15th Feb2019

West Week Ever: Pop Culture In Review – 2/15/19

by Will

No real rants this week, but I guess we should talk about the Marvel/Hulu deal. Hulu announced 4 upcoming Marvel animated series, including Howard the Duck, M.O.D.O.K., Tigra & Dazzler, and Hit-Monkey. Now, for some reason, folks are excited by this announcement. I, however, do not understand why.

There’s nothing amazing here. No marquee characters. Sure, it’s been pointed out that this is Marvel’s first crack at working with a former Fox character in Dazzler but, I mean, it’s Dazzler. The biggest aspect is probably the folks behind the scenes: Kevin Smith will executive produce Howard the Duck, while Chelsea Handler will be the EP on Tigra & Dazzler, and Patton Oswalt will be EP on Hit Monkey. Still, so? I haven’t really liked anything Smith has done in a very long time, while they’re describing Tigra & Dazzler as “woke” which is a buzzword that’s polarizing to some. Put them all together, and it just sounds like a UPN fall schedule circa 1996.

Anyway, all 4 shows will culminate in a crossover called Marvel’s Offenders, which is a clear rub against the Netflix deal, where the initial four shows culminated in the poorly received Marvel’s The Defenders. Hey, you can’t like everything, nor can everything be tailored to you. That said, I won’t be subscribing to Hulu for these.

Trailer Park

MA

I’m not a horror guy, and if you’re a regular reader, you probably already know that. Still, something about this intrigues me. I figure Octavia Spencer is just getting revenge on the people who bullied her in high school by fucking with their kids, but maybe there’s something deeper to it. Still, definitely intrigued.


Yesterday

A world without The Beatles? WHERE DO I SIGN UP?! Yeah, yeah, I know that just triggered some folks, but I maintain that they were a boyband who eventually got into some psychedelic shit. Anyway, this movie looks really good, and I will definitely be seeing it…on Netflix.


Aladdin

During Sunday’s presentation of the Grammys, we got a “Special Look” at Disney’s upcoming live action adaptation of Aladdin. A few months ago y’all complained that Will Smith wasn’t blue in the Entertainment Weekly spread. Now, folks are complaining that he is blue. As I said on Twitter, there’s just no pleasing you motherfuckers. Anyway, I’m sure it’ll make a ton of money, but this isn’t my kind of film. Honestly, I wouldn’t watch this thing it it were free on the Disney Channel. This teaser does absolutely nothing for me.


Frozen II

I’m loath to admit this, but I’m beginning to realize Disney just doesn’t make movies for me – a difficult position to be in when you have 2 small children. There was a day, about a year ago, when we “watched” Frozen about 7 times. At no point, however, did I make it through the entire thing, instead just seeing disjointed scenes. What I saw, though, did absolutely nothing for me. I don’t wanna be one of those “Back in my day, we had The Lion King” folks, but I find it necessary to remind young’uns of that when they start spouting off about The Lion Guard. Anyway, since everyone loves making money, there’s a sequel coming. Based on this teaser, Girl Jesus steels herself to go up against her archnemesis, The Wave. I guess? I dunno. I just hope there’s a song called “Still Letting It Go”.

Things You Might Have Missed This Week

  • Echo Kellum is no longer a series regular on Arrow after this week’s episode, where his character Curtis Holt/Mr. Terrific moved to Washington, DC. Meanwhile, there are rumors that Carlos Valdes will be leaving his role as Cisco over on The Flash by the end of the season.
  • After 17 years, Carson Daly will be stepping down from his late night NBC series, Last Call, at the end of the season. He says that “It’s time”, and that he wanted to give the spot up to a younger voice. Look, I know how Hollywood works Nobody leaves a paying gig, where they’re pretty much left alone, on their own accord. That’s the kind of job you do until they pull the rug out from under ya, which I believe is exactly what NBC did. Still he had a good run, and he met his wife on the show, so it was a fruitful enterprise for him.
  • Even though it was always reported as returning “Summer 2019”, it was revealed this week that Agents of S.H.I.E.L.D.‘s 6th season will premiere sometime in May, and will be set one year after the events of the season 5 finale.
  • Fox renewed Bob’s Burgers and Family Guy for next season, surprising no one. Oh, and The Simpsons was renewed for 2 more seasons, despite the fact that there are reports that Disney could make more money off the franchise by cancelling it, as the original syndication deal was made early in the show’s run and could be renegotiated at a higher rate.
  • Considering the new president of Nickelodeon is the creator of All That, it’s no surprise that he’s going back to the well in his attempt to get the channel back to its roots. Brian Robbins announced he is developing a reboot of the tween sketch show, with breakout former star, and SNL veteran, Kenan Thompson as an executive producer.
  • Marvel announced the upcoming Savage Avengers comic series, which will see Conan the Barbarian join the Marvel Universe. This is a confusing thing to me, from a business standpoint, because what happens when Marvel loses the Conan license, yet certain events will have been propped up from his time in the MU. I mean, ROM: SpaceKnight anyone?
  • In the wake of recent sexual misconduct allegations against director Bryan Singer, his adaptation of Red Sonja has been shelved by Millennium Films AFTER they had sworn their support of him and the project.
  • It was announced that McFarlane Toys has acquired the license to make collectible toys based on DC Entertainment properties. Personally, I feel like they squandered too much goodwill 20 years ago with their “staction figures”, but folks seem to love their recent Fortnite toys, so maybe that’s an indicator of what we can expect?
  • It was announced today that the next iteration of Power Rangers, Power Rangers: Beast Morphers, will premiere on March 2nd, at 8 AM (the franchise’s new timeslot). 8 AM is where you’d need to air Power Rangers to get kids to care about it live. I mean, by that noon timeslot, they were already at soccer or whatever.
  • I’m no longer wasting the time to document the many returns of Toys “R” Us, so NEXT!

  • As I get older, it’s harder for me to tell these pop starlets apart. Between Halsey and Charli XCX, I remember that Halsey is the Double Bi one (bisexual and biracial), while Charli XCX is “The Other One”. That’s not really a knock on her, but rather the fact that I feel they have similar “gimmicks”. Anyway, I caught the video for Charli XCX & Troye Sivan’s new song, “1999”, which was pretty impressive. If I wanted to nitpick, I could point out how most of this stuff actually took place around 1997, but I’ll give her points for effort and attention to detail. Also, I feel like Sivan, an openly gay man, impersonating Eminem, one of pop culture’s most notorious homophobes, is about 1,000 thinkpieces waiting to happen.

So I first learned about Instagram user HardRockNick, AKA Nicholas Rock Johannsen, last weekend while surfing Twitter. Someone had come across his profile, and basically commented that they had found The One in him. Of course, they were being facetious, but it led me, and scores of others, to check out his account just to see what they were talking about. And it did NOT disappoint!

I don’t even know where to begin with this guy. He’s allegedly a multimillionaire casino owner. His likes include banging porn stars, Trump, and Pure-White women (“not mixed with Mexican or Israeli and shit”). I watched as his followers went from about 500 to 10,000 over the course of the day. Of course, there’s the whole sentiment of “Stop Making Stupid People Famous”, but I was getting tired of hearing about the Andy, the Blowjob Guy from the Fyre Festival documentary, so I welcomed a new butt of jokes.

Everything about him is sad-funny. Whether it’s him trying to impress us by the fact that he found a “great little burger place in my neighborhood”, which is actually a Shake Shack, or him showing off the breakfast made for him by his “personal chef”, when the picture is clearly taken at an IHOP. Was he real? Was this performance art? That’s what we all wanted to know.

Any time you encounter someone just so obnoxious, the first question that comes to mind is “Who hurt you?” Well, after some sleuthing, a story began to take shape. HardRockNick at one time was also known as Aly Ashley Jash, who ran a pet grooming business with his wife, stage actress (and former fiancee to Jeff Goldblum) Catherine Wreford. As the business began to go downhill, Wreford allegedly had an affair with an insurance salesman. Jash, however, would have the last laugh, as he broke into Wreford’s house and took a shit in her kitchen sink (this event can be confirmed by court documents found online). The story, however, doesn’t have as jokey of an ending. Jash went on to become whatever it is you can call him now, while Wreford was recently diagnosed with terminal brain cancer.

Then, we got the WHOLE truth. I’m not even gonna spoil it here. Click that link and go to town. However, if you’re like Lindsay – who was disgusted just looking at the guy – then you can hop off here. All I know is the internet had a nice little time following this guy’s story, even if it paled in comparison to that week when Pokemon Go brought us all together. In my mind, however, HardRockNick, AKA Aly Ashley Jash, had the West Week Ever.

25th Jan2019

Thrift Justice – Operation Kondo

by Will

I miss writing, and by that I mean that I miss writing about more than just the week’s pop culture news. If you look at the slider on the homepage, there used to be other columns here: Adventures West Coast, which was my graphic novel/trade paperback review column; Best of the West, which showcased the jewels of my various collections; Track Star, which was my music post that sadly never really found its identity. And, of course, my baby – Thrift Justice, where I showed you all the stuff I managed to find while scouring the local thrift stores.

As I was telling some friends recently, Google killed blogging. When Google Reader was taken out behind the shed, nothing came along to capably take its place. Yes, I said capably, just to ward off all of y’all who are about to go, “Well, Feedly…” A lot of folks quit, while others pivoted to other media, like video or podcasting. I, however, am still a fan of the written word. I feel a lot of videos could’ve been blogs, and that also goes for a lot of podcasts (especially the short ones). I’m too old and fat to move to video, so blogging is where I shall stay.

So, this is all a long-winded way of bringing us to why we’re here today. I’ve been sitting on this idea for about 6 months, as I know it should probably be a video, but that’s just not my bag, baby. Instead, I feel like this would be a great way to bring back Thrift Justice: We’re going to liveblog an unboxing. This could be really interesting OR it could end up like that time Geraldo found Al Capone’s vault. Either way, it’s new content, so yay? But first, some backstory.

Back on the 4th of July, I was at a family cookout, when a cousin of mine told me she had something for me in her car. Apparently, I had let her borrow some toys when her nephews came to town, and she had run across them while she was cleaning her house. There are some very important things you should know here, though. First of all, those nephews are about 18 & 20 now, so if I’m doing my math right, this took place around 2004. Secondly, I’m not exactly the world’s greatest sharer, as I’ve had a bad track record of visiting relatives breaking my shit. So, one of two things happened here: 1) I let them have some stuff about which I didn’t give two shits OR 2) my mother gave them some stuff behind my back, which I clearly didn’t care about if I haven’t missed it in 15 years.

Anyway, for the life of me, I could not remember what these kids had of mine. As I followed my cousin to her car, she handed me a shoebox (think Timberland size) in a shopping bag. I’ve got a toddler, and the last thing I need is to be opening toys around her, so I figured I’d just get around to checking out the contents once we got home, and she went to bed. Instead, the box rode around in the back of my wife’s car for months until she eventually had to put it into the shop for body work. So, there’s no time like the present, right?

Here’s how we’re going to make this interesting, though. Thrift Justice is usually about the stuff I get from the thrift store, but this installment is going to be about stuff I’m sending to the thrift store. Everyone in the world is Marie Kondo-ing, by reducing the clutter in their lives by ridding themselves of the possessions that fail to bring them joy. Will anything in this mystery box bring me joy? Let’s see what’s inside, shall we?

Somebody call Geraldo, ‘cause I think I’ve got him beat. Man, what a box of garbage! Ugh, let’s take a closer look, though. I mean, we’ve come this far.

So, first up we’ve got Aang from Avatar: The Last Airbender, along with his…friend? Enemy? Anyway, let’s call him Pinkeye McGillicuddy. I vaguely remember buying this set because I thought Aang’s wind blaster pack was kinda cool. I’ve never seen one episode of Avatar, but I knew it was one of the hip things back then, so I guess I wanted to gain entry by getting the toys. Plus, when I first got it, Aang’s pack lit up or made noise or some shit. The batteries are dead now, and I’m too lazy to change them.

Look at Aang’s eyes, though? It’s like he’s been radicalized. What the Hell was that show even about?! Isn’t “air bending” just a polite way of saying “farting”. I’m bending air as I write this.

Next up, we’ve got these Masters of the Universe 200X Happy Meal toys from McDonalds. I remember these being pretty cool because they were decent action figures, in a 4-ish inch scale, with just a hint of an action feature. They were highly detailed, and we’d kill for something like this today. Sadly, though, nobody gave much of a shit about that show, as the Internet had yet to evolve into the geek hive of scum and villainy that it is today. Thrift stores are littered with these figures, and they’re about to get 4 more.

What the Hell?! Is this alien being LYNCHED?! I don’t even know what this is. It’s the same texture of those spiders you throw at the wall in order to watch them crawl down, but I don’t know what the goal is here. Do you swing him around by the loop? You can kinda yo-yo him, but that doesn’t feel right, either. This is like 2 of the darkest periods of American history rolled into one pathetic gashapon toy.

Gather ‘round, kids, as I tell you a tale from the turn of the century! You probably know (recently deceased) Stan Lee as That Old Man Who Keeps Popping Up In The Marvel Movies, but this wasn’t always the case. Back around 1999, ol’ Stan wasn’t exactly on the best terms with Marvel. Sure, he was getting an annual salary for being the company mascot/cheerleader, but he wanted MORE. So, he decided to start Stan Lee Media, which would go on to inspire a quagmire of lawsuits that continue to this day. From this venture, nothing they threw at the wall stuck, but one of the highest profile creations was The Backstreet Project.

Starring boyband The Backstreet Boys, The Backstreet Project was a comic concept that envisioned the group as superheroes. Remember, this was 1999, and things were different. The Backstreet Boys were one of the biggest pop acts in the world, while comics were on the decline. In 2018, you’d ask “Why would anyone make a comic about the Backstreet Boys?!” but in 1999, it would have been more fitting to ask “Why would the Backstreet Boys slum it in the comic industry?” Since Stan Lee Media was poised to harness the true potential of this newfangled thing called The Internet, the focus was more on webisodes than print.

Anyway, Burger King somehow found itself as the official restaurant of the Backstreet Boys, as they were selling CDs and VHS tapes to go along with your diarrhea-inducing Whopper. And for the kids, they had Backstreet Project toys in the Burger King Kids Club Meals. I actually had the entire set at one point in time, as I thought the concept was pretty cool, plus I had a mad-on for any boyband. If you’ve been to this site before, none of this is news. Hell, a friend of mine was actually working at Burger King at the time, so I just asked him to grab the stuff for me from his job. I wasn’t eating that shit! Because I was a huge BSB fan (until Brian had to go and get all political), there was no way I was letting those kids have my prized BSB toys, so these were probably my doubles.

Here you have Brian (the one holding the basketball), as “Top Speed”, while Nick is the one dressed like a ninja, named appropriately enough “Ninja Man”. Jesus, Stan. Were you even trying? Anyway, the gray thing in the middle is some sort of stasis tank that Brian breaks out of. I have to remind myself that this was an era when these guys could’ve pissed in a Sprite bottle, and it would be distributed all across Europe, but in hindsight there’s not a lot of care or attention invested in this concept.

 

Another Burger King premium. Who was eating all this Burger King? It sure as Hell wasn’t me. Anyway, this is some Dragon Ball thing. I don’t know if it was Dragon Ball Z, Dragon Ball GT, or Dragon Ball GTFO. I know nothing of that franchise, but I know this little guy does some sort of balancing act. I just don’t seem to have the base upon which he does the balancing.

My Ronin Warriors! Man, I loved that show. That might’ve been my first anime, come to think of it. Anyway, I used to have the whole team because when KB Toys was in their death throes, Ronin Warriors were a mainstay in the 3 for $10 bin. Sadly, I donated mine some years back because I couldn’t find them all and didn’t feel the need to keep an incomplete team around. Well, I couldn’t find them all because they were chilling at my cousin’s house. As you can see, they lost a good portion of their shit, as well as a figure (where’s the White one?). These are probably the best thing in the box, but I’m met with the fact that I don’t want an incomplete team, so maybe these figures will be reunited with their brothers in the thrifting afterlife.

Ooh, this one tickles me to no end. If you know me, then you know I don’t give a shit about Harry Potter. In my mind, JK Rowling just stole all of Roald Dahl’s best ideas, and nobody’s called her on this because they teach the wrong things in school these days. Anyway, my hatred aside, I’m a sucker for a good, translucent action figure. Whether it’s the Spirit of Obi Wan Kenobi that I got from Lays Potato Chips, or this boy wizard I picked up from Toys “R” Us (a moment of silence, please), I love them all. The reason this is funny to me, though, is that those boys’ mom is really pro-Black and pro-Jesus. If she knew her boys were playing with a plastic representation of the White Devil, slinging his witchcraft around from his cloak of invisibility, she would shit a brick. I’m actually gonna see her in about 2 weeks, so maybe I’ll just drop that into conversation to see what happens.

This is probably the worst Optimus Prime toy ever made. I tend to think of Happy Meal toys along the lines of rack toys, as they’re all “toys for poor kids”. But this Transformers Armada Happy Meal toy is so bad that even a poor kid would say, “Man, get that shit up out my face!” There have been many bad Transformers Happy Meal toys over the years, and this is merely one of them.

This isn’t even a quality yo-yo. This is no Duncan, and is more like the kind of thing the dentist gives you at the end of your cleaning if you were a good boy.

Good old little green army men. A true classic. Hey, wait a minute. What the Hell happened to the dude in the middle at the top?! He ain’t got no arms! What did my cousins DO to him? I hope they at least said a prayer over him. It’s what their mom would’ve wanted.

“How are your crayons hanging?”
“Low, and to the left”

How does this happen? I mean, I guess they got hot or something and then cooled down, but they’re all curved like that. It’s eerie. It’s somewhat perverted. I have questions.

This is a Wild Planet motion alarm. Whenever there are commercials for things like this, it’s always some little boy trying to protect his worthless shit from being touched by some bratty little sister. I don’t think they really work like that. I’ve never actually used it, but my pal Tarek got it for me in college on an a cappella gig I wasn’t able to attend. Looking back, though, I could think of quite a few uses for this thing for a growing man…

Ah, we come to the end, featuring a pair that will set off all your nostalgia boner alarms. Snake Eyes and Storm Shadow here were from a G.I. Joe two-pack that I think contained a DVD. I remember they were on clearance, and I think I only bought them for that DVD. I don’t even collect this scale, ‘cause these are just “dolls” at this point, but it must’ve been quite a good price, because here they are. They came with a shit ton of accessories, half of which you see strewn about here. There are also a lot missing. Like, where are Storm Shadow’s ninja booties? I’m not even gonna try to put this stuff back on them. To the thrift store they go, and their next owner can worry about all that.

So, there ya have it. My journey back in toy time ends not with a bang, but with a whimper. You win, Kondo!!!! None of that brought me any joy. Still, it was nice to take a stroll down memory lane, thinking of all the terrible ways and reasons I’ve wasted good money. I hope you’ve gotten some kind of enjoyment out of this, and if you want more like it, then leave a comment below. Oh, and don’t forget to subscribe! I don’t know what I mean by that…I just hear the YouTubers saying it all the time.

18th Jan2019

West YEAR Ever: Pop Culture In Review – 2018

by Will

2018 was the longest year in the history of years. It’s funny – I always look at past posts to figure out if I ever decided on a format for this wrap-up, and the past few years all start with “Man, this year SUCKED!” So, I guess things are just getting worse, huh? Anyway, when I first started doing West YEAR Ever, it was two-fold: 1) to bring attention to some of the “evergreen” posts I’d written throughout the year that you might have missed and 2) provide something of a director’s commentary to the West Week Ever choices I’d made over the past year. Here’s the rub, though: I didn’t really write any evergreen posts this year. Nope, my focus was pretty much solely on West Week Ever, which are totally disposable posts – which is a great way to think of 2018: disposable.

Between HarassmentWatch(TM), Trailer Park, Things You Might Have Missed This Week and, of course, West Week Ever, we talked about the celebrity wang danglers (reigning WYE Champ of 2017), looked at some movie trailers, I gave you bulletpoint news, and then I tried to point out something about the week that stood out above everything else. That’s the West Week Ever formula you’ve come to know over the past 6 years.

The most interesting stuff about the year is probably the stuff I didn’t write about. For example, I was interviewed by Vulture in anticipation of Spider-Man: Into the Spider-Verse, as I was considered a Miles Morales “superfan”. I sat on that chestnut for a couple months, anxiously waiting for the article to come out. Finally, my views on something would get more exposure! Well, it came out, and none of my contributions made the finished article. Womp womp.

