15th Nov2019

West Week Ever: Pop Culture In Review – 11/15/19

by Will

HELLO?! IS ANYBODY HERE?! *echo*

 

I feel like I go on hiatus way too much because I find myself apologizing for having done so way too much. This year, West Year Ever is gonna be pretty easy to compile since I took off, like, 1/3 of the year. Seriously, I even considered switching the format to West Month Ever for a while.

So, where have I been? That’s a great question. Long story short: I had nothing to say. Or, better yet, I had nothing positive to say. And you know the saying, “If you can’t say anything nice…” Sure, there was plenty of stuff to rant about, but I couldn’t balance it out with anything I *LIKED*, and that was a problem. The internet is toxic enough, so I really didn’t feel like feeding into that. So, I spent my time catching up on Power Rangers: Beast Morphers episodes, and trying to clean up my basement. There were times when I was on the verge of posting something, and then life would throw a monkey wrench into my plans. One week, I was working at the work site that has my site blocked, so no posting then. Another week, I was in a car accident and had my car battery die (resulting in a 2.5 hour wait for AAA), all in the same Friday. So, I guess I was just supposed to skip the month of October.

This week, though, couldn’t be skipped because just TOO much happened, and it felt like the perfect time to make my grand return.

In the movie realm, I got around to watching White Chicks the other day. No, I’d never seen it, even though I know it’s a guilty pleasure for a lot of folks. At the end of the day, I didn’t love it. I mean, it’s problematic in a way that only a movie from 2004 could get away with, but I also didn’t find it to be that funny. It could be because we’ve sort of left the era of the socialite behind. Sure, the Kardashians are always considered “famous for being famous”, but they’ve built a business empire upon that. Outside the Hadid girls, we don’t really have the Paris & Nicole Simple Life era socialites anymore, even if we still have spoiled, rich White girls. To be honest, though, I probably would’ve preferred a movie about the Dominican bodega owners that Shawn and Marlon are disguised as in the beginning. I’ll also note that I watched this thing on TV One, so it was probably edited for television with all the good stuff taken out. For you fans out there, is it worth revisiting in, say, an unrated DVD sort of way?

One thing that took the past week by storm was the McDonalds Happy Meal 40th anniversary promotion, and BOY do I have thoughts on that! Designed as a limited run from November 7th through 11th, the promotion first leaked from some YouTuber posting about it. Then, Matt from Dinosaur Dracula tweeted about it, at which point he said McDonalds “kindly” asked him to take down the tweet. Then McDonalds formally announced it: for 5 days only, they would be celebrating the 40th anniversary of the Happy Meal by releasing reproductions of some of their most iconic toys. Oh, and in blind bags.

Let me tell you a little bit of my own history with McDonalds Happy Meal toys, as I was once something of a superfan. This is where my collecting lifestyle began. When there was a new promotion, it was my weekend mission to get my mom to drive us all over town so I could complete those sets. This went on from about Kindergarten to maybe 8th grade. I got to a point where I was modding Happy Meal orders to come with Big Macs and Quarter Pounders with Cheese (I was a “husky”, hungry child) until some employee eventually told me “You know, you can just BUY the toys.” That’s when I moved the to the Extra Value Menu, occasionally shelling out an additional $1.89 for Happy Meal toys. So I had the originals of everything in this anniversary promotion. I would have liked a proper tribute to those old toys, but this wasn’t it.

OK, so here’s the first problem: why reproductions? I know you’re all not like me, spending all your free time in thrift stores, but lemme tell ya something: McDonalds toys are NOT hard to find. Plus I feel like there’s got to be some sort of McDonalds Area 51 with a stockpile of old toys they could’ve drawn from. Even if this doesn’t exist (prove me wrong, cowards!), they could’ve really made this special in other ways. Maybe team up with the American Pickers guys, and have them go out and find some dead stock for them to use. It’d make a great special episode of the show, and it would look like some kind of effort went into it. It could’ve been a yearlong buildup, with webisodes and whatnot. Instead, we get this lame promotion that was shoehorned into a week that McDonalds needed to fill between the Hello Kitty/Pokémon promotion and the Frozen II promotion.

Next problem: blind bagged, though numbered. Why act like it’s such a surprise about what you’ll get when everyone knows there are 17 in the US (#9, believed to be a Barbie, was pulled from the promotion before it began), and the numbers are right there on the polybags? It’s not “blind” if you can read numbers. And I’m not talking some sort of secret Braille code, like the LEGO minifigures use. I’m talking a clear as day number, right on the front, that corresponds to a checklist that most social media influencers posted online after they received a promo shipment from McDonalds. When I didn’t get a special box from McDonalds, that’s when I knew I wasn’t shit.

When the toys actually hit, the third problem became apparent: cheap, inaccurate reproductions. The new toys weren’t as well made as the originals, and they all had 2019 date stamps so as to not confuse folks into thinking they were the vintage toys. A lot of strange decisions had been made. The Changeables burger was no longer a Quarter Pounder with Cheese, as both the cheese and sesame seeds had been removed from the mold. And the one that really grinds my gears: the Red Power Ranger. It’s bad enough McDonalds included this thing when the Power Rangers figures were NOT Happy Meal toys (they were add-on items that you could buy for $1.99 each when the original movie was in theaters), but this Red Ranger they’d included only had one arm and one leg that moved, while the opposite limbs were fixed. Why?! Then they included Bugs Bunny from Space Jam, which was odd because A) I wouldn’t call that promotion “iconic” and B) the gimmick of that toy line was that the different characters were on pieces of basketball court that you assembled into something akin to a train. One toy from the line was kind of boring, but to have them all was sort of special. Here, you got one toy. It’d be like if they had just given you one piece of the Inspector Gadget build a figure promotion. What the Hell are you gonna do with ONE piece?!

Anyway, I found myself on the wrong side of history on this one because the nostalgia bloggers were eating it up. I, however, didn’t get it. Surprisingly, even my wife was like “We’re gonna get Happy Meals every day!” I understand the nostalgia factor, but it just felt so poorly executed. Since the promotion was only 5 days long, restaurants got limited stock and a lot of them seemed to have depleted that stock before the 11th even hit. Plus, I can’t believe that McDonalds contracted factories all the way in China to make such subpar repros for this promotion, especially when the marketing department seemingly screwed the pooch. If you enjoyed it, great, but something just felt rushed and disorganized about the whole thing. Here’s hoping they do a better job for the 50th anniversary, but we’ll be so “woke” by then that Happy Meals will be a salad and a toothbrush.

In the world of comics, there was a lot of hubbub about Jonathan Hickman becoming the new architect of the X-Men line. Everything kicked off in the companion series House of X and Powers of X, which were released weekly over the summer. These led to the release of a new X-Men #1, which I grabbed at a midnight release party (Thanks, Third Eye Comics!).

Now, I had read House of X #1 and thought “Interesting start, but I’m not paying $6 a week for this story.” So, I skipped those minis and dove right into the first issue of the ongoing. And my verdict? These aren’t my X-Men. I like the X-Men who are hated and feared, but always recharge after a huge battle by playing baseball at their school in Westchester county. Hickman’s X-Men, however, has too many moving parts, and I’m not on board with a lot of it.

In a lot of ways, Hickman’s vision is basically just a remix of what Grant Morrison brought to the line when he took over “adjectiveless” X-Men and it became New X-Men. Both share the premise that mutants now have the upper hand, causing frightened humanity to go to desperate measures to prevent their own extinction. It’s an interesting viewpoint, but it’s one where I’m always waiting for the other shoe to drop. With X-Men, sometimes that takes years (see: Emma Frost), but to paraphrase Karl Mordo, “The bill comes due. Always.”

I have always felt that the life cycle of superhero comic fandom is about 15 years, because audiences cycle in and out, but that’s about how long it takes for Been There, Done That to set in. I feel like I’ve seen this before, and that just might be a sign that my time with Charles Xavier’s mutants is up. Maybe folks are into that sort of journey, but I don’t wanna stay on this ride.

While I was away from blogging, I was still keeping busy, running my mouth on a few podcasts. First up, I recorded a look back on Batman ’89 with my pal Chad at the Horror Movie BBQ back over the summer, and he never told me that the episode was posted. I’d been over here, stewing for the last 5 months, that he had yet another unreleased episode with me (We recorded an Adam West tribute a while back that devolved into chaos and has never seen the light of day), meanwhile it had been on his site the whole time. So, sorry about that, Chad. It was a good discussion, though, as I talk about my Bat Amnesia and more, so check it out!

Next, I joined the guys over at Nerd Lunch for the final “Ned Lurch” episode. As they prepare to “sunset” their show, they’re taking one last stab at some of their themes, and Ned Lurch is a guy whose friends and advisors are constantly giving him bad business advice, in an attempt to see him fail. In our episode, Ned is talked into launching the worst action figure line ever. Check it out, as I give the worst improv performance you’d ever expect from me, but it was a fun show. Speaking of improv, I don’t think I’ve ever mentioned how I actually auditioned for the improv group in college. Yeah, there was a period of time when I was bored with a cappella and wanted to try something different. The problem with that plan, though, was that group was led by my girlfriend’s ex boyfriend. At least I made it to the final round, though…

Finally, get ready for the Christmas season by listening to me talk about everyone’s favorite “That’s Not a Christmas Movie!” No, not Die Hard. Instead, podcast extraordinaire, Michael May, had me on his Sleigh Bell Cinema show to discuss Iron Man 3. The same way you’ve got to look at Superman III as “Hey, it’s a Richard Pryor movie, featuring Superman”, you’ve got to do some mental gymnastics with this one, as well. What do I think about Tony Stark’s final solo outing? Take a listen to find out!

Trailer Park


Sonic the Hedgehog

I can’t deny that he looks better now, but I loathe the precedent this movie set. In case you don’t remember, the original design for Sonic had fans so outraged that the backlash to the initial trailer led the studio to delay the film and retool Sonic’s look. On the one hand, folks are like “Great job for listening to the fans!” Meanwhile, I’m over here, like, “Ugh, you listened to FANS!” Half the time fans don’t know what they want, and they tend to stick to the familiar because they hate change. That’s fine. I also dislike change. That said, this movie was never going to be a blockbuster, but now folks feel guilty that they have to support it since they raised such a stink. But you see, the internet is full of folks who love a good fight with no vested interest. A lot of the people the most upset about Sonic’s design were never going to see the movie in the first place. So, was the redesign worth it or in vain? I guess we’ll just have to wait and see.


SCOOB!

Is this basically a reboot of A Pup Named Scooby Doo? ‘Cause I was ALL about that era in the 90s when everyone got a “Lil” version of their franchise. The Flintstone Kids, Life with Louie, Hell, even Little Rosey (who’da thunk they would’ve given a cartoon to Roseanne?! But they did). I won’t be seeing this in theaters, but I’ll totally grab it on Black Friday for my girls.


Holiday Rush

This looks kinda cute. You don’t get a ton of Black Christmas movies, and I’m a fan of Romany Falco. The beauty of this is that I’d never go see this in a theater, not even if the tickets were free, but I can watch dude hit on First Officer Michael Burnham, while sitting at home in my underwear? Sure, I’ll buy that for a dollar!


Harley Quinn

Looks fun. Still not signing up for the DC Universe service. There’s got to be a plan to rehome these shows on HBO Max going forward, as the existence of DCU is making less sense by the day. They could repurpose that site to be a purely comic hub, like Marvel has Marvel Unlimited, but it doesn’t make sense to keep the shows on there, especially when Warner Media is trying to brand HBO Max as THE streaming portal for their catalog. So, I’ll watch this when I eventually cave and get HBO Max, since Rick & Morty will probably be exclusive to that service by 2025 or something.

Things You Might Have Missed This Week

  • John Legend was named People‘s Sexiest Man Alive, and even his wife, Chrissy Teigen, is like “Huh?” I mean, he seems nice enough, but kinda soft. Then again, he’s a former collegiate a cappella kid, so I guess I’ve gotta support him in this endeavor.
  • Not content to stand on the sidelines of the upcoming Streaming Wars, Nickelodeon has signed a deal with Netflix to develop movies and shows based on their properties. Personally, I can’t wait for Are You Afraid of the Black Mirror?
  • The sand might be running out of the hourglass for one of your grandma’s “stories”, as the entire cast of Days of Our Lives has been released from their contracts. Many feel this is a negotiation tactic by the show’s producer, Corday Productions, as they head into contract negotiations. Worst case scenario is everyone is fired and they all get recast. Best case scenario is everyone is rehired, but now at a lower, take it or leave it, rate negotiated in new contracts. Despite the fact that soap operas are a relic of the past, NBC seems committed to providing a home for Days for the foreseeable future.
  • For a brief moment this week, folks thought that Ecto Cooler’s return had been confirmed, coinciding with the release of next year’s Ghostbusters film. That shit turned out to be fake, though. Ya know, until it’s not.
  • As if Constance Wu’s Twitter rant last Spring was going to be forgiven so easily, ABC confirmed that this season of Fresh Off the Boat would be its last. Cute show, but everyone seemed ready to move on, and they’ll all be fine. I know the show was symbolic as the longest running Asian American sitcom, but there will be others. One day. Hopefully.
  • Rick & Morty came back to Adult Swim this week, and I…didn’t love it. Probably because I hadn’t seen this episode 37 times like I have the others. No, seriously, it airs daily and there are only about 30 episodes. It only takes a month to run through the existing 3 seasons. I’ve seen this show more than anything else on TV and I’m not even a superfan. Maybe I’ll grow to love this season.
  • Three year after his death, George Michael’s estate released “This Is How (We Want You To Get High)” for the Last Christmas soundtrack. I’m a sucker for both George Michael AND songs with parentheses in their names, so this song is a hit to me!

  • After it was first announced, like, 10 years ago, The Rock’s Black Adam movie finally got a release date: December 22, 2021. Too bad it’s never gonna happen.
  • I know y’all claim you don’t like country, but I know some like Halsey, and here she guested with Lady Antebellum on one of my favorite songs of the year at this week’s CMA Awards.

  • Screw it. Here’s another amazing performance from the CMAs, from Dan + Shay:

  • Music industry supervillain Scooter Braun recently purchased Taylor Swift’s back catalog, and won’t allow her to perform a medley of her past hits as she receives an achievement award at the American Music Awards. Dick move, but a powerful move.

Well, you couldn’t swing a dead cat online this week without hitting something having to do with Disney+. The anticipated streaming service launched Tuesday, and it’s all anyone can talk about. The launch, however, wasn’t without its hiccups. For one thing, they didn’t allow you to download the app until launch day, so there was no testing to make sure all your ducks were in a row before the big day. Also, a lot of people got error screens when trying to watch their desired selection. That said, it’s a repository of a HUGE amount of Disney programming – from Star Wars to Disney Channel Original Movies – and all for a mere $6.99 per month.

I am not a Disney evangelist, so this wasn’t exactly the Second Coming to me that it was for some folks. Regular readers know I wasn’t the biggest fan of the Fox buyout, but I’ve got kids, and kids like Disney, so I got Disney+. In fact, I have TWO accounts! You see, I signed up on Monday to make sure we were good to go, but then I remembered that, as an unlimited data Verizon customer, I actually get a year of the service for free. So, we had my wife sign up that way, and then I just need to remember to cancel my trial before they charge me on Tuesday. Hell, I probably should be doing that instead of writing this. I need that $70! Oh well, I said I wanted to live dangerously…

Despite the minor gripes that folks have had, including series episodes being out of order and the constant error screens, I feel the roll out could’ve been MUCH worse. I think the demand for the service exceeded even Disney’s expectations (with a reported 10 million sign ups), I think things settled down rather quickly. Folks online began to post the “true” viewing order for episodes, and the error screens decreased.

Another pseudo controversial aspect is that they’ve added disclaimers to properties, like Dumbo, stating that they contain outdated views and representations. Some folks feel like those programs shouldn’t be on the service at all, but I disagree. At least Disney is owning up to its past, and making it something of a teachable moment. With the disclaimers, they can have their cake and eat it, too. That said, it’s just gonna rile up the “Where’s Song of the South?!” crowd even more. Personally, I think Disney handled this the right way, but you can’t please everyone, and you can barely please anyone in 2019.

The biggest show at launch was undoubtedly the Star Wars spinoff, The Mandalorian. I’m not the biggest Star Wars fan, but I’ve heard nothing but great things about it, and it clocks in at only 38 minutes. Score! Hopefully I’ll get to it this weekend. Meanwhile, everyone else on social media was posting about the first thing they watched after setting up the service. I’ve got a big audit at work today, so didn’t have time to play around with things myself. My oldest, however, watched Frozen, like we don’t already have 3 copies of that thing around this house somewhere. I’ve got to remind myself that it’s just $6.99, and not a total waste of money. Wait. It’s free. Whatever. She can watch Frozen all day long, ’cause that ain’t costing me a dime!

