26th Oct2018

West Week Ever: Pop Culture In Review – 10/26/18

by Will

Sometimes I need to take a week off just so I can come back fired up – and I am FIRED UP this week!

Whatever happened to the days when we just let people say stupid shit and we just shook our heads and kept it moving? Yes, I’m talking about Megyn Kelly. The NBC talk show host came under fire this week, as she was discussing Halloween costumes with a panel of guests, which included Melissa Rivers and Jenna Bush Hager. Kelly was appalled by the restrictions that some universities were putting on certain Halloween costumes, such as prohibiting people from dressing as things like cowboys.

The conversation soon switched to the topic of blackface, as Kelly mentioned that you get in trouble as a White person for dressing up in blackface, but that it was seen as OK when she was younger, as long as you were dressed as a character. The panel somewhat disagreed, and Rivers pointed out that the concepts of politeness and decency seem to be missing in today’s society, and that if you think you might be offending someone, then you probably are. Kelly seemed to sort of take this in stride, the segment ended, and she moved on to talk about some other morning show fluff, like “How to clean your sock drawer potpourri” or whatever. That’s what you’ll see in this clip:

See? Not really a huge thing. I mean, sure, Kelly was wrong, but this is the same chick who argued that Santa Claus was White (Psst! He’s not real!). But you wouldn’t think the situation played out like that based on every report of it on the internet. It was Racist Megyn Kelly Strikes Again! And Tone-Deaf Kelly Doesn’t Understand Racism of Blackface! Um, did you watch the same clip I did?

Let’s point out a few things. First of all, her audience was ’bout it ’bout it when it came to this topic. And it was a diverse audience. I’m not saying what she said was OK, but I’m saying that she was clearly among “her people”. Next, I think it bears pointing out that the topic didn’t really linger. In what’s an 11 minute clip, the whole blackface part took up about 2.5 minutes. It’s not like she dwelled on it, or even tried to argue her side too much. She evoked the image of Real Housewives of New York cast member LuAnn de Lesseps dressed in blackface as Diana Ross, and said, “I thought ‘Maybe she just wanted to be Diana Ross for a day’.” If you ask me, what Kelly said was ignorant, but not racist.

We live in a society that shuns ignorance. No one wants to be the one to ask the “stupid question”, or admit when they don’t know something. At times this coincides with some dicey topics, like race. You’re not really going to get an understanding, however, unless you confront these things in conversation. We have to talk about things! Yet that’s not how we live. We all pretend to know everything, since all knowledge can be found in the palm of our hand. And when someone deigns to ask a question, the impatient simply retort “Google is your friend.” Great. Good talk.

Sure, racism is a by-product of ignorance, but ignorance can sometimes be innocent. Now, we can paint all sorts of things we want onto Megyn Kelly because, again, she’s the chick who swore up and down that Santa Claus HAD to be White. I get it. But I’m not seeing the Evil White Media Racist here that everyone seems to want me to see. I’ve had a lot of opinions where I was probably on the wrong side of history, and this is just another one of them.

Now Kelly’s future with NBC is in jeopardy. She had to apologize for her statements later that day, and then her words were publicly denounced by NBC News chairman Andrew Lack. Then it was reported that the cast of House of Cards pulled out of a planned appearance on her show, due to her remarks. Later on, however, House of Cards cast member Greg Kinnear (remember him?!) said that the cast was told that Kelly had jury duty, which is why the appearance was cancelled. Whatever happened, reruns have been airing instead of live episodes since the event. There are reports that Kelly had met with NBC brass recently and expressed the desire to get back to “real news” coverage, as she hasn’t taken to the lighter side of morning talk. Now, however, it appears the network wants her out, and she’s reportedly demanding a payout of the rest of her contract.

OK, meanwhile, Fox News just announced that their streaming service, Fox Nation, will launch November 27th. So, you mean to tell me that former Fox News darling Megyn Kelly’s highly publicized NBC deal is falling apart just as Fox announces their entry into the streaming market? A streaming service that’s going to need a big name to help launch it? And I’m supposed to think these are just coincidences? This is all orchestrated. Ya know how I know? Because I look at that clip, and I don’t see any fireable offense taking place there. No, this is a mountain being made out of a molehill, and social media and the court of public opinion are being used to throw fuel on the fire. Someone at NBC clearly wanted her gone (word on the street is that it’s Al Roker), while she needs somewhere to land when they snatch the rug out from under her. Mark my words: she’s going back to Fox, and she’s going to double down on her “conservative Megyn Kelly” persona. After all, the folks who were behind her sexual harassment claims at Fox are either gone and/or dead. The time is ripe for a homecoming, and she’s got a lot of fuel against the Liberal Media for how she was treated during this “ordeal”. Great job, Liberals: you just helped one of your greatest foes level up.

So, you got Megyn Kelly fired. Meanwhile, trans folks are potentially about to be erased, and bombs are being sent to prominent Democrats. But I’m glad to see y’all focused on the real issues…

You thought I was done? Oh, I’m just getting started!

So, during my blogging break, Netflix cancelled Iron Fist, and all the folks who were like “How the fuck they gonna have a White dude as Iron Fist? They better cancel that show before it airs!” suddenly turned into “Oh Noez! How dare Netflix cancel Iron Fist?!” people. It was actually quite the thing to witness. I wish I’d kept the receipts from a year ago. Anyway, Netflix totally doubled down, and cancelled Luke Cage just a few days later. And then the armchair quarterbacks came out: “Oh, they’re totally gonna make Heroes for Hire instead.” Or “Disney’s just gonna put them on their streaming service.” I don’t know about the former, but you’re wrong about the latter, and here’s why:

While we don’t know streamer ratings, we know that pretty much everyone hated the first season of Iron Fist, while they felt Cage seasons were too long. Add in the fact that the Netflix shows are tangential, at best, to the Marvel Cinematic Universe. Disney is putting actual MCU actors on the streaming network, so I don’t see them wasting their time and resources on the Great Value properties.

Next, let’s look at the politics at play. The Netflix shows are produced by Marvel Television, while the Marvel Cinematic Universe films are produced by Marvel Studios. Those two divisions HATE each other. Lots of bad blood, which is why Agents of S.H.I.E.L.D. is the only show that takes place “firmly” in the universe of the films, as it was established before all the shit went down. Everything established later has been in this nebulous “Maybe it’s in the MCU/maybe it’s not” gray area. When the streaming service was announced, they specifically pointed out that the Marvel shows on the service would A) be entrenched in the MCU, and B ) produced by Marvel Studios (and not Marvel Television). So, long story short, the Netflix shows didn’t get invited to the party because of their origin with Marvel Television. Also add in the mature nature of the Netflix shows, while it’s been pretty widely reported that Disney Play won’t venture past PG-13 content.

So, Iron Fist and Luke Cage may live to fight another day, but it ain’t gonna be on Disney’s streaming service. One theory I’ve heard is that they might end up on Hulu, should Netflix ever give up the rights, as Disney will be the majority shareholder of Hulu after the Fox deal closes. As with most things, however, we’ll just have to wait and see.

Yesterday it was announced that Rick & Morty head writer Mike McMahan has been hired to develop the animated Star Trek: Lower Decks series for CBS All Access. And I think this is a horrible idea. I know that the Trek TV franchise has been pretty dormant in recent years, but CBS All Access is wasting no time diluting the fuck out of it now. Seriously, there is an announcement of a new Trek series almost weekly, to the point that I’ve lost track. Right now, there’s Star Trek: Discovery, Star Trek: Short Treks, Star Trek: There Are Four Lights (which is my working title for the Picard-centered show), and now there’s Star Trek: Lower Decks – all for CBS All Access. There are about to be a LOT of discussions about what IS and ISN’T “Star Trek“. Animated series from a Rick & Morty writer? Yeah, that ain’t Trek.

