. Arrow saw a return to form, while The Flash is doing whatever it’s doing over there. Flashpoint or some shit. The point is that the existing shows are finally heading in the right direction, but that doesn’t mean it’s time to introduce a new hero. In fact, I feel like Legends should be a proving ground. If a member of that team becomes a breakout fan favorite, then they get a spinoff. I’d be fine with Black Lightning as a member of the Legends, but I don’t know if there’s enough meat on that bone for him to have his own series. And can you imagine the FIVE-WAY crossover we’re gonna end up with next season?! I was already disappointed by this season’s uneven four-way, but to add another show to that? Sure, it’ll be a weeklong event, but it isn’t necessary.

With the network Upfront presentations looming over the horizon, this is the time of year when your favorite show either gets another lease on life or it gets the chop. Here’s the movement from the past 24 hrs:

Cancellations

  • Timeless (NBC)
  • Rosewood (Fox)
  • Last Man Standing (ABC)
  • Son of Zorn (Fox)
  • Making History (Fox)
  • APB (Fox)
  • Sleepy Hollow (Fox)
  • The Catch (ABC)
  • Imaginary Mary (ABC)
  • Powerless (NBC)
  • The Real O’Neals (ABC)
  • Secrets & Lies (ABC)
  • Dr. Ken (ABC)
  • American Crime (ABC)
  • Frequency (The CW)
  • No Tomorrow (The CW)

Renewals

  • iZombie (The CW)
  • The Originals (The CW)
  • Blindspot (NBC)
  • 13 Reasons Why (Netflix)
  • Taken (NBC)
  • Last Man On Earth (Fox)
  • Gotham (Fox)
  • The Blacklist (NBC)
  • American Gods (Starz)
  • The Goldbergs (ABC)
  • Black-ish (ABC)
  • American Housewife (ABC)
  • Designated Survivor (ABC)
  • Agents of S.H.I.E.L.D. (ABC)
  • Once Upon A Time (ABC)
  • Great News (NBC)
  • The Bachelor (ABC)
  • Dancing with the Stars (ABC)
  • Shark Tank (ABC)
  • Chicago Med (NBC)
  • Chicago PD (NBC)
  • Chicago Fire (NBC)

Song of the Week

I’m trying something new. Every week, I’m gonna share a song/video that I discovered that week. Today, I give you Midland’s “Drinkin’ Problem”. Yes, it’s country, but I love the sound, as it’s more of a bluesy 70s song than straight up country, and I LOVE the video.

Things You Might Have Missed This Week

  • Kelly Clarkson is reportedly in talks to be a judge on the revived American Idol on ABC. Seems like those talks were too late, though, as she has officially signed on as a coach on the next season of The Voice
  • Fox officially ordered X-Men tie-in The Gifted to series
  • Speaking of X-Men, Maisie Williams of Game of Thrones will play Wolfsbane in the New Mutants film. She will be joined by Magik, played by Split‘s Anya Taylor-Joy.
  • IM Global and Rebellion are teaming up to produce a live action Judge Dredd TV series, called Judge Dredd: Mega City One
  • Scandal will reportedly end after its upcoming 7th season
  • Direct from The LEGO Movie, Unikitty will be getting her own cartoon on Cartoon Network
  • Time to spot the pineapple, as Psych: The Movie will premiere on USA in December

So last Thursday night I saw Guardians of the Galaxy Vol 2. I didn’t mention it in last week’s post because I’m trying to switch things up. It’s unrealistic of me to expect that all of you are able to see a film on opening night, and I also feel like you’re less likely to read my post if you think I might spoil something. So, I figured it best to sit on it a week so we’d all be on the same page. Anyway, what did I think of the film? I LOVED IT! I might even love it more than the original.

I’d say that this is probably the most emotional MCU film, as it’s more about family and belonging than it is about Infinity Stones and Winter Soldier. Star Lord’s story really hit home as a fellow child of the 80s, raised by his mom, who also didn’t have his father in his life. Now, instead of being a god, my dad simply died. But I’m sure I probably also wished Michael Knight was my dad at some point in my childhood.

What’s the movie about? Well, the Guardians are split up after a caper gone wrong. Half of the crew stays behind to fix their ship, while the other half go off with Star-Lord’s long lost father, Ego. But all is not as it seems with Ego. And that’s about all I’ll say about that. I can’t think of a single that I didn’t like about the film. Actually, scratch that. There was one thing: The Watchers. They just looked hokey, and I would’ve been fine if they’d never been introduced in the MCU. That kind of stuff belongs in the Fantastic Four Fox movies, but I like to think the MCU is more grounded than that. Their appearance looked and felt cheap to me, but luckily it’s only for a split second, unless you count their after credits appearance, too. Maybe it’s just because I typically hate most things about Cosmic Marvel, but the Guardians movies have slowly brought me around.

Internationally, the film has already crossed the $500 million mark, so I think it’s safe to say it’s success. They’re already talking about Vol 3 which, supposedly, will set up the next decade of the MCU. While I’m not entirely sure how I feel about that (again, I’m not a huge fan of Space Marvel), I’m eager to see how they pull it off. For all these reasons, Guardians of  the Galaxy Vol 2 had the West Week Ever.

05th May2017

West Week Ever: Pop Culture In Review – 5/5/17

by Will

In TV news, we got the first trailer for Marvel’s The Defenders series on Netflix. I dunno, y’all. I’ll be the first person to tell you that I’m behind on these shows. At this point, I’ve only seen Daredevil season 1 and Jessica Jones. No DD S2, no Luke Cage, and no Iron Fist. Sorry, kids, but there just aren’t enough hours in the day. Daredevil was a worthy bingeing experience, as each episode ended on a cliffhanger that MADE you have to check out the next episode immediately. Jessica Jones, not so much. It took me about 3 months to get through that show. Now, I enjoyed it, but it didn’t demand that I consume it immediately. I’m eager to catch Luke Cage, but I wanna go in order, so that means I’ve got to meet the Punisher and Elektra first in Daredevil season 2. So, even though The Defenders comes out in August, I’ll be lucky if I get to it in 2017. Anyway, I told you all that to make you see that my level of enthusiasm for this probably isn’t as high as yours because I’m so far behind. That said, I thought this trailer looked hokey as Hell. The scene where Murdock comes into Jessica’s interrogation felt like a bad fan film. Shit, the whole thing felt like a bad fan film. Remember when Playstation Network aired that Bendis Powers show? Yeah, it looks like that. Something about the cinematography of it all. And then they had to do another goddamn hallway fight. WE GET IT ALREADY! I just don’t know about this one right now..

In other TV news, there are talks of a Roseanne revival, with ABC and Netflix interested bidding on the project. Laurie Metcalf, Aunt Jackie herself, reported that contracts have been worked out, so now they’re just trying to sell the series. Right now, Roseanne (does she currently have a last name?), John Goodman, and Sara Gilbert would star, while Metcalfe says she’s on board in some capacity. It’ll be interesting to see how they pull this off, ya know with Dan being dead and all. Still, it ended with one of the most maligned series finales in television history, and they’ve got a chance to basically erase it. How many shows can say that? Anyway, I was never a huge Roseanne fan. They were just so poor and depressing. Are they gonna lose the bike shop? Are they gonna lose the loose meat restaurant? Is Fisher gonna stop beating up Jackie? I know their struggles resonated with certain folks, but not me. I actually liked the Lottery Season because I could say “Thank God their lives aren’t such shit anymore!” Anyway, I’d bet money on this happening, so it’s now just a matter of where it’s gonna air. The big question is in which “universe” it will be set. After all, the finale basically laid out that everything since about season 4 of the show had been a lie, since Darlene actually ended up with Mark, Becky was the one with David, Jackie was a lesbian, etc. So, would we get the “true” Roseanne, or just more of what we’re used to? And with Mark dead, and David on The Big Bang Theory, I don’t really expect much from those characters anyway. I guess we’ll just have to wait and see.

I was on my own last weekend, so I took the time to watch TV and catch up comics. Well, I didn’t really watch TV, but it was on in the background. It provided the soundtrack to my comic time. What did I watch? CMT – Country Music Television. Yeah, yeah, you hate country. I don’t care. I grew up on it, so it has a special place in my heart. Anyway, when I saw Brad Paisley’s new video for “Last Time For Everything”, I KNEW I had to share it with y’all. This thing is a love letter to children of the 80s, complete with tracking/tape distortion lines. I don’t wanna spoil anything, so just check it out. Don’t worry – the song’s not about drankin’, or a dead dog, or his wife left him; it’s just a song about appreciating things when you have them because they won’t always be there.

The backdoor pilot for the Black-ish spinoff aired this week. Oh, you don’t know what a “backdoor pilot” is? It’s when an established show gives up one of its episodes to try to launch a new show. Since it already has a built-in audience, it kinda tricks viewers into watching a new show that they otherwise wouldn’t have checked out. Married…with Children had, like, 4 of them. Anyway, in Black-ish, Zoey went off to check out college, made a new best friend, and pissed off the Black Student Union. The whole episode was kinda hokey, but it worked. Chris Parnell was the spineless dean, which is basically every Chris Parnell character these days. And I love how they worked Deon Cole’s Charlie into the plot. If the spinoff gets picked up (I mean, why wouldn’t it?), I hope he gets a bigger role there than he has on Black-ish. If Black-ish is a modern-day Cosby Show, then this is its A Different World. And there ain’t nothing wrong with that, really.

If you like useless gimmick items as much as I do, then make sure you pick up your Frork from McDonalds today. To celebrate the release of their three new Signature Crafted Recipes (Pico Guacamole, Sweet BBQ Bacon, and Maple Bacon Dijon), they’re releasing a utensil that they know nobody needs, but hey, why not? The Frork is basically a fry holder, where the fries act as the tines of the fork. In the infomercial, complete with Anthony Sullivan appearance, they claim the Frork will help you scoop up the toppings that fall off your overflowing sandwich. I swear Anthony Sullivan killed Billy Mays ‘so he’d get ALL that sweet infomercial work. But I digress…If you would like a Frork, check this link to see if one of your local McDonalds locations is giving them out today.

Things You Might Have Missed This Week

  • HBO has hired writers for FOUR potential Game of Thrones spinoffs. So, get ready for Match of Chairs, Bout of Seats, Mother of Dragons and, my personal favorite, Tits & Swords.
  • Warner Bros has pushed back its theatrical animated Scooby-Doo film two years to 2020.
  • Girl Meets World is officially dead, as creator Michael Jacobs was unable to find a new home for the series.
  • While this news is about a month old, FXX has decided against a fourth season of Man Seeking Woman, which wrapped up its 3rd season in March. The season finale was a fitting series finale, so I ain’t mad.
  • Hot on the heels of its premiere, Hulu has renewed The Handmaid’s Tale for a second season.
  • Surprising no one, Fox canceled the freshman drama Pitch, about the first female major league baseball player. Following on their heels, NBC canceled the Wizard of Oz update Emerald City.
  • It was reported that Gabriel Luna’s Ghost Rider will be returning to Agents of S.H.I.E.L.D. for the season finale

  • Speaking of Marvel TV, we got our first cast picture from Inhumans. KILL IT! KILL IT WITH FIRE!

  • We also got our first look at the cast of Marvel’s Runaways on Hulu. They look like the comic, but I still hate that they aged Molly. I like her more as a precocious child to balance them out.
  • A strike by the Writers Guild of America, which would’ve affected all corners of entertainment, was narrowly averted at the 11th hour
  • Morning Joe hosts Joe Scarborough and Mika Brzezinski revealed that they’re engaged. Man, they shit in the company ink! That’s the saying, right?

The biggest TV news of the week was that Ryan Seacrest was announced as Kelly Ripa’s permanent cohost on what will now be called Live with Kelly & Ryan. This bothered me so much! First of all, I was really kinda hoping an underdog, like Fred Savage, would get it. And if they had to go with a media person, they had Anderson Cooper and Andy Cohen on the list. But Seacrest?! The dude’s empire is based in LA and, yes, he has an empire. He’s a modern-day Merv Griffin, producing Keeping Up With The Kardashians, Shades of Blue, and Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest. He also has a daily syndicated radio show, On Air With Ryan Seacrest, as well as hosts the weekly American Top 40 countdown. With all that going on, you’d think he’d stay in LA instead of taking a job from a New Yorker. Instead, iHeartMedia has built a radio station in the ABC Studios building so that he can do his radio show immediately after taping Live. The plan is for him to stay in New York Monday-Thursday to film Live, he’ll pretape Friday’s show on Thursday, and then he’ll spend Friday-Sunday in LA.