Or the fact that I won a $50 gift card at the county fair by DOMINATING at 90s song trivia. I promptly used it to buy a gaming chair from Staples. I’m not even a gamer, but that’s a sweet ass chair!

Or the the fact that I won a pair of Google Home Hubs the week before Christmas, because I was miraculously caller #9 to a radio station (Thanks, WMZQ and iHeartRadio!).

Nah, I didn’t write about any of that. Probably should have. Oh well. Hindsight, and all that.

Anyway, let’s take a look back on 2018, and see if anything really stood out about it.

2018 In Movies

As far as movies went, I only saw 15 – down from last year’s 18, and WAY down from 2015’s 78.

1. Gotham By Gaslight
2. Black Panther
3. Ready Player One
4. Blockers
5. Avengers: Infinity War
6. Pitch Perfect 3
7. Won’t You Be My Neighbor?
8. Ant-Man and the Wasp
9. Sorry to Bother You
10. Teen Titans Go to the Movies
11. The Meg
12. Venom
13. Megamind
14. The Christmas Chronicles – I have to review these last two here, as I watched them in that gap between my last post of 2018 and my first of 2019. This was a cute movie. Kurt Russell as Santa actually works, but I have SO many questions about the universe in which the movie is set. I mean, Santa is real, but he only comes to Believers. Are we sure this thing wasn’t sponsored by The 700 Club?
15. Commando Ninja – I didn’t know anything about this movie until someone in a Facebook group mentioned it. After about 5 minutes of research, I felt like it looked like Kung Fury, so I was immediately on board. I think I’ve said it before, but I didn’t grow up watching 80s action movies. And I still haven’t seen most of them. So, I’m sure this thing hit all the right notes for some folks, while some of it just goes over my head. Still, it was hilarious, it was free on YouTube, and it was short. What more could you ask for?

2018 In Television

  • Roseanne announced that her character would be a Trump supporter when her show returned. She subsequently said some dumb shit and the show got cancelled. Then her TV family made deals to return to the show without her. Awww, family!
  • Murphy Brown also returned, to the delight of…well, nobody, really. She fired off her Trump jokes, and will probably be put back in moth balls by CBS.
  • ABC pulled an episode of Black-ish that would deal with the NFL kneeling issue. While it was reported as a “mutual decision” between the network and series creator Kenya Barris, Barris would go on to leave ABC for a 7-figure deal with Netflix.
  • The Fox adaptation of Lethal Weapon was a hotbed of problems. First there were reports of misconduct by show star Clayne Crawford, which put the show’s renewal chances in jeopardy. Then, Crawford was fired and replaced by Seann William Scott (the extra “n” is for flavor!). Then the show’s other star, Damon Wayans, announced he was leaving after fulfilling the season’s original 13-episode order.
  • The Simpsons surpassed Gunsmoke to become the longest-running, scripted primetime series on television, with 636 episodes.
  • After 27 scandalous seasons, The Jerry Springer Show went out not with a bang but with a whimper.
  • The Sharknado franchise came to an end with The Last Sharknado: It’s About Time. Yes, it was time.
  • The Power Rangers 25th anniversary special aired, with obligatory Jason David Frank cameo. Hell, the whole thing was a JDF wankfest.
  • Brian Robbins was announced as the new head of Nickelodeon, which is significant since he and his former Head of the Class costar, Dan Schneider, got their behind the scenes careers started by creating All That for the network back in 1994. It’ll be interesting to see if he throws any work to Schneider, whose Schneider’s Bakery production house was sent packing by Nickelodeon earlier in the year after allegations surrounding Schneider arose.
  • DC Comics debuted the DC Universe streaming service, which is still struggling to find subscribers
  • Kanye West went on TMZ to declare “Slavery was a choice!”
  • And, of course, I wrote my annual Network Upfronts post, with my thoughts on the upcoming TV season.

2018 In Music

Yeah, I already covered that. No, you didn’t read it because you’re scared of the unknown!

West Week Ever Recipients of 2018:

1/12/18 – Fire and Fury: Inside the Trump White House
1/19/18 – Black Lightning
1/26/18 – Vince McMahon
2/2/18 – WWE Royal Rumble
2/9/18 – Quincy Jones
2/16/18 – Black Panther
2/23/18 – Black Panther
3/2/18 – Atlanta
3/9/18 – DC Black Label
3/16/18 – Avengers: Infinity War trailer
3/23/18 – Nothing
3/30/18 – Roseanne
4/13/18 – Wrestlemania 34
4/27/18 – James Shaw Jr.
5/4/18 – Avengers: Infinity War
5/11/18 – Donald Glover
5/18/18 – CBS
5/25/18 – The Middle series finale
6/1/18 – Solo: A Star Wars Story
6/15/18 – Charley
6/22/18 – Nothing
6/29/18 – West Life Ever: Toys “R” Us
7/13/18 – Won’t You Be My Neighbor?
7/20/18 – DC Entertainment
7/27/18 – Teen Titans Go to the Movies
8/3/18 – Lebron James
8/10/18 – Patrick Stewart
8/17/18 – Omarosa Manigault Newman
8/24/18 – Crazy Rich Asians
9/7/18 – Nike
9/14/18 – John Legend
9/21/18 – Marvel Studios
9/28/18 – Lady Gaga, “Shallow”
10/5/18 – Venom
10/12/18 – Kanye’s MAGA Hat
10/26/18 – Roman Reigns
11/9/18 – Jeopardy! Champion (and friend of the site!) Mary Ann Borer
11/16/18 – West Life Ever: Stan Lee
11/30/18 – Wolverine: The Long Night
12/7/18 – Avengers: Endgame trailer
12/14/18 – Spider-Man: Into the Spider-Verse
12/21/18 – Nothing

This is normally where I’d give you some insight on my thought process, but I feel like a lot of this needs no explanation. It’s either obvious why it was chosen, or it’s indicative of just what kind of a shitshow pop culture was for that particular week. I’m particularly proud of my West Life Ever posts, for both Toys “R” Us and Stan Lee. Unbeknownst to most, the West Life Ever distinction was created with Adam West and Stan Lee in mind. As they got older, we all knew it was only a matter of time, and they both meant a lot to me. While the designation has been given to a few other things, (like TRU), it was custom made for those two, and I don’t know when, or if, it’ll ever be used again. I can’t think of anyone else in pop culture that meant as much to me, but I guess time will tell.

The year basically started with Black Panther and ended with Spider-Man: Into the Spider-Verse. In between the two, we all lived about five lifetimes and have the scars to prove it. I spent a lot of time thinking about what this is all about, and why it is that I do it every week. In the end, I guess I want to make some kind of an impact – leave something behind. While pop culture is fleeting, I pour a lot more into “disposable” posts than makes actual sense. I know I’ve said that I stop caring about these things once the clock strikes 12:00 on Saturday morning, but up until that time, I’m as wired as a kid waiting for his dad to come back from “going out to get cigarettes”. “Are they reading it?”, I anxiously wonder as I constantly retweet the links and look for engagement. Like the aforementioned kid, whose dad is never coming back, the audience never really comes. It leads to a lot of existential questions, like “Well, who am I?” and “Why would anyone care what I think?” Maybe the posts were too long. Everyone’s in a hurry, and don’t like reading long things. I don’t want to contribute to “Hot Take Culture”, and I try to write reasoned arguments for my opinions. Yeah, yeah blogs are dying. I get it. Maybe I need a podcast, ya know, ’cause everybody has a podcast. Maybe this should be video, but that hardly seems worth the effort. Still, in all this introspection, one thing stood out – one thing that proved my “impact”, and would withstand the test of time.

If you’re a longtime reader, this shouldn’t come as much of a surprise, ’cause I did it for my first kid, and I don’t need to look like I’m playing favorites. Still, the best thing about 2018 was Charlotte Bruce West. I know it’s the hip thing now to hate kids and love the Hell out of dogs instead, so if that’s you, then you should probably stop reading.

This was not a fun year for anyone, and some days were harder than others. The thing about Charley, which was so surprising to me, is that she’s such a happy baby. Sure, those first few months she didn’t realize she was smiling, and it was just something her mouth was doing. Over time, though, they became genuine smiles. Smiles that could make a bad day better. She’s just such a happy baby. Where does she get that from? Was I ever that happy? If so, what happened? I only hope it’s something she can hold onto throughout life. I hear a positive attitude can take ya places, and I sure as Hell wouldn’t know. I’m not one of those parents who’s all “She’s going to be President someday.” She could be a blogger with readership in the double digits, and that’d be just fine. At least she came by it honestly.

I read this Conan O’Brien interview in The New York Times the other day, and it really resonated with me. If you’ve run out of free NYT articles for the month, or just don’t feel like clicking, it’s him discussing the decision to change his TBS show from a full hour to a half hour format. After 25 years in late night, he looked back on what he had done, and thought about how he would like to go forward. He said that, while it might seem selfish, he wanted an experience that allowed him to have the most fun because, in the end, none of it matters. “This is going to sound grim, but eventually, all our graves go unattended.”

On the worst days, I can come home and play “Grocery Store” with my oldest, while keeping the youngest from swallowing a Hatchimal. I’ve made, and continue to make, my impact on them, and that’s what matters. As for this, let’s make it fun again. No more “writing for the audience”. I want to be as blissfully happy as a 7-month old baby, and that’s accomplished by focusing on things a lot of people don’t care about, like 90s boybands and forgotten teen sitcoms. Let’s bring back Thrift Justice! Let’s dive into that backlog of comics that’s only been growing. No more expectations, as I’m leaving that mentality in 2018. It won’t be an overnight process, but it’s the destination I’m working towards. I’ve already made a mark somewhere, so let’s see where that takes us. As a great, rich man once yelled, “You wanna get nuts?! Let’s get nuts!” Let’s consider 2019 the year of How Will Got His Groove Back. In the meantime, let’s leave 2018 behind like the garbage year that it was.

So, for being the best thing to happen to me in 2018, and for inspiring this introspection, Charley West had the West Year Ever.

04th Jan2019

The WBW40 – Will’s Top 40 Songs of 2018

by Will

Well, here we are again, with another year behind us. While this is the second year of me compiling this list, I’m actually starting to enjoy it more than West Year Ever. I know that most of you don’t listen to “my” music, so it’s basically me introducing new stuff to you rather than boosting things you’ve already heard. I have, however, changed the way it works this year. You see, last year I had this rule that the song had to be released in 2017. This was problematic because it left out a lot of songs that came out near the tail end of 2016 that didn’t really get exposure until 2017. So, this year I’m throwing that out the window; if it was released as a single, released to radio, or just plain became “popular” in 2018, it counts.

Remember, this is just me, talking about music I loved during the year. It doesn’t necessarily take into account chart position or anything like that. Some of these songs will be hugely popular, while some you’ll be experiencing for the first time. And, yes, while a lot of these are part of the “country” genre, I put that in quotes because format really means nothing anymore. You could put the vast majority of them on Z100, Hot 99.5, or KIIS-FM (basically any iHeartMedia station with a Jingle Ball) and they’d be right at home. Don’t believe me? Then let’s take a closer look!

40. Dean Summerwind (Dustin Christensen) – Parked By The Lake

Let’s start out with a joke track, huh? After 2018, I feel like we need a laugh. I was introduced to this song by The Bobby Bones Show, as Bobby had stumbled upon it online and felt the world needed to hear it. The beauty of it is its earnestness. I mean, Summerwind sings it like he’s NOT just singing the same 6 words over and over again. The song is actually by season 9 contestant of The Voice, Dustin Christensen, who released it online as “Dean Summerwind”. I’m not sure if the exposure really did much for the song, but it has a little over 400,000 streams on YouTube, so maybe it’s helping to get him some attention.

39. Travis Denning – David Ashley Parker from Powder Springs

I swear, I didn’t put 2 joke tracks back to back! This is actually a REAL song. Still, I love a song that tells a story, and this one does it in spades. In case you didn’t click “Play”, let me break it down for ya: Denning is singing about the guy whose fake ID he’d bought in order to buy beer. Since he knew he’d be quizzed about his demographic info, the chorus is basically him running down all the stats he’d memorized from the ID. Well, I thought this was a kinda clever idea for a song.

38. Brantley Gilbert – The Ones That Like Me

First, some backstory. I wasn’t so sure about Brantley Gilbert. I mean, you see him in the video, and we all know what we tend to think about country artists. He wasn’t necessarily a guy I think I’d want to befriend. Then, something earlier this year changed my mind about him. Remember that Waffle House shooting, where James Shaw Jr (a Black man) overpowered the gunman? Well, when the dust settled, Gilbert started a fundraiser for Shaw and the victims of the shooting. Immediately, I was like, “You OK, Gilbert.”

So, this song. It really speaks to me – so much so that, were I a tattoo person, I’d probably get the chorus put on my back or something. I’ve been blogging for 15 years, and pretty active on social media for, like, 11. I think this song definitely describes me both IRL and online. I’ve come to find I’m somewhat polarizing. You either love me or you don’t give a shit. At least that’s what my Google Analytics stats would tell ya!


37. Tim McGraw & Faith Hill – The Rest of Our Life

So, you’ll know this song is “country” just by looking at the artists, right? Well, did you know it was co-written by Ed Sheeran? Huh? Well, did ya? Anyway, this entry exemplifies a problem I have with the format of these posts. Ideally I’d throw together a Spotify playlist, but not everyone uses Spotify, so I use YouTube. That, however, is problematic because sometimes the video distracts from the song. That’s what’s happening here. What the Hell is up with McGraw’s hat? It’s not even a normal cowboy hat, and he’s wearing that with a tuxedo?! And I love how it’s trying to convey “We fight like everyone else”, yet they have to get their limo driver to stop and let them out, and you just know Faith didn’t have any money to pay that diner. Anyway, it’s a nice song about spending your lives together, so close your eyes and listen to really get that message.

36. LANCO – Born to Love You

LANCO made last year’s list with “Greatest Love Story”, and they’re back this year with this song. Did you realize that the Backstreet Boys never really stopped recording or performing? No, they’ve spent the past 10 years or so cranking out forgettable songs that sound just like this. That is when OneRepublic doesn’t put out something like this first. What I’m saying is that it’s not an amazing song, but it’s pretty catchy and would be right at home outside of country radio, where it hasn’t really performed too well.

35. Florida Georgia Line – Simple

I actually really like Florida Georgia Line, and have ever since Nelly helped them put “Cruise” on the map all those years ago. The problem, though, is that for every 3 songs they put out with the impact of “Cruise”, we get a “Simple”. It just didn’t leave an impact on me like a lot of their other stuff. That’s why this isn’t higher. Still, who doesn’t love a song that teaches you how to count AND spell?! Anyway, this probably won’t be the last time we hear from them on this list…

34. Thomas Rhett – Life Changes

Again, a catchy song that tells a story. A few years ago, nobody really knew who Rhett was. As his star was rising, he and his wife adopted a baby from Uganda, only to find out that his wife was pregnant. So, now he’s juggling his new family with his career. He put out a few songs this year, but this one wasn’t my favorite, which is why it’s down here. We’ll come back to him later.

33. Jason Aldean – You Make It Easy

I like its bluesy sound. It’s that easy. Still, it’s not my favorite Aldean release of the year, which we’ll get to in a bit.


32. Dylan Scott – Hooked

Scott is just BEGGING to cross over to other formats. I mean, his last single’s chorus talked about how he loved when his wife rapped Eminem songs. It was a decidedly country song, but I don’t feel that way about this offering, which is pretty catchy. If he keeps putting out stuff like this he just might get his crossover wish.

31. Dustin Lynch – Good Girl

The chorus here is just great to me. This might be too country for some, but I don’t care, I don’t care. “I could take you home to mama, take you to the church right down the street!” It was a song that definitely grew on me, but it’s more infectious than you might think right now. Anyway, this is a case where I actually like what the video does for the song, as it’s the antithesis of what the song is talking about. She is NOT a good girl!

30. Chris Jansen – Drunk Girl

OK, if you’ve made it this far, thank you. And also, I’m sorry. Why? Because you’re going to HATE me for this one. It’s basically the country version of “The Christmas Shoes” in how cloying it is, but I do think it’s a clever spin on what you think it’s going to be about. Still, it’s a good message for those willing to heed it, and it’s kinda weird the video comes with a trigger warning, but I get it. In the words of every man after a scandal, “as a father of daughters”, I get it.

29. David Lee Murphy & Kenny Chesney – Everything’s Gonna Be Alright

There’s not a lot here, but it got a lot of airplay and eventually worked its way into my heart. It’s just got that laid back beat, and it’s the kind of thing you’d expect from Chesney. It’s “White folks smoking weed on the beach” music. White people can actually get away with that shit! It’s basically a modern, Caucasian “Don’t Worry, Be Happy”.

28. Luke Combs – Beautiful Crazy

You’re going to be seeing Combs a lot on this list. I feel like country, more than other genres, operates like pro wrestling. Certain artists get a “push” to the top more than others. For whatever reason, the labels decided that Combs was going to get that push. I’m not taking anything away from him. I enjoy pretty much everything he puts out. I just find it odd how some get the push while others don’t. He doesn’t look like every other country star today, so maybe that’s why. His look is “relatable”. Anyway, this is just a nice little ballad, but we’ll see more of him down the line.


27. Luke Bryan – Sunrise, Sunburn, Sunset

When my wife first hear this song, she said “That’s a guaranteed way to get skin cancer.” While she’s not wrong, it’s a catchy song. A lot of the country was introduced to Bryan as he joined the judges panel on the American Idol reboot. I didn’t watch any of that, so I don’t know if they ever used any of his music. I will say this is probably his strongest song on this list, from a “musical” perspective, but he will appear later for reasons.

26. Lindsay Ell – Champagne

Remember I was talking about Bobby Bones? Well, he also introduced me to Ell. You see, they were dating and he gave her music a lot of exposure on his show. That backfired, though, because a lot of other country radio shows hate him, so they wouldn’t play her music. He felt bad that he was affecting her career, and they broke up. And she started getting more airplay elsewhere. I don’t understand what her affinity is for the country genre, though, because this song is NOT country, and she would do so much better as a Top 40 artist.

25. Jordan Davis – Singles You Up

I like the phrase “singles you up” better than “breaks up with you”. Like, you’re talking to your friend about his relationship, and you just drop, “Oh, she’s about to single you up!” I really hope that becomes a thing, but everyone knows that slang is stolen from the gays and the Blacks, so unless one of them created it, it ain’t gonna stick. Anyway, it was a big song this year, and it’s just so fun to sing along to.


24. Kenny Chesney – Get Along

I hated this song when it came out, and I remember even linking to it with “Fuck Kenny Chesney” back when it came out. You see, I hated the timing of the song, as it was when everyone was calling for civility while doing nothing to actually promote it. It was that “There’s bad people on both sides” argument, when one side had Neo Nazis who were running over protestors, while the other side had knitted pussy hats. NOT the same.

Anyway, after cooling down, and if you can actually stand the cloying sentimentality of it, it’s a catchy song. Plus, I love how stream of consciousness it gets at the end of the chorus: “Learn to dance, call your mom, buy a boat.” Um, some of these are easy, and some are gonna require a loan agent. Anyway, I think the video is tone deaf, because while Chesney probably thinks it’s something of a love letter to his fans, it doesn’t promote the diversity the song speaks of. Ain’t no Black people at a Kenny Chesney concert. Shit, I once had a country mega ticket, but I wasn’t going to a Kenny Chesney concert. If you get bored, just look up how many fights and 911 calls those things typically generate.

23. Carrie Underwood – Cry Pretty

Ah, the debut of Underwood’s new face. You see, a little over a year ago, she had a bad fall at her house and her face required a bunch of stitches. She was holed up like Jack Napier for a bit because she didn’t want folks to see her. Anyway, this was something of her “comeback” from that ordeal and, surprise, she looks exactly the same. Anyway, it’s a pretty good power ballad, but it wasn’t strong enough to really get her into my top 20.

22. Brett Young – Mercy

Last year, Young made #33 on this list, with “In Case You Didn’t Know”. Just like that song, this is a beautiful ballad, with nothing inherently country about it. I’m starting to think that country is the new contemporary Christian genre, in that it attracts new artists because of the ease of entry. Then, once established, they gravitate to their natural genre (see: Creed, Katy Perry).

