30th Nov2018

West Week Ever: Pop Culture In Review – 11/30/18

by Will

I took last week off ’cause it was Black Friday, and I know this site was the last thing on y’all’s minds. Gotta get them $199 PS4s! Anyway, that just means we’ve got twice as much stuff to talk about this week!

First, allow me to rant. Every time there is a celebrity death, the internet instantly becomes filled with tribute art to the person. Sure, the artists typically mean well, but a lot of it is very, very bad – sometimes just in poor taste. Stan Lee died a couple weeks back, and what did we end up seeing? Stan Lee at the pearly gates, Stan Lee being hugged by his creations, Stan Lee with his creations surrounding his hospital bed, Stan Lee with the MCU stars photoshopped into his funeral. You get the picture. The one that really got me, though, is the one above: Stan and his dearly departed wife, Joanie, reunited in space, wearing spacesuits. This comes off as some kind of secular desire to have an afterlife, but still trying to apply Earth logic to things. Why are they in space? Is that where you think “souls” go? Why are they in spacesuits? Shouldn’t they no longer have the need to breathe? Bottom line, I thought this was stupid. This was just stupid. And I said so when someone posted it in a Facebook group I’m in, with a bunch of crying emojis. And the floodgates opened!

Let me give you some backstory about this group. I’ve met some great folks in there, but it’s chock full of Brits who are constantly making fun of EVERYTHING. For example, you can’t mention people being offended by Apu, because “Everyone’s too sensitive”. Seriously, every serious conversation on there is derailed by a bunch of guys chiming in with “Well, they’re being cunts!” So, imagine my surprise when I found the limits of the rapscallions! So, I had to reply:

A few days later, a few of the same folks were laughing about that missionary who got killed by the tribe. You know the one. And, yeah, I have my issues with missionaries and all that, but if you’d seen some of the stuff they were saying, and LAUGHING at…And I’M the asshole for thinking somebody’s DeviantART space pic is stupid? Oh, hell the fuck no! It took everything in my power not to run back into that group and tear it apart like Jesus in the temple. So, I subtweeted with my own status.

So, imagine my surprise when the group founder commented on it:

That’s where it pretty much ended – until now. If there’s one thing I’ve learned from the Trump Administration, it’s the art of doubling down. And I’m here to say that a LOT of that fan art shit is stupid. Sometimes a beloved artist will do some, and maybe sell it and give the money to charity. Nice use of the moment. What I don’t like is Johnny Cash Grab who decides he’s going to throw together a shitty t-shirt to sell to capitalize on the moment:

But also, money isn’t everything. There’s a lot of FREE fan art out there that’s stupid. The minute SpongeBob SquarePants creator Steven Hillenburg succumbed to ALS earlier this week, I immediately asked “How long before the fan art of SpongeBob meeting Stan Lee?” And while it’s not exactly what I described, the Internet did not disappoint:

WHO IS THIS FOR?! But, “let people mourn how they want to mourn.” It doesn’t mean I can’t question it.

Trailer Park


Artemis Fowl

This just looks like Great Value Harry Potter to me, only he’s in the Men In Black now? I mean, if Harry Potter knockoffs are what’s bringing in the big bucks, I’ve been sitting on the Charlie Panner franchise for about a decade, and I need to talk to someone pronto! Yeah, I know it’s based on a book series, but I’m not 14, nor do I hang around any since the court case. So, I’m gonna need a little bit more from my teaser trailers. This? This was just meh.


The Lion King

OK, but WHY? I get it. It’s stunning, and it’s a beloved story, but we already have the original. I feel like those people who get upset when their favorite old property is rebooted. No, this one doesn’t mean that the old one doesn’t exist, but there are so many other things Disney could be doing with this money and technology. I feel like Disney is creatively stale, like they were prior to The Little Mermaid, and live action versions of their 90s hits ain’t really impressing me all that much. Still, I’ve never had the same love affair with Disney movies as some folks, so I guess I’m just dead inside. Nice job they’ve done here, though.


Once Upon A Deadpool

A PG-13 cut of Deadpool 2? Sure, it’s a cash grab, but I respect their hustle. Maybe it would’ve been cooler to have had this as a bonus feature on the Blu Ray, but if there’s theatrical money, and it fills a hole in Fox’s schedule, then do it. I still haven’t seen Deadpool 2, so I guess I’ve got homework before December 12th. And I kinda like Nickelback more than the Beatles…


The LEGO Movie 2: The Second Part

So this is the second trailer we’ve gotten for this movie, and it really wasn’t doing much for me until Rex Dangervest showed up. That’s cute what they did there. I mean, I’ll see it, but nothing about this is like “WOW, I CAN’T WAIT!” Plus, if you cast Tiffany Haddish, you’re only going to get “Tiffany Haddish”. Make sure that voice works with the character, ’cause if it doesn’t, then…you get this.

Runaways Season 2

This looks like the Freeformiest Freeform show that ever Freeformed – which is odd, since it’s NOT on Freeform. It’s like if Claire’s, Urban Outfitters, and Hot Topic decided to go in together on a TV production deal. I’m sure the teens and tweens probably love it, but I can’t see myself watching a single episode of this show – which probably why I never watched any of season 1. Plus, I don’t have Hulu, so…

Things You Might Have Missed This Week

  • ABC’s Sue Sue In The City spinoff of The Middle will not be going forward. It’s kinda sad, as I liked Eden Sher in the role, but I also felt like it wasn’t necessary, as The Middle gave a nice ending to her story. This show would’ve had to serve as an “Inbetwequel” to the ending the show had set up for her. This is probably for the best.
  • Speaking of ABC spinoffs, Schooled, the 90s-set AJ Michalka starring spinoff of The Goldbergs, will debut on January 9th. Oh, look -Tim Meadows is in the cast. Yup, this show is D.O.A.
  • In a somewhat surprising move, Netflix has cancelled Marvel’s Daredevil series. I’m gonna say this one more time, for the cheap seats in the back: DISNEY IS NOT PICKING UP THE CANCELLED MARVEL NETFLIX SHOWS! I’ve already explained the WHY, and I’m just tired of the same time armchair speculation.
  • I can admit when I’m wrong, and I once said that Agents of S.H.I.E.L.D. wouldn’t be around for Avengers 4, yet not only will it, but it’s been renewed for it’s seventh season before the sixth even launches next summer. I felt like the show was going to be the “connective tissue” of the MCU around that Winter Soldier/pre-Age of Ultron era, and then go away. Then it kinda distanced itself from the movies except when it couldn’t be explained away (due to the politics), and started doing its own thing. They say last season was great, but I’ll have to check that out for myself.
  • Country radio personality Bobby Bones won season 27 of Dancing with the Stars, which has fired off this outcry of how the show is “broken”. “It’s just a popularity contest now!” Um, EVERY reality show is a popularity contest, Doris!
  • Jon Cryer has been cast as Lex Luthor in Supergirl and, while I have no interest in watching that show, I don’t hate that casting. I don’t hate it at all.
  • Back in 2012, ABC aired a series called GBC, based on the semiautobiographical book Good Christian Bitches. Of course it didn’t last, as we’re not currently talking about the 7th season of GCB, are we? Well, The CW is developing a reboot of the show, and it will retain its original title. Man, there are gonna be SO many evangelical groups up in arms about this one.
  • It was a busy week for celebrity profiles, as one focused on the renaissance of Amanda Bynes (glad she’s not dead!), while the other focused on Lena Dunham coming to terms with the fact that she’s a bit much to handle at times.
  • There are rumblings of a revival of the 90s CBS series Northern Exposure, with most of the cast – including original star Rob Morrow – back on board. This is interesting, seeing as how most of the cast and crew reportedly hating working with Morrow. I guess they loved that money more than they hated him, huh?
  • There was a One Tree Hill Christmas movie on Lifetime that was NOT a One Tree Hill movie. WTF? Yeah, they cast about 60% of the One Tree Hill cast in The Christmas Contract, yet it wasn’t a One Tree Hill project. Who does that? That’s like if I brought in Matthew Perry, Lisa Kudrow, Matt LeBlanc, and David Schwimmer and was like, “OK, in this show, you guys all work in a bar”…
  • Jerry Springer will be bringing original content to your syndicated airwaves next season, when his court show, Judge Jerry, launches. I’m not kidding. What bothers me is that his talk show fizzled instead of going out with a bang. Its best years were probably 20 years ago, but it still deserved more of a sendoff than it got. To me, this court show is just the Three’s A Crowd to his Three’s Company.
  • Even though Spider-Man: Into The Spider-Verse isn’t even out yet, Sony is reportedly developing an animated Spider-Women spinoff probably focusing on Spider-Gwen, or Ghost Spider, or whatever they’re calling her this week. I’ve got thoughts about Into The Spider-Verse, but you’ll hear more of them in the coming weeks.
  • Netflix is developing animated series based on the works of the “ORIGINAL J.K. Rowling” himself, Roald Dahl. Debuting in 2019, they’re set to be event series and specials.

  • Speaking of Netflix, they’ve announced a 10-episode order for a live action adaptation of the Cowboy Bebop anime, and this could either be the best or worst thing they could ever do. People love the Hell out of that series, and I can already hear the cries of “They’re whitewashing characters!” I only know two things: 1) they’d better cast Ben Schwartz as Spike (I’d also take David Tennant) and 2) the in-show bounty hunter series Big Shot better be worked into this version.

So I have this slightly narcissistic thing about me where I don’t listen to a podcast unless the hosts have had me on as a guest at some point or another. I just like having the ability to interact more than just yelling at the computer, and when I know the hosts, I can drop them a line, or even go on a future show to add to that conversation. There are a few exceptions to this rule, but that’s pretty much how my Stitcher playlist is designed.

Anyway, I had a long drive home from Richmond last weekend, and I was all out of my usual podcasts, having listened to them on the way down. I didn’t really feel like music, either, but I needed something to listen to. Then I remembered that a coworker had recommended Wolverine: The Long Night to me when he was trying to pitch the idea of audio books to me (I still prefer print). He said that this was more of a radio show than an audio book, but I might like it. What it was, actually, was a podcast that was a co-production between Marvel and Stitcher. Broken up into 10 chapters, all were available to listen to, ad-free, so my bingeing began!

Wolverine: The Long Night takes place in its own sort of timeline (which they’re hinting might expand into the Marvel Podcast Universe), so you can’t really place it in the movies or the comics. Some grizzly murders have occurred in the small Alaskan town of Burns, where everyone is hiding, or running from, something. The police are simply telling the public that the murders were committed by a grizzly bear, but could there be something more? Could the short, mysterious loner who just came to town be responsible for the deaths? Well, that’s what Special Agents Pierce and Marshall are there to find out. They are our “eyes” through the whole story, so we see everything from their viewpoint. We’re able to check in on other characters because of bugs that the agents placed around the town. Otherwise, you don’t know it’s happening unless Pierce & Marshall have somehow documented it.

Despite the title, the series is less about Wolverine, and more about how his mere presence has affected everyone in the town. We don’t “see” him much, but when we do, it counts. Meanwhile, there’s some other stuff going on in the town that could be connected to the murders. There’s the mysterious Aurora cult, who have come to the town to establish a base. There’s the wealthy Langrock family, whose money and generosity have kept the town afloat for years, but are they hiding something? As it should come as no surprise to anyone, all of these things overlap heading toward the conclusion of the story.

I really want to discuss this thing with someone else who’s listened to it because there are a lot of 3rd act issues with it. There’s a swerve that you saw coming a mile away, but it doesn’t go in the direction in which you thought it would have gone. Plus, because it’s in its own universe, things happen for which there’s no in-canon precedent. I don’t want to spoil it here, but if you have listened, give me a shout.

Wolverine is voiced by English actor Richard Armitage, who comes off sounding like an angry George Clooney – which doesn’t exactly sound like it fits on paper, but it surprisingly works very well. The rest of the cast is fleshed out by Scott Adsit, Bob Balaban, Brian Stokes Mitchell and more talented folks. I really didn’t know if I was going to take to the whole thing, but I got home with about 3 hours left in the story. I went down to the basement, and just listened to the rest like I was in the ’40s or some shit. What’s a “television”?

Would I listen to more like this? Sure and, as I said before, there are even talks of expanding this into a whole universe. I really enjoyed the experience, and it’s an engaging story. I’m not entirely sure it stuck the landing, ’cause that last episode…whoa. Still, of the experience as a whole, I give it an A, and as the best thing I experienced in the past week, Wolverine: The Long Night had the West Week Ever.

 

16th Nov2018

West Week Ever: Pop Culture In Review – 11/16/18

by Will

So, it’s been THREE WEEKS since I actually covered “pop culture” on here. And ya know? Ain’t a whole lot happened in that amount of time. I mean, I’ve been fighting to get my White House press credentials restored, but other than that things have been pretty lame. Sure, you may think there was news, but there really wasn’t. Let’s see what I can pick out this week, shall we?

So, I did something I haven’t done in a while: I watched a movie. At home! Lindsay went out to the store, and Evie was mesmerized by Ryan’s Toy Reviews on her tablet, but the TV was left on Megamind. From the beginning. Lucky me! Now, I know I’ve seen parts of it before on a plane, but I fell asleep on it, so that doesn’t count. Why did this movie bomb? I seem to remember it bombing. *checks Wikipedia* Yup, one of the lowest-grossing DreamWorks CG movies to date. That’s a shame, ’cause I really enjoyed it.

If you’ve never seen it, it’s Will Ferrell at his “hamiest”, voicing the supervillain Megamind. He and the hero Metro Man both crashed on Earth as babies, but they ended up with very different lives, despite growing up around each other. Jealous of the attention that Metro Man got from peers, Megamind eventually turned to villainy, and this cat and mouse game develops over the years. That is until Megamind goes too far in one of their battles, seemingly killing Metro Man. Now, without a foe, Megamind begins to realize that villainy really isn’t that fun – especially when he falls in love with reporter Roxanne Ritchi. Now he has to lead a double life as both Megamind and “Bernard” (the guy he’s disguised as when he dates Roxanne), while a new villain rises in Metro City. Will the villain become the hero? That’s all I’ll give ya, ’cause I really think you should see it yourself.

It was one of those rare times when I couldn’t identify the voice actors, and I don’t know if they took me out of it, or if it actually helped to pull me in. I mean, I was surprised to discover that Tina Fey was Roxanne, but even more surprised to find that Brad Pitt was Metro Man. Jonah Hill’s character? Totally thought it was Nick Swardson. So, cute movie, great cast. I’d recommend it. I am tired of seeing those Happy Meal toys at thrift stores, though…

Nothing convinced me of the fact that I’m simply not a Star Wars fanatic more than the news than came out over the past week. First up, there’s going to be a Rogue One prequel series on the Disney+ streaming service, starring Diego Luna reprising his role as Cassian Andor. Yeah, that’d be great if I didn’t already know how he dies. I don’t like prequels for characters who we’ve seen die because there are absolutely no stakes. It might as well be Star Wars: Cassian’s Root Canal. That’s how interesting that sounds to me. It’s always odd to me that fans love Rogue One and hate The Last Jedi when I had the opposite feeling on both of those movies. I don’t need gritty suicide missions in my Star Wars. I felt like every character in that movie was a cliche. That’s why nobody knows their names. Sure, there are fans who’ll get butthurt when you say that, and respond “It’s Chirrut Imwe!”, but I’m content just calling him “Blind Guy”, thankyouverymuch. Anyway, they were created simply to die, and die they did.

Plus, what is there to really do with Cassian? They’re gonna make him a lovable rogue who hates authority. Congrats, Disney: you’re effectively giving us Mexican Bootleg Han Solo! Anyway, I’m curious to know if there’s a version of Rogue One out there that I’d actually like. I mean, between reshoots and edits, what we got was an entirely different movie than the one they initially set out to make. Maybe that’ll come through on the series? I’m not sure, but I’m not the target audience.

Next up, they announced some casting for The Mandalorian, and again, I was unable to go from 6 to 12 from that news. Game of Thrones actor Pedro Pascal is reportedly going to be the lead in the series, but I’ve never watched Game of Thrones so that means nothing to me. Meanwhile, someone somewhere is going “Why they fillin’ up mah Star Wars wit’ Mexicans?!” Yeah, he’s from Chile, but the person saying that doesn’t know the difference between the two… Also, they announced that former MMA star Gina Carano had been cast. That’s the moment I lost all interest. Are we still trying to make her a star? Look, I’m sure she’d make a fine stuntwoman, but acting ain’t her strong suit. Has everyone forgotten how all her dialogue from Haywire had to be overdubbed?! Is she going to be a droid? Anyway, y’all have fun with The Force, but none of this is for me.

Trailer Park


Toy Story 4

Yeah, I don’t need this. Look, I know y’all love Toy Story, and I know it put Pixar on the map, but I’ve never really taken to this franchise. Yeah, go ahead and be shocked, but that’s how I feel when one of y’all tries to say that the first 10 minutes of Up do nothing for you. BASIC! Anyway, I know the last movie kinda served as a springboard for new adventures, but it doesn’t mean they have to show them all to us. It was enough to know that the toys got a new home and a new lease on life. I don’t need to watch Bonnie grow up, and then pass them on to some other kid like Andy did. They had a GOOD stopping point. Why ruin that? Oh yeah. Money.

Fighting With My Family

Huh. I never had any interest in this film until watching that. Sure, I love Nick Frost and Vince Vaughn, but I’ve never really cared much about Paige. I mean, when “the leak” happened, I ended up seeing way more of her than I ever imagined, but I’ve never cared about her wrestling. I know WWE is giving the women’s division more of a push these days, but I’m kinda cold on the company right now, plus Paige isn’t really in-ring talent at the moment. So, this won’t bring me back to wrestling, but I’d definitely like to see this movie.


Spies in Disguise

What the fuck is this?! Does Will Smith need money? Do we need to start a GoFundMe, or is he already on Patreon? This movie looks like it was spawned from those “Why can’t James Bond be Black?” thinkpieces, and then Hollywood got involved and was like, “OK, he can, IF he can also be a bird”. There’s this longstanding stigma in Hollywood that every Black comedian has to, at some point, don a chicken suit in some Stepin Fetchit attempt to make them less threatening to some White audiences. This is Will Smith’s chicken suit. Plus, I don’t care if Blue Sky made the Ice Age franchise – I’m commoner trash, so I want my animation from Disney or Dreamworks. Otherwise, GTFO!


Detective Pikachu

So, this is basically family friendly Ted, right? I mean, I can dig it. I’ve got a lot of questions about the world in which it’s set, but there’s already a built-in audience for this, considering Pokemon GO almost settled the Israel land disputes. Seriously, I was amazed when the entire world was playing it, and I’m still amazed that there are millions of folks still playing it undercover. I see you walking in that park! I know you don’t give a shit about fitness!

Things You Might Have Missed This Week

  • Apparently the title for the third installment of the Will Smith/Martin Lawrence cop franchise will be Bad Boys for Lif3. Huh. Why not just go the extra mile and replace “for” with “4”? Oh, and the “s” with a “z”? Bad Boyz 4 Lif3. There’s your edgy title!
  • Speaking of Will Smith, son Jaden may have come out as gay this week, as he told a festival crowd that Odd Future’s Tyler the Creator was his boyfriend. I’m not really surprised, as I always considered him gender fluid anyway. Plus, he’s weird Hollywood royalty, so you could tell me he’s in a serious relationship with a Mitsubishi Eclipse, and I’d be like “Huh. Nice choice.”
  • Netflix has cancelled The Good Cop after one season. Let me tell you, I had NO IDEA this thing was a cop drama starring Tony Danza and Josh Groban. I saw an ad for it, and I thought it was about a Black cop who doesn’t give a shit because he’s so close to retirement. Apparently that IS one of the characters, but he’s not the star. I actually wanted to watch that show.
  • Tom Cruise is done with the Jack Reacher franchise, as he is reportedly too short for the role. It’s not like it matters, though, because they’re refocusing it for television instead of movies, and Tom Cruise ain’t doing TV any time soon.
  • Fans won’t be saying “Happy Christmas” to The Doctor this year, as there will be no Doctor Who Christmas special for the first time in 13 years. Instead, however, there will be a New Years special, but fans already seem ready to start a war about this.
  • Since CBS All Access is really just CBS: We Have Star Trek So Please Give Us Money, there are reports that there’s ANOTHER Trek show being developed – this time, focused on Michelle Yeoh’s Star Trek: Discovery character, Philippa Georgiou. I still haven’t watched season 1 of Discovery, but every news story spoiled what happened to her character, so I’ll let you look up the details yourself.
  • 2019 is shaping up to be a banner year for STDs, as MTV’s Spring Break will make its triumphant return, along with a reboot of Temptation Island on USA Network.
  • Tim Tebow will be hosting a new competition show called Are You There, Jesus? Kidding. It’s actually called Million Dollar Mile, where it’s basically American Gladiators against professional athletes. Yeah, I think my show sounds better.
  • Malibu! Malibu! Malibu is on fire! We don’t need no water, let that motherfucker…Oh shit, there goes the Westworld set!
  • Alec Baldwin punched a guy over a parking space, but that’s basically a regular Tuesday for him.
  • Hey, remember how y’all hated Venom? Well, it still debuted at $111 million in China, as Sony’s biggest Chinese launch of all time. Oh, and it’s made $674 million globally. Yeah, we’re getting that sequel, and I ain’t mad.
  • Vanessa Bayer, formerly of Saturday Night Live, is developing Big Deal for Showtime, in which “a woman overcomes childhood leukemia to achieve her lifelong dream of being an on-air host on the Home Shopping Network. Huh. This just sounds like an SNL sketch. And not a good one. Apparently, Bayer did overcome childhood leukemia, and it’s nice to see she’s creating her own roles, as Hollywood is otherwise just gonna pigeonhole her as “perky best friend” in the rom-com genre.

So, I took last week off because it was a holiday weekend, but I gave a rare social media-only West Week Ever to my friend Mary Ann Borer. We “met” through a Facebook group a couple of years ago, and she’s become quite the friend of the site. So, imagine my surprise when she became the reigning Jeopardy! champion. She even went viral for her Sailor Moon salute. The Teen Tournament is currently going on, but I can’t wait for it to end so she can get back to kicking ass. So, for the record, last week, she had the West Week Ever.

I don’t even know where to start with this one. I’m not going to eulogize him ’cause enough sites have done that. I don’t even know if I can do a “What Stan Meant To Me” angle. I’ve spent the past few years pretty much waiting for what happened on Monday. I had made my peace with it once the stories of the suspected elder abuse surfaced earlier this year. To me, Stan “The Man” Lee was already gone, and his handlers were pretty much Weekend at Bernie’s-ing him to get at his fortune. When Wizard magazine went under, the first thought I had was how they wouldn’t be around to have a special commemorative edition when he passed. But I still wasn’t ready on Monday. We lost Stan.

As much as I love pop culture, I’ve never been much of a “starfucker”. I’ve come in contact with a handful of celebrities in my life, but there were only 3 that I ever simply HAD to meet: Adam West, Stan Lee, and Jason David Frank, the greatest Power Ranger of all time. For two of those, I knew the clock was ticking as they were getting older, but they were surrounded by vultures, so the cost of that opportunity kept going up. I paid $300 for a VIP package to meet him at Baltimore Comic Con back in 2011. That’s a lot of money, but not once did I ever question it. This was STAN LEE. I don’t think I’ve ever spent that much money with that little thought put into it. To me, it was a given. I was meeting The Man. After all, “He’s not going to be with us long” was always in the back of my head. And now he’s not.