I know I’m biased, but as a lifelong Trekker, I’ve always felt there was some pomp and ceremony to the Star Trek franchise. In a lot of ways, you could say that it’s a franchise that tends to take itself too seriously. That’s why I hesitate to embrace something, officially licensed, that pokes fun at that. Sure, over the years there have been fanzines and things like Star Wreck that parodied Trek, but this show, which is supposed to focus on the unnamed crewmen who help run things on an unimpressive Starfleet vessel, sounds like something in the vein of those parodies, and I think it takes away from the franchise rather than adds to it. It feels a lot like Star Trek selling out. Maybe they’re trying to make it accessible to new audiences – ones who may have been put off by the “rigidity” of prior series, but I’d argue that rigidity is part of what makes Star Trek what it is.

My pal Peter pointed out that it’s worth comparing how CBS is treating Trek to how Disney is treating Star Wars. At a glance, Lower Decks feels like something you’d get from the Star Wars franchise. It seems like it’s in the same spirit as the Tag & Bink comic series that Dark Horse put out many moons ago. That was a comedic take on the Star Wars movies, as seen through the eyes of two Jedi in training, who kind of “Forrest Gump” their way through the important events of the original trilogy. A lot of folks liked that series, but keep in mind that it was a comic. It wasn’t seen by the vast majority of Star Wars fans. So, it was treated like the niche thing it was. Lower Decks, however, is being given the same platform as the current, “core” Trek series, Discovery. If they wanted to make some web shorts or something, fine, but a full series (with a 2-season order, at that), just seems to legitimize something that shouldn’t really exist.

Back to the Trek/Wars comparison, I feel like, despite the backlash to The Last Jedi, that Disney is doing it right when it comes to the Star Wars franchise, primarily because they “spread the wealth”. There are the movies, but there’s also the animated series on cable, there’s the upcoming series for Disney Play, and other outlets. Meanwhile, CBS is blowing their entire wad on All Access. They know folks aren’t shelling out a monthly fee for that Tim Meadows cop show, or that spinoff of The Good Wife. No, the ones who are subscribing are doing it, begrudgingly, for Star Trek, BUT there are a LOT of Trek fans (myself included) who can’t even be swayed by that. Instead of being forced to pay for another streaming service, I’m content to just refuse to acknowledge that Discovery even really exists. And even if I acknowledge its existence, I refuse to believe it’s actually contributing anything worthwhile to the mythos. I realize I could be completely wrong about that, but it’s the fault of CBS for hiding it behind a paywall. The insistence on continuing to do this with this ONE particular franchise isn’t going to soften my resolve, but rather just make me resent CBS even more. So, bring on your hateful, sardonic Star Trek cartoon, but I most likely won’t be watching it.

Had I written a post last week, the West Week Ever probably would’ve gone to The Conners, for pulling off an unnecessary, but adequate feat. You see, the show doesn’t really need to exist. Sure, there are the stories of John Goodman saying that they “owed it to the fans”, and sure people were worried about the cast and crew who were out of jobs after the abrupt cancellation of the reboot. To that, I have 2 thoughts: 1) they owe the fans nothing. It could’ve stood as a Done In One “special” season, like the kind of thing you’d get in the UK, and everyone could’ve kept it moving and 2) It’s not like this all happened during season 10 of a long-running series. Yes, it was technically season 11, BUT 20 years had passed in between. The cast already had lives they’d established. Sara Gilbert still has The Talk to go back to, and Michael Fishman could probably get his job back at the Winn Dixie. It’s not like folks had totally uprooted their lives during the ONE season of this reboot, and it’s Hollywood, so the crew would have no trouble getting work on the next project they throw at Joel McHale.

No, The Conners was an experiment that we have to live with even if we weren’t sure we wanted it. I was one of the early champions of the whole “Why not just ‘pull a Hogan Family‘, and keep going with the rest of the cast?” Yeah, I said it, but I didn’t mean it. I really just wanted to see if Hollywood still had the balls to pull off a move like that. That was one of my “Wanting to watch the world burn” moments. Anyway, much to my surprise, they did have the balls to do it. I feel like I’ve also gone on record saying that I didn’t really get why Roseanne was fired. Sure, what she said was fucked up, but it was only the most recent fucked up thing in a string of Roseanne’s fuckedupness. She really hasn’t been stable for the past 15 years or so. Someone had to know she was capable of this, but they still gave her a chance. Back in my day, you’d say something fucked up and racist, you’d do a mea culpa, and then you’d do a photo op with Al Sharpton after donating to the NAACP. So when did the rules change? ABC got her out of there with the quickness, and I’ll bet James Gunn was even somewhere like “Man, I hope they never do that to me!” [Editor’s Note: That is exactly what ABC/Disney would end up doing to him]

The thing that really strikes me about The Conners is the notion of “family”. One of the strengths of the original Roseanne was the family unit, and it’s what a lot of folks were anticipating upon its return. Once the reboot was announced, the cast was making the talk show rounds, about how they were a family and how great it felt to be back together. So, when Roseanne fucked up, where was her family? They turned on her. I know it’s naive (and not always true), but I like to think family sticks together. That’s not what happened here. When the shit hit the fan, they denied her like Peter denied Jesus, and they were all like, “Hey, I’ve got bills”.

I mean, it’s cutthroat Hollywood, but something doesn’t sit right with me. Roseanne tried to make it right, by signing over her rights and financial ties to the show, so that the cast and crew could carry on steering the ship that she built. And yeah, (spoiler alert), they killed off her character with a drug overdose, which is just so…unglamourous. I mean, there was a precedent for it, as it was established last season that she had an opiod addiction, but it was also established that she was worried about dying on the table during her knee surgery. Would it have killed them to go with the latter instead of the former? It reminds me of the overkill the South Park guys did to Chef went Isaac Hayes got all sanctified and quit the show.

Anyway, The Conners picks up a few weeks after Roseanne’s death, and the family is trying to adjust with her not around. They assumed her heart gave out, but midway through the episode, the coroner’s office calls, saying she had actually died of a drub overdose. Well, this is news to Dan, as well as Darlene and Becky. When they find out Roseanne had gotten drugs that had been prescribed to some other woman, Dan goes all “small town vengeance” on her, by putting a sign on his truck naming the woman, and blaming her for killing his wife. Eventually, the woman shows up to the house to apologize for Roseanne’s death, but also to ask Dan to remove the sign as it’s ruining her life. So, I guess the show is going to tackle the opiod crisis that’s plaguing Middle America right now, but it just feels so…unnecessary. If it were a story about recovery and redemption, that’s a story that I’d be interested in seeing how it plays out. But it’s not that story, as Roseanne is already dead, and she ain’t coming back. So what now? I truly don’t know the answer to that. I wonder if anyone associated with the show does, either, or if they’re just cashing their checks and keeping their heads down.

I had the pleasure of joining my buddy, Corey Chapman, on his podcast The Chap Report this week. It was a really fun time, as we discussed Halloween and modern scary movies, as well as the current state of the WWE. Plus a bunch of other stuff. It was fun to record, and just as fun to listen back to, so check it out and put it in your ear holes!