But that’s not ALL the Seacrest news this week. You see, talks of an American Idol revival have heated up again. I wrote about it a few weeks ago, when NBC and Fox were both interested in the show – NBC especially because they could, then, reduce The Voice to one cycle a year. Those talks fell through, but now it appears that ABC has gotten into the game, with one stipulation: there’s no Idol without Seacrest, so the show would have to move to New York so he could continue to host. The show’s production company, Fremantle, insists that it stays in LA. ABC wants to announce it during the May upfronts, which occur in two weeks, for a Fall 2018 premiere (yeah, it ain’t gonna be ready by this Fall). So here’s the plan on how that would work: Fremantle wants to air Idol on Sunday nights from LA, where Seacrest would then fly to NYC after the show in order to make it in time to film Live Monday morning. After filming Monday’s Live, he would then fly back to LA for the Idol results show. Once that’s over, he would fly back to NYC in time for Tuesday’s Live. My God! The live portion of Idol is only 10 weeks, but that is a grueling schedule that I wouldn’t wish on anyone. So far, however, it seems that ABC’s plan would be to air Idol on Mondays, to go head to head with The Voice, so this plan wouldn’t work.

Say what you will about Seacrest, but I’ve always admired the dude’s work ethic. He doesn’t seem to know the word “no”, and he’s constantly building his brand. With the exception of the short-lived On Air With Ryan Seacrest TV show (which is conveniently missing from his Wikipedia entry), he doesn’t really fail at anything. I guess hard work and determination really can take you places. I’ll tell ya, back when he was hosting Click and Gladiators 2000, I had NO CLUE he would become as big as he is. He makes me wanna go out and get 3 more jobs. Then again, I wouldn’t have his net worth of $330 million, but it’d be a start. Anyway, for taking all the jobs, while growing in power, Ryan Seacrest had the West Week Ever.

21st Apr2017

West Week Ever: Pop Culture In Review – 4/21/17

by Will


Star Wars Celebration (I can’t say that without thinking of Dave Chappelle’s Rick James yelling “It’s a celebration, bitches!”) happened in Florida last weekend, and we got our first teaser trailer for Star Wars: The Last Jedi. Folks seemed to like it alright. I’ve never claimed to be the biggest Star Wars fan, but nothing about this really gave me a Force Boner or anything. That’s probably because Rogue One left such a bad taste in my mouth. Anyway, I’m sure I’ll see it, but it’s not really on my radar.

In other movie “news”, we got the track listing for Awesome Mix Vol 2 from Guardians of the Galaxy Vol 2., which comes out today. Is it just me, or is it weird that Mama Quill gave Peter mixtapes of all the songs that played while she was banging dudes in Camaros? Come on – she was totally that chick! Anyway, there are no real surprises here, as it seems to be in-line thematically with the first volume. Personally, I’m ecstatic that “Come A Little Bit Closer” will be introduced to a new generation, as I’m a huge fan of Jay and the Americans (check out “Cara Mia” if you’ve never heard it).

This rumor came out a few weeks ago, but it kinda floated under my radar: apparently Warner Bros wants to release 4 Batman-centered films in 2019 to commemorate the 80th anniversary of Detective Comics. This slate would include Nightwing, Gotham City Sirens, the Joss Whedon Batgirl, and the oft-delayed The Batman. Nice idea, but there’s no way this happens. DC just doesn’t have its shit together enough to pull this off. Marvel could do it, but they would’ve been planning it since 2012. It’s already 2017 and they expect to crank out 4 movies in 2 years? Shit ain’t happening.

Bring on the teen angst train, as we’ve got two more comic-based series just dripping with it! First up is Cloak and Dagger on Freeform, which looks like the Freeformiest show that ever Freeformed. It’ll be right at home between the show about the deaf girl and the show about the foster kids. I’ve never been a huge Cloak and Dagger fan, but the series follows teen runaways Tandy Bowen and Tyrone Johnson, who were kidnapped and injected with an experimental drug. The drug left Tandy (Dagger) with “light daggers”, while Tyrone (Cloak) has a mystical cloak that transports people and things to a dark dimension. Oh, and there’s that sweet, sweet interracial love/Jungle Fever aspect to things. Based on the trailer, it’s gonna focus more on the love thing than the power thing, which is understandable since powers are expensive on a weekly TV budget. I haven’t heard if this is actually considered part of the MCU, but it’s nice to see the Roxxon sign at the end, so there are clear ties to the universe itself.

The angst doesn’t end there, though, kids! We also got a trailer for Syfy’s Krypton series (which has since been yanked down) – ya know, the one that nobody asked for. It’s hard for me to get excited about Krypton when very little about that planet has ever seemed appealing. It’s most recently been painted as a cold, stoic, science-based society. And since they don’t have our sun, it means they’re powerless. Here’s what I don’t get about the trailer: the show takes place approximately 200 years prior to Man of Steel (I guess making it the first series to be an official part of the DCEU), but the monologue is of Kal El’s grandfather leaving a message for him. Um, how does he KNOW his grandson’s name is Kal El if he hasn’t been born yet? Anyway, it’s about Grandpa El, who happens to be a sexy, CW-ish twenty something, trying to restore honor to the disgraced House of El. The effects look nice (AKA expensive), but nothing about this show makes me want to see it.

There’s some laughter coming from a different comic-based series, however, in the form of Freeform’s New Warriors. I mentioned it a few weeks ago, but it’s been confirmed that Kevin Biegel of Enlisted/Cougar Town will be the showrunner, and we got a confirmation of the roster. Led by Squirrel Girl (who has never been a New Warrior in the comics, but I won’t harp on that), the team is comprised of Speedball, Night Thrasher, Microbe, Mister Immortal, and Debrii. I’m familiar with career Warriors Speedball and Night Thrasher, but I don’t know anything about the others. Considering Mr. Immortal and Squirrel Girl are Great Lakes Avengers characters, this is something of a hybrid team.

I’m the furthest thing from a foodie, but I love a good dairy-based gimmick drink, and this week featured TWO of them! First up, I’d read online that Burger King had been testing a Froot Loops Shake at certain East Coast locations, with plans to roll it out nationally today. Well, I traveled around until I found one that had it early (well, I didn’t travel too far – it was down the street from my apartment), as I had to see what the fuss was all about. I had heard it described as made from vanilla soft serve, with Froot Loops pieces, topped off with a sweet, syrupy drizzle. Sounds exotic, right? WRONG. Whoever thought of this probably got a bonus for the idea, but it lacks in the execution. It’s basically a vanilla shake with edible confetti in it. From Loops don’t really have a strong fruity flavor to them, so it’s not like it’s rubbing off into the soft serve. And when you do get some Froot Loop chunks through the straw, they just taste like flavorless corn cereal. I didn’t taste any kind of drizzle, and I kept waiting for the WOW to kick in. It never did. I drank this so that you don’t have to and, trust me, you really don’t have to.

Next up was the Starbucks Unicorn Frappuccino. I hadn’t even heard of the thing until Wednesday morning, when everyone and their mom was talking about it. Looking at it, I was reminded of the Birthday Cake Frappuccino that comes out in March (I remember this because it was out at the time Evie was born). I LIVED on those things for the two weeks or so that they were in stores, so I was expecting this to be more of the same. I wasn’t sure what flavor this one was supposed to be, but there were certainly visual similarities. Anyway, after dinner Wednesday night, I snuck off to the corner Starbucks to try it out. You’ve heard of a Butterface, right? Well, this is a Buttertaste. It looks cool and everything, but the taste…THE TASTE! Its marketing emphasizes that it magically changes flavors while you drink it, but I could never really nail down what those flavors were supposed to be. There was a pervasive muskiness to it, making me feel like I’d basically sucked off a real unicorn. Of course, that would be silly – everyone knows you’ve got to buy a unicorn dinner before it lets you do that! Then, near the end, the muskiness gives way to a hyper berry taste, reminiscent of the Blue Raspberry that candy scientists seemed to have discovered in 1992. At no point in the drink was it what I would call “enjoyable”, and even the whipped cream on top was disappointing. As far as I’m concerned, this drink can fuck off back to Narnia where it came from.

Things You Might Have Missed This Week

  • Bill O’Reilly was fired from Fox News following sexual harassment allegations. See, if he’d told Billy Bush he only grabbed ‘em by the pussy, he’d be President by now!
  • Nintendo officially ended production on the NES Classic, followed by rumors that an SNES Classic is coming later this year
  • Anna Boden and Ryan Fleck were announced as the directors for Captain Marvel. I’ve never seen anything they’ve done (Half Nelson, episodes of Billions, and The Affair), so I’ve got no real opinion right now
  • Speaking of Marvel films, Black Panther wrapped production this week, as Hollywood braces for the return of every living Black actor
  • Will Smith is in talks to take on the classic Robin Williams role of The Genie in Guy Ritchie’s live action Aladdin adaptation. Obviously, Jaden Smith will probably get the role of Aladdin.
  • Stranger Things co-star Shannon Purser came out as bisexual on Twitter. Well, she’s bisexual in real life. She just used Twitter to announce it.
  • Director James Gunn announced that Guardians of the Galaxy 3 would be the final iteration of this lineup of the team
  • Black-ish was sold into off-network syndication, launching in Fall 2018
  • Jane The Virgin’s Gina Rodriguez will voice Carmen Sandiego in a new animated series coming to Netflix
  • Steve Harvey will host a revival of Showtime At the Apollo for Fox
  • Fate of the Furious debuted to $532 million internationally, beating the record-setting $529 million earned by Star Wars: The Force Awakens
  • With its original pilot rejected by Fox a few years ago, Joe Hill’s comic Locke & Key will have a new pilot filmed for Hulu
  • The X-Files has been renewed for a 10-episode 11th season. I couldn’t even make it through the last 6-episode batch they gave us, so I think this is a pass for me.

For the past 6 seasons, I have pretty much hate-watched HBO’s Girls. I hated Lena Dunham’s dumpy, Play-Doh body which was constantly on nude display. I hated all of her character Hannah’s “problems”. I hated her boyfriend Adam. I had convinced myself that I was really just watching, hoping that the characters would eventually be hit by a truck or something. Then, this season came along. Even through all my hate, I had to admit that this was a pretty strong season. From Hannah’s odd interaction with a bestselling author to Marnie finally realizing she sucks at life, there were some great episodes of television to be found in this season of the show. I was also forced to admit things about myself.

First off, I always knew I liked Shoshana because she had enough sense to know that she deserved better than the friends with which she’d found herself. And I definitely missed her once she decided to finally distance herself from them.  I also realized there was much more to the Ray character and, while they didn’t exactly put a bow on it, I’m glad they led us to believe that he had found a happy ending. Even a character as originally unlikable as Elijah had some strong development this season, and he was truly missed in the finale, even though this chapter of his story had come to a close. As I already admitted in my Get Out review, I had to come to terms with my crush on Allison Williams and, by extension, Marnie Michaels. Yeah, she sucked at life, but she seemed like the one out of the four who had Tony Starked her way into that situation; she was the cause of her own problems. Once she began to realize that, the character held more promise. And I realized I hated Jessa because she reminded me too much of girls I’d hooked up with in college: damaged, tattooed, pseudo-junkies who are lucky to still be alive. And I guess Hannah reminded me of girls I’d hooked up with post college. Yeah, I hated a lot about Girls because, I guess, I hated a lot about myself.

This Sunday saw the series finale of the show, and I wasn’t quite sure I was ready for it. After a season that had given us a pregnant Hannah, but also showcased the dissolution of the group’s friendship, I didn’t really know how they could “end” the story. I was further distraught when I read an article last week saying that Jessa and Shosh’s final appearances had been in the penultimate episode that had just aired. While I would miss them in the final half hour, I had to admit that their chapters had also come to a close.