I always hate the whole “He’s in a better place now” phrase, but I honestly feel that way for Stan. His last few years just seemed miserable, and it was sad to watch him go through it all. Ever since he lost his wife, Joanie, he hadn’t been himself. And now he’s with her again. I don’t care what you believe. There could be an afterlife, or maybe they’re just together in the ground, turning into dust. I feel like whatever it is is probably better than drifting in and out of coherence, while my slacker daughter keeps visiting to ask for money.

Stan meant a lot to a lot of people. That goes without saying. Like any man, he had his faults. And as great as his creative highs were, he also had creative lows. He was a man who would put his name on literally anything. He was the epitome of “Fuck you, pay me”, but he always did it with such enthusiasm, and a smile on his face. The cash grabiest cash grab seemed like a decent idea when he went out to cheerlead for it. The Backstreet Project? Even at the height of the Backstreet Boys’ fame, this was a long shot. Chakra: The Invincible? Over 1.2 BILLION people in India, and none of them gave a shit about that thing. But that’s just a testament to the Stan Lee name. His past paid for his future. Co-creating X-Men, Spider-Man, and the rest opened every door for him for the rest of his life. And I don’t think Stan ever came across a door that he didn’t enter.

His huckster enthusiasm is what we know most about him, though, and it was infectious. He really made you feel like he believed in everything he put his name on. Even as you were at home, shaking your head in disbelief, he was telling you, “No, seriously, this cartoon about Pamela Anderson as a stripper/superhero is gonna knock your socks off!” Instead of the guy who had already made his nut, he approached everything like it might finally be his big break. I’m not sure if there was some guilt over who created what back in the day, or if he just needed to keep the creative juices flowing. Either way, you believed HE believed in Stripperella, even if you and everyone you knew had no intention of ever watching it.

It’s amazing to see someone that enthusiastic about anything in this day and age – to believe in the things to which you’ve aligned yourself THAT MUCH. He could say, “Well, donkeys sleep upside down, True Believer!” and you’d be like, “Well, fuck. I never knew that!” HE MADE YOU BELIEVE. That’s why his creations are so effective, and have touched so many people. You KNEW a Peter Parker. You KNEW a Bruce Banner. And even if it was something you’d never encountered, he made you believe and understand it, too. Name someone else who can do that. I’ll wait.

I don’t think it has fully hit me. I had to get offline when the news hit because it’s the Internet, and the pro-Kirby/pro-Ditko, pro-any collaborator crowd was sharpening their pitchforks and practicing their grave dancing moves. I didn’t feel like dealing with any of that. Now the dust has settled, and everyone has posted their own eulogies and retrospectives, so I appreciate you taking the time to read mine. I think it goes without saying that Stan Lee had the rare distinction of having the West Life Ever. Excelsior!

26th Oct2018

West Week Ever: Pop Culture In Review – 10/26/18

by Will

Sometimes I need to take a week off just so I can come back fired up – and I am FIRED UP this week!

Whatever happened to the days when we just let people say stupid shit and we just shook our heads and kept it moving? Yes, I’m talking about Megyn Kelly. The NBC talk show host came under fire this week, as she was discussing Halloween costumes with a panel of guests, which included Melissa Rivers and Jenna Bush Hager. Kelly was appalled by the restrictions that some universities were putting on certain Halloween costumes, such as prohibiting people from dressing as things like cowboys.

The conversation soon switched to the topic of blackface, as Kelly mentioned that you get in trouble as a White person for dressing up in blackface, but that it was seen as OK when she was younger, as long as you were dressed as a character. The panel somewhat disagreed, and Rivers pointed out that the concepts of politeness and decency seem to be missing in today’s society, and that if you think you might be offending someone, then you probably are. Kelly seemed to sort of take this in stride, the segment ended, and she moved on to talk about some other morning show fluff, like “How to clean your sock drawer potpourri” or whatever. That’s what you’ll see in this clip:

See? Not really a huge thing. I mean, sure, Kelly was wrong, but this is the same chick who argued that Santa Claus was White (Psst! He’s not real!). But you wouldn’t think the situation played out like that based on every report of it on the internet. It was Racist Megyn Kelly Strikes Again! And Tone-Deaf Kelly Doesn’t Understand Racism of Blackface! Um, did you watch the same clip I did?

Let’s point out a few things. First of all, her audience was ’bout it ’bout it when it came to this topic. And it was a diverse audience. I’m not saying what she said was OK, but I’m saying that she was clearly among “her people”. Next, I think it bears pointing out that the topic didn’t really linger. In what’s an 11 minute clip, the whole blackface part took up about 2.5 minutes. It’s not like she dwelled on it, or even tried to argue her side too much. She evoked the image of Real Housewives of New York cast member LuAnn de Lesseps dressed in blackface as Diana Ross, and said, “I thought ‘Maybe she just wanted to be Diana Ross for a day’.” If you ask me, what Kelly said was ignorant, but not racist.

We live in a society that shuns ignorance. No one wants to be the one to ask the “stupid question”, or admit when they don’t know something. At times this coincides with some dicey topics, like race. You’re not really going to get an understanding, however, unless you confront these things in conversation. We have to talk about things! Yet that’s not how we live. We all pretend to know everything, since all knowledge can be found in the palm of our hand. And when someone deigns to ask a question, the impatient simply retort “Google is your friend.” Great. Good talk.

Sure, racism is a by-product of ignorance, but ignorance can sometimes be innocent. Now, we can paint all sorts of things we want onto Megyn Kelly because, again, she’s the chick who swore up and down that Santa Claus HAD to be White. I get it. But I’m not seeing the Evil White Media Racist here that everyone seems to want me to see. I’ve had a lot of opinions where I was probably on the wrong side of history, and this is just another one of them.

Now Kelly’s future with NBC is in jeopardy. She had to apologize for her statements later that day, and then her words were publicly denounced by NBC News chairman Andrew Lack. Then it was reported that the cast of House of Cards pulled out of a planned appearance on her show, due to her remarks. Later on, however, House of Cards cast member Greg Kinnear (remember him?!) said that the cast was told that Kelly had jury duty, which is why the appearance was cancelled. Whatever happened, reruns have been airing instead of live episodes since the event. There are reports that Kelly had met with NBC brass recently and expressed the desire to get back to “real news” coverage, as she hasn’t taken to the lighter side of morning talk. Now, however, it appears the network wants her out, and she’s reportedly demanding a payout of the rest of her contract.

OK, meanwhile, Fox News just announced that their streaming service, Fox Nation, will launch November 27th. So, you mean to tell me that former Fox News darling Megyn Kelly’s highly publicized NBC deal is falling apart just as Fox announces their entry into the streaming market? A streaming service that’s going to need a big name to help launch it? And I’m supposed to think these are just coincidences? This is all orchestrated. Ya know how I know? Because I look at that clip, and I don’t see any fireable offense taking place there. No, this is a mountain being made out of a molehill, and social media and the court of public opinion are being used to throw fuel on the fire. Someone at NBC clearly wanted her gone (word on the street is that it’s Al Roker), while she needs somewhere to land when they snatch the rug out from under her. Mark my words: she’s going back to Fox, and she’s going to double down on her “conservative Megyn Kelly” persona. After all, the folks who were behind her sexual harassment claims at Fox are either gone and/or dead. The time is ripe for a homecoming, and she’s got a lot of fuel against the Liberal Media for how she was treated during this “ordeal”. Great job, Liberals: you just helped one of your greatest foes level up.

So, you got Megyn Kelly fired. Meanwhile, trans folks are potentially about to be erased, and bombs are being sent to prominent Democrats. But I’m glad to see y’all focused on the real issues…

You thought I was done? Oh, I’m just getting started!

So, during my blogging break, Netflix cancelled Iron Fist, and all the folks who were like “How the fuck they gonna have a White dude as Iron Fist? They better cancel that show before it airs!” suddenly turned into “Oh Noez! How dare Netflix cancel Iron Fist?!” people. It was actually quite the thing to witness. I wish I’d kept the receipts from a year ago. Anyway, Netflix totally doubled down, and cancelled Luke Cage just a few days later. And then the armchair quarterbacks came out: “Oh, they’re totally gonna make Heroes for Hire instead.” Or “Disney’s just gonna put them on their streaming service.” I don’t know about the former, but you’re wrong about the latter, and here’s why:

While we don’t know streamer ratings, we know that pretty much everyone hated the first season of Iron Fist, while they felt Cage seasons were too long. Add in the fact that the Netflix shows are tangential, at best, to the Marvel Cinematic Universe. Disney is putting actual MCU actors on the streaming network, so I don’t see them wasting their time and resources on the Great Value properties.

Next, let’s look at the politics at play. The Netflix shows are produced by Marvel Television, while the Marvel Cinematic Universe films are produced by Marvel Studios. Those two divisions HATE each other. Lots of bad blood, which is why Agents of S.H.I.E.L.D. is the only show that takes place “firmly” in the universe of the films, as it was established before all the shit went down. Everything established later has been in this nebulous “Maybe it’s in the MCU/maybe it’s not” gray area. When the streaming service was announced, they specifically pointed out that the Marvel shows on the service would A) be entrenched in the MCU, and B ) produced by Marvel Studios (and not Marvel Television). So, long story short, the Netflix shows didn’t get invited to the party because of their origin with Marvel Television. Also add in the mature nature of the Netflix shows, while it’s been pretty widely reported that Disney Play won’t venture past PG-13 content.

So, Iron Fist and Luke Cage may live to fight another day, but it ain’t gonna be on Disney’s streaming service. One theory I’ve heard is that they might end up on Hulu, should Netflix ever give up the rights, as Disney will be the majority shareholder of Hulu after the Fox deal closes. As with most things, however, we’ll just have to wait and see.

Yesterday it was announced that Rick & Morty head writer Mike McMahan has been hired to develop the animated Star Trek: Lower Decks series for CBS All Access. And I think this is a horrible idea. I know that the Trek TV franchise has been pretty dormant in recent years, but CBS All Access is wasting no time diluting the fuck out of it now. Seriously, there is an announcement of a new Trek series almost weekly, to the point that I’ve lost track. Right now, there’s Star Trek: Discovery, Star Trek: Short Treks, Star Trek: There Are Four Lights (which is my working title for the Picard-centered show), and now there’s Star Trek: Lower Decks – all for CBS All Access. There are about to be a LOT of discussions about what IS and ISN’T “Star Trek“. Animated series from a Rick & Morty writer? Yeah, that ain’t Trek.

I know I’m biased, but as a lifelong Trekker, I’ve always felt there was some pomp and ceremony to the Star Trek franchise. In a lot of ways, you could say that it’s a franchise that tends to take itself too seriously. That’s why I hesitate to embrace something, officially licensed, that pokes fun at that. Sure, over the years there have been fanzines and things like Star Wreck that parodied Trek, but this show, which is supposed to focus on the unnamed crewmen who help run things on an unimpressive Starfleet vessel, sounds like something in the vein of those parodies, and I think it takes away from the franchise rather than adds to it. It feels a lot like Star Trek selling out. Maybe they’re trying to make it accessible to new audiences – ones who may have been put off by the “rigidity” of prior series, but I’d argue that rigidity is part of what makes Star Trek what it is.

My pal Peter pointed out that it’s worth comparing how CBS is treating Trek to how Disney is treating Star Wars. At a glance, Lower Decks feels like something you’d get from the Star Wars franchise. It seems like it’s in the same spirit as the Tag & Bink comic series that Dark Horse put out many moons ago. That was a comedic take on the Star Wars movies, as seen through the eyes of two Jedi in training, who kind of “Forrest Gump” their way through the important events of the original trilogy. A lot of folks liked that series, but keep in mind that it was a comic. It wasn’t seen by the vast majority of Star Wars fans. So, it was treated like the niche thing it was. Lower Decks, however, is being given the same platform as the current, “core” Trek series, Discovery. If they wanted to make some web shorts or something, fine, but a full series (with a 2-season order, at that), just seems to legitimize something that shouldn’t really exist.

Back to the Trek/Wars comparison, I feel like, despite the backlash to The Last Jedi, that Disney is doing it right when it comes to the Star Wars franchise, primarily because they “spread the wealth”. There are the movies, but there’s also the animated series on cable, there’s the upcoming series for Disney Play, and other outlets. Meanwhile, CBS is blowing their entire wad on All Access. They know folks aren’t shelling out a monthly fee for that Tim Meadows cop show, or that spinoff of The Good Wife. No, the ones who are subscribing are doing it, begrudgingly, for Star Trek, BUT there are a LOT of Trek fans (myself included) who can’t even be swayed by that. Instead of being forced to pay for another streaming service, I’m content to just refuse to acknowledge that Discovery even really exists. And even if I acknowledge its existence, I refuse to believe it’s actually contributing anything worthwhile to the mythos. I realize I could be completely wrong about that, but it’s the fault of CBS for hiding it behind a paywall. The insistence on continuing to do this with this ONE particular franchise isn’t going to soften my resolve, but rather just make me resent CBS even more. So, bring on your hateful, sardonic Star Trek cartoon, but I most likely won’t be watching it.

Had I written a post last week, the West Week Ever probably would’ve gone to The Conners, for pulling off an unnecessary, but adequate feat. You see, the show doesn’t really need to exist. Sure, there are the stories of John Goodman saying that they “owed it to the fans”, and sure people were worried about the cast and crew who were out of jobs after the abrupt cancellation of the reboot. To that, I have 2 thoughts: 1) they owe the fans nothing. It could’ve stood as a Done In One “special” season, like the kind of thing you’d get in the UK, and everyone could’ve kept it moving and 2) It’s not like this all happened during season 10 of a long-running series. Yes, it was technically season 11, BUT 20 years had passed in between. The cast already had lives they’d established. Sara Gilbert still has The Talk to go back to, and Michael Fishman could probably get his job back at the Winn Dixie. It’s not like folks had totally uprooted their lives during the ONE season of this reboot, and it’s Hollywood, so the crew would have no trouble getting work on the next project they throw at Joel McHale.

No, The Conners was an experiment that we have to live with even if we weren’t sure we wanted it. I was one of the early champions of the whole “Why not just ‘pull a Hogan Family‘, and keep going with the rest of the cast?” Yeah, I said it, but I didn’t mean it. I really just wanted to see if Hollywood still had the balls to pull off a move like that. That was one of my “Wanting to watch the world burn” moments. Anyway, much to my surprise, they did have the balls to do it. I feel like I’ve also gone on record saying that I didn’t really get why Roseanne was fired. Sure, what she said was fucked up, but it was only the most recent fucked up thing in a string of Roseanne’s fuckedupness. She really hasn’t been stable for the past 15 years or so. Someone had to know she was capable of this, but they still gave her a chance. Back in my day, you’d say something fucked up and racist, you’d do a mea culpa, and then you’d do a photo op with Al Sharpton after donating to the NAACP. So when did the rules change? ABC got her out of there with the quickness, and I’ll bet James Gunn was even somewhere like “Man, I hope they never do that to me!” [Editor’s Note: That is exactly what ABC/Disney would end up doing to him]

The thing that really strikes me about The Conners is the notion of “family”. One of the strengths of the original Roseanne was the family unit, and it’s what a lot of folks were anticipating upon its return. Once the reboot was announced, the cast was making the talk show rounds, about how they were a family and how great it felt to be back together. So, when Roseanne fucked up, where was her family? They turned on her. I know it’s naive (and not always true), but I like to think family sticks together. That’s not what happened here. When the shit hit the fan, they denied her like Peter denied Jesus, and they were all like, “Hey, I’ve got bills”.

I mean, it’s cutthroat Hollywood, but something doesn’t sit right with me. Roseanne tried to make it right, by signing over her rights and financial ties to the show, so that the cast and crew could carry on steering the ship that she built. And yeah, (spoiler alert), they killed off her character with a drug overdose, which is just so…unglamourous. I mean, there was a precedent for it, as it was established last season that she had an opiod addiction, but it was also established that she was worried about dying on the table during her knee surgery. Would it have killed them to go with the latter instead of the former? It reminds me of the overkill the South Park guys did to Chef went Isaac Hayes got all sanctified and quit the show.

Anyway, The Conners picks up a few weeks after Roseanne’s death, and the family is trying to adjust with her not around. They assumed her heart gave out, but midway through the episode, the coroner’s office calls, saying she had actually died of a drub overdose. Well, this is news to Dan, as well as Darlene and Becky. When they find out Roseanne had gotten drugs that had been prescribed to some other woman, Dan goes all “small town vengeance” on her, by putting a sign on his truck naming the woman, and blaming her for killing his wife. Eventually, the woman shows up to the house to apologize for Roseanne’s death, but also to ask Dan to remove the sign as it’s ruining her life. So, I guess the show is going to tackle the opiod crisis that’s plaguing Middle America right now, but it just feels so…unnecessary. If it were a story about recovery and redemption, that’s a story that I’d be interested in seeing how it plays out. But it’s not that story, as Roseanne is already dead, and she ain’t coming back. So what now? I truly don’t know the answer to that. I wonder if anyone associated with the show does, either, or if they’re just cashing their checks and keeping their heads down.

I had the pleasure of joining my buddy, Corey Chapman, on his podcast The Chap Report this week. It was a really fun time, as we discussed Halloween and modern scary movies, as well as the current state of the WWE. Plus a bunch of other stuff. It was fun to record, and just as fun to listen back to, so check it out and put it in your ear holes!

Trailer Park

F is for Family

This show is one of those hidden Netflix gems that nobody talks about, like LoveSick (AKA Scrotal Recall). I really enjoyed season 1, but totally missed season 2. I’ll probably catch up so I can watch this when it debuts on November 30th, ’cause I really liked it.


Broad City

We got this trailer for the 5th, and final, season of Broad City, and I guess it looks OK? As they say in the South, this show “got out from good”. When it debuted, I LOVED it. Crushed hard on both Abbi and Ilana. Then I feel like they jumped the shark somewhere around the Hillary cameo. And I bailed halfway through last season ’cause it just felt like it’d lost its spark. If I could find it somewhere, I’d watch the eps I missed, but I think I’m ready for this show to end.


Nobody’s Fool

I love a good red band trailer. Apparently Tiffany Haddish made the “Kevin Hart” deal with the Devil, in which she is required to appear in one movie a month. Good for her, I guess. I won’t see it in a theater, but I’d watch it if it were convenient to do so.


Bird Box

Folks are saying they’re getting A Quiet Place vibes from this trailer, which is another film I need to watch. I tend not to like stuff like this, but I’m intrigued, and I like Sandra Bullock. Plus, I already have Netflix, so it’s a plus that I won’t have to leave home to see it.

Things You Might Have Missed This Week

  • As anyone with a brain could’ve predicted, Ariana Grande and Pete Davidson are dunzo!
  • Marvel fired Star Wars comic writer Chuck Wendig after he was told that his social media activity was too political and profanity-laden.
  • There was some casting on that Pennyworth series for Epix (Ya know, Batman’s butler before he was Batman’s butler?). Anyway, you don’t know who any of the folks are, nobody has Epix, and the show’s a terrible idea, so I’m just gonna jump to the next item.

  • Speaking of ill-advised DC TV moves, we got our first look at Shane West as Bane on Gotham. Oh man, did they run out of money? It’s like a poor kid’s homemade Darth Vader costume or something.
  • DC Comics revealed The Other History of the DC Universe, written by John Ridley, which will focus key events in the DC Universe through the eyes of its Black heroes. It’s part of DC’s Black Label imprint, but it’s mostly prose, with a $7.99 per issue price tag. Yeah, PASS!
  • Avengers 4 spoilers are starting to trickle out, including a pic of Ms. Gwenyth Paltrow. I’ll just leave it at that.
  • Disney had met with the writers of the Deadpool films about a potential reboot of the Pirates of the Caribbean franchise. It’s unclear if Johnny Depp would be involved this time.
  • Alan Tudyk will voice The Joker on the upcoming Harley Quinn animated series on the DC Universe streaming service.
  • Steve Carell has been cast in Apple’s untitled morning show drama, also starring Reese Witherspoon. Do Apple shows ever come out? I always hear about them in development, and then something stupid happens, like “Whoops! We shot all 13 episodes but forgot to put film in the camera!” Seriously, name ONE Apple series that is complete and ready to go.
  • Speaking of Apple, they’re reportedly going to launch their own streaming service ’cause, y’know, everybody’s doing it. I guess it’ll be the home of all these shows that live in Canada that they keep talking about.
  • There are rumblings that Fuller House will end after its 4th season, though Netflix commented that no decision has been made at this time (translation: Time to look for work, Jodie Sweetin!).
  • Netflix has definitely made up its mind about Orange Is the New Black, as this will be its last season.
  • An NYPD Blue reboot is in the works, which would focus on the son of Andy Sipowicz (played by Dennis Franz in the original series). In this series, Sipowicz Jr will be investigating the murder of his father. Naw! They done killed Sipowicz?! They couldn’t let him retire to fish or some shit?
  • It’s the end of an era, as Caroll Spinney, the Sesame Street puppeteer behind Big Bird and Oscar the Grouch for the past 50 years (!), would be stepping away from the roles. My oldest calls it Elmo Street anyway, so I guess he picked the right time to go…
  • Your HBO sex scenes are about to get lame, as the network has hired Intimacy Coordinators to be on set whenever a sex scene is to occur between actors. Due to the #MeToo movement, they want to ensure that consent is there, and that the actors are comfortable. Meanwhile, Shannon Tweed is somewhere, going “What a crock!”
  • So, MTV is reviving The Real World, but on Facebook Watch? What is that? Is that free? Seems odd they’d farm out one of their most iconic franchises. Anyway, I’m closer to 40 than 20, so this ain’t for me. Plus – and I’ve said it before – the show won’t return to its hard-hitting glory until they start casting ugly people again.
  • Speaking of Facebook, they will soon add the ability for you to add songs to your profile. Hey, 2006 MySpace called and boy do they have some shit to say!
  • CMT is reviving the ABC series Wife Swap, which will premiere in February. I will always think of this Chappelle sketch whenever that show, or its clone Trading Spouses, comes up.
  • The Wonder Woman sequel, Wonder Woman 1984, has been moved to June 5th, 2020, so as not to crowd out the Todd Phillips Joker movie coming out next fall. There are also rumors that the film will serve as a Flashpoint-like reboot to the DC movie universe.

  • British police are on the case to catch a David Schwimmer lookalike who stole some beer from a liquor store.

So this is a tough one. I can’t say this person had a “good” week, but he certainly had an important week. I haven’t been the biggest wrestling fan in recent years, but you couldn’t get near the WWE without knowing about Roman Reigns. The biggest reason is that the company seemed to be giving him a push that the fans didn’t really support. Over time, I was pretty much conditioned to dislike him, just like “everyone else” supposedly did. I knew he was part of The Shield, and pseudo-related to The Rock (since all Samoans seem to be born from 3 women), and he wasn’t bald (which meant he wasn’t a heel). Other than that, though, I had never really seen him wrestle, so I was peer-pressured into disliking him. That all changed on Monday night, though.