21. Dan + Shay – Speechless

Dan + Shay are prime examples of what I was saying in the last entry. Listening to the Bobbycast (Man, I pimp Bones so hard he ought to be paying me!), these guys did NOT set out to be country artists. Hell, Shay was a solo artist on T-Pain’s Nappy Boy Entertainment before the duo was formed. No, these guys are less Brooks & Dunn, and more Savage Garden. Anyway, pretty song, but not my fave D+S track of the year, which we’re getting to. You know how some movies are clearly made for “Oscar season”? Well, this was clearly made to cash in on Wedding Season.


20. Jake Owen – I Was Jack (You Were Diane)

Funny story – I always hated “Jack & Diane”. Even with its iconic intro, I couldn’t deal when the lyrics started. I didn’t even like when Jessica Simpson sampled it. Then some things started happening in pop culture, which softened my stance on the song. First, there was Black-ish, where the twins are named Jack & Diane, which I thought was kinda cute. Then, Jake Owen came along with this song. I like Owen, and I felt he did something different with the source material. It’s basically a Jack & Diane remix, and who doesn’t love a good remix? Anyway, I think I may like “Jack & Diane” now.

19. Midland – Burn Out

Midland made #5 on last year’s list, with “Drinkin’ Problem”. This song is more of the same, and it’s not higher because I just can’t vouch for their “authenticity”. Like I said last year, it’s almost like they’re cosplaying country. They don’t come from the industry, and it feels like their act was put together studying game tapes. Still, they’re so fucking good at the vintage country formula that you can’t help but be impressed by what they’re cranking out. I also love how all their videos take place in this early 80s yesteryear.


18. Thomas Rhett – Marry Me

Hey, Rhett’s back! This time, he’s singing about “The One That Got Away” – only now he’s got to go to her wedding. I don’t feel like this got as much airplay as “Life Changes”, but I felt it was the better song.


17. Maren Morris – Rich

Last year, Morris was #15 on this list with “I Could Use a Love Song”. Again, another artist who could be doing so much more if she crossed over, as we’re going to see in a bit. Anyway, it’s so coquettish how could you NOT love this song?


16. Jason Aldean, featuring Miranda Lambert – Drowns The Whiskey

I love the play on words here, about how whiskey’s supposed to drown the memories, but instead it’s the other way around. I feel like the song kinda misses its mark, though. With the addition of Lambert, you’d think it was supposed to be like the old country duets, but this is no Loretta Lynn & Conway Twitter collaboration. Lambert really doesn’t bring enough to the song to warrant her being here. Any up and coming country startlet could’ve done this harmony. Did Kelsi Ballerini not answer Aldean’s calls or something?


15. Luke Combs – She Got The Best of Me

Our old buddy Luke Combs is back, breaking the top 20 with this hit. I don’t know if the voiceover in the video is true, but if he really didn’t pick up a guitar until he was 21, he’s done AMAZING things in the past 7 years. Kind of inspirational, really. Again, though, the video is distracting because you’re led to believe the “she” is the chick from the breaking news segment at the beginning of the video, and he she got the best of him because he can’t get over her death. But then it turns into a standard on the road/tour video, and just kinda kicks that narrative to the curve. Anyway, good song.


14. Dierks Bentley featuring Brothers Osborne – Burning Man

Bentley’s first appearance in the Top 20 won’t be his last. We’ll get to that later. No, I really like this song, and can’t really categorize it. It’s not “country”, but it’s not “rock”. It’s got that bar band vibe to it, where it wouldn’t have been out of place for it to be a Hootie and the Blowfish song.


13. Zedd, Maren Morris, and Grey – The Middle

If you’ve set foot in a Target this year, then you’ve no doubt heard this song. It’s just as infectious as Zedd’s entry from last year, “Stay”, featuring Alessia Cara, and it shows just what Morris is capable of doing outside the country genre. More of this, please!


12. Brett Eldredge – The Long Way

A ballad about a guy wanting to know more about his new girl by her showing him around her hometown, taking the “long way” around. I think it’s a beautiful song and sentiment. He wants to know her in and out and thinks this is best way to know where she comes from. I like Eldredge and he’s had a bunch of songs that would’ve made the list had I been doing this longer than 2 years. Anyway, I expect to see more of him here in the future.


11. Morgan Wallen featuring Florida Georgia Line – Up Down

I told ya Florida Georgia Line would be back! I love this song but I just couldn’t let it crack the Top 10. If you remember, Morgan got to #7 with “The Way I Talk”, but this song didn’t speak to me as much as that one. Still, it’s a great FLAGA Line collab, and just a fun song. It’s a song about drinkin’ and the weekend. What’s more country than that? Plus, bonus points for shoving “BFE” into a song that gets national airplay.


10. Tim McGraw – Neon Church

Who knew McGraw and his wacky hat would make it back to the countdown? Well, if you’re a regular West Week Ever reader, then it shouldn’t be too much of a suprise, as I basically spotlighted it one week. Yeah, it’s Tim McGraw, but this is basically his rendition of “Purple Rain”. Now, some of you might call that sacrilege, but I’m talking more about what’s going on in the song’s background than I am about him attempting to evoke Prince. I looped this song for an entire work day once, so if that’s not enough for it to crack the Top 10, I don’t know what is.


9. Luke Bryan – Most People Are Good

OK, I feel like I should apologize for this song first. Isn’t that sad? I mean, I really like the song, even if it’s not Bryan’s strongest vocals of the year (those would’ve been in “Sunrise, Sunburn, Sunset”). No, I’m apologizing because I know how treacly the message of the song is going to come across. Hell, it’s almost the same as Chesney’s with “Get Along”. The difference here, though, is that there’s a subtle message that gets lost: in the chorus “I believe you love who you love, ain’t nothing you should ever be ashamed of.” That’s the closest country music has ever gotten to not only acknowledging, but also embracing, its LGBTQ fan base. Plus, it really does have a positive message. For the record, this is the video Chesney should’ve shot for “Get Along”.


8. Jake Owen – Down To The Honkeytonk

I love the Hell out of this song, and let me tell you why. A few years ago, I had a shortlived feature (“shortlived”? I think I wrote TWO posts) called “Reboot That Bitch” where I’d take an old concept and reboot it. Ya know, kinda like what Hollywood is doing now. Anyway, I chose the Lee Majors 80s drama The Fall Guy, and I feel like this song would be PERFECT as the theme song for a reboot of that show. As the original theme sung about the lack of glory behind being a stuntman, this song is about a regular guy who might not be spectacular, but in his neck of the woods – the honkytonk – he’s The Man. Press play, close yur eyes, and picture a Rounded-Line 1981 GMC K-2500 Wideside jumping over shit.


7. Luke Combs – One Number Away

If I were doing a West Year Ever of just music, it’d go to Luke Combs. Making his THIRD appearance on the chart, and OH SHIT! THIS VIDEO IS THE PREQUEL TO “SHE GOT THE BEST OF ME”!!! Yeah, I’m just watching this video for the first time. Huh. So, he took this and made it a Don’t Talk and Drive PSA. Interesting choice. Anyway, I feel like, as with all of Combs’s songs, he really puts his soul into this one. It was kinda hard ranking his 3 biggest singles of the year, but I definitely feel this was his best.

6. Blake Shelton – Turnin’ Me On

This song isn’t as fun as Shelton’s entry last year, “I’ll Name The Dogs”. Still, there was something haunting about this song, and I didn’t realize what it was until a local DJ spelled it out for me: It’s basically a Stevie Nicks song. You can get lost in its retro sound, and I recommend that you do, because otherwise you’ll realize he’s singing about Gwen Stefani, and it’ll take you completely out of it (I’m pretty sure her kisses taste like Bubble Yum and NOT whiskey). Anyway, this song achieves that same yesteryear vibe that Midland specialize in.


5. Dierks Bentley – Woman, Amen

A bombastic ode to women, from a country star no less! I really like this track, and it became something as an inside joke in our family. My wife and I would listen to it, and I’d say something like, “Man, she sounds terrific. I wonder where I could get a wife like that.” Yeah, I’m an asshole, but we all had a good laugh.


4. Dan + Shay – Tequila

They’re back! While they closed out the year with “Speechless”, they dominated most of the year with “Tequila”. It’s just so smooth – something tequila is not. Still, it is highly relatable in how the taste of something can bring back so many memories. I really hope more people discover this duo.


3. Lady Gaga & Bradley Cooper – Shallow

Another song that got a mention in West Week Ever. In fact, it HAD the West Week Ever. From the soundtrack for A Star Is Born, this song is just so much better than it has any right to be. Cooper handles his part deftly, but Stefani (I’m not even gonna call her Gaga here because she’s shed that disguise effortlessly) really swings for the fences in the second half of the song. Another song I looped for an entire work day, as I kept discovering new things about it.


2. Jimmie Allen – Best Shot

I’m sure some of y’all skimmed this list, and said “What, Will? No Black people at all?” Well, here ya go. It’s not that I’m holding out on you, but there just aren’t many Black artists on the stations I listen to. For the longest time, there was just Darius Rucker and Cowboy Troy. Well, that changed this year, as Jimmie Allen made his way onto the scene. It’s good to see a brother make his way in an industry not necessarily cut out for him, and he also just seems like a genuinely good guy. I’ve listened to a ton of his interviews this year, and followed his rise. “Best Shot” is such a great song.  He probably doesn’t do enough vocal runs to get on R&B radio, but he’s a force that really deserves to be out there, and I’m glad he’s found his way in a genre that might surprise some.


1. Bebe Rexha featuring Florida Georgia Line – Meant To Be

Funny story – this song just missed making it onto the bottom of the 2017 list, but I didn’t think it was going to make much of an impact. The thing I like about FLAGA Line is that they don’t always have to be the center of attention. Sure, they’ve got their own hits, but they spent a good chunk of the past year and a half just doing guest spots for other artists, like Morgan Wallen and Rexha here. Meanwhile, I felt like Rexha was just another flash in the pan Pop THOT who’d be here today, and gone tomorrow. Surel she’s hot, but was that going to matter on the charts? Well, it made Rexha the first female artist to debut at the top of the Hot Country Songs chart, and proceeded to spend FIFTY WEEKS at the top spot. It spent the majority of the year as the #1 country song. It’s gone 4 times platinum in a music industry where songs and albums just don’t perform like that anymore. It was without a doubt the biggest country song of the year and, with its crossover appeal, was one of the biggest songs, period, of 2018.

So, there you have it. They might not have all been the best songs of 2018,  but they were certainly my favorite songs of the year. I’m sure that you stumbled upon something up there that you liked, so drop me a comment down in my shiny new Disqus commenting system!

30th Nov2018

West Week Ever: Pop Culture In Review – 11/30/18

by Will

I took last week off ’cause it was Black Friday, and I know this site was the last thing on y’all’s minds. Gotta get them $199 PS4s! Anyway, that just means we’ve got twice as much stuff to talk about this week!

First, allow me to rant. Every time there is a celebrity death, the internet instantly becomes filled with tribute art to the person. Sure, the artists typically mean well, but a lot of it is very, very bad – sometimes just in poor taste. Stan Lee died a couple weeks back, and what did we end up seeing? Stan Lee at the pearly gates, Stan Lee being hugged by his creations, Stan Lee with his creations surrounding his hospital bed, Stan Lee with the MCU stars photoshopped into his funeral. You get the picture. The one that really got me, though, is the one above: Stan and his dearly departed wife, Joanie, reunited in space, wearing spacesuits. This comes off as some kind of secular desire to have an afterlife, but still trying to apply Earth logic to things. Why are they in space? Is that where you think “souls” go? Why are they in spacesuits? Shouldn’t they no longer have the need to breathe? Bottom line, I thought this was stupid. This was just stupid. And I said so when someone posted it in a Facebook group I’m in, with a bunch of crying emojis. And the floodgates opened!

Let me give you some backstory about this group. I’ve met some great folks in there, but it’s chock full of Brits who are constantly making fun of EVERYTHING. For example, you can’t mention people being offended by Apu, because “Everyone’s too sensitive”. Seriously, every serious conversation on there is derailed by a bunch of guys chiming in with “Well, they’re being cunts!” So, imagine my surprise when I found the limits of the rapscallions! So, I had to reply:

A few days later, a few of the same folks were laughing about that missionary who got killed by the tribe. You know the one. And, yeah, I have my issues with missionaries and all that, but if you’d seen some of the stuff they were saying, and LAUGHING at…And I’M the asshole for thinking somebody’s DeviantART space pic is stupid? Oh, hell the fuck no! It took everything in my power not to run back into that group and tear it apart like Jesus in the temple. So, I subtweeted with my own status.

So, imagine my surprise when the group founder commented on it:

That’s where it pretty much ended – until now. If there’s one thing I’ve learned from the Trump Administration, it’s the art of doubling down. And I’m here to say that a LOT of that fan art shit is stupid. Sometimes a beloved artist will do some, and maybe sell it and give the money to charity. Nice use of the moment. What I don’t like is Johnny Cash Grab who decides he’s going to throw together a shitty t-shirt to sell to capitalize on the moment:

But also, money isn’t everything. There’s a lot of FREE fan art out there that’s stupid. The minute SpongeBob SquarePants creator Steven Hillenburg succumbed to ALS earlier this week, I immediately asked “How long before the fan art of SpongeBob meeting Stan Lee?” And while it’s not exactly what I described, the Internet did not disappoint:

WHO IS THIS FOR?! But, “let people mourn how they want to mourn.” It doesn’t mean I can’t question it.

Trailer Park


Artemis Fowl

This just looks like Great Value Harry Potter to me, only he’s in the Men In Black now? I mean, if Harry Potter knockoffs are what’s bringing in the big bucks, I’ve been sitting on the Charlie Panner franchise for about a decade, and I need to talk to someone pronto! Yeah, I know it’s based on a book series, but I’m not 14, nor do I hang around any since the court case. So, I’m gonna need a little bit more from my teaser trailers. This? This was just meh.


The Lion King

OK, but WHY? I get it. It’s stunning, and it’s a beloved story, but we already have the original. I feel like those people who get upset when their favorite old property is rebooted. No, this one doesn’t mean that the old one doesn’t exist, but there are so many other things Disney could be doing with this money and technology. I feel like Disney is creatively stale, like they were prior to The Little Mermaid, and live action versions of their 90s hits ain’t really impressing me all that much. Still, I’ve never had the same love affair with Disney movies as some folks, so I guess I’m just dead inside. Nice job they’ve done here, though.


Once Upon A Deadpool

A PG-13 cut of Deadpool 2? Sure, it’s a cash grab, but I respect their hustle. Maybe it would’ve been cooler to have had this as a bonus feature on the Blu Ray, but if there’s theatrical money, and it fills a hole in Fox’s schedule, then do it. I still haven’t seen Deadpool 2, so I guess I’ve got homework before December 12th. And I kinda like Nickelback more than the Beatles…


The LEGO Movie 2: The Second Part

So this is the second trailer we’ve gotten for this movie, and it really wasn’t doing much for me until Rex Dangervest showed up. That’s cute what they did there. I mean, I’ll see it, but nothing about this is like “WOW, I CAN’T WAIT!” Plus, if you cast Tiffany Haddish, you’re only going to get “Tiffany Haddish”. Make sure that voice works with the character, ’cause if it doesn’t, then…you get this.

Runaways Season 2

This looks like the Freeformiest Freeform show that ever Freeformed – which is odd, since it’s NOT on Freeform. It’s like if Claire’s, Urban Outfitters, and Hot Topic decided to go in together on a TV production deal. I’m sure the teens and tweens probably love it, but I can’t see myself watching a single episode of this show – which probably why I never watched any of season 1. Plus, I don’t have Hulu, so…

Things You Might Have Missed This Week

  • ABC’s Sue Sue In The City spinoff of The Middle will not be going forward. It’s kinda sad, as I liked Eden Sher in the role, but I also felt like it wasn’t necessary, as The Middle gave a nice ending to her story. This show would’ve had to serve as an “Inbetwequel” to the ending the show had set up for her. This is probably for the best.
  • Speaking of ABC spinoffs, Schooled, the 90s-set AJ Michalka starring spinoff of The Goldbergs, will debut on January 9th. Oh, look -Tim Meadows is in the cast. Yup, this show is D.O.A.
  • In a somewhat surprising move, Netflix has cancelled Marvel’s Daredevil series. I’m gonna say this one more time, for the cheap seats in the back: DISNEY IS NOT PICKING UP THE CANCELLED MARVEL NETFLIX SHOWS! I’ve already explained the WHY, and I’m just tired of the same time armchair speculation.
  • I can admit when I’m wrong, and I once said that Agents of S.H.I.E.L.D. wouldn’t be around for Avengers 4, yet not only will it, but it’s been renewed for it’s seventh season before the sixth even launches next summer. I felt like the show was going to be the “connective tissue” of the MCU around that Winter Soldier/pre-Age of Ultron era, and then go away. Then it kinda distanced itself from the movies except when it couldn’t be explained away (due to the politics), and started doing its own thing. They say last season was great, but I’ll have to check that out for myself.
  • Country radio personality Bobby Bones won season 27 of Dancing with the Stars, which has fired off this outcry of how the show is “broken”. “It’s just a popularity contest now!” Um, EVERY reality show is a popularity contest, Doris!
  • Jon Cryer has been cast as Lex Luthor in Supergirl and, while I have no interest in watching that show, I don’t hate that casting. I don’t hate it at all.
  • Back in 2012, ABC aired a series called GBC, based on the semiautobiographical book Good Christian Bitches. Of course it didn’t last, as we’re not currently talking about the 7th season of GCB, are we? Well, The CW is developing a reboot of the show, and it will retain its original title. Man, there are gonna be SO many evangelical groups up in arms about this one.
  • It was a busy week for celebrity profiles, as one focused on the renaissance of Amanda Bynes (glad she’s not dead!), while the other focused on Lena Dunham coming to terms with the fact that she’s a bit much to handle at times.
  • There are rumblings of a revival of the 90s CBS series Northern Exposure, with most of the cast – including original star Rob Morrow – back on board. This is interesting, seeing as how most of the cast and crew reportedly hating working with Morrow. I guess they loved that money more than they hated him, huh?
  • There was a One Tree Hill Christmas movie on Lifetime that was NOT a One Tree Hill movie. WTF? Yeah, they cast about 60% of the One Tree Hill cast in The Christmas Contract, yet it wasn’t a One Tree Hill project. Who does that? That’s like if I brought in Matthew Perry, Lisa Kudrow, Matt LeBlanc, and David Schwimmer and was like, “OK, in this show, you guys all work in a bar”…
  • Jerry Springer will be bringing original content to your syndicated airwaves next season, when his court show, Judge Jerry, launches. I’m not kidding. What bothers me is that his talk show fizzled instead of going out with a bang. Its best years were probably 20 years ago, but it still deserved more of a sendoff than it got. To me, this court show is just the Three’s A Crowd to his Three’s Company.
  • Even though Spider-Man: Into The Spider-Verse isn’t even out yet, Sony is reportedly developing an animated Spider-Women spinoff probably focusing on Spider-Gwen, or Ghost Spider, or whatever they’re calling her this week. I’ve got thoughts about Into The Spider-Verse, but you’ll hear more of them in the coming weeks.
  • Netflix is developing animated series based on the works of the “ORIGINAL J.K. Rowling” himself, Roald Dahl. Debuting in 2019, they’re set to be event series and specials.

  • Speaking of Netflix, they’ve announced a 10-episode order for a live action adaptation of the Cowboy Bebop anime, and this could either be the best or worst thing they could ever do. People love the Hell out of that series, and I can already hear the cries of “They’re whitewashing characters!” I only know two things: 1) they’d better cast Ben Schwartz as Spike (I’d also take David Tennant) and 2) the in-show bounty hunter series Big Shot better be worked into this version.

So I have this slightly narcissistic thing about me where I don’t listen to a podcast unless the hosts have had me on as a guest at some point or another. I just like having the ability to interact more than just yelling at the computer, and when I know the hosts, I can drop them a line, or even go on a future show to add to that conversation. There are a few exceptions to this rule, but that’s pretty much how my Stitcher playlist is designed.

Anyway, I had a long drive home from Richmond last weekend, and I was all out of my usual podcasts, having listened to them on the way down. I didn’t really feel like music, either, but I needed something to listen to. Then I remembered that a coworker had recommended Wolverine: The Long Night to me when he was trying to pitch the idea of audio books to me (I still prefer print). He said that this was more of a radio show than an audio book, but I might like it. What it was, actually, was a podcast that was a co-production between Marvel and Stitcher. Broken up into 10 chapters, all were available to listen to, ad-free, so my bingeing began!