When we get to the finale, there’s a five-month time jump, where Marnie and Hannah are living in a remote house upstate, raising Hannah’s baby, Grover. Yes, that’s what she named him. Anyway, it was 30 minutes about what it means to be happy, but also what it means to be an adult and a parent. I like to think that Hannah finally grew up once she realized that Grover wasn’t another problem that she could simply run away from. The entire episode, she’s freaking out because Grover won’t breastfeed, but in the final seconds he finally takes to her breast. The look on her face is a mix of relief and maturity. It was then that I realized the show had to end at that point, as Hannah was no longer a girl. The entire series had been about millennial drama, as they skirted adulthood, but those times were over. The title Girls no longer applied to Hannah because she was now a Woman, with all the responsibilities that entailed. I used to worry about Hannah, and I sure as Hell worried about Grover when we learned she was pregnant. After Sunday’s finale, though, I think they’re gonna be OK. It was a finale that I had to give some thought to, but it didn’t leave me unfulfilled like Don Draper creating a Coke jingle only to end up hocking tax prep software six months later. For this reason, Girls had the West Week Ever.

14th Apr2017

West Week Ever: Pop Culture In Review – 4/14/17

by Will

I was going to skip this week, with it being a holiday weekend and all, but then I realized that this would be the last post written from the WilliamBruceWest.com HQ of the past 6 years. So, simply to commemorate that, you get a quick post.

I didn’t watch any movies this week (dumb, since I need to clear off a 90% full DVR by Tuesday), but I did catch the HBO stand-up special Pete Holmes: Faces and Sounds. Holmes has recently become one of my favorites, as I’ve really been digging his HBO comedy Crashing, which seems to be loosely based on the early days of his stand-up career. He’s at a point now in his career where he seems to be a lot more comfortable onstage. And he cusses a lot more. Something about him reminds me of a modern-day John Ritter – it’s not the physical comedy, but it’s written all over his face. He genuinely just comes off like a good guy that you could have around your mom. I think that’s part of his appeal. Anyway, it’s a pretty good hour, so check it out if you’re looking for a new stand-up special to watch.

In movie news, Jonah Hex/Thanos will now be adding Cable to his resume. In a surprise casting move, Josh Brolin has been cast as the time-traveling hero in the Deadpool sequel. This, supposedly, won’t affect filming of Avengers: Infinity War because most of his work on that movie will be motion capture. Still, it’s odd to see another comic book movie actor jump across the studio aisle. We’ve seen two actors jump from Fox to the MCU (Chris Evans and Michael B. Jordan), but you never see them go the opposite direction. I guess he’ll do OK, but I was hoping for someone like Ron Perlman or Stephen Lang. Personally, I’d be more impressed if they’d cast his father, James Brolin.

I didn’t catch the Rick & Morty 3rd season premiere when it was posted online on April Fools Day, but luckily Adult Swim aired it every night last week. It was so good to have the show back, even though I’m not entirely sure I know what was going on. As some folks have said, I really wouldn’t be surprised if it turned out that was justa “bonus”episode, and not the actual premiere. If it was real, it definitely set up an interesting new family dynamic. Of course all anyone can talk about, however, is the McDonald’s Mulan Sauce. Apparently, back when Mulan came out, McDonald’s had a special Szechuan sauce for their McNuggets. It was only for a limited time, as those things are wont to be, but now it’s been thrust back into the spotlight thanks to the episode. Fans of the show are trying to get McDonald’s to bring the sauce back, to coincide with the release of the upcoming live action Mulan film (despite the fact that Disney ended their relationship with McDonald’s a few years ago in an attempt to disassociate themselves with unhealthy eating). Already, though, I’ve seen some thinkpieces about how the sauce is cultural appropriation and all that so, basically, welcome to 2017.

In comics news, the X-Men were the source of controversy this week after the artist on X-Men Gold, Ardian Syaf, snuck some incendiary references into the background of his art in the first issue of the book. I don’t have a religious studies degree, so I can’t really get into the minutiae. Basically, though, he slipped in some references to the Qua’ran that are anti-Christian and anti-Jewish. Sure, he can have his beliefs and all, but you don’t sneak that stuff into a corporate comic book. Marvel said that he was going to be disciplined, and later in the week he was fired from the book. Syaf immediately went online and basically said “My career is over”. I kinda wanted to feel bad for him ‘cause he almost seemed suicidal, and I wasn’t sure he initially understood the magnitude of what he had done. In follow up interviews, however, he didn’t really seem to back down. As controversial as he might be right now, it’ll be a major PR opportunity when some publisher, like Dynamite Entertainment, eventually gives him work again.

On the music front, it’s no secret that I’m a huge boyband guy. That said, I never really got into One Direction. It’s not that I was old when they came out, but more of a case where they didn’t have any Max Martin songs. Coming from the late 90s/early 00s era, I feel like you HAVE to have Max Martin songs in order to have hits. I mean, they still had their share of earworms, like “That’s What Makes You Beautiful”, but I never glommed onto them that much. So, when they broke up to pursue solo careers, I wasn’t expecting much – which is why I was surprised to find that I really like “The Sign of the Times”, which is the debut single from Harry Styles. I had the thing looped all day last Friday and, while I’m not sure if it’s a “hit”, I’m really digging what’s going on here. I wonder how the 1D fans are gonna take it. I mean, they’ll eat it up because they love Harry, but it’s not like the 1D songs that they’re used to. You’d expect him to bust out of the gate with something bombastic, but instead he went with something chill and melodic. Anyway, I’m looking forward to hearing the rest of the album when it hits on May 12th.

Things You Might Have Missed This Week

  • Grace and Frankie has been renewed by Netflix for a 4th season. And I think my wife is the only person I know who’s happy about that. Anyway, Lisa Kudrow is joining the cast.
  • Jude Law has been cast as young Dumbledore in the Fantastic Beasts sequel
  • There’s a Fear Factor reboot coming to MTV, which will be hosted by Ludacris

    • We got a new Justice League poster. Um, OK. I don’t want to hate the DCEU but they make it so easy
    • The Get Down’s Shameik Moore has been tapped to voice Miles Morales in the upcoming animated Spider-Man film
    • John Ridley produced Guerrilla, a miniseries about the Black Power movement, and included basically no Black women in it. Good luck with that, my dude.
    • TLC are back. Well, T and C; you’d need a necromancer to get L back. Anyway, the single “Way Back” debuted on radio this week. It’s nothing special, really.
    • Sam Elliott has signed on to star in The Man Who Killed Hitler and Then The Bigfoot, which is a Must See based on the title alone

    • This looks fun. Not “see it in a theater” fun, but fun nonetheless.
    • This Fall, NBC’s Dateline will become a weekday syndicated true crime series, which will probably end up replacing former correspondent Chris Hansen’s Crime Watch Daily. Coldblooded!


Thor: Ragnarok’s teaser trailer hit this week and it was amazing. Now, keep in mind that the Thor movies are lower on the MCU scale, so it’s not like it had to do much heavy lifting to blow our minds. We’re at a point where we just don’t expect that much from the Thor films. Still, it looks like Guardians of the Galaxy 1.5, and that’s exactly what people love about it. After the departure that was Thor: The Dark World, we’re back to a Thor tale that feels epic and world-spanning. And the Hulk cameo! Anyway, I could ramble about it, or you could just watch it for yourself. All I know is that the Thor: Ragnarok teaser trailer had the West Week Ever.

And if you’re jonesing to read some more, be sure to check out my comic post from this week: Comical Thoughts: The One Where Our Hero Read 30 Marvel Comics In One Night!

12th Apr2017

Comical Thoughts – The One Where Our Hero Read 30 Marvel Comics In One Night

by Will

So, a lot of people have thoughts on the recent remarks that Marvel Editor in Chief Axel Alonso made regarding diversity. Ultimately, he said that retailers and consumers didn’t seem to flock to the diversity push that Marvel was doing in their books. Fans came out in droves to dispute this, saying that there are other reasons that Marvel’s losing sales. Well, I’m not gonna contribute to that conversation – at least, not directly. You see, I’m about 6 months behind on Marvel books, so I’ve missed a lot of this diversity push. I mean, I go to the shop every Wednesday, and I’m buying a TON of books, but there are only so many hours in the week, so I just haven’t had the chance to read all of them. Oddly enough, I’m fairly current with a lot of the DC books I buy, mainly because they seemed to serve as better jumping-on points. I know everything happening in the Superman books and Teen Titans, but I only just read Civil War II, like, two weeks ago. Usually my Friday nights are consumed with me going on toy runs or napping, but the other day I said to myself, “Will, it’s time to read some Marvel.” I had a few thoughts on what I read, so I thought I’d share them here for anyone who’s curious.

First up, I read the full run of The Unbelievable Gwenpool to date. I read #1 when it came out, and then the book just went to the bottom of a large stack. That’s not to say I didn’t enjoy that first issue. I mean, it’s written by Christopher Hastings of the hilarious The Adventures of Dr. McNinja, so I already knew that I loved his style. The Gwenpool concept, on the surface, just sounds like a cash grab. Creating a Deadpool series used to be the equivalent of printing money (not so much anymore, looking at the sales for Deadpool and the Mercs for Money). Meanwhile, everyone and their mom seemed to love the idea of Spider-Gwen when she spun out of Spider-Verse. So, it was natural to put peanut butter in your chocolate by mixing the two.

Gwen Poole actually hails from our world, where all of the Marvel characters are just characters in comics books. By some mysterious means, she transports herself into the Marvel Universe, with her wealth of comic knowledge at her disposal. So, she knows everyone’s identities, all their power sets, etc. This is similar to the Deadpool thing where he thinks of himself as a character in a comic book. Once she gets to the MU, she sets herself up as a mercenary even though she’s not necessarily good at killing. She has limited hand to hand skills, and she’s not a great shot. But she’s pretty good at blowing shit up, which is what she does. The funny thing, though, is that they’ve never really explained why she’s a killer. Maybe it’s because she knows none of it is “real”, so it doesn’t matter if she kills somebody or not. After all, they’re just fictional characters to her. Anyway, after a botched mission, she finds herself working for M.O.D.O.K (Mental Organism Designed Only For Killing) and his gang of mercenaries, which includes Captain America foe Batroc The Leaper.

Anyway, I LOVE THIS BOOK! I’m quick to talk about things I don’t like, so I have to give equal credit to the things that I do like. I love the Gwenpool character, who’s really just a perky teenage girl who likes blowing stuff up. It’s kind of refreshing to meet a female character with an encyclopedic knowledge of comic book trivia, and it’s cool to see how she employs that in her series. I’ve been a big fan of Dr McNinja for years, so I knew Hastings wouldn’t disappoint and he surely didn’t! It’s a fun comic that really gives credence to the slang term “funnybook”. If you’re looking for fun in your comic reading, then definitely check this out. The sales on it aren’t so hot, making it seem like she should’ve been left to do cameos for a while before getting her own series. That said, she’s had 13 issues by now which, sadly, is an achievement in today’s comic landscape. Don’t let them cancel my Gwenpool! Buy this book today!

Next up, I finished the whatever volume it is for Invincible Iron Man. Ya know, the Bendis one, but the one before Civil War II. This series was kind of a waste, as it went nowhere. I’m not sure if plans got derailed because of CWII or what, but it’s odd that so many issues were devoted to one story that just dead ends. Madame Masque is caught stealing items from various Stark facilities, and when Tony goes after her, he finds she’s being chased by a group of cyber ninjas. That’s pretty much it. In the end, he never finds her and never solves that mystery. They do introduce a new cyberhacker Inhuman, though. Yay. Meanwhile, there’s a B-story of Stark trying to convince Mary Jane Watson to be his assistant/life coach. I’ve had my issues with Bendis, but I’ve got to say that this is him at his worst. Sure, there’s snappy dialogue, but not much else.