On Monday Night RAW, Roman broke character and introduced himself as “Joe” (his real name is Joe Anoa’i), and told the world that his Leukemia had returned. He was apparently diagnosed 11 years ago, and had beaten it. Unfortunately, it’s back, leading him to relinquish his WWE Universal Championship title. It was an emotional moment, especially when you watched the reaction of the WWE starts backstage. Even if the fans didn’t love him, it was clear he was loved by his colleagues, and they were genuinely concerned for him.

Since I’m dumb, I immediately texted my friend “Does this mean we’re not allowed to hate him anymore?” The thing is, though, that I never had a real reason to hate him. And instead of merely tolerating him, I now find myself concerned for his well-being. It’s a crazy string of emotions, and it all happened so fast. He made a point to say that this wasn’t a retirement speech, and he has every intention of coming back. I certainly hope that’s true, and I look forward to seeing how the fans will regard him on that day. Is this the thing that he “needed”? Did he have to show he was human to get over with them? Wrestling is such a strange thing sometimes. Anyway, prayers up for Roman Reigns, who had the West Week Ever.

05th Oct2018

West Week Ever: Pop Culture In Review – 10/5/18

by Will

HarassmentWatch(TM)

Brad Kern Update – the former NCIS: New Orleans showrunner was fired by CBS Studios after a THIRD misconduct investigation. He had already stepped down after the 2nd, but he remained on the payroll as a consulting producer. He reportedly had a history of belittling women, and making insensitive racial remarks.

Vincent Favale – What the Hell is going on over at CBS?! Man, they are draining the fucking swamp! Favale, the senior vice president of talent at the network has been placed on administrative leave after reports of sexual and homophobic remarks – many of which were reported by staff of The Late Show with Stephen Colbert. Favale reportedly once said that he “got four erections” while watching Jennifer Hudson rehearse for a Late Show appearance. Sounds like a real great guy…

*Takes long drag off cigarette* “Geoffrey? Now, that ain’t a name I’ve heard in about a month.” So, this week, Toys “R” Us called off the auction meant to sell off their IP and trademarks, as they reported they felt there was more value in relaunching the brand. Paperwork reveals that they registered the name “Geoffrey’s Toy Box”, but for what nobody is sure yet. Meanwhile, the Dallas Toy Fair is going on, and there have been sightings of Geoffrey walking the aisles, wearing a cape that says “Back from vacation”. All of a sudden, every news outlet lit up with “Toys ‘R’ Us is Coming Back!” Hold on there, cowboy.

Toys “R” Us rushed into bankruptcy, leaving long-time employees without severance, and owing toy manufacturers millions for unpaid product. That giraffe can’t just mosey back in like nothing happened. While the man on the street might be happy about TRU returning, there are a lot of folks who are going to feel some kind of way about that. And if it turned out that they only filed bankruptcy to divest themselves of debt, overhead, and responsibility, that’s going to cause even more problems. Had they been a public company, I’m pretty sure the SEC would be stepping in right about now, but they were private, so I don’t really know what happens next. All I do know is that they need to read the room and understand it’s too soon. The body ain’t even cold yet. I mean, I’m half expecting the next marketing image to be Geoffrey rolling back the stone from his tomb. That’s how this feels right now. They really need to give it a bit more time before rushing into this – if only so I don’t have to hear all the armchair quarterbacks talk about “They better lower their prices! That’s what drove them out of business in the first place!” Not exactly, Poindexter, but you keep on thinking that…


I was hesitant to post this ’cause y’all are never on the same page as me musically, but I’d be remiss if I didn’t share the stuff I think is good. Now, I know some of you see “country” and just think “NEXT!”, but I will die on the hill that modern country isn’t what you think it is. There are tons of artists who get airplay on country stations, yet if I played the song for you without telling you that, you’d never know it. Today, I can’t really do that ’cause I think everyone knows Tim McGraw is a country artist. Still, yesterday evening, he released his latest song, “Neon Church”, that I’ve been streaming for the past 24 hours.

While I love the wordplay, likening a bar to a church, I’m really here for the melody and what’s going on in the background. The first time I heard it, I was like “That’s ‘Purple Rain’!” In an interview this morning, McGraw said that while recording, he and his band were listening to a lot of Prince and Journey, and it shows here. I played it for Lindsay, and she didn’t like it – I somehow managed to marry the only White woman who hates Journey. Anyway, listen near the bridge and the at the end – that guitarist is doing his best “cruise ship ‘Purple Rain'”. It’s something of a vocal stretch for McGraw, as it’s at the top of his range, but I’m still really digging what’s going on here.

Trailer Park


Spider-Man: Into The Spider-Verse

So, we got a new trailer for this one. Again, I am one of the BIGGEST Miles Morales fans, and this movie does nothing for me. I’m not digging the animation style, which I’m finding to be just as jarring as the MTV Spider-Man animated series based on the Raimi movies. Plus, I’m not sure Jake Johnson is how I imagined Peter Parker would sound. And Miles’ dad isn’t a cop. I get they had to take certain liberties or whatever, but I’m not feeling it. Maybe it’s not meant for me, which is sad, ’cause I pretty much glom onto any and all Miles merchandise and comic appearances.

Plus, I just don’t know if this is a theatrical project. I mean, I look at this, and think it would be a cool animated special that airs on ABC during primetime on a Wednesday in June or something, but to actually go pay to see it in a theater? I don’t think so. It feels like a nice special one-off event, like that Toy Story That Time Forgot special or something. Maybe even a special event on Disney XD. But this ain’t an “I’m headed to Fandango to order tickets” kind of thing.


Daredevil Season 3

So glad they quickly got this out there, ’cause the teaser I showed you last week left me scratching my head. Apparently this is adapting the “Born Again” storyline, but I read that thing over 10 years ago, and don’t remember it, so don’t take my word for it. It looks good – SO good, that I might just skip that other Netflix shows I haven’t seen and skip right to it.


Runaways Season 2

I’ve never watched an episode of this show, and that’s because A) I don’t have Hulu and B) it looks hokey as Hell. From the special effects to the way the kids all look like “teen outcasts” straight from central casting, it just doesn’t look good to me. I was a big fan of the comic series when it launched, but I watch these trailers, and I’m still waiting for the other shoe to drop. If you’ve read the comic, you probably know what I’m talking about. It’s like, if you think they’re on the run NOW, you just wait! There’s a twist coming, and I might jump onboard if/when I hear they’ve pulled that trigger. Until then, I’m content being in the dark on this one, Cloak & Dagger, and all the teen-centric Marvel stuff.


Harley Quinn

So, they announced that Kaley Cuoco would be voicing Harley, and I was like, “Huh?” I mean, were Tara Strong or Arleen Sorkin busy? But I guess they wanted a “name” behind this, since it’s one of DC Universe’s more high profile upcoming launches. After seeing this trailer, Cuoco does a decent job. And I really love Poison Ivy doing her best Daria. I like that DC seems able and willing to poke fun at them themselves here. I’m curious to see how this plays out since it’s marketed as an “adult animated series”. Let’s just hope the show is good, and not another Stripperella.

Things You Might Have Missed This Week

  • Fox announced the release of Untitled Deadpool Movie slated for December 21st, which will reportedly be a PG-13 cut of Deadpool 2. Keep in mind that this is also the weekend that Aquaman and Bumblebee hit theaters. I was kinda hoping it would be a new movie made up of deleted scenes and cut subplots, kinda like Wake Up, Ron Burgandy. Anyone ever seen that? It’s HORRIBLE but, as an Anchorman completist, I had to see it.
  • Speaking of Fox, they made a lot of schedule moves, as Untitled Deadpool Movie takes the release date of James Cameron’s Alita: Battle Angel, which, itself, is moving to Dark Phoenix‘s previously announced date of February 14th, 2019. Dark Phoenix, meanwhile, is moving to June 7th. Also, Channing Tatum’s X-Men spinoff, Gambit (ya know, that movie that’s never gonna happen?), has been pushed to March 13th, 2020.

  • So, those pitches are teasing a Pitch Perfect 4, and I’ve got to beg them to stop. The only thing they could even possibly do is have it based on NBC bringing back The Sing Off, and having the Bellas compete on it. Anything else would be absurd. No, the 3rd one was just not worth it, so I say we let it die as a trilogy.
  • Before the first episode has even aired, Titans has been renewed for season 2 on the DC Universe streaming service. Ya know, why not? It’s not like they’re sitting on anything else amazing to throw on that thing.

  • Speaking of bad DC live action ideas, Lobo is going to debut on Syfy’s Krypton next season. This looks like a Spirit Halloween ad! Ugh, fucking Lobo. He’s just the absolute WORST. Even though he debuted in the 80s, he’s the 90s at its 90iest, and I hate everything about him. I’ve always said that you can tell a lot about a person if they’re a Lobo fan. They’re usually Special Ed. Probably ate paste in school. They either grow up to own a landscaping business or become a Best Buy stereo installer. Fucking Lobo…
  • Realizing he’s getting too old for this shit, Damon Wayans has announced that he’s leaving Lethal Weapon at the end of season 3’s initial 13-episode commitment. Man, how mad do you think Fox is at the Lethal Weapon office right now? They already had to replace Clayne Crawford with Sean William Scott just to keep the show going, and now THIS?! Somebody’s GOT to be saying “We don’t need this shit! We could’ve renewed Lucifer!” As I said on Twitter, they should replace Wayans with Bill Bellamy, then kill off Scott, and replace him with Peter Facinelli. Then, I’ll get my backdoor Fastlane revival I’ve been wanting since 2003!
  • Kanye did some dumb shit on SNL, and water is wet.
  • Looks like Robert Kirkman is going to have to be content living off his The Walking Dead empire, as Cinemax has cancelled his series Outcast after 2 seasons.
  • Everyone wants in on the fantasy genre, as Netflix is adapting the C.S. Lewis Chronicles of Narnia for series and movies, while Amazon is developing a series based on Robert Jordan’s The Wheel of Time novels.
  • Remember Mischa Barton? Ya know, the It Girl from The O.C. who went nowhere? Well, she’s going to be joining the cast of The Hills: New Beginnings on MTV.
  • Chelsea Peretti announced that she won’t be returning to Brooklyn Nine-Nine as a series regular when the show debuts on NBC this season.
  • Amy Schumer was detained yesterday in DC during the #KavaNope protests, but she blocked me on Twitter ages ago, so she’s dead to me. YOU’RE DEAD TO ME, AMY!

  • We got this poster for the upcoming Hellboy reboot, starring David “You Wouldn’t Even Know My Name Were It Not For Stranger Things” Harbour.
  • Elon Musk took one step closer to becoming The World’s First Supervillain, as he was forced to resign as Tesla chariman, and was fined $20 million by the SEC, due to a tweet where he implied he had secured funding to take Tesla private.
  • Last night marked the finale episode of the hour-long version of Conan on TBS, as he bid farewell to his house band, Jimmy Vivino and the Basic Cable Band (formerly the Max Weinberg 7). The future show will switch to a half hour format, with no musical guests, but with more special events, like shows from foreign countries.
  • Brian Robbins was announced as the new head of Nickelodeon, which is significant since he and his former Head of the Class costar, Dan Schneider, got their behind the scenes careers started by creating All That for the network back in 1994. It’ll be interesting to see if he throws any work to Schneider, whose Schneider’s Bakery production house was sent packing by Nickelodeon earlier this year after allegations surrounding Schneider arose.
  • Talk about an “unfortunate Situation”! Jersey Shore star, Mike “The Situation” Sorrentino, was sentenced to 8 months in prison for tax evasion.
  • Jon Favreau will write and produce Star Wars series The Mandalorian, which appears to follow another Fett, after the events of Empire, but before the rise of the First Order. The series will stream on Disney Play.

I know you’ve gotten this far, and you’re like “Wait, didn’t he have Venom in the header pic? He hasn’t even mention…wait. He WOULDN’T!”

OK, bear with me here. I know the critics gave this film a shellacking, and I can understand why. In the age of the Marvel Cinematic Universe and, to some extent, the DCEU, Venom isn’t what we’ve come to expect from a comic book movie in 2018. And I’m not so sure that’s a bad thing. I swore that I wouldn’t spend money to see Venom, and I kept that promise, as Special Forces wanted to see it, and it was his turn to pay. That said, I didn’t hate it. In fact, I really enjoyed it. Now, I am known for liking shit, so don’t equate “Will liked it” with “It’s a good movie”. I don’t know if I’m “Film Twitter” enough to say it’s good or bad, but I definitely enjoyed it.

OK, so the movie starts out with investigative reporter Eddie Brock on top of the world. He’s got his own cable news show, where he roots out corruption, he’s engaged to corporate attorney Michelle Williams, and he’s about to get a chance to interview Elon Musk analog, Carlton Drake. Actually, that’s not how the movie starts. It actually starts with a space shuttle crashing upon reentry – a shuttle that happens to carry organic samples. All of the astronauts die except one, named “Jameson”, where I guess they’re alluding to J. Jonah Jameson’s astronaut son, John Jameson, who later becomes the Man-Wolf in the comics. Anyway, while transporting Jameson to the nearest hospital, it appears he’s got a symbiote in him that jumps from him to his EMT, wrecking the ambulance. Oh, and that shuttle? It was owned by Carlton Drake.

Brock’s boss wants him to interview Drake, but he doesn’t want to do it because he doesn’t trust Drake. His doubts are reinforced when he hacks into his fiancee’s computer (her firm happens to be representing Drake’s company, The LIFE Foundation), and discovers a wrongful death suit filed against the computer. When he gets his shot at interviewing Drake, instead of sticking to the script, he decides to ask about the wrongful death suit. Well, this doesn’t go well, as Drake kicks Brock out of his building, ends his career, and gets Williams fired from her firm, where she, then, gives Brock his ring back. In one fell swoop, Brock’s life is ruined.

Fast forward six months, and Brock is a drunk, “slumming it” in what has to be a $4500/month apartment (seriously, the thing is huge, and they’re in San Francisco!). He’s got no job prospects and no future, until a horribly miscast Jenny Slate shows up as Dora Skirth, a scientist at the LIFE Foundation who has doubts about the organization’s goals. See, Drake thinks humans have ruined Earth, and the only possible solution is to equip them with the means to survive – whether here or on another planet. He sees the symbiote samples as a means of doing that, and he has ordered trials to begin on humans. LIFE picks up vagrants and has them sign away their rights as they test the symbiotes to see if they’ll bond with humans. Well, this is too much for Dr. Skirth, who seeks out Brock to help her expose the company.

Dr. Skirth sneaks Brock in, who goes exploring while she tries to distract a security guard. While exploring, Brock finds his neighborhood homeless friend in one of the cells. When he breaks her out, she attacks him ’cause she’s got a symbiote in her, which she passes to Brock, unbeknownst to him. As he’s fleeing from security, he notices he can do things he shouldn’t be able to do, like shatter trees and quickly scale great heights. This is when he starts to realize something’s not right, as he starts to hear a voice in his head that wasn’t there before.

So, now he’s riding for two, as Venom’s in his head, but pops out when necessary – like when Drake’s hired security show up to take back the symbiote, and there’s a well-choreographed fight scene in the apartment, leading to a great car chase scene. The action is actually pretty impressive in the film. There’s one scene of Venom versus the SWAT team that plays out like a boss battle in a video game. They’re throwing flash grenades and shooting at shadows, while Venom bounces around the rafters.

I’ll stop spoiling stuff here, as you might actually want to see the movie one day. I’ll say there were a couple of things that bothered me. For one thing, Michelle Williams. I mean, the entire time, I’m watching the film, thinking, “You’re better than this, Michelle! You’ve been nominated for an Oscar FOUR TIMES, yet here you are, doing your worst Great Value Pepper Potts!” Also, there are continuity issues. There’s a scene where Drake is speaking to a field trip at his HQ, and a little girl tries to ask him a question. The rest of the class tries to stop her for interrupting, but Drake says something inspiring like, “No, speak. That’s what people do. They try to dissuade you from asking questions, but that’s how we learn.” He, then, gives her the pin off his lapel, but HE DOESN’T ACTUALLY LET HER ASK A QUESTION! he basically grandstanded, only to shoot her down. I mean, she was happy with the lapel pin, but nobody seems to notice she didn’t ask her question. Lost in editing maybe? Also, I didn’t really like Riz Ahmed as Drake. I thought it was another casting misfire. I would’ve gone for someone with more gravitas, like maybe Dev Patel, if they were going for a “type”. I also didn’t appreciate that it was clearly an R-rated film, edited down to PG-13, and Hardy has said that 40 minutes got cut, including his favorite scene.

Things I did like: Tom Hardy was great as Guy Who Ends Up As Venom’s Host. I can’t honestly say he was a great Eddie Brock, as I don’t have a ton of familiarity with that character. When he was ruling comics in the 90s, I still pretty much a strictly DC guy, so I haven’t read most of those iconic Venom stories. I know Brock was Peter Parker’s rival, so you’re not really supposed to be rooting for him, but you kinda have to here. That’s why I can understand why they wanted Spider-Man as far away from this film as possible. Still, I liked Hardy for what he was, and I loved his interplay with Venom in his head. I also LOVED Venom, as he was funnier than I expected him to be. The CGI wasn’t as troublesome as I was expecting, and I was even fine with no spider symbol on his chest.

As much as I enjoy the MCU movies, I’m getting a little tired of them. As a fanboy, they’re work. It’s not enough to just sit back and enjoy the movie, but Marvel really drives home the interconnectedness of it all. So, the first time you watch, you’re on guard for any Easter egg that might fly by. Like “Hey, he just mentioned Damage Control!”, etc. I get it, Marvel – you’re good at tying your shit together. But I don’t ALWAYS need that. Venom was a nice change of pace. It was still “In Association With Marvel”. I still got my Stan Lee cameo. It did everything it needed to do. And the mid credits scene has me hoping we get a sequel, ’cause there’s a lot of potential with what they teased.

Yes, this was a pretty slow week unless your name was Brett Kavanaugh, so there wasn’t a ton of competition here. So, I’m gonna shock y’all and say that Venom had the West Week Ever.

01st Jun2018

West Week Ever: Pop Culture In Review – 6/1/18

by Will

There are some weeks where I actually dread writing this post, and this is one of them. I mean, a LOT happened, but nothing I’m really excited about. Still, I guess it all needs to be discussed. Let’s get to it, shall we?

So, I guess we’ve gotta talk about Roseanne. I pretty much went on record that I wasn’t just dying to watch the revival after it was announced it would have more of a political slant, with the Conners as Trump supporters. Now, before any of the 2 Trump supporters who might be reading this get all butthurt, my problem with this is that I didn’t feel like it was inline with what Roseanne Conner would be, regardless of Roseanne Barr’s personal beliefs. The problem with “separating the art from the artist” is that it becomes increasingly harder to do when the artist controls the product and imbues the product with their own personal quirks. While some of you may feel he’s “making America great again”, Trump has a history of being a bullshitter, con artist, womanizer, etc. If there’s one good thing I could say about the character of Roseanne Conner, it’s that she had a really good bullshit detector. I feel like the characters of Dan and Roseanne Conner, in this case, were appropriated to expound on a view that someone, somewhere was trying to get across. On the one hand, you could say, “Well, they’re lower middle class, and he promised to bring jobs.” On the other, though, I don’t think Roseanne Conner would’ve trusted a guy whose sole claim to fame during Roseanne’s original career rise was simply that he was “The Rich Guy In New York”. She would’ve seen right through his bullshit.

So, the revival seemed like they wanted to play both sides. I mean, they establish the Trump thing in the premiere, and then don’t touch on it again. All of the other episodes seem to sort of dip their toe into class anxiety, like “What does it mean when Muslims move next door?” In a heavyhanded Archie Bunker kind of way, Roseanne has her beliefs challenged, and is supposedly better off by the end of the episode. Except for the Trump thing. It was thrown out to establish a foundation, and then abandoned. In many ways, it did more harm than good, even if there are Conservatives who applauded the show for “having the guts to go there.” Anyway, the whole having her beliefs challenged aspect is all well and good – if it were based on any truth.

I didn’t want to support the show because I felt Roseanne had become a vile human being in the time since the original run ended. There’s Conservative, and then there’s Nut Job, and she’s the latter. Were I a Conservative, I’d hate to be lumped in with the likes of her. “Well, what has she done, Will?” First, there’s the Heeb photo shoot, where she dressed as Hitler while putting Jew cookies into an oven. Then, there’s the Twitter feed, which is almost as incendiary as that of…someone else you’re familiar with. No, after all of that, I had no real interest in giving her ratings. I did, however, wonder if she was still trying to exhibit an air of inclusiveness that I felt was in the original show. So, I found myself reading episode recaps, and it seems like she was trying to recapture a lot of that old “magic”. I actually did watch the Muslim episode because it was on in the background at my mom’s one night. After seeing it, I might’ve forgiven the show. I might’ve even binged on the episodes I missed over the summer. Then, any goodwill the show engendered was immediately thrown out the window the minute the Real Roseanne took to her Twitter account.

So, some backstory: Roseanne was talking politics on her feed, as she’s wont to do, and Valerie Jarrett was mentioned. Jarrett, a top aide to President Obama, is also a Black woman. So, Roseanne basically called one of Obama’s top people an ape and tied her to the Muslim Brotherhood. And, rightfully so, people were upset. Little did we realize what would transpire in just a few hours, as ABC announced that it was cancelling the show. Over the next day or so, there was a debate back and forth over whether she should’ve been fired, and how it sucked for all of the cast and crew who were now out of jobs. A couple of Roseanne’s TV kids, including Sara Gilbert and Michael Fishman, “threw her under the bus” (in her words) by tweeting in opposition of her statement. Roseanne later tried to say that the Twitter tirade was the result of the fact that she had taken Ambien, at which point the makers of Ambien popped up and denied her quicker than Peter denied Jesus all three times in the Bible.

Meanwhile, folks really started grasping at straws, claiming this was a “double standard” or a “violation of freedom of speech”. One thing I read a lot were people saying “They fire Roseanne, but let them say whatever they want on The View, and nothing happens.” That’s not true at all. You just don’t hear about that stuff as much because nobody gives a shit about The View. Panelist Joy Behar insinuated that Vice President Mike Pence might have mental problems because he claims that God speaks directly to him, and she was *forced* to apologize for that on air. Don’t say that “nothing happens”! As for “freedom of speech”, sit on back, because a lot of y’all in the cheap seats need to hear this message: Freedom of speech only protects you from the government. It means all of jack shit in private industry. ABC cancelled the show because they knew the repercussions could negatively affect their bottom line. They didn’t censor Roseanne. They just made a business decision.

I’ve got to say that I’m a bit surprised the show got cancelled. I mean, it was the biggest show of the season, and ABC had clearly stumbled onto a cash cow. Yes, I get the gesture they were trying to make, but keep in mind that these were the same folks who greenlit the show in the first place. ABC President Channing Dungey made the call to end the show, but she also made the call to pick it up. There was no regime change in the middle of those decisions. Frankly, I don’t even feel like this is the worst thing Roseanne did THIS YEAR, but I guess it was the straw that broke the camel’s back? It’s just odd to me that a network that was so squeamish about airing a Black-ish episode about the NFL kneeling protests is now trying to earn back some brownie points for slapping down Roseanne.