Wolverine: The Long Night takes place in its own sort of timeline (which they’re hinting might expand into the Marvel Podcast Universe), so you can’t really place it in the movies or the comics. Some grizzly murders have occurred in the small Alaskan town of Burns, where everyone is hiding, or running from, something. The police are simply telling the public that the murders were committed by a grizzly bear, but could there be something more? Could the short, mysterious loner who just came to town be responsible for the deaths? Well, that’s what Special Agents Pierce and Marshall are there to find out. They are our “eyes” through the whole story, so we see everything from their viewpoint. We’re able to check in on other characters because of bugs that the agents placed around the town. Otherwise, you don’t know it’s happening unless Pierce & Marshall have somehow documented it.

Despite the title, the series is less about Wolverine, and more about how his mere presence has affected everyone in the town. We don’t “see” him much, but when we do, it counts. Meanwhile, there’s some other stuff going on in the town that could be connected to the murders. There’s the mysterious Aurora cult, who have come to the town to establish a base. There’s the wealthy Langrock family, whose money and generosity have kept the town afloat for years, but are they hiding something? As it should come as no surprise to anyone, all of these things overlap heading toward the conclusion of the story.

I really want to discuss this thing with someone else who’s listened to it because there are a lot of 3rd act issues with it. There’s a swerve that you saw coming a mile away, but it doesn’t go in the direction in which you thought it would have gone. Plus, because it’s in its own universe, things happen for which there’s no in-canon precedent. I don’t want to spoil it here, but if you have listened, give me a shout.

Wolverine is voiced by English actor Richard Armitage, who comes off sounding like an angry George Clooney – which doesn’t exactly sound like it fits on paper, but it surprisingly works very well. The rest of the cast is fleshed out by Scott Adsit, Bob Balaban, Brian Stokes Mitchell and more talented folks. I really didn’t know if I was going to take to the whole thing, but I got home with about 3 hours left in the story. I went down to the basement, and just listened to the rest like I was in the ’40s or some shit. What’s a “television”?

Would I listen to more like this? Sure and, as I said before, there are even talks of expanding this into a whole universe. I really enjoyed the experience, and it’s an engaging story. I’m not entirely sure it stuck the landing, ’cause that last episode…whoa. Still, of the experience as a whole, I give it an A, and as the best thing I experienced in the past week, Wolverine: The Long Night had the West Week Ever.

 

16th Nov2018

West Week Ever: Pop Culture In Review – 11/16/18

by Will

So, it’s been THREE WEEKS since I actually covered “pop culture” on here. And ya know? Ain’t a whole lot happened in that amount of time. I mean, I’ve been fighting to get my White House press credentials restored, but other than that things have been pretty lame. Sure, you may think there was news, but there really wasn’t. Let’s see what I can pick out this week, shall we?

So, I did something I haven’t done in a while: I watched a movie. At home! Lindsay went out to the store, and Evie was mesmerized by Ryan’s Toy Reviews on her tablet, but the TV was left on Megamind. From the beginning. Lucky me! Now, I know I’ve seen parts of it before on a plane, but I fell asleep on it, so that doesn’t count. Why did this movie bomb? I seem to remember it bombing. *checks Wikipedia* Yup, one of the lowest-grossing DreamWorks CG movies to date. That’s a shame, ’cause I really enjoyed it.

If you’ve never seen it, it’s Will Ferrell at his “hamiest”, voicing the supervillain Megamind. He and the hero Metro Man both crashed on Earth as babies, but they ended up with very different lives, despite growing up around each other. Jealous of the attention that Metro Man got from peers, Megamind eventually turned to villainy, and this cat and mouse game develops over the years. That is until Megamind goes too far in one of their battles, seemingly killing Metro Man. Now, without a foe, Megamind begins to realize that villainy really isn’t that fun – especially when he falls in love with reporter Roxanne Ritchi. Now he has to lead a double life as both Megamind and “Bernard” (the guy he’s disguised as when he dates Roxanne), while a new villain rises in Metro City. Will the villain become the hero? That’s all I’ll give ya, ’cause I really think you should see it yourself.

It was one of those rare times when I couldn’t identify the voice actors, and I don’t know if they took me out of it, or if it actually helped to pull me in. I mean, I was surprised to discover that Tina Fey was Roxanne, but even more surprised to find that Brad Pitt was Metro Man. Jonah Hill’s character? Totally thought it was Nick Swardson. So, cute movie, great cast. I’d recommend it. I am tired of seeing those Happy Meal toys at thrift stores, though…

Nothing convinced me of the fact that I’m simply not a Star Wars fanatic more than the news than came out over the past week. First up, there’s going to be a Rogue One prequel series on the Disney+ streaming service, starring Diego Luna reprising his role as Cassian Andor. Yeah, that’d be great if I didn’t already know how he dies. I don’t like prequels for characters who we’ve seen die because there are absolutely no stakes. It might as well be Star Wars: Cassian’s Root Canal. That’s how interesting that sounds to me. It’s always odd to me that fans love Rogue One and hate The Last Jedi when I had the opposite feeling on both of those movies. I don’t need gritty suicide missions in my Star Wars. I felt like every character in that movie was a cliche. That’s why nobody knows their names. Sure, there are fans who’ll get butthurt when you say that, and respond “It’s Chirrut Imwe!”, but I’m content just calling him “Blind Guy”, thankyouverymuch. Anyway, they were created simply to die, and die they did.

Plus, what is there to really do with Cassian? They’re gonna make him a lovable rogue who hates authority. Congrats, Disney: you’re effectively giving us Mexican Bootleg Han Solo! Anyway, I’m curious to know if there’s a version of Rogue One out there that I’d actually like. I mean, between reshoots and edits, what we got was an entirely different movie than the one they initially set out to make. Maybe that’ll come through on the series? I’m not sure, but I’m not the target audience.

Next up, they announced some casting for The Mandalorian, and again, I was unable to go from 6 to 12 from that news. Game of Thrones actor Pedro Pascal is reportedly going to be the lead in the series, but I’ve never watched Game of Thrones so that means nothing to me. Meanwhile, someone somewhere is going “Why they fillin’ up mah Star Wars wit’ Mexicans?!” Yeah, he’s from Chile, but the person saying that doesn’t know the difference between the two… Also, they announced that former MMA star Gina Carano had been cast. That’s the moment I lost all interest. Are we still trying to make her a star? Look, I’m sure she’d make a fine stuntwoman, but acting ain’t her strong suit. Has everyone forgotten how all her dialogue from Haywire had to be overdubbed?! Is she going to be a droid? Anyway, y’all have fun with The Force, but none of this is for me.

Trailer Park


Toy Story 4

Yeah, I don’t need this. Look, I know y’all love Toy Story, and I know it put Pixar on the map, but I’ve never really taken to this franchise. Yeah, go ahead and be shocked, but that’s how I feel when one of y’all tries to say that the first 10 minutes of Up do nothing for you. BASIC! Anyway, I know the last movie kinda served as a springboard for new adventures, but it doesn’t mean they have to show them all to us. It was enough to know that the toys got a new home and a new lease on life. I don’t need to watch Bonnie grow up, and then pass them on to some other kid like Andy did. They had a GOOD stopping point. Why ruin that? Oh yeah. Money.

Fighting With My Family

Huh. I never had any interest in this film until watching that. Sure, I love Nick Frost and Vince Vaughn, but I’ve never really cared much about Paige. I mean, when “the leak” happened, I ended up seeing way more of her than I ever imagined, but I’ve never cared about her wrestling. I know WWE is giving the women’s division more of a push these days, but I’m kinda cold on the company right now, plus Paige isn’t really in-ring talent at the moment. So, this won’t bring me back to wrestling, but I’d definitely like to see this movie.


Spies in Disguise

What the fuck is this?! Does Will Smith need money? Do we need to start a GoFundMe, or is he already on Patreon? This movie looks like it was spawned from those “Why can’t James Bond be Black?” thinkpieces, and then Hollywood got involved and was like, “OK, he can, IF he can also be a bird”. There’s this longstanding stigma in Hollywood that every Black comedian has to, at some point, don a chicken suit in some Stepin Fetchit attempt to make them less threatening to some White audiences. This is Will Smith’s chicken suit. Plus, I don’t care if Blue Sky made the Ice Age franchise – I’m commoner trash, so I want my animation from Disney or Dreamworks. Otherwise, GTFO!


Detective Pikachu

So, this is basically family friendly Ted, right? I mean, I can dig it. I’ve got a lot of questions about the world in which it’s set, but there’s already a built-in audience for this, considering Pokemon GO almost settled the Israel land disputes. Seriously, I was amazed when the entire world was playing it, and I’m still amazed that there are millions of folks still playing it undercover. I see you walking in that park! I know you don’t give a shit about fitness!

Things You Might Have Missed This Week

  • Apparently the title for the third installment of the Will Smith/Martin Lawrence cop franchise will be Bad Boys for Lif3. Huh. Why not just go the extra mile and replace “for” with “4”? Oh, and the “s” with a “z”? Bad Boyz 4 Lif3. There’s your edgy title!
  • Speaking of Will Smith, son Jaden may have come out as gay this week, as he told a festival crowd that Odd Future’s Tyler the Creator was his boyfriend. I’m not really surprised, as I always considered him gender fluid anyway. Plus, he’s weird Hollywood royalty, so you could tell me he’s in a serious relationship with a Mitsubishi Eclipse, and I’d be like “Huh. Nice choice.”
  • Netflix has cancelled The Good Cop after one season. Let me tell you, I had NO IDEA this thing was a cop drama starring Tony Danza and Josh Groban. I saw an ad for it, and I thought it was about a Black cop who doesn’t give a shit because he’s so close to retirement. Apparently that IS one of the characters, but he’s not the star. I actually wanted to watch that show.
  • Tom Cruise is done with the Jack Reacher franchise, as he is reportedly too short for the role. It’s not like it matters, though, because they’re refocusing it for television instead of movies, and Tom Cruise ain’t doing TV any time soon.
  • Fans won’t be saying “Happy Christmas” to The Doctor this year, as there will be no Doctor Who Christmas special for the first time in 13 years. Instead, however, there will be a New Years special, but fans already seem ready to start a war about this.
  • Since CBS All Access is really just CBS: We Have Star Trek So Please Give Us Money, there are reports that there’s ANOTHER Trek show being developed – this time, focused on Michelle Yeoh’s Star Trek: Discovery character, Philippa Georgiou. I still haven’t watched season 1 of Discovery, but every news story spoiled what happened to her character, so I’ll let you look up the details yourself.
  • 2019 is shaping up to be a banner year for STDs, as MTV’s Spring Break will make its triumphant return, along with a reboot of Temptation Island on USA Network.
  • Tim Tebow will be hosting a new competition show called Are You There, Jesus? Kidding. It’s actually called Million Dollar Mile, where it’s basically American Gladiators against professional athletes. Yeah, I think my show sounds better.
  • Malibu! Malibu! Malibu is on fire! We don’t need no water, let that motherfucker…Oh shit, there goes the Westworld set!
  • Alec Baldwin punched a guy over a parking space, but that’s basically a regular Tuesday for him.
  • Hey, remember how y’all hated Venom? Well, it still debuted at $111 million in China, as Sony’s biggest Chinese launch of all time. Oh, and it’s made $674 million globally. Yeah, we’re getting that sequel, and I ain’t mad.
  • Vanessa Bayer, formerly of Saturday Night Live, is developing Big Deal for Showtime, in which “a woman overcomes childhood leukemia to achieve her lifelong dream of being an on-air host on the Home Shopping Network. Huh. This just sounds like an SNL sketch. And not a good one. Apparently, Bayer did overcome childhood leukemia, and it’s nice to see she’s creating her own roles, as Hollywood is otherwise just gonna pigeonhole her as “perky best friend” in the rom-com genre.

So, I took last week off because it was a holiday weekend, but I gave a rare social media-only West Week Ever to my friend Mary Ann Borer. We “met” through a Facebook group a couple of years ago, and she’s become quite the friend of the site. So, imagine my surprise when she became the reigning Jeopardy! champion. She even went viral for her Sailor Moon salute. The Teen Tournament is currently going on, but I can’t wait for it to end so she can get back to kicking ass. So, for the record, last week, she had the West Week Ever.

I don’t even know where to start with this one. I’m not going to eulogize him ’cause enough sites have done that. I don’t even know if I can do a “What Stan Meant To Me” angle. I’ve spent the past few years pretty much waiting for what happened on Monday. I had made my peace with it once the stories of the suspected elder abuse surfaced earlier this year. To me, Stan “The Man” Lee was already gone, and his handlers were pretty much Weekend at Bernie’s-ing him to get at his fortune. When Wizard magazine went under, the first thought I had was how they wouldn’t be around to have a special commemorative edition when he passed. But I still wasn’t ready on Monday. We lost Stan.

As much as I love pop culture, I’ve never been much of a “starfucker”. I’ve come in contact with a handful of celebrities in my life, but there were only 3 that I ever simply HAD to meet: Adam West, Stan Lee, and Jason David Frank, the greatest Power Ranger of all time. For two of those, I knew the clock was ticking as they were getting older, but they were surrounded by vultures, so the cost of that opportunity kept going up. I paid $300 for a VIP package to meet him at Baltimore Comic Con back in 2011. That’s a lot of money, but not once did I ever question it. This was STAN LEE. I don’t think I’ve ever spent that much money with that little thought put into it. To me, it was a given. I was meeting The Man. After all, “He’s not going to be with us long” was always in the back of my head. And now he’s not.

I always hate the whole “He’s in a better place now” phrase, but I honestly feel that way for Stan. His last few years just seemed miserable, and it was sad to watch him go through it all. Ever since he lost his wife, Joanie, he hadn’t been himself. And now he’s with her again. I don’t care what you believe. There could be an afterlife, or maybe they’re just together in the ground, turning into dust. I feel like whatever it is is probably better than drifting in and out of coherence, while my slacker daughter keeps visiting to ask for money.

Stan meant a lot to a lot of people. That goes without saying. Like any man, he had his faults. And as great as his creative highs were, he also had creative lows. He was a man who would put his name on literally anything. He was the epitome of “Fuck you, pay me”, but he always did it with such enthusiasm, and a smile on his face. The cash grabiest cash grab seemed like a decent idea when he went out to cheerlead for it. The Backstreet Project? Even at the height of the Backstreet Boys’ fame, this was a long shot. Chakra: The Invincible? Over 1.2 BILLION people in India, and none of them gave a shit about that thing. But that’s just a testament to the Stan Lee name. His past paid for his future. Co-creating X-Men, Spider-Man, and the rest opened every door for him for the rest of his life. And I don’t think Stan ever came across a door that he didn’t enter.

His huckster enthusiasm is what we know most about him, though, and it was infectious. He really made you feel like he believed in everything he put his name on. Even as you were at home, shaking your head in disbelief, he was telling you, “No, seriously, this cartoon about Pamela Anderson as a stripper/superhero is gonna knock your socks off!” Instead of the guy who had already made his nut, he approached everything like it might finally be his big break. I’m not sure if there was some guilt over who created what back in the day, or if he just needed to keep the creative juices flowing. Either way, you believed HE believed in Stripperella, even if you and everyone you knew had no intention of ever watching it.

It’s amazing to see someone that enthusiastic about anything in this day and age – to believe in the things to which you’ve aligned yourself THAT MUCH. He could say, “Well, donkeys sleep upside down, True Believer!” and you’d be like, “Well, fuck. I never knew that!” HE MADE YOU BELIEVE. That’s why his creations are so effective, and have touched so many people. You KNEW a Peter Parker. You KNEW a Bruce Banner. And even if it was something you’d never encountered, he made you believe and understand it, too. Name someone else who can do that. I’ll wait.

I don’t think it has fully hit me. I had to get offline when the news hit because it’s the Internet, and the pro-Kirby/pro-Ditko, pro-any collaborator crowd was sharpening their pitchforks and practicing their grave dancing moves. I didn’t feel like dealing with any of that. Now the dust has settled, and everyone has posted their own eulogies and retrospectives, so I appreciate you taking the time to read mine. I think it goes without saying that Stan Lee had the rare distinction of having the West Life Ever. Excelsior!

26th Oct2018

West Week Ever: Pop Culture In Review – 10/26/18

by Will

Sometimes I need to take a week off just so I can come back fired up – and I am FIRED UP this week!

Whatever happened to the days when we just let people say stupid shit and we just shook our heads and kept it moving? Yes, I’m talking about Megyn Kelly. The NBC talk show host came under fire this week, as she was discussing Halloween costumes with a panel of guests, which included Melissa Rivers and Jenna Bush Hager. Kelly was appalled by the restrictions that some universities were putting on certain Halloween costumes, such as prohibiting people from dressing as things like cowboys.

The conversation soon switched to the topic of blackface, as Kelly mentioned that you get in trouble as a White person for dressing up in blackface, but that it was seen as OK when she was younger, as long as you were dressed as a character. The panel somewhat disagreed, and Rivers pointed out that the concepts of politeness and decency seem to be missing in today’s society, and that if you think you might be offending someone, then you probably are. Kelly seemed to sort of take this in stride, the segment ended, and she moved on to talk about some other morning show fluff, like “How to clean your sock drawer potpourri” or whatever. That’s what you’ll see in this clip:

See? Not really a huge thing. I mean, sure, Kelly was wrong, but this is the same chick who argued that Santa Claus was White (Psst! He’s not real!). But you wouldn’t think the situation played out like that based on every report of it on the internet. It was Racist Megyn Kelly Strikes Again! And Tone-Deaf Kelly Doesn’t Understand Racism of Blackface! Um, did you watch the same clip I did?

Let’s point out a few things. First of all, her audience was ’bout it ’bout it when it came to this topic. And it was a diverse audience. I’m not saying what she said was OK, but I’m saying that she was clearly among “her people”. Next, I think it bears pointing out that the topic didn’t really linger. In what’s an 11 minute clip, the whole blackface part took up about 2.5 minutes. It’s not like she dwelled on it, or even tried to argue her side too much. She evoked the image of Real Housewives of New York cast member LuAnn de Lesseps dressed in blackface as Diana Ross, and said, “I thought ‘Maybe she just wanted to be Diana Ross for a day’.” If you ask me, what Kelly said was ignorant, but not racist.

We live in a society that shuns ignorance. No one wants to be the one to ask the “stupid question”, or admit when they don’t know something. At times this coincides with some dicey topics, like race. You’re not really going to get an understanding, however, unless you confront these things in conversation. We have to talk about things! Yet that’s not how we live. We all pretend to know everything, since all knowledge can be found in the palm of our hand. And when someone deigns to ask a question, the impatient simply retort “Google is your friend.” Great. Good talk.

Sure, racism is a by-product of ignorance, but ignorance can sometimes be innocent. Now, we can paint all sorts of things we want onto Megyn Kelly because, again, she’s the chick who swore up and down that Santa Claus HAD to be White. I get it. But I’m not seeing the Evil White Media Racist here that everyone seems to want me to see. I’ve had a lot of opinions where I was probably on the wrong side of history, and this is just another one of them.

Now Kelly’s future with NBC is in jeopardy. She had to apologize for her statements later that day, and then her words were publicly denounced by NBC News chairman Andrew Lack. Then it was reported that the cast of House of Cards pulled out of a planned appearance on her show, due to her remarks. Later on, however, House of Cards cast member Greg Kinnear (remember him?!) said that the cast was told that Kelly had jury duty, which is why the appearance was cancelled. Whatever happened, reruns have been airing instead of live episodes since the event. There are reports that Kelly had met with NBC brass recently and expressed the desire to get back to “real news” coverage, as she hasn’t taken to the lighter side of morning talk. Now, however, it appears the network wants her out, and she’s reportedly demanding a payout of the rest of her contract.

OK, meanwhile, Fox News just announced that their streaming service, Fox Nation, will launch November 27th. So, you mean to tell me that former Fox News darling Megyn Kelly’s highly publicized NBC deal is falling apart just as Fox announces their entry into the streaming market? A streaming service that’s going to need a big name to help launch it? And I’m supposed to think these are just coincidences? This is all orchestrated. Ya know how I know? Because I look at that clip, and I don’t see any fireable offense taking place there. No, this is a mountain being made out of a molehill, and social media and the court of public opinion are being used to throw fuel on the fire. Someone at NBC clearly wanted her gone (word on the street is that it’s Al Roker), while she needs somewhere to land when they snatch the rug out from under her. Mark my words: she’s going back to Fox, and she’s going to double down on her “conservative Megyn Kelly” persona. After all, the folks who were behind her sexual harassment claims at Fox are either gone and/or dead. The time is ripe for a homecoming, and she’s got a lot of fuel against the Liberal Media for how she was treated during this “ordeal”. Great job, Liberals: you just helped one of your greatest foes level up.