Anyway, after my long hiatus, I think I can dust off the title, and present it to Disney+, which clearly had the West Week Ever.

20th Sep2019

West Week Ever: Pop Culture In Review – 9/20/19

by Will

So, my whole two weeks on, two weeks off schedule went off the rails last weekend, but there’s been a lot going on in my world, so forgive. Or not. Whatever. You own me. Anyway, I better get all this out before Tekashi 6ix9ine flips on me for the crew that I rep!

About a month ago, I cared absolutely nothing about the Rambo franchise. I’d never seen any of the movies, despite the fact that it was this FORCE in 80s action movies. Still, I have a lot of pop culture blindspots, and most action “classic” action movies fall into that category. So, I was probably the wrong person for my buddy @michaelmaycomix to ask to guest on the Rambo episode of his Nerd Lunch: Fourth Chair Army Invasion! Podcast. Still, I saw this as a challenge, and proceeded to binge the Rambo franchise over Labor Day weekend. We won’t get too into my thoughts here, as you should definitely go check out that episode, which dropped last week. All this is to say that I walked away from the experience with a newfound respect for those movies, and the 5th installment – Rambo: Last Blood – went from a movie that wasn’t even on my radar to one of my most anticipated movies of the fall. So, I found myself in the Alamo Drafthouse last night, with my buddy Brock, watching a Rambo film on OPENING NIGHT. I only do that shit for things with Stan Lee cameos, but I guess we’ve entered a brave, new era.

I know that not everyone can see a movie on Thursday night, and I know this movie isn’t a priority for most folks, so I won’t spoil anything here. I’ll just say it’s something of an uneven film, which doesn’t even feel like a Rambo movie until the second half. Still, it does a lot with its 89 minutes, with not a single one of them wasted. As I said on Instagram, if you’ve ever thought to yourself “I wonder what a Home Alone remake would be like, starring an old man seeking revenge”, then THIS is the movie for YOU! In the end, I totally enjoyed the film, but I also kinda think there’s a schism in the franchise that occurs around the 3rd film. While the first 3 are about Vietnam vet John Rambo, forgotten by his country, used as a tool of warfare, the last 2 are about a stoic old man who kills the shit out of his enemies with EXTREME prejudice. Even the gore of 2008’s Rambo made sense because it took place in the middle of Burma’s civil war, but the battle here takes place in Arizona, and there’s no real excuse or precedent for that level of violence.

Anyway, if you’re a Rambo fan, maybe check this out. If you’re a fan of Taken/Death Wish, definitely check this out. Oh, and make sure you stay through the first round of credits. There’s a nice montage of scenes from the last 4 movies, and then they sneak something in where you’re like “WHAT?!”

Whew, boy! It’s been a shitshow in Studio 8H, as it’s been a tumultuous few weeks for Saturday Night Live since last we met. First, there was the news that Kate McKinnon – whose deal had expired in the Spring – would actually be returning to the show. Meanwhile, Leslie Jones would not be coming back, with folks wondering if she’d been fired. Well, not even 2 days later, it was announced that she would be hosting (and serving as executive producer of) a revival of the game show Supermarket Sweep. As she put it on her social media, she wasn’t leaving but merely “graduating”, which was a nice way to look at it. I know a lot of folks who’ve left SNL over the years, however, who couldn’t say that.

Next, the show announced the new Featured Players for this season, and there was much rejoicing as Bowen Yang was hired as the first Chinese-American/third openly gay cast member on the show in its 45 seasons. They also hired Shane Gillis, a comedian who just might happen to dislike Asians and gays. Womp womp! If it weren’t for the fact that it’d probably cause a toxic work environment, this arrangement would make for a FIRE reality show! You see, Gillis has a podcast where he’s said some juvenile and inappropriate things about Asians and gays, and those recordings surfaced just as the news broke of his hiring. Then it turned into this whole thing about free speech vs cancel culture, as comedians felt he should be able to say whatever, and “civilians” wanted him fired because his hiring hurt the integrity of SNL. Immediately, Gillis issued a non-apology, saying he’d apologize to “anyone who was actually offended”. Gotta say, it was a shit statement, but I kinda commended him for not going with the boilerplate insincere apology. After a week of unrest, however, Gillis was fired from the show last weekend. His statement after the firing was still on brand, where he said he was disappointed, but was “always a MADtv guy anyway”. I’m sorry, but he kinda had the last laugh with that burn.

Here’s my take: Lorne and everyone else knew about this dude before hiring him, and any attempt to say otherwise is a lie. You know how I know that? The past 2 weeks, everyone is like “Who is this guy? I’ve never heard of him.” Well, I’VE heard of him. See, I’m a big fan of The Bonfire, which is a SiriusXM show hosted by comedians Dan Soder and Big Jay Oakerson. Gillis is a frequent guest, so I already knew his humor. He’s that doughy goof from high school who was always trying to be the class clown. He’ll just say whatever he thinks will make you laugh. No filter. It’s not hard to find his material, so I refuse to believe SNL fell asleep at the wheel in the vetting process like they’re saying. They saw his stuff, and didn’t care, because they didn’t expect it to blow up like this. You see, SNL still likes to believe that they’re this subversive Bad Boy of Comedy that consistently has edge, but that hasn’t been true for a LONG time. No, they’re a very important brand to Kabletown, and corporate, like the house, always wins. Plus, it leaked that Lorne only hired Gillis to court conservative viewers, but look how that turned out. In the words of DJ Khaled, “Ya played yourself!” SNL can’t play both sides against the middle. Having one Affirmative Action conservative hire is not going to open up this untapped fan base waiting to see themselves onscreen. Meanwhile, they just did a bunch for Gillis’s career, as he’s now a household name, even if he’s infamous instead of famous. I never really saw him breaking out of Featured Player status, so it’s probably for the best all around.

So, NBCUniversal revealed that their upcoming streaming service will be called peacock. One of the first shows announced for it sounds like a fever dream. They announced a revival of Saved By The Bell, where Zack Morris is the governor of California and he’s closing all of the low-income schools. As a result, those kids are going to be bused to more affluent schools, like Bayside High. Huh. That seems kinda heavy for the format. Even more odd to me is the casting. While Mark-Paul Gosselaar and Tiffani Thiessen reportedly weren’t even contacted, Mario Lopez and Elizabeth Berkley are expected to appear. That last one is the one that gets me: I mean, Berkley did Showgirls to distance herself from that show, and now she’s going back? Has there even been a precedent for this kind of return? Has anyone ever done a kids show, done something risqué, and then RETURNED to the kids franchise? I mean, I remember when Jessica Biel took those nudes at 17 so she’d be released from her 7th Heaven contract, but that wasn’t nearly as revealing as Showgirls was for Berkley. Is this show even considered for kids? I have so many questions! I mean, it’ll depend on the execution, but this doesn’t exactly sound *fun*. Just sounds like class warfare, but what do I know?

Things You Might Have Missed This Week

  • There’s a rumor floating around that Marvel Studios is considering going with an actor of color for Magneto when the X-Men are introduced to the Marvel Cinematic Universe. This quickly turned into “DENZEL WASHINGTON IS GONNA BE MAGNETO!” I will say that I don’t totally hate the idea, mainly because it’s becoming increasingly unrealistic, just from a timeline perspective, for Magneto to continue to be a Holocaust survivor when the MCU doesn’t have the same established rebirths and resurrections that he’s experienced in the comics in order to make that possible. Plus, there are other genocidal conflicts that could stand in, just as Tony Stark’s origin has slid to more modern conflicts. Still, I don’t wanna live through the online shit storm such a move would trigger, so I’ll gladly pass.
  • Speaking of Marvel, word on the street is that the New Warriors series (ya know, which was gonna star Milana Vayntrub, AKA Lily The AT&T Girl, as Squirrel Girl) is basically dead because it couldn’t find a home. It’s a crying shame when a Marvel show “can’t find a home”, and Disney’s got a whole damn streaming service coming. That’s what it gets for being from Marvel Television and not Marvel Studios like the other shows. Sucks, though, ’cause I was looking forward to it.
  • Across the aisle, it was announced that Tom Welling and Erica Durance will reprise their Smallville roles as Clark Kent and Lois Lane, respectively, in the Arrowverse “Crisis”. I say Clark Kent because, true to Welling form, it hasn’t been confirmed that he’ll be in the Superman suit.
  • After 4 seasons, TBS has cancelled The Detour. It was a really good show that I, for whatever reason, dropped after S1. I need to catch up, but now I’m like “Should I?”
  • Netflix announced that GLOW has been renewed for a fourth and final season. I need to give that show another chance, but it’s in the middle of a very long To Do list right now.
  • My good online pal @thesurfingpizza masterminded the Taco Bell Quarterly literary zine which is such an insane undertaking that I can only look on with awe. If you love Taco Bell AND the arts, then you can’t do better than this collection. I wish I had some kind of connection to that brand to have contributed but I was a latecomer to Taco Bell. My mom always felt that tacos “don’t make no sense”, so…

I’ve got a confession: so, I went to Retro Con last weekend, and was going to do a whole recap post for it. Then, as time dwindled, I was like “Eh, I’ll just give it the West Week Ever” and kill two birds with one stone. Then I started writing this and it got pretty long on its own, so I started thinking it should have its own post again. So, long story short, Retro Con would have had the West Week Ever. Instead, I’m giving it to something else that has brought me joy since we last spoke.

When I first heard Taylor Swift’s Lover, I wasn’t impressed. I thought it was an album of vanilla Muzak that you’d hear while shopping in a Target – fitting, since Target has a massive display for the album, as they’re selling 4 (!) different special edition versions of it. It was a relatively quick listen, though, so I let it loop. And I kept it on loop. And then I fell in love with, basically, every song on that album. I considered doing a track by track review, like I’ve done with some boyband releases in the past, but my target audience doesn’t care what I think about Taylor Swift (then again, y’all didn’t care about Backstreet Boys, and I still did that, so…). So, I’ll spare you the nuanced “I see what she did here” review, and just point out some MUST HEAR tracks:

Cruel Summer

The Man

Cornelia Street

Death By A Thousand Cuts

Soon You’ll Get Better (feat. Dixie Chicks)

False God

ME! (feat Brendon Urie of Panic! at the Disco)

Daylight

Honestly, I love the whole album, but those listed above are the best of the best. I spend so much time griping and bitching about stuff I don’t like that it’s nice to share something that I did truly enjoy. I know it might not be everyone’s cup of tea, but if you’re just looking for a good, pure pop album, you really can’t do better than this. This might go down as my album of the year, but time will tell. In any case, for all these reasons, Taylor Swift’s Lover had the West Week Ever.

 

23rd Aug2019

West Week Ever: Pop Culture In Review – 8/23/19

by Will

 

Do we have to talk about the Spider-Man/MCU thing? ‘Cause I really don’t wanna talk about the Spider-Man/MCU thing. Let’s do it Lightning Round style, shall we? OK, imagine Michael Pena’s Luis going through all this, as it’ll make it a lot more entertaining.

*Deep breath* Prior to the establishment of the Marvel Cinematic Universe, long before Disney even purchased Marvel, Sony acquired the Spider-Man film rights. This deal gave us 2.5 good movies with Tobey Maguire and 2 movies starring Andrew Garfield that nobody really talks about. Then came the MCU, and it was good. So, Marvel Studios was able to strike a 5-movie deal with Sony that allowed them to use the character in their universe. It started with Captain America: Civil War and ended with Spider-Man: Far From Home. Everyone assumed a renewal of the deal was a foregone conclusion, but two things happened: 1) Venom, a Spider-Man spin-off NOT connected to anything the MCU was doing with Spider-Man, somehow made close to $1 billion worldwide and 2) Sony’s Spider-Man: Into the Spider-Verse animated feature (without any major input from Marvel Studios) won Best Animated Feature Academy Award. So, now Sony’s shit don’t stink.

Fast forward to this week, when it was reported that Sony and Marvel couldn’t come to a deal, and that the character’s involvement in the MCU was most likely over. This spawned so many questions: How do you explain anything about this Spider-Man without the MCU stuff? Would Tom Holland still play the character in Sony’s standalone films? Did Tony Stark die for nothing (like Zordon did in Power Rangers In Space)? SO. MANY. QUESTIONS – which spawned SO MUCH NERD ANGER. OMG! It was nothing but hashtags about leaving Spider-Man in the MCU, and everyone took a side: Disney/Marvel’s being greedy because they don’t deserve a 50/50 split (later reported to be closer to a request of just 30%), while Sony’s being dumb because Disney/Marvel did all the heavy lifting to make the character worthwhile, so Disney/Marvel deserved anything they were asking for.

Listen here, young person! Come close, ’cause I’ve got something important to tell ya: There are no heroes here. These are both multi-billion dollar companies that have you crying crocodile tears for them. People want to start throwing around how Disney is a growing monopoly – something nobody cared about with the Fox deal, but now that their precious MCU is in danger it’s suddenly a concern. Well, I hate to break it to ya, but it’s not a David and Goliath story. Sony isn’t some little upstart studio like A24. And the problem with a David and Goliath story in 2019 is that everyone wants Goliath to win, and luckily for them, this is Goliath vs Goliath. Ya can’t lose. And, really, you can’t because this will shake down one of two ways: 1) Sony does their own thing, without Disney’s assistance, and you’ll still go see it OR 2) The two companies strike a deal, and you’ll still go see it. At the end of the day, you’re gonna see whatever it ends up being regardless. And if you all could just calm the fuck down, you’ll realize this is more than likely going to end up in your favor. In the meantime, I ask that you have some decorum, as you’re making those #ReleaseTheSnyderCut people look good.

So there’s a Variety article this week about podcasts that has ruffled some feathers. You see, after only 30-something weeks in the mines, Conan O’Brien has been crowned the new golden boy of podcasts. And the folks who have been podcasting for years are feeling some kind of way about this. I totally understand why folks would be upset, as it’s a poorly-written, somewhat naive, piece that acts like podcasts are these newfangled things that just hit the streets. If this were Parade Magazine, I’d understand this kind of take, but this is Variety! I’ve been guesting on podcasts for TEN years. They are NOT new. Still, like most things, a celebrity endorsement gets it in front of more eyes, and celebs are turning to podcasts in order to “diversify their bonds”. It also doesn’t help that Conan was a reluctant host, who basically told his staff “I have a TV show. Why do I need a podcast?” whenever the suggestion would come up. Meanwhile, there are folks putting their blood, sweat, and tears into shows and aren’t blowing up anywhere near as much as Conan O’Brien Needs A Friend has in the past year. So, it’s more than just “sour grapes”.

At the same time, though, there were some folks who were just never going to listen to a podcast. They just weren’t. It’s like me with videos. With very few exceptions (and you know who you are), I am not a YouTube guy, and there’s very little chance of me becoming one. Believe it or not, that’s how some folks feel about podcasts. But then someone they enjoy, like Conan, comes along and introduces them to the medium. Next thing you know, he’s served as a gateway to other podcasts out there, possibly even yours. “A rising tide lifts all boats”, right?

Then again, it’s like being the best football player in Baltimore circa 1994, but it didn’t matter because there was no professional team. So, you toil away in some shitty after work/weekend league only for the Browns to sneak into your city under the cover of darkness (That really happened!). A lot of folks had these dreams that their shows might grow and become these breakout hits, and now they’ve been knocked down a few pegs by celebs who see the medium as a way to supplement their income. I mean, Conan even has a bit on his show when he does ad reads, saying that he’s doing this to pay the mortgage on his expensive beach house. So, it might rub some folks the wrong way because Conan sometimes doesn’t come off as genuine, even though the show is enjoyable. It’s just it feels like he’s not doing it for the “right” reasons.

In any case, I think this might serve as a reality check for some, while it might inspire others. I’m not really sure which way the wind is gonna blow here. Some pods are packing it in, while 5 more have popped up to take the place of each. It’s so 2019 to have a podcast now. You listen to a podcast, and every guest is like “Oh, and listen to MY podcast, which is yadda yadda yadda.” The problem with the rising ships thing is that every show IS competing for the listener’s time. With only 24 hours in a day, choices must be made, as well as sacrifices. Anyway, as someone who weathered both the rise and fall of blogs, I only offer this piece of advice: stay away from Hulk Hogan’s penis, and you should be fine.

Trailer Park

Bombshell

This looks SO good, but it doesn’t feel like a theatrical release. No, this feels like something that would premiere as an HBO Original Movie. I hope they follow Megyn up to her time at NBC just so there’s chance of us getting Aisha Tyler as Tamron Hall.


No Time To Die

Formerly referred to as “Bond 25”, there’s not a lot to chew on here. Why’d they use the font from The Love Boat? Is this movie gonna be set on The Love Boat?! Anyway, that’s probably the only way I would be excited for this, as I’ve actually never seen a Daniel Craig Bond film. He just always seemed humorless, and every time I see him, it’s like he’s still just playing his character from Layer Cake.