I also think it was crazy for all of the Viacom networks to pull the reruns of the old show. This is the same thing that happened to Bill Cosby when that shit went down. Everyone yanked the reruns of The Cosby Show. It’s an empty gesture because we all know they’ll eventually come back. Stations pay for a certain amount of airings when they buy a syndication package, and you damn well better believe they’re going to get their money’s worth. It’s like the Hulk Hogan thing to me. WWE scrubbed him from EVERYTHING after his slurs went public, but there’s a constant campaign to reinstate him. We all know it’s not a matter of IF, but rather WHEN. And it’s the same here. Roseanne doesn’t need this money. She doesn’t need the show. It was something for her to do. At this point, this whole thing probably just emboldened her to be a voice for the extreme right, akin to SNL‘s Victoria Jackson, without the failed acting career. Anyway, she fucked over her cast and crew, but at the end of the day, Roseanne will be fine.

Then, The Left just had to go and fall in the swimming pool. I know I’ve touched on this before, but I despise what I call “Late Night Liberal Smuggery”. I hate all of the talk show monologues that get on a soapbox about politics, yet nothing changes. It’s why I was never a fan of Jon Stewart. Even when we’re winning, we’re still somehow losing and want to be snarky about it. That snark gets old. The biting edge eventually dulls. I like Trevor Noah. I have his book and have seen his standup specials, but I’m not the guy to watch The Daily Show every night, yelling “Preach!” to the screen. So, I was especially not much of a fan of Samantha Bee when she came along. It’s like she’s Jon Stewart, but feels she has to work harder because she’s a woman. That’s probably true in comedy, entertainment, and politics, so I’m not trying to take away her work ethic and whatnot. No, what I will take issue with, however, is her inability to read the room.

On Wednesday, Bee called Ivanka Trump a “feckless cunt”. I take it that’s a vagina without fecks? I dunno. Why did she do this? Well, there’s primarily two reasons. First off, Ivanka’s apparently profiting from her position by being granted special patents from China for her product line. It’s a total conflict of interest. Meanwhile, she posts pics of herself with her kids at the same time her father has emboldened ICE to split up families and deport parents. So, her conflict of interest, combined with her perceived insensitivity, seems to have triggered this. But The Right were NOT having it! “Double standard!” “TBS should fire her like ABC fired Roseanne!” And ya know, I wouldn’t have marched if TBS had cancelled her. Again, it would’ve been a business decision. I think Bee made a gross miscalculation thinking she could get away with that smoothly.

This isn’t a question of “Well, was she right?” I think timing is everything, especially in comedy. Had it been pre-taped a few weeks ago, I’d probably let it pass. If she filmed it after the Roseanne shit went down, however, then that was just not smart. I’m just saying she never should’ve thought she’d fire that joke off successfully. And that’s the thing: it’s not a joke. It came from a place of passion and emotion, so you can’t write it off as humor, even if it was said on a “comedy show”. What Ivanka is doing IS wrong, but I’ve always said HOW you say things is just as important as WHAT you say. This wasn’t the way to do that.

What I’m not here for, however, is the pearl-clutching from The Right. We had an entire election season of Hillary being gleefully called the same thing. There were t-shirts emblazoned with it. These are the same “Fuck your feelings, snowflakes!” folks who now get offended when someone acknowledges that Sarah Huckabee Sanders looks like Shrek. Ya can’t have it both ways. Ted Nugent called Hillary a cunt and he got invited to the Trump White House. It’s like the old anti-drug PSA: The Right can’t get mad at The Left, ’cause “I learned it by watching YOU.”

And no, the statements of Roseanne and Bee are NOT the same. Roseanne’s was racial in tone, and compared a Black woman to an ape – something that White people have done for centuries to degrade Black people. Bee called Ivanka feckless (meaning “irresponsible”) and a cunt, which is self explanatory. Think of “Cunt” like “Super Bitch³”. While seen by some as degrading to women, it’s not degrading to a racial group with a history of being oppressed. It’s like the statements by both women went to the same school, but they certainly weren’t in the same grade. Meanwhile, the White House is calling for TBS to fire Bee. This, folks, is where your cries of “Freedom of speech!” should come in. This is a violation of the First Amendment, spearheaded by an administration determined to defeat all of its perceived enemies. Thousand of people are dead in Puerto Rico, yet the President takes time out of his busy schedule of ignoring that by tweeting about how he was still waiting for his own apology from ABC for the “horrible statements” they’ve said about him. What a fucking petulant child. And I realize I can only say that because I’m a nobody with a vanity blog and not someone with a national cable TV show.

Things You Might Have Missed This Week

  • Star Jason Momoa and director Corin Hardy have left the remake of The Crow. I really don’t know why they keep trying to make this happen. That movie is the Heath Ledger of movies, as we’d have completely forgotten it had Brandon Lee not died filming the original.
  • Amazon has officially picked up The Expanse for its fourth season after it was cancelled by Syfy a few weeks ago.
  • Red Sonja herself, Brigitte Nielsen, announced that she is pregnant with her 5th child at the age of 54. Her husband is 39, and I’m just glad she never popped out any kids during that whole Flavor Flav phase…
  • For you car folks, Matt LeBlanc will be leaving Top Gear after its upcoming 4th season.
  • Maybe the third time is the charm for Locke & Key, as a 3rd pilot for the comic adaptation has been ordered by Netflix.
  • L.A.’s Finest, the Bad Boys TV show spinoff starring Gabrielle Union and Jessica Alba, may not be dead after all. After NBC passed on the pilot, apparently Charter Communications entered into discussions to acquire the series to air on their Spectrum service.
  • Sesame Workshop filed a suit against The Happytime Murders because they felt that the trailer was damaging their brand’s image. The film is actually directed by Muppets creator Jim Henson’s son, Brian Henson. The judge threw out the case, siding with the film.
  • Jamie Foxx will star in the film reboot of 90s Image comics hero Spawn. I can’t tell if this is a major coup for the Spawn brand OR if Jamie really needs money to keep hiding his secret relationship with Katie Holmes. I mean, he hosts a Name That Tune rip-off on Fox, so something tells me he may not be the best with money. Anyway, the film will be directed by Spawn creator Todd McFarlane, which is laughable to me seeing as how he hasn’t even inspired *action* in his own toy line for the past 20 years. I really don’t see how he’s gonna pull this off.
  • Andrew Lincoln is reportedly leaving The Walking Dead after next season, with Norman Reedus taking over as the lead. This is quite the departure from the comic, where the character of Rick Grimes is pretty pivotal with all of the goings on. The show, however, solidified its willingness to diverge from the source material with the way that it handled Rick’s son, Carl.
  • Apparently there’s some kind of rap beef going on between Drake and Pusha-T. It seems like Drake was just soft-shoeing it, and then Pusha clapped back by revealing that Drake has a secret child. Man, Pusha went for the jugular! That’s like if you got in a fight with your girlfriend in public over something stupid, and she retorts with “Well, yo’ dick ain’t shit!” Anyway, it appears that funeral services for Drake will be announced shortly.
  • Last week I told you that Fox had entered into a deal to air WWE SmackDown starting in 2019. Well, now there are reports that they’ve also entered into a deal to carry the WWE NXT brand on Fox and FS1 channels.
  • In light of ABC now having another half hour to fill on Tuesdays next fall, there are reports that they are fastracking a spinoff of The Middle, starring Eden Sher’s character, Sue Heck. I am SO here for this, even though I felt The Middle had the perfect finale. Here’s hoping this is more Frasier than Joey.

I guess I’ve gotta give the West Week Ever to Solo: A Star Wars Story? Is that how this works? Wait, why am I asking y’all? This is MY site. I mean, the movie has made $200 million worldwide in its first week, and I believe it was director Ron Howard’s biggest opening. That said, it’s still seen as “underperforming”. While I wasn’t rooting for Solo to bomb, I do hope it causes them to rethink this whole Annual Star Wars Movie strategy. Star Wars just isn’t special anymore.

As I said on social media, Star Wars went from being your rich uncle who bequeaths his fortune to you to being your grandparents who visit every year, and somehow think the $5 bill they slip you can still buy anything in this day and age. I am far from a discipline of the franchise, but I always felt like a lot of what made Star Wars special was The Wait. I’m talking about the anxiety that built between the ending of The Empire Strikes Back and the release of Return of the Jedi. The anticipation of the Prequel Trilogy (contrary to how folks feel now, y’all were looking forward to those things at the time!). Force Friday toy releases, timed to coincide with the first film after one of those extended waits. From outside the fandom, Star Wars always seemed to have a “Good Things Come To Those Who Wait” thing about it, and I think there’s just an embarrassment of riches right now that kinda tarnishes the brand for me. I haven’t seen Solo yet, so this isn’t a knock on quality, but rather business strategy.

I had a friend compare this to Marvel, saying if Superhero Fatigue hasn’t set in, why is it OK to assume Star Wars Fatigue is a thing? He posited that the Marvel machine could be applied the same way to Star Wars, but I just don’t think that’s true. I realize Star Wars is doing the whole One Saga Film, One Spinoff model, but I often wonder what will happen when the Skywalker Saga truly ends. I mean, folks claim they want new things, but their actions show otherwise. A lot of fans hated The Force Awakens because it was too much of a rehash of A New Hope. Then, The Last Jedi offered something new, and it proceeded to destroy friendships and families because it “wasn’t Star Wars“. I wish Disney would take a parental stance on this franchise, and just say “If you can’t appreciate what we give you, then we’ll just take it away from you for a while.” That, then, would trigger a Wait. And hopefully the fans will either discover a newfound appreciation for what they have or they’ll find something else to tickle their fancy. Either way, a lot of Star Wars fans right now don’t deserve Star Wars, but there’s too much money to be made, so look for Star Wars: Lobot’s Reckoning coming soon to a theater near you. Anyway, this is me, begrudgingly saying that Solo: A Star Wars Story had the West Week Ever.

18th May2018

West Week Ever: Pop Culture In Review – 5/18/18 (Upfronts Edition)

by Will

HarassmentWatch (TM)

Nev Schulman – The creator/producer/host of Catfish: The TV Show has been accused of sexual misconduct, resulting in MTV halting production on the show. A former Catfish…contestant? guest? I dunno. A woman who had appeared on the show in 2015 said that Schulman didn’t believe she was actually a lesbian, and propositioned her for sex. This was all in a video that she posted to YouTube last week. Schulman denies the accusations, but production has been halted until the investigation is completed.

Brad Kern – The showrunner for NCIS: New Orleans has stepped down amid reports that surfaced from December 2016 when he was the subject of two different human resources investigations. He was reported to have undergone sensitivity training, but I guess it didn’t take. He’ll still get paid, though, as he’ll remain on the payroll as a consultant. Interestingly enough, this happened on the heels of recently departed NCIS star Pauley Perrette tweeting that she had experienced physical abuse on set, which motivated her to leave the show.

Before we get to all the Upfronts stuff, let’s take a look at a few of the cancellations/renewals that have occurred since last week’s post.

Cancellations

CBS: 9JKL; Me, Myself & I; Scorpion; Kevin Can Wait; Superior Donuts

ABC: Inhumans; The Mayor; Ten Days In The Valley; Kevin (Probably) Saves The World; The Crossing; Deception; Alex, Inc.

NBC: Rise; Great News

Renewals

CBS: Elementary; Man With A Plan; Instinct; Life In Pieces; Criminal Minds

ABC: Fresh Off The Boat; Black-ish; Station 19; For The People; American Housewife; How To Get Away With Murder; Splitting Up Together; Agents of S.H.I.E.L.D. (for a 13-episode season to debut in Summer ’19)

NBC: The Blacklist; Brooklyn Nine-Nine (yup, they swooped in and saved it from its cancellation at Fox)

Fox: Bob’s Burgers; Family Guy; Gotham (final season)

Things You Might Have Missed This Week

  • Another Batman prequel series, called Pennyworth, will follow Bruce Wayne’s butler before he comes to work for the Waynes. This idea is stupid, but it’s also being developed for Epix, which means about 55 households will be able to watch it.
  • Jennifer Love Hewitt is replacing Connie Britton on Fox’s 9-1-1, who originally only signed a one-year contract.
  • The CW announced that next season will be the last for iZombie, Crazy Ex-Girlfriend, and Jane the Virgin.
  • There are talks that Designated Survivor is being shopped to Netflix. It was cancelled last week by ABC after execs were concerned that there was no clear direction planned for the story.
  • Speaking of The CW, Arrow star Stephen Amell revealed that the next crossover between the shows will introduce Gotham City and Batwoman to the Arrowverse. Yay?
  • TNT’s The Last Ship will end after its upcoming 5th season.
  • CBS is reportedly eyeing (get it? ‘Cause their logo is an eye?) the Mad About You revival as a midseason show.
  • Lost In Space has been renewed for a second season on Netflix
  • Fox said there are no plans for a 12th season of The X-Files after Gillian Anderson left the series. Anderson clapped back on Twitter and said that the real reason was because viewership had dropped 77%.
  • Lethal Weapon was narrowly renewed as it was announced that Sean William Scott will be replacing the outgoing Clayne Crawford. Stiffler as a cop? I feel this idea is about 10 years too late, but I might check it out.
  • DC announced a Doom Patrol series for that DC Universe streaming service that I have no faith in…
  • While we’re about to discuss a lot of shows that were picked up for the fall season, some other high profile pilots didn’t get series orders, including Gabrielle Union’s Bad Boys spin-off at NBC, the Cagney & Lacey reboot at CBS, and the Supernatural spin-off The Wayward Sisters on The CW.

Well, in what has become a tradition on this site, this is the 5th year that I’ve taken a bullet for you. That’s right: I watched ALL of the trailers for the Fall’s new shows, to give you a better idea of what’s probably worth your time, and what will most likely end up in a ditch, like Firefly or Andy Richter Controls The Universe. If you remember, last Friday was basically “Bloody Friday”, where 19 shows were cancelled within 24 hours in order to make room for the incoming shows. This week, the 4 major broadcast networks held their upfront presentations, where they presented their fall schedules, as well as introduced their incoming shows. This is QUITE the undertaking on my end, so I don’t expect ya to read all of it, but it’s here if you’re interested. So, let’s get this show on the road!

Courtesy TVLine.com

ABC

A Million Little Things (Wednesday, 10 PM)

After the success of NBC’s This Is Us, everybody wants their own non-linear tearjerker. This is ABC’s attempt at that. For starters, it’s got a great cast. I mean, it’s LOADED with folks who bring a fan base with them: James Roday (Psych), Ron Livingston (Office Space), Romany Malco (Black people). I’ve also loved Stephanie Szostak since USA’s Satisfaction, though you may recognize her from Iron Man 3 or R.I.P.D. I hope this one works out ’cause I like a lot of these people. Will I be watching? Probably not. I’ve got enough anxiety and depression without deliberately putting my emotions through a meat grinder on a weekly basis. It’s up against Criminal Minds on CBS and Chicago P.D. on NBC, so it’s the definition of “counter programming”. It’s a wide open timeslot that this show should have no problem finding a foothold.

The Fix (Midseason)

You’ve got to feel kinda bad for attorney Marcia Clark. In her own Hillary Clinton way, she’s clearly still dealing with the fact that she never got OJ Simpson. Sure, justice eventually won in the end, but not on her watch, and she’s been stewing about that for the past 25 or so years. Well, this show, executive produced by Clark, is basically “What if OJ not only did it, but then did it AGAIN?!” Here’s where this show is gonna backfire, though: this is NOT the right time for a show like this, what with the way the world is right now. From the trailer, there’s nothing sympathetic about the female lead. Some might say she’s “driven”, while others might just say she’s a “bitch”. So, she’s lost the audience. Then, you’ve got Not OJ who, while not exactly charismatic, seems way more interesting as the villain than the chick does as the “hero”. Then, throw in how the OJ thing played out in real life: the show should want you to root for her, but the Black audience (if there is one) might end up rooting for him to continue evading her. I don’t have high hopes for this one. I see it getting that Tuesday night “death slot” of 10 PM, and then being burned off on Saturdays after a few low-rated outings.

Grand Hotel (Midseason)

This just looks like a Univision adaptation of Dynasty, BUT it does go after that audience that ABC held in the palm of its hand during the early Desperate Housewives years. It’s got diversity going for it, and it’s rich Latinos instead of gangbangers and whatnot, so it’s aspirational, even if they do owe a ton of money to the mob. I think there’s something to be said for the fact that it’s being held til midseason, in that it wasn’t strong enough to launch the season on. It could also be that it didn’t, tonally, fit what they were coming out of the gate with. This could go either way, to be honest.

The Kids Are Alright (Tuesday, 8:30 PM)

Ugh. It’s one part Just The Ten of Us and one part The Goldbergs, with a dash of The Wonder Years. I’m SO tired of the Retro White Family Memories, Narrated By Some Dude Pretending To Be the Creator shows. It’s That 80s Show Syndrome. Fox said “Well, That 70s Show is doing well. How about we make That 80s Show?” Well, here ABC said “The Goldbergs has got the 80s covered, but what about the early, yet non-specific, 70s?” It’s a working class show, so it’s paired well with Roseanne as its lead-in. That said, it’s a HORRIBLE lead-in for Black-ish. If this show is smart, they’ll try to sprinkle in a witty Black kid as one of the sons’ best friends, but this family doesn’t seem like they’d fraternize with Negroes. I think Retro Fatigue is a thing, and this show could fall victim to it. It’s got a Real O’Neals vibe to it, without the gay son angle – HOWEVER, the jury’s still out on the little one, even though I doubt the show has the balls to go there in its first season, given its time period and everything. With the Roseanne lead-in, it’s really the show’s game to lose. It’s prime real estate, but does it DESERVE it, other than the fact that they’re both blue collar families? I guess time will tell.

The Rookie (Tuesday, 10 PM)

This is stupid. Look, I’ve never understood folks’ love affair with Nathan Fillion, but I also didn’t really love Firefly, so there’s that. I feel like there’s a lot of William Shatner Syndrome there. It’s like “I loved this one thing this actor did, so I’m just gonna pretend to love every other thing he does.” I’d watch this as a movie, starring Kevin James, on Netflix. This, however, is not a series to me. First off, Fillion is 47 years old, and it looks like they’re going to great pains to make him only look 40. Next, I HATE when the woman (ex wife?) tells him he was brave during the robbery. NO! From what we see, he was stupid, and people could’ve gotten killed. And let’s say this show does last 5 seasons – what’s the draw when he’s no longer a rookie? He’s just an old ass cop at that point. It’s like when Doogie Houser grew up and his whole Kid Doctor shtick wasn’t that impressive anymore after his balls dropped. The show has the Tuesday Night Death Slot – 10 PM, where ABC shows go to die. But y’all really love your Nathan Fillion, so maybe this will end that curse.

Single Parents (Tuesday, 9:30 PM)

This looks horrible, and I say that as a fan of Taran Killam and a closet fan of Brad Garrett. There’s this growing trend of shows that were clearly developed from what was originally a movie concept. You could eke 90 minutes out of this idea. A perfect 3 acts where Killam ends up with Leighton Meester, and learns how to be an adult again. Instead, to make it a show, they’re going the Community route: “Look how much these folks from disparate backgrounds have in common.” And, frankly, the ensemble isn’t dynamic enough to pull that off. I wish they’d gone with a murderer’s row of supporting characters from recently cancelled sitcoms, as these shows are prone to do. For example, I’d really love some Sara Rue on here, but I love Sara Rue in anything. Plus, this is a waste of a Modern Family lead-in, which is pretty good real estate. The one that’s really gonna suffer, though, is A Million Little Things, as this show is going to kill any potential carryover audience from Modern. I’m calling it: DOA.

Whiskey Cavalier (Midseason)

I was a little more into this show after watching the trailer because all the promo stills made me think “This shit is just Castle all over again.” Seriously, I was wondering why they didn’t just call it Rook. Anyway, this show is SO ABC that it just might work. I, however, ain’t got time for that Will They/Won’t They? dynamic, ’cause they always WILL and it’s simply a matter of WHEN (if they’re smart they’ll wait 3 seasons). Anyway, it’s being held til midseason so Cohan can hurry up and get killed on The Walking Dead. The idea of the show seems kinda fun, but I’m still hung up on the casting a bit. I don’t find Cohan that dynamic, but that’s probably because I’ve never seen anything she’s been in. At the same time, I just find Scott Foley boring. I mean, he seems to work here, but I’ve always felt the most interesting thing he ever did was marry Jennifer Garner. While there appears to be chemistry, the casting on this show just feels like ABC pulled the trigger on a bunch of talent holding deals that were about to expire. Anyway, the midseason bow gives it a better shot at renewal, and I think this one will succeed.

Scheduling Thoughts

Sunday is a bit perplexing to me. I’ve always hated that they moved Shark Tank to that night, and I feel Child Support (scheduled for Fridays at 9) would be a better companion to the upcoming Dancing With The Stars: Juniors. The Alec Baldwin Show is a vanity project that really doesn’t matter in the grand scheme of things. It’s probably relatively cheap to produce, and its only real competition is Madame Secretary on CBS. It’ll last either until Baldwin gets bored with it, or he hurls a slur at a staffer and the network is forced to distance themselves from him (which would, then, put Match Game in jeopardy). Meanwhile, Fresh Off The Boat and Speechless are left to fend for themselves on Friday. It would be one thing is ABC was committed to bringing comedy back to Fridays. Maybe even rebuild TGIF. This is not that. This is just a “Well, put ’em wherever you can fit ’em in.” Again, I’d move Child Support to Sunday, hold Shark Tank for a better night later in the season, and then I’d pull Modern Family to Friday as that night needs a strong anchor, and it’s in its last season, so it really doesn’t have to be much of a performer. They could even throw in Schooled, which is the horribly titled retool of that spinoff of The Goldbergs – still starring Tim Meadows and Brian Callen, but now with more AJ Michalka – which has been picked up to debut sometime during the season.

CBS

FBI (Tuesday, 9 PM)

Ah, Dick Wolf is at it again. I kinda wish they’d put this on Wednesday, so he’d be competing with his Chicago shows on NBC. I’ll bet there’s a dude at CBS whose job is just to find all the federal agencies with cool abbreviations. One day, after having his pitch for NCIS: SUV: EX rejected, he was like “Fuck it! How about just FBI?” And the network execs were like, “Wait, how’d we miss that one? It was in front of our faces the whole time!” I love how Missy Peregrym got the Mariska Hargitay SUV makeunder. One look at her, and they were like “She’s too hot. Frump her up and make her scowl a lot.” This show will do just fine. It’s Dick Wolf, who apparently knows where bodies are buried, so folks don’t like to piss him off. Plus, it’s meant for your grandpa, who’s really the only one who can tell all these shows apart.

God Friended Me (Sunday, 8 PM)

Fresh off the cancellation of ABC’s The Mayor, Brandon Micheal Hall is in a new starring role in what’s basically a mashup of Early Edition meets Touched By An Angel meets Joan of Arcadia. First off, I hate the title. I get what they’re going for, but was that really the best one they could come up with? I didn’t want to like this when I hit Play, because I initially thought this was going to be another quirky, single cam half hour sitcom. Instead, it’s a one-hour dramedy, which changes things a bit. It’s got the PERFECT timeslot, as that’s about when Black folks get home from all-day church services. I think it’ll pose some important questions, and as long as it doesn’t get too preachy, can at least get folks to think about whether there’s something out there bigger than themselves. I will point out the most interesting aspect to me, though: Facebook. Like, Facebook is basically a character in the show. Not some made up social network, like FaceSpace, or MyFace, or SpaceBook. No, this is full-on Facebook, which makes me wonder if they paid for product placement or if they were even involved in the development of the show. If they were, then I’m a little skeeved out by all the spiritual stuff, being passed down from Zuckerberg on high. Anyway, it could work. Touched By An Angel lasted 9 seasons, Early Edition lasted 4, and Joan of Arcadia lasted 2. I think that also charts the progression of America becoming more cynical. Anyway, who knows? Living Biblically didn’t work, but I think it’s because it was a terrible idea for a 30-minute, multi-cam sitcom with a studio audience. I’m on the fence with this one, but it couldn’t have possibly been scheduled better.