Trailer Park

F is for Family

This show is one of those hidden Netflix gems that nobody talks about, like LoveSick (AKA Scrotal Recall). I really enjoyed season 1, but totally missed season 2. I’ll probably catch up so I can watch this when it debuts on November 30th, ’cause I really liked it.


Broad City

We got this trailer for the 5th, and final, season of Broad City, and I guess it looks OK? As they say in the South, this show “got out from good”. When it debuted, I LOVED it. Crushed hard on both Abbi and Ilana. Then I feel like they jumped the shark somewhere around the Hillary cameo. And I bailed halfway through last season ’cause it just felt like it’d lost its spark. If I could find it somewhere, I’d watch the eps I missed, but I think I’m ready for this show to end.


Nobody’s Fool

I love a good red band trailer. Apparently Tiffany Haddish made the “Kevin Hart” deal with the Devil, in which she is required to appear in one movie a month. Good for her, I guess. I won’t see it in a theater, but I’d watch it if it were convenient to do so.


Bird Box

Folks are saying they’re getting A Quiet Place vibes from this trailer, which is another film I need to watch. I tend not to like stuff like this, but I’m intrigued, and I like Sandra Bullock. Plus, I already have Netflix, so it’s a plus that I won’t have to leave home to see it.

Things You Might Have Missed This Week

  • As anyone with a brain could’ve predicted, Ariana Grande and Pete Davidson are dunzo!
  • Marvel fired Star Wars comic writer Chuck Wendig after he was told that his social media activity was too political and profanity-laden.
  • There was some casting on that Pennyworth series for Epix (Ya know, Batman’s butler before he was Batman’s butler?). Anyway, you don’t know who any of the folks are, nobody has Epix, and the show’s a terrible idea, so I’m just gonna jump to the next item.

  • Speaking of ill-advised DC TV moves, we got our first look at Shane West as Bane on Gotham. Oh man, did they run out of money? It’s like a poor kid’s homemade Darth Vader costume or something.
  • DC Comics revealed The Other History of the DC Universe, written by John Ridley, which will focus key events in the DC Universe through the eyes of its Black heroes. It’s part of DC’s Black Label imprint, but it’s mostly prose, with a $7.99 per issue price tag. Yeah, PASS!
  • Avengers 4 spoilers are starting to trickle out, including a pic of Ms. Gwenyth Paltrow. I’ll just leave it at that.
  • Disney had met with the writers of the Deadpool films about a potential reboot of the Pirates of the Caribbean franchise. It’s unclear if Johnny Depp would be involved this time.
  • Alan Tudyk will voice The Joker on the upcoming Harley Quinn animated series on the DC Universe streaming service.
  • Steve Carell has been cast in Apple’s untitled morning show drama, also starring Reese Witherspoon. Do Apple shows ever come out? I always hear about them in development, and then something stupid happens, like “Whoops! We shot all 13 episodes but forgot to put film in the camera!” Seriously, name ONE Apple series that is complete and ready to go.
  • Speaking of Apple, they’re reportedly going to launch their own streaming service ’cause, y’know, everybody’s doing it. I guess it’ll be the home of all these shows that live in Canada that they keep talking about.
  • There are rumblings that Fuller House will end after its 4th season, though Netflix commented that no decision has been made at this time (translation: Time to look for work, Jodie Sweetin!).
  • Netflix has definitely made up its mind about Orange Is the New Black, as this will be its last season.
  • An NYPD Blue reboot is in the works, which would focus on the son of Andy Sipowicz (played by Dennis Franz in the original series). In this series, Sipowicz Jr will be investigating the murder of his father. Naw! They done killed Sipowicz?! They couldn’t let him retire to fish or some shit?
  • It’s the end of an era, as Caroll Spinney, the Sesame Street puppeteer behind Big Bird and Oscar the Grouch for the past 50 years (!), would be stepping away from the roles. My oldest calls it Elmo Street anyway, so I guess he picked the right time to go…
  • Your HBO sex scenes are about to get lame, as the network has hired Intimacy Coordinators to be on set whenever a sex scene is to occur between actors. Due to the #MeToo movement, they want to ensure that consent is there, and that the actors are comfortable. Meanwhile, Shannon Tweed is somewhere, going “What a crock!”
  • So, MTV is reviving The Real World, but on Facebook Watch? What is that? Is that free? Seems odd they’d farm out one of their most iconic franchises. Anyway, I’m closer to 40 than 20, so this ain’t for me. Plus – and I’ve said it before – the show won’t return to its hard-hitting glory until they start casting ugly people again.
  • Speaking of Facebook, they will soon add the ability for you to add songs to your profile. Hey, 2006 MySpace called and boy do they have some shit to say!
  • CMT is reviving the ABC series Wife Swap, which will premiere in February. I will always think of this Chappelle sketch whenever that show, or its clone Trading Spouses, comes up.
  • The Wonder Woman sequel, Wonder Woman 1984, has been moved to June 5th, 2020, so as not to crowd out the Todd Phillips Joker movie coming out next fall. There are also rumors that the film will serve as a Flashpoint-like reboot to the DC movie universe.

  • British police are on the case to catch a David Schwimmer lookalike who stole some beer from a liquor store.

So this is a tough one. I can’t say this person had a “good” week, but he certainly had an important week. I haven’t been the biggest wrestling fan in recent years, but you couldn’t get near the WWE without knowing about Roman Reigns. The biggest reason is that the company seemed to be giving him a push that the fans didn’t really support. Over time, I was pretty much conditioned to dislike him, just like “everyone else” supposedly did. I knew he was part of The Shield, and pseudo-related to The Rock (since all Samoans seem to be born from 3 women), and he wasn’t bald (which meant he wasn’t a heel). Other than that, though, I had never really seen him wrestle, so I was peer-pressured into disliking him. That all changed on Monday night, though.

On Monday Night RAW, Roman broke character and introduced himself as “Joe” (his real name is Joe Anoa’i), and told the world that his Leukemia had returned. He was apparently diagnosed 11 years ago, and had beaten it. Unfortunately, it’s back, leading him to relinquish his WWE Universal Championship title. It was an emotional moment, especially when you watched the reaction of the WWE starts backstage. Even if the fans didn’t love him, it was clear he was loved by his colleagues, and they were genuinely concerned for him.

Since I’m dumb, I immediately texted my friend “Does this mean we’re not allowed to hate him anymore?” The thing is, though, that I never had a real reason to hate him. And instead of merely tolerating him, I now find myself concerned for his well-being. It’s a crazy string of emotions, and it all happened so fast. He made a point to say that this wasn’t a retirement speech, and he has every intention of coming back. I certainly hope that’s true, and I look forward to seeing how the fans will regard him on that day. Is this the thing that he “needed”? Did he have to show he was human to get over with them? Wrestling is such a strange thing sometimes. Anyway, prayers up for Roman Reigns, who had the West Week Ever.

12th Oct2018

West Week Ever: Pop Culture In Review – 10/12/18

by Will

HarassmentWatch (TM)

It’s everyone’s favorite segment, where you find out who couldn’t keep their dick in their pants this week!