So, you got Megyn Kelly fired. Meanwhile, trans folks are potentially about to be erased, and bombs are being sent to prominent Democrats. But I’m glad to see y’all focused on the real issues…

You thought I was done? Oh, I’m just getting started!

So, during my blogging break, Netflix cancelled Iron Fist, and all the folks who were like “How the fuck they gonna have a White dude as Iron Fist? They better cancel that show before it airs!” suddenly turned into “Oh Noez! How dare Netflix cancel Iron Fist?!” people. It was actually quite the thing to witness. I wish I’d kept the receipts from a year ago. Anyway, Netflix totally doubled down, and cancelled Luke Cage just a few days later. And then the armchair quarterbacks came out: “Oh, they’re totally gonna make Heroes for Hire instead.” Or “Disney’s just gonna put them on their streaming service.” I don’t know about the former, but you’re wrong about the latter, and here’s why:

While we don’t know streamer ratings, we know that pretty much everyone hated the first season of Iron Fist, while they felt Cage seasons were too long. Add in the fact that the Netflix shows are tangential, at best, to the Marvel Cinematic Universe. Disney is putting actual MCU actors on the streaming network, so I don’t see them wasting their time and resources on the Great Value properties.

Next, let’s look at the politics at play. The Netflix shows are produced by Marvel Television, while the Marvel Cinematic Universe films are produced by Marvel Studios. Those two divisions HATE each other. Lots of bad blood, which is why Agents of S.H.I.E.L.D. is the only show that takes place “firmly” in the universe of the films, as it was established before all the shit went down. Everything established later has been in this nebulous “Maybe it’s in the MCU/maybe it’s not” gray area. When the streaming service was announced, they specifically pointed out that the Marvel shows on the service would A) be entrenched in the MCU, and B ) produced by Marvel Studios (and not Marvel Television). So, long story short, the Netflix shows didn’t get invited to the party because of their origin with Marvel Television. Also add in the mature nature of the Netflix shows, while it’s been pretty widely reported that Disney Play won’t venture past PG-13 content.

So, Iron Fist and Luke Cage may live to fight another day, but it ain’t gonna be on Disney’s streaming service. One theory I’ve heard is that they might end up on Hulu, should Netflix ever give up the rights, as Disney will be the majority shareholder of Hulu after the Fox deal closes. As with most things, however, we’ll just have to wait and see.

Yesterday it was announced that Rick & Morty head writer Mike McMahan has been hired to develop the animated Star Trek: Lower Decks series for CBS All Access. And I think this is a horrible idea. I know that the Trek TV franchise has been pretty dormant in recent years, but CBS All Access is wasting no time diluting the fuck out of it now. Seriously, there is an announcement of a new Trek series almost weekly, to the point that I’ve lost track. Right now, there’s Star Trek: Discovery, Star Trek: Short Treks, Star Trek: There Are Four Lights (which is my working title for the Picard-centered show), and now there’s Star Trek: Lower Decks – all for CBS All Access. There are about to be a LOT of discussions about what IS and ISN’T “Star Trek“. Animated series from a Rick & Morty writer? Yeah, that ain’t Trek.

I know I’m biased, but as a lifelong Trekker, I’ve always felt there was some pomp and ceremony to the Star Trek franchise. In a lot of ways, you could say that it’s a franchise that tends to take itself too seriously. That’s why I hesitate to embrace something, officially licensed, that pokes fun at that. Sure, over the years there have been fanzines and things like Star Wreck that parodied Trek, but this show, which is supposed to focus on the unnamed crewmen who help run things on an unimpressive Starfleet vessel, sounds like something in the vein of those parodies, and I think it takes away from the franchise rather than adds to it. It feels a lot like Star Trek selling out. Maybe they’re trying to make it accessible to new audiences – ones who may have been put off by the “rigidity” of prior series, but I’d argue that rigidity is part of what makes Star Trek what it is.

My pal Peter pointed out that it’s worth comparing how CBS is treating Trek to how Disney is treating Star Wars. At a glance, Lower Decks feels like something you’d get from the Star Wars franchise. It seems like it’s in the same spirit as the Tag & Bink comic series that Dark Horse put out many moons ago. That was a comedic take on the Star Wars movies, as seen through the eyes of two Jedi in training, who kind of “Forrest Gump” their way through the important events of the original trilogy. A lot of folks liked that series, but keep in mind that it was a comic. It wasn’t seen by the vast majority of Star Wars fans. So, it was treated like the niche thing it was. Lower Decks, however, is being given the same platform as the current, “core” Trek series, Discovery. If they wanted to make some web shorts or something, fine, but a full series (with a 2-season order, at that), just seems to legitimize something that shouldn’t really exist.

Back to the Trek/Wars comparison, I feel like, despite the backlash to The Last Jedi, that Disney is doing it right when it comes to the Star Wars franchise, primarily because they “spread the wealth”. There are the movies, but there’s also the animated series on cable, there’s the upcoming series for Disney Play, and other outlets. Meanwhile, CBS is blowing their entire wad on All Access. They know folks aren’t shelling out a monthly fee for that Tim Meadows cop show, or that spinoff of The Good Wife. No, the ones who are subscribing are doing it, begrudgingly, for Star Trek, BUT there are a LOT of Trek fans (myself included) who can’t even be swayed by that. Instead of being forced to pay for another streaming service, I’m content to just refuse to acknowledge that Discovery even really exists. And even if I acknowledge its existence, I refuse to believe it’s actually contributing anything worthwhile to the mythos. I realize I could be completely wrong about that, but it’s the fault of CBS for hiding it behind a paywall. The insistence on continuing to do this with this ONE particular franchise isn’t going to soften my resolve, but rather just make me resent CBS even more. So, bring on your hateful, sardonic Star Trek cartoon, but I most likely won’t be watching it.

Had I written a post last week, the West Week Ever probably would’ve gone to The Conners, for pulling off an unnecessary, but adequate feat. You see, the show doesn’t really need to exist. Sure, there are the stories of John Goodman saying that they “owed it to the fans”, and sure people were worried about the cast and crew who were out of jobs after the abrupt cancellation of the reboot. To that, I have 2 thoughts: 1) they owe the fans nothing. It could’ve stood as a Done In One “special” season, like the kind of thing you’d get in the UK, and everyone could’ve kept it moving and 2) It’s not like this all happened during season 10 of a long-running series. Yes, it was technically season 11, BUT 20 years had passed in between. The cast already had lives they’d established. Sara Gilbert still has The Talk to go back to, and Michael Fishman could probably get his job back at the Winn Dixie. It’s not like folks had totally uprooted their lives during the ONE season of this reboot, and it’s Hollywood, so the crew would have no trouble getting work on the next project they throw at Joel McHale.

No, The Conners was an experiment that we have to live with even if we weren’t sure we wanted it. I was one of the early champions of the whole “Why not just ‘pull a Hogan Family‘, and keep going with the rest of the cast?” Yeah, I said it, but I didn’t mean it. I really just wanted to see if Hollywood still had the balls to pull off a move like that. That was one of my “Wanting to watch the world burn” moments. Anyway, much to my surprise, they did have the balls to do it. I feel like I’ve also gone on record saying that I didn’t really get why Roseanne was fired. Sure, what she said was fucked up, but it was only the most recent fucked up thing in a string of Roseanne’s fuckedupness. She really hasn’t been stable for the past 15 years or so. Someone had to know she was capable of this, but they still gave her a chance. Back in my day, you’d say something fucked up and racist, you’d do a mea culpa, and then you’d do a photo op with Al Sharpton after donating to the NAACP. So when did the rules change? ABC got her out of there with the quickness, and I’ll bet James Gunn was even somewhere like “Man, I hope they never do that to me!” [Editor’s Note: That is exactly what ABC/Disney would end up doing to him]

The thing that really strikes me about The Conners is the notion of “family”. One of the strengths of the original Roseanne was the family unit, and it’s what a lot of folks were anticipating upon its return. Once the reboot was announced, the cast was making the talk show rounds, about how they were a family and how great it felt to be back together. So, when Roseanne fucked up, where was her family? They turned on her. I know it’s naive (and not always true), but I like to think family sticks together. That’s not what happened here. When the shit hit the fan, they denied her like Peter denied Jesus, and they were all like, “Hey, I’ve got bills”.

I mean, it’s cutthroat Hollywood, but something doesn’t sit right with me. Roseanne tried to make it right, by signing over her rights and financial ties to the show, so that the cast and crew could carry on steering the ship that she built. And yeah, (spoiler alert), they killed off her character with a drug overdose, which is just so…unglamourous. I mean, there was a precedent for it, as it was established last season that she had an opiod addiction, but it was also established that she was worried about dying on the table during her knee surgery. Would it have killed them to go with the latter instead of the former? It reminds me of the overkill the South Park guys did to Chef went Isaac Hayes got all sanctified and quit the show.

Anyway, The Conners picks up a few weeks after Roseanne’s death, and the family is trying to adjust with her not around. They assumed her heart gave out, but midway through the episode, the coroner’s office calls, saying she had actually died of a drub overdose. Well, this is news to Dan, as well as Darlene and Becky. When they find out Roseanne had gotten drugs that had been prescribed to some other woman, Dan goes all “small town vengeance” on her, by putting a sign on his truck naming the woman, and blaming her for killing his wife. Eventually, the woman shows up to the house to apologize for Roseanne’s death, but also to ask Dan to remove the sign as it’s ruining her life. So, I guess the show is going to tackle the opiod crisis that’s plaguing Middle America right now, but it just feels so…unnecessary. If it were a story about recovery and redemption, that’s a story that I’d be interested in seeing how it plays out. But it’s not that story, as Roseanne is already dead, and she ain’t coming back. So what now? I truly don’t know the answer to that. I wonder if anyone associated with the show does, either, or if they’re just cashing their checks and keeping their heads down.

I had the pleasure of joining my buddy, Corey Chapman, on his podcast The Chap Report this week. It was a really fun time, as we discussed Halloween and modern scary movies, as well as the current state of the WWE. Plus a bunch of other stuff. It was fun to record, and just as fun to listen back to, so check it out and put it in your ear holes!

Trailer Park

F is for Family

This show is one of those hidden Netflix gems that nobody talks about, like LoveSick (AKA Scrotal Recall). I really enjoyed season 1, but totally missed season 2. I’ll probably catch up so I can watch this when it debuts on November 30th, ’cause I really liked it.


Broad City

We got this trailer for the 5th, and final, season of Broad City, and I guess it looks OK? As they say in the South, this show “got out from good”. When it debuted, I LOVED it. Crushed hard on both Abbi and Ilana. Then I feel like they jumped the shark somewhere around the Hillary cameo. And I bailed halfway through last season ’cause it just felt like it’d lost its spark. If I could find it somewhere, I’d watch the eps I missed, but I think I’m ready for this show to end.


Nobody’s Fool

I love a good red band trailer. Apparently Tiffany Haddish made the “Kevin Hart” deal with the Devil, in which she is required to appear in one movie a month. Good for her, I guess. I won’t see it in a theater, but I’d watch it if it were convenient to do so.


Bird Box

Folks are saying they’re getting A Quiet Place vibes from this trailer, which is another film I need to watch. I tend not to like stuff like this, but I’m intrigued, and I like Sandra Bullock. Plus, I already have Netflix, so it’s a plus that I won’t have to leave home to see it.

Things You Might Have Missed This Week

  • As anyone with a brain could’ve predicted, Ariana Grande and Pete Davidson are dunzo!
  • Marvel fired Star Wars comic writer Chuck Wendig after he was told that his social media activity was too political and profanity-laden.
  • There was some casting on that Pennyworth series for Epix (Ya know, Batman’s butler before he was Batman’s butler?). Anyway, you don’t know who any of the folks are, nobody has Epix, and the show’s a terrible idea, so I’m just gonna jump to the next item.

  • Speaking of ill-advised DC TV moves, we got our first look at Shane West as Bane on Gotham. Oh man, did they run out of money? It’s like a poor kid’s homemade Darth Vader costume or something.
  • DC Comics revealed The Other History of the DC Universe, written by John Ridley, which will focus key events in the DC Universe through the eyes of its Black heroes. It’s part of DC’s Black Label imprint, but it’s mostly prose, with a $7.99 per issue price tag. Yeah, PASS!
  • Avengers 4 spoilers are starting to trickle out, including a pic of Ms. Gwenyth Paltrow. I’ll just leave it at that.
  • Disney had met with the writers of the Deadpool films about a potential reboot of the Pirates of the Caribbean franchise. It’s unclear if Johnny Depp would be involved this time.
  • Alan Tudyk will voice The Joker on the upcoming Harley Quinn animated series on the DC Universe streaming service.
  • Steve Carell has been cast in Apple’s untitled morning show drama, also starring Reese Witherspoon. Do Apple shows ever come out? I always hear about them in development, and then something stupid happens, like “Whoops! We shot all 13 episodes but forgot to put film in the camera!” Seriously, name ONE Apple series that is complete and ready to go.
  • Speaking of Apple, they’re reportedly going to launch their own streaming service ’cause, y’know, everybody’s doing it. I guess it’ll be the home of all these shows that live in Canada that they keep talking about.
  • There are rumblings that Fuller House will end after its 4th season, though Netflix commented that no decision has been made at this time (translation: Time to look for work, Jodie Sweetin!).
  • Netflix has definitely made up its mind about Orange Is the New Black, as this will be its last season.
  • An NYPD Blue reboot is in the works, which would focus on the son of Andy Sipowicz (played by Dennis Franz in the original series). In this series, Sipowicz Jr will be investigating the murder of his father. Naw! They done killed Sipowicz?! They couldn’t let him retire to fish or some shit?
  • It’s the end of an era, as Caroll Spinney, the Sesame Street puppeteer behind Big Bird and Oscar the Grouch for the past 50 years (!), would be stepping away from the roles. My oldest calls it Elmo Street anyway, so I guess he picked the right time to go…
  • Your HBO sex scenes are about to get lame, as the network has hired Intimacy Coordinators to be on set whenever a sex scene is to occur between actors. Due to the #MeToo movement, they want to ensure that consent is there, and that the actors are comfortable. Meanwhile, Shannon Tweed is somewhere, going “What a crock!”
  • So, MTV is reviving The Real World, but on Facebook Watch? What is that? Is that free? Seems odd they’d farm out one of their most iconic franchises. Anyway, I’m closer to 40 than 20, so this ain’t for me. Plus – and I’ve said it before – the show won’t return to its hard-hitting glory until they start casting ugly people again.
  • Speaking of Facebook, they will soon add the ability for you to add songs to your profile. Hey, 2006 MySpace called and boy do they have some shit to say!
  • CMT is reviving the ABC series Wife Swap, which will premiere in February. I will always think of this Chappelle sketch whenever that show, or its clone Trading Spouses, comes up.
  • The Wonder Woman sequel, Wonder Woman 1984, has been moved to June 5th, 2020, so as not to crowd out the Todd Phillips Joker movie coming out next fall. There are also rumors that the film will serve as a Flashpoint-like reboot to the DC movie universe.

  • British police are on the case to catch a David Schwimmer lookalike who stole some beer from a liquor store.

So this is a tough one. I can’t say this person had a “good” week, but he certainly had an important week. I haven’t been the biggest wrestling fan in recent years, but you couldn’t get near the WWE without knowing about Roman Reigns. The biggest reason is that the company seemed to be giving him a push that the fans didn’t really support. Over time, I was pretty much conditioned to dislike him, just like “everyone else” supposedly did. I knew he was part of The Shield, and pseudo-related to The Rock (since all Samoans seem to be born from 3 women), and he wasn’t bald (which meant he wasn’t a heel). Other than that, though, I had never really seen him wrestle, so I was peer-pressured into disliking him. That all changed on Monday night, though.

On Monday Night RAW, Roman broke character and introduced himself as “Joe” (his real name is Joe Anoa’i), and told the world that his Leukemia had returned. He was apparently diagnosed 11 years ago, and had beaten it. Unfortunately, it’s back, leading him to relinquish his WWE Universal Championship title. It was an emotional moment, especially when you watched the reaction of the WWE starts backstage. Even if the fans didn’t love him, it was clear he was loved by his colleagues, and they were genuinely concerned for him.

Since I’m dumb, I immediately texted my friend “Does this mean we’re not allowed to hate him anymore?” The thing is, though, that I never had a real reason to hate him. And instead of merely tolerating him, I now find myself concerned for his well-being. It’s a crazy string of emotions, and it all happened so fast. He made a point to say that this wasn’t a retirement speech, and he has every intention of coming back. I certainly hope that’s true, and I look forward to seeing how the fans will regard him on that day. Is this the thing that he “needed”? Did he have to show he was human to get over with them? Wrestling is such a strange thing sometimes. Anyway, prayers up for Roman Reigns, who had the West Week Ever.

05th Oct2018

West Week Ever: Pop Culture In Review – 10/5/18

by Will

HarassmentWatch(TM)

Brad Kern Update – the former NCIS: New Orleans showrunner was fired by CBS Studios after a THIRD misconduct investigation. He had already stepped down after the 2nd, but he remained on the payroll as a consulting producer. He reportedly had a history of belittling women, and making insensitive racial remarks.

Vincent Favale – What the Hell is going on over at CBS?! Man, they are draining the fucking swamp! Favale, the senior vice president of talent at the network has been placed on administrative leave after reports of sexual and homophobic remarks – many of which were reported by staff of The Late Show with Stephen Colbert. Favale reportedly once said that he “got four erections” while watching Jennifer Hudson rehearse for a Late Show appearance. Sounds like a real great guy…

*Takes long drag off cigarette* “Geoffrey? Now, that ain’t a name I’ve heard in about a month.” So, this week, Toys “R” Us called off the auction meant to sell off their IP and trademarks, as they reported they felt there was more value in relaunching the brand. Paperwork reveals that they registered the name “Geoffrey’s Toy Box”, but for what nobody is sure yet. Meanwhile, the Dallas Toy Fair is going on, and there have been sightings of Geoffrey walking the aisles, wearing a cape that says “Back from vacation”. All of a sudden, every news outlet lit up with “Toys ‘R’ Us is Coming Back!” Hold on there, cowboy.

Toys “R” Us rushed into bankruptcy, leaving long-time employees without severance, and owing toy manufacturers millions for unpaid product. That giraffe can’t just mosey back in like nothing happened. While the man on the street might be happy about TRU returning, there are a lot of folks who are going to feel some kind of way about that. And if it turned out that they only filed bankruptcy to divest themselves of debt, overhead, and responsibility, that’s going to cause even more problems. Had they been a public company, I’m pretty sure the SEC would be stepping in right about now, but they were private, so I don’t really know what happens next. All I do know is that they need to read the room and understand it’s too soon. The body ain’t even cold yet. I mean, I’m half expecting the next marketing image to be Geoffrey rolling back the stone from his tomb. That’s how this feels right now. They really need to give it a bit more time before rushing into this – if only so I don’t have to hear all the armchair quarterbacks talk about “They better lower their prices! That’s what drove them out of business in the first place!” Not exactly, Poindexter, but you keep on thinking that…


I was hesitant to post this ’cause y’all are never on the same page as me musically, but I’d be remiss if I didn’t share the stuff I think is good. Now, I know some of you see “country” and just think “NEXT!”, but I will die on the hill that modern country isn’t what you think it is. There are tons of artists who get airplay on country stations, yet if I played the song for you without telling you that, you’d never know it. Today, I can’t really do that ’cause I think everyone knows Tim McGraw is a country artist. Still, yesterday evening, he released his latest song, “Neon Church”, that I’ve been streaming for the past 24 hours.

While I love the wordplay, likening a bar to a church, I’m really here for the melody and what’s going on in the background. The first time I heard it, I was like “That’s ‘Purple Rain’!” In an interview this morning, McGraw said that while recording, he and his band were listening to a lot of Prince and Journey, and it shows here. I played it for Lindsay, and she didn’t like it – I somehow managed to marry the only White woman who hates Journey. Anyway, listen near the bridge and the at the end – that guitarist is doing his best “cruise ship ‘Purple Rain'”. It’s something of a vocal stretch for McGraw, as it’s at the top of his range, but I’m still really digging what’s going on here.