Happy Together (Monday, 8:30)

Let me preface this by saying I LOVE Damon Wayans, Jr. I also LOVE Amber Stevens West. I do not love this pilot. It’s apparently executive produced by James Corden, and based on a time when he lived with Harry Styles. This is another one of those “I’d see it as a movie, but…” ideas. I mean, how long does this charade last? How long can the British rocker put up with the quiet suburbs? How do you get 7 seasons out of this? Too many shows don’t seem to have the long game in mind these days, and it they end up painting themselves into a corner, creatively. I hate to turn on my folks, but this one doesn’t last.

Magnum P.I. (Monday, 10 PM)

I loved this trailer WAY more than I wanted to. Originally, I only wanted this show to succeed so that Anthony Anderson wouldn’t be the only Hang Time alum still working today. And I really wanted to hate this concept. The 80s reboots just keep coming, but this one I like. I fear it’s gonna be like MacGyver was for me, though: never watched the original, enjoyed the reboot pilot, and then never made any attempt to watch it again. Plus, are we going into this knowing the whole Robin Masters twist? I mean, are they going to play that up? Are we just supposed to play dumb? Anyway, I love this cast. Since Happy Endings, I will watch Zachary Knighton in anything, and he’s a GREAT choice for Rick. As for Magnum himself, are we gonna have an AC Slater situation, where we later find out his name is really Thomas Rodriguez? ‘Cause, I mean, c’mon… Anyway, CBS seems to be planning Monday as “Diversity Night”, kicking things off with The Neighborhood, followed by Happy Together, and capped off with this. They COULD have scheduled a Reboot Night, with MacGyver, Hawaii Five-0 and Magnum, but I’m glad they showed some restraint. The interesting thing is that there are some Tom Selleck die hards out there who may not accept this reboot, and they’re the primary CBS audience. That said, those folks have Blue Bloods now, and this is meant to skew younger. I think it’ll work.

Murphy Brown (Thursday, 9:30)

Ugh, another “zombie” show. You know, those shows that are dead, but don’t realize they’re dead, so they just keep coming? I get how the political climate kinda paved the way for this one, but did we really need it? I mean, about a year ago, The BBC did a one-off Are You Being Served? special. It was nostalgia and something new, all at once. And it was only one episode. That’s what I’d like here. What Does Murphy Brown Think of the Trump Administration? There’s an interesting special there. It’s not, however, a 13-episode series. The same way I didn’t need Roseanne throwing her views in my face through her reboot, I don’t really see what Diane English and the Murphy Brown crew have to say about the state of the world that’s not already being said by every Liberal late night talk show host. Plus, the narrative device doesn’t really work here: in TV news, how often does a network “get the gang back together”? It DOESN’T. These people would all scatter to different networks, and maybe, just maybe, end up together at CNN or something. But there’s NO WAY FYI would reach out to a bunch of former employee “olds”, as the social media guy calls them, to provide a “fresh voice” on the state of the world. Unless FYI has been retooled to be the 60 Minutes of this universe, I’m just not buying it. And let’s talk about that social media guy: I hate him. I hate that archetype because it just doesn’t work. The whole “look at the Millennial who’s all tech savvy and here to show the other characters that they’re dinosaurs.” These characters are typically brash, somewhat unfeeling, and unsympathetic. Two seasons ago, Joel McHale’s failed sitcom The Great Outdoors was built on a group of these characters, on the same network. That character is always a douche and never paints Millennials in a positive light. The trailer gives us an early dose of what to expect from him, and I feel like they could’ve left him on the cutting room floor if it wasn’t for that fact that he brings some semblance of “diversity” to the series. Anyway, I say they do their 13 episodes and they’re out, but I don’t expect this to be the Liberal counterpoint to Roseanne. It won’t nearly be as much of a ratings smash, which is sad, but is where we are today.

The Neighborhood (Monday, 8 PM)

Sigh. This just feels lazy. Cedric is here because of a talent holding deal he has with CBS, and the show has already been retooled since this pilot was filmed, as The White Guy (’cause let’s be honest, his name doesn’t matter in the grand scheme of the show) was played by Josh Lawson (House of Lies), but has been recast with Max Greenfield, fresh off New Girl. That change kinda sucks because, while I haven’t seen Greenfield in the role, I think Lawson really nailed what they were going for here: The Aw Shucks, I Love Everybody Guy. I say it’s lazy because it’s just built on the foundation of race. Without the whole They’re Black and They’re White thing, there’s really no show there. I can see how this was an entertaining pilot but, again, there’s no long game here. Does Cedric’s character mellow over time? Does he indulge in a bit of White culture? Are both families better for the living arrangement? And I’ve loved Dreama Walker since Don’t Trust The B—- in Apartment 23, but this isn’t going to do much for her resumé. Calling this one DOA, even though the cast is really strong.

Scheduling Thoughts

Nothing major here. It was interesting to see them basically pull out of Monday and focus on Thursday as their night of comedy. They had a pretty good stranglehold on Monday comedy, so it’s odd that they’d somewhat abandon it to try some diverse shows in those slots. It’s also odd that they’d waste 2 hours a week on Crimetime Saturday “drama encores” on Saturday night. Sure, it’s not the most popular night for viewership, but that’s just wasted real estate. That’s 2-4 pilots that got rejected just so they could rerun NCIS: Pittsburgh or whatever.

Fox

The Cool Kids (Friday, 8:30 PM)

This is the Foxiest show I’ve seen in a LONG time, and I love the cast. That said, I don’t care if it is from the guys behind It’s Always Sunny In Philadelphia. This is the kind of show Fox greenlights simply to cancel. Usually it’s to shove into that Sunday 8:30 ditch between The Simpsons and Family Guy, so I’m surprised this is being farmed out to Friday nights. Anyway, this is a One and Done show. They’ll just cancel it to give one of the Seths (Green or MacFarlane) a new show.

Cosmos: Possible Worlds (Midseason)

I get it. The last Cosmos did really well and, even though they swore it was a one-time deal, you just knew they’d find a way to bring it back. These kinds of things take time, which is why that last Cosmos was back in 2014. It’ll do fine because it’s basically a National Geographic special (National Geographic is also owned by Fox) that’s being given a wider, primetime broadcast spotlight. It’ll do what it’s gonna do, and that’ll be it. If it does well, then expect another one in 2022. If it doesn’t, well, it wraps up the unintended Cosmos trilogy. Whew! I can’t believe I got through that without even touching on my hatred of Neil deGrasse Tyson. Whoops…

Last Man Standing (Friday, 8 PM)

This Fall, Fox trades one Last Man for another, as they pick up the cancelled ABC sitcom starring Tim Allen. Now, there was a lot of kerfuffle that the show was cancelled because the star is a Conservative, and I really don’t know if that’s true or not. It was never a ratings star, but it was also on Friday nights, so the bar was much lower. Still, just like everyone wants their own This Is Us, everyone also seems to want their own Roseanne revival. So, Fox jumped at the chance to add this to its schedule – a schedule in which it doesn’t truly fit. It doesn’t feel Fox to me, but maybe that’s a good thing. It had a dedicated audience, so maybe it’ll bring those viewers to its other shows. I actually don’t hate this show. I rarely saw it when it was on, but I’ve seen it in syndication. It’s bandied about like it’s this brash, Conservative voice, but Allen’s character is pretty much painted like a dinosaur in a changing world. I mean, he’s not quite Archie Bunker, but his wife and daughters are always reminding him that the world is changing and he’d better get used to it. Unlike NBC’s save of Brooklyn Nine-Nine, this isn’t to give it a proper send-off (something it never got from ABC), but rather an investment that they’re hoping they can get a few seasons from. This will be season 7, so I wouldn’t be surprised if there was some deal to take them through 10 – as long as the ratings are there. I do, however, find it interesting that it’ll be going up against Fresh Off The Boat on ABC. That’s quite the bit of counter programming there…

The Passage (Midseason)

Doesn’t Fox’s schedule already have a Special Child On The Run from the Government Show in The Gifted? I don’t know anything about the books from which this was adapted, but I do know that it had been retooled a few times before it got picked up. I love Mark-Paul Gosselaar. I think it’s really impossible for anyone my age to hate him. I want him to do well. After stints on Pitch and those 4 seasons of Franklin & Bash, I really want him to get something that sticks. I’m just sick of vampires, and that’s ultimately what this show is about. Its survival will depend on its timeslot and competition, both of which are unknown at this point. Hell, Fox had Lucifer for 3 seasons, so they can probably keep this around if it finds an audience. I’m on the fence with this one.

Proven Innocent (Midseason)

Interesting concept, but I’m not sure Fox is the right home for it to succeed. You see, Fox these days seems to want to have it both ways: they want to be the 90s network that puts out worthless dreck like The Cool Kids, but then they also want to be taken seriously by airing stuff like Cosmos and this. You can’t do both. When CBS knew it wanted to change its image, and be taken seriously, we had the Rural Purge, where the joke is that they cancelled every show with a tree in it. This show belongs on ABC. It would even get bonus points if it were a ShondaLand show, but then every character would be screwing each other and that doesn’t seem like it would fit the tone of this series. Still, this is the kind of show that ABC would throw out there and probably fail with, but they would try. I feel like the only reason this is on Fox is because its executive producer is Danny Strong (remember him as Jonathan in that terrible season of Buffy?), whose Danny Strong Productions is behind Empire, and also seems to have a production deal with Fox. Still, Fox had a hit with 9-1-1, which also didn’t feel like a natural fit, so maybe if this gets paired with that, it could have a chance. For now, though, I’m thinking this one won’t go far.

REL (Sunday, 9:30 PM)

Since his role in Get Out, everybody has been rooting for Lil Rel Howery, but is it too soon for this? I’d rather see him in more movies than see him get a middling Fox sitcom. His former costar, Jerrod Carmichael, is the executive producer here, but I don’t expect this show to push any of the buttons that The Carmichael Show did. This is just a run of the mill sitcom. Good to see Sinbad, though. I’m reminded of how Fox really screwed the pooch with Mulaney, but the thing this has going for it that Mulaney did not is the fact that there’s a Black audience looking for representation. I don’t think the post-Family Guy timeslot is the best place for this, though. Hell, it ought to have gotten the post-Last Man Standing slot on Friday. They’re as different as night and day, but that’s going to be prime real estate, which is just wasted on The Cool Kids. It could be argued that folks aren’t watching TV on Friday nights, but in the DVR age, nobody’s watching live anyway. Still, for the few that are, I think scheduling should be done to keep them in mind. I’m sorry, Lil Rel, but this is a One and Done.

Scheduling Thoughts

Interesting that Fox is keeping most of its debuts for midseason. It’s not like they’re coming off the bench that strong, but I think it’s internal company politics at play, with the looming sale and everything. At the upfronts, they kept referring to themselves as New Fox, because they would no longer have to worry about how their shows play in the international marketplace. They’re taking a decidedly America First approach with their schedule, which could mean they’re gonna double down on what made them Fox in the first place. I mean, The Cool Kids and REL both feel like they’ve been sitting in a vault for the past 20 years. It’s a network that doesn’t know what it wants to be, especially in light of the fact that it won’t own its own production studio in a year. In discussing its future, some folks have even posited that they might make a play for the WWE contract, which expires with NBCUniversal next September, which means they’d lose Monday and Tuesday real estate to RAW and Smackdown. They’re a network without a master, or a roadmap, right now. One thing I will give them credit for: moving Bob’s Burgers to Sunday at 8:30. That 7:30 swing slot never worked because football is a fickle mistress, and I think it was to that show’s detriment. Anyway, another odd thing is that Fox has yet to cancel Ghosted or LA to Vegas. They both look terrible, and there have been shows in the past that were never officially cancelled, but it’d be interesting to see if they try to revive those midseason.

NBC

I Feel Bad (Thursday, 9:30)

So, I was formally introduced to star Sarayu Blue in the recent film Blockers, where she played John Cena’s wife. I like her, but it shows how much TV has changed in recent years, because just a few years ago she would’ve been the best friend instead of the lead. That’s not really a knock on her, but more so one on her resumé. Amy Poehler is the executive producer here, which is why this is on NBC. Honestly, if you put this on ABC, following Modern Family (where that horrible Single Parents is currently slotted), I think it’d have a chance. ABC is great at giving new comedic interpretations of the different types of families out there. There’s Modern, there’s Speechless, there’s American Housewife, Black-ish, Fresh Off The Boat, etc. I could go on, but you get the point. Now, it could be said they’ve reached their saturation point over there, but I still think this show would feel right at home. On NBC? Not so much. NBC is the yuppie network, loved by DINKs (Dual Income, No Kids). All of its shows have to be set in fast-paced NYC, and nobody has a great relationship with their family. This is slotted right after Will & Grace, and before Law & Order: SVU. If I were scheduling, I’d have swapped it with Will & Grace, so that The Good Place would be its lead-in, while Will & Grace can pretty much stand on its own at 9:30. I feel The Good Place and this show would share more of an audience than it would with Will & Grace. It’s not 1998 anymore, so they really need to stop holding that Thursday 9 PM slot as a “sacred badge of honor”. Seinfeld is gone and he ain’t coming back. Anyway, One and Done.

Manifest (Monday, 10 PM)

Let me start off by saying Fuck YOU J.J. Abrams, Damon Lindelof, and Carlton Cuse. You’re why we are where we are today. Yes, this is Lost. I’m sure there’s more to it than that, but at the end of the day, it’s just Lost again. Now, why am I mad at those 3 gentlemen? Well, it’s because they started us on this road of the mythological saga that poses more questions than it answers. Before Lost, no shows had really come along with such a woven mythology, insinuating a concrete payoff. Everything matters! That’s what viewers were told to consider. The lottery numbers, the seat numbers, the smoke monster, the bear. Nothing is as it seems! And then the show ended, disappointing many, and also revealed that a lot of that shit had no inherent meaning, and they were making it up as they went along. So, just as they introduced us to that type of storytelling, their inability to satisfyingly stick the landing effectively pulled the ladder up behind them so that no one else could succeed at it. Since then, we’ve had shows like The Event, FlashForward, The Crossing – all cancelled before they really got a chance to answer what was going on. Why? Because viewers were like “Nah, I’m not falling for that again!” I skipped Lost. Just didn’t interest me for various reasons. That said, I’d actually be interested in this show, BUT I know how the game is played, and I also know that they’ll never get a chance to reveal all of their answers – if they’ve even thought of them in the first place. One and Done.

New Amsterdam (Tuesday, 10 PM)

Ugh ANOTHER damn medical show?! Pretty soon, TV procedurals are just gonna be medical shows and shows about firefighters. I saw that little twist coming. You think I didn’t, but I did. Still, it’s the kind of show that’s not playing the long game. What does season 5 look like? We gonna do the UK thing where they just bring in a new lead? I was saying on Twitter last week that I love how in the UK, no star is bigger than the show. A show could’ve been on for 22 years, with 5 different leads. It just keeps on rolling along. America’s not like that, though. Meanwhile, when did Tyler Labine get so old?! I don’t know about this one. I mean, America hates the idea of free health care, but loves its medical dramas. It’s going against ABC’s The Rookie, but it’s also getting that prime This Is Us lead-in, so I’m not quite sure who the winner is in that race. I will say, out of all the NBC shows I’ve seen lined up for the Fall, this is the one with the best shot at survival.

Scheduling Thoughts

Not a lot to say here, as they’re ultimately playing it pretty safe. Just as I said with CBS, though, I feel like NBC is wasting a lot of good real estate on Dateline Saturday Night Mystery. That’s 2-4 pilots dead, just for that. I know it’s relatively cheap to produce, but it just seems like such a shortsighted decision.

The CW

All American (Wednesday, 9 PM)

I actually like what I see here. You couldn’t do this on any other broadcast network, as shows like this are heading to places like Freeform now. I’m digging the 90210 meets One Tree Hill meets Friday Night Lights, with a dash of Black Lightning. Plus, it’s got that Riverdale lead-in, suggesting the network has faith in it. I don’t even care about its competition on the other networks, because The CW plays by its own rules and standards. I think this one works.

Charmed (Sunday, 9 PM)

OK, who thought it was time to revive this? I never watched the original, but I know it lasted 8 seasons. I mean, 12 years have passed since its finale, but between this and the Roswell reboot, it’s like someone at The CW finally got that closet opened that’s been locked since UPN merged with The WB. So many wonderful properties to reboot! We’re about 4 years away from the One Tree Hill reboot at this point. Anyway, remember how I said shows like All American were ending up on Freeform? This show TOTALLY deserves to be over there, with their shows like Siren and Shadowhunters. I mean, it might do OK on The CW, but I’m not sure. I feel like any hardcore fan base that exists for the previous iteration probably isn’t going to be too happy about this. Meanwhile, I applaud their attempt to diversify it and all, but minorities don’t get down with witches like that. If you remember, there was only one Black chick in The Craft, and her career never recovered from that! It probably needs a stronger lead-in to guarantee success. This fall, The CW expands to Sunday nights, and this will be there, preceded by Supergirl, which is far from a ratings smash. Still, if they’re going for a Sunday Girl Power block, then I guess this is what they have to work with.

Scheduling Thoughts

I’ve got quite a few here, as there are a lot of moves going on. As I said above, their foray into Sunday nights is weak. They’ll need to work to strengthen that over time. Moving Arrow to Monday is interesting, but it’s an older show so at this point it’s going to do what it’s going to do, regardless of where it’s placed. it also frontloads the week with the DC shows, with Supergirl on Sunday, Legends of Tomorrow and Arrow on Monday, and The Flash and Black Lightning on Tuesday. I’m sure this will help when planning next year’s crossover. On Thursday, after Supernatural, they’ve got the new series, Legacies, which is a spin-off of The Originals which, itself, was a spin-off of The Vampire Diaries. It’s the Good Times to The OriginalsMaude and The Vampire DiariesAll In The Family. Its trailer isn’t available right now, but I’ve got to wonder why it got that slot and not Charmed. I thought they had pretty much done everything they possibly could to the Vampire Diaries universe. Meanwhile, Dynasty is a HORRIBLE lead-in for Crazy Ex-Girlfriend on Friday. It’s Crazy‘s final season, though, so I guess they were just like “Fuck it! Put it wherever.”

So, who had the West Week Ever? Was it Yanny? Was it Laurel? I’m gonna look back one day, and that joke isn’t going to age well. Anyway, looking at the Upfront presentations as a whole, I think ABC and CBS had the strongest showings. Fox and NBC aren’t really taking any chances, while The CW is just shuffling deck chairs right now. For the ABC slate, there some shows that have potential, like The Rookie and A Million Little Things, but I’m just not sure yet. Meanwhile, I’m pretty sure CBS has hits on their hands with FBI and Magnum P.I. Plus, they’ll get some great press for that Murphy Brown revival. So, I’m going to say that CBS had the West Week Ever.

04th May2018

West Week Ever: Pop Culture In Review – 5/4/18

by Will

 

It has been a week. Over the past seven days, I’ve had Internet fights with racist veterans, old friends, and complete strangers. Last Friday I bought a house, only to immediately discover that everything in my mother’s house was breaking down. I’ve been through a flood, a new hot water heater, 2 unresponsive plumbing companies, and 2 failed inspections. So, it would be safe to say that I’m in a bit of a mood…

So, I had been really looking forward to writing about Avengers: Infinity War. I had a lot of thoughts. Sure, a lot of folks left the Thursday night showings with their minds blown, but I wasn’t really happy. I had to process a lot of what I’d seen. There were simply SO many moving parts. I needed to really grasp what I’d seen. I saw it again with my wife on Saturday morning, and I think I came back with a better understanding of the film. Then the weekend happened. On top of the rampant speculation that follows the release of these movies, I also found myself in the middle of drama over on Facebook. It turned into this MCU vs DCEU stuff that I really didn’t want to get into. This shit is about men in capes and tights. It’s not Schindler’s List. Anyway, it kinda put a bad taste in my mouth about the whole thing, so I’m not that excited to talk about it anymore. But “The show must go on!”, so here we are (NOTE: I also owe @zacshipley an apology ’cause we were supposed to podcast about all this before my world started crumbling apart, as detailed above!).

Oh, yeah – SPOILERS

Let me preface this all to say that I am amazed by the tapestry woven by this whole feat. You can like or hate the MCU, but you have to give credit where it’s due that 18 movies culminated in this payoff. The Russos did an amazing job handling characters who weren’t originally theirs (Directors Taika Waititi and James Gunn pitched in to make sure their characters’ voices – Thor and the Guardians, respectively – stayed true). For fans of the world that Kevin Feige has guided, this was pretty much everything you could’ve wanted. Again, SO many moving parts, but they handled it deftly. If you haven’t seen all the films, well, in the words of the great poet laureate Jay-Z, “I feel bad for you, son.” I feel bad because this thing probably made very little sense to you. I joked on social media that my new favorite thing is following Black folks who were introduced to the MCU via Black Panther, only to check out Infinity War and leave, going “What the f-?!”

There’s a review from The New Yorker making the rounds, where the writer basically says that the film is just a culmination of ads for other Marvel films. It lends itself to the argument that there was nothing to grasp onto for the newcomer. First, you’ve got to ask if a newcomer should even be watching this film, and I answer that with a resounding “No!” This isn’t gatekeeper mentality, either. It’s just that you won’t get the full experience of what’s happening. It’s like watching the season finale of a show you’ve never seen before. You might be able to follow it, but you’re still gonna miss some important stuff. The problem with the review is that most folks who are bashing it are too close to the source material to understand where he’s coming from. He’s not wrong. Take, for instance, how the movie treats Steve Rogers.

Steve Rogers is treated as a real life “splash page” in the film (if you’re not a comic fan, a splash is 1-2 pages that showcase some impressive artwork, typically of a battle or character introduction, with minimal dialog or panels to detract from its impact). He shows up in the shadows, catches Proxima Midnight’s staff, and emerges to look badass. Later, he flexes on General Ross (“Who is THAT guy?” asks an unfamiliar audience member), still looking badass but there’s no real context. Yes, you’re reading this, yelling “He’s mad because of the Sokovia Accords!” Yeah, I know that, but I’m immersed in this shit. Still, this film does a poor job of explaining WHY this group is on the outs. The mention of the Accords is brief, and you’d really only get it if you’d seen Civil War – which you probably did, but not everyone did.