James Franco – In her upcoming book, actress Busy Philipps writes that Franco physically assaulted her on the set of their TV series Freaks and Geeks. She later said that he apologized for the incident, but most of the news outlets seem to have missed that tidbit. Anyway, this is familiar territory for Franco, as around 5 women have already accused him of sexual assault. While his encounter with Philipps wasn’t sexual in nature, it still goes to show how Franco views women. On a side note, who out there is gonna read a memoir by Busy Philipps? I mean, I like her and all, but I’ve never once thought “I’d love to know more about her life”. They really will just give anyone a book deal these days…

Harvey Weinstein – A victory for Harvey? One of the six counts of sexual assault has been dropped by a NY judge. Lucia Evans alleged that Weinstein forced her to perform oral sex on him during a meeting in his office, but this accounted was disputed by a friend of Evans. The D.A.’s office says is still plans to proceed with the remaining 5 charges, however, which Weinstein has denied.

So, it was announced this week that James Gunn will possibly write and direct Suicide Squad 2, and there was much rejoicing amongst the geek set. I dunno, y’all. I’m still not on the #RehireJamesGunn train. Yeah, I know it was for stuff he did years ago, and I know he’s apologized for it. Plus, I realize it was part of a biased smear campaign from the Right. Still, I’ve never been onboard with the whole “Well, he worked for Troma and he had to say that stuff to fit in.” Plus, I would’ve felt better about the whole thing had he put all his cards on the table in the beginning. Instead, there were the tweets. And folks rallied and yelled “He apologized!” Then, a few weeks later, there were the pics of him as the pedophile priest at the Troma party. Eventually, I was like, “How much shit are they gonna find on you, dude?” I don’t feel like his life should be ruined, but I understood Disney’s business decision. Still, I don’t know if it’s such a major coup for Warner Bros to be getting him. It’s basically damaged goods giving a 2nd chance to more damaged goods. Had he been fired from Warner Bros and picked up by Disney, THAT would’ve been something to cheer. This is a second chance, but it’s a demotion. Even the best Suicide Squad movie is still, at the end of the day, just a Suicide Squad movie. You wanna impress me? Let him take on Superman.

There’s some shady shit going on, where the world of politics is finding itself intersecting with the world of professional wrestling. You see, Washington Post journalist Jamal Khashoggi is believed to have been murdered in the Saudi consulate in Istanbul, due to pieces he had written in opposition to the Saudi royal family. It’s believed that a Saudi death squad arrived, confronted him in the consulate, murdered him, and then dismembered him in order to smuggle out his body.

Meanwhile, WWE has a lucrative, long-term deal with Saudi General Sports Authority (SGSA), and plans to hold the Crown Jewel event in Riyadh on November 2nd. Many fans already hated the Saudi deal because it messes up current storylines for the American programs, plus there are other issues. there was The Greatest Royal Rumble event held in Saudi Arabia in April, and none of the female performers were allowed to wrestle because of the Saudi views on women (though reports indicate the women were paid well to sit out the event). Now, fans believe WWE should pull out of the event since it appears the Saudi government could be behind the murder of a journalist working for an American publication.

Here’s where things get interesting: Donald Trump has vowed to investigate the disappearance of Khashoggi – ya know, the same Donald Trump who calls the press the “enemy of the people”. Meanwhile, he, as well as his son-in-law Jared Kushner, have a close relationship to the Saudi Royal family. You think he’s really gonna lift a finger here? My friend Tarek and I used to have this joke, where if there was something we didn’t want to do, we’d pretend we tried and failed and that was that. We’d just say “I tried my hardest”, as that was code for “I didn’t really give a shit, but isn’t this a cool code we have?” That’s exactly what’s going to happen here. Trump’s gonna “try his hardest”.

Plus, let’s not forget Trump’s Administrator of the Small Business Administration, Linda McMahon – who also happens to be the former WWE President and CEO. Yeah, there’s no way that deal’s going anywhere, and there’s also not going to be a thorough investigation. At least, not by the American government. I guess it’ll be up to Khashoggi’s journalistic colleagues to discover the truth of what happened to him.

Trailer Park

Aladdin Teaser

It’s OK, I guess. Of course Will Smith gets top billing. Well, here it appears he got the ONLY billing. What else were they gonna put there, though? “Also starring the girl from that Power Rangers movie you didn’t see?” I dunno, but I feel like Disney has stalled creatively. Nobody was clamoring for live action versions of their animated hits. This feels like the pre-The Little Mermaid era, when they were just re-releasing all the old shit that made them famous.  I also don’t like the look of Disney’s modern live action films. It’s hard to explain, but they all look like they were directed by Baz Luhrmann. I didn’t even post the Dumbo trailer because it looked like Moulin Rouge with an Elephant. Is Pixar the only Disney division with any creativity anymore?


Glass

Didn’t we just get a new trailer for this? Was that just another teaser? When the Hell did Hollywood move to this three-trailer system? Just give me the damn movie already. Anyway, I liked Unbreakable. I liked Split. I thought I liked the idea of them in a shared universe. This isn’t what I had in mind. I mean, I’ll see it. I’m just not really enthralled by what they’re showing me so far.


Star Trek: Discovery Season 2 (CBS All Acces)

Yeah, looks interesting. Still not subscribing to another service, though. I’ll just buy it when it comes out on physical media. I mean, I own all the other Trek series, so no need of stopping now. And what is it about Anson Mount as Captain Pike that I just can’t accept? Maybe it’s the editing on these trailers, but he doesn’t seem very commanding. Like, he seems like a caring Captain, but he also never seems like he’s taking any of this seriously – almost like he’s trying not to burst out into laughter. Maybe he lost his mind during all that silence on Inhumans. Anyway, the show moves to Thursdays this season, and Rebecca Romijn will star as Number One, Captain Pike’s first officer.


Deadly Class (Syfy)

Based on an Image comic I’ve never read. Is the comic even done? Image shit never finishes these days. Anyway, it pretty much just looks like Battle Royale with White kids. Though, I guess you could say Battle Royale was just Lord of the Flies with Japanese kids. Nothing I see here really interests me, so I’m gonna count one of y’all to watch it and tell me what you thought.