The Morning Show (Apple TV+)

Sure, looks good, but it’s not what I was expecting. We all know Carell has range, but I was hoping for something humorous instead of an SVU-esque retelling of the Matt Lauer saga. I’d watch it were it on Netflix, Amazon – Hell, even HBO, but – and mark my words – there is no way in Hell I’m subscribing to this service. And I don’t particularly have an axe to grind with Apple, but I’m also not a devoted disciple that partakes in all of their products. I just see no draw to this service other than this show.

Things You Might Have Missed This Week

  • After 11 years of cohosting The Country Music Association Awards with Carrie Underwood, Brad Paisley has seemingly been ousted, as this year’s awards are being touted as a “Celebration of Women”. Underwood, will instead, be joined by Dolly Parton and Reba McEntire.
  • It was an expensive week for Hasbro, as they revealed they had acquired the Ghostbusters license from Mattel, and they also became the new owners of Peppa Pig and PJ Masks by paying $4 billion in an all-cash deal for studio Entertainment One. Bet they kinda with The Hub was still around now, huh?
  • Original cast member Brandon Routh will be leaving DC’s Legends of Tomorrow after its upcoming fifth season. Guess he’s gotta free up some time for all those conventions he’ll probably end up doing…
  • The show that nobody besides Elizabeth Warren admits to watching, Ballers, will be ending after its upcomign fifth season. I really hope The Rock’s been saving his money, ’cause it’s not like he’s in every other movie that comes out these days.
  • Most of the gang’s going back in the goo as a fourth Matrix film, starring Keanu Reeves and Carrie-Anne Moss, was announced. This makes me wonder about the status of the rumored Michael B. Jordan-starring Matrix film which sounded a lot more interesting to me.
  • Move over Monday Night Wars, as Wednesday is about to be the new wrestling battleground when WWE moves their development show, NXT, to USA in September – opposite All Elite Wrestling (AEW) on TNT, which will debut a few weeks later. Damn, that was a LOT of letters!
  • Speaking of USA, all the shit going down with Chrisley Knows Best, and USA hasn’t even hinted at cancelling that show. Surely the ratings can’t be THAT good, right?
  • If you’re a fan of the He-Mans, there’s a whole lot of He-Manny goodness coming your way out of last weekend’s Power Con. First, there was more info about the Masters of the Universe Origins figure line, which will be updates on the classic figures at retail for $14.99. Then, it was announced that Kevin Smith (yup, THAT Kevin Smith), would be working on an “anime” MOTU series for Netflix, set after the original 80s cartoon.
  • Dancing With The Stars skipped a cycle because they felt the show was broken when “dark horse” Bobby Bones wrangled his radio fan base to help him win. They ain’t seen nothing yet, as former White House Press Secretary Sean Spicer has joined the cast in a controversial move, He doesn’t make it past Week 1.

Alright, y’all – this chicken sandwich shit has just simply gotten out of hand. Last week, I declared that the Popeyes Spicy Chicken Sandwich had the West Week Ever, but I had no clue just how crazy things would get. The memes! The pics of Chick Fil A employees eating at Popeyes! The other chains, like Wendy’s and Shake Shack, trying to “Catch that smoke”, as the kids say! There are lines out the door at Popeyes locations, and many have sold out of the sandwich until the weekend. It’s kind of hard to believe. And then, at the same time, it isn’t.

I don’t want to go all “preachy Hotep” on folks, but Black people are going crazy over a chicken sandwich. In the year of our Lord 2019, my people are living out a racist caricature. Sure, folks will chime in “Just let people enjoy things”, but surely you’ve got to acknowledge the optics of this whole thing! It looks horrible, and it’s all for WHAT? Even HIGHER blood pressure than we already have? As I joked on Twitter, if you turn these Popeyes locations into polling places, then we might actually be on to something. Put that energy into something constructive. And this isn’t me judging someone for their hobbies or extracurricular activities, No, this is me judging you for acting like you’ve never had a damn chicken sandwich before!

Anyway, I can’t act like anything else took the pop culture world by storm this week quite as much as Popeyes so, once again, *sigh* the Popeyes Spicy Chicken Sandwich had the West Week Ever. PLEASE let something amazing happen next week, ’cause I can’t keep doing this. Then again, we’re only about a week away from finding out that Popeyes is the exclusive food vendor to ICE agents, and this shit will all blow over.

16th Aug2019

West Week Ever: Pop Culture In Review – 8/16/19

by Will

I’ve come to realize that my Nerd Boner Refractory Period (NBRP)™ is about 2 weeks these days. It takes me about 2 weeks to get excited about anything going on in pop culture, I can keep it up for an extra week, and then I need another 2 to recharge. So, here we are, 2 weeks after we last got together. How have you been? I like those shoes. Are they new?

Since we last spoke, I finished my binge of NBC’s Superstore. If you’ve ever worked in retail, you will COMPLETELY relate to this series set in the Cloud 9 big box store. Clocking in at 4 seasons, it’s not too much of a lift to get through, and I enjoyed every minute of it. I will point out, though, that it takes a turn in season 3. Like, the first 2 seasons are pretty run-of-the-mill single cam sitcom, but in season 3 it gets more…mature? I’m not sure that’s the right word, but the language changes, like they say “Jesus Christ” and “dick”, which were formerly reserved for things like basic cable. Most network shows still censor “Jesus Christ” to this day, in 2019! The only downside to the binge is that I watched it on the NBC app, where they also included the Superstore panel from SDCC. The general vibe I got off that was that this show is another Seinfeld, where the actors only pretended to like each other. A friend of mine pointed out that this is exactly like working in retail. In any case, It felt like America Ferrera kinda runs that set, and they all just sort of work one rung beneath her. Maybe it was just convention panel jitters, but it didn’t come off like “These are people who enjoy each other’s company”. I want to believe they’re really friends! Anyway, if you’ve ever been curious about the show, I highly recommend it.

In movie/TV/80s/cartoon/toy news, Hasbro is moving forward with a G.I. Joe spinoff film starring Crazy Rich Asians star Henry Golding as Snake Eyes. I find that character exhausting, which is why I’m much more interested in another Joe spinoff that was announced, which would focus on the character Chuckles. As the Joes’ undercover specialist, his sole animated appearance was in G.I.Joe: The Movie. As such, he’s never been taken that seriously by the fandom, so this announcement comes as a surprise to many. I, however, am not surprised because I read the IDW comic miniseries G.I. Joe: Cobra, which focused on Chuckles being sent on an undercover mission to infiltrate Cobra. Not only did I enjoy that series more than the regular Joe book at the time, but I also saw the character in a whole new light. That series felt like a dark Showtime/FX series, so I could definitely see it as the source for a good movie. I mean, it’s Paramount, so we can’t really hope for too much, but all is not lost!

Speaking of old 80s properties, I posted that tweet last night and was pretty surprised at the response. It was the result of a random tweet that popped up on my timeline, of someone swearing the Are You Afraid of the Dark? reboot better be good. Now, he clearly wasn’t the target audience for this show, so why was he so invested in it? A lot of folks asked me which show I was referring to, but the sad thing is that it didn’t matter. You could plug any old property into that blank, and you’d get the same response. There’s something about 80s and 90s kids who think these properties were theirs and theirs alone. Every generation needs their own stuff.

I’ve been saying for years that Hasbro should move away from the Duke/Destro iteration of G.I. Joe. It has its time and place, but too much has to be changed to work now. Can’t call Cobra a “terrorist organization” anymore, for one thing. Plus, kids really don’t give a shit about G.I. Joe anyway. Even if you tried to modernize it, they wouldn’t care. Is it a mobile game now? Maybe. Other than that, nope. A lot of this stuff is only loved by 40 year old men, and you can’t make them happy anyway. Between sexless marriages and prostate exams, they’re always gonna be full of piss and vinegar. I’m also talking to you, 40 year old men. You’re not really mad that She-Ra “looks like a boy”. No, you’re upset you got passed over again for a promotion, or you’re upset you can’t see your penis anymore. Let’s let kids have shit. Is that too much to ask? If you also happen to enjoy it, great, but Hollywood can’t keep catering to your old ass.

Trailer Park

Dolemite Is My Name (Netflix)

I never thought I would see Rudy Ray Moore as a sympathetic character, yet here we are. This looks so good to me. And that cast! I haven’t seen a Dolemite movie in, maybe, 25 years and it was an edited version on Channel 54. I’d like to check out the full, uncensored stuff, but I know that box set I used to see at Walmart is probably going for 3 figures on the secondary market as everyone jumps on the bandwagon in anticipation of this film. And the best part? I won’t even have to leave home to watch it!

Things You Might Have Missed This Week

  • Verizon, which paid an estimated $1.1 billion to acquire Tumblr, offloaded the site to WordPress’s parent company, Auttomatic, for a mere $20 million. Womp womp. That’s what you get for getting rid of all the porn! As someone once put it, Tumblr was the world’s most efficient porn delivery service, and they just threw that all away.
  • The X-Men adjacent series Legion ended on FX this week after three seasons. I’m sure one or two of y’all care about that.
  • Did we ever talk about the fact that the Mad About You revival got picked up by Spectrum? So, yeah, nobody’s gonna see it. In any case, actress Abby Quinn was cast as Paul & Jamie’s daughter, Mabel, who’s heading off to college. Who, besides Paul Reiser, wanted this show?
  • NBC is in talks to modernize ’80s Brat Pack film St. Elmo’s Fire and adapt it into a TV show. I remember watching this movie in the hospital room when my oldest was born. Despite being set locally, I could not relate to it, and couldn’t even tell you what it was about if ya asked me. That song, though, is iconic.
  • After 13 years apart, CBS and Viacom have resolved their differences, re-merging as ViacomCBS. On the upside, as my friend Zac put it, this means the Star Trek film and TV rights are now back under the same umbrella, which had been a source of problems over the last decade.
  • Speaking of CBS, there are reports that Drew Barrymore is in talks with the studio to develop a daytime talk show. I see that lasting about a season, if she’s lucky.
  • So, I guess Ewan McGregor is getting his Obi-Wan show on Disney+? I can’t even keep up anymore. I know there reports of it, but it still seems “iffy” right now. I just find it funny that the Star Wars fans want this, even though he’s a reminder of how much they supposedly hate the prequels (though 2019 revisionist history claims “They actually weren’t that bad”).
  • Some feel Jay-Z has sold out with his Roc Nation’s recent partnership with the NFL. He has argued that he can do more work to effect change from the inside, but that’s not enough for many. At the end of the day, rich folks gonna rich, so…
  • Chrisley knows best? It sure doesn’t seem like it! Reality stars Todd and Julie Chrisley were indicated this week, before a federal grand jury, for tax evasion, wire fraud, conspiracy to commit bank fraud and conspiracy to defraud the United States. WOW! And, to top it off, Todd tried to extort his daughter Lindsie by threatening to release a sex tape of her. I see the Chrisleys are trying to go FULL Kardashian! Let me know how that works out for you, Todd. In any case, the Chrisleys are facing up to 30 years in prison.

So everyone on Black Twitter this week seemed captivated by this new creation brought into the world by fast food fried chicken chain Popeyes. Now, I can’t even get arrested on Black Twitter, but I know people who know people, so I get the info I need to get. Apparently the chain had debuted a Chicken Sandwich, which was available in regular or spicy. I didn’t see a single person who didn’t get spicy. I wanna be hip. I like chicken. The problem, though, is that I HATE Popeyes.

You see, a few years ago, there used to be a Popeyes behind my then-job, and it made me sick every time I ate there. Not to mention the chicken never really looked right. You know how *done* fried chicken looks? Yeah, it didn’t look like that. It was always kinda pale looking. Anyway, that helped to reshape my chicken eating habits. Growing up, I always said I liked KFC’s chicken, but Roy Rogers chicken skin. I always wished there was some way to merge the two. Then Roy Rogers disappeared for about 20 years, so then I was pretty much just left with KFC.

When it comes to the chicken sandwich, however, there’s one chain that reigns supreme: Chick Fil A. Yeah, we all know about their politics, and they’re terrible, blah blah blah. But they sure make a damn good chicken sandwich. It’s the reason why so many people are conflicted: “My sister’s gay, but GODDAMN is that a good sandwich! Sorry, Christy.” So, in our new era of wokeness, everyone has been wanting that same experience, without all the guilt. Some will say “Wendy’s has a Spicy Chicken Sandwich that’s just as good!” No, they don’t, and you’re just playing yourself. Whenever a new chicken sandwich hits the streets, the Left (yeah, it IS a partisan matter at this point) can’t wait to see if there are guilt-free chicken sandwiches ahead for them. And there never are. You see, people are so desperate to replace those hate mongers, but they don’t realize that hate is their secret, tasty ingredient. Everyone knows it, but they can’t bear to admit it. I mean, that’s GOT to be it, right? Other than that, it’s just chicken and peanut oil. It’s not like there are 11 secret herbs and spices. Nope, gotta be the hate.

Anyway, I got sidetracked there. So, the Popeyes Spicy Chicken Sandwich is a large boneless breast of chicken, on a plump brioche bun, accompanied by thick pickle chips and a reddish Cajun sauce. Sounds good to me! So, I went to the Popeyes nearest my job for lunch yesterday, and placed my order for this thing all the cool kids were raving about. I, then, proceeded to eat it in a parking lot in a safer neighborhood, ’cause this place is dangerous! What did I think? OVERRATED. I pretty much only tasted bun and pickles, which is odd because there was a sizable piece on chicken there. It was very crispy, but almost at the expense of juiciness. I can’t say it was “dry”, but it wasn’t exactly juicy and succulent. It’s certainly a filling sandwich, and I didn’t feel like “Huh, I could eat another one of those” when I was done. Still, I came here for the full chicken experience, and not just a brioche bun. I’d go to Panera if I wanted that. The chicken didn’t have much taste to it, while the bread and pickles were the only things that had *flavor*. Meanwhile, I thought the Cajun sauce would be doing the heavy lifting, but it’s just there, as a runny, mayo-based sauce. I’m willing to give it another chance, but I don’t think it’s exactly the King of Chicken Sandwiches. Not yet, at least. Still, nobody has cared this much about Popeyes on social media since we were all trying to decide who that Black chick was supposed to be in their commercials (does she own a franchise? Is she Mrs. Popeyes? Who IS she?!). That’s why the Popeyes Spicy Chicken Sandwich had the West Week Ever.

 

26th Jul2019

West Week Ever: Pop Culture In Review – 7/26/19

by Will

Look at that – I’m back a week after my last post! Speaking of that post, I had a lot of good engagement. I reconnected with old friends, and another good friend even wrote a response piece. That’s what I like to see!

I’ve been really slacking in the movie-watching department ever since my second daughter was born. I think I watched something, like, 13 movies last year. The year my first was born, I watched around 71! So, I’m trying to work on that, which is why I sat down and watched Barbershop: The Next Cut when I caught it on TV last week. Luckily it was only rated PG-13 in theaters, and you can get away with murder on basic cable these days, so it was hardly edited.

I’ve been wanting to see this movie for years, as I was a big fan of the first one (I barely remember the second one), but just never got around to it. At the end of the day, the plot isn’t what these movies are about. No, the star of the franchise is the barbershop itself, as a safe haven where Black men (and now women) come to learn the news and gossip of the day. It’s akin to a community center and church, but you can also get shape-ups. The thing about these movies is that I always felt on the outside looking in, as I haven’t traditionally had the Black barbershop experience. When I was much younger, my mom would take me to Mr. Bill’s, which was a traditional Black barbershop just over the DC line. Shit was dangerous and inconvenient, though, so I ended up at the Hair Cuttery near our house for the next few years. Then, there was the stint where she’d just cut it herself, as it’s pretty easy to just do the same length all over with clippers. So, it wasn’t until college that I got the TRUE barbershop experience. And, in true Will fashion, I fucked it up. Gather ’round, children, as I’m gonna tell you a lost adventure of which I’m not very proud.

So, at Cornell (did I tell you I went to Cornell?), there were really only 2 ways to get a haircut if you were Black: 1) you got it cut by someone at Ujamaa (the Black dorm – no, dorms weren’t segregated, but it was an option if you wanted to live amongst your people. I did not live in Ujamaa. I lived across the street, and looked at them from my window like a Jewish kid looking at the Christian family on Christmas morning) or 2) you went to JC Knight downtown. Every time I went over to “The Uj”, the reception was basically “Who the fuck are you and why are you here?” So, JC Knight it was. Knight’s shop was downtown, just off the Ithaca Commons pedestrian mall, and was highly popular. Every Black person in town knew him and his shop. So, one day I went down there and sat down waiting for my turn. Bad move. At the Cuttery, you just took whoever was available, so I didn’t understand the politics that I needed to request someone. So I think I sat a good hour before they even acknowledged me and were like “Um, you waitin’ for somebody?” I meekly said “Anyone who will take me.” Thus began my immersion into the Black barbershop experience.