There is no substance to Steve Rogers in this entire movie. He shows up, looks badass, the end. Outside of the blurbs on the toy packaging, we don’t know what he and his team have been doing the past 2 years. We don’t know how those years, combined with the events of Civil War, have affected him. They choose a weak rendition of “Show, Don’t Tell”, by giving him a beard, long hair, and a darker costume, but that’s it. Steve Rogers is basically a man who has lost his religion. His religion was Uncle Sam, and he began to sour on it in The Winter Soldier. It was completely Uncle Bad Touch after Civil War. So who is he now? WHAT is he now? How has it all changed him? Is he better for it, or is he now a man with nothing more to lose? Yes, this movie had a lot of moving parts, so we couldn’t get what we wanted in terms of deep character moments for everyone. Still, seeing as how he’s the leader of this whole Earth-bound defense force, I’d kinda like to know more about the man leading everyone into battle. The Captain America movies had done a really good job of showing us the growth of Steve Rogers, and I just didn’t get that here. Oh, and folks love to fawn over everything about and from Wakanda, but those shield gauntlets were stupid. It made Agent Coulson’s TV budget holo shield look better in comparison, which is QUITE the feat!

Another problem I had: The Black Order. I’ve seen the debates on various Facebook pages, but the Black Order didn’t live up to their hype. Now, I realize they’re recent additions to the Thanos mythos, having been created by Jonathan Hickman in his recent Avengers run, but I just never felt they displayed WHY they should be feared. These are the “Children of Thanos”, by his side as he annihilated 50% of PLANETS. They come to Earth, and fail to rack up ONE KILL. Now, sure we can talk about the “formidable human spirit” or how “anything is possible when your back is against the wall”, but Black Widow and Akoye should not have survived that fight. I don’t care if Black Widow is the best graduate of the Red Room or that Okoye is the fiercest warrior in Wakanda. They’re facing an unfamiliar, extraterrestrial threat that kills people like it’s their job. Because it IS. People are saying “It was an even match when it was 1:1, and the Black Order took the L when folks teamed up against them.” Doesn’t matter. They couldn’t even successfully kill a ROBOT. Daddy had to come finish that job. So, I felt they went out like some bitches, even if I do want Ebony Maw to record my voicemail message.

Next problem: Because we, as fans, are so close to the source material – and the business behind it – it’s hard to really take the “deaths” seriously when you know the business side of things. First of all, I wasn’t affected by the deaths because they weren’t graphic. They weren’t impactful. Folks just turn to dust. Remember how I was disappointed by the Black Order? That could’ve been rectified here. Instead, it was more like the characters were *erased* than that they died. The only one that held any weight was Peter Parker’s, which was reportedly ad-libbed. Still, when the vast majority of the stars of the movies that Marvel has in the pipeline are the ones who “die”, it’s like “Whatever”.

And people love to be so smug with their “It’s comics. Characters always comes back from death.” Well, yes and no. Yes, it’s a common trope today, but that wasn’t always true. It wasn’t really until Superman where publishers realized the life/death yo-yo was a cash cow they could return to time and again. No, because the MCU hasn’t established this to be true within the confines of what has been set up.

 

One thing a lot of folks don’t seem to reflect upon is that the MCU has more ties to the Ultimate Marvel Universe than the regular, “616” Marvel Universe. Sam Jackson Nick Fury, Hawkeye with a Black Ops background, – just a few examples of how The Avengers film franchise owes more to the widescreen cinematic depiction of the team in The Ultimates comic than it does to the team seen in The Avengers comic. The Ultimate Universe, as a publishing imprint, ran between 2000-2016, and in that time death meant DEATH. When a character died there, they stayed dead (Don’t talk to me about Peter Parker because I’m proving a point here, and I’m convinced Bendis wrote that arc because someone was holding his family for ransom). Though Jeph Loeb’s Ultimatum event is generally considered a poorly-written gorefest, a shit ton of important characters died, and STAYED dead, forcing that universe and its characters to move forward and grow from it. With that said, the MCU has never really established that resurrections occur. There’s the Coulson thing, but it’s not exactly a routine occurrence, so they still could’ve played it that way here. Instead, though, they took all their cash cows with active contracts and sequels in the works, and “killed” them. Even if we KNOW they’re gonna “comic book” it and bring them back, they kinda shot the pooch in the selection of who stays and who goes.

In true comic fashion, it’s a story where ultimately nothing happens. Sure, there are some amazing set pieces and character moments, but it plays like one of those summer comic events where “The Marvel Universe will never be the same!!!!” Until next summer, when something else happens over 6-10 horribly delayed issues, and we get the same threat/promise. I feel almost like Feige and the lot lied to us when they promised that Infinity War was no longer a Part 1 & Part 2 deal, since it told its own story, just as Avengers 4 would. Nah, that dog don’t hunt. This is clearly a Part 1, even if not in name, and there is no complete story here. There’s a hell of a first (and possibly half of a second) act, but this is the MCU’s The Empire Strikes Back. At least we don’t have to wait 3 years for the resolution.

Last thing I hated: the after credit sequence. I think it might be the first one to make me groan. Why? Because I’m NO fan of Captain Marvel. I’ve followed her for some time, and I’m not against her, but I’ve never really understood the “Carol Corps” and the fan base that has developed around her.

If you’re not familiar, Carol Danvers was a pretty forgettable character for the first the 40 years of her existence. She went back and forth between codenames, calling herself Ms. Marvel, Binary, and Warbird at different times. Until about 10 years ago, her biggest claim to fame was that X-Men member Rogue stole her powers of flight and super strength (also why these powers are missing in the X-Men films, since Fox didn’t have the rights to Ms Marvel to do this). Then, about 10 years ago in the House of M event, Carol gets a glimpse of what she could be. Instead of a recovering alcoholic, C-list jobber, she could actually be the most powerful hero in the universe. So, she really starts to apply herself, and gets promoted from Ms. to Captain. And in a rare feat for comics, it stuck.

Usually when a former sidekick or lesser hero gets a “promotion”, it’s to goose sales and it’s temporary. With Captain Marvel, though, we’re ten years in and it seems like she’s going to stay this way. Good for her. My problem is I just don’t feel like having her Deus Ex Machina her way into Avengers 4 to save the day. As far as the comics go, she’s just not a likable character. Now, there’s some argument to be made that “Maybe you just don’t like strong women!” I don’t think that’s it, YET I feel like she’s written in a way to force folks to have that conversation. She was on the wrong side of history with the Superhero Registration Act. She was on the wrong side of history in Civil War II. In big crossover events, she tends to be written like a headstrong character who’s not really a great team player. “But, the same could be said about Tony Stark, Will!” Yeah, but he’s rich and charismatic. Can’t the same about Carol. Outside of her own book, she’s just kinda written like a fuck-up, yet I’m supposed to take her as the most powerful hero on Earth. Maybe I’ll gain a new appreciation for her after her movie drops in March, but right now, I’m just like “Ugh.”

Oh, and what is Nick Fury’s job now? I mean, he fakes his own death in The Winter Soldier, returns to the land of the living with helicarrier, like “What up, motherfuckers!” in Age of Ultron, and now he’s here. He has his own Personal White Woman (TM) in Maria Hill, but he ain’t the head of S.H.I.E.L.D. Right now, he’s a private citizen with his own flying death machine, which really needs to be explained. Or maybe it doesn’t. Hell, in the comics, S.H.I.E.L.D. has 2 different “Executive Directors” at the same time, depending on what book you’re reading.

So, since we slogged through all of that, and you might be mad, let’s get to what I liked: All of it. Despite the fanboy nitpick stuff I just pointed out, I really had an amazingly enjoyable time at this movie. I just take things further than the casual moviegoer, since I’ve sort of lived a lot of this stuff for the past 25 years. The things I pointed out didn’t make me hate the movie. They were just observations I had while others swore the film was perfect.

  • I loved Thanos, even if basic knowledge about population growth and sustainability point out the flaws in his plan. “Why didn’t he just create more resources?” Shut up! The movie would’ve been 10 minutes long, and you’d be pissed you paid $15 to see that. And how many times do you get to see the villain win?
  • Thank sweet baby Jesus that M’Baku survived. I was ready to throw my popcorn if he turned to dust.
  • Even though I have no clue how it’s possible, I’m glad that Thor’s little soliloquy established that Thanos only killed HALF of his people, so there’s still hope for Valkyrie and Korg to pop up in the future. I’m just imagining the potential showdown between Valkyrie and Sif (who ain’t dead ‘cause she didn’t take time off from her struggling NBC show just to come back and get killed. Respect!).
  • Even though some folks hated it, I enjoyed the erectile dysfunction joke with Hulk. When he finally does appear next movie, it’ll mean something, and hopefully he’ll get redemption. Still, it had to happen to prove that Thanos was a formidable foe. If he scared Hulk, then he should scare everyone.
  • Xandar got destroyed offscreen, so I’m glad I didn’t have to watch Nova Prime Glenn Close get killed along with John C. Reilly and his little pink daughter. And, with the Corps’ destruction, it certainly does pave the way for a Nova film – just as Feige’s been teasing lately.
  • Thor was SO good here. It’s a damn shame it took them 3 movies to get him right, but with the original team’s contracts expiring, I hope he’ll come back for more. He seems to be having as much fun as we are watching him, and they’ll need a thru-line from the original team to whatever is left standing at the end of the next film. The Avengers cannot live by Black Widow kicks alone.
  • I was glad that this film “fixed” the MCU timeline ‘cause I was really messed up by that “8 Years Ago” from Homecoming, yet Tony establishes here that the Battle of New York was SIX years ago. I know, fanboy problems.

Thoughts about Avengers 4:

  • I don’t think Gamora comes back in this film. I think she’s in the Soul Stone, and I could totally see GOTG 3 as The Search for Gamora.
  • I’m still not convinced Cap ever dies in this franchise. Look at it this way: yes, people are clamoring for a heroic sacrifice, so Bucky (or less likely Falcon) will take up the shield to honor him. I don’t think he needs to die. Bear with me here: Steve Rogers never got a life. Just as he was becoming a man, he volunteered for a way to fight for his country. He was frozen for 70 years, only to thaw out and be thrown right into the next fight. I think he deserves to walk off into the sunset. He’s done more than enough for his country. Now, he could buy himself a fishing boat and find himself a nice girl. It’s what Peggy would’ve wanted for him.
  • Also don’t think Downy dies. If he was gonna go, this was going to be his window. A lot of folks think Pepper was trying to tell him she was pregnant when the comm link cut out, so I could see him taking a step back, and just providing tech and money to the team while he focuses on his family. Can’t you see him giving Clint a new bow, saying something like “Be careful with that. It cost more than that farmhouse of yours!”?
  • To be honest, I see this era of the MCU ending without any meaningful deaths that stick. I know some folks would be fine with that, but when looking back on 19 movies, it leads one to wonder “What were the stakes?” At this point, the only real deaths we’ve had were Coulson, Quicksilver and Agent Carter – and one of those was simply from old age. I’m not some morbid deathmonger, but I feel a calling like this comes with a price. And nobody *important* has paid that price. If that’s how they wanna play it, then so be it, but it’s definitely something that sticks out to me.
  • Completely never realized there was no deal in place for Doctor Strange 2. Feige’s explanation is that he felt like Strange got so much time in Infinity War that he didn’t need a second movie so soon. I could see that, but it’s just odd how a franchise that can’t keep its 5 year plan a secret doesn’t have anything lined up for him (officially) in the next five years. Oh, and I kinda hated him in this movie during my first viewing. I feel like MCU Doctor Strange is Great Value Tony Stark, but I came to appreciate him more during viewing #2.
  • If Agents of S.H.I.E.L.D. does end this season (which is looking less likely, even though this season’s finale was written as a series finale), I really hope it’s acknowledged in this film. No, I don’t think we need a cameo from the whole damn team, but I think the Avengers finally need to learn about Coulson, and they’re clearly setting Chloe Bennett up for something, so she could cameo, too. Sorry, fans of Melinda May. I also don’t need cameos from the Netflix folks. I’m fine with just acting like that’s its own thing, but AoS is supposed to be part of the “Everything is Connected”ness of the MCU. That’s what we were promised, so that’s what I expect. The tangential shows, like Runaways and Cloak & Dagger, can do whatever they want ‘cause I’m never gonna accept them into this family.

I’ve got more to say about Infinity War, but we’ll get to that a bit later down the page.

HarassmentWatch(TM)

Harvey Weinstein Update – Ashley Judd has sued Weinstein for “torpedoing” her career when she rebuffed his advances. Peter Jackson already reported that he was convinced not to cast Judd in The Lord of the Rings due to influence from Weinstein. So, she’s suing him for defamation, sexual harassment, and for violation of California’s unfair competition laws. I swear, if he cost us Where The Heart Is 2: Forney’s Revenge, then I say let the bastard fry!

Bill Cosby Update – The Cos, along with Roman Polanski, found himself expelled from The Academy of Motion Pictures Arts and Sciences, who are responsible for the Academy Awards. While this probably seems like a huge gesture to some, it’s not like they’re taking away his Oscar. Can’t win an Oscar when you’re cranking out shit like Ghost Dad and Leonard Part 6. Nope, he just can’t vote anymore. That’s cool, ’cause convicted felons can’t vote anyway, so… Meanwhile, his wife Camille issued a statement that this is the result of mob mentality, and that he’s being railroaded. If you ever want to feel sad for humanity, hop over to his Facebook page for the litany of “I stand by you, Mr. Cosby!” The motherfucker gave us a TV show. He didn’t cure cancer. Let that shit go. It’s a numbers game. Even if you think some of those women lied, ALL of them aren’t lying. We’re talking over 50 women! People want to act like it’s a giant conspiracy, but you can barely get 50 women to respond to an Evite, let alone corroborate a rape story. How many do you need? What’s your threshold on sexual assault? Get back to me if you need to think on that.

So, I guess we should get this out of the way since everyone in my life has asked my thoughts on it: in a somewhat surprising move, toymaker Hasbro announced they have purchased the Power Rangers franchise from Haim Saban for a reported $522 million. They also bought some other stuff, like 80s property My Pet Monster, but ain’t nobody got time for that. I say “somewhat surprising” because we knew it was a possibility. After all, it was in the fine print when Hasbro acquired the master license to produce Power Rangers toys in the United States. The company would have the first right of refusal should Saban ever decide to sell. It looked like this was a sure thing down the road – ya know, after they’d had a season or two under their belt, making product. Instead, they pulled the trigger before the next incarnation of the show, and before the Bandai license has fully lapsed. It kinda makes one wonder: “What’s the rush?” I mean, does Saban need to send an envelope of cash over to Israel or something?

OK, sidebar – if you’ve never been to this site before, or don’t know much about Haim Saban, then you saw that last sentence and said, “Whoa, Will! That was kinda anti-Semitic!” Not exactly. You see, Saban has always called himself a one-issue voter, and that issue is Israel. He’s quite the political donor, and has no real political allegiance except to anyone who promises to make the affairs of Israel a priority. He was quite the donor to the Clintons (which was always intriguing to me, as early on the Clintons railed against violence in children’s programming, like Power Rangers. Nothing that a few million dollars couldn’t fix!). He would go on to publicly lambaste both Bernie Sanders and DNC chair candidate Keith Ellison as being “anti-Israel”. Oh, and he firmly believes that the key to political power is to control media outlets. Yup, that old conspiracy theory about the media is actually one of his dreams. Betcha didn’t know all that about the guy behind your favorite spandex heroes! Anyway, the dude is worth over $5 billion, so it wouldn’t be shocking if a quarter of this sale is earmarked for Israel.

Anyway, the writing was on the wall with this sale. Hasbro needs something to bolster the aging Transformers franchise, and the essentially lifeless G.I. Joe franchise. This is a something of a renaissance for them, as owning something like the Power Rangers franchise changes the game. It’s not one of those “It’ll keep the lines on” situations like Teenage Mutant Ninja Turtles is for Playmates Toys, but it’s definitely the shot in the arm that Hasbro could use these days. Meanwhile I don’t think Saban ever really recovered from the anemic box office for last year’s Power Rangers movie. He knows, as any smart man would, that the franchise’s best days – as far as he was concerned – were behind him. He would never again experience the Beatlemania that accompanied the 93-94 era of the franchise, but that didn’t mean it couldn’t be a valuable franchise for someone else.

Plus, let’s just look at the numbers here: Saban originally sold Fox Family Worldwide (which included Power Rangers and the Fox Kids library) to Disney for $5.3 BILLION in 2001. Yes, Disney paid more for that than they paid for Star Wars OR Marvel. Disney, then, proceeded to junk everything from that sale (Where’s my Eek! The Cat, bitches?) except Power Rangers, while never really figuring out what to do with it. They went on to produce seven original Power Rangers seasons of varying quality, from Ninja Storm to RPM. After a rumored failed animation pilot, and a half season where they just added Batman ’66 effects to old Mighty Morphin episodes, Disney sold the Power Rangers franchise back to Saban for a reported $43 million. He spends a few years doing basically the bare minimum as far as maintaining the brand, and then sells if off for half a BILLION dollars. You can say a lot of things about Haim Saban, but you can’t say he’s not a smart businessman!

So, what do I think? I’m not really sure. We’ve had multimedia franchises owned by toy companies before, but I can’t remember the last time we’ve seen a transition like this. I mean, it’s basically going from Saban’s Power Rangers to Hasbro’s Power Rangers, and I don’t entirely know what that will mean. That’s like if it went from Jimmy’s G.I. Joe to Hasbro’s G.I. Joe. Will all of the wit and charm that Jimmy brought to the franchise be honored and respected by the new owner? Who knows? And we don’t know in my scenario, as there was no Jimmy and Hasbro always owned Joe. So, the question is How does Hasbro put its mark on Power Rangers, while retaining what it has come to mean over the past 25 years?

From a toy perspective, I don’t think we have a lot to worry about. Hasbro is a friend to the “adult collector”, so I’m confident we’ll get some sort of 6″ Black Series/Legends action figure line to rival what we got with Bandai’s Legacy Collection. They’re also good at articulation, when they want to be. So, we could end up with 4″ Rangers with 5 points of articulation, in some sort of weird, retro throwback model, or they could give us the $13 Walmart exclusive Star Wars figure articulation. Plus, with their “Big Toys for Poor Kids” Titan Heroes line, they can continue to give us the same unnecessary 12″ shampoo bottle figures that Bandai cranks out. Where they will fall short, however, is when it comes to role play toys.

Kid sized Ranger weapons and morphers are a big part of the Power Rangers toyline legacy, and that just ain’t Hasbro’s strong suit. The closest they’ve come to a morpher in recent years is the Star Wars Force Link, which has now died on the vine in two different iterations (three, if you count its “father”, the CommTech Reader from the Star Wars prequel toylines). They have never simply gotten the consumer to care about those things, though it might help if it’s an item that’s actually featured in the show, instead of some weird, out-of-left-field piece of tech that isn’t featured in the source material. On top of that, Hasbro goes the extra mile for role play stuff that the marketplace isn’t really demanding. Take the recent Hero Vision Iron Man helmet for Avengers: Infinity War, which is an augmented reality experience where you put your cell phone into an Iron Man helmet to pretend you’re fighting Thanos. Cute idea, but not for the $50 price point. This is not something that works at mass market retail. You know how I know? Because Walmart can’t even sell $15 VR sets, so the addition of a plastic Iron Man helmet ain’t gonna make these fly off the shelves. No, this is a hobby piece. This is the kind of thing you MAKE yourself, with the help of a YouTube tutorial. It’s not the kind of thing that you BUY. For other recent role play offerings, it’s clear the Action Figure folks just farmed the development out to the Nerf team. So, I really hope they’ve got some PR experts on the team (possibly from Bandai) instead of trying to acclimate their current folks to the Power Rangers brand.

I guess my biggest worry surrounds the show itself. Does Hasbro know how to produce a weekly live action kids show? Will it stay in New Zealand? Is this the end of the franchise’s love affair with actor Jason David Frank? He’s spent years ingratiating himself to the folks at Saban and Bandai. I mean, the current comic book storyline is based around his character. What happens now that he has a new master to please? Will Hasbro allow Nickelodeon to keep forcing so many breaks between new episodes? Can Hasbro void the Nick contract Saban just signed, and take the show elsewhere? Those are the questions I have. The toys will be fine, but Power Rangers, while toyetic in nature, wasn’t necessarily a brand created to sell toys. Sure, like anything else, it was created to make money, but not primarily to sell toys. How does that change when its new owner is primarily in the business of selling toys? I guess we’ll have to wait and see…

On the other end of the pop culture spectrum, Kanye West went on a bit of a press tour this week, and proceeded to make a fool of himself. Most notably, he went on TMZ and said that slavery was a “choice”. He went on to give this extended rant:

He also gave an interview to Charlamagne tha God on The Breakfast Club, where we learned the following things about him:

  • He developed an Opiod addiction after getting liposuction. Now, let me just say that if my mom died on a plastic surgeon’s table, I’m fairly certain you wouldn’t catch me getting plastic surgery. Most folks won’t even return to a restaurant that gave them food poisoning!
  • He was hurt that Jay-Z and Beyonce didn’t come to his wedding
  • He likes that Trump won because it gives him hopes for his own political aspirations. He feels that Trump’s win means that anyone can win, and that inspires him.
  • He turned on Obama because Obama once said that Kanye was his favorite artist, but then proceeded to call him a “jackass” when asked about more recent antics. That hurt Kanye’s widdle feelings.
  • He recently bought 300 acres on which to build a community

Here’s the thing: some of what he says isn’t the craziest thing I’ve ever heard, but even a broken clock is right twice a day. His issue is he’s conflating physical slavery with mental slavery, which are 2 different things. Meanwhile, there are a bunch of Hoteps out here, saying “He’s right!” It saddens me that there are modern day Black people who hear about slavery, and then think “They wouldn’t have made ME no slave!” Yes, they would have. Slavery was more than just the fact that White people owned us. There are psychological underpinnings to that system that held us, and continue, to hold us down. I am all for ignorance being brought into the light, but in the year of our Lord 2018 there are way too many White Supremacists who’ve been waiting for someone like this to come along to bandy about. This would be a “mistake” if he’d said the dumb stuff ONCE, but he just keeps digging his hole. This is a full on meltdown, but to what end? At what cost? The “bad” people hear his words, and it just empowers them. Kanye lives in an ivory tower, so he doesn’t have to deal with a lot of the day to day stuff folks face. He’s out of touch, and making things worse for those who are not.

The problem with Kanye is he’s all over the place and, as they say in the South, he “can’t get to Hell fast enough”. It’d be one thing if he wanted to talk Black empowerment. It’s an entirely other matter when his “argument” is merely used as a distraction from his MAGA hat wearing photo op. He’s not the guy saying “Let me show you another way of thinking”, at least not eloquently. Instead, he’s a petulant child who’s saying “I do what I want, and your reasons for your views don’t apply to me.” OK, cool. But he shouldn’t expect folks to take his views seriously when he’s been so dismissive of theirs. People don’t forget so easily, yet they see what they want to see. It’s like Cosby, who we’re supposed to hold up as this paragon of Black greatness, who also spent the past 20 years berating the Black community. Like Kanye, a lot of what he said wasn’t “wrong”, but it was HOW he said it. Context AND delivery are just as important as the words themselves.