Things You Might Have Missed This Week

  • Earlier in the week, we got this pic of Ruby Rose as Batwoman in the upcoming Arrowverse “Elseworlds” crossover. I have no complaints. Except why is there a Batwoman signal? Does her world have NO Batman? Are there multiple signals? Who’s providing all these spotlights? How much is the GCPD’s electric bill? OK, I’ve got lots of questions…
  • While the DC shows on The CW keep reaching for the stars, Gotham, in its final season, is totally in “Fuck It” Mode. They announced that Shane West would, in fact, be playing Bane. Ya know, the guy who breaks Batman’s back? The guy with the mask? PLEASE tell me he’s gonna break little 14 year old Bruce’s back!
  • I already mentioned a few weeks ago that Heidi Klum and Tim Gunn were leaving Project Runway, but now we know their replacements: model Karlie Kloss and season 4 winner Christian Soriano.
  • In an announcement that surprises no one, Ryan Coogler has officially signed on to write and direct Black Panther 2.
  • Selena Gomez has entered a treatment center for anxiety and depression. Must  be nice. The rest of us have to make do with Lexapro and Wellbutrin…
  • After a software bug exposed hundreds of thousands of users’ data, Google announced that the Google+ social network would shut down by August 2019. I hear there are about 20 people upset about this.
  • He may have mastered the concepts of law & order, and the emergency services of Chicago, but Dick Wolf can’t seem to nail down FBI, as the show has just experienced its 3rd showrunner change – the second in 3 months.
  • Because humans spend too much time asking if we could instead of if we should, a hologram of Amy Winehouse is going on a world tour next year. As someone who actually saw Amy in concert, please don’t buy tickets for this.
  • A pilot based on DC’s comic Secret Six has been ordered by CBS, which means it’ll probably just end up dumped on The CW since a DC show wouldn’t fit anywhere on CBS’s schedule. If you didn’t read it, it was basically Suicide Squad when the company wasn’t using that property. So, this will just be Great Value Suicide Squad.
  • A Mr. Mom reboot is being developed for the Vudu service, of all places. It will follow the baby from the Michael Keaton movie, who’s all grown up and is about to return to the workforce as her husband stays home with the baby. Um, why tie it to the movie? Is there some rich mythology with this family? I think folks could pretty easily pick up on the concept without making it a sequel, and there’s no way in Hell they’re gonna land Michael Keaton, so why do this?
  • ScarJo reportedly landed a $15 million payday to sign on for a solo Black Widow film, and a bunch of folks are like “It’s about time!” If you ask me, it was time FIVE YEARS AGO. I don’t even care about her anymore at this point. Plus, Red Sparrow basically beat them to it.
  • Finally bowing to the pressure, Taylor Swift decided to shake off her detractors and get political. Tay Tay upset a portion of her fanbase when she endorsed 2 TN Democratic candidates, resulting in a surge of young folks registering to vote before the deadline.
  • Street artist Banksy punked all the bourgeoisie when a piece of his art, “Girl with Balloon”, sold at auction for $1.4 million, only for it to be fed into a built-in shredder at the time of sale.
  • The cognitive dissonance was wild on the Right, as Fox News couldn’t understand how noted gun reform activist Jamie Lee Curtis could use a gun as her character in the upcoming Halloween. Ya know, they’ve kinda got a point. If she meant business, she’d just bite Michael Myers’s dick off.
  • There was a colorism debate in the Black community when it was announced that Dwayne “The Rock” Johnson would be developing a film where he would play folk hero John Henry. “He’s not dark enough!” Well, first of all, John Henry isn’t real. Secondly, this is a movie being made for Netflix, where there’s already a decidedly “straight to video” vibe to their “originals”. The Rock will bring an audience that Calvin from House of Payne would not.

Ya know who had the West Week Ever? It wasn’t even a person this week. Nope, it’s a thing. Ya see, nothing had a week quite like Kanye West’s Make America Great Again Hat. It was on a plane! It got to go to the White House! It even got to hug a rich White man! Sure, it probably smells like Cheez Whiz at this point, but there’s no stopping it.

I mean, we even learned that it holds magical powers. According to Kanye, it can make you feel like Superman, and enhance your masculinity. Forget gas station sex pills and prescription antidepressants! This hat does it ALL! So, if I could tip my hat to another hat, I would, but nothing had a whirlwind week like Kanye’s MAGA hat, and that’s why it had the West Week Ever.

28th Sep2018

West Week Ever: Pop Culture In Review – 9/28/18

by Will

HarassmentWatch (TM)

Brett Kavanaugh – PASS. Next!

Drake – So, 14 year old Stranger Things star Millie Bobby Brown recently said that Drake texts her and gives her advice about boys. Now, this is already after he was coming off a week where he was reportedly seen out on a date with a teenager. Ol’ Aubrey better watch himself, because even the King of Pop himself couldn’t shake the pedophile allegations. It’s probably an innocent thing, but he might wanna tell her to stop bringing shit like that up in interviews.

Nelly – There are reports that Nelly settled with a woman who alleges he forced her to perform oral and vaginal sex on his tour bus, When he was done, he reportedly threw her off the bus and threw a $100 bill at her. Now, reports are saying they reached a settlement, which would normally imply guilt. The thing here, though, is that “settlement” doesn’t seem to be the correct word. Apparently, the victim refused to cooperate with prosecutors, and both sides dropped their suits against one another (Nelly had countersued). They agreed to cover their own legal costs, but Nelly’s lawyer reports no money changed hands, which the victim’s attorney is disputing. At the end of the day, I guess she didn’t wanna go and take a ride wit’ him.

Bill Cosby Update – Surprising EVERYONE, Bill Cosby received a sentence of 3-10 years in prison for puttin’ the pill in the bubbly when the girls wanna drink. There are reports that someone threw a hot dog at him in lockup on his first day, plus he almost fell down some stairs. On the one hand, it’s like “He was an evil man and this is what he has coming to him”. But on the other, it’s like “Who wins from an 83 year old man being put in jail?” I think he deserves to be there, but I’m not gonna laugh at his misfortune while in there. Hopefully, he’s not only a cautionary tale, but also the first of many more to follow.

Trailer Park

We’ve got a lot of trailery goodness this week, so let’s dive right in.

Creed II

Honestly, the first trailer did more for me. The whole rap in the background, the final tease of Drago Jr. That was great. I felt there was too much here, and not even the juicy bits. Just a bunch of Adonis being a deadbeat dad because he’s obsessed with his father’s legacy. Hands down, the best scene here is the staredown between Drago and Rocky. Man, the Russians clearly have the better Human Growth Hormone, ’cause Rocky looks like shit compared to Ivan. I’ll see it. Not sure if I’ll see it in the theater, but I’ll see it.

Bumblebee

So much 80s goodness in here. I was never a huge Transformers fan, so whatever Michael Bay did to them didn’t scar me as much as it did a lot of y’all. That said, I’ve always been a big fan of Bumblebee. Long story short, Bumblebee was the last birthday present I got from my dad before he passed away. So, even though a lot of y’all hate that he’s become the Urkel of the TF franchise, I will always stan for the ‘Bee. I will definitely be seeing this one.

Dark Phoenix

Ooh, we’re going all “Dark Knight“, and removing the name of the title characters’ franchise from the name of the movie. Whatever. A friend of mine texted me and asked “Did you see the Dark Phoenix trailer?” I replied, “No, but I saw a piece of shit with some X-Men characters in it.” This trailer is on Lexapro. There are no highs or lows. It just coasts right through the middle, offering nothing exciting. It’s a shame that everyone is all “Bring on the MCU X-Men!”, because it seems like that rubbed off on the filmmakers. Well, if nothing else, at least we know we’ll have a cool Quicksilver sequence to look forward to. If this is the 90s, I’m hoping it’s set to something by either C&C Music Factory of La Bouche.

ABC’s TGIF

Comedy has changed a lot and, while there’s a lot of nostalgia for the TGIF brand, I’m not sure Fresh Off the Boat and Speechless are gonna be the torchbearers for the 21st century incarnation of the comedy block. Anyway, here’s a cute video of some former TGIF stars imparting their wisdom to the newbies.


Star Trek: Short Treks – “Runaway”

Considering that there seems to be new Star Trek news every day, one of the projects that got lost in the news cycle was the Short Treks series, which are four anthology episodes that…well, I don’t know a whole lot more than that. Here’s the trailer for the first one, though, set in the Discovery era, starring Ensign Sylvia Tilly. Again, I’d check all this shit out if it didn’t require me to subscribe to CBS All Access. So, I’ll catch it once it ends up on YouTube or something.

Daredevil Season 3 (Netflix)

Well, that was certainly Kingpin and Matt Murdock. That’s all I’ve got. I’m seriously behind on those shows.