I would go down to the shop about once a month (or whenever I hadn’t blown all my money on comics), and learn what had been going on in the Black world while I’d been studying up on The Hill. Sophomore year I started going less and less because that was the year of my S-Curl Experiment. Oh, you don’t know what an S-Curl is? Ugh, I need more Black readers.

So, an S-Curl is kinda like a Jheri Curl, in that your hair is processed, and you keep it wet looking by spraying “activator” on it every now and then. Think 80s Michael Jackson. It’s a lye process that basically straightens Black hair, but then you can do shit to it, like style it with gel and stuff. So, in my “Man, I sure would like to look like I’m in a boyband” year 2000 desperation, I did this to my hair. As such, I didn’t need as many haircuts because you wanted it to get long so you could do more with it. Every now and then you’d just need the sides touched up. And this was the beginning of the end.

You see, Knight and his boys knew I was sheltered and really didn’t have much “street cred”. I was just some innocent kid from Wheaton, Maryland, but I’m sure they probably said stuff like “He thinks he’s White.” People always said shit like that when I was in predominantly Black situations. It has taken me years to come to this realization that I’m about to share with you, but it just goes to show that I’m somewhere on the spectrum that it never occurred to me sooner. So, one time he cleaned up my sides, and when he was done it was time to pay him. God…I hate just thinking about this now. You know how you MEAN to say one thing, but something else comes out? OK, so the haircut was $20, and I wanted to tip, but I only had two $20 bills. I gave him both, and he was like “Are you sure?” *Sigh*

OK, like I had said above, I was spending every last cent on comics, because I could Cornell Card anything else I needed, and just charge it to the bursar. So, I knew that money in my hands would be a bad situation. What I MEANT to say was “Hey, it’s better in your hands than in mine.” However, I’m awkward and nervous at times. What I DID say was “Hey, you probably need it more than I do.” FUUUUUUUUUUUCKKKK. I basically pulled a Rich Frat Boy on him, and the saddest part was I didn’t even realize it at the time. It was years later when I was like “Oh, wait, that said in that way is pretty fucking bad.” I just walked out of the shop, thinking everything was hunky dory. So, the next time I went, nobody could fit me in. I had been blackballed by the barbershop. Knight DID do me a sold, though, by giving me a referral. He wasn’t gonna mess with me anymore, but his friend Carol, this White lady who worked at the salon in the mall, could cut Black hair. I think he played it off as not knowing what to do with the S-Curl, but we know what the real reason was. So, cast out of Black Eden, I proceeded to get my hair cut by Carol until I graduated.

About 10 years ago, I tried to reenter the barbershop world. I found a place in Silver Spring, but there are so many unspoken politics of the shop – not only the different ways to get into someone’s chair, but also learning what you can and can’t talk about. Does this shop think Obama does enough for Black people? Does this shop think Obama is a sellout? What about the Hotep guy in the corner? He’s probably got some off-the-wall thoughts on things. That stuff was just tiring, so I retreated back to the Cuttery, where some woman asks me how I’m doing, in broken English, and leaves it at that.

Anyway, Barbershop: The Next Cut was like revisiting an old acquaintance. We were never close enough to be friends, but our association was enough that I could wonder what might have been. If you’ve never seen this one, the gang violence around the shop in the south side of Chicago has increased, and Ice Cube’s Calvin struggles with the decision of whether or not to move the shop to the north side. Meanwhile, a bunch of stuff is going on in the shop, like Common is married to Eve, but Nicki Minaj is trying to break up their marriage (why did it take this movie for me to finally see Nicki and say “DAMN!”?). There are new barbers, played by New Girl‘s LaMorne Morris and The Mindy Project‘s Utkarsh Ambudkar added to the mix. When the violence reaches its peak, the shop decides to sponsor a weekend ceasefire to bring to community together. Meanwhile, you got all that good barbershop banter: What did Obama do for US? Can you blame THOTS for unfaithful men? And to quote a deplorable man, “There were good people on both sides.” Anyway, it was an enjoyable little movie, even if Hella predictable at times (that straight-laced, good boy didn’t stand a chance).

This week in comics, the X-Men franchise got something of a housecleaning when Jonathan Hickman took over, with House of X #1 as the start of his run. Now, I’m always apprehensive when Marvel starts touting a grand plan for the X-Men because of two reasons 1) I tend not to like those grand plans and 2) I feel it shits on the journeymen who were struggling to keep the books afloat between grand plans. Imagine you finally get your dream job of writing X-Men, only for your run to be forgotten as some palette cleanser between 2 big name writers. You either die Grant Morrison, or you live long enough to become Chuck Austen.

Now, one of the biggest X-Men relaunches was when Morrison took over “adjectiveless” X-Men and renamed it New X-Men (meanwhile, Chuck Austen was cranking out massive turds over in Uncanny X-Men). Morrison had a grand plan where humans discovered that they would be extinct in a few generations and mutants would become the dominant species. Characters were experiencing “secondary mutations”, resulting in newer appearances and powers. In true Morrison fashion, his ideas were “out there” and, while they brought a lot of attention to the line, Marvel proceeded to spend the next 5 years following his run undoing everything he had done. As then-Editor in Chief Joe Quesada said, they “had to put the genie back in the bottle”. So, enter Scarlet Witch, whose utterance of “No More Mutants” reduced the Earth’s mutant population down to a mere 198 characters. There goes any designs of taking over humanity when your entire species could fill a 737. Secondary mutations? Fake. Sure, a few characters from his run remained, like the Stepford Cuckoos and Xorn, but Marvel did their damnedest to erase the broad strokes of his story.

So, imagine my surprise when they started touting Hickman’s upcoming run as the most drastic, sweeping thing they’ve done since Morrison’s run. Well, first of all, RIP to all the writers who’ve manned the books since Morrison’s run ended in 2004. And next, I already know how this is going to play out. My fears were confirmed when I went to a midnight release for House of X and read the book. Verdict? NOT FOR ME. It really does feel just like a remix of the Morrison run, even though I’m sure there will be Hickmanian twists and turns. I can’t do Mutants Have The Upper Hand because I always wait for other shoe to drop.

In the book, it appears that Xavier and Magneto’s dreams have finally learned to co-mingle, and Xavier has a bunch of wonder drugs he’s willing to offer to humanity in exchange for them recognizing his sovereign nation of Krakoa (yeah, the island from 1975’s Giant Size X-Men #1).  We learn a lot about what the drugs do, and how the world’s governments feel about them. In true Hickman fashion, there are charts in infographics, so reading it makes you feel like you’re studying for a final, trying to glean every important detail from the page. Once again, we discover that not only is humanity on the verge of extinction, but that it’s approaching more rapidly than previously thought. The book ends with Magneto introducing mutants as the new gods of Homo Sapiens.

As we saw in Avengers/Secret Wars, Hickman is ALL about playing the long game. He will mine history and go for some deep cuts. It’s probably a rich experience for those who really commit to it, but I found myself bored early on with his Avengers run, and only came back for the pseudo-satisfying Secret Wars. I’m sure y’all are in for an interesting 4-5 year ride, but I don’t think I want a ticket for it. It’s a pretty sizable dose of Been There Done That, with more than a dash of I Simply Don’t Care. Not trying to be cynical because I WANTED to like it. It’s just not BOLD enough.

Meanwhile, characterizations didn’t feel right. Other than the Magneto/Cuckoos scenes, everyone else felt strangely out of character. I’m sure there’s a reason for it, but I’m not sure I care to invest 3 months in finding out WHY. Because we ALL know that the only way to get this genie back in the bottle is gonna be to have some kind of devastating No More Mutants event around 2024. If comics are still around by then…

The problem with comics is that they’re cyclical. They have to give the appearance of change without offering actual change. And I’ve often said that the average life cycle of a comics fan is about 15 years. Marvel’s counting on folks to have not read the Morrison run because, well, it was 15 years ago. So it’s not really a “crime” that Hickman seems to borrow heavily from it, as the fan base that read that story should have already cycled out of comics by now. Sure, some have stuck around, and they might be as vocal as I am about it, but I just feel it’s kinda cheap to go back to that well, no matter how much time has passed. It’d be like trying to mount the full-on Age of Apocalypse again (which would be nigh impossible in the Internet Age).

At SDCC, it was announced that the House of X/Power of X miniseries wrap up in October, at which point the actual ongoing series will launch. Maybe the dust will settle by then, and I’ll check out the franchise at that point. House of X, however, didn’t grab me enough to come back to this party on a weekly basis. If anything, I’ll read it once it’s collected.

Over the weekend, I took on the Herculean task of cleaning out my Gmail. I’m terrible with email, and I often say if you want to get in touch with me you’d better just tweet at me. On Saturday night, my inbox was over 7,000, but I got it to 198 by Monday morning. The biggest problem is that I don’t delete the junk immediately when it comes in. It also doesn’t help that I have Twitter set up to email me whenever I get a DM or a Like/RT.

The DM thing is funny because I have a record of conversations long after some folks have unfollowed me. If you’ve ever DMed me, I still have it in Gmail. And it was quite the trip down Memory Lane. People I’d forgotten about, who just, one day, stopped tweeting. Did they die? Were they deported? In most cases, I’ll never know. In a lot of ways it was sad. “Oh, here’s that trans gal who I supported during her difficult transition, but unfollowed me out of the blue.” Or “Oh, here’s the girl who might’ve catfished me, but I’ll never know because her sister now says she’s dead”. Yeah, I’ve lived a crazy life online. It’s just interesting how people can come into your life, and you make what you consider to be meaningful connections with them, and then they can leave just as easily as they entered.

Trailer Park

Ready or Not

Man, White people won’t let us have anything! This is just White Get Out.

Zombieland: Double Tap

I honestly didn’t care about this thing until Rosario Dawson showed up. I mean, I enjoyed the original, but it really doesn’t hold a special place in my heart, nor did I just love the characters. I guess it’d be interesting to see what they’ve been up to all these years, but this is not a theater movie for me. I’ll be streaming it somewhere.

Playmobil: The Movie

First and foremost, I’m just bracing myself for folks to mispronounce the brand’s name. It’s Play-mo-BEEL. It’s European, you uncultured swine! Second, this is just sad. We all know WHY they’re doing it, but they never seemed to stop to discuss whether they SHOULD. They’ve kinda sold out, and this is a prime example of that.

When I was growing up, Playmobil was a high-end brand, bought by upper middle-class White parents who wanted their kids to have the “action figure experience”, without it being tied to some sort of cartoon or movie. It promoted creativity and, while not a brick system, its pieces were modular. You know the kids who had Playmobil: unless their parents were European, it was usually that kid who was allergic to something weird, like foods that were red. And he always wore corduroy. In recent years, however, they’ve tried to “diversify their bonds” by taking on licenses, like Ghostbusters and How to Train Your Dragon. I get it. Gotta do what you can to survive. But a movie? One that doesn’t even look remotely GOOD? PASS. I just hope this thing doesn’t drag the toys down with it.

The Rocketeer (Disney Junior)

Surprisingly no one is talking about this trailer that debuted last weekend at SDCC. OK, honesty time: I’ve never seen The Rocketeer. Based on the ratio of Likes to Dislikes on YouTube, those who have seen it aren’t too keen on this show. I think it looks cute, and I know my girls would enjoy it. This might be as close to superhero stuff as I’m gonna get with Evie, so I’ll take it.

Power Rangers: Beast Morphers (Nick)

Though the show is currently on hiatus, this trailer that also debuted at SDCC confirmed a longstanding rumor: original Red Ranger, Jason (played by Austin St. John), would be returning to the franchise next season. Now, I always felt that Austin AND his character had the charisma of a wet paper bag, but I think everyone is tired of Green/White Ranger Jason David Frank, so I’ll take it.

Harley Quinn (DC Universe)

I enjoyed this sizzle reel of the upcoming series, but not enough to actually subscribe to the DC Universe streaming service. The animation looks choppy at times (see the scene where she’s flossing out of the room), and I think I’d prefer Rauch to Cuoco if we HAD to cast a Big Bang alum. I don’t think the service is long for this world, so hopefully this show doesn’t get lost in the shuffle, and at least comes out on Warner’s streaming service, HBO Max.

Star Trek: Picard (CBS All Access)

SHUT UP AND TAKE MY MONEY! WHY ARE YOU STILL HERE? TAKE IT!

I have been adamantly against the CBS All Access “experiment”, and my love for Trek wasn’t strong enough for me to subscribe for Discovery. But THIS?! Seven of Nine?! And Sirtis and Frakes have confirmed that Riker and Troy are coming back?! Oh, sign me the fuck up! You got me, CBS.

Things You Might Have Missed This Week

  • In a surprising move, Seth MacFarlane announced that his sci fi drama The Orville would be moving to Hulu for its 3rd season. Apparently he needed more time to deliver the episodes, while Fox needed to fill its schedule. So, with the Hulu arrangement, the show won’t return until late 2020.
  • Thank you, Yahweh! Avengers: Endgame has finally unseated Avatar as the highest grossing movie in the world. Now, I’ve actually never seen Avatar, but it always bothered me that something with absolutely no pop culture footprint sat atop that chart. Yes, I know the film was responsible for advances in film making, but that’s not enough for me. I want lunchboxes! So, bye, Avatar!
  • It was announced yesterday that the Will & Grace revival would end after this fall’s 11th season. I guess that’s sad news to someone, but I never acknowledged the revival since it would have to retcon the show’s original finale.
  • Damon Lindelof has clarified that the upcoming HBO Watchmen show is NOT a reboot of the classic comic miniseries, but rather a sequel set 30 years after the original.
  • It was a big week for comic adaptations, as AMC is developing a series based on Image Comics’s Farmhand, meanwhile Amazon is developing a series based on Image’s Paper Girls.
  • Brandon Routh will be suiting up again as Superman for the first time since Superman Returns, in The CW’s “Crisis On Infinite Earths” event this fall. Since they can’t use the Returns suit, he will actually don the “S” of Kingdom Come Superman.
  • After “saving” it following its cancellation at ABC, Netflix has cancelled Kiefer Sutherland’s Designated Survivor. It’s almost like it was based on a shaky premise with no real longevity, huh? Look for talk of that 24 movie to heat up in the next few months…
  • Lifetime is prepping a movie based on the Lori Loughlin college bribary scandal, and I’m left wondering if she can play herself. I mean, who else is a “Lori Loughlin type” whose quote is in line with what Lifetime is willing to pay? Some good recommendations from Twitter were Dina Meyer, Paige Turco, and Jennie Garth.

It was a huge week for Marvel Entertainment, as they revealed a ton of things during San Diego Comic Con last weekend. First, we got new Marvel Legends toy reveals, including some figures a lot of folks had been clamoring for, such as Squirrel Girl, a redesigned Jean Grey and a beautiful Doctor Doom.

And for their MCU figures, they revealed that “Dude” Thor would be the Build A Figure for an upcoming all MCU wave of figures:

For a full list of what’s coming out from the line, check out my pal over at AwesomeToyBlog!

But the excitement didn’t end with the toys. Marvel also unveiled their Phase 4 slate of the Marvel Cinematic Universe. We already knew about the Disney+ shows, including WandaVision, Falcon and the Winter Soldier, Loki, What If? and Hawkeye. No, the real surprises were the film reveals, including Eternals, Thor: Love and Thunder, Black Widow, Doctor Strange in the Multiverse of Madness, and Shang-Chi: The Legend of the Ten Rings. And just when everyone thought they were done, they announced Mahershala Ali would be starring in a new Blade film.

While these announcements took folks by surprise, there were some glaring omissions: Black Panther 2, Captain Marvel 2, Guardians of the Galaxy Vol 3, etc. Kevin Feige promised, however that these are still in development, as well as plans for the Fantastic Four and the mutant contingent.

Quick thoughts on each film:

Eternals – I know nothing of the source material, but it’s got Angelina Jolie, Kumail Nanjiani, Salma Hayek, and Brian Tyree Henry in the cast, so that’s good enough for me. Maybe it’ll take us by surprise, like Guardians did.

Thor: Love and Thunder – I don’t really know if we needed Thor 4, but I guess they’d be leaving money on the table by not doing it. The biggest surprise is that Natalie Portman is returning as Jane Foster, who will also become the Mighty Thor, just as in the comics a few years back. It’s just funny that, for years, I heard Portman was difficult to work with, but apparently not that difficult if they’ve brought her back.

Black Widow – I still say this thing is a day late and a dollar short. Plus, if Scarlett keeps opening her damn mouth, she’s gonna kill any goodwill folks have towards this movie.

Doctor Strange in the Multiverse of Madness – Finally, a movie that will do what Far From Home did not: explore the Multiverse. Still, I felt Doctor Strange’s first movie was “meh” (It was basically a remixed Iron Man, with half the charisma), and it’s being billed as the MCU’s first horror film, which ain’t exactly my genre. I’ll still see it, though.