Trailer Park


Spider-Man: Into The Spider-Verse

So, we got a new trailer for this one. Again, I am one of the BIGGEST Miles Morales fans, and this movie does nothing for me. I’m not digging the animation style, which I’m finding to be just as jarring as the MTV Spider-Man animated series based on the Raimi movies. Plus, I’m not sure Jake Johnson is how I imagined Peter Parker would sound. And Miles’ dad isn’t a cop. I get they had to take certain liberties or whatever, but I’m not feeling it. Maybe it’s not meant for me, which is sad, ’cause I pretty much glom onto any and all Miles merchandise and comic appearances.

Plus, I just don’t know if this is a theatrical project. I mean, I look at this, and think it would be a cool animated special that airs on ABC during primetime on a Wednesday in June or something, but to actually go pay to see it in a theater? I don’t think so. It feels like a nice special one-off event, like that Toy Story That Time Forgot special or something. Maybe even a special event on Disney XD. But this ain’t an “I’m headed to Fandango to order tickets” kind of thing.


Daredevil Season 3

So glad they quickly got this out there, ’cause the teaser I showed you last week left me scratching my head. Apparently this is adapting the “Born Again” storyline, but I read that thing over 10 years ago, and don’t remember it, so don’t take my word for it. It looks good – SO good, that I might just skip that other Netflix shows I haven’t seen and skip right to it.


Runaways Season 2

I’ve never watched an episode of this show, and that’s because A) I don’t have Hulu and B) it looks hokey as Hell. From the special effects to the way the kids all look like “teen outcasts” straight from central casting, it just doesn’t look good to me. I was a big fan of the comic series when it launched, but I watch these trailers, and I’m still waiting for the other shoe to drop. If you’ve read the comic, you probably know what I’m talking about. It’s like, if you think they’re on the run NOW, you just wait! There’s a twist coming, and I might jump onboard if/when I hear they’ve pulled that trigger. Until then, I’m content being in the dark on this one, Cloak & Dagger, and all the teen-centric Marvel stuff.


Harley Quinn

So, they announced that Kaley Cuoco would be voicing Harley, and I was like, “Huh?” I mean, were Tara Strong or Arleen Sorkin busy? But I guess they wanted a “name” behind this, since it’s one of DC Universe’s more high profile upcoming launches. After seeing this trailer, Cuoco does a decent job. And I really love Poison Ivy doing her best Daria. I like that DC seems able and willing to poke fun at them themselves here. I’m curious to see how this plays out since it’s marketed as an “adult animated series”. Let’s just hope the show is good, and not another Stripperella.

Things You Might Have Missed This Week

  • Fox announced the release of Untitled Deadpool Movie slated for December 21st, which will reportedly be a PG-13 cut of Deadpool 2. Keep in mind that this is also the weekend that Aquaman and Bumblebee hit theaters. I was kinda hoping it would be a new movie made up of deleted scenes and cut subplots, kinda like Wake Up, Ron Burgandy. Anyone ever seen that? It’s HORRIBLE but, as an Anchorman completist, I had to see it.
  • Speaking of Fox, they made a lot of schedule moves, as Untitled Deadpool Movie takes the release date of James Cameron’s Alita: Battle Angel, which, itself, is moving to Dark Phoenix‘s previously announced date of February 14th, 2019. Dark Phoenix, meanwhile, is moving to June 7th. Also, Channing Tatum’s X-Men spinoff, Gambit (ya know, that movie that’s never gonna happen?), has been pushed to March 13th, 2020.

  • So, those pitches are teasing a Pitch Perfect 4, and I’ve got to beg them to stop. The only thing they could even possibly do is have it based on NBC bringing back The Sing Off, and having the Bellas compete on it. Anything else would be absurd. No, the 3rd one was just not worth it, so I say we let it die as a trilogy.
  • Before the first episode has even aired, Titans has been renewed for season 2 on the DC Universe streaming service. Ya know, why not? It’s not like they’re sitting on anything else amazing to throw on that thing.

  • Speaking of bad DC live action ideas, Lobo is going to debut on Syfy’s Krypton next season. This looks like a Spirit Halloween ad! Ugh, fucking Lobo. He’s just the absolute WORST. Even though he debuted in the 80s, he’s the 90s at its 90iest, and I hate everything about him. I’ve always said that you can tell a lot about a person if they’re a Lobo fan. They’re usually Special Ed. Probably ate paste in school. They either grow up to own a landscaping business or become a Best Buy stereo installer. Fucking Lobo…
  • Realizing he’s getting too old for this shit, Damon Wayans has announced that he’s leaving Lethal Weapon at the end of season 3’s initial 13-episode commitment. Man, how mad do you think Fox is at the Lethal Weapon office right now? They already had to replace Clayne Crawford with Sean William Scott just to keep the show going, and now THIS?! Somebody’s GOT to be saying “We don’t need this shit! We could’ve renewed Lucifer!” As I said on Twitter, they should replace Wayans with Bill Bellamy, then kill off Scott, and replace him with Peter Facinelli. Then, I’ll get my backdoor Fastlane revival I’ve been wanting since 2003!
  • Kanye did some dumb shit on SNL, and water is wet.
  • Looks like Robert Kirkman is going to have to be content living off his The Walking Dead empire, as Cinemax has cancelled his series Outcast after 2 seasons.
  • Everyone wants in on the fantasy genre, as Netflix is adapting the C.S. Lewis Chronicles of Narnia for series and movies, while Amazon is developing a series based on Robert Jordan’s The Wheel of Time novels.
  • Remember Mischa Barton? Ya know, the It Girl from The O.C. who went nowhere? Well, she’s going to be joining the cast of The Hills: New Beginnings on MTV.
  • Chelsea Peretti announced that she won’t be returning to Brooklyn Nine-Nine as a series regular when the show debuts on NBC this season.
  • Amy Schumer was detained yesterday in DC during the #KavaNope protests, but she blocked me on Twitter ages ago, so she’s dead to me. YOU’RE DEAD TO ME, AMY!

  • We got this poster for the upcoming Hellboy reboot, starring David “You Wouldn’t Even Know My Name Were It Not For Stranger Things” Harbour.
  • Elon Musk took one step closer to becoming The World’s First Supervillain, as he was forced to resign as Tesla chariman, and was fined $20 million by the SEC, due to a tweet where he implied he had secured funding to take Tesla private.
  • Last night marked the finale episode of the hour-long version of Conan on TBS, as he bid farewell to his house band, Jimmy Vivino and the Basic Cable Band (formerly the Max Weinberg 7). The future show will switch to a half hour format, with no musical guests, but with more special events, like shows from foreign countries.
  • Brian Robbins was announced as the new head of Nickelodeon, which is significant since he and his former Head of the Class costar, Dan Schneider, got their behind the scenes careers started by creating All That for the network back in 1994. It’ll be interesting to see if he throws any work to Schneider, whose Schneider’s Bakery production house was sent packing by Nickelodeon earlier this year after allegations surrounding Schneider arose.
  • Talk about an “unfortunate Situation”! Jersey Shore star, Mike “The Situation” Sorrentino, was sentenced to 8 months in prison for tax evasion.
  • Jon Favreau will write and produce Star Wars series The Mandalorian, which appears to follow another Fett, after the events of Empire, but before the rise of the First Order. The series will stream on Disney Play.

I know you’ve gotten this far, and you’re like “Wait, didn’t he have Venom in the header pic? He hasn’t even mention…wait. He WOULDN’T!”

OK, bear with me here. I know the critics gave this film a shellacking, and I can understand why. In the age of the Marvel Cinematic Universe and, to some extent, the DCEU, Venom isn’t what we’ve come to expect from a comic book movie in 2018. And I’m not so sure that’s a bad thing. I swore that I wouldn’t spend money to see Venom, and I kept that promise, as Special Forces wanted to see it, and it was his turn to pay. That said, I didn’t hate it. In fact, I really enjoyed it. Now, I am known for liking shit, so don’t equate “Will liked it” with “It’s a good movie”. I don’t know if I’m “Film Twitter” enough to say it’s good or bad, but I definitely enjoyed it.

OK, so the movie starts out with investigative reporter Eddie Brock on top of the world. He’s got his own cable news show, where he roots out corruption, he’s engaged to corporate attorney Michelle Williams, and he’s about to get a chance to interview Elon Musk analog, Carlton Drake. Actually, that’s not how the movie starts. It actually starts with a space shuttle crashing upon reentry – a shuttle that happens to carry organic samples. All of the astronauts die except one, named “Jameson”, where I guess they’re alluding to J. Jonah Jameson’s astronaut son, John Jameson, who later becomes the Man-Wolf in the comics. Anyway, while transporting Jameson to the nearest hospital, it appears he’s got a symbiote in him that jumps from him to his EMT, wrecking the ambulance. Oh, and that shuttle? It was owned by Carlton Drake.

Brock’s boss wants him to interview Drake, but he doesn’t want to do it because he doesn’t trust Drake. His doubts are reinforced when he hacks into his fiancee’s computer (her firm happens to be representing Drake’s company, The LIFE Foundation), and discovers a wrongful death suit filed against the computer. When he gets his shot at interviewing Drake, instead of sticking to the script, he decides to ask about the wrongful death suit. Well, this doesn’t go well, as Drake kicks Brock out of his building, ends his career, and gets Williams fired from her firm, where she, then, gives Brock his ring back. In one fell swoop, Brock’s life is ruined.

Fast forward six months, and Brock is a drunk, “slumming it” in what has to be a $4500/month apartment (seriously, the thing is huge, and they’re in San Francisco!). He’s got no job prospects and no future, until a horribly miscast Jenny Slate shows up as Dora Skirth, a scientist at the LIFE Foundation who has doubts about the organization’s goals. See, Drake thinks humans have ruined Earth, and the only possible solution is to equip them with the means to survive – whether here or on another planet. He sees the symbiote samples as a means of doing that, and he has ordered trials to begin on humans. LIFE picks up vagrants and has them sign away their rights as they test the symbiotes to see if they’ll bond with humans. Well, this is too much for Dr. Skirth, who seeks out Brock to help her expose the company.

Dr. Skirth sneaks Brock in, who goes exploring while she tries to distract a security guard. While exploring, Brock finds his neighborhood homeless friend in one of the cells. When he breaks her out, she attacks him ’cause she’s got a symbiote in her, which she passes to Brock, unbeknownst to him. As he’s fleeing from security, he notices he can do things he shouldn’t be able to do, like shatter trees and quickly scale great heights. This is when he starts to realize something’s not right, as he starts to hear a voice in his head that wasn’t there before.

So, now he’s riding for two, as Venom’s in his head, but pops out when necessary – like when Drake’s hired security show up to take back the symbiote, and there’s a well-choreographed fight scene in the apartment, leading to a great car chase scene. The action is actually pretty impressive in the film. There’s one scene of Venom versus the SWAT team that plays out like a boss battle in a video game. They’re throwing flash grenades and shooting at shadows, while Venom bounces around the rafters.

I’ll stop spoiling stuff here, as you might actually want to see the movie one day. I’ll say there were a couple of things that bothered me. For one thing, Michelle Williams. I mean, the entire time, I’m watching the film, thinking, “You’re better than this, Michelle! You’ve been nominated for an Oscar FOUR TIMES, yet here you are, doing your worst Great Value Pepper Potts!” Also, there are continuity issues. There’s a scene where Drake is speaking to a field trip at his HQ, and a little girl tries to ask him a question. The rest of the class tries to stop her for interrupting, but Drake says something inspiring like, “No, speak. That’s what people do. They try to dissuade you from asking questions, but that’s how we learn.” He, then, gives her the pin off his lapel, but HE DOESN’T ACTUALLY LET HER ASK A QUESTION! he basically grandstanded, only to shoot her down. I mean, she was happy with the lapel pin, but nobody seems to notice she didn’t ask her question. Lost in editing maybe? Also, I didn’t really like Riz Ahmed as Drake. I thought it was another casting misfire. I would’ve gone for someone with more gravitas, like maybe Dev Patel, if they were going for a “type”. I also didn’t appreciate that it was clearly an R-rated film, edited down to PG-13, and Hardy has said that 40 minutes got cut, including his favorite scene.

Things I did like: Tom Hardy was great as Guy Who Ends Up As Venom’s Host. I can’t honestly say he was a great Eddie Brock, as I don’t have a ton of familiarity with that character. When he was ruling comics in the 90s, I still pretty much a strictly DC guy, so I haven’t read most of those iconic Venom stories. I know Brock was Peter Parker’s rival, so you’re not really supposed to be rooting for him, but you kinda have to here. That’s why I can understand why they wanted Spider-Man as far away from this film as possible. Still, I liked Hardy for what he was, and I loved his interplay with Venom in his head. I also LOVED Venom, as he was funnier than I expected him to be. The CGI wasn’t as troublesome as I was expecting, and I was even fine with no spider symbol on his chest.

As much as I enjoy the MCU movies, I’m getting a little tired of them. As a fanboy, they’re work. It’s not enough to just sit back and enjoy the movie, but Marvel really drives home the interconnectedness of it all. So, the first time you watch, you’re on guard for any Easter egg that might fly by. Like “Hey, he just mentioned Damage Control!”, etc. I get it, Marvel – you’re good at tying your shit together. But I don’t ALWAYS need that. Venom was a nice change of pace. It was still “In Association With Marvel”. I still got my Stan Lee cameo. It did everything it needed to do. And the mid credits scene has me hoping we get a sequel, ’cause there’s a lot of potential with what they teased.

Yes, this was a pretty slow week unless your name was Brett Kavanaugh, so there wasn’t a ton of competition here. So, I’m gonna shock y’all and say that Venom had the West Week Ever.

01st Jun2018

West Week Ever: Pop Culture In Review – 6/1/18

by Will

There are some weeks where I actually dread writing this post, and this is one of them. I mean, a LOT happened, but nothing I’m really excited about. Still, I guess it all needs to be discussed. Let’s get to it, shall we?

So, I guess we’ve gotta talk about Roseanne. I pretty much went on record that I wasn’t just dying to watch the revival after it was announced it would have more of a political slant, with the Conners as Trump supporters. Now, before any of the 2 Trump supporters who might be reading this get all butthurt, my problem with this is that I didn’t feel like it was inline with what Roseanne Conner would be, regardless of Roseanne Barr’s personal beliefs. The problem with “separating the art from the artist” is that it becomes increasingly harder to do when the artist controls the product and imbues the product with their own personal quirks. While some of you may feel he’s “making America great again”, Trump has a history of being a bullshitter, con artist, womanizer, etc. If there’s one good thing I could say about the character of Roseanne Conner, it’s that she had a really good bullshit detector. I feel like the characters of Dan and Roseanne Conner, in this case, were appropriated to expound on a view that someone, somewhere was trying to get across. On the one hand, you could say, “Well, they’re lower middle class, and he promised to bring jobs.” On the other, though, I don’t think Roseanne Conner would’ve trusted a guy whose sole claim to fame during Roseanne’s original career rise was simply that he was “The Rich Guy In New York”. She would’ve seen right through his bullshit.

So, the revival seemed like they wanted to play both sides. I mean, they establish the Trump thing in the premiere, and then don’t touch on it again. All of the other episodes seem to sort of dip their toe into class anxiety, like “What does it mean when Muslims move next door?” In a heavyhanded Archie Bunker kind of way, Roseanne has her beliefs challenged, and is supposedly better off by the end of the episode. Except for the Trump thing. It was thrown out to establish a foundation, and then abandoned. In many ways, it did more harm than good, even if there are Conservatives who applauded the show for “having the guts to go there.” Anyway, the whole having her beliefs challenged aspect is all well and good – if it were based on any truth.

I didn’t want to support the show because I felt Roseanne had become a vile human being in the time since the original run ended. There’s Conservative, and then there’s Nut Job, and she’s the latter. Were I a Conservative, I’d hate to be lumped in with the likes of her. “Well, what has she done, Will?” First, there’s the Heeb photo shoot, where she dressed as Hitler while putting Jew cookies into an oven. Then, there’s the Twitter feed, which is almost as incendiary as that of…someone else you’re familiar with. No, after all of that, I had no real interest in giving her ratings. I did, however, wonder if she was still trying to exhibit an air of inclusiveness that I felt was in the original show. So, I found myself reading episode recaps, and it seems like she was trying to recapture a lot of that old “magic”. I actually did watch the Muslim episode because it was on in the background at my mom’s one night. After seeing it, I might’ve forgiven the show. I might’ve even binged on the episodes I missed over the summer. Then, any goodwill the show engendered was immediately thrown out the window the minute the Real Roseanne took to her Twitter account.

So, some backstory: Roseanne was talking politics on her feed, as she’s wont to do, and Valerie Jarrett was mentioned. Jarrett, a top aide to President Obama, is also a Black woman. So, Roseanne basically called one of Obama’s top people an ape and tied her to the Muslim Brotherhood. And, rightfully so, people were upset. Little did we realize what would transpire in just a few hours, as ABC announced that it was cancelling the show. Over the next day or so, there was a debate back and forth over whether she should’ve been fired, and how it sucked for all of the cast and crew who were now out of jobs. A couple of Roseanne’s TV kids, including Sara Gilbert and Michael Fishman, “threw her under the bus” (in her words) by tweeting in opposition of her statement. Roseanne later tried to say that the Twitter tirade was the result of the fact that she had taken Ambien, at which point the makers of Ambien popped up and denied her quicker than Peter denied Jesus all three times in the Bible.

Meanwhile, folks really started grasping at straws, claiming this was a “double standard” or a “violation of freedom of speech”. One thing I read a lot were people saying “They fire Roseanne, but let them say whatever they want on The View, and nothing happens.” That’s not true at all. You just don’t hear about that stuff as much because nobody gives a shit about The View. Panelist Joy Behar insinuated that Vice President Mike Pence might have mental problems because he claims that God speaks directly to him, and she was *forced* to apologize for that on air. Don’t say that “nothing happens”! As for “freedom of speech”, sit on back, because a lot of y’all in the cheap seats need to hear this message: Freedom of speech only protects you from the government. It means all of jack shit in private industry. ABC cancelled the show because they knew the repercussions could negatively affect their bottom line. They didn’t censor Roseanne. They just made a business decision.

I’ve got to say that I’m a bit surprised the show got cancelled. I mean, it was the biggest show of the season, and ABC had clearly stumbled onto a cash cow. Yes, I get the gesture they were trying to make, but keep in mind that these were the same folks who greenlit the show in the first place. ABC President Channing Dungey made the call to end the show, but she also made the call to pick it up. There was no regime change in the middle of those decisions. Frankly, I don’t even feel like this is the worst thing Roseanne did THIS YEAR, but I guess it was the straw that broke the camel’s back? It’s just odd to me that a network that was so squeamish about airing a Black-ish episode about the NFL kneeling protests is now trying to earn back some brownie points for slapping down Roseanne.

I also think it was crazy for all of the Viacom networks to pull the reruns of the old show. This is the same thing that happened to Bill Cosby when that shit went down. Everyone yanked the reruns of The Cosby Show. It’s an empty gesture because we all know they’ll eventually come back. Stations pay for a certain amount of airings when they buy a syndication package, and you damn well better believe they’re going to get their money’s worth. It’s like the Hulk Hogan thing to me. WWE scrubbed him from EVERYTHING after his slurs went public, but there’s a constant campaign to reinstate him. We all know it’s not a matter of IF, but rather WHEN. And it’s the same here. Roseanne doesn’t need this money. She doesn’t need the show. It was something for her to do. At this point, this whole thing probably just emboldened her to be a voice for the extreme right, akin to SNL‘s Victoria Jackson, without the failed acting career. Anyway, she fucked over her cast and crew, but at the end of the day, Roseanne will be fine.

Then, The Left just had to go and fall in the swimming pool. I know I’ve touched on this before, but I despise what I call “Late Night Liberal Smuggery”. I hate all of the talk show monologues that get on a soapbox about politics, yet nothing changes. It’s why I was never a fan of Jon Stewart. Even when we’re winning, we’re still somehow losing and want to be snarky about it. That snark gets old. The biting edge eventually dulls. I like Trevor Noah. I have his book and have seen his standup specials, but I’m not the guy to watch The Daily Show every night, yelling “Preach!” to the screen. So, I was especially not much of a fan of Samantha Bee when she came along. It’s like she’s Jon Stewart, but feels she has to work harder because she’s a woman. That’s probably true in comedy, entertainment, and politics, so I’m not trying to take away her work ethic and whatnot. No, what I will take issue with, however, is her inability to read the room.