So, knowing that I needed to plod through my Iron Man backlog, I begrudgingly jumped into International Iron Man. This series made up for everything that was wrong with Invincible Iron Man. My only quibble is that, at 7 issues, it should have been an arc in Invincible Iron Man instead of its own standalone series. In the previous Iron Man series (the one after Superior Iron Man, but before the Bendis Invincible Iron Man), Tony discovered that Howard and Maria Stark were not his birth parents. In this series, Tony sets out to find his real parents, interspersed with flashbacks to the story of his first love, Cassandra, who was the daughter of arms dealers who were also business rivals of his father. Cassandra was in Tony’s life around the time that Howard died, so he finds it odd that she resurfaces, now an arms dealer herself, at the same time he’s searching for his birth parents. He thinks she knows something, but she’s not talking. In the end, Tony finds his mom, Amanda Armstrong, who’s basically Annie Lenox. No, I swear Maleev used Lenox as the model for Armstrong. The last two issues tell the story of Tony’s parents’ love affair, and it’s some damn good writing. This is Bendis at his best. I want an Agents of S.H.I.E.L.D. arc of just this story (it’s good, but it’s not summer theatrical blockbuster good), but there’s no way they’d cover Stark stuff on TV. At the end, it says that the story will be continued in the next volume of Invincible Iron Man – ya know, the one starring Riri/Ironheart. So, I’m not quite sure how that’s gonna work. Is Amanda Armstrong going to be a supporting character in the book while her son spoiler alert is in a coma in S.H.I.E.L.D. custody? I haven’t read the Riri series yet (it’s in the pile), so don’t tell me what happens. Where Invincible left me disappointed, International proved to me that Bendis understands Tony Stark.

The interesting takeaway I had from the series, however, is that Tony Stark is a result of Nurture and not Nature. I mean, it was always assumed he was a genius because his father was a genius, and it was in his blood. Now that we know his real parents were just undercover S.H.I.E.L.D. agents, it becomes clear that Tony was a product of his environment and upbringing, rather than possessing some inherited genius. I’m curious to see if they’ll do anything with that going forward. Ya know, when he “wakes up”.

Ya can’t love everything, though, and that’s where America comes in. I HATED that comic. I hate the character. I don’t really know where she came from, as I wasn’t reading Young Avengers at that point, but I find her obnoxious to no end. If you’re not familiar, Miss America, AKA America Chavez, is from another dimension where she had two moms who sacrificed themselves to save creation. She has the power to punch star-shaped portals between dimensions, and she’s strong, and fast, and can fly. Basically, she can do everything but project energy. Oh, and she’s a bad ass motherfucker. She can do ALL the things, and that’s kinda why I hate her. This is about to get dicey, so strap in. Ya see, a lot of people are going to say that I don’t like her just because she’s queer. There aren’t a lot of prominent queer characters in comics, so I understand her importance to representation. That said, she’s guilty of what I call the “Queer Eye-ification of Pop Culture”.

Let’s take a trip back to 2003, shall we? Bravo introduced the reality show Queer Eye for the Straight Guy, where 5 queer men (don’t say “gay”, because a couple of them were bi) gave schlubs makeovers. Carson changed their clothes, Kyan changed their hair, Ted changed their food, Tom changed their furnishings, and Jay…well, Jay taught them how to open CDs. No, that really happed. The principal underlying theme, however, was basically “Look, queer people are better than you in every single way! They dress better, they cook better, they have better hair, and better décor. What’s wrong with you, straight people? Why do you suck so much?“ For a while, that approach kinda worked. The show was a hit. Then I think folks got tired of the formula. We got it. They were all great at shit, but they stopped being relatable. After all, they were experts, and not just regular guys.

That’s my problem with America. She’s too good. She does it all. What are her weaknesses, her faults, her fears? I didn’t get that from her. Instead, she seems to have this false bravado of being the baddest bitch on the block, and that just doesn’t appeal to me. Is that what queer readers want? Do they want a character who seems to suffer from doing-too-much-itis? Or do they want a relatable character, like a queer Peter Parker who’s an amazing hero, but still has everyday problems? As a cis, straight male, I can’t answer that. I know what I think I would want, and this ain’t it. The market will dictate whether or not I’m wrong. Instead of the whole “Queer people are the awesomest”, maybe the more realistic approach is “Queer people are just like everyone.” I know I’m veering dangerously close to the camp of folks who say things like “Well, why isn’t there a White History Month?” I’m not trying to take anything from queer identity, but the way it’s expressed here contributes to why I don’t like that character. I fear this overcompensation is a trope commonly used as a “foot in the door” technique to get some folks to accept uncomfortable ideas, but I feel it does the queer community a disservice by reinforcing stereotypes/setting up unreal expectations.

Following this thinking leads me to the new Champions comic, which is downright irresponsible in its storytelling. Back during Civil War II, the young members of the Avengers became disenchanted with the elder members because they didn’t feel the team was doing enough to really change the world, instead spending more time in-fighting in the hero community. So, they quit the team before that story even wrapped up. As Champions picks up, Ms. Marvel reaches out to Nova (Sam Alexander – gotta specify, since there are two now) and Spider-Man (Miles Morales – gotta specify since there are two now) to convince them that they should be out doing the stuff that the Avengers refuse to do. They go on a mini recruitment drive, which results in the Hulk (Amadeus Cho – gotta specify since…you get it by now), and Viv Vision joining the team.

Champions is the wrong name for this book. Honestly, it should be the New Warriors, because they are TOTAL social justice warriors. I normally don’t even dip my toe into those labeled waters, but that’s exactly what this book is about. Ms. Marvel has created a team of other teens who do nothing but seek social justice. When older Marvel fans say that they’re tired of the diversity push, I have to believe that this is the book they’re talking about.

I say they’re irresponsible because they tackle concepts that can’t be solved by punching, yet that’s exactly how they try to solve them. They went to the Middle East to stop an extremist Muslim group from killing women who were just trying to learn. They went to a small town to face off against a racist sheriff who bombed the local mosque. Instead of facing villains, all of their “foes” are systemic issues that aren’t easy fixes. Somehow, though, they manage to “fix” things in 22 pages. To use old slang, these kids are cruising for a bruising. There’s a reason the Avengers don’t handle these sorts of things, mainly because they’re old and wise enough to know there are no easy fixes. Racism ain’t Galactus. There’s nothing to punch. The only reason I would stick with the book is that there’s GOT to be a reckoning coming to teach them a lesson. The last time a team of teens was this irresponsible resulted in the destruction of the town of Stamford, Connecticut. I HAVE to believe the Champions exist only to set up some post-Secret Empire event.

The sad thing about all of this is that I like these characters. I’ve been a Miles Morales booster since day one, and I loved Sam Alexander’s Nova from the outset. I was late to the Kamala Khan party, but she’s cool, too. I don’t like how Amadeus Cho’s Hulk is painted as a green Bro in the book, but I’m really behind on his title, so maybe that’s who he is now. And I haven’t read The Visions yet, so I don’t know anything about Viv. All that said, I’d hate to see anything bad happen to any of these guys, but that seems to be the path they’re on. It just seems like such mishandling of some great concepts. From when I was reading Captain America: Sam Wilson, the big takeaway was that there are some things you can’t fight head-on, but it seems like the Champions are gonna have to learn that the hard way.

So, I guess I did have thoughts about Marvel’s diversity after all. Is it killing books? Not necessarily. It’s just not being done well. Feels tokeny. There are a lot of great female-led books right now, like the afore-mentioned Gwenpool and Jessica Jones (which I’ll talk about another time since this has already gotten way longer than I initially expected). But the minority portrayals aren’t that strong. I’ve still got a LOT more to read, though, so maybe it gets better? We’ll just have to see.

31st Mar2017

West Week Ever: Pop Culture In Review – 3/31/17

by Will

So, as a week has passed, I find I’ve got some more thoughts on Power Rangers. I watched it again (don’t ask me how), and I actually liked it a lot better. The first viewing is pretty jarring, but once you know what you’re getting yourself into, it’s easier to let go and let Zordon.

Something about it struck me, though: the teens have an odd bloodlust thing going on. They’re really jonesing to kill something/somebody. When they first encounter Alpha, and don’t realize he’s “one of the good guys”, Zack’s immediate response is “We could kill it”. Not “Hey, we should run” or “We need to get away from it”. It was basically “We could end its life”. And while I know kids shows have to use language like “destroy” or “eradicate” or anything that’s not “kill”, I’m not used to applying “killing” to the world of Power Rangers. Even Zordon says that Rita must be “stopped”, and the kids immediately take that as “We have to kill Rita.” Hold your horses, hoss! I know they live in some little podunk fishing town, but have these kids killed before? Will they kill again?!

Also, Brian Tyler’s score needs to be applauded. It’s one basic theme that’s repeated throughout the film, but I didn’t realize how epic it was until the second viewing. Sure, it’s not “Go Go Power Rangers” or any of the show’s songs from Ron Wasserman, but it really conveys that superhero aesthetic the movie is going for.

It’s not all sunshine and roses in the world of Power Rangers, however. First up, original Green Ranger Jason David Frank was apparently kicked out of the premiere of the film because he took out his camera to film the audience’s reaction to his onscreen cameo. If you’re not familiar with his antics, his lives his life online. He thinks he’s giving a ton of access to his fans, so he basically vlogs EVERYTHING. Signings, convention panels, etc. He was a web series called My Morphing Life, so I assume  he was trying to get footage for that. Well, security did what the original 5 Power Rangers couldn’t do, and that was defeat the Green Ranger. They escorted him out and he didn’t even get to see the mid credit scene. They tried to take his phone, which he wasn’t about to let them do, so he yelled “It’s morphin time” and proceeded to beat up a bunch of middle aged men. Well, I don’t know about that last part, but it’s still fun to imagine.

Next up, murderous Wild Force Red Ricardo Medina Jr has been sentenced to 6 years in jail for the 2015 stabbing death of his roommate. Earlier this month he pleaded guilty voluntary manslaughter, and he got the maximum sentence for that charge. While I poke fun at it, the whole matter kinda sucks. I mean, he claims it was in self defense. In this crazy country, if he’d shot the guy, we probably wouldn’t even be having this discussion. Instead, he had to go and use a sword, and the American legal system just isn’t built for that. Here’s hoping he gets off early for good behavior or something.

There was a Justice League trailer released last Saturday, and that’s all I have to say about that. No, I guess I have more to say. Look, if the DCEU movies still get you hard, then more power to you. I’ve been fooled enough by those films to know that they’re more than likely not going to be my cup of tea. I felt like I was in Bizarro World, though, as everyone seemed to love the trailer but hate Cyborg. I was the opposite. I just can’t get excited about these things anymore, but I thought Cyborg looked cool. I’ve been told the CGI is outdated, but I’d rather he look like that than just a Black guy in a silver suit. Anyway, Snyder makes long-form stylized music videos. That’s what Watchmen was, and Dawn of Justice was a darker version of that. Here, it’s business as usual for him.

Speaking of DC movies, apparently Joss Whedon is in talks to write, produce and direct a Batgirl movie. Ya know, until he drops out. I’ve never worshipped at the altar of Joss, as I can see the holes in his whole gimmick. He’s always the go-to guy for “strong, female characters”, but I feel like it’d make more sense to just hire a woman instead of hiring a man who seems to understand women. I think DC is just trying to hedge their Bat bets because they know Affleck has one foot out the door. DC is the KING of announcing shit with nothing to back it up. The only time the MCU did that was with Inhumans, but DC has promised Green Lantern Corps, Black Adam, and  Cyborg films – all of which seem to be in Development Hell. To me, this is just another empty promise. DC is the dad who makes a ton of empty promises because he’s scared you love mom’s new boyfriend (Marvel) more than him. And they’re right. Have people forgotten all the Wonder Woman drama? People act like this is a major heel turn, with Whedon “defecting” from Marvel to DC, but I think the Russo Bros effectively swept away any influence folks thought Joss had on the MCU. Age of Ultron was a bore of a chore, so I’m not exactly jazzed about him crossing the aisle. I also don’t like the idea of a standalone Batgirl film that didn’t organically evolve from an existing Batman franchise. The Batman is falling apart, and instead of fixing that, they move on to Batgirl? Get your shit together, DC!

In the world of TV, Katie Cassidy is reportedly returning to Arrow next season as a series regular. Instead of playing Laurel Lance, however, she’ll be reprising her Earth 2 identity as villain Black Siren. If you remember, she crossed over into our world this season, and Oliver’s determined to rehabilitate her. I’m bored just thinking about it. However, if you know anything about the Arrowverse, you know that “series regular” doesn’t mean much. After all, Willa Holland is a series regular, and we’ve seen Thea how much this season? And Cassidy already had that exclusive Berlantiverse contract this season that yielded few results. I guess we’ll have to wait and see how much exposure she actually gets.