Shang Chi: The Legend of the Ten Rings – This one was somewhat surprising in that it actually seemed to confirm a fan theory that I’d seen online before it was announced. Someone had said “What if Shang Chi’s father is the REAL Mandarin?”, instead of the fraud we got in Iron Man 3. And while that’s not necessarily the plot (that we know of), it does seem to be headed in that direction, with the mention of the Ten Rings.

Blade – I don’t love those Wesley Snipes movies like the rest of y’all. I think I only saw the first one anyway. So, I welcome a change. Snipes is too old anyway, but I’m sure they’ll work him in there as something. Maybe a mentor character or something.

So, while they walloped us with surprises, I still feel like the slate is missing a bit of Wow Factor. With Thor as the elder statesman of the MCU, I’d like a few more familiar properties to anchor this phase, with the newer stuff sprinkled in. Like, it’s time for Doctor Strange 2, but Blade could’ve waited, as could Eternals. I guess they’re trying to get a new trilogy off the ground, but there are a lot of untried concepts here. It’s not like they can easily make a Black Widow 2 by just shoving the movies between preexisting films, as there are no stakes if we already know how her story ends. I mean, Chadwick Boseman is already 41. We need to crank out 2 more Panthers while he still can! Anyway, they’re taking a lot of chances here. It’s not that it’s unearned, but it does feel a bit like hubris.

At the end of the day, I think it’s safe to say that Marvel won Comic Con. Back in the day, that was a thing. “Who won SDCC?” This year, I couldn’t even tell you any comic news that was announced, other than some auxiliary X-books that don’t sound too interesting. Did DC even show up? So, some might say it wasn’t even a competition this year, but whatever. Marvel came away from the show on everyone’s lips, and that’s why Marvel Entertainment had the West Week Ever.

19th Jul2019

West Week Ever: Pop Culture In Review – 7/19/19

by Will

Howdy! I take so many breaks that I’ve run out of clever ways to announce my return. I swear this is supposed to be a weekly thing, but it’s been a little over a month since I last wrote something. I’d say that nothing really happened in pop culture during that time, but it wouldn’t be the truth. The truth is that I didn’t really want to talk about what was happening in pop culture. There’s been a shift lately, and I don’t like what I see.

On the one hand, you’ve got the political stuff, which just seems to get worse by the day. Just when you think it can’t get worse, it does. I don’t really do a lot of politics here anyway, so there’s no real value about talking about kids in cages. You already know about that, and you’ve already made up your mind as to how you feel about that. On the other hand, though, there’s a HELL of a lot of regression going on. There’s this retro movement that I can’t really get on board because, if we’re being honest, a lot of that stuff was really bad. I get why it’s happening: things are so bad now that you’d rather retreat back to a simpler time when things didn’t seem so bad (Psst! We were in the middle of the Cold War, and Radon was threatening to kill you in your sleep every night you laid down your little head). I get that whole “safe haven” approach, but it’s become something of a crutch. A lot of folks are going so retro that they have no real ties to the present, and that’s dangerous.

On top of that, it feels like there’s some unspoken competition to see who has the most raging nostalgia boner. It started out as posts about Ecto Cooler, but somewhere along the way it has evolved (or devolved) to the point where I wouldn’t be surprised to see someone tweet “I traveled back in time and sucked New Coke out of Mac Tonight’s dick while ‘Sledgehammer’ played on my Pocket Rockers.” It has gotten THAT bad. If you don’t realize it, then you’re in the thick of it, and part of the problem.

Now, a lot of this comes from the place of me not being able to relate, as I don’t have a soft spot in my heart for a lot of the stuff folks hold dear. So, when something like Stranger Things comes along – a property that relies on the nostalgia of an age I’d prefer to not relive – I’m just left thinking “Come the fuck on! There are important things that need your attention.” But that presents another problem: not everyone needs to worry about the “important” things because many of them aren’t informed enough to weigh in. So, my whole stance the past month was basically “I can’t make you care, but I sure as Hell don’t feel like playing into Little Mermaid race hysteria when it all seems so stupid.”

Also, there are various versions of the above meme floating around social media which I just find to be abhorrent. Sure, your dad used to beat you, and your mom had a drug problem, but it’s the fact that you didn’t watch ThunderCats that your childhood sucked. Got it. That’s the problem with nostalgia: the oversimplistic notion that everything was right in the world because these random things existed. If that’s all that equated a “great childhood” to you, then you’re a lucky SOB.

There is a problem with living in the past. Things change, people change, the world changes. Take music for example. I strive REALLY hard not to be that “Music sucks nowadays” guy. There is still good, NEW stuff out there, even if you have to work a little harder to find what you like. I don’t want to get stagnant, even though age and life would like to say otherwise. Nostalgia is the easy way out. And it may make you feel good, but it also, somewhat unknowingly, disconnects you from the present. Everything is fine in moderation, but from what I see online, “moderation” is a concept that 2019 stabbed through the heart.

Anyway, this isn’t a “subtweet” about any particular person or site. There’s just too much goddamn retro/throwback stuff. Some do it better than others. All I’m saying is I’m seeing more of the past than of the present, and I know there’s some good, modern-day stuff out there so I’m going to try really hard to find it and bring it to this column. Fondly looking back on the past every now and then is fine, but stop using nostalgia as a crutch. Life was not necessarily better just because Knight Rider and ALF were on the air. There’s a great episode of Teen Titans Go! that kinda slams things like the aforementioned Stranger Things in its title alone: “Nostalgia Is Not A Substitute for An Actual Story”. Words to live by.

So, I saw Spider-Man: Far From Home a few weeks ago, but it was the first MCU film in years that I didn’t see on opening night. Maybe back to Thor: The Dark World? Anyway, I really enjoyed it, even though I’m burnt out on the MCU. There’s pre-Endgame and post-Endgame, and the world seems a bit less magical post-Endgame. I don’t have a ton of gripes about it, except for the fact that it does not, in fact, set up the multiverse. I mean, I don’t doubt that there is one, but this movie was sold as “The Snap introduced the concept of the multiverse”, and that was not true. Plus, I need to watch it again because the end credits (not the mid credits) scene kinda changes how you look at the movie. It answers some questions while posing a few others. I love the actors and the characters, though, and I don’t really have many fanboy nitpicks about the film. I may have been more passionate about it 2 weeks ago, but that’s the stuff of hot takes, so I’m glad I got to sit on it a bit before writing about it.

Diddy (is that what he’s going by this week?) announced on Instagram that music reality show Making The Band would be returning. If you don’t remember, the show gave us such chart-topping acts as O-Town and…O-Town. In fact, there were 2 eras of MTB: The original ABC/MTV version, produced by Lou Pearlman, which saw the creation of boyband O-Town, and then the Diddy/MTV version, which gave us hip hop group Da Band, R&B male group Day26, solo artist Donnie Klang, and girl group Danity Kane (There must’ve been some contractual thing that every group had to start with “D”). Looking at that list, I think you can figure out which era was more successful. So, excuse me if I’m not too excited to see what Diddy’s got cooking for this revival.

Elsewhere in the TV world, it was announced yesterday that next season would be the last for Marvel’s Agents of S.H.I.E.LD. As one of the biggest cheerleaders of the notion of “Guys, this show is really in the MCU!”, I have to say that it lost me when it refused to acknowledge the events of Infinity War/Endgame. Yes, I understand that they weren’t sure when ABC was going to air this season, but that’s not good enough for me. In a perfect world, this season of S.H.I.E.L.D. would have been set during the five year post-Snap world. It would’ve been interesting to see S.H.I.E.L.D. as the main line of defense in a world that has lost all hope. Instead, they decided to do their own thing, thereby establishing a different timeline for the show. So, as far as I’m concerned, the Agents of S.H.I.E.L.D. ended last season, with Coulson and May on the beach together. I haven’t even given it a chance since then because, good or not, I’m a guy who only likes to invest in things that “matter” in the grand scheme of things, and AoS no longer fits that description.

Speaking of shows ending, it caught me by surprise a few weeks ago to learn that the episode of The Amazing World of Gumball that I’d just watched was actually its series finale. To make matters worse, Cartoon Network had failed to promote it as such. I only realized it after the creator tweeted some art, thanking the crew, and a little Googling later, I found out that was it. The End. I figure, considering that Gumball is about 40% of their schedule, Cartoon Network can’t really afford to make it known that there’s nothing left in the tank. Still, while people complain (rightfully so) about Cartoon Network’s scheduling practices, I stand by the opinion that Gumball was one of the smartest shows on television. There’s a great episode about privilege and the “glass ceiling”. There’s a scathing episode about homeschooling flat earthers. There’s even a House of Cards parody. For all of its wackiness, there was a lot of heart and intelligence in that show. The episode “The Choices” is just as emotional as the opening of Up! It also doesn’t help matters that the episode was a cliffhanger, insinuating that something bad was headed to the town of Elmore. There are talks that a movie might happen, which would tie things up, but I’ve learned not to put much stock in the “wrap up movie” promise. So, let’s pour one out for Gumball, Darwin, Anais, Mr Dad, and Nicole. May you forever live on in reruns.

Out in the toy world, we got our first looks at 2 high-end products that require fan input to make them a reality. For those not in the know, Hasbro has a concept called HasLab, where they run a crowdfunded, Kickstarter-like model to fund products that wouldn’t normally make it to stores, either because of size or price point. The first HasLab item was the Star Wars Jabba’s Sail Barge, which clocked in around $500. Despite that price, it was pretty popular amongst Star Wars toy collectors. Well, last week, Hasbro debuted the next HasLab item, which took folks by surprise: a $300 Cookie Monster doll. While it seems they’ve nailed the googly-eye tech, it’s surprising that there aren’t any animatronics given the price tag. As you can probably imagine, this didn’t sit well with “hardline” toy fans, so they had their day this week, when Hasbro also revealed the Titans scale Transformers Unicron, which will cost about $575. That mother is HUGE, and most of my timeline is all “I wish I could afford it…” There’s even a hole on the back in which I’m CERTAIN some fans will be inserting their penises. However, as I said on Twitter, for $575, I’d be disappointed if you DIDN’T fuck it!  I’m just glad HasLab focuses on properties I don’t care about. It’ll be a different story when they’re like “Here’s a 6″ scale Avengers Tower.” Then you’ll see me on the news, after I’ve robbed a check-cashing joint.

Trailer Park

The King’s Man

Originally called Kingsman: the Great Game, this is the prequel to the Kingsman franchise, and I’m pretty excited. I loved the first movie, though still haven’t watched the second. This one, however, seems to be playing it more straight than the past 2 installments, as I don’t see the same brand of humor in it. That’s not necessarily a bad thing, though, as some of the humor was really distracting in the first one (the whole bit about Eggsy “buggering” the blonde at the end comes to mind). Not sure I’ll see this one in the theater, but we’ll see.


Legend of the White Dragon

Former Power Ranger Jason David Frank just can’t give up the ghost, so here he is, trying to fund a Kickstarter for what’s basically Mighty Public Domain Rangers. It was one thing when it was just JDF, but now there’s a cottage industry of former Rangers who just can’t seem to shake the morpher. And they’re ALL in this film. Now, I don’t do Kickstarters anymore because I’ve been burned too much, but I’ll definitely watch this if it’s funded. It’s apparently a “movie”, but I’ll bet it’s one of those things that’s gonna clock in at an hour when all is said and done. That’s not a movie. That’s a “special”. If a movie is an LP, this thing will be an EP.


Teen Titans Go! vs. Teen Titans

Yeah, I know this was teased at the end of Teen Titans Go to the Movies, but I’m left wondering: Who’s this for? I find there is very little crossover between audiences for both shows, and this certainly isn’t the “return” that Teen Titans fans were expecting. If I were a fan of the original Teen Titans show (which I’m not), I’d kinda find this whole enterprise offensive. Hell, as a fan of Teen Titans Go! I find the whole thing offensive. I also find it interesting that it’s straight to DVD. It’s not like it’s worthy of a box office release, but considering it is the “return” of that incarnation of the team, I figured DC/WB would’ve found some special way to debut it. I no longer buy those DC direct to DVD movies, so I don’t know how I’m ever gonna see it unless Cartoon Network decides to air it one Saturday (which wouldn’t be that much of a surprise).

Jay & Silent Bob Reboot

“Daddy, put me in a movie! A real movie. Not some shit like Yoga Hosers!” Man, I’m old enough to remember when Harley Quinn Smith was born, and now she’s in her dad’s vanity project. It’s funny how all the “stars” from the last Jay & Silent Bob movie are has beens now. I guess that’s the joke, huh? And please don’t make me have to look at 2019 Shannon Elizabeth! See, this is what I was talking about earlier, about digging up the past! Anyway, I’ll see it, but not in a theater unless I somehow decide to try to go to that traveling roadshow thing they’re doing.

Top Gun: Maverick

Does this movie hold the record for longest amount of time between sequels, featuring the original star? It’s GOT to, right? Anyway, I have no real affinity for the original, but this kinda got me curious. I always thought Top Gun 2 was gonna be about Maverick instructing the next generation of flyboys. Instead, it’s just about some 50 year old dude who doesn’t know how to land the plane. I guess you’d pretty much have to see this one on the big screen, with all the planes doing plane shit and stuff.

CATS

Um, so many confusing and conflicting emotions inside…

Things You Might Have Missed This Week

  • Netflix has decided to remove the controversial suicide scene from season 1 of 13 Reasons Why, which I guess would be 1 reason why I’d not want to waste my time watching this series, seeing as how that’s what the whole thing is about.
  • Comic writer/artist/Deadpool creator Rob Liefeld will be doing a G.I. Joe Snake-Eyes comic, so queue up all your “He can’t draw feet” jokes!
  • “Mumblecore” screenwriter Greta Gerwig is reportedly writing Margot Robbie’s Barbie movie that’ll never be made.
  • Controversial country star Lil Nas X came out as gay to cap off Pride Month, which really shouldn’t come as a surprise to anyone who knew that he was kicked off Twitter back in the day for violating the terms of service with a Nicki Minaj stan account.
  • Hasbro is apparently preparing to reboot the Power Rangers movie franchise with an entirely new cast from the one that starred in the underperforming 2017 outing.
  • Black UK actress Lashana Lynch will reportedly play 007 in Bond25, which will require Daniel Craig’s James Bond to come out of retirement. And the folks, of course, are losing their shit. Or so the Russian bots would lead us to believe!
  • Call up your alcoholic uncle, because his favorite show, Nash Bridges, is being revived with Don Johnson for USA Network!
  • Someone needs to rein in America’s White Trash Food Scientists as, between Burger King’s $1 tacos and KFC’s Cheetos Sandwich, the nation’s colons don’t stand a chance!
  • This is 5 years old, but I just discovered it yesterday, so now you have to join me on this adventure:

Unless you’ve been living under a rock (or in an ICE cage), then you couldn’t get through this week without coming into contact with the FaceApp. Somewhere, on one of your social media feeds, you saw someone laughing along to a pic of them looking like some elderly ghoul. I say that because nobody looked *good*. I hate to break it to you, but you’re all gonna age poorly, looking like Miss Jane Pittman. I didn’t join in the fun because it just seemed too…easy. You’re just letting this random ass app access your photo for…what? To see what you’d look like as a baby? I already have baby pics for that. To see what you’d look like as a woman? Yeah, I’m not about to catfish anybody any time soon. So, it certainly didn’t come as a surprise to me when it was revealed that the app was developed by our good friends, the Russians.

Wireless Lab is the Russian company that created the app, and Lord only knows what’s going to happen from that. It’s been reported that it accesses your entire camera roll and not just the pics you’re editing. And take a gander at the terms of service:

You grant FaceApp a perpetual, irrevocable, nonexclusive, royalty-free, worldwide, fully-paid, transferable sub-licensable license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, publicly perform and display your User Content and any name, username or likeness provided in connection with your User Content in all media formats and channels now known or later developed, without compensation to you. When you post or otherwise share User Content on or through our Services, you understand that your User Content and any associated information (such as your [username], location or profile photo) will be visible to the public.

Some folks thought the app would be used to hone facial recognition software, but this seems far worse. You’ll notice I haven’t included any pics with this entry. Yeah, I’m not gonna be a party to that. I’ve been pretty vocal about the fact that I don’t believe in privacy. It’s why all my screennames are my real name. Anyone can get anything they want about you if they try hard enough. I recognize this, but I’m not going to make it easy for them. We live in a world where folks will record an entire sex tape on their phones, willingly give access to the camera to a random ass app, and then get surprised when their sex tape “leaks”. Not so good at the math, are we? We complain about “privacy”, but we have open mics in our homes just to turn on the lamp ’cause, well, “it’s way over there”.