So, here’s an interesting, “shoe is on the other foot” moment. The curator for the hip hop collection at the Smithsonian’s National Museum of African American History, Timothy Anne Burnside, is a White woman (full disclosure: she’s a friend of a friend). I’ve known about this since before the museum even opened. Still, I guess the news was on CP Time, ’cause the Black community didn’t seem to notice until over the weekend, and it was a SHITSTORM. All over social media, they couldn’t understand how a White woman was the curator of something so dear to our culture. Why wasn’t the job offered to a Black person? There was a lot of back and forth, and the Smithsonian even issued a statement about the whole thing. This debate comes up a lot, like “Should minority characters only be written by a person who’s from the same minority group?” From what I’ve heard, Timothy knows her shit, and I don’t think the Smithsonian would choose just anybody to handle this project (fuller disclosure: my mother worked for the National Museum of Natural History for 28 years). Still, the museum is in an uncomfortable situation, where they have to decide whether they’re going to side with Timothy, or with the critics. For the culture. If they do try to replace her, this has got “discrimination suit” written ALL over it.

This week saw the debut of the ABC sitcom Single Parents, starring Taran Killam. It wasn’t as bad as I expected, but it wasn’t great. Basically, Killam is a divorced dad who dotes on his daughter, and this group of single parents in his daughter’s class try to show him that there’s a world out there that he’s missing. The odd thing to me is that their friendship wasn’t organic. The group was just like “Ooh, new single parent!” and decided to make him their project. I had someone tell me on Twitter that I don’t understand single parenting, and that you “find your tribe quickly”. I don’t know about all that, but I know that trust takes time, and this crammed it all into 22 minutes. I get that they’re basically an elementary school Dear John, but the whole support group angle doesn’t really work unless the audience believes the trust is there. Anyway, I don’t know if I’ll be back for this one.

Last night was the premiere of the Murphy Brown revival, and woo boy! First of all, it features a cameo that’s so obvious that I can’t believe they even tried to tease it like it was a surprise (HINT: There’s a joke about emails). One thing another reviewer said, that I have to agree with, is that it seems horribly dated. I mean, the premiere features the pussy hats from the Women’s March (they don’t call them “pussy hats”, even though you could totally get away with that on broadcast today, while you couldn’t when the original series aired). If this had premiered a year ago, it might have seemed on the cutting edge of comedy, but this just seems slow and lazy. It’s kinda like how other animated shows reference how South Park already beat them to making the joke they’re trying to make. Why? Because South Park is a well oiled machine, cranking out shit based on last night’s headlines. This show, however, was Liberal Smuggery at its worst.

“What’s Liberal Smuggery,” you ask? It’s what I call the state of liberal comedy, where they think they’re so much smarter than the conservatives – they’re so biting and witty, yet they’ve got NOTHING to show for it. Even when they’re in power, they’re somehow the weaklings. Late night talk show hosts are the leaders in Liberal Smuggery. Jon Stewart made his name on it. But at the end of the day, what does that get you?  The “moral high ground”? I feel like this premiere went for a lot of low-hanging fruit that even those talk show hosts would’ve avoided.

In the UK, they might do a one-off special to catch up with a beloved show’s characters. They recently did one for Are You Being Served? I would’ve liked this more had it been that format: a one-off special to see how Murphy Brown feels about the Trump Administration. After last night’s episode, I’m pretty sure I’ve got my answer, and I’m good. I’m not so sure this needed to be a full season.

Things You Might Have Missed This Week

  • Dr. Dre’s series Vital Signs was cancelled by Apple before it even aired, due to graphic sex and violence. I know what bootleg I’m looking for at the next pop culture convention!
  • Inside The Actor’s Studio is returning to Ovation TV, but it will be without James Lipton. After 25 years, he’s stepping down, and the show will be led by “a rotating array of guest hosts”.

  • Writing has begun on the Picard-centric Star Trek series, and we got this pic of the writers room from Patrick Stewart’s Instagram. I’m struck by the fact that there are 2 women – one of whom is Black. I see you, sista! Oh yeah, Michael Chabon is there, too.
  • Formerly of The View, Rosie O’Donnell is set to guest host on The Talk today, in a possible bid to replace the departed Julie Chen.
  • The CW Arrowverse crossover this season will be called Elseworlds, which comic fans will remember as the DC imprint that was home to out of continuity stories.

  • Speaking of DC shows, we got this poster for Titans, which will be streaming on the DC Universe service next month. Yeah, not only does this poster do nothing for me, but where are Hawk & Dove? Aren’t they supposed to be on the show, too? Was Minka Kelly too expensive for the whole season?
  • Terry Crews has been tapped to host the America’s Got Talent spinoff, America’s Got Talent: the Champions, which seems like it might be their all-star edition. Who hosts the regular show since Nick Cannon quit? *Googles* Tyra Banks? STILL?!
  • So, um, Kareem Abdul-Jabbar has joined the writing team for the Veronica Mars revival. Yup, that Kareem Abdul-Jabbar. Huh.
  • For some reason, Disney is remaking High Fidelity, only Zoe Kravitz will be in the John Cusack role. I don’t get it. Will she be a womanizing lesbian? Will she work still work in a record store? Let’s pump the brakes on these reboots, huh?
  • Dunkin Donuts is reportedly planning to drop the “Donuts” from their name, as they refocus their brand as a “beverage-led company, not limited to just donuts”. Yeah, how ’bout y’all ask IHOB how well that shit went for them.
  • Apparently, there was backlash about how The Princess & The Frog‘s Princess Tiana appears in the upcoming Ralph Wrecks The Internet, as her skin has been lightened, and her hair processed. Disney is correcting the appearance to match what fans are used to. Of course, old White men are mad, and Black folks are like “We were just gonna buy that movie bootleg at the barbershop anyway, so it really don’t matter what color she is based on the shaky cam quality it’s gonna be.”
  • Mary Elizabeth Winstead & Jurnee Smollett-Bell have been cast, respectively, as Huntress and Black Canary in DC’s unnecessary Birds of Prey film that will probably never see the light of day. I mean, my man Ray Fisher is still waiting for his call to report to the set of that Cyborg movie, so…

It was a bad week. Especially the past 2 days. But out of all the bullshit there rose a phoenix. That phoenix also goes by the name of Stefanie Germanotta, but you can call her “Lady Gaga”. She’s making her debut as a lead in Bradley Cooper’s remake of A Star Is Born. Yesterday, the single “Shallow” was released, and I’ve probably listened to it 400 times by now. If there’s any problem with the song, it’s the fact that it’s too short. While everyone was screaming at the Kavanaugh hearing yesterday, I was keeping my cool by looping this. I’d suggest you try it. That’s why Lady Gaga’s “Shallow” had the West Week Ever.

27th Jul2018

West Week Ever: Pop Culture In Review – 7/27/18

by Will

Well, this is a special week here at WilliamBruceWest.com, as it commemorates my FIFTEENTH year of blogging. Yeah, a lot of y’all just came aboard during the West Week Ever era, but the archives are there (personally, I wouldn’t check anything before 2007 or so, but that’s just me). I started blogging a month after I graduated from college, while I was temping in the Cornell registrar’s office. It’s funny because, about six months prior to that, I had no clue what a “blog” was. You’ve got to remember that these were the days before social media, and we got by with AIM. I’d heard folks met strangers through ICQ and chat rooms, but that made no sense to me. Then, while my a cappella group was updating their website, one member suggested we add a blog to the site. I remember I immediately said, “What’s a blog? Stop making up words, Ted!” He explained it was short for “weblog”, and said some more stuff, but we stopped listening at that point. Probably too busy shoving Gold Bond powder down our pants. What? Y’all never did that? Whatever. Don’t judge me!