Speaking of the Arrowverse, we finally got our first look at Cress Williams as Black Lightning in the pilot being filmed by The CW. Fox passed on this a few months ago, so naturally The CW came to the rescue. Personally, I don’t think that universe needs a fifth show. They always add a show to the detriment of another. Arrow suffered when Flash came along, Flash suffered when Supergirl and Legends of Tomorrow came along. Supergirl‘s still getting used to its new home, while Legends is only just starting to get good. I think they should focus on what they have instead of trying to expand right now. Someone online said that Black Lightning was corny, but so was Static and folks are always claiming they wanna see that character make a comeback. Sure, Black Lightning hails from a different era, and I really hope they just call him Lightning, kinda like how Ollie was just The Arrow in the beginning. The only important storyline I remember featuring Black Lightning was when he was chosen to be the Secretary of Education under the Luthor Administration. Other than that, his daughters have had more page time than he has in recent years. I’d be all for the character joining the Legends team, but I don’t know if there’s enough meat on that bone for a series. And knowing The CW, they’re gonna green light it anyway – not even stopping to think how a failure would devalue the brand.

Things You Might Have Missed This Week

  • The Big Bang Theory scored a 2-season renewal, which will take it through season 12. Suck it, haters!
  • Han Solo is not the character’s real name. His birth name was Handsome Solowitz, but his manager made him change it
  • Adam Sandler inked a deal for another 4 Netflix movies. When, exactly, did he officially become the White Tyler Perry?
  • In the upcoming film, Jumanji will now be a video game console and not a board game. As someone who never saw the first film, and has never played many board games, this doesn’t bother me in the least
  • The upcoming Astonishing X-Men comic series will feature a different artist every issue. All I know is that each issue better be a self-contained, done-in-one affair, or this is gonna get messy!
  • TLC is planning to bring back Trading Spaces. Paige Davis better return to host, or GTFO.
  • Jack the Ripper time travel drama Time After Time has been canceled by ABC
  • Bones ended its 12-year run, making it the longest-running Fox drama
  • AMC has renewed sci fi android drama HUMANS after a blink-and-you-missed-it second season.
  • Jordan Peele is being sought after to direct the live action Akira movie. Seems like an odd choice, but I guess he can write his own ticket after Get Out‘s success.
  • Mindy Kaling announced that her series, The Mindy Project, would end after its next season on Hulu.
  • In music news, I’ve just discovered a new Chinese boyband called Acrush. There’s a catch, however – it’s actually made up of androgynous girls! CRAZY!


Did you see that? I’m just glad Spider-Man is in the MCU now. Nobody does a shared universe like Marvel, so it’s nice to see him come home. It still feels like it’s an Ultimate Spider-Man movie, what with Gank…”Ned Leeds”. Seriously, why would Marvel go to the trouble of clearly putting Miles Morales’ best friend Ganke in the movie but then call him one of the Hobgoblins? Am I really supposed to expect this kid to become Hobgoblin down the road, a few sequels from now? It almost feels like fanservice to give him that name, to make fans wonder what might happen in the future, while never actually delivering it.

Anyway, every announcement about this film just gets better and better. For example, it was announced that it would officially introduce Damage Control to the MCU. In the comics, Damage Control was a construction firm co-owned by Tony Stark and Wilson Fisk (The Kingpin) that was tasked with rebuilding NYC after superhero battles. It’s such a logical concept, but something that gets lost in the suspension of disbelief that comics require. I’ve loved every appearance of Damage Control, so it’s nice that we’ll finally get to see them onscreen. They were actually mentioned in an episode of Agents of S.H.I.E.L.D., as a division of S.H.I.E.L.D. itself, so it’ll be interesting to see how the movie handles this.

Also, it was reported that Pepper Potts might be making her return to the MCU in the film. I tend to hate Gwyneth Paltrow, but I really like her take on Pepper, as she serves as a good match for Downey’s Stark. If this rumor pans out, I’ll be very happy.

At this point, the only thing I’m not looking forward to is The Vulture. I always thought he was a lame character, but here’s hoping Keaton can do something to make him interesting. I’m as eager for this film as I’m not eager for Justice League. I swear I’m not just some Marvel fanboy, as I’m currently reading more DC than Marvel. That said, Marvel simply makes better movies, and it appears this will be one of them. So, for those reasons, the Spider-Man: Homecoming trailer had the West Week Ever.

10th Mar2017

West Week Ever: Pop Culture In Review – 3/10/17

by Will

 

In movie news, a lot is going on with the Deadpool sequel. At the beginning of the week, it was reported that David Harbour of Netflix’s Stranger Things was being sought after for the role of Cable. While fans have wanted a bigger name, like Ron Perlman, Harbour is definitely gonna be cheaper, fitting right in with the movie’s budget. Meanwhile, it was reported that actress/singer Janelle Monae was the studio’s frontrunner for the role of Domino. Yesterday, however, Ryan Reynolds tweeted the above image, confirming that Atlanta‘s Zazie Beetz had gotten the role. I swear, with Donald Glover off Lando-ing in the Han Solo movie, and Zazie in Deadpool 2, Atlanta ain’t ever coming back. It’s already “on hiatus”, and I fear that it’s gonna be like Curb Your Enthusiasm – something Glover comes back to when he gets bored and has the time to do it. So, look for Atlanta season 2 in 2025.

In other movie news, the Valiant comic universe is getting closer to the big screen, as Dave Wilson has been tapped to direct the Bloodshot movie. Wilson comes from Blur Studio, known mainly for video game trailers, and co-founded by Deadpool director Tim Miller. If you don’t know anything about Bloodshot, you’re not alone. He looks like some kind of albino madman. From what I’ve read, he’s basically a zombie soldier who’s animated by nanites. I’ve never read a Bloodshot comic, though, so what do I know? Here’s where it gets interesting: there’s currently a webseries being made by Bat in the Sun called Ninjak vs The Valiant Universe. Starring Michael Rowe (Deadshot from the Arrowverse), the webseries pits the character of Ninjak against other characters in the Valiant Universe – where Bloodshot just happens to be portrayed by original Green Ranger, Jason David Frank. Now, JDF used to go to all of his convention appearances promoting the Power Rangers brand, but lately has been doing it dressed as Bloodshot. This project isn’t big enough to warrant that kind of dedication. No, I’m convinced he’s lobbying for the role in the big screen film. This is like when Sean Young used to go out in public dressed as Catwoman just so she’d get the role in Batman Returns. I don’t know whether to be impressed or saddened. I mean, he’s lobbying hard, but there’s no way he gets that role.

Though the news got sort of lost in the cycle last week, Nickelodeon announced that the new season of the 3D Teenage Mutant Ninja Turtles cartoon, premiering March 19th, would be its last. After five years, the show is ditching its serialized approach and is rebranding into an anthology format with the new title Tales of the Teenage Mutant Ninja Turtles. Once the series ends, a new 2D cartoon, Rise of the Teenage Mutant Ninja Turtles, is slated to premiere in 2018.

In other TV news, folks are wondering if Glenn Howerton is leaving It’s Always Sunny In Philadelphia. The show aired its 12th season finale this week, where we learned that Dennis had a son from a layover in North Dakota. At the end of the episode, he decides that he can’t carry on as he’d been doing the past 12 years, and that he needed to leave and go be with his son. This episode aired the same day it was reported that Howerton and Patton Oswalt had been cast as leads in an NBC pilot where Howerton plays an Ivy League professor who loses out on his dream job, and ends up teaching high school science. Currently known as AP Bio, the series is produced by Seth Meyers and Lorne Michaels, so I think it’s likely it’ll be picked up. Now, Kaitlin Olson currently juggles working on Sunny and The Mick, but Howerton has a bigger role on Sunny, as he also writes and produces. In an interview with Uproxx, though, Howerton said that he wasn’t sure if he was coming back. He said the decision doesn’t have anything to do with his relationships with the other cast members. Sunny still has two seasons ahead of it, but even Danny DeVito recently mentioned that he might be done soon, too. The show really matured this season, as a lot of plotlines came full circle. I don’t even know what they’ll do with 20 more episodes (their seasons tend to be 10 episodes long), but I definitely don’t know how they’d do it without the character of Dennis.

In comic news, Marvel announced that Astonishing X-Men would be returning in July, written by Charles Soule, with art by…unknown at the moment. If you remember, Astonishing X-Men debuted as a miniseries during the “Age of Apocalypse” story in the mid 90s, but its claim to fame was the ongoing series written by Joss Whedon in the early ’00s. This incarnation of the team stars Old Man Logan, Archangel, Rogue, Gambit, Mystique, Psylocke, Bishop, and Fantomex. This, combined with the previously announced X-Men Gold, just proves that Marvel is trying to initiate a 1991-style refresh of the X-Men franchise, and I am here for it! This Astonishing team is basically a refresh of the 90s Blue Team from “adjectiveless” X-Men, while the team in X-Men Gold is pretty much a refresh of the 90s Gold Team from Uncanny X-Men. I love the Old Man Logan character, though I fear he’s approaching typical Wolverine levels of overexposure. Meanwhile, it’ll be interesting to see how Bishop redeems himself considering he spent the bulk of the last Cable series trying to kill a little girl. And it’ll be an interesting dynamic between mother and daughter Mystique and Rogue, as well as starcrossed lovers Rogue and Gambit. I still hate Fantomex, though, and I wish Marvel would stop trying to make him “happen”. Anyway,  I don’t get excited for much, comic-wise, but I’m really looking forward to this book.

In sports news, Jay Cutler was cut from the Chicago Bears after 8 seasons. Now, if you know anything about me, you know I don’t give a shit about sports. Still, there’s a funny anecdote here. You see, when Lindsay and I first started dating, Cutler was the starting quarterback of her beloved Denver Broncos. She bought me my first NFL jersey, which happened to be a Cutler jersey. After all, there was no way he was going anywhere, right? Well, he got cut after that season, and I couldn’t really wear the jersey anymore. He ended up going to the Bears, who had the same color scheme. I thought that meant I could still wear the jersey, but apparently that doesn’t fly with sports fans. Anyway, he’s also married to Kristin Cavallari of Laguna Beach/The Hills fame, so I guess there’s your pop culture connection to justify my mention of him.

Things You Might Have Missed This Week

  • Director Joe Carnahan has exited the third Bad Boys film, Bad Boys For Life. Maybe I’ll get around to finally watching the first two before this thing gets made.
  • Jason Isaacs was cast as Captain Lorca in Star Trek: Discovery. I…don’t know who that is, so it’s done nothing to get me excited about this show.
  • It was a week packed with renewals, as One Day At A Time was renewed by Netflix, Riverdale was renewed by The CW, and Baskets was renewed by FX. I pretty much only have interest in one of those shows. Can you guess which one?
  • Emma Dumont was cast as Polaris in Fox’s untitled mutant series, which will be interesting since she’s Magneto’s daughter and all…
  • The embargo for reviews of Netflix’s Iron Fist was lifted, and they weren’t pretty. It seems the problems are with the structure and not necessarily the casting, so it looks like the folks lobbying for an Asian American lead dodged a bullet there.
  • Who knew Josh Radnor had been working since How I Met Your Mother ended? Well, he’s not anymore, as his PBS series Mercy Street was canceled yesterday.

Now, I know Logan had a great week. It came out to rave reviews, and it opened to $238 million worldwide. Still, I kinda got things off schedule. You see, it got the West Week Ever last week before it had even performed. I don’t really want to start this trend of the same thing getting the WWE two weeks in a row just because I just had to see it opening night, hours before pushing “Publish” on the next post. So, yeah, Logan had a great week, but it was the best thing I experienced last week. Now, I’m gonna talk about the best thing I experienced this week.