A friend online mentioned that there are other apps with far worse ToS than FaceApp, but that they weren’t getting nearly as much attention. That may be true, but that doesn’t make it right. Plus, the other sites probably give you an experience to make it worthwhile. I always say Michael Jackson got off all those years because he gave the world Thriller. Same situation here. Facebook’s ToS are pretty bad, but it at least allows me to stalk strangers and look at pics of my enemies’ ugly kids. To me, there’s a worthwhile trade-off there. Not with FaceApp.

If there’s a pic of me floating around out there it’s because someone uploaded one, but it sure as Hell wasn’t me. If the Russians want my secrets, they’re gonna have to do it the old fashioned way: get me into a motel room, and film me being peed on by one of their whores as a means of extortion. It won’t be from FaceApp. Still, can’t knock the hustle, so that’s why FaceApp had the West Week Ever.

Also, before we wrap up here, this week marks the 16th anniversary of the site. While I know that absolutely none of you have been along for the ride all 16 years, I appreciate each and every one of you who has jumped on along the way. If we’re being real, it only got “good” about 10 years ago, but there’s some good H&M drama in the early days if you’re into that sort of thing. Either way, this started as a means to pass the time when I got my first boring ass job. And here we are, many boring ass jobs later, and I don’t know what I’d do without it. Sure, I’ll take the occasional break – either when pop culture fails to produce OR I fear I’m about to burn some bridges – but I always come back. As long as there’s at least one of you out there, I’ll always come back. And probably even after that last one of you gives up. This is because I don’t know how to quit. So, this is my way of saying you’ll never be rid of me. Muhuhahahahahahahaha! But seriously, thanks for giving me something to look forward to every Friday.

03rd May2019

West Week Ever: Pop Culture In Review – 5/3/19

by Will

Well, would you look at this! A whole post dedicated to recent happenings in pop culture! Been a while since we’ve had one of these, huh? I took last week off because I knew a lot of folks had gone dark so as not to have Endgame spoiled for them. And the week before that, I took you back to some of the great fires in sitcom history (and the stats showed me you care for stuff like that WAY more than this post! Guess I ought to do something about that). Anyway, I’m back to pop culture because, honestly, I need the practice. My annual TV network upfronts post is coming in 2 weeks, and I’m actually pretty scared. Not only am I somewhat out of touch, but it’s looking like this was a terrible pilot season. How bad was it? Well, The CW cancelled NOTHING. That…that just doesn’t happen. This means there was nothing in development that they felt was strong enough to join their schedule. The CW. So, if things are this bad for them, I can only imagine how bad it’ll be for the big boys. One doesn’t simply walk into an upfronts post – especially in a year full of dogs. So, I’m here to brush off the cobwebs.

Didn’t really expect to spark the CGI Furry Civil War this week, but it almost happened. Late last week, I tweeted that I didn’t really understand for whom Detective Pikachu was made. I mean, sure, it’s an engaging world where Pokémon are just regular creatures, but there are certain choices that don’t make sense to me, like Ryan Reynolds as the voice of Pikachu. Did Tara Strong turn them down or something? Reynolds is not the voice I’d imagine coming from Pikachu, so it makes me feel like they’re going for that Deadpool sardonic wit as opposed to cutesy. Anyway, after posting that, a bunch of 40 year old men came to the movie’s defense, like “This movie is for ME!” Okie doke.


So, imagine my surprise when there was such backlash to the release of the Sonic the Hedgehog trailer this week. The world that had embraced Detective Pikachu with open arms was shitting all over Sonic. I mean, I get the complaints. He looks weird, it’s a tired “CGI character in the real world” plot, it looks nothing like the games, and then there’s the reemergence of 90s Jim Carrey. It’s a lot. But you’d think the trailer jumped out of the computer and shot folks’ grandmothers in the face. Some Poindexter online tried to argue that Pikachu was clearly a universe crafted with care, where the characters are accepted residents, while Sonic is just lazy by throwing him into our world in a tired battle against the military. I told this person they sure knew a lot about a movie that wasn’t even out yet. Got blocked.

My argument is, at the end of the day, it’s the same shit. It’s all part of a new “genre” that you might as well call “CGIve Action”, and there’s a spectrum. You can have CGI creature in human world, like these two movies, and it runs all the way to Disney’s upcoming “live action” The Lion King. This is just the world we live in now. But to argue if one furry property is better than another just seems stupid. It’s really just a popularity contest. In 2019, Pokémon is more popular than Sonic. It’s really that simple, though folks will come up with all sorts of reasons as to why I’m wrong. It’s a lot like the concept of harassment. It’s “harassment” if you’re not attracted to the harasser. Otherwise, it’s simply “courting”. Everyone wants to be “booed up” with Pikachu, while Sonic is the ugly girl they hooked up with at camp but won’t acknowledge when they’re all back in school.

Anyway, the Let People Enjoy Things! crowd is real vocal until it comes time to shit on something they don’t like. I got response after response from strangers with anime avatars about how lazy Sonic looked, while so much care had clearly been put into Detective Pikachu. I just stopped responding after a while because life is short and I was never gonna get back that time I was wasting. I thought that would be the end of it, until last night, when reports started coming out that Paramount was going to “fix” Sonic’s design.

Like the movie, hate the movie, this is a terrible decision by Paramount. A project was changed due to audience backlash. Whatever happened to creative and artistic vision? For all we know it was a very vocal minority. Sure, you might support this decision because it’s for something you didn’t like. However, remember all those folks who hated Rose Tico? Or the Release the Snyder Cut folks? This just emboldens them. Seriously, whoever made this decision at Paramount needs to be fired, because this gives hope to every Fuck Star Wars or Fuck Captain Marvel psychotic out in these streets. A studio bowed to the pressure of a vocal minority who’ll swear they were the majority. I can’t even begin to fully capture how horrible a precedent this sets, yet here we are. The funny thing is, though, there simply isn’t enough time to fix anything. Even if the VFX team works overtime, it just means they’re screwing over all the licensees, as Sonic’s appearance will no longer match any of the movie merch that’s already been created. Paramount should’ve just taken the loss and moved on to the next thing. To be honest, outside of their cable channel that no one watches, I didn’t even realize Paramount was still a thing. If they keep making decisions like this one, they won’t be for much longer.


Burger King was trending on social media for this video yesterday. There’s been a lot of chatter online about their new marketing campaign addressing mental health. As someone who suffers from depression and anxiety (“Not YOU, Will!”), the campaign speaks to me, but probably not in its intended fashion. You see, when I was in 7th grade, it was my lone year in public school. I remember that someone put snot on my locker in much the same way the “skank” finds gum on hers. I’m sure it was one of the kids who routinely called me “faggot” that year. Ain’t kids a buncha stinkers?

Anyway, I feel like the commercial would’ve worked without the associated boxes. Instead, like my pal @thesurfingpizza said, I just wanna collect the boxes. Can you choose a box or is it at random? Can I just go up and order a DGAF Meal? Plus, it feels kinda juvenile. Case in point: the wife and I toured a preschool over Spring Break, and they had this thing where the kids come in and put a clothespin on the emotion board to show how they’re feeling that day, so the teachers will know how to approach them. This feels like that. Like, if I come home with the PISSED Meal, and slam it on the table, the family is gonna go “OH SHIT!” and scatter immediately. Actually, that might be kinda cool…

Trailer Park

The Righteous Gemstones (HBO)

This show is sure to ruffle some feathers when it premieres, but it looks SO GOOD. The only people offended will be the folks who need a wake up call from megachurch-owning televangelists, but it’s also gonna give cynical atheists quite a bit of ammunition. I don’t even have HBO, but I love everyone in this, so you’d better believe I’m going to find some way to watch it.

Agents of S.H.I.E.L.D. Season 6 (ABC) 

I just can’t get excited about this show anymore for 2 reasons: 1) the events of Avengers: Infinity War and Avengers: Endgame are pretty much a big “Fuck You” to this series (I’ll get more into this later) and 2) the show’s inability to let go of actors is really starting to grate on me. I love Clark Gregg as much as the next guy, but let the dude go. This whole “He only looks like Coulson, but isn’t Coulson” is just the Ward saga all over again. I don’t feel like sitting through that again. Plus, it can only end one of two ways: he truly is evil and gets defeated in some ambiguous manner (he totally gets defeated ’cause the show has already been picked up for season 7) OR he’s redeemed somehow. Knowing the show, and the Whedon DNA in it, I’d bet on option #2. I know folks say last season was great, but I didn’t even make it through the 2-hour season premiere. I’ve fought long and hard about “No, guys! This is the show that actually matters to the MCU!”, but I no longer see how that’s possible. I feel like it’s overstayed its welcome at this point, and if everything truly isn’t connected, then I’m ready to get off this ride.

Will’s Jukebox


“More Hearts Than Mine” – Ingrid Andress

The gist of this song is to not bring anyone you’re dating home to meet your friends and family. Why? ‘Cause if/when y’all break up, they’ll be breaking more hearts than just yours. Actually, the chick in the song is pretty resilient, ‘cause she’s like “I’ll get over it, but you’ll be hurting these other people.” It’s more about protecting your loved ones than the other way around. I just found it an interesting angle for a song. And I know folks think I skew too country, but I’d say this song is without genre. Seriously, in the early 00s, there were all these artists like Jem and Nellie McKay and Rufus Wainwright who really didn’t fit standard “genres”. I loved all of them, and I’d put this in that club.


“Late Night Feelings” – Mark Ronson ft. Lykke Li

I liked Lykke Li’s “Little Bit”, which is now about ten years old. Damn. And in ten years, she still hasn’t really become a household name. That’s really a shame. In any case, on this song, she sounds like she’s vying for the Gaga Belt, which Stefanie vacated when she went off to bang Bradley Cooper. I love the vintage feel of this one, but I wonder if I’d love it as much without the visuals of the video. Seriously, she even kinda looks like a Gaga impersonator here. Anyway, it’s actually Mark Ronson’s song, and I’m convinced he’s a goddamn Time Lord. He has mastered these long gone genres that don’t really get a lot of play these days. Remember that Amy Winehouse’s 60s-tinged Black to Black was pretty much masterminded by Ronson. I swear that, without Ronson, she would’ve died an unknown. Or she might still be alive, struggling along, ‘cause she wouldn’t have had the fame she got following the success of Black. Want proof? Check out her Ronson-less debut, Frank. Anyway, with this song, I see Ronson’s managed to move up a decade.


“Me” – Taylor Swift ft Brendon Urie

I haven’t really fucked with Taylor since 1989. I only saw this video because it auto-played as an ad following another video I watched. That’s shifty! Or is it SWIFTY? Anyway, this song is saccharine but does little for me. Honestly, in this pairing, I’m here more for Panic at the Disco dude than Taylor. Such an odd choice to have him here, but it works. This is the kind of song that will be a hit merely because it’s Taylor, but isn’t really a “hit song”.

Things You Might Have Missed This Week

  • Did you know that great storytelling doesn’t rely on gimmicks and can’t be ruined by “spoilers”? No? Then you clearly haven’t tweeted this week with someone who self-published a fantasy novel!
  • So, get this: Hulu has picked up 2 Marvel series, including Ghost Rider and Helstrom. To even put the cherry on top, Gabriel Luna, who played Ghost Rider on Agents of S.H.I.E.L.D. will be starring in this show. HOWEVER, this show will not be related to the character he played on AoS. HUH? Meanwhile, Helstrom is the Son of Satan, so I can only imagine they’re trying to tap into that Lucifer fanbase.
  • At some point during my hiatus, retro channel MeTV started airing their first original program, Collector’s Call. Hosted by Lisa Whelchel of The Facts of Life fame, each week focuses on someone’s strange and interesting collection. I don’t think MeTV even airs in the DC market anymore, but you can watch past episodes on the channel’s website.
  • The -ish empire is growing, as not only has Black-ish been renewed for a 6th season, but its prequel, Mixed-ish just got the greenlight from ABC, which will focus on Tracee Ellis Ross’s Rainbow growing up in the 80s/90s.

Links I Loved

This used to be a regular part of West Week Ever, but y’all weren’t clicking the links, so I killed it. Still, there’s so much great writing out there that needs to be shared, so let’s give it another shot.

Avengers: Endgame. What is there to say that hasn’t already been said? Or felt? By now, most of you have seen the film, so we can now relate to one another on that level. Sure, it wasn’t the best movie ever made, but considering it was the endcap to 11 years and 21 movies, it was a friggin’ masterpiece! So many moving parts, so many characters to showcase. And it did the damn thing. The way I see it is, if you never really cared for the MCU (I see you, James, Jenn, and Chad), this movie ain’t gonna be the one to convert you. However, if you’ve been a fan for most of this journey, then you’ll be pretty satisfied by what Endgame delivers.

Since everyone and their father has opinions on this film, I’m not gonna review it, per se. Instead, I’m just going to share the thoughts that went through my head following my two viewings of the film:

  • Hated Smart Hulk. Was really expecting a moment where he would forego that and truly HULK OUT
  • Not a fan of John Slattery as middle-aged Howard Stark. I know they don’t like to reference the TV shows much, but I feel like Dominic Cooper should’ve reprised the role, as he was Stark on Agent Carter, during this phase of Howard’s life. Plus, they had TV’s Jarvis! It just would’ve made sense.
  • Speaking of TV, we’re on a 24 timeline now. Despite the fact that 24 lasted 9 seasons, the seasons were set some distance apart – some as little as 18 months, while some were around 5 years. That means that the 24 timeline, once said in done, spanned about 17 years. What I’m getting at is Where does this leave Agents of S.H.I.E.L.D.? Since it seems to take place in “real time”, and premieres in about a week, is it now set in the post-snap 5 year period? And, if they are gonna acknowledge that aspect of Endgame, how are they gonna explain how NONE of the team got dusted from The Snap?
  • I thought it was a bad move to just bring everyone back in the present day INSTEAD of backing up the clock 5 years. That leads to so many problems in the “real world”. Did insurance companies go bankrupt from all the payouts from The Snap, and did they get that money back when everyone returned? So, Peter Parker is just gonna go back to school, with a bunch of kids who were in elementary school when he disappeared? Think of all the folks who died during that period of time, either through suicide or natural causes, who still won’t see their loved ones again.
  • Great character work from Thor
  • So, a lot of the Timey-Wimey stuff didn’t make a lot of sense. We start with time travel, then we move to predestination paradoxes, and then we get to branch off into alternate timelines. In standard science fiction, Present Day Nebula would’ve disappeared when she killed Past Nebula because killing herself in the past would prevent her from existing in the present. This, however, was not “standard science fiction”, and I guess all of our time travel knowledge truly was shaped by Back to the Future.
  • As cute as the A-Force scene is, can we admit that Hope Van Dyne is hopelessly outclassed in this fight, and probably should’ve died on the battlefield? What makes it even funnier is how she’s the one with the most swagger as they’re slow-walking into battle.
  • Um, Clint murdered a LOT of people. Sure, they were “bad” people, but he straight up murdered them. Is he not gonna pay for those crimes?
  • Howard Stark says that he rarely chooses the greater good over self interest, and that shows in Tony, as well. Think about it: the only reason he doesn’t want to turn back the clock is that it would erase Morgan from existence. He told Cap and co that he had too much to lose from the time heist, but let’s be honest that there’d be a lot fewer questions to answer had they just reconstituted the universe at an earlier point in time or some shit, instead of just bringing everyone back to life five years later. Sure, his sacrifice is selfless, but the timeline, man, the timeline…
  • The Morgan stuff really got to me, since my oldest is her age. I’m not about to go die to save the galaxy, but it was still like “Huh, Tony Stark and I have something in common.”
  • I said this on social media, but it’s still true: In the MCU, after his Winter Soldier programming is broken, Bucky’s characterization can best be described as “Older brother, just home from rehab, who really hopes the treatment sticks this time”.
  • It’s interesting to see what Steve Rogers will look like when he’s addressing an empty chair onstage at the 2024 Republican National Convention.

Anyway, all these thoughts aside, it was such an amazing experience. It’s also a film that you MUST see in the theater. Now that the spoilers are out, I’m not sure if it’ll have the same effect, but it was transformative sharing those emotions and twists and turns with a room full of strangers. I had never given much of a shit about the “movie-going experience” until I saw this film. It just… *chef’s finger kiss*. As you can probably figure out by now, Avengers: Endgame had the West Week Ever.

22nd Mar2019

Thrift Justice – Physical Education

by Will

I swear, I’ll eventually get back to pop culture ephemera and old toys, but I’ve spent so much time taking in physical media “strays” that I still have some stuff to say on the matter. I know folks love seeing crazy “Oh my gosh! Can you believe it?!” stuff, but I also know folks like to see complete busts, because it’s 2019 and schadenfreude rules the day! Here’s a situation that falls somewhere in the middle.