Anyway, I was really bored at that temp job, and needed something to make the day more interesting. Prior to this point, I had never really spent much time on the internet. I had an AOL trial with dial-up for, like, a month in high school, and I think I had tried NetZero. We had Computers as a class in high school, and I remember I made a really shitty Power Rangers site on AngelFire or something. Still, in college, I had used the Internet to either do homework or illegally download music. I did a LOT of the latter. So, with a college degree in my hand, and boredom in my heart, I struck out and explored the Internet for what it was. I started finding sites that really engaged me – webcomics, like PvP, and nostalgia sites like X-Entertainment.com (the precursor to what’s now Dinosaur Dracula). The latter site really sort of lit a fire under me, as I could relate to so many of the posts. It was like the Robot Chicken of blogs: “Shark Bites, Fruit By The Foot, and Pogs – these are all things that existed!” Plus, and I think Matt (the site creator) would agree, it had a horrible archive/search function, so you kind had to fall down a rabbit hole, jumping from article to article, instead of being able to search the topics. I spent a LOT of time on X-Entertainment, and it started to show me the potential of blogging.

So, in a way to pass the time, I signed up for a Blogger account, and created The World According To A Russian Exchange Student. I’m not quite sure why I settled on that. While I was an exchange student to Russia when I was 13, that would’ve made me an American exchange student. I feel like I briefly wanted to do some kind of performance art thing where I’d imagine how my Russian host, Sergei, might look at the world. That lasted for maybe a day. At the end of the day, I think I just wanted something that sounded “haughty”. I’ve got a bit of a snob streak in me, and here I was, an Ivy League graduate who’d been spoon fed that the world would be mine, yet  didn’t have a clue what I’d be doing when this temp assignment ended. I was scared. So, I rambled. A LOT. I’d say that if you read the first 6-8 years (yes, years), I wrote like no one was reading. Because no one was. The site was basically a Livejournal without the stigma that Livejournal brought with it. Every now and then I’d post something that I thought would be timeless, but most of those posts are either relationship drama or self pity. Yay. Anyway, I rebranded to WilliamBruceWest.com rather quickly, but I don’t feel like the site really found its footing until the West Week Ever days. So, here we are. Anyway, from the bottom of my heart, thank you – all of you – who have taken the time to read my ramblings at some point over those 15 years.

The wife and I got the chance to see Atlanta‘s Lakeith Stanfield in Sorry To Bother You, and we left that theater like “What the fuuuuu…?” How to describe this movie? Is it a comedy? Is it satire? Science fiction? I guess you’ll have to be the judge if you see it. Stanfield stars as a down on his luck guy who lands a job as a telemarketer, and he doesn’t really have much success until he starts using his “White voice” at the suggestion of a coworker. Almost immediately his success increases, and he becomes a Power Caller, where instead of selling Time-Life books and encyclopedias, he’s now selling weapons and slaves to other countries. And that’s where shit gets CRAZY! I can’t say any more at this point without spoiling some twists. The movie reminded me a lot of Bamboozled, which was a 2000 Spike Lee Joint about a Black TV writer who sort of sells out in order to make his network successful, with a dash of Mike Judge’s Idiocracy. If either of those movies is your cup of tea, then check this out. “Equesapiens, let’s be out!”

HarassmentWatch(TM)

Chris Hardwick Update:  Late last week, it was announced that not only would Yvette Nicole Brown be taking over hosting Hardwick’s panels at SDCC, but she would also be hosting Talking Dead for a brief period. On Wednesday, however, AMC announced that Hardwick would be returning to the show, after an internal month-long investigation. Two things are odd about the investigation, however. First of all, his accuser, ex-girlfriend Chloe Dykstra, did not participate in the investigation, as she said she “didn’t believe in ‘an eye for an eye’.” In a statement she said that she never set out to ruin his career, though she still doesn’t name him.  The other odd thing is that the investigation seemingly wasn’t conducted by an impartial third party. Instead, Loeb & Loeb was hired, who reportedly have a history of working on business for the Hearst family (who happen to be Hardwick’s in-laws). He may have his job back, but is the stink off of him? Remember how folks shunned Seacrest at the Oscars? Will the geek crowd follow suit here?

James Gunn: This isn’t harassment, per se, but it’s still an inappropriate thing that got a celeb in hot water. You see, Guardians of the Galaxy director James Gunn came up through the ranks of Troma – ya know, the folks behind The Toxic Crusader? He says he was a different guy at that time of his life, but to fit in with that world, you’ve got to be kinda shocking. Everything you do is done for shock value, and that’s exactly what he did when he was tweeting back in 2009. Stuff like rape and pedophilia jokes. He has since apologized for that time in his life, but that didn’t matter when Right Wing muckraker Mike Cernovich dub up the old tweets as something of a retaliation for Gunn’s staunch anti-Trump stance. Well, Disney reacted swiftly by firing Gunn from Guardians of the Galaxy Vol 3. And there was much weeping and gnashing of teeth. The public seems to be on Gunn’s side, saying Disney knew what they were getting, and that he had apologized long before the tweets resurfaced. There’s a petition circulating to get him rehired.

What Disney did was a business decision, as they can’t have something like this in the news just as the Fox deal is about to go through. Shareholders don’t tend to like rape jokes. That said, I’m sort of on the fence for this.

On the one hand, the stuff I’ve seen was kind of messed up, and I’m not sure I’d call them “funny”. Why not just delete the tweets? I mean, sure, everything is archived somewhere, but at least you tried to scrub things clean. I get it, though. I have an “I don’t delete tweets” policy, but I’ve never tweeted anything that bad. Cover your tracks, man!

On the other hand, he did apologize before they even became a thing. Had Disney done their due diligence, none of this would’ve come as a surprise. And I hate the fact that he won’t get to see his vision through to the finished GOTG trilogy. I really doubt he’ll be rehired, as he was fired and not suspended pending an investigation. Disney will likely stick by their decision, but this will have long-reaching effects. For example, Star Wars director Rian Johnson reportedly deleted 20,000 tweets over the weekend.

The Trailer Park

Last weekend was San Diego Comic-Con, which means we got a LOT of trailers for upcoming geek films. Since we’ve got a slew of them, I figured I’d give them their own section this week.

SHAZAM!

I really didn’t expect to like this. I thought the casting of Zachary Levi was wrong, and I just didn’t know how it would fit into the pre-established DCEU. That said, after seeing this trailer, this has the potential to be my favorite DCEU film. It seems to be more based on the New 52 origin of the character, which is just fine for me because that was one of the first times that I actually cared about the character (which reminds me I need to finish that story Geoff Johns started when they were backups in the Justice League comic). At the end of the day, it’s just “Big with powers”, which is a concept that has a lot of potential. Fans of the dark DCEU are gonna hate this, but I’m a fan of comic stuff that doesn’t take itself too seriously. I’m really looking forward to this one now.

Aquaman

Well, it looks pretty. I still don’t know if Momoa can carry a movie yet, and I’m not sure I’m on board with this Aquaman. I know there are Aquaman fans out there (looking at you, Classick), so how do y’all feel about his characterization? I mean, it doesn’t seem faithful to the comics, but Aquaman always seemed boring enough that any adjustment would be a welcome change. I’ll see it. Am I anticipating it? No, but I’ll see it.