On Wednesday, Bee called Ivanka Trump a “feckless cunt”. I take it that’s a vagina without fecks? I dunno. Why did she do this? Well, there’s primarily two reasons. First off, Ivanka’s apparently profiting from her position by being granted special patents from China for her product line. It’s a total conflict of interest. Meanwhile, she posts pics of herself with her kids at the same time her father has emboldened ICE to split up families and deport parents. So, her conflict of interest, combined with her perceived insensitivity, seems to have triggered this. But The Right were NOT having it! “Double standard!” “TBS should fire her like ABC fired Roseanne!” And ya know, I wouldn’t have marched if TBS had cancelled her. Again, it would’ve been a business decision. I think Bee made a gross miscalculation thinking she could get away with that smoothly.

This isn’t a question of “Well, was she right?” I think timing is everything, especially in comedy. Had it been pre-taped a few weeks ago, I’d probably let it pass. If she filmed it after the Roseanne shit went down, however, then that was just not smart. I’m just saying she never should’ve thought she’d fire that joke off successfully. And that’s the thing: it’s not a joke. It came from a place of passion and emotion, so you can’t write it off as humor, even if it was said on a “comedy show”. What Ivanka is doing IS wrong, but I’ve always said HOW you say things is just as important as WHAT you say. This wasn’t the way to do that.

What I’m not here for, however, is the pearl-clutching from The Right. We had an entire election season of Hillary being gleefully called the same thing. There were t-shirts emblazoned with it. These are the same “Fuck your feelings, snowflakes!” folks who now get offended when someone acknowledges that Sarah Huckabee Sanders looks like Shrek. Ya can’t have it both ways. Ted Nugent called Hillary a cunt and he got invited to the Trump White House. It’s like the old anti-drug PSA: The Right can’t get mad at The Left, ’cause “I learned it by watching YOU.”

And no, the statements of Roseanne and Bee are NOT the same. Roseanne’s was racial in tone, and compared a Black woman to an ape – something that White people have done for centuries to degrade Black people. Bee called Ivanka feckless (meaning “irresponsible”) and a cunt, which is self explanatory. Think of “Cunt” like “Super Bitch³”. While seen by some as degrading to women, it’s not degrading to a racial group with a history of being oppressed. It’s like the statements by both women went to the same school, but they certainly weren’t in the same grade. Meanwhile, the White House is calling for TBS to fire Bee. This, folks, is where your cries of “Freedom of speech!” should come in. This is a violation of the First Amendment, spearheaded by an administration determined to defeat all of its perceived enemies. Thousand of people are dead in Puerto Rico, yet the President takes time out of his busy schedule of ignoring that by tweeting about how he was still waiting for his own apology from ABC for the “horrible statements” they’ve said about him. What a fucking petulant child. And I realize I can only say that because I’m a nobody with a vanity blog and not someone with a national cable TV show.

Things You Might Have Missed This Week

  • Star Jason Momoa and director Corin Hardy have left the remake of The Crow. I really don’t know why they keep trying to make this happen. That movie is the Heath Ledger of movies, as we’d have completely forgotten it had Brandon Lee not died filming the original.
  • Amazon has officially picked up The Expanse for its fourth season after it was cancelled by Syfy a few weeks ago.
  • Red Sonja herself, Brigitte Nielsen, announced that she is pregnant with her 5th child at the age of 54. Her husband is 39, and I’m just glad she never popped out any kids during that whole Flavor Flav phase…
  • For you car folks, Matt LeBlanc will be leaving Top Gear after its upcoming 4th season.
  • Maybe the third time is the charm for Locke & Key, as a 3rd pilot for the comic adaptation has been ordered by Netflix.
  • L.A.’s Finest, the Bad Boys TV show spinoff starring Gabrielle Union and Jessica Alba, may not be dead after all. After NBC passed on the pilot, apparently Charter Communications entered into discussions to acquire the series to air on their Spectrum service.
  • Sesame Workshop filed a suit against The Happytime Murders because they felt that the trailer was damaging their brand’s image. The film is actually directed by Muppets creator Jim Henson’s son, Brian Henson. The judge threw out the case, siding with the film.
  • Jamie Foxx will star in the film reboot of 90s Image comics hero Spawn. I can’t tell if this is a major coup for the Spawn brand OR if Jamie really needs money to keep hiding his secret relationship with Katie Holmes. I mean, he hosts a Name That Tune rip-off on Fox, so something tells me he may not be the best with money. Anyway, the film will be directed by Spawn creator Todd McFarlane, which is laughable to me seeing as how he hasn’t even inspired *action* in his own toy line for the past 20 years. I really don’t see how he’s gonna pull this off.
  • Andrew Lincoln is reportedly leaving The Walking Dead after next season, with Norman Reedus taking over as the lead. This is quite the departure from the comic, where the character of Rick Grimes is pretty pivotal with all of the goings on. The show, however, solidified its willingness to diverge from the source material with the way that it handled Rick’s son, Carl.
  • Apparently there’s some kind of rap beef going on between Drake and Pusha-T. It seems like Drake was just soft-shoeing it, and then Pusha clapped back by revealing that Drake has a secret child. Man, Pusha went for the jugular! That’s like if you got in a fight with your girlfriend in public over something stupid, and she retorts with “Well, yo’ dick ain’t shit!” Anyway, it appears that funeral services for Drake will be announced shortly.
  • Last week I told you that Fox had entered into a deal to air WWE SmackDown starting in 2019. Well, now there are reports that they’ve also entered into a deal to carry the WWE NXT brand on Fox and FS1 channels.
  • In light of ABC now having another half hour to fill on Tuesdays next fall, there are reports that they are fastracking a spinoff of The Middle, starring Eden Sher’s character, Sue Heck. I am SO here for this, even though I felt The Middle had the perfect finale. Here’s hoping this is more Frasier than Joey.

I guess I’ve gotta give the West Week Ever to Solo: A Star Wars Story? Is that how this works? Wait, why am I asking y’all? This is MY site. I mean, the movie has made $200 million worldwide in its first week, and I believe it was director Ron Howard’s biggest opening. That said, it’s still seen as “underperforming”. While I wasn’t rooting for Solo to bomb, I do hope it causes them to rethink this whole Annual Star Wars Movie strategy. Star Wars just isn’t special anymore.

As I said on social media, Star Wars went from being your rich uncle who bequeaths his fortune to you to being your grandparents who visit every year, and somehow think the $5 bill they slip you can still buy anything in this day and age. I am far from a discipline of the franchise, but I always felt like a lot of what made Star Wars special was The Wait. I’m talking about the anxiety that built between the ending of The Empire Strikes Back and the release of Return of the Jedi. The anticipation of the Prequel Trilogy (contrary to how folks feel now, y’all were looking forward to those things at the time!). Force Friday toy releases, timed to coincide with the first film after one of those extended waits. From outside the fandom, Star Wars always seemed to have a “Good Things Come To Those Who Wait” thing about it, and I think there’s just an embarrassment of riches right now that kinda tarnishes the brand for me. I haven’t seen Solo yet, so this isn’t a knock on quality, but rather business strategy.

I had a friend compare this to Marvel, saying if Superhero Fatigue hasn’t set in, why is it OK to assume Star Wars Fatigue is a thing? He posited that the Marvel machine could be applied the same way to Star Wars, but I just don’t think that’s true. I realize Star Wars is doing the whole One Saga Film, One Spinoff model, but I often wonder what will happen when the Skywalker Saga truly ends. I mean, folks claim they want new things, but their actions show otherwise. A lot of fans hated The Force Awakens because it was too much of a rehash of A New Hope. Then, The Last Jedi offered something new, and it proceeded to destroy friendships and families because it “wasn’t Star Wars“. I wish Disney would take a parental stance on this franchise, and just say “If you can’t appreciate what we give you, then we’ll just take it away from you for a while.” That, then, would trigger a Wait. And hopefully the fans will either discover a newfound appreciation for what they have or they’ll find something else to tickle their fancy. Either way, a lot of Star Wars fans right now don’t deserve Star Wars, but there’s too much money to be made, so look for Star Wars: Lobot’s Reckoning coming soon to a theater near you. Anyway, this is me, begrudgingly saying that Solo: A Star Wars Story had the West Week Ever.

18th May2018

West Week Ever: Pop Culture In Review – 5/18/18 (Upfronts Edition)

by Will

HarassmentWatch (TM)

Nev Schulman – The creator/producer/host of Catfish: The TV Show has been accused of sexual misconduct, resulting in MTV halting production on the show. A former Catfish…contestant? guest? I dunno. A woman who had appeared on the show in 2015 said that Schulman didn’t believe she was actually a lesbian, and propositioned her for sex. This was all in a video that she posted to YouTube last week. Schulman denies the accusations, but production has been halted until the investigation is completed.

Brad Kern – The showrunner for NCIS: New Orleans has stepped down amid reports that surfaced from December 2016 when he was the subject of two different human resources investigations. He was reported to have undergone sensitivity training, but I guess it didn’t take. He’ll still get paid, though, as he’ll remain on the payroll as a consultant. Interestingly enough, this happened on the heels of recently departed NCIS star Pauley Perrette tweeting that she had experienced physical abuse on set, which motivated her to leave the show.

Before we get to all the Upfronts stuff, let’s take a look at a few of the cancellations/renewals that have occurred since last week’s post.

Cancellations

CBS: 9JKL; Me, Myself & I; Scorpion; Kevin Can Wait; Superior Donuts

ABC: Inhumans; The Mayor; Ten Days In The Valley; Kevin (Probably) Saves The World; The Crossing; Deception; Alex, Inc.

NBC: Rise; Great News

Renewals

CBS: Elementary; Man With A Plan; Instinct; Life In Pieces; Criminal Minds

ABC: Fresh Off The Boat; Black-ish; Station 19; For The People; American Housewife; How To Get Away With Murder; Splitting Up Together; Agents of S.H.I.E.L.D. (for a 13-episode season to debut in Summer ’19)

NBC: The Blacklist; Brooklyn Nine-Nine (yup, they swooped in and saved it from its cancellation at Fox)

Fox: Bob’s Burgers; Family Guy; Gotham (final season)

Things You Might Have Missed This Week

  • Another Batman prequel series, called Pennyworth, will follow Bruce Wayne’s butler before he comes to work for the Waynes. This idea is stupid, but it’s also being developed for Epix, which means about 55 households will be able to watch it.
  • Jennifer Love Hewitt is replacing Connie Britton on Fox’s 9-1-1, who originally only signed a one-year contract.
  • The CW announced that next season will be the last for iZombie, Crazy Ex-Girlfriend, and Jane the Virgin.
  • There are talks that Designated Survivor is being shopped to Netflix. It was cancelled last week by ABC after execs were concerned that there was no clear direction planned for the story.
  • Speaking of The CW, Arrow star Stephen Amell revealed that the next crossover between the shows will introduce Gotham City and Batwoman to the Arrowverse. Yay?
  • TNT’s The Last Ship will end after its upcoming 5th season.
  • CBS is reportedly eyeing (get it? ‘Cause their logo is an eye?) the Mad About You revival as a midseason show.
  • Lost In Space has been renewed for a second season on Netflix
  • Fox said there are no plans for a 12th season of The X-Files after Gillian Anderson left the series. Anderson clapped back on Twitter and said that the real reason was because viewership had dropped 77%.
  • Lethal Weapon was narrowly renewed as it was announced that Sean William Scott will be replacing the outgoing Clayne Crawford. Stiffler as a cop? I feel this idea is about 10 years too late, but I might check it out.
  • DC announced a Doom Patrol series for that DC Universe streaming service that I have no faith in…
  • While we’re about to discuss a lot of shows that were picked up for the fall season, some other high profile pilots didn’t get series orders, including Gabrielle Union’s Bad Boys spin-off at NBC, the Cagney & Lacey reboot at CBS, and the Supernatural spin-off The Wayward Sisters on The CW.

Well, in what has become a tradition on this site, this is the 5th year that I’ve taken a bullet for you. That’s right: I watched ALL of the trailers for the Fall’s new shows, to give you a better idea of what’s probably worth your time, and what will most likely end up in a ditch, like Firefly or Andy Richter Controls The Universe. If you remember, last Friday was basically “Bloody Friday”, where 19 shows were cancelled within 24 hours in order to make room for the incoming shows. This week, the 4 major broadcast networks held their upfront presentations, where they presented their fall schedules, as well as introduced their incoming shows. This is QUITE the undertaking on my end, so I don’t expect ya to read all of it, but it’s here if you’re interested. So, let’s get this show on the road!

Courtesy TVLine.com

ABC

A Million Little Things (Wednesday, 10 PM)

After the success of NBC’s This Is Us, everybody wants their own non-linear tearjerker. This is ABC’s attempt at that. For starters, it’s got a great cast. I mean, it’s LOADED with folks who bring a fan base with them: James Roday (Psych), Ron Livingston (Office Space), Romany Malco (Black people). I’ve also loved Stephanie Szostak since USA’s Satisfaction, though you may recognize her from Iron Man 3 or R.I.P.D. I hope this one works out ’cause I like a lot of these people. Will I be watching? Probably not. I’ve got enough anxiety and depression without deliberately putting my emotions through a meat grinder on a weekly basis. It’s up against Criminal Minds on CBS and Chicago P.D. on NBC, so it’s the definition of “counter programming”. It’s a wide open timeslot that this show should have no problem finding a foothold.

The Fix (Midseason)

You’ve got to feel kinda bad for attorney Marcia Clark. In her own Hillary Clinton way, she’s clearly still dealing with the fact that she never got OJ Simpson. Sure, justice eventually won in the end, but not on her watch, and she’s been stewing about that for the past 25 or so years. Well, this show, executive produced by Clark, is basically “What if OJ not only did it, but then did it AGAIN?!” Here’s where this show is gonna backfire, though: this is NOT the right time for a show like this, what with the way the world is right now. From the trailer, there’s nothing sympathetic about the female lead. Some might say she’s “driven”, while others might just say she’s a “bitch”. So, she’s lost the audience. Then, you’ve got Not OJ who, while not exactly charismatic, seems way more interesting as the villain than the chick does as the “hero”. Then, throw in how the OJ thing played out in real life: the show should want you to root for her, but the Black audience (if there is one) might end up rooting for him to continue evading her. I don’t have high hopes for this one. I see it getting that Tuesday night “death slot” of 10 PM, and then being burned off on Saturdays after a few low-rated outings.

Grand Hotel (Midseason)

This just looks like a Univision adaptation of Dynasty, BUT it does go after that audience that ABC held in the palm of its hand during the early Desperate Housewives years. It’s got diversity going for it, and it’s rich Latinos instead of gangbangers and whatnot, so it’s aspirational, even if they do owe a ton of money to the mob. I think there’s something to be said for the fact that it’s being held til midseason, in that it wasn’t strong enough to launch the season on. It could also be that it didn’t, tonally, fit what they were coming out of the gate with. This could go either way, to be honest.

The Kids Are Alright (Tuesday, 8:30 PM)

Ugh. It’s one part Just The Ten of Us and one part The Goldbergs, with a dash of The Wonder Years. I’m SO tired of the Retro White Family Memories, Narrated By Some Dude Pretending To Be the Creator shows. It’s That 80s Show Syndrome. Fox said “Well, That 70s Show is doing well. How about we make That 80s Show?” Well, here ABC said “The Goldbergs has got the 80s covered, but what about the early, yet non-specific, 70s?” It’s a working class show, so it’s paired well with Roseanne as its lead-in. That said, it’s a HORRIBLE lead-in for Black-ish. If this show is smart, they’ll try to sprinkle in a witty Black kid as one of the sons’ best friends, but this family doesn’t seem like they’d fraternize with Negroes. I think Retro Fatigue is a thing, and this show could fall victim to it. It’s got a Real O’Neals vibe to it, without the gay son angle – HOWEVER, the jury’s still out on the little one, even though I doubt the show has the balls to go there in its first season, given its time period and everything. With the Roseanne lead-in, it’s really the show’s game to lose. It’s prime real estate, but does it DESERVE it, other than the fact that they’re both blue collar families? I guess time will tell.

The Rookie (Tuesday, 10 PM)

This is stupid. Look, I’ve never understood folks’ love affair with Nathan Fillion, but I also didn’t really love Firefly, so there’s that. I feel like there’s a lot of William Shatner Syndrome there. It’s like “I loved this one thing this actor did, so I’m just gonna pretend to love every other thing he does.” I’d watch this as a movie, starring Kevin James, on Netflix. This, however, is not a series to me. First off, Fillion is 47 years old, and it looks like they’re going to great pains to make him only look 40. Next, I HATE when the woman (ex wife?) tells him he was brave during the robbery. NO! From what we see, he was stupid, and people could’ve gotten killed. And let’s say this show does last 5 seasons – what’s the draw when he’s no longer a rookie? He’s just an old ass cop at that point. It’s like when Doogie Houser grew up and his whole Kid Doctor shtick wasn’t that impressive anymore after his balls dropped. The show has the Tuesday Night Death Slot – 10 PM, where ABC shows go to die. But y’all really love your Nathan Fillion, so maybe this will end that curse.

Single Parents (Tuesday, 9:30 PM)

This looks horrible, and I say that as a fan of Taran Killam and a closet fan of Brad Garrett. There’s this growing trend of shows that were clearly developed from what was originally a movie concept. You could eke 90 minutes out of this idea. A perfect 3 acts where Killam ends up with Leighton Meester, and learns how to be an adult again. Instead, to make it a show, they’re going the Community route: “Look how much these folks from disparate backgrounds have in common.” And, frankly, the ensemble isn’t dynamic enough to pull that off. I wish they’d gone with a murderer’s row of supporting characters from recently cancelled sitcoms, as these shows are prone to do. For example, I’d really love some Sara Rue on here, but I love Sara Rue in anything. Plus, this is a waste of a Modern Family lead-in, which is pretty good real estate. The one that’s really gonna suffer, though, is A Million Little Things, as this show is going to kill any potential carryover audience from Modern. I’m calling it: DOA.

Whiskey Cavalier (Midseason)

I was a little more into this show after watching the trailer because all the promo stills made me think “This shit is just Castle all over again.” Seriously, I was wondering why they didn’t just call it Rook. Anyway, this show is SO ABC that it just might work. I, however, ain’t got time for that Will They/Won’t They? dynamic, ’cause they always WILL and it’s simply a matter of WHEN (if they’re smart they’ll wait 3 seasons). Anyway, it’s being held til midseason so Cohan can hurry up and get killed on The Walking Dead. The idea of the show seems kinda fun, but I’m still hung up on the casting a bit. I don’t find Cohan that dynamic, but that’s probably because I’ve never seen anything she’s been in. At the same time, I just find Scott Foley boring. I mean, he seems to work here, but I’ve always felt the most interesting thing he ever did was marry Jennifer Garner. While there appears to be chemistry, the casting on this show just feels like ABC pulled the trigger on a bunch of talent holding deals that were about to expire. Anyway, the midseason bow gives it a better shot at renewal, and I think this one will succeed.

Scheduling Thoughts

Sunday is a bit perplexing to me. I’ve always hated that they moved Shark Tank to that night, and I feel Child Support (scheduled for Fridays at 9) would be a better companion to the upcoming Dancing With The Stars: Juniors. The Alec Baldwin Show is a vanity project that really doesn’t matter in the grand scheme of things. It’s probably relatively cheap to produce, and its only real competition is Madame Secretary on CBS. It’ll last either until Baldwin gets bored with it, or he hurls a slur at a staffer and the network is forced to distance themselves from him (which would, then, put Match Game in jeopardy). Meanwhile, Fresh Off The Boat and Speechless are left to fend for themselves on Friday. It would be one thing is ABC was committed to bringing comedy back to Fridays. Maybe even rebuild TGIF. This is not that. This is just a “Well, put ’em wherever you can fit ’em in.” Again, I’d move Child Support to Sunday, hold Shark Tank for a better night later in the season, and then I’d pull Modern Family to Friday as that night needs a strong anchor, and it’s in its last season, so it really doesn’t have to be much of a performer. They could even throw in Schooled, which is the horribly titled retool of that spinoff of The Goldbergs – still starring Tim Meadows and Brian Callen, but now with more AJ Michalka – which has been picked up to debut sometime during the season.

CBS

FBI (Tuesday, 9 PM)

Ah, Dick Wolf is at it again. I kinda wish they’d put this on Wednesday, so he’d be competing with his Chicago shows on NBC. I’ll bet there’s a dude at CBS whose job is just to find all the federal agencies with cool abbreviations. One day, after having his pitch for NCIS: SUV: EX rejected, he was like “Fuck it! How about just FBI?” And the network execs were like, “Wait, how’d we miss that one? It was in front of our faces the whole time!” I love how Missy Peregrym got the Mariska Hargitay SUV makeunder. One look at her, and they were like “She’s too hot. Frump her up and make her scowl a lot.” This show will do just fine. It’s Dick Wolf, who apparently knows where bodies are buried, so folks don’t like to piss him off. Plus, it’s meant for your grandpa, who’s really the only one who can tell all these shows apart.