While I pick up a lot of stuff from thrift stores, during my Thrift Justice posting break, I adopted a new approach, where I scour yard sale apps for deals. I mean SCOUR! You know how folks spend a ton of time on Twitter or Instagram? That’s me on Facebook Marketplace. My wife says that I have an addiction, but I don’t think I’d ever perform oral sex on a stranger in a dark alley for any of this stuff. THAT’s addiction! So, to her, I say “Whatever”.

I already explained my strategy last time, so you should now be familiar with the stuff that I feel looks promising and what kind of stuff I’d pass on. Let’s talk about a recent example, where I initially passed, eventually caved, and then learned a valuable lesson.

I saw these pics on OfferUp a few weeks ago, and there was some pretty interesting stuff there. Just at a glance, you see the complete Six Feet Under, the complete Sex and the City, the complete 24, most of Nip/Tuck, and some Star Trek: Voyager seasons sticking out here and there. Not a bad lot. The bad thing, however, is that this fool wanted $200 for everything. Yeah, unless your name is Samuel J. Goody, you have no right asking for that kind of money for this – especially when it’s all used. Here’s the thing, though: with all the stuff I listed, it was definitely WORTH $200, but here’s where psychology comes into play: This is a great profit for a reseller, but it’s a terrible price for a reseller to PAY.

If you’ve watched American Pickers, or any show like that, you know that you’ve got to be able to make some money on your acquisitions. There needs to be “meat on the bone”. There’s not a lot of meat on that bone at $200. A used complete series of most television shows is in the neighborhood of $30-40. You can get a bit more if it’s out of print (For example, the season 1 & 2 set for California Dreams will still net you about $40 by itself. No such thing as a complete run, as they never released the final season. Not even in one of those on demand programs). Keep in mind, though, the series needs to have at least 5 seasons. Don’t expect to make any money off Da Ali G Show or something like that (for example, Chappelle’s Show is borderline worthless because everyone owned it at some point. They might as well have given it out at stoplights). So, just looking at the series I mentioned above, that’s a good $150-200 right there, and those were just a fraction of what I saw.

I saw the listing, but it was too rich for my blood, so I passed on it. I knew he was never gonna sell it at $200, though, and that was proven by how it just sat for weeks. So, I wasn’t surprised when one night I noticed he’d slashed the price to $50. Now we were in business! I messaged him, but we were also in the middle of a snowstorm and my car was in the shop. I wasn’t gonna miss out on dis bitch, tho!

I manage to get over to my mother’s house, and steal her car while she’s still asleep (CRIME!). I drive down to the guy’s apartment, which is in complete disarray. Ya see, he’s actually moving to Richmond that day, which is the reason for his desperation price drop. He can’t take the stuff with him, so he dropped it to fire sale prices. There are boxes everywhere, as he’s waiting for the movers to come. Still, on the far wall, I see that familiar media case, with the Star Trek: Voyager sets on it. He’s out of boxes by this point, and apparently expected me to bring my own. I did not, so he hands me some garbage bags. And I start bagging. He tells me that everything on this side of the apartment is up for grabs, ’cause it’s not coming with him. I don’t know if that means I’ve got to pay more or that he’s throwing it in with the DVDs. We’ll come back to that.

As I’m bagging, I’m kinda overwhelmed by everything he has. I mean, for one thing, there are about 25 travel DVDs and Blu Rays. I don’t even know who would watch those things, and he clearly wasn’t the type, as none of them had been opened. If you don’t know what I’m talking about, they’re the kind of video you’d play for ambiance if you ran a nail salon. Top 10 National Parks and Europe In A Day. Stuff like that. Out of the corner of my eye, I notice that 24 season 7 is on the floor, off to the side of the case. I didn’t think much of it, as the rest of the series was in one of my trash bags, so I just grabbed it and threw it in.

He also had quite a few collections from motivational speaker Anthony Robbins, and I wasn’t sure if they were included in the sale. I’ve had a strange fascination with Tony Robbins over the years (Does that stuff really work?), but I knew I probably couldn’t sell it, ’cause that Guthy-Renker/BeachBody infomercial stuff is always covered by copyrights that can get your eBay account deleted. Anyway, I said “Screw it”, and threw them in the bag, as well.

As I’m shoveling stuff into bags, I start to notice all the stuff I hadn’t been able to see in the pics on the app. For one, dude really loves musicals. And the Royal Family. So, if I had to do a sidewalk assessment of the guy, I’m picking up “gay man who learned to love himself through the power of Tony Robbins”. I start looking at other stuff over on the side, but nothing really catches my eye other than 2 things: a new Xbox One remote/keyboard, and a new pair of furniture covers to protect your couches from pets. You see, we were headed to Richmond that afternoon to go check out the dog that would eventually become ours. Oh, I haven’t mentioned we have a dog now? Yeah, he shits in the house and terrorizes the children. I’m not a fan right now. Anyway, I knew I didn’t want this potential dog messing up my furniture so I grabbed those covers. I had already thrown the Xbox remote into one of the bags, but I actually showed the covers to the guy, ’cause I wanted him to know I was taking them, and didn’t want to get shot in some stranger’s apartment over a pet cover dispute (You laugh, but a guy in TN was murdered by the guy offering him $200 for his Xbox One from Facebook Marketplace just a few weeks ago). At that point, he’s like “OK, how about $10?” Oh, so he’s gonna monetize everything he’s got, huh? Should I tell him about the remote? I think NOT. So, I only have $5 left after the DVD purchase, and tell him I’ll only take one since that’s all I’ve got. Some folks might be like “Don’t worry about it. Take both.” He was not one of those folks. So, I shove the cover into one of the bags, give him the $5 bill, thank him, and leave.

As I’m driving home, I’m giddy about these 2 giant trash bags of physical media that were going to make me a mini fortune of “walking around money”. Maybe I can finally show my face at the comic shop that’s been holding merchandise for me since October. I’m kinda hoping they think I’m dead by this point. Then, as I’m driving, I’m starting to have my Usual Suspects moment. I’m piecing together all the Keyser Soze stuff in my head, reliving the past hour or so. And it starts to occur to me all of the stuff I don’t remember seeing. Despite what I had seen on the app, I now couldn’t remember actually putting Six Feet Under in one of the bags. Or even Sex and the City. As I kept driving, other stuff was now apparent that it wasn’t actually there when I got there. No wonder he had dropped the price – THE MOTHERFUCKER HAD PULLED A BAIT & SWITCH AND REMOVED ALL THE VALUABLE STUFF! At this point, the lot was basically worth the $50 he was asking.

You’d think I’d rush home and immediately take inventory, but you would be wrong. I kinda stewed in it for a while. Life got in the way, we got this shit machine of a dog, and the bags sat in the back on my car for about 2 weeks. When I finally got around to seeing what it was I’d actually gotten, my theory became truth. There was no collection about a sad looking White family that runs a funeral home. There was no collection about Carrie Bradshaw and her antics in a pre-cell phone New York City. There was no collection about plastic surgeons with no moral compass. Don’t get me wrong – there was still stuff there. I mean, he had all of Prison Break, and most of Oz and 24 – all still sealed. He had some new Martha Stewart collections, for the DIY folks out there, as well as some rare Wilton cake decorating tutorial DVDs. He had some musicals I could add to the personal collection. But the lot was no longer the goldmine it was teased as being.

This was a “teachable moment” to me, as it made me aware of some things I do in these transactions that probably need to change. For one, when I make a sale, I never count the money in front of the person. I think it comes down to not wanting to insult them, and then have that escalate into me being shot. I’ve never been stiffed, but I just try to be “Cool Dude” who’s all “Oh, it’s no problem. Thanks for meeting me!” Another thing I need to do is take my time and really assess what it is I’m buying in these transactions. I used to forget to do this when I first started reselling. I’d go to the thrift store, find something like an old G.I. Joe vehicle that was about 70% complete, and swear there was a buyer out there for it. Sure, maybe ONE, but I wasn’t on his radar, and I’d end up sitting on junk. In that setting, I learned to take my time and really inspect the stuff I was buying, so I wouldn’t end up with a ton of Beast Wars Transformers, with exposed ball joints indicating there were limbs missing. Here, I should have at least glanced before I started just shoveling into bags, and I should’ve had the balls to ask about the missing stuff had I noticed it while I was still in the apartment.

For a brief moment, I considered messaging the guy to ask “Hey, what the Hell?”, but I didn’t really think that was the best approach. Plus, Tony Robbins might have instructed him to stand his ground and curse me out, and I simply couldn’t have that! He didn’t mark the lot as sold on the app for weeks, so I wasn’t being asked to leave a review for how the transaction went, which was actually a relief. I mean, I don’t blame him for removing the more valuable stuff if he had another channel to sell where he’d make more money. No, I blame him for not updating the pics on OfferUp, making it seem like I, the buyer, would be receiving things I did not, in fact, receive. To borrow from the vernacular of the day, his ad was simply FAKE NEWS!

I’ve already flipped Prison Break for $35, and the Xbox remote for $25, so I’ve gotten my money back, but 24 was missing the final season, and one of the Voyager seasons was missing a disc, so it’s gonna be an uphill battle unloading some of this stuff. Look before you leap, True Believer!

Notes From The Road

When I first started Thrift Justice, it was supposed to end with this little segment where I give a little tip or trick that I’ve learned while thrifting. Since this whole post was something of a cautionary tale, however, I figured it already took care of that. So, instead, I wanted to connect you to some others out there with thrifting experience.

 

First up, there’s my brother from another mother, Team Hellions. He’s got quite the reselling cottage industry going, where he specializes in anything from VHS to old print ads. He’s also one Hell of a writer, and he just celebrated his 10th blogging anniversary. Visit his site to see the massive magazine lot he probably just acquired, but stay for the in-depth coverage of his latest project: the pop culture of 1983!

Also, be sure to check in on The Surfing Pizza. When I discovered this site, it was incredible writing about nostalgia – ya know, “Here’s something you probably remember.” In recent years, however, the focus has changed into “Here’s something that you probably remember, and here’s how it affected me.” That personal touch made all the difference, and the site has been firing on all cylinders ever since!

They’ve both got some thrifting stories to tell, so be sure to check them out!

15th Mar2019

West Week Ever: Pop Culture In Review – 3/15/19

by Will

Some weeks, when I know I’m gonna be “on the wrong side of history”, I really don’t want to write this post. This is one of those weeks. Why do I say that? Well, it’s because of Captain Marvel.

As I was saying online last week, it sucks when you dislike something, but can’t vocalize your dislike because there’s a group of folks out there who dislike it for the “wrong” reasons. Ya see, there are all these Men’s Rights Activists upset about how the film’s star, Brie Larson, was regarding them on her press tour. Ultimately, she remarked that she didn’t want everyone reviewing the film to just be straight White guys. She was basically calling for more diversity, but didn’t sugarcoat it, so it was east for some folks to turn it into “Marvel didn’t slap her down, so they’re in on her anti-Male agenda!” They started leaving negative reviews on Rotten Tomatoes, and spreading lies about how there were all these empty theaters where folks had claimed the movie had sold out. It’s so exhausting.

Meanwhile, I’m over here, not excited for the movie because I’ve pretty much always hated the character. I’ve gone into detail about it here before, so there’s no need to rehash all that. Basically, I’ve never found her likable, which is something I look for in my heroes. I’m sorry this skews awfully close to making women want to ask “Why does she have to be likable?”, almost like I’m saying some shit like “You know, you’d be prettier if you smiled more.” That’s not what I’m saying at all. What I’m saying is Captain Marvel (in the comics) in recent years has been equal parts Bitch and Fuck-Up. Just go re-read Civil War II to get a taste of what I’m talking about. So, when I heard they were gonna make a film about her, I wasn’t exactly clamoring for it. When it was pretty much insinuated that she was being introduced now, in order to be the Deus ex machina in Avengers: Endgame, my reaction turned to “Come the fuck on!”

Anyway, like a good little fanboy, I was sitting in a theater last Thursday night, with my trusty buddy Mike. At the end of the day, I liked it, but didn’t love it. I found it to be kinda “meh” as far as Marvel films go. I mean, it’s decent, but we’re at a point where the films have become so epic that “decent” isn’t good enough anymore. I hate ranking things, but it’s easy to place stuff when it disappoints you. To me, this movie is on the level of Doctor Strange. It simply exists, but it’s not something that really left much of an impression on me. My biggest issue, and I’ve gotten in trouble on some message boards for using this language, is the virtue signalling of the whole matter. Like, you wouldn’t believe how many folks I’ve seen who are like “It wasn’t excellent, but man am I glad it’s sticking it to those manbabies!” Or “Incels”, or whatever it is we’re calling the people we dislike this week. I’m not about to act like a “meh” movie was excellent just because of some schadenfreude that it might produce. For all of you cheering this, you didn’t “win” anything in this scenario, and you’re kinda screwing with your own integrity.

The problems…where to begin? OK, let’s get this out of the way: the whole heel turn of the Kree doesn’t come as much of a surprise, seeing as how Djimon Hounsou is playing the same character from Guardians of the Galaxy, and you see Starforce communicating with Ronan The Destroyer (who we KNOW is evil). Sure, they’re calling him off from doing what he does best (nuke the Hell out of planets), but they’re still keeping him on the bench, just in case. So, I guess this is one of those moments where the audience is meant to know more than the protagonist? I dunno, but I’ll chalk it up to that if I have to.

Then there’s the setting. The movie never feels like it takes place in the 90s, and they basically clobber you over the head with references like a late night CD infomercial. “Remember No Doubt?! Remember grunge?! OMG, remember BLOCKBUSTER?!” The setting just felt more forced than organic. The 90s are a hard decade to capture, so I get it, but it quickly became Family Guy‘s opinion of Robot Chicken: “Look! G.I. Joe, Transformers, ThunderCats, He-Man! Yay, those shows existed!” You know how a lot of folks hate Ready Player One because it’s just nostalgia for nostalgia’s sake? I felt that here. It’s like “Ooh, she hacked a pay phone with a Game Boy.”

I was also disappointed in Larson in the role. I know it’s hard to play an amnesiac, but she seemed so wooden at times. And I know they skewed younger, since the future of the MCU rests on her shoulders, but I’ve never been on board with her casting. I feel like Captain Marvel should’ve been an older, “worldlier” actor, like Charlize Theron. Someone with some “miles on her”.

One thing that stuck out to me is that it’s a movie built on the notion of platonic friendship, released in an age where everyone seems to have an ulterior motive. I’m not about to get into the sitcom trope of “Can Men and Women Be Friends?”, but there’s a weird subcurrent to the movie where you just never quite understand a LOT of the relationships on screen. I like how folks have pointed out that it’s the first Marvel film without a love interest, but is that completely true? There were quite a few scenes, whether between Carol and Fury, Carol and Space Jude Law, or Carol and Maria, where I’m like “So…they fuckin’?” I can completely admit that’s probably a personal issue on my part, but I still felt that, so I wondered if anyone else felt it, too.

Finally, and this is a big nitpicky thing but it’s my site and I do what I want, I HATED the thing with Fury’s eye. Now, I’ll completely take the blame here because a lot of us have our fan theories and start speculating about stuff with no real proof, and then we’re disappointed when faced with reality. For the past 11 years, I’ve been thinking he lost that eye in some bad ass op that we might one day see in flashbacks. After Winter Soldier, I kinda thought Pierce had something to do with him losing the eye, or was at least present when the shit went down. But, after all this time, it was the Flerken?! He got fucking scratched by a space cat, and I guess he let it get infected? What a letdown!

Anyway, it’s not all bad. I frontloaded this thing with the negatives, but there were things I truly enjoyed here. We got a Nick Fury movie without ever actually getting a Nick Fury movie. I’d love to see one where he’s actually seen some shit. I mean, here he’s like a cop who’s a few months from retirement. I know he works for S.H.I.E.L.D. but I’m not getting a “bad ass” vibe off of him. Maybe that comes once the eye is gone? Who knows? Anyway, I still like him here for what he was.

I also really loved Maria Rambeau, especially when she and Fury got to play off each other in space. We rarely get the experience of two Black people looking at each other like “Do you see this shit right here!?” in the MCU, so that was a rare treat.

And my favorite, favorite part that I loved, loved LOVED was Talos. I never knew I could love Ben Mendelsohn so much. I mean, I even liked him in his S.H.I.E.L.D. director Brick Tamland disguise, but it got so much better at the farmhouse, when he was just allowed to cut loose. He was SUCH a great character. Shit, I’d have preferred the movie have just been about him. He was just so damn entertaining!

Anyway, I can’t write the character off completely, ’cause I guess we’ll need her against Thanos, but I’m reserving judgement til I see what happens after that post-credits scene we got. I know a lot of people got a lot out of this, from the joy of representation, to the feeling of empowerment it provided. I’m glad it affected so many people positively, and I’m not trying to take away from that for anyone. I just wish I could join ya, ’cause it just kinda felt flat to me. Your mileage may vary. I give it 3 out of 5 Stan Lees.