Since its debut in 2015, I’ve been a big fan of the FXX series Man Seeking Woman. Starring Jay Baruchel (you know who he is, even if you don’t know his name), it follows Josh Greenberg, a down on his luck Millennial who tries to navigate the waters of modern day dating. Like a less contrived version of How I Met Your Mother, the first two seasons saw Josh go on date after date, trying to find The One, but always coming up short. That all changed this season, however, as he met Lucy. He meets Lucy in the season premiere, marries her in the season finale, and their courtship fills out the middle. Lucy’s not only perfect for him, but she also helped the show take on a new direction. We started seeing things from a female perspective, as the show became as much about her as it was about Josh. We got to see her deal with having to give up her fun party life to settle down. We see her deal with the temptation of another possible suitor. But in the end, she chose Josh. This season, it was as much Man Seeking Woman as it was Woman Seeking Man.

This week saw the season finale of the show and, as I mentioned, it focused on Josh and Lucy’s wedding. The show hasn’t been picked up for a fourth season yet, and I’m hoping it doesn’t. As much as I’ve loved it, it has served its purpose. Over the course of 30 episodes, it set forth a goal and it achieved it. Sure, there are a lot of shows that evolved past their initial concept (looking at you, Cougar Town), and I’m sure the show could keep going as we see Josh and Lucy navigate married life, have a kid, etc. But I think I like it where things ended up. We don’t have to see all of that to know it happens, and I don’t think the show as a whole would be any stronger if we did see all that. Instead of overstaying its welcome, I’d prefer it take the British approach of “less is more”. Three seasons is a good run, and it did what it set out to do. It found Josh a woman. Now, if they did want to continue the show in some capacity, I would love if they flipped it to Woman Seeking Man. You see, every season, there’s one episode that stars Josh’s sister, Liz, as we get to see her life in contrast to Josh’s. While Josh is an unlucky in love office manager who lacks ambition, Liz is a driven workaholic attorney – who also happens to be unlucky in love. The Liz episodes tend to be the strongest of an already strong season, and it’d be great to see more focus on her. Josh and Lucy could still pop up as supporting characters, but the focus would now be on Liz.

With all of this gushing, I haven’t really explained what’s so great about the show. After all, it probably sounds like a run of the mill sitcom, but it’s far, far from that. There’s a streak of absurdity to the show that really lends to its tone. For example, in the pilot, Josh’s girlfriend, Maggie, leaves him to date Adolf Hitler. Last season, Liz had an affair with Santa Claus, while Josh dates a girl whose ex-boyfriend was Jesus Christ. Yeah, it’s not your run of the mill comedy. You’ve got to see it to fully experience it, but I don’t think you’ll be disappointed.

The season finale ends with a scene that brings the show full circle to the pilot. If there is another season, I hope they don’t fuck it up. If there isn’t, though, I love what they did, and how they did it. Everything was wrapped up with a nice bow, and it’s a strong series from beginning to end. That’s why Man Seeking Woman had the West Week Ever.

03rd Mar2017

West Week Ever: Pop Culture In Review – 3/3/17

by Will

Sometimes life gets in the way, and you just can’t get a post out on time. That’s what happened last week, but I’m here now, so let’s get on with the pop culture, shall we?

First, I guess we’ve gotta talk about the Oscars, huh? I didn’t watch them. I don’t really do awards shows anymore unless someone’s getting slimed, so this wasn’t exactly my cup of tea. The big moment of the night, however, came at the end when La La Land was mistakenly announced as the winner for Best Picture when it actually lost to Moonlight. And social media went wild! It’s been a crazy few weeks, as the Best Picture predictions had come down to those two films, but neither of them really appealed to me. I’m probably more likely to see Moonlight than La La Land, as the latter just doesn’t sound interesting to me. But having seen neither of them at the time of the awards, I really didn’t have a dog in that fight. I figure they gave the award to Moonlight to shut us up for a few years about #OscarsSoWhite. I mean, racism’s over now, right? Does Hallmark sell cards for that? A “So Glad Your Racism Cleared Up” card?

Anyway, from one controversy to another. I’ve never understood people’s disdain for The Big Bang Theory. It’s not reinventing the wheel or anything, but I find it to be an enjoyable half hour every week. I think people got too comfortable with their single cam Arrested Development and Modern Family that they just couldn’t deal with a multicam, studio audience sitcom anymore. OK, cool. But as the mainstream response to Arrested Development showed us, not everyone wants their shit to be smart. Sad, but true. For all the people loudly calling The Big Bang Theory “blackface for nerds” (which is itself offensive, and clearly exhibits a lack of understanding of blackface), it’s still the number 1 show on television. So, just like Trump voters, your friends and neighbors are watching and enjoying it in secret. And with those ratings come big paydays. The 5 principal actors on the show currently make $1 million an episode, while Mayim Bialik and Melissa Rauch make $250,000 per episode. Considering their roles have expanded greatly since joining the show in season 3, it can be argued that they deserve pay more inline with their costars. Well, the 5 principals (Galecki, Parsons, Cuoco, Helberg, and Nayyar) have each offered to give up $100,000 per episode so that money will be freed up for their costars to get raises. I don’t care how you feel about the show, but that’s pretty cool move on their part. Sure, they’re making a fuckton of money, but this is something they didn’t have to do. They realized they’re stronger as a unit, and they’re making moves to preserve it. Not everyone in this situation would do this. While The Simpsons has had negotiation shakeups in recent years, the last time a cast really came together like this was when the Friends stars negotiated for season 10. If CBS and the studio don’t agree to these terms, however, they’ve got an ace up their sleeve.

What started as a mere rumor is now actually gearing up to film a pilot: a prequel of The Big Bang Theory, focusing on Dr. Sheldon Cooper as a child. It’s being reported that Iain Armitage of HBO’s Big Little Lies is being courted for the role of Sheldon. The most interesting casting, however, concerns Sheldon’s mother. You see, on The Big Bang Theory, his mother is played by Roseanne‘s Laurie Metcalf. Well, Metcalf’s real life daughter, Zoe Perry, seems to be the frontrunner for the role of young Sheldon’s mom. So, daughter will be playing mom’s younger self. My head hurts! Anyway, I kinda love when Hollywood does stunt casting shit like that. Now, CBS hasn’t placed a formal pilot order yet, and I feel like a decision is hinging on how these contract negotiations turn out. I mean, The Big Bang Theory is an aging sitcom in its 10th season, and a renewal would only be for 2 more years. CBS has got to start thinking about the future, but this is clearly a franchise they’d like to keep around in some capacity sheerly for the ratings it brings in. So, it looks like y’all might be hating The Big Bang Theory for many years to come! Or it could just fall apart like How I Met Your Dad did (which, oddly enough, is being revived by the This Is Us team at the moment). Only time will tell.

Just as I like something you hate, I also hate something you all seem to be excited about: ABC’s Marvel’s Inhumans. As the show that I’m almost sure will be the nail in the coffin for Marvel’s Agents of S.H.I.E.L.D., I just don’t see how this is a good idea. Marvel keeps trying to “make ‘fetch’ happen” when it comes to the Inhumans because they want their own robust mutant franchise, but nobody gives a shit. At least, I didn’t think so. However, with each casting announcement, y’all seem to get more and more giddy. Last week, they announced that Iwan Rheon of Misfits/Game of Thrones fame had been cast as Maximus. Anton Mount, from Hell On Wheels, has been cast as the Inhuman king Black Bolt, while Graceland alum Serinda Swan has been cast as Queen Medusa. Finally, Lost/The Night Shift alum Ken Leung was announced yesterday as Karnak. That’s great. Actors are working. I still have no faith in the show, however.

It’s no secret that The Inhumans were Marvel CEO Ike Perlmetter’s pet project because he wanted a stable that Marvel could exploit where they still owned all the media rights. As far as he was concerned, the Inhumans should be the new X-Men. In the comics, they’ve received quite a push over recent years, but it feels more like Marvel is shoving them down our throats than actually giving the audience what it wants. That’s why, once Marvel Studios’ Kevin Feige wrested control of the film division away from Marvel, the announced but delayed Inhumans film was demoted to a TV series. They’re really trying to make this a production, by releasing the first two episodes in theaters in IMAX, but it just feels desparate. Nobody cares, dude. The numbers on Agents of S.H.I.E.L.D. right now are terrible, and I’d be really surprised if it got renewed. Considering it’s the show that introduced the Inhumans to the MCU, and has had them as something of a plot device since that introduction, yet it’s done nothing for the ratings, I don’t think the Inhumans are ready to stand on their own just yet. The argument could be made that the audience didn’t like how AoS was handling the Inhumans, and that they actually wanted the Royal Family Inhumans, which this new series is giving us. OK, but I still don’t see how that’s gonna be cool on a weekly TV budget. Then again, I never found the Inhumans to be the least bit interesting, so this project just isn’t design to appeal to me at this point. I honestly don’t know what they could announce to get me excited about an Inhumans series.

In other Marvel TV news that I couldn’t give two shits about, there’s been a ton of casting news for Fox’x untitled mutant-centered pilot. Yeah, I’m being contrarian, but I just don’t see this being great. First, it’s on Fox. This is the kind of show they pick up solely to cancel. Second, it’s gonna be expensive, which is why Fox will not hesitate to cancel it. Third, I still remember the Generation X TV movie/pilot and Mutant X. Fourth, it’s gonna be directed by Bryan Singer – a man who, despite 16 years of familiarity with the X-Men franchise, really needs to go somewhere and take a seat. Anyway, Jamie Chung has been cast as Blink, which won’t cost too much as they really just have to come up with a cool-looking, yet affordable, portal effect. Yesterday, it was announced that True Blood‘s Stephen Moyer and Angel‘s Amy Acker had been cast as the leads. The show follows the Stewart family, who are forced to go on the run from the government when they discover their kids are mutants. They link up with an underground network of mutants, and ugh, I’m exhausted already. So, they’re basically on the run the whole time? And you’re gonna be holding out hope for some kind of mutant of the week cameo, who’ll be someone they’d never put in a movie. Or maybe it would be. It’s not like the X-Men franchise has ever given a fuck about continuity. Since this is still at the pilot stage, I’m not gonna let it get my blood pressure up until it’s officially ordered to series.

Across the aisle over at DC, they announced a Nightwing movie, to be directed by The LEGO Movie‘s Chris McKay. If you don’t know who Nightwing is, here’s a crash course: remember how Batman has a sidekick named Robin? Well, the very first Robin, Dick Grayson, grew up, got sick of Batman’s shit, and struck out on his own as the hero Nightwing. That pretty much catches you up. Right now, DC is that deadbeat dad who makes a bunch of promises that he can’t keep. “Sure, I’ll be at your dance recital!” and then he shows up when it’s over, and the janitor is collecting chairs. They need to stop being so future-focused, and deal with the now. Word on the street is that Wonder Woman has problems, The Batman seems to be falling apart, and they still have to promote Justice League. Worry about 2017, and stop making all these promises for tomorrow. Anyway, I’ve seen an online campaign about how they should keep Nightwing’s Romani origins (for the uninformed, they’re what we call “gypsies”, even though we’re, like, not really supposed to use that term anymore. Whatever) in the film. Apparently, this is important for Romani representation and whatnot, but it’s kinda tough to swallow since some of the same folks saying this also come from the camp that said Nightwing should show up in the DCEU and be cast with an Asian actor. I’d be fine with Asian Nightwing, as I honestly don’t see what his Romani origin brings to the table. Like, it’s nice trivia, but does it lend itself to his character? As long as he’s a former circus brat who flips off shit, he’s Nightwing. Maybe I’m being glib, but I just don’t really see the argument here.

I was kinda worried about the DuckTales reboot when we saw the character designs. I was also confused as to why they went for “names”for the voice cast, when there are perfectly capable voice actors working out there. Then they released the trailer for the show yesterday, and I am worried no more. While the animation style took me a few seconds to get used to, I really like what’s going on here. Apparently, Disney does too, as the show has already been renewed for season 2, before the show has even premiered.

We also got a new Guardians of the Galaxy Vol 2 trailer. As far as I’m concerned, I don’t need to see single bit more of footage. I’m already a guaranteed ticket sale, so I really hope they don’t spoil us with drips and drabs for the next few months. I’m excited. My body is ready. Don’t overdo it.