God Friended Me (Sunday, 8 PM)

Fresh off the cancellation of ABC’s The Mayor, Brandon Micheal Hall is in a new starring role in what’s basically a mashup of Early Edition meets Touched By An Angel meets Joan of Arcadia. First off, I hate the title. I get what they’re going for, but was that really the best one they could come up with? I didn’t want to like this when I hit Play, because I initially thought this was going to be another quirky, single cam half hour sitcom. Instead, it’s a one-hour dramedy, which changes things a bit. It’s got the PERFECT timeslot, as that’s about when Black folks get home from all-day church services. I think it’ll pose some important questions, and as long as it doesn’t get too preachy, can at least get folks to think about whether there’s something out there bigger than themselves. I will point out the most interesting aspect to me, though: Facebook. Like, Facebook is basically a character in the show. Not some made up social network, like FaceSpace, or MyFace, or SpaceBook. No, this is full-on Facebook, which makes me wonder if they paid for product placement or if they were even involved in the development of the show. If they were, then I’m a little skeeved out by all the spiritual stuff, being passed down from Zuckerberg on high. Anyway, it could work. Touched By An Angel lasted 9 seasons, Early Edition lasted 4, and Joan of Arcadia lasted 2. I think that also charts the progression of America becoming more cynical. Anyway, who knows? Living Biblically didn’t work, but I think it’s because it was a terrible idea for a 30-minute, multi-cam sitcom with a studio audience. I’m on the fence with this one, but it couldn’t have possibly been scheduled better.

Happy Together (Monday, 8:30)

Let me preface this by saying I LOVE Damon Wayans, Jr. I also LOVE Amber Stevens West. I do not love this pilot. It’s apparently executive produced by James Corden, and based on a time when he lived with Harry Styles. This is another one of those “I’d see it as a movie, but…” ideas. I mean, how long does this charade last? How long can the British rocker put up with the quiet suburbs? How do you get 7 seasons out of this? Too many shows don’t seem to have the long game in mind these days, and it they end up painting themselves into a corner, creatively. I hate to turn on my folks, but this one doesn’t last.

Magnum P.I. (Monday, 10 PM)

I loved this trailer WAY more than I wanted to. Originally, I only wanted this show to succeed so that Anthony Anderson wouldn’t be the only Hang Time alum still working today. And I really wanted to hate this concept. The 80s reboots just keep coming, but this one I like. I fear it’s gonna be like MacGyver was for me, though: never watched the original, enjoyed the reboot pilot, and then never made any attempt to watch it again. Plus, are we going into this knowing the whole Robin Masters twist? I mean, are they going to play that up? Are we just supposed to play dumb? Anyway, I love this cast. Since Happy Endings, I will watch Zachary Knighton in anything, and he’s a GREAT choice for Rick. As for Magnum himself, are we gonna have an AC Slater situation, where we later find out his name is really Thomas Rodriguez? ‘Cause, I mean, c’mon… Anyway, CBS seems to be planning Monday as “Diversity Night”, kicking things off with The Neighborhood, followed by Happy Together, and capped off with this. They COULD have scheduled a Reboot Night, with MacGyver, Hawaii Five-0 and Magnum, but I’m glad they showed some restraint. The interesting thing is that there are some Tom Selleck die hards out there who may not accept this reboot, and they’re the primary CBS audience. That said, those folks have Blue Bloods now, and this is meant to skew younger. I think it’ll work.

Murphy Brown (Thursday, 9:30)

Ugh, another “zombie” show. You know, those shows that are dead, but don’t realize they’re dead, so they just keep coming? I get how the political climate kinda paved the way for this one, but did we really need it? I mean, about a year ago, The BBC did a one-off Are You Being Served? special. It was nostalgia and something new, all at once. And it was only one episode. That’s what I’d like here. What Does Murphy Brown Think of the Trump Administration? There’s an interesting special there. It’s not, however, a 13-episode series. The same way I didn’t need Roseanne throwing her views in my face through her reboot, I don’t really see what Diane English and the Murphy Brown crew have to say about the state of the world that’s not already being said by every Liberal late night talk show host. Plus, the narrative device doesn’t really work here: in TV news, how often does a network “get the gang back together”? It DOESN’T. These people would all scatter to different networks, and maybe, just maybe, end up together at CNN or something. But there’s NO WAY FYI would reach out to a bunch of former employee “olds”, as the social media guy calls them, to provide a “fresh voice” on the state of the world. Unless FYI has been retooled to be the 60 Minutes of this universe, I’m just not buying it. And let’s talk about that social media guy: I hate him. I hate that archetype because it just doesn’t work. The whole “look at the Millennial who’s all tech savvy and here to show the other characters that they’re dinosaurs.” These characters are typically brash, somewhat unfeeling, and unsympathetic. Two seasons ago, Joel McHale’s failed sitcom The Great Outdoors was built on a group of these characters, on the same network. That character is always a douche and never paints Millennials in a positive light. The trailer gives us an early dose of what to expect from him, and I feel like they could’ve left him on the cutting room floor if it wasn’t for that fact that he brings some semblance of “diversity” to the series. Anyway, I say they do their 13 episodes and they’re out, but I don’t expect this to be the Liberal counterpoint to Roseanne. It won’t nearly be as much of a ratings smash, which is sad, but is where we are today.

The Neighborhood (Monday, 8 PM)

Sigh. This just feels lazy. Cedric is here because of a talent holding deal he has with CBS, and the show has already been retooled since this pilot was filmed, as The White Guy (’cause let’s be honest, his name doesn’t matter in the grand scheme of the show) was played by Josh Lawson (House of Lies), but has been recast with Max Greenfield, fresh off New Girl. That change kinda sucks because, while I haven’t seen Greenfield in the role, I think Lawson really nailed what they were going for here: The Aw Shucks, I Love Everybody Guy. I say it’s lazy because it’s just built on the foundation of race. Without the whole They’re Black and They’re White thing, there’s really no show there. I can see how this was an entertaining pilot but, again, there’s no long game here. Does Cedric’s character mellow over time? Does he indulge in a bit of White culture? Are both families better for the living arrangement? And I’ve loved Dreama Walker since Don’t Trust The B—- in Apartment 23, but this isn’t going to do much for her resumé. Calling this one DOA, even though the cast is really strong.

Scheduling Thoughts

Nothing major here. It was interesting to see them basically pull out of Monday and focus on Thursday as their night of comedy. They had a pretty good stranglehold on Monday comedy, so it’s odd that they’d somewhat abandon it to try some diverse shows in those slots. It’s also odd that they’d waste 2 hours a week on Crimetime Saturday “drama encores” on Saturday night. Sure, it’s not the most popular night for viewership, but that’s just wasted real estate. That’s 2-4 pilots that got rejected just so they could rerun NCIS: Pittsburgh or whatever.

Fox

The Cool Kids (Friday, 8:30 PM)

This is the Foxiest show I’ve seen in a LONG time, and I love the cast. That said, I don’t care if it is from the guys behind It’s Always Sunny In Philadelphia. This is the kind of show Fox greenlights simply to cancel. Usually it’s to shove into that Sunday 8:30 ditch between The Simpsons and Family Guy, so I’m surprised this is being farmed out to Friday nights. Anyway, this is a One and Done show. They’ll just cancel it to give one of the Seths (Green or MacFarlane) a new show.

Cosmos: Possible Worlds (Midseason)

I get it. The last Cosmos did really well and, even though they swore it was a one-time deal, you just knew they’d find a way to bring it back. These kinds of things take time, which is why that last Cosmos was back in 2014. It’ll do fine because it’s basically a National Geographic special (National Geographic is also owned by Fox) that’s being given a wider, primetime broadcast spotlight. It’ll do what it’s gonna do, and that’ll be it. If it does well, then expect another one in 2022. If it doesn’t, well, it wraps up the unintended Cosmos trilogy. Whew! I can’t believe I got through that without even touching on my hatred of Neil deGrasse Tyson. Whoops…

Last Man Standing (Friday, 8 PM)

This Fall, Fox trades one Last Man for another, as they pick up the cancelled ABC sitcom starring Tim Allen. Now, there was a lot of kerfuffle that the show was cancelled because the star is a Conservative, and I really don’t know if that’s true or not. It was never a ratings star, but it was also on Friday nights, so the bar was much lower. Still, just like everyone wants their own This Is Us, everyone also seems to want their own Roseanne revival. So, Fox jumped at the chance to add this to its schedule – a schedule in which it doesn’t truly fit. It doesn’t feel Fox to me, but maybe that’s a good thing. It had a dedicated audience, so maybe it’ll bring those viewers to its other shows. I actually don’t hate this show. I rarely saw it when it was on, but I’ve seen it in syndication. It’s bandied about like it’s this brash, Conservative voice, but Allen’s character is pretty much painted like a dinosaur in a changing world. I mean, he’s not quite Archie Bunker, but his wife and daughters are always reminding him that the world is changing and he’d better get used to it. Unlike NBC’s save of Brooklyn Nine-Nine, this isn’t to give it a proper send-off (something it never got from ABC), but rather an investment that they’re hoping they can get a few seasons from. This will be season 7, so I wouldn’t be surprised if there was some deal to take them through 10 – as long as the ratings are there. I do, however, find it interesting that it’ll be going up against Fresh Off The Boat on ABC. That’s quite the bit of counter programming there…

The Passage (Midseason)

Doesn’t Fox’s schedule already have a Special Child On The Run from the Government Show in The Gifted? I don’t know anything about the books from which this was adapted, but I do know that it had been retooled a few times before it got picked up. I love Mark-Paul Gosselaar. I think it’s really impossible for anyone my age to hate him. I want him to do well. After stints on Pitch and those 4 seasons of Franklin & Bash, I really want him to get something that sticks. I’m just sick of vampires, and that’s ultimately what this show is about. Its survival will depend on its timeslot and competition, both of which are unknown at this point. Hell, Fox had Lucifer for 3 seasons, so they can probably keep this around if it finds an audience. I’m on the fence with this one.

Proven Innocent (Midseason)

Interesting concept, but I’m not sure Fox is the right home for it to succeed. You see, Fox these days seems to want to have it both ways: they want to be the 90s network that puts out worthless dreck like The Cool Kids, but then they also want to be taken seriously by airing stuff like Cosmos and this. You can’t do both. When CBS knew it wanted to change its image, and be taken seriously, we had the Rural Purge, where the joke is that they cancelled every show with a tree in it. This show belongs on ABC. It would even get bonus points if it were a ShondaLand show, but then every character would be screwing each other and that doesn’t seem like it would fit the tone of this series. Still, this is the kind of show that ABC would throw out there and probably fail with, but they would try. I feel like the only reason this is on Fox is because its executive producer is Danny Strong (remember him as Jonathan in that terrible season of Buffy?), whose Danny Strong Productions is behind Empire, and also seems to have a production deal with Fox. Still, Fox had a hit with 9-1-1, which also didn’t feel like a natural fit, so maybe if this gets paired with that, it could have a chance. For now, though, I’m thinking this one won’t go far.

REL (Sunday, 9:30 PM)

Since his role in Get Out, everybody has been rooting for Lil Rel Howery, but is it too soon for this? I’d rather see him in more movies than see him get a middling Fox sitcom. His former costar, Jerrod Carmichael, is the executive producer here, but I don’t expect this show to push any of the buttons that The Carmichael Show did. This is just a run of the mill sitcom. Good to see Sinbad, though. I’m reminded of how Fox really screwed the pooch with Mulaney, but the thing this has going for it that Mulaney did not is the fact that there’s a Black audience looking for representation. I don’t think the post-Family Guy timeslot is the best place for this, though. Hell, it ought to have gotten the post-Last Man Standing slot on Friday. They’re as different as night and day, but that’s going to be prime real estate, which is just wasted on The Cool Kids. It could be argued that folks aren’t watching TV on Friday nights, but in the DVR age, nobody’s watching live anyway. Still, for the few that are, I think scheduling should be done to keep them in mind. I’m sorry, Lil Rel, but this is a One and Done.

Scheduling Thoughts

Interesting that Fox is keeping most of its debuts for midseason. It’s not like they’re coming off the bench that strong, but I think it’s internal company politics at play, with the looming sale and everything. At the upfronts, they kept referring to themselves as New Fox, because they would no longer have to worry about how their shows play in the international marketplace. They’re taking a decidedly America First approach with their schedule, which could mean they’re gonna double down on what made them Fox in the first place. I mean, The Cool Kids and REL both feel like they’ve been sitting in a vault for the past 20 years. It’s a network that doesn’t know what it wants to be, especially in light of the fact that it won’t own its own production studio in a year. In discussing its future, some folks have even posited that they might make a play for the WWE contract, which expires with NBCUniversal next September, which means they’d lose Monday and Tuesday real estate to RAW and Smackdown. They’re a network without a master, or a roadmap, right now. One thing I will give them credit for: moving Bob’s Burgers to Sunday at 8:30. That 7:30 swing slot never worked because football is a fickle mistress, and I think it was to that show’s detriment. Anyway, another odd thing is that Fox has yet to cancel Ghosted or LA to Vegas. They both look terrible, and there have been shows in the past that were never officially cancelled, but it’d be interesting to see if they try to revive those midseason.

NBC

I Feel Bad (Thursday, 9:30)

So, I was formally introduced to star Sarayu Blue in the recent film Blockers, where she played John Cena’s wife. I like her, but it shows how much TV has changed in recent years, because just a few years ago she would’ve been the best friend instead of the lead. That’s not really a knock on her, but more so one on her resumé. Amy Poehler is the executive producer here, which is why this is on NBC. Honestly, if you put this on ABC, following Modern Family (where that horrible Single Parents is currently slotted), I think it’d have a chance. ABC is great at giving new comedic interpretations of the different types of families out there. There’s Modern, there’s Speechless, there’s American Housewife, Black-ish, Fresh Off The Boat, etc. I could go on, but you get the point. Now, it could be said they’ve reached their saturation point over there, but I still think this show would feel right at home. On NBC? Not so much. NBC is the yuppie network, loved by DINKs (Dual Income, No Kids). All of its shows have to be set in fast-paced NYC, and nobody has a great relationship with their family. This is slotted right after Will & Grace, and before Law & Order: SVU. If I were scheduling, I’d have swapped it with Will & Grace, so that The Good Place would be its lead-in, while Will & Grace can pretty much stand on its own at 9:30. I feel The Good Place and this show would share more of an audience than it would with Will & Grace. It’s not 1998 anymore, so they really need to stop holding that Thursday 9 PM slot as a “sacred badge of honor”. Seinfeld is gone and he ain’t coming back. Anyway, One and Done.

Manifest (Monday, 10 PM)

Let me start off by saying Fuck YOU J.J. Abrams, Damon Lindelof, and Carlton Cuse. You’re why we are where we are today. Yes, this is Lost. I’m sure there’s more to it than that, but at the end of the day, it’s just Lost again. Now, why am I mad at those 3 gentlemen? Well, it’s because they started us on this road of the mythological saga that poses more questions than it answers. Before Lost, no shows had really come along with such a woven mythology, insinuating a concrete payoff. Everything matters! That’s what viewers were told to consider. The lottery numbers, the seat numbers, the smoke monster, the bear. Nothing is as it seems! And then the show ended, disappointing many, and also revealed that a lot of that shit had no inherent meaning, and they were making it up as they went along. So, just as they introduced us to that type of storytelling, their inability to satisfyingly stick the landing effectively pulled the ladder up behind them so that no one else could succeed at it. Since then, we’ve had shows like The Event, FlashForward, The Crossing – all cancelled before they really got a chance to answer what was going on. Why? Because viewers were like “Nah, I’m not falling for that again!” I skipped Lost. Just didn’t interest me for various reasons. That said, I’d actually be interested in this show, BUT I know how the game is played, and I also know that they’ll never get a chance to reveal all of their answers – if they’ve even thought of them in the first place. One and Done.

New Amsterdam (Tuesday, 10 PM)

Ugh ANOTHER damn medical show?! Pretty soon, TV procedurals are just gonna be medical shows and shows about firefighters. I saw that little twist coming. You think I didn’t, but I did. Still, it’s the kind of show that’s not playing the long game. What does season 5 look like? We gonna do the UK thing where they just bring in a new lead? I was saying on Twitter last week that I love how in the UK, no star is bigger than the show. A show could’ve been on for 22 years, with 5 different leads. It just keeps on rolling along. America’s not like that, though. Meanwhile, when did Tyler Labine get so old?! I don’t know about this one. I mean, America hates the idea of free health care, but loves its medical dramas. It’s going against ABC’s The Rookie, but it’s also getting that prime This Is Us lead-in, so I’m not quite sure who the winner is in that race. I will say, out of all the NBC shows I’ve seen lined up for the Fall, this is the one with the best shot at survival.

Scheduling Thoughts

Not a lot to say here, as they’re ultimately playing it pretty safe. Just as I said with CBS, though, I feel like NBC is wasting a lot of good real estate on Dateline Saturday Night Mystery. That’s 2-4 pilots dead, just for that. I know it’s relatively cheap to produce, but it just seems like such a shortsighted decision.

The CW

All American (Wednesday, 9 PM)

I actually like what I see here. You couldn’t do this on any other broadcast network, as shows like this are heading to places like Freeform now. I’m digging the 90210 meets One Tree Hill meets Friday Night Lights, with a dash of Black Lightning. Plus, it’s got that Riverdale lead-in, suggesting the network has faith in it. I don’t even care about its competition on the other networks, because The CW plays by its own rules and standards. I think this one works.

Charmed (Sunday, 9 PM)

OK, who thought it was time to revive this? I never watched the original, but I know it lasted 8 seasons. I mean, 12 years have passed since its finale, but between this and the Roswell reboot, it’s like someone at The CW finally got that closet opened that’s been locked since UPN merged with The WB. So many wonderful properties to reboot! We’re about 4 years away from the One Tree Hill reboot at this point. Anyway, remember how I said shows like All American were ending up on Freeform? This show TOTALLY deserves to be over there, with their shows like Siren and Shadowhunters. I mean, it might do OK on The CW, but I’m not sure. I feel like any hardcore fan base that exists for the previous iteration probably isn’t going to be too happy about this. Meanwhile, I applaud their attempt to diversify it and all, but minorities don’t get down with witches like that. If you remember, there was only one Black chick in The Craft, and her career never recovered from that! It probably needs a stronger lead-in to guarantee success. This fall, The CW expands to Sunday nights, and this will be there, preceded by Supergirl, which is far from a ratings smash. Still, if they’re going for a Sunday Girl Power block, then I guess this is what they have to work with.

Scheduling Thoughts

I’ve got quite a few here, as there are a lot of moves going on. As I said above, their foray into Sunday nights is weak. They’ll need to work to strengthen that over time. Moving Arrow to Monday is interesting, but it’s an older show so at this point it’s going to do what it’s going to do, regardless of where it’s placed. it also frontloads the week with the DC shows, with Supergirl on Sunday, Legends of Tomorrow and Arrow on Monday, and The Flash and Black Lightning on Tuesday. I’m sure this will help when planning next year’s crossover. On Thursday, after Supernatural, they’ve got the new series, Legacies, which is a spin-off of The Originals which, itself, was a spin-off of The Vampire Diaries. It’s the Good Times to The OriginalsMaude and The Vampire DiariesAll In The Family. Its trailer isn’t available right now, but I’ve got to wonder why it got that slot and not Charmed. I thought they had pretty much done everything they possibly could to the Vampire Diaries universe. Meanwhile, Dynasty is a HORRIBLE lead-in for Crazy Ex-Girlfriend on Friday. It’s Crazy‘s final season, though, so I guess they were just like “Fuck it! Put it wherever.”

So, who had the West Week Ever? Was it Yanny? Was it Laurel? I’m gonna look back one day, and that joke isn’t going to age well. Anyway, looking at the Upfront presentations as a whole, I think ABC and CBS had the strongest showings. Fox and NBC aren’t really taking any chances, while The CW is just shuffling deck chairs right now. For the ABC slate, there some shows that have potential, like The Rookie and A Million Little Things, but I’m just not sure yet. Meanwhile, I’m pretty sure CBS has hits on their hands with FBI and Magnum P.I. Plus, they’ll get some great press for that Murphy Brown revival. So, I’m going to say that CBS had the West Week Ever.

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