I don’t feel “betrayed” by Kanye West. If nothing more, I hate how he’s giving my “family” a bad name (even though there’s no relation…I hope). No, I have NEVER given Kanye money (thank you, Shawn Fanning, for teaching me about the wonderful world of free music!), and he’s never been a “musical genius” to me. No, I reserve that praise for folks like Max Martin, because I have the musical taste of a 14 year old girl who was punted forward in time from the year 1998. I just think this thinking is dangerous. It’s one thing to have this kind of discussion in the parlor, over brandy, but it’s another to go on the steaming pile of muckraking shit that is TMZ and hold court. I give TMZ some credit because they’re the first ones to let us know when a celebrity dies, but Harvey Levin would make PT Barnum clutch his pearls. When he looks at you like you’re a piece of shit, well, it’s pretty clear that you’re a piece of shit. And the same folks who are saying that “We need to stop being divisive and love each other” are just suffering from “Winner’s Bullshit”. They weren’t worried about divisiveness when they were trying to prove the last president was a secret Kenyan Muslim who killed Santa Claus. Nor did they apologize when they couldn’t prove it. So, in conclusion, fuck Kanye West, fuck Kenny Chesney, and fuck anyone else who wants to tell me that all my great grandmother had to do was clock out at the end of the day on the plantation, and everything would’ve been hunky-dory.

Wow. That felt good to get out. Sorry to the White people (which is pretty much all of you) who are feeling some kind of way right now. I’ll lighten things up at this point. Promise!

In TV news, it was reported that Conan on TBS will switch to a 30-minute format. I don’t really know what to think about Conan anymore. I mean, yes, he got royally screwed by NBC. That said, he’s basically now the Hillary Clinton of the late night world. He needs to read the room and realize he’s never going to be Johnny Carson. There are other things he could do, though. Leave the late night space to the other guys, and focus on producing. The Conaco brand isn’t that strong right now, and it could use his stewardship. Out of the three shows he’s currently producing (Conan, People of Earth, and Final Space), only one of them is actually good. His late night show isn’t breaking new ground, nor does anything from it go viral, which is the new measure of “worth” in that sector. Final Space is just a miss all around, and People of Earth isn’t the kind of show that’s gonna last 10 years. I just don’t know what he’s trying to prove at this point. TBS has been a great home for him and his projects. It’s to his benefit that he didn’t go to Fox when his non-compete was over ’cause they would’ve cancelled Conan YEARS ago. Over on TBS, he’s a big fish in a small pond, but he’s not contributing much to the late night space anymore, and it seems like TBS doesn’t want to hurt him by showing him the door, but clearly realizes that they could be doing more with the timeslot. Sadly, they could probably bring in more eyes just by bringing back those reruns of Cougar Town.

In other TV programming news, DC Comics began teasing the DC Universe streaming service. Details are scarce at the moment, so we don’t know price point, or what will make up the bulk of the programming. We do know that the previously announced live action Titans will be joined by a live action Swamp Thing series, as well as the third season of Young Justice and an animated Harley Quinn series. Meanwhile, the ill-conceived Metropolis, that featured Lois Lane and Lex Luthor solving mysteries, is being “redeveloped”. This all sounds TERRIBLE to me. I feel like this is going to be the home of the shows they couldn’t sell to other networks. I mean, if you remember, TNT passed on Titans. TN-fucking-T. Their schedule is nothing but Bones reruns and NBA games. Sure, you could make the argument that “Maybe it just didn’t fit their network image”, but I can assure you more people get TNT than will initially sign up for this service. Plus, are folks really creaming their jeans over a Swamp Thing show?

Wanna make this thing a Must Have expense? First, pull all existing shows from networks and put them on the service. Sure, The CW would collapse, but Fox wouldn’t have to worry about renewing a bubble show like Gotham, and the service would officially become THE exclusive home for DC programming.  ‘Cause even if the service has every DC production in history, it should be acknowledged that a lot of that stuff was shit. Yes, there’d be Justice League Unlimited and the rest of the DCAU, but there’d also be Lois & Clark, that really bad 80s syndicated Superboy, and The Zeta Project. People talk about how Disney is buying Fox to bolster their streaming service, but there’s REALLY nothing about DC’s catalog that’s gonna bring all the boys to the yard. You really going to pay a monthly fee just so you can watch Superman III whenever you want? The shit is in the $5 bin at Walmart. Knock yourself out. Your credit card will thank you. Anyway, I’m putting this in the Need More Information file for now.

Things You Might Have Missed This Week

  • We got this new trailer for Teen Titans GO! To The Movies, and I cannot wait! I posted how I’m more excited for this movie than I am for Deadpool 2, and some dude on Twitter felt the need to tell me that it’s going to make no money. Cool story, bro! Why is the Internet full of people who simply don’t want you to be happy about something? Anyway, Will Arnett as Deathstroke…I mean, “Slade”? Sign me up!
  • I have never loved Arrested Development as much as a lot of folks, but I’ve been meaning to give it a second chance. I became even more inspired to do so when, this week, series creator Mitch Hurwitz announced that a “remix” of season 4 would actually be dropping on Netflix today. Due to the conflicting schedules of the cast, season 4 was originally filmed with each episode focusing on one character. This new edit, however, treats it like a traditional sitcom, much in the way the first 3 seasons were filmed. New jokes, and actual character interaction. This should be interesting, even if just as a case study to see if such a thing can be done well.

  • *NSYNC received their star on the Hollywood Walk of Fame this week. Three things stood out to me about this: 1) I’m amazed Justin Timberlake actually showed up for the ceremony, as I was certain it was just gonna be the 4 less successful ones there. 2) Apparently Loki is real, and he now goes by the name “JC Chasez” on Midgard. 3) Chris Kirkpatrick still looks like the kid that you only let hang out with you because he either has a hot, slutty sister OR his brother is your weed dealer.
  • On a related *NSYNC note, they popped up on Ellen, where it was revealed that Timberlake once hooked up with a Spice Girl. If it was Sporty, he will have my undying love. It was probably Scary or Ginger, though.
  • Comedian Michelle Wolf hosted the White House Correspondents Dinner, and the butthurt, snowflake libtards couldn’t take a few jokes! Wait…we’re receiving an update on this story. Oh, so it wasn’t the Liberals? How interesting…

  • We got the new trailer for Ant-Man and The Wasp, which looks like a MUCH needed, light fare palette cleanser after the heavy events of Infinity War.
  • Taking a page from DC’s marketing of The Dark Knight, Fox is dropping X-Men from the title of the series’ next installment, which will now just be called Dark Phoenix. Yeah, I think the great Dwayne Johnson put it best when he said, “IT DOESN’T MATTER WHAT YOUR NAME IS!”
  • Speaking of The Rock, he just cast John Cena as the lead in The Janson Directive, which Johnson is producing, based on a Robert Ludlum book. A Robert Ludlum book that sounds a lot like The Bourne Identity
  • Detective/Captain/Mayor Quentin Lance is leaving the Arrowverse, as actor Paul Blackthorne is exiting Arrow at the end of the season. I’ve felt he’s been living on borrowed time since season 2, but I grew to love him. Here’s hoping he gets to walk off into the sunset instead of getting killed off.
  • The Unbreakable Kimmy Schmidt will be ending after its upcoming 4th season, with a planned movie that will wrap up any loose ends. Sad to see it go, but I never made it through season 2, and I guess this gives Tina Fey time to work on that 30 Rock revival she’s been teasing.
  • The Handmaid’s Tale (Hulu), The Good Fight (CBS All Access), and Westworld (HBO) were all renewed for a 3rd season this week.
  • Thought I’ve never encountered anyone who liked the show, Netflix somehow renewed Friends from College for a second season, and Sarah Chalke will be joining the cast.
  • The Simpsons surpassed Gunsmoke to become the longest-running, scripted primetime series on television, with 636 episodes.
  • Because we’re in the midst of a conservative TV family renaissance, with the success of Roseanne, it’s being reported that Fox is close to reviving Tim Allen’s Last Man Standing for a 7th season. I get the Why, but Fox ain’t the right home for that show. They don’t have any other multicam sitcoms to pair with it. It’ll be an anomaly on their schedule, but it ain’t my money, so…
  • Speaking of Fox, they renewed Empire for season 5. I can only imagine that Lucious spends half the season in space, only to return to an Earth where everyone has seemingly forgotten about Dre.
  • The current story arc on Black-ish makes it seem like Dre and Rainbow are headed for splitsville. There are so many things at play here. It’s rare to have a positive, Black nuclear family on television, so they’d spit in the faces of a lot of fans to destroy that. It’s also reportedly based on the real-life relationship of show creator Kenya Barris, and he and his wife (also named Rainbow) worked through their problems. Still, this is a matter dictated by business. Star Tracee Ellis Ross is upset that she doesn’t make as much as costar Anthony Anderson. She’s said she’s willing to reduce her role to part-time in order to take work on another series to make up the difference. Negotiations are ongoing, and there’s no renewal deal yet for next season. Oh, and Barris is trying to get out of his ABC deal. So, yeah, this is gonna come down to the 11th hour, and it doesn’t look good.

  • We got this cast pic from the upcoming Murphy Brown revival. I love how Faith Ford’s face basically says “God, I wish my husband hadn’t racked up all that gambling debt…” Anyway, before conservatives get all upset, they didn’t recast Murphy’s kid with that Indian dude. No, he’s the social media manager for FYI, which is only slightly less offensive…

  • 16 year old Isabela Moner has been cast as the lead in the live action Dora the Explorer film. Look, I know I grew up in a time when high schoolers were played by 30 year old actors, but I draw the line at a 16 year old Dora. The Sketchy Dad contingent, however, is gonna eat this up!

So, I bet you thought we were done with Infinity War. Well, you were wrong, sucka! Up top we discussed opinions, but now we’re gonna talk about facts.

  • It’s the culmination of 18 films, released over the past 10 years
  • The film is expected to pass $1 BILLION worldwide this weekend – just ONE WEEK after its release, and it doesn’t even in China until May 11th

  • The film beat Star Wars: The Force Awakens to have the biggest opening of weekend of all time, with $250 million. Game recognizes game. And they have the same corporate parent, but whatever.
  • It was the payoff of a decade’s worth of film-making, and it provided an experience that a lot of comic fans never dreamed they ever see on film.
  • It’s the endgame of Book 1 of the Marvel Cinematic Universe. When the dust settles, we’ll have the entire story of Steve Rogers as Captain America, Tony Stark as Iron Man, and possibly more. And what a ride it has been!

All of this is just a long winded way of saying that Avengers: Infinity War, hands down, without a doubt, had the West Week Ever.

16th Mar2018

West Week Ever: Pop Culture In Review – 3/16/18

by Will

HarassmentWatch(TM)

Jeff Franklin – I kinda missed this one from a few weeks back, but the Full House/Fuller House creator, showrunner, and executive producer was fired for misconduct allegations. While it doesn’t seem like he was dangling his wang around the office,  he would tell coworkers about his sexual exploits, and he’d bring his girlfriends to the set and give them bit parts in episodes. Not only was he fired from Fuller House, but his entire deal with Warner Bros Television was terminated.

James Levine – the Metropolitan Opera fired conductor was following a sexual misconduct investigation. Hey, he’s a baton waver, so he might as well be a wang dangler, right? Anyway, Levine is now suing the Met, accusing them of “cynically hijacking the good will of the #MeToo movement,” He’s seeking roughly $6 million in damages for breach of contract.

Fresh off the success of A Wrinkle In Time, Ava Duverney has been tapped to direct New Gods for DC/Warner Bros. And I could not care less. The New Gods/Fourth World stuff is a pretty big thing that Jack Kirby’s known for, but ya see, I’m not a Jack Kirby fan. You know how there are those folks who root for Johnny instead of Daniel in The Karate Kid? That’s how I am with the whole Stan vs Jack debate. People will tell you that Kirby did so much for the medium, and how comics were never the same after him, but I feel like it’s one of those “You had to be there” situations. I’ve seen some Kirby stuff that looked like cave drawings. So, not a Kirby fan.

Also not a New Gods fan. I think I’ve always seen Darkseid as Not Thanos (yes, I understand Darkseid came first, but I was introduced to Thanos first). But their whole mythology has never interested me. I like Mr. Miracle and Barda, as a married couple and as Justice Leaguers, but I don’t care about anyone else from that corner of the DC Universe. Not Granny Goodness, not the Furies, not Apokolips, none of it. So, as great as Ava is, not even she can excite me about this. I honestly can’t name anything that would make me care about it. While Taika Waititi incorporated some Kirbyisms into Thor: Ragnarok, sometimes I feel like the vast majority of that Kirby stuff can’t really be translated to film. While he did a lot with the comics medium, that’s just it – it was the *comics* medium. He did it there because it couldn’t really be done any other way. Sure, we have the technology now, but can it be done? And even if it’s accurate, it could end up like Watchmen. A lot of folks will tell you that Watchmen was a faithful adaptation of the original miniseries, but was that a good thing? I like parts of that movie, but not all of it. Maybe I’ll like parts of New Gods, but I’m not even a guaranteed movie ticket sale at this point.

There was quite a bit of controversy in the world of wrestling this week as WWE announced the Fabulous Moolah Memorial Battle Royal at Wrestlemania 34. It was meant to honor late female wrestler Fabulous Moolah (AKA Mary Lillian Ellison) but, ya see, Moolah wasn’t such a good person, according to various reports. After her death in 2007, reports started to trickle out that Moolah used to abuse the women who trained at her compound, and she kept them in indentured servitude. She routinely took about 30% of everything they made, while charging them rent and expenses, but there are also reports that that she pimped out some of the girls to a nearby brothel. So, you can see why there was fan backlash against WWE’s idea.

The company always seems to end up on the wrong side of history with controversial topics. After all, the late Chyna can’t be inducted into the WWE Hall of Fame because she did porn, and Triple H doesn’t want his kids to know he banged her before he met their mom (Hey CBS – there’s a reboot idea for ya!). Meanwhile, Moolah was the first woman inducted into the WWE HOF in 1995, and she was a frickin’ pimp! The backlash against the announcement was strong, causing WWE to disable the comments on the announcement video, as a petition was also circulating, which gathered 10,000 signatures. WWE bowed to the pressure, and did the right thing by changing the name. It will now just be called the Wrestlemania Women’s Battle Royal, which is kinda generic, but at least it doesn’t offend anyone. They could have called it The Godfather’s Ho-Tacular Battle Royal, but they don’t pay me for ideas…

People are always surprised when I say that Elton John is my favorite solo artist of all time. Why, ’cause I’m Black?! To take it even further, my favorite Elton era is the late  80s, early 90s, pre Lion King Elton, when nobody gave much of a shit about him. He was cranking out “Sacrifice”, “I’m Still Standing”, and “Simple Life” and I LOVED IT! I own the entire Elton discorgraphy, and he’s actually been doing so really great experimental stuff in recent years, like when he dipped his toe in the country waters on The Union – his duet album with the late Leon Russell.  Well, the experiments just keep coming with this upcoming Elton tribute two album tribute. First up, there’s Revamp, which has some of today’s hottest artists and bands tackling Elton and songwriter Bernie Taupin’s hits. Here’s the track listing for that one:
1. “Bennie and The Jets” – Elton John, P!nk, Logic
2. “We All Fall In Love Sometimes” – Coldplay
3. “I Guess That’s Why They Call It The Blues” – Alessia Cara
4. “Candle In The Wind” – Ed Sheeran
5. “Tiny Dancer” – Florence + The Machine
6. “Someone Saved My Life Tonight” – Mumford & Sons
7. “Sorry Seems To Be The Hardest Word” – Mary J. Blige
8. “Don’t Go Breaking My Heart” – Q Tip feat. Demi Lovato
9. “Mona Lisas And Mad Hatters” – The Killers
10. “Daniel” – Sam Smith
11. “Don’t Let The Sun Go Down On Me” – Miley Cyrus
12. “Your Song” – Lady Gaga
13. “Goodbye Yellow Brick Road” – Queens of the Stone Age

From this collection, the tracks I’m most worried about are 1, 11, and 12. P!nk better not screw up “Bennie”, while I don’t think Miley has the chops for “Don’t Let”. And Gaga could be really good on “Your Song”, but will she be?

Next up is Restoration, which Elton said was Bernie’s project. Basically, it features a bunch of country artists taking a swing at Elton’s hits:
1. “Rocket Man” – Little Big Town
2. “Mona Lisas And Mad Hatters” – Maren Morris
3. “Sacrifice” – Don Henley and Vince Gill
4. “Take Me To The Pilot” – Brothers Osborne
5. “My Father’s Gun” – Miranda Lambert
6. “I Want Love” – Chris Stapleton
7. “Honky Cat” – Lee Ann Womack
8. “Roy Rogers” – Kacey Musgraves
9. “Please” – Rhonda Vincent and Dolly Parton
10. “The Bitch Is Back” – Miley Cyrus
11. “Sad Songs (Say So Much)” – Dierks Bentley
12. “This Train Don’t Stop” – Rosanne Cash and Emmylou Harris
13. “Border Song” – Willie Nelson

I actually prefer the Revamp tracklisting to Restoration‘s, but I’m excited to hear what Little Big Town does with “Rocket Man”. All I know is Don Henley better not screw up “Sacrifice”! Anyway, both collections come out April 6th, so I guess I’ll be buying my first CDs in about 3 years.

I’m still getting my thoughts together around Toys “R” Us, so I’m sorry to disappoint ya if you were looking for that this week. Maybe it’ll be its own post. I’m not even sure. What I do know is that it’s still too early to tell what’s going to happen. Sure, the company did announce that they would sell OR close their remaining roughly 700 stores. That’s what I’m hung up on. Someone could come in and buy the name and TRU will live again in some way. I don’t know. All I know is that we went to say our possible goodbyes as a family last weekend. I’d be lying, though, if I said I felt it was truly the last time I’d be in a Toys “R” Us.

I had a funny interaction online last weekend with a popular radio DJ. I’ve been listening to country now for about 10 years (the things we do for women!), and I guess Evie’s being raised on it. The biggest morning show in the format is The Bobby Bones Show, and we all listen to it every morning. Well Evie, being all of 2.95 yrs old, has come to think ALL radio is Bobby Bones. So, when we get in the car, she’ll demand “Bobby Bones!” I decided to tweet Mr. Bones and let him know about this. Not only did he Like the tweet, but he even retweeted it with a modified Jeff Foxworthy joke. I’ll take it!

Unless you’re new here, you know I love to talk. This means I love being on podcasts, and I was honored to join the Nerd Lunch Extra Helping episode on Black Panther that went up this week. I actually had more to say about the film than what you probably heard on Classick Team-Up, so think of that episode as Part 1 of my thoughts, and this one as Part 2. Will there be a Part 3? Have your people call my people!

Things You Might Have Missed This Week

  • For all the parents out there, you’ll be glad to know that Disney Channel has renewed Mickey and The Roadster Racers for a 3rd season. Actually, I kinda hate that show. I prefer the pre-K nuance of The Mickey Mouse Clubhouse myself.
  • AMC has announced a 31-hour Marvel Cinematic Universe marathon, culminating in the release of Avengers: Infinity War. Some of y’all have enough of a problem showering for a 2-hour movie, so this is a hard pass for me.
  • Speaking on theater events, Fathom Events has announced Survival Sunday, which will see the 8th season finale of The Walking Dead and the 4 season premiere of Fear The Walking Dead shown up on the big screen for one night only – April 15th.
  • Noted physicist Stephen Hawking passed away with week after a LOOOONG battle with ALS. I’ve got to say that I’ve always been surprised that his appearances on The Big Bang Theory didn’t lend the show any “legitimacy”. Like, here’s this brilliant guy who thought it was funny (or at least liked the paychecks), but that wasn’t good enough for folks.
  • Fresh off her firing from Grey’s Anatomy last week, Sarah Drew has been cast alongside Michelle Hurd as the stars of CBS’s Cagney & Lacey reboot. Not sure if she’s Cagney or Lacey. Also not sure it even matters.
  • Calling all fast teenage girls – you’ll have to get your kicks at the Piercing Pagoda from now on, as your beloved Claire’s plans to file for Chapter 11 bankruptcy protection. Oh, and they’ve found asbestos in the makeup. Remember when your biggest high school problem was whether Johnny was gonna ask you to the big dance? Now you’ve got to worry about asbestos?!
  • Despite the fact that we live in a world of YouTube and Tosh.0, America’s Funniest Videos was somehow renewed for its 29th (!) season this week
  • Bravo developing limited series based on the New York Times bestselling graphic novel, The Fifth Beatle: The Brian Epstein Story
  • Kindly peek your head into your distant stepfather’s study, and inform him that The Librarians has been cancelled on TNT after 4 seasons.
  • The Church of Scientology launched The Scientology Network this week, as a 24 hr TV network on DirecTV. For now, it’s probably just episodes of Rebecca Chambers era Cheers reruns and Dharma & Greg.
  • HBO has ordered a pilot for Euphoria, based on an Israeli show described as Kids meets Trainspotting. Um, wouldn’t that just be Skins?
  • Norm Macdonald Has A Show, a new talk show hosted by, well, Norm Macdonald, has gotten a 10-episode order at Netflix
  • CNBC is bringing back Deal or No Deal, which will again be hosted by Howie Mandel. What’s the show about again? Something about a briefcase? Never seen it.
  • Black-ish creator Kenya Barris and ABC “mutually decided” (uh-huh) to pull an episode about the NFL kneeling debacle, due to “creative differences”. Whatever. It’ll just sweeten the syndication deal when that rolls around.
  • ABC’s Katy Perry-fronted American Idol reboot debuted on Sunday night, while Fox aired an OJ confession. Man, I’d forgotten what it was like to live in 2003!
  • Fresh on the heels of the completely irrelevant iHeartRadio Music Awards, the parent company, iHeartMedia Inc., filed for Chapter 11 bankruptcy protection. Ya know why? BECAUSE THEY WASTE MONEY ON THINGS LIKE IRRELEVANT AWARDS SHOWS!
  • There were recent tests screenings of Deadpool 2 at and apparently it was a mess of a film. I kinda don’t find this surprising. There are reshoots going on now, but that’s not unusual for a movie to do. Nothing to see here, kids.

  • We got a trailer for Sorry To Bother You, starring Atlanta‘s Lakeith Stanfield as a reluctant telemarketer, and it looks really quirky. It’s definitely got a Bamboozled vibe to it.
  • Some chick online was upset about Bruno Mars’s fame, saying that his success was the result of cultural appropriation. I’ve gotta say I never even knew he wasn’t Black. I knew he wasn’t Djimon Hounsou Black, but I thought he was, like, Dwayne Johnson Black. Either way, he’s dark enough to not be able to drive through certain areas late at night, so that’s good enough for me!


Behold! I’ve been waiting all week for this, and it did not disappoint. There will be many tears shed by the end of this film. Yeah, the final Avengers: Infinity War trailer had the West Week Ever.

09th Mar2018

West Week Ever: Pop Culture In Review – 3/9/18

by Will

HarassmentWatch(TM)

Ryan Seacrest – Last week I said that he was basically Teflon, as the sexual misconduct allegations against him were sliding right off him. Well, last week I was wrong. Ya see, the Oscars were on Sunday, and celebrities were going out of their way to shun him on the red carpet. I mean, this is his livelihood, and he can’t do his job because the accusations are affecting that. Right now, American Idol seems to be standing by him as they prepare for their premiere this Sunday, but I really wonder what the end result of this is going to be. I don’t “cape” for him because I like the guy. I mean, I certainly admire his work ethic, but he’s not my favorite celebrity or anything. Still, I guess I’ve kinda put this into the Paul Haggis category – Haggis seemed more like the target of a Scientology smear job, while I thought we had all agreed as a people that Seacrest didn’t even like women. What happened to that?