Things You Might Have Missed This Week

  • You’ll soon be able to get all your diarrhea in one place, as Burger King owner Restaurant Brands International (what a lame name!) is buying Popeyes Louisiana Kitchen for a reported $1.8 billion.
  • Agents of S.H.I.E.L.D. kicked off what may be its last storyline, “Agents of HYDRA”, just before going on hiatus for the month of March
  • Cloverfield director Matt Reeves has signed on to direct and produce The Batman, presumably still starring Ben Affleck
  • I can’t stand the dude, but I know some of y’all like him: Chris Hardwick will be getting a new weekly talk show, Talking with Chris Hardwick, which will air on AMC as a year-round extension of his Talking Dead show.
  • The Nintendo Switch comes out today, so brace yourselves for socially awkward people playing it in public places.
  • Fox renewed freshman series The Mick (yay!) and Lethal Weapon for second seasons.
  • After nine seasons, SNL cast member Bobby Moynihan might be leaving the show, as he’s currently up for the lead in the CBS pilot Me, Myself & I.
  • Scientology traitor Leah Remini is set to star in NBC’s What About Barb? pilot, itself a gender swapped reboot of the Bill Murray/Richard Dreyfuss film What About Bob?
  • For its 9th season, RuPaul’s Drag Race will be moving from Logo TV to VH1. Considering this was Logo’s last bit of original programming, I wouldn’t be surprised if Viacom phased out the channel in its upcoming reprioritization.
  • Dr. Julian Bashir himself, Alexander Siddig (or Siddig El Fadil for you old heads), will be joining Gotham as R’as Al Ghul. Nope, still not gonna watch that show.
  • Soap opera Days of Our Lives was renewed for a record 52nd season, as cast member Arianne Zucker (who was at the heart of the Billy Bush/Donald Trump scandal) has announced she’s leaving the show.

So I saw Logan last night. It’s funny – I’ve been looking forward to the film since seeing the first trailer, but last night I had a sense of dread. I mean, the movie looked so…heavy. And was I ready to see Hugh Jackman give up a role he’s portrayed for the past 17 years? It all felt so final, and I wasn’t sure I was ready to say goodbye. Leaving the movie, my friend “Special Forces” said “That was damn near perfect”, and I have to agree with him.

Now, it’s easy to get caught up in the comic book movie hype. I mean, even I’ve come on here fawning over the latest Marvel film, only to see its flaws once the hype dies down. I can admit Age of Ultron was something of a chore to get through. And while The Winter Soldier was something of an MCU masterpiece, I’m afraid to revisit Civil War for fear of realizing it didn’t live up to its predecessor. The Fox X-Men films have established an even lower bar of quality, so you basically go into those now with lowered expectations. Logan, however, is a film that I don’t think I’ll have regrets about in the future.

First of all, it’s not a “comic book movie”. If anything, it’s an indie drama whose characters are taken from comic books. As much as folks wanted this to be the cinematic version of the now classic “Old Man Logan” storyline, this film has no real source material other than the characters. It doesn’t devolve into standard superhero hokeyness. It eschews every opportunity to turn into a “comic book movie”, as any opening for that is quickly supplanted with high intensity violence. There’s no Stan Lee cameo, there’s no post credits scene, and there are no costumes. Director James Mangold knew what he wanted to do, and he knew the tropes to avoid in order to be successful. The violence – my God, I lost track of how many times I gasped “Jesus Christ!” during the +2 hours. It earned its R rating and then some.

I won’t get into plot details, as I want you to see it for yourself. It truly is a beautiful movie, which isn’t something you’d typically say about a film with Marvel roots. Dafnee Keen as Laura is incredible, both in how she emotes, as well as her action scenes. It’s also a fitting coda to Jackman’s turn as Wolverine. I don’t know if he’ll ever come back. I mean, he says he’s done, but you can’t count anyone out in the world of comics. Then again, this ain’t a comic book movie. So, if this is it, he’s going out on a Hell of a note. He leaves behind one totally imbalanced trilogy, as the first film is maligned, the second film was serviceable, but this one is quite the mea culpa for all we’ve had to put up with over the past almost two decades. People are talking about award potential, and while it’s certainly good enough, I’m not holding my breath. It might win an Oscar for sound mixing or something, but I’m scared those folks won’t appreciate it for what it truly is. Logan is a moving experience, and it deserves all the praise the early reviews have been giving it. That’s why I have no hesitation in saying that Logan had the West Week Ever.

17th Feb2017

West Week Ever: Pop Culture In Review – 2/17/17

by Will

On the movie front I finally got around to watching Central Intelligence. I’ve been wanting to see it since it was in theaters, as I love Kevin Hart movies, but I didn’t get to see it until it hit HBO. And I’m glad I waited. In the film, Hart plays a middle-aged accountant whose best days were in high school, when he was the most popular kid in school. Meanwhile, The Rock was the fat kid that all the other kids made fun of. Hart’s life is thrown into high gear when The Rock comes back into his life and turns out to work for the CIA. Hart gets wrapped up in murder, intrigue, and secret files. Yeah…On paper, this probably sounded like a great idea. The trailers looked hilarious. Surprisingly co-written by actor Ike Barinholtz (MadTV, The Mindy Project), it’s got a great cast, but they’re not necessarily bringing their A game. It was kinda weird to see Hart essentially playing the straight man, while The Rock had this weird goofiness to him. I know he’s trying to make the audience wonder if he can be trusted or not, but I don’t feel he sells it well. I almost bought this on Black Friday, and I’m glad I put it back on the shelf, as I don’t need to see it again.

In movie news, it’s rumored that Mel Gibson is being courted to direct Suicide Squad 2. Now, this is pretty interesting. I mean, who better to direct a movie about deranged criminals than a deranged actor/director? Seriously, that dude couldn’t be poked with an 8 foot pole a year ago, but since Hacksaw Ridge, it’s like all has been forgiven. I mean, he told his girlfriend he hoped she was “raped by a pack of niggers”! And let’s not forget all the antisemitic stuff. Anyway, I guess everyone deserves a second chance or whatever, but I don’t even see why he’d take the job. Even with all the controversy, a comic book film seems…beneath him, even if it would be great PR to restore his image in the public eye.

In other controversial movie news, A Cure For Wellness took a page out of the “fake news” playbook for its marketing campaign. 20th Century Fox partnered with fake news sites to run false stories alongside ads for the movie. Considering how the concept of fake news is upsetting a lot of people on both sides of the political aisle lately, this was considered to be in poor taste. A Fox spokesperson tried to explain that the film is about a fake cure that actually makes people sicker, so they thought the campaign was fitting. Fox has since apologized for the move, but I’ll bet it’s not the last time someone does this.

In TV news, ABC announced that the next season of The Bachelorette would star Rachel Lindsay as the first Black Bachelorette. This is important for a few reasons. First off, ABC is essentially torpedoing the notion that the current season of The Bachelor even matters anymore. After all, Lindsay is still in the running as one of the remaining finalists of the current cycle of the show. By doing this, ABC is spoiling the fact that she doesn’t win, before the finale has even aired. I’ve never watched the show prior to this season (What? It’s on at the gym!), but I’ve read that this is a particularly disappointing season. The current Bachelor, Nick Viall, is pretty boring, and is also on his fourth go-round with the franchise, having previously been a contestant on seasons 10 and 11 of The Bachelorette, as well as season 3 of Bachelor In Paradise. I mean, if he hasn’t found love by now, then he’d might as well just pack it in! The odd part to me, though, is the choice of Lindsay. I mean, I’ve been watching TV for a LONG time, and it used to be that the most outlandish cast member is the one who gets the spin-off. This season, that honor goes to Corinne, a 24 year old businesswoman who has a nanny for HERSELF, and has repeatedly tried to fuck Nick into choosing her, only to be rebuffed every time. She’s always shocked that someone could reject someone as hot as she is, but that shock never stops her from trying again. If you want good television, you make Corinne the next Bachelorette. Plus, Lindsay isn’t even that interesting. In all the episodes I’ve seen, I can’t really understand why she’s still around unless the plan was always for her to be the next Bachelorette. I mean, after 33 cycles of all three shows combined, it’s time for some diversity, and it’ll definitely make things interesting – ESPECIALLY when they do the home visits. But right now, I’m just not seeing any reason for the choice of Lindsay other than the fact that she’s Black. And she’s not even the best Black chick they had this season. Nah, they sent those chicks home already.

There was an interesting interview over on TV Line with Arrow‘s co-showrunner Marc Guggenheim, where he basically revealed that those previously-announced DCTV contracts don’t really mean that much. If you remember, over the summer it was announced that Wentworth Miller, John Barrowman, and Katie Cassidy had signed DCTV exclusive deals, which would allow them to pop up in any of the Berlantiverse shows. While the details of the deal were unknown, it certainly seemed like they’d be doing more with them than they are. Sure, Miller has popped up as a hallucination on Legends, and Barrowman’s also on Legends, but Cassidy hasn’t really been used outside of Arrow this season (that I know of. I’m still behind on The Flash). When asked if Cassidy would be popping up before Arrow‘s season is over, Guggenheim replied:

“We have an idea for how to see [Katie] again, but we haven’t made a deal with her,” Guggenheim shared. “She’s not a series regular anymore, so we have to make a contract with her, and she’s got to be available. We haven’t had those conversations. But… we know exactly what we do want to do.

They have to make a contract with her? Then what was the point of last summer’s announcement? I realize it’s pilot season, so she’s got to look out for herself since she’s no longer a series regular, but the contract seemed to ensure she’d have work, and be available for it should it arise. It’s starting to be clear that these “exclusive” contracts are just as useless as comic exclusive contracts, which basically just mean you can’t work for Marvel if you’re working for DC and vice versa. You can still work for Image and nobody bats an eye.

In a surprising announcement, we’re getting a Love Actually sequel, but it’s not what you think it is. See, in the UK, they have this charity event called Red Nose Day, where they air a TV special to raise money for Comic Relief, which helps people in need in Africa and The UK. In its 30 year history, the event has raise over £1 billion. In the UK, Red Nose Day culminates in a telethon where all sorts of specials and reunions occur. The idea was brought to the US back in 2015, with Walgreens selling the red noses for charity. Well, this year, a bunch of members of the original cast of the film are getting back together for a 10-minute special that will show us where they all are today. Right now, the special is expected to include Hugh Grant, Keira Knightley, Colin Firth, Martine McCutcheon (YAY!), Liam Neeson, Bill Nighy, Rowan Atkinson (really? He wasn’t even that important), Andrew Lincoln, Lucia Moniz, Thomas Brodie-Sangster and Olivia Olson. It’ll be really interesting to see where these characters are, 14 years later. It’s a shame we’re only getting ten minutes, but I’ll take what I can get. The special will air March 24th in the UK and May 25th in America. Yup, two months later. So, look for it on YouTube March 25th.

Rejoice, fellow titty enthusiasts! After a year of trying to “go legit”, Playboy has announced that nudity is returning to its pages as of its next issue. The decision to remove nudity didn’t really help sales much, which was somewhat surprising to me. See, I figured the lack of nudity would mean you’d see it in grocery stores and pharmacies, right next to Maxim and GQ. But that never happened. I guess it’s because the Playboy brand is known for nudity, even when the magazine itself decides to eschew it. But you bushwackers are gonna be disappointed, as the returning nudity will only feature breasts and butts for the time being.

This week, I had the pleasure of joining my pal, Classick, on the newest episode of Classick Team-Up. We discussed 24 Legacy, Turkish Airlines, and Trump’s America. Trust me, it all makes sense. Anyway, if you’re looking for some podcastin’ fo’ yo’ ears, check check check it out!

Things You Might Have Missed This Week

  • Adele “robbed” Beyoncé of the Album of the Year Grammy at this year’s awards ceremony. Whatever…
  • Country newcomer Maren Morris pulled off a major upset by winning Best Country Solo Performance Grammy over established award darlings Carrie Underwood, Keith Urban, and Miranda Lambert
  • With recent successful revivals of old shows, Fox is finally keen to revive sci fi cult fave Firefly – the only catch is that show creator Joss Whedon has to come back, and they figure he’s too busy right now. I hope he doesn’t call their bluff. That show bored the shit out of me.
  • Speaking of Fox, they blew my mind by renewing Lucifer this week for a 3rd season. I didn’t think it would make it through season 1!
  • ABC renewed their TGIT lineup comprised of Grey’s Anatomy, Scandal, and How To Get Away With Murder for next season.
  • NBC renewed the wonderful Superstore for a 3rd season.
  • Cloverfield director Matt Reeves is in talks to replace Ben Affleck as director of The Batman. Meanwhile, the rumor is that Affleck is trying to walk away from the film completely.
  • Poor Alanis Morissette! I recently wrote about how her former manager stole around $5 million from her, and this week over $2 million in jewelry was stolen from her home.
  • In the Remakes Nobody Wanted department, Frank Grillo will star in an American version of modern-day action classic The Raid
  • In what I’ve heard was a dreadfully unfunny stand up special, Nick Cannon said that NBC was keeping him from being himself as host of America’s Got Talent. As a result, he’s said he’s leaving the show.