Speaking of Marvel, we got another Avengers: Endgame trailer. Yeah, it’s nice and all, but I’m just ready for the movie already. I kinda hate how every trailer gets dissected and the fan theories run rampant. I mean, we all do it, but I at least try to keep mine to myself. Not record a 90-minute YouTube video about it. I’ve got no nitpicks here, and no fan theories. My body is ready!

Do we really have to talk about that college scam bullshit? OK, for anyone not in the know, a bunch of folks were rounded up and arrested for bribing college officials and testing coordinators to help get their kids into prestigious schools. Amongst that group were Felicity Huffman, and Mrs. Rebecca Donaldson-Katsopolis herself, Lori Loghlin. We’ve all fired off our “Aunt Becky” jokes on social media, but my final word on this is that it’s a New Money problem.

Did you ever read The Great Gatsby? It delineates between New Money and Old Money. If you won the lottery tomorrow, you’d be New Money, because you’re not used to wealth, and you’ll probably do stupid things with it, like trick out an Escalade or make it rain at the local strip club. Old Money, however, is institutionalized. Old Money have buildings named after them, they have rare and exquisite art collections on loan to the world’s biggest museums. New Money spends, while Old Money invests. Old Money knows how this college system works because they’ve been doing it since the beginning of higher learning. You donate enough money to have a library named after you, and the school really can’t say no. I mean, why risk you taking back your generous gift when all they have to do is open up a seat for your kid? Easy math.

New Money, meanwhile, is up to stupid tricks, like bribing test prep folks, and having coaches create spots on athletic teams for sports the kids don’t even play! Y’all were doing too much and, in the words of DJ Khaled, “Ya played yaself!” Loughlin allegedly paid close to $500,000 to get her Instagram influencer daughter into USC. Half a million dollars for USC?! Look, when I graduated from Cornell, they sent us a catalog detailing what we could get for each level of donation. Think of it like the PBS pledge drive, but with real estate involved. For example, $10,000 got you a practice room in the music hall, without a piano. Meanwhile, $30,000 would get you one with a piano. I remember somebody donated for the piano room, and they dedicated that shit to Jerry Garcia. There was a plaque and everything. And it still both bewilders and angers me that someone had enough money to just throw it away like that. Sure, maybe he’s a big fan of The Grateful Dead, but if I’m throwing $30K at something, I’m either naming it after my mother or Maria Stark.

Anyway, this group of “elite parents” really need some Old Money friends, ’cause there were a ton of folks, laughing their asses off, while greasing the right palms this week. I’d recommend everyone find them an Old Money friend, ’cause it’ll teach you wonders about money.

It was announced last night on The Tonight Show that YouTube star Lilly Singh will be taking over the timeslot being vacated by Carson Daly’s Later. Her show will be called A Little Late with Lilly Singh. Is that where all the hosts of the future will come from? YouTube? I mean, they got the new Double Dare host from there, and now this. Meanwhile, I’m just becoming an old man, and all these kids have names like Chad Zachary Chad and I can’t tell them apart.

In the world of comics, I’m sort of surprised that DC Comics had a bit of a Come to Jesus moment all due to the Bat Penis. If you weren’t aware, DC launched this edgier imprint, called Black Label, last year that was going to take their signature characters in some interesting directions. Well, in the first issue of Brian Azzarello & Lee Bermejo’s Batman: Damned, you can see Batman’s penis. I have the issue, but haven’t read it. Haven’t even seen the panel in question online. Still, it caused quite the stir, forcing delays on the rest of the series for it to be rewritten. At a comic retailer summit last weekend, DC co-publisher Dan Didio said the whole incident made them question who they had become as a publisher. Even though the image was waved off by co-publisher Jim Lee as a result of lightening the page, Didio felt like they had done some damage with their relationship with retailers, and that they had to take a step back and really think about where they were headed. Now, this is a summit for retailers – some of the most cantankerous folks alive – so of course Didio is going to try to sweet talk them. Still, I always find it refreshing when a brand openly admits “We made a mistake.” Learn from it and move on. So few companies, OR PEOPLE, seem to be able to do that in this day and age.

Finally, social media was ablaze yesterday as folks voiced their displeasure in Netflix cancelling the critical hit reboot of One Day at a Time. With this incarnation of the show focusing on a Cuban-American family, it had become quite the beacon of representation in media. So, folks felt that Netflix had a commitment to keep this show going, even when Netflix said that the audience wasn’t large enough to make a 4th season viable.

Have a seat. Let’s chat. I know you’re upset about losing a show you liked, but it’s just business. Ratings are funny because we ultimately don’t need to see them. Folks are always like “Well, what were the ratings?” when their favorite shows are cancelled. Ratings are used to SELL ADS. It’s why streamers don’t have to give us viewer numbers. We don’t know what a network has invested in a show, so we can’t really sit back and ask “Oh, you mean that wasn’t enough people watching?” And if we DID get the ratings, and they were, like, a million viewers short, what then? You gonna call a million of your closest friends? Is a network really supposed to take a loss for “representation” when the represented don’t show up to support it?

Why spend money on a show that has no audience? It ain’t a charity. Now, sure, we don’t know streaming numbers, but they weren’t enough to make them keep the show. At the end of the day, that’s all that matters. Folks want them to keep airing the thing so they get some kind of “brownie points” in their “commitment to diversity”. They’re just gonna create a diverse show, in house, that they’ll OWN. See, that’s the clincher right there: Netflix has to pay the show’s production studio, Sony, a pretty hefty licensing fee to carry the show. This is why Netflix has been cancelling most of the shows they don’t own, like the Marvel series. Still, some folks didn’t like that Netflix didn’t mention this in their statement. What, throw Sony under the bus when they may have to do business with them in the future?

Then I’ve seen folks use the argument that “Well, they could afford it if they hadn’t paid $100 million for Friends!” No! Stop using that defense. They threw $100 million at Friends because White people STILL love Friends and it performs well in syndication. Were that not the case, they’d have paid a lot less than $100 million. Friends is basically a “loss leader”. It cost them a lot on the front end, but they hope it’ll be an investment that brings eyes to the service. It’s not like they just flushed $100 million down the drain. The mentality is basically “Come for some familiar flavor that you know you like, and then try something new.” You need a big show for that to work, not some middling critical darling.

I know y’all out there loved the show and, no, I never saw it. I haven’t fired up Netflix since 2017. There’s just too much shit to do and watch these days. Still, I heard great things so it seems like it was quite a loss. That said, stop taking all this business stuff personally. Channel that anger elsewhere. Create your own stuff. This isn’t the end of representation and it’s possibly not even the end for this show, as Sony plans to shop it around. Based on the groundswell of support it’s gotten over the past 24 hrs, a network would be a fool to instantly pass on it. Only time will tell, but there’s more to these decisions than we like to believe.

OK, it may not have knocked my socks off, but I still know a cultural phenomenon when I see one. Captain Marvel had the highest grossing opening for a film with a female lead. It’s already crossed $500 million. And it put us at the doorstep of Avengers: Endgame. So, giving credit where credit is due, Captain Marvel had the West Week Ever.

08th Mar2019

West Week Ever: Pop Culture In Review – 3/8/19

by Will

 

There’s quite a bit of pop culture-y goodness to discuss this week, which is a welcome change of pace.

First off, yeah, I’ve seen Captain Marvel, but we’ll talk about that next week. Give y’all some time to see it, ’cause I’ve. Got. Thoughts.

In movie news, Warner Bros announced a new animated Scooby-Doo film, that’s to kick off the shared Hanna-Barbera Universe, with the gang taking on Dick Dastardly. Well, in a controversial move, WB replaced Matthew Lillard as the voice of Shaggy, recasting him with Will Forte. It left a bad taste in folks’ mouths because 1) Lillard found out about the recasting along with the rest of the world, and 2) he’s been voicing Shaggy since Casey Kasem stepped down from the role in 2009 (plus he starred in the role in the 2 live action films). So, if you’ve seen Scooby-Doo and the Dairy Queen of Death or whatever the fuck straight to video thing they’re slinging, that voice you heard was Lillard.

I get that Lillard’s had the role for a bit, but I can also see WB wanting more of a “name” for their Hollywood offering, since it’s going to be positioned as a bigger deal than the Warner Home Entertainment releases. And we just happen to live at a weird time where Will Forte can pull up on Matthew Lillard. What’s next? Michael Pena taking roles from Freddie Prinze Jr? Anyway, I get it. It sucks – especially for voiceover actors – but that just seems to be where Hollywood is headed. Tara Strong has voiced Harley Quinn forever, but the upcoming DC Universe animated series has tapped The Big Bang Theory‘s Kaley Cuoco for the role. Why? Because TBBT is the #1 sitcom on television (cue the wailing and gnashing of teeth). I’m not saying the practice is right, but I’m not surprised by it in the least.

Sticking with Warner Bros productions, it was revealed that Arrow will return next Fall for an abbreviated 10-episode final season. Ten episodes would take them right up to next year’s crossover, so I guess we know who dies in “Crisis”? Which, ya know, would be a fitting sacrifice. He’s more than avenged his city, and has grown in his quest. He’s no longer about simple revenge, and he’s inspired countless others. It works. I guess this means I’ve got to catch up on the show now, as I fell off early last season.

And one last, BIG, WB tidbit: Idris Elba is reportedly replacing Will Smith as Deadshot in The Suicide Squad. Frankly, I think Idris should actually play Bronze Tiger. I’m not one of those who feels like Deadshot HAS to be on the Squad. In the comic series, he and Harley are mainstays, which kinda throws a wrench in that whole “Anyone could die on any mission” threat. If he’s killed – even if offscreen – it proves there are actual stakes to the team. And it’ll be the second time Will Smith gets killed off a sequel off panel

 

I give you the most boring toy commercial I’ve ever seen. It lacks energy, and it’s almost like they don’t know their audience. Kids commercials have to be loud and bombastic. Make the kids WANT the shit. This voiceover sounds like she’s my therapist. The movie will do just fine, but I’m not sure the merch sales are gonna be so hot for Captain Marvel

The Kickstarter went live this week for WHITE, which is the sequel to the critically acclaimed graphic novel BLACK, which came out a few years ago. That story dealt with a world where superheroes exist, but the powers are only available to Black people. This sequel (the second part of a reported trilogy) appears to follow how White folks are coping with the fact that they can’t have powers. Well, just looking out the window, I can assume they ain’t gonna be too cool with that.

I’m tempted to pledge to this project, as I did support BLACK. That said, I also find BLACK in the $5 bin A LOT, making it hard for me to justify the $30 pledge when this volume is likely to experience a similar fate. Plus, while I haven’t read the entire story yet (despite having 2 years to do it), I did read the first issue, and it wasn’t very…good. Add to the fact that the Tuskegee Heirs Kickstarter has pretty much killed my faith in that platform for promoting new creative endeavors.

Speaking of comics, this tweet went viral from creator Jimmy Palmiotti, and I couldn’t disagree more. Looking at a lot of the replies, I’m not alone.

Nope, nope, nope! It’s NOT our job, as fans, to provide a living wage for comic professionals, and it’s wrong for said industry to try to guilt us into doing it. Palmiotti’s own friends, like Joe Quesada, prop up an industry that underpays their talent, and then goes out and expects fans to make up the difference. If you wanna give a little more to comics, that’s your choice, but it’s not your job or role to make sure Johnny Comic Book Artist can pay his bills. That’s on his publisher.

Meanwhile, it’s such a tacky ploy to try to pit fans against the “millionaire actors”, who are also there to give back to those fans/make their nut. There is NO money in comics. Most of us, regardless of our place in the pecking order, went into the industry knowing that. Whether the Diamond customer service rep, or the newbie Marvel artist, everybody’s just trying to get by. And it’s the individual’s choice as to what they should do with their money.

This song – “Ladies in the ’90s” – was actually released by Lauren Alaina back in October, but it’s just starting to gain traction with airplay. Seeing as how it’s been out so long, I think this lyric video is all we’re gonna get, which is sad because I can think of a lot of fun stuff to do with this concept. Anyway, the song has been stuck in my head all week, so maybe you’ll find it as fun as I do.

Things You Might Have Missed This Week

  • Alex Trebek announced that he is fighting Stage 4 pancreatic cancer. In a recorded message, he jokingly said that he’d have to beat it, as he still has 3 more years on his contract. I’ll say this: when Trebek is done with Jeopardy! I want them to put it on ice for a few years. Family Feud disappeared after the Ray Combs era, and it had to slog through Richard Karn, Louis Anderson, and J. Peterman before they hit pay dirt with Steve Harvey. I’d rather not endure that slog with Jeopardy! any time soon. Let it stand as a monument to the man’s work until quite some time has passed.
  • The Mad About You revival has finally found a home on Spectrum, along with the Bad Boys spinoff, LA’s Finest. The 10-episode “event series” will focus on Reiser and Hunt’s characters dealing with “empty nest syndrome” as their daughter goes off to college. And I don’t know a single person who wants to watch this. I was a Mad About You FAN, and I don’t want this. All I know is Ira better be there, or they can go straight to Hell.
  • I don’t normally cover death here, but Luke Perry sadly passed away earlier this week after the massive stroke he suffered last week. The thing that’s been most surprising to me, however, are all of the great stories folks have shared about his kindness. I always kinda figured the former 90210 star was something of a douchebag (though I had absolutely nothing to back that up), so it was great to hear that I was wrong and had judged him too quickly. It doesn’t seem like Hollywood is filled with NICE people, but it certainly sounds like they just lost one with the loss of Perry.
  • The Twitter Sleuths are on the case! Between the release of the documentary Leaving Neverland, focused on the Michael Jackson sexual assault allegations, and the Gayle King/R. Kelly 2-day interview, folks got their fill of juicy morsels to dissect and try to figure shit out. Nevermind the fact that these are situations that ruined kids’ lives. I blame Serial for this, but it’s also 2019, which is a blanket excuse for anything these days.

  • I’m not really one to do food reviews, but I HAD to grab the brand spanking new Orange Vanilla Coke Zero. I don’t taste even a HINT of Coke. It might as well just be some Orange Fanta with some vanilla syrup in it. It’s not to say I don’t like it, but it’s not something I can guzzle back to back. I can tear through some Vanilla Coke Zero, but I need something of a refractory period after drinking just one of these.

I am a Power Rangers fan. That’s no secret to anyone who’s been to this site before. Still, being a fan of that franchise for the past few years has been like cheering on a losing sports team. I’ve checked in every now and then, but nothing really piqued my interest. I made a promise to myself, some 20 years ago now, that I’d watch the show as long as it was on the air. It had been good to me in rough times, so I would never leave it. I had no idea, however, that the friggin’ thing was gonna follow me to the grave! Over the years, watching every episode became watching every premiere and finale, which became watching every premiere. It was just enough to keep my promise to myself, but it kept me from getting engrossed – a good thing, since I would just end up focusing on how bland the Neo-Saban era of Power Rangers had become. Last year, however, toymaker Hasbro purchased the franchise from creator Haim Saban, with a desire to breathe new life into the property. Now, suddenly I realized I didn’t have to be an Orioles fan anymore because now we had the Nationals (did I do the sports right there?)!

Hasbro’s first offering premiered last Saturday morning, as Power Rangers Beast Morphers. I was cautious. Not cautiously optimistic. Simply cautious. I didn’t know what to expect, but I knew everything about what had come before. So there was an uphill battle ahead of Beast Morphers. That said, this was the first time I’d felt open to a new incarnation since Power Rangers Samurai, which was a disappointment out of the gate (WHY didn’t Nick air the PILOT as the first episode?!).

As the show began, I was already seeing some familiar tropes. A gym & juice bar, and a young White guy leading a Karate class? Is it 1993 again?! OK, I was settling in. As the show went on, what I found I really enjoyed about it was how it honored and embraced what had come before. In the first episode, we not only get a reference to Mighty Morphin Power Rangers villain Rita Repulsa, but it was also tied to the most recent villain – a show of support for the continuity that Saban had dodged so deftly. This was a show that was built on what had come before. Sure, it was a clean slate, but it wasn’t a jarring hard reboot.

Plus, there were quite a few swerves when it came to the characters. This is the first group of Rangers, in about ten years, that I have actually found likable. I already care about them and want them to succeed. They’re not just bland pretty kids, which was the call sheet description from the past few seasons. AND (and this is a BIG and) it’s the first time in a very long time that I even liked the supporting characters. The wacky brother and sister who run Grid Battleforce security, the teen prodigy who has figured out how to tap into the Morphing Grid, even the stern, with a heart of gold, commander of Grid Battleforce – I loved them all.

It’s still early, and strong pilots can quickly turn into mundane series, but I think we might have a winner here. I think Power Rangers is actually GOOD right now, y’all. That’s CRAZY! Anyway, this is why Power Rangers Beast Morphers had the West Week Ever.

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