Terry Crews – I don’t know if I ever even wrote about this when it initially happened (cut me some slack – I do this weekly, and my site search is broken), but Terry Crews was the victim of inappropriate physical advances by a high-level Hollywood executive. He was on the verge of being blackballed, as no one was really coming to his defense. Still, he continued his fight, suing talent company William Morris Endeavor – the company led by the exec – for sexual assault. Well, this year, prosecutors decided not to press charges, as the statute of limitations had passed because the incident occurred in 2016. It really seems like some powerful folks in Hollywood are trying to bury this, but Crews isn’t backing down. It’ll be interesting to see how this plays out.


Remember how Finn was completely wasted in Star Wars: The Last Jedi? Remember how he really didn’t have his “moment” – the thing you’d remember about him most from the movie? Well, it turns out such a thing does exist. They just didn’t use it. Here’s the alternate cut of his confrontation with Captain Phasma. I think this scene actually provides more depth to both characters, and it’s shame we lost it. I mean, up to this point, Phasma is just Boba Fett Mark II: she’s all style and no substance. Meanwhile, Finn really could’ve used a “win” in this film, and this would’ve done it. The only problem I have is that the effect of him blasting her away looked like it was straight out of an 80s movie, but I’ll just blame it on the fact that the effects were probably unfinished.

Another week means another Cobra Kai teaser, and I might slowly be coming around on this thing. I still think YouTube Red is just Yahoo! Screen Redux, and this series ain’t gonna get me to subscribe to it. Still, I’d watch this if it were right in front of me. I was hung up on the point that Karate Kid wasn’t a comedy. Still, over the years, there’s been that growing fan theory that Daniel is the real asshole of the story (Thanks for that, Barney Stinson!), and this series seems like it’s leaning into that. That’s actually a story I’d be interested in seeing. Plus, they made Daniel a car salesman. Name ONE car salesman in pop culture who isn’t The Asshole? Even Moesha’s father did a heel turn there for that last season, where we found out he was actually the father of his “nephew”.  Anyway, I’m down for a Johnny Lawrence redemption story.

So, I know nothing of the current state of hip hop, but apparently there’s a dude named Vince Staples who seems to have a lot of haters. So many haters, in fact, that he set up a GoFundMe where he’s asking those haters to raise $2 million for him. In return, he will simply GO AWAY. Yup, he said, he’ll stop performing, doing interviews, all of it. He’ll take his ball and go home. A lot of this is in response to recent negative reviews of his live performances,  He basically gives the audience an alternative: “Get off of my dick OR fund my lifestyle”. So far, he’s raised over $1500. To add to the campaign, he just released the song “Get The Fuck Off My Dick”, to further drive home his point:

I’ve gotta say, I admire his business sense. He’s taking “Fuck you, pay me!” to a whole new level.

Things You Might Have Missed This Week

  • Apparently Amazon Alexa-powered devices are laughing at their owners, and folks don’t seem to know why. “First they laughed at the Socialists. And I did not speak out…”
  • The Oscars were this week, with a lot of fan favorites taking home awards, including The Shape of Water winning Best Director and Best Picture, Coco winning Best Animated Feature Film, and Get Out won Best Original Screenplay.
  • Following a recent domestic violence arrest, Heather Locklear is heading to rehab. If I know my Hollywood, Dr. Drew is talking to his people as we speak.
  • Box office wunderkind Black Panther could possibly top $1 BILLION worldwide today.
  • Tom Cruise may be in talks to play Green Lantern for DC/Warner Bros. So, I guess that means there’ll be at least one scene of him running. After seeing the Mission Impossible: Fallout trailer, where he’s just treated like a death-defying ragdoll, I’d pay to see CGI’d Tom Cruise slamming into shit. I don’t hate this idea.
  • Wonder Woman director Patty Jenkins confirmed that Kristen Wiig has been cast as Cheetah for the sequel. I guess I’m just gonna have to trust Patty on this one…
  • In light of Marvel moving the Avengers: Infinity War release date up a week, from May 4th to April 27th, New Line Cinema has moved the Rampage release date up a week, from April 20th to April 13th. Gotta make sure The Rock gets all the ticket money has has coming to him!
  • Jon Favreau will be producing a live action Star Wars series for Disney’s upcoming streaming service. He also apparently has a role in Solo: A Star Wars Story, which was news to me!
  • Vin Diesel has been cast in the Bloodshot movie, based on the Valiant Comics character. If you spend a lot of time online, you know that former Power Rangers actor Jason David Frank had been cast as the character for a web series, and it was pretty obvious he was using that to lobby for the big role. Folks might wanna stay out of is way for the next few days!
  • Bronson Pinchot has been cast in Netflix’s Sabrina series, as the title character’s principal. Sounds like he’ll be more Principal Snyder than Mr. Belding, as he’s described as a “constant thorn in her side”.
  • An upcoming episode of Supernatural, called “Scoobynatural”, will feature the Winchester brothers being sucked into a Scooby-Doo cartoon and teaming up with the Scooby Gang. I’m kinda surprised Warner Bros is giving this away for free instead of selling it from Warner Bros Home Entertainment.
  • There are reports that Barack and Michelle Obama are in talks for a production deal with Netflix. I…don’t really know what to think about that. I mean, won’t this void his membership in The X-Presidents? WILL HE BE MAKING AN X-PRESIDENTS SERIES?!

  • Here’s a pic of Zachary Levi in his SHAZAM Captain Marvel costume. I guess it looks OK. I mean, I’m not about to lose my shit over SHAZAM until I see a trailer.
  • Speaking of ill-advised DC movie ideas, the rumored standalone Joker film will position the character as a failed comic from the 80s. Do you know how much you had to suck to bomb in the 80s? Was Joker losing gigs to Yakov Smirnoff?

  • Luke Cage season 2 will debut on June 22nd on Netflix, and it’ll be interesting to see how the show is received in a post-Black Lightning/Black Panther world. Cage tends more to Lightning than Panther, with his street level heroics, but it seems like Lightning has achieved what Cage was trying to do in that first season. From what I’ve read, at least. Technically, I’m still on Daredevil season 2. Hopefully I catch up by this release date. Meanwhile, Jessica Jones season 2 debuted this week, and nobody”s saying shit about it. Are folks over MCUFlix (patent pending)?

  • This thing is depressing as Hell. Up until the 30-second mark, I thought, “Are they remaking Schindler’s List?” I don’t think Christopher Robin is for me. And when you think about it, this is just a socially-acceptable, family friendly Ted. I’ll stick to the original recipe, thank you very much!

  • Why is every upcoming live action Disney movie set in some sort of 1930s dystopia?! What the Hell, Disney? Anyway, I don’t remember the first Mary Poppins, so this thing didn’t tug on any heartstrings for me. Your mileage may vary.
  • The Toys “R” Us situation has gotten more dire, as complete liquidation of their assets in the United States is now an option on the table – one that several creditors are hoping they’ll choose. On Monday, we’ll find out if Geoffrey is headed to the dog food factory.

This week’s I’ve got less of a “This blew my socks off!” and more of a “Hmm…This Could Be Interesting”. You see, DC Comics announced the DC Black Label imprint, which will feature high-profile creators on outside-of-continuity stories about their biggest characters. Ultimately, and they make no bones about this, this is their quest for the next The Dark Knight Returns – the classic Frank Miller Batman story that changed the world of comics, for better or for worse. DC has always positioned themselves as a legacy publisher, which I’ve felt is sometimes to their detriment. After all, at times it seems they spend so much time reminding folks of where they’ve been that they don’t focus enough on where they’re going. This seems like a little bit of both. They’re trying to make more timeless, evergreen stories that they can keep in print, and also get out into the book market as another channel of revenue. The titles and creators announced are kinda interesting, though. Let’s take a closer look at the creative teams and synopses for the upcoming stories:

SUPERMAN: YEAR ONE from Frank Miller (THE DARK KNIGHT RETURNS, BATMAN: THE DARK KNIGHT: MASTER RACE) and John Romita Jr. (ALL-STAR BATMAN, SUPERMAN)
A groundbreaking, definitive treatment of Superman’s classic origin story in honor of his 80th anniversary. This story details new revelations that reframe the Man of Steel’s most famous milestones—from Kal-El’s frantic exile from Krypton, to Clark Kent’s childhood in Kansas, to his inevitable rise to become the most powerful and inspiring superhero of all time.

Will’s Thoughts: Sounds like a pass for me. The teaser art is horrible, and John Romita Jr. hasn’t really tried in a LONG time. Outside of Kick Ass, everything else he’s done recently has been lazy, and Miller is batshit crazy these days. Plus, how many times do we have to get Superman’s origin? That’s gonna be a “No” for me, dawg.

BATMAN: LAST KNIGHT ON EARTH from Scott Snyder and Greg Capullo, the creative team behind DARK KNIGHTS: METAL
Batman wakes up in a desert. He doesn’t know what year it is or how The Joker’s head is alive in a jar beside him, but it’s the beginning of a quest unlike anything the Dark Knight has undertaken before. In this strange future, villains are triumphant and society has liberated itself from the burden of ethical codes. Fighting to survive while in search of answers, Bruce Wayne uncovers the truth about his role in this new world—and begins the last Batman story ever told.

Will’s Thoughts: I’m oddly intrigued. A lot of the problems I had with the Snyder and Capullo Batman run was their treatment of continuity. It’ll be interesting to see what they can do without those shackles. And I’m sucker for “Last ____ Story Ever” tales.

BATMAN: DAMNED from Brian Azzarello and Lee Bermejo, the creative team behind JOKER
On a deserted Gotham City bridge, a body is found. Whispers spread the news: Joker is dead. But is this a dream come true or a nightmare being born? Now Batman and DC’s outlaw magician John Constantine must hunt the truth through a Gotham City hellscape. The city’s supernatural recesses are laced with hints about a killer’s identity, but the Dark Knight’s descent into horror will test his sanity and the limits of rationality, as he must face a horror that doesn’t wear a mask.

Will’s Thoughts: Out of the two Batman stories launching with Black Label, this is probably the one I trust the most. I know what I’m getting from this creative team, based on their work on Joker and Lex Luthor: Man of Steel – both of which I loved. Azzarello “gets” Batman, while Bermejo’s style is a treat that you don’t get on a monthly book.

WONDER WOMAN HISTORIA: THE AMAZONS from Kelly Sue DeConnick (Bitch Planet) and Phil Jimenez (INFINITE CRISIS)
A Homeric epic of the lost history of the Amazons and Queen Hippolyta’s rise to power. Featuring monsters and myths, this three-book saga spans history from the creation of the Amazons to the moment Steve Trevor washes up on the shores of Paradise Island, changing our world forever.

Will’s Thoughts: I’m curious to see this, as it’s DeConnick’s first real work for DC. That said, I’m not sure I’m what you’d call a “DeConnick fan”. I read Bitch Planet, and I was like “Yeah, I don’t get intersectional feminism enough to appreciate this.” I also don’t love Wonder Woman, but I know Jimenez has a strong track record with the character. I’ll check it out, but it’s still an unknown to me at the moment.

WONDER WOMAN: DIANA’S DAUGHTER (working title) from Greg Rucka (WONDER WOMAN, BATWOMAN)
It’s been 20 years since the world stopped looking to the skies for hope, help, and inspiration. Now the world keeps its eyes down, and the powers that have risen have every intention of keeping things that way. Amongst a scattered, broken resistance, a young woman seeks to reclaim what has been forgotten, and on the way will learn the truth about herself, her heritage, and her destiny.

Will’s Thoughts: Rucka *gets* Wonder Woman – one of few creators from the past 25 years for which you could say that. I think they need to make sure he has the right artist here, but it sounds like an interesting concept. It’s basically an origin story with a new backdrop. Even without knowing the artist, if I had to bet on one of the Woman Woman Black Label series, this would be the one. Hopefully they’re trying to get J.G. Jones, so we get a reunion of the creative team behind the great Wonder Woman: The Hiketeia.

THE OTHER HISTORY OF THE DC UNIVERSE from John Ridley (12 Years a Slave, THE AMERICAN WAY)
A compelling literary series analyzing iconic DC moments and charting sociopolitical gains through the perspectives of DC Super Heroes who come from traditionally disenfranchised groups, including John Stewart, Extraño, Vixen, Supergirl, Katana and Rene Montoya, among others. At its core, the story focuses on the lives of those behind the costumes, and their endeavors to overcome real-world issues. It isn’t about saving the world, it’s about having the strength to simply be who you are.

Will’s Thoughts: Out of all of the announced titles for the first wave, this is probably the one I’m most eager about. The story was teased over the weekend that DC in D.C. was taking place, and Ridley was present but couldn’t provide any details. When it comes to the minority lens, Marvel tends to do a better job at this than DC, but I think they’ve got the right guy here to do it, especially if you’ve read his series The American Way. Looking at the list of characters, it almost feels like “One of these things is not like the others” with Supergirl there. I know she’s an alien, but it’ll be interesting to see how she’s categorized as “disenfranchised”. Anyway, this has the potential to be DC’s own version of Marvels, which is just the kind of classic tale they’re trying to create here.

While Marvel is busy with their “fresh start” to right the ship over there, DC is finally thinking outside the box and taking some risks. At a glance, sure it seems like, “Ugh, MORE Batman, another Superman origin, and a bunch of uncertain Wonder Woman books.” On paper, I can see how it comes off that way. But DC is VERY protective of their continuity, so they’ve created a little corner where some industry stars can just go wild. I also think this is a more focused approach than DC’s more recent imprint, Young Animal, where “Weird!” seems to be the only driving principle. DC has been making a lot of moves that have impressed me, and this is just another one to add to that list. I think DC Black Label shows a lot of promise, and that’s why it had the West Week Ever.

02nd Mar2018

West Week Ever: Pop Culture In Review – 3/2/18

by Will

HarassmentWatch(TM)

Brendan Fraser – So, first a correction: last week I said there’d been no Wang Dangler Hanky Panky (that would’ve been a great name for an early 90s Country song), but I was wrong. There was a GQ interview with Brendan Fraser that I didn’t have the chance to read before I wrote the post, where he explained why he had “disappeared” from Hollywood. It turns out a former president of the Hollywood Foreign Press Association had grabbed his buttcheek and sort of fingered his taint, in a public situation much like what happened to Terry Crews. His reps demanded an apology from the HFPA, and he believes that’s what led to his career downturn.

Ryan Seacrest – A few months ago, a former stylist accused Ryan Seacrest of sexual misconduct. Oddly enough, the investigation just ended, and he wasn’t found guilty of any wrongdoing, but the woman still went public with the full account of what happened to her. E! says they’re standing by her, and Seacrest must be Teflon, because this is sliding right off of him.

We’re beginning to get more information on Marvel’s big “fresh start”, as Black Panther writer Ta-Nehisi Coates will add the Captain America comic to his workload. Anyone who thought that this was a return to the “old days” is wrong, because Coates is going to bring anything but an old fashioned approach to the character. That said, I can’t say I’m excited because I find his Black Panther run boring as fuck. It’s like watching paint dry. You came for the Vibranium and the jungle fights, but all you end up with is African political intrigue. Pass! It’ll be interesting, though, to see how folks receive his Cap run. I mean, it was one thing when he was on Black Panther, but it’s another thing for him to be writing the Star Spangled Champion of Freedom.

Meanwhile, former Captain America writer, Nick Spencer, is taking over Amazing Spider-Man once Dan Slott’s ten-year run ends. And the crowd is butthurt! See, they still haven’t gotten over Secret Empire, where Cap was basically turned into a sleeper Nazi agent. Fans need to realize that these are not their personal toys, and that things can be done with them that they might not have considered. I will admit that Secret Empire wasn’t the greatest thing since sliced bread, but that’s more in the execution and not the concept itself. You had people deriding it online who had never read a comic book. I felt the lead-up to the event, especially in the Sam Wilson: Captain America comic, was some of the best character work I’d read in years. It’s just the execution of the event itself, marred by fan outcry, left me wanting. Anyway, those same folks feel like Spencer ought to be punished for not properly “landing the plane” instead of being “rewarded” with the main Spidey book. Spencer will be joined by Ryan Ottley on art, who’s just coming off a LONG stint on Invincible. I think Ottley’s style works, but it’ll take me some getting used to.

Meanwhile on the distribution side of comics, a sort of “White Flight” is taking place in the Previews catalog. You see, Previews is the “phone book” that retailers use every month to place their orders, and there’s a hierarchy in how publishers are listed. Your “premiere publishers” are in the front of the book. This includes Marvel, DC, Image, and IDW, leaving all the small publishers in the back under simply “Comics & Graphic Novels”. Or it did. A few years back, Marvel began to feel they weren’t getting enough coverage in the catalog, so they introduced their own spinoff catalog, Marvel Previews, which is still published by Diamond, and comes free with the purchase of the main catalog. I knew this was a terrible precedent to set, and now that’s coming true, as DC announced that in about 3 months, they’ll be introducing DC Previews, which is their own standalone catalog for ordering their books – and it will come free with the purchase of Previews. So, now Previews is comprised of 4 books (the main catalog, Marvel Previews, DC Previews, and Adult Previews), but that made room up front in the catalog, so it was announced that BOOM! and Dynamite will now be promoted to “premiere” status in the front of the main catalog. But how long until we get Image Previews, huh? This is just a dumb concept all around.

 


Have I ever told y’all how much I hate YouTube? To me, it should be used for nothing but watching movie trailers, music videos, and old commercials. I only watch one or two shows, and when it comes to “YouTube personalities” and web series, I just don’t get it. That’s how I’m feeling about The Has Been, which is a new web series from every early Millennial’s first crush, Amy Jo Johnson. Yes, the original Pink Ranger has a web series about an A-list actress, who started out on a children’s TV show, who finds out she now has nothing and has to resort to going on the convention circuit. So, she’s basically using cons as the backdrop for this show. Isn’t that, basically, the same thing as Con Man – the other web series with Nathan Fillion and Alan Tudyk?

Sure, the whole thing is kinda tongue-in-cheek. I mean, AJJ was never A-list, not even in her Felicity days. But she has recently thrown herself into the convention world, with the help of her old TV beau, Jason David Frank. Still, the whole Hollywood Bitch Falls From Grace and has to Grovel to the “Little People” shtick has been done countless times. But here’s where my issue with a lot of web series comes in: it’s not really even a finished product. At this stage, it’s an idea, with a trailer. The thing ends with “Help us get this made”. So, she’ll probably set up some crowdfunding thing, while she’s basically amassing free footage from conventions, for which she’s already being paid to attend. I don’t really think that’s fair. Anyway, YouTube is littered with vanity projects like this that go nowhere, and I’m not too swayed by the trailer. What say you?

There’s a new social network everyone’s talking about called Vero. While it’s been around since about 2016, its claim to fame is that it doesn’t have any adds, so there’s no data mining in the background, plus there’s still a chonological timeline. It got a lot of attention last week, and it also helped that Chris Hardwick mentioned he had joined the network during Sunday’s Talking Dead. It got SO much attention, actually, that the servers couldn’t handle the demand, so you couldn’t really do much with it until around Wednesday. One interesting aspect is that you can divide your audience into Close Friends, Friends, and Acquaintances. Silly ol’ me, though, just put everyone down as “Friend” to make it easy. Still, if you wanted to talk shit about someone, you could just switch them to Acquaintance, and then send the message about them out to your Friends only. So, it’s got a lot of Cyberbullying/backstabbing potential.

Of course, whenever there’s something new, meant to be the “Twitter Killer” or “Instagram Killer”, folks just kinda laugh and wonder when it’ll peter out, like Ello and Mastodon did before it. Well, apparently the co-founder of Vero wasn’t paying his workers or some shit, and folks got on their high horses to tell everybody that’s why it’s bad to use the app. Um, the PRESIDENT routinely didn’t pay workers, and that didn’t stop some of y’all for voting for him. So the guy used “slave labor”. Most of y’all are reading this very post on a smartphone made in a sweatshop. My point is that you have to pick and choose your battles, and that you’ll find horror stories for anything if you dare to pull back the curtain. If you wanna say that the Vero interface sucks, you can, because it does, but when you bring the other stuff into it, I feel it just sort of weakens your argument. Not a sermon, just a thought. Anyway, I expect to be done with Vero by Easter unless something amazing comes along and gives it a shot in the arm. If you wanna find me, just look for William Bruce West on there!

Things You Might Have Missed This Week

  • We got another teaser for Youtube Red’s Karate Kid spinoff, Cobra Kai, and just like with the first one, I’m left asking “…why?”
  • Because Marvel loves us, and only wants good things for us, Avengers: Infinity War‘s release date has been moved up a week to April 27th.
  • Snootchie Bootchies! We almost lost Kevin Smith, as he suffered a massive heart attack during a stand-up special he was filming on Sunday.
  • Random aside: am I the only one not feeling A Wrinkle In Time? Nothing about its marketing campaign makes me wanna see that movie. It makes me wanna read the books, but not see the movie. I think it’s Oprah. She’s just taking me out of the whole thing. And let’s hear it for Mindy Kaling’s agent, who somehow got her in the film, even though she manages to look out of place in a world where everything is meant to look out of place…
  • ABC is doing a stealth release of Alec Baldwin’s new talk show, Sundays with Alec Baldwin, this Sunday after the Oscars. It’s based on his podcast, Here’s the Thing with Alec Baldwin, which I used to love until I somehow forgot it existed. No, seriously, I think the WNYC site stopped posting them or something. Anyway, his first guests will be Jerry Seinfeld and Kate McKinnon.
  • Speaking of the ladies of Saturday Night Live, apparently Kristen Wiig is in talks to play the villain Cheetah in the Wonder Woman sequel. OK, so now we’re at the point where those fabled monkeys with typewriters are coming up with the DCEU’s ideas now, huh?
  • I only know one person who watches this show, and I’m about 98% sure he doesn’t even know I have a blog, but he would be happy to know that The Magicians has been renewed for season 4 on Syfy

  • We got our first teaser for Ralph Breaks The Internet: Wreck-It Ralph 2. Yeah, never saw the first one. I do, however, think Wreck-It Ralph would be a great porn franchise, where a guy named Ralph just WRECKS that…well, you get the picture.
  • There’s a rumor that Time Warner is interested in selling off Warner Bros and DC Comics if their merger with AT&T doesn’t go through. Disney might as well just swoop in a buy it. They own everything else already…

Donald’s Glover’s Atlanta came back last night, and it was just as great as I remembered it. While engaging, there’s this underlying discomfort about it. Remember how The Office used to get when Michael would say something more cringeworthy than funny and you just had to sit in the discomfort? It’s sort of like that, where I kinda feel like someone’s about to get shot any second, even though it’s supposedly a “comedy”. The entire first season finale made me feel that way, even though everyone made it out unscathed. Can’t say the same about the second season premiere, though, ’cause there was definitely some shooting. Still, I think we can say that Glover has created a masterpiece, which could be to his detriment.

You see, a New Yorker article on Glover went up this week, and man was it a doozy. He’s kinda hit his John Lennon “We’re more popular than Jesus” phase, though he’s not exactly talking out of his ass. To hear his process, and his general philosophy on where the world is, and where it’s going, it’s both intriguing and frightening. If he were any other person, I might say he needs to be on suicide watch. I only trust that he knows what he’s doing, and can handle his shit. All that aside, whatever he’s going through, he’s channeling it into his work, which has given us some damn fine television. So, with that in mind, Atlanta had the West Week Ever.

 

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