Man, before Sunday night we had no idea who or what “Gnarley Davidson” was. Now, I can’t understand how we ever lived without him. At the Grammys, Cee Lo Green debuted his new solid gold persona, bewildering millions. And the meme machine got crankin’. He was photoshopped into pictures of Donald Trump’s house.

He was photoshopped into pictures of the Power Rangers.

The best part, however, wasn’t even a meme, but actual video of his departure from the awards. After all, he didn’t win anything, so why stick around?

That, folks, is how a true West Week Ever recipient leaves an awards ceremony. So, it should go without saying at this point, but Cee Lo Green/Gnarly Davidson had the West Week Ever.

10th Feb2017

West Week Ever: Pop Culture In Review – 2/10/17

by Will

Last night, my friend Mike and I went to check out The Lego Batman Movie. Seeing as how we were the only two people in the theater, I’m not quite sure what its weekend box office is gonna look like. I bet John Wick: Chapter 2 takes #1, since that’s where everyone seemed to be heading. Anyway, I LOVED the film. First up, it considers EVERYTHING canon. If you saw it onscreen, then it happened in that universe. The whole thing is kind of surreal, as the movie focuses on Batman’s loner status, while also confronting his complicated relationship with The Joker. On the Batman Beyond cartoon, there’s an episode where old Bruce Wayne and his protege, Terry McGinnis, go to a Batman-themed musical. Bruce can’t get over how goofy the whole thing seems, but I feel like this film is the movie version of that musical. It doesn’t have the camp of the ’66 show, but it’s a movie that never really takes itself seriously. I loved the liberties they took, like making Jim and Barbara Gordon people of color (voiced by Hector Elizondo and Rosario Dawson). It doesn’t hurt the story any, while bringing some diversity to the Lego world. I also liked how it tied in concepts from The Lego Movie, such as the fact that Batman is a Master Builder. I’m not going to spoil the movie for you, but I feel like it’s strong until the middle of the second act, at which point it switches from a Lego Batman movie to a Lego Dimensions movie. Trust me, you’ll understand when you see it, and I think you’ll agree that the story gets a bit weaker at that point. In any case, I can’t wait for it to hit Blu Ray, so I can rewatch it a thousand times to catch all the Easter eggs.

This week, we got a trailer for a new season of Arrow. Wait, what? That was actually for Iron Fist? Huh. Yeah, I was really underwhelmed by that trailer. Finn Jones doesn’t seem like a great actor, there’s not a lot of Kung Fu on display, and it seems like it’s more focused on corporate takeover, as Danny Rand tries to reclaim his family’s business. Since it’s a Netflix Marvel show, there’s also Rosario Dawson and another damn hallway fight. I welcome the former, but I’m SO over the latter. I’ll get around to watching it, but the days of me binge-watching a Marvel season the weekend of its release are long gone. Considering I still need to watch Daredevil season 2 and Luke Cage, I’ll be lucky to get around to it in 2017. That said, I know a lot of y’all will binge it that day, and will tell me if it sucks or not.

In other TV news, it’s rumored that NBC wants to spin Saturday Night Live‘s Weekend Update segment into a weekly 30-minute show. I guess they looked at John Oliver and Samantha Bee, and realized they might be leaving money on the table. Still, Jost and Che as “polarizing”, at best, and I’m not sure if that segment has the legs to air 30 minutes every week, in the same format. Plus, would it also remain a part of SNL, or would it be excised completely? I think this would’ve been a good idea in an election year, as there’s just so much news to cover, but now that all that is behind us, I’m just not sure this is going to work. And then what happens? If it does leave SNL, would it come crawling back next season, with its tail between its legs? The difference between Last Week Tonight/Full Frontal and Weekend Update is that those cable shows are actually smart, with smart hosts. Plus, they can get away with a bit more because cable. Weekend Update has gotten a lot more biting since Trump was elected, but is it too little, too late? Are the SNL writers up to the task of this project? I just feel like it’s a bad idea that will dilute the Weekend Update and SNL brands.

It was also announced that Viacom will be rebranding Spike TV as the Paramount Network. In my lifetime, I don’t think I’ve witnessed a network go through as many format changes as that one. As far back as I can remember, it was The Nashville Network. Then, to appeal to a wider audience, it became The National Network. Then, to appeal to dudebros, it became Spike TV. Now, I don’t even know who they’re targeting. I also don’t know why they chose this particular name. It’s like they have short memories or something. After all, there’s already been a Paramount Network. Sure, most of us referred to it as UPN and not the United Paramount Network, but that’s what those letters stood for. And it was the definition of “failed experiment”. Sure, it hobbled along for about 10 years, but its legacy is basically Star Trek: Voyager, America’s Next Top Model and Girlfriends. Outside of that, it gave us such critical darlings as Shasta McNasty, Homeboys In Outer Space, and The Secret Diary of Desmond Pfeiffer. Hey, let’s see how many shitty (that means all of them) UPN shows I can list without looking them up: DiResta, Legend, Platypus Man, Hitz, Good News, SparksDilbert, Marker, The Watcher, The Sentinel…yeah,that’s enough to make my point, which is you probably don’t remember any of these. UPN did NOTHING for the Paramount brand, and its effects are still being felt 11 years after its demise. So why, WHY would Viacom want to go down this road again? Anyway, the early plans for the rebranding call for the network to be a warehouse for hit Viacom programming from their other networks. It’s basically just gonna be the Now That’s What I Call Viacom Channel, posting the highlights from MTV, Nick, Nick Jr, etc. In fact, there are no concrete plans for the future of other Viacom networks, such as VH1, CMT, and TVLand, but reports say that there’s no immediate push to shut them down.

It was also rumored that there are already talks of an American Idol revival, but this time on NBC. Now, keep in mind the show just ended its run on Fox last year. The idea is that The Voice would be reduced to one cycle a year, and then they would slot Idol in one of its old slots. I feel like NBC sees the value in that show in that it actually creates household names – something The Voice has failed to do after 11 seasons. The focus is too much on the judges, and the winners have gone nowhere. Quick, name a winner of The Voice without looking it up. Hell, I watched the first season, and I can’t even remember that guy (I looked it up: Javier Colon. Who? Right). So, there’s definitely something to be gained from acquiring the franchise. That said, though, I also feel like a network only gets one of those shows. Fox had Idol, NBC had The Voice, ABC had Rising Star, and CBS had some show that got canceled that I forgot. Fox hurt Idol by double-dipping and picking up The X-Factor. That show never caught on in the US, and it hurt the Fox singing competition brand. If NBC picks up Idol, it’s going to do the same to The Voice. I mean, how much longer does America want to see Blake Shelton and Adam Levine bicker at each other? Sure, there’s a new dynamic now that Blake and Gwen Stefani are dating and both judges, but unless the show breaks them up, I don’t know how engaging that’s gonna be. And Miley Cyrus as a coach? Now, let me say that Bangerz was a great album. I’ve written about how awesome it was. But I don’t think Miley is established enough as a singer to be coaching anyone. She’s more known for her antics than her music. Then again, Paula Abdul was a has been, judging the talent of tomorrow, but that was intrinsic to the formula. Ultimately, America chose the Idol, and the show brought in established stars as coaches. The Voice has an unnecessary layer. They have talented judges, but then they also have the coaches, and then America. As Idol showed us, ANYBODY cane a judge, which is going to be an important thing for NBC to remember once it comes to for contracts to be renegotiated. Anyway, I think Idol needs to rest a few more years before they dust it off. It was once a powerhouse, but television AND music changed over time. Let the industry figure out its next steps before trying to reenter it.

I don’t know about you, but I grew up with women, which meant I did a tour of duty with soap operas. I started with Days of Our Lives back in the late 80s, then shifted to The Young and the Restless, and then shifted back to Days in the 00s. And besides Victor Newman, there is no soap villain quite as diabolical as Stefano DiMera. Well, the actor who portrayed him, Joseph Mascolo, died back in December, but his final filmed episode aired yesterday.  Although Mascolo had been battling Alzheimers for the past few years, he had portrayed the character for around 30 years. For some reason (I haven’t watched in a while), he was in prison (he’s killed/led to the death of a lot of folks. But they typically come back after contract negotiations), and at the end of the episode, he escapes! What a beautiful ending, knowing that he will be forever “in the wind”, as they can’t really catch him again unless they recast him. Seeing as how the rumor is Days is coming to an end this year, they won’t even have time to do that, with scripts written about 6 months in advance. So, here’s a toast to one of the greatest villains to ever grace the television set. You will be missed, you evil son of a bitch.

Let’s get a little controversial, shall we? This week, comedian George Lopez got in hot water for kicking a woman out of one of his shows when she objected to a racially-charged joke he told. Basically he said, “There are only two rules in the Latino family: Don’t marry somebody black and don’t park in front of our house.” Apparently, a woman gave him the finger after that joke, to which he began to tell her to “sit [her] fucking ass down or get the fuck out.” Now, comedians are on his side because they say he was just shutting down a heckler. Meanwhile, the general public is on her side because they’re offended by the joke, and don’t see why he had to kick her out for objecting. Here’s my take: First of all, he’s told variations of this joke for years. He used to joke about how his grandmother wouldn’t even want President Obama in her house. If you’re familiar with his material, then his joke the other night shouldn’t surprise you. Now, for the folks offended by the joke: was he wrong? All I know is my own life experience. I dated a Cuban, and as polite and Ivy League-educated as I could be, I was still the Black guy who could only illicit grunts from her father. And I don’t know anyone named Esmeralda Jenkins or Manuela Johnson. Growing up where I did, Black guys didn’t get Latinas or Asian girls. Those girls’ families weren’t gonna stand for that! So, this is one of those jokes that’s grounded in truth. It might rub some folks the wrong way, but it’s not necessarily untrue. Where I stand, I don’t think he really did anything wrong. After all, that’s how comedians handle folks who they feel are interrupting their show, and the joke itself was par for the Lopez course. I wouldn’t say it was “haha funny”, but it wasn’t wrong.

Things You Might Have Missed This Week

  • An animated series based on the Castlevania video game is coming to Netflix later this year. Hopefully it will star gay Simon Belmont from Captain N: The Game Master.
  • Kate McKinnon will voice Ms. Frizzle in Netflix’s reboot of The Magic School Bus
  • Speaking of Netflix, Love, The OA, and Trollhunters have all been renewed by the streaming service.
  • Queen of Soul, Aretha Franklin, announced that she’s retiring after her next album is released.
  • After 25 years over covering the Olympics, Bob Costas announced he’s handing the reins over to Mike Tirico
  • Entertainment newsmagazine show The Insider has been canceled after 13 seasons.
  • Formerly of USA’s Satisfaction, Blair Redford has been cast as the first mutant in Fox’s X-Men TV series
  • Not to be outdone by Beyoncé, it was announced that George and Amal Clooney are expecting twins. Those Hollywood In Vitro clinics are working overtime these days!
  • Speaking of babies, Jason Statham proved he’s the Transporter of Sperm, as he announced he’s expecting a baby with girlfriend Rosie Huntington-Whiteley

I don’t like Tom Brady. Don’t like a thing about him. I find it odd that you can be suspended for cheating AND win the Super Bowl in the same damn season. That said, that was a Hell of a comeback during Sunday’s Super Bowl LI. Somehow, the Atlanta Falcons blew a 25-point lead, allowing the New England Patriots to mount an amazing comeback and win their 5th Super Bowl title. It was the first Super Bowl to go into overtime. There was Edelman’s amazing catch. Some are calling it the most exciting game of football ever. But in the end there can only be one winner, and that was the Patriots. So, with that in mind, the New England Patriots had the West Week Ever.