Godzilla: King of the Monsters

I’m not a dumb guy. Not the smartest in the room, but not dumb. That said, I don’t know what’s going on here. So we want the Titans to rise? Wouldn’t they just come and fuck shit up? And whose side is Godzilla on? And I know folks got tired of the “slowed down pop song” trope in trailers, but I feel like the music here really doesn’t do much to convey the gist of things, and could’ve benefited from recognizable rock song or something.

Glass

I really liked Unbreakable all those years ago. Split was interesting, but I was more interested in it after its final scene. I think I was more excited about more Unbreakable than the idea of the movies being in a shared universe. It seems like a good ol’ villain team-up, but can old ass Bruce Willis really win here? I mean, comic movies are about folks doing the impossible, but I never really felt like Split committed to James McAvoy’s character being truly evil. Hell, even Mr. Glass was pseudo-sympathetic, as he couldn’t have a normal life due to his brittle bones. So who’s the real villain here? Is there a bigger bad? Is Willis somehow the villain? After all, this is Shyamalan, so there’s bound to be a swerve somewhere. I’m on board, but I kinda want more information right now.

Things You Might Have Missed This Week

  • Reportedly Kelsey Grammer is in talks to reprise his role as Frasier Crane in a revival that would take him away from the Seattle setting of the last show. Sure, why not? I think he’s got crazy alimony payments, and has pretty much proven he’ll take any job (he did an FX sitcom with Martin Lawrence). Everyone else is doing it, so why not go back to that well again?
  • Speaking of revivals, there have been talks of a Buffy The Vampire Slayer reboot/revival(?). At first it seemed like a reboot, but the passionate fan base lost their shit, so showrunner Monica Owusu-Breen sort of backpedaled and insinuated it might be a continuation of the old show, this time following a new Slayer 20 years after the events of the old show. Reports are that they’re looking to cast a Black actress.
  • Demi Lovato was hospitalized for an apparent overdose after she was found unconscious in bed by an assistant.
  • Simpsons Comics is scheduled to end in October with issue #245 after 25 years of publication, leaving the future of its publisher, Bongo Comics, in question.
  • It turns out the third time was the charm, as the live action adaptation of the comic Locke & Key has received a 10-episode order from Netflix. Both Fox and Hulu had previously ordered, and then passed on, pilots for the series.
  • Robert DeNiro is supposedly in talks to join Joaquin Phoenix’s Joker, with the rest of the world left asking “Dafuq?” Seriously, why would he hitch his star to that wagon?
  • R. Kelly released the song “I Admit”, where he denied he was a pedophile, but admitted his affinity for young girls. The song will probably appear on an upcoming album named Daddy’s Day Care or The Pamper Prince or some shit like that.

My most anticipated movie of the year wasn’t Deadpool 2, Ant-Man and the Wasp, or even Avengers: Infinity War (OK, maybe I was kinda looking forward to that last one). No, since the day I found out it was happening, I have been waiting for the release of Teen Titans Go! To The Movies. I’ve made no secret of the fact that, aside from The Amazing World of Gumball (which may just be the smartest show on TV right now, I kid you not), Teen Titans Go! is my favorite show. It took me a while to get used to the modern day 11-minute cartoon format, but I feel it works perfectly for a show like this. So, I had a bit of trepidation that the show wouldn’t translate well to a full-length film. After all, Aqua Teen Hunger Force had tried it and failed. Well, after seeing it last night, I can say that not only did they pull it off, but they did an amazing job.

If you were wondering what it’s about, let me clue ya in: When Batman and Superman receive their umpteenth movie deal, Robin agonizes over the fact that he doesn’t have his own movie because nobody takes the Teen Titans seriously. It’s sort of meta in that way, as it addresses the fact that the shows haters feel the characters are just immature and not very heroic. So, determined to prove they deserve a DC film, too, the team heads to Hollywood, where they learn they’d be more appealing if they had their own archnemesis. Enter: Slade Wilson, otherwise known as Deathstroke: The Terminator. So, the team not only has to defeat Slade, but also convince the studio to make their movie.

It’s not a complicated plot, but they do so much with it. First of all, I didn’t expect it to be a musical. While songs have been pretty integral to the Teen Titans Go! experience, I didn’t stop to think they might pop up in the film. The music is GREAT, including a surprise appearance by Michael Bolton. Speaking of surprise appearances, there are cameos from a lot of DC characters who will NEVER appear on film ever again. I mean, The Challengers of the Unknown?! And did I mention the time travel? Like, I loved the time travel portion so much that I hope they dedicate a sequel solely to it.

Now, let me say that this movie isn’t going to convert you if you already hate the franchise. I know there are a lot of butthurt folks out there who go “They cancelled Young Justice for THAT?”, even though those decisions were made independently of each other. If you don’t go into it with too many preconceived notions, and you like comic-based properties that don’t take themselves too seriously, then Teen Titans Go! is perfect. And it’s not really even made for kids. I mean, sure, they’ll get enjoyment out of it, but there are jokes they’d never get. For example, a recent episode, “TV Knight 3”, featured a Knight Rider parody. That joke right there was for my generation. So it saddens me that so many folks refuse to give it a chance. Anyway, this film may not change many minds, but it’s a true love letter to fans of the show. It’s the show, but cranked up to 11, with crisper animation and longer runtime. It actually has a good story arc to it, it has some great Easter eggs, and the music!

Anyway, I enjoyed this film way more than I did Ant-Man and the Wasp last week, and it far surpassed my expectations. For that reason, Teen Titans Go! To The Movies had the West Week Ever.

22nd Jun2018

West Week Ever: Pop Culture In Review – 6/22/18

by Will

I don’t know how much longer I can do this. Like, seriously. Writing this just gets harder and harder, and I know you’ll say “Nobody’s making you do this, Will”, and that’s true. It’s just the world keeps getting worse and worse, and what was supposed to be a digital respite from all of that is harder and harder to create. We had the celebrity death onslaught of 2016, but 2017 was gonna be better. Then we had a year of Trump blunders, but 2018 was going to be better. We’re only halfway through the year, and there are fucking children in CAGES. And I swear PETA works harder to get animals out of cages than folks are working to rectify this. Social media has become both battleground and echo chamber. Either it’s a cacophony of everyone asking “Can you believe this shit?” OR it’s the opposition coming out with, “Stop being so dramatic, ya snowflake Libtard!” I mean, are you even reading this? I know way too many people on a social media sabbatical because they just can’t deal with it anymore, and since a lot of y’all find out about these posts via social media, I’m just gonna assume I might be talking to myself this week.

I don’t watch the news. I honestly don’t. Still, it’s impossible to go through the world (especially online) and not know what’s going on. So, I may not be the most informed, but I feel I’m informed enough to know I don’t want any more information. Does that make sense? I don’t need to hear the audio of the separated children crying. That’s the kind of emotion porn that keeps people doing shit like watching This Is Us. Don’t you put that evil on me, Ricky Bobby! So, with just dipping my toe in the news I get on timelines, here’s what I gleaned from the past week:

  • The US President threw Starburst at the German Chancellor at the G7 Summit, and said “Don’t say I never gave you anything.” And to think we once thought the worst thing a president could do to her was give her an unwanted neck rub. Remember that?
  • That same president wants to create a fucking Space Force. How is that even gonna work? Will it be like the pre-NASA days, when you had to join the Air Force first (Yeah, I watched I Dream of Jeannie)?
  • THERE ARE CHILDREN IN CAMPS!
  • The same president who greenlit the camps also signed an executive order to stop the separations. Um, that’s some Tony Stark shit. You don’t get points for solving a problem you created.
  • Oh, and while the separations are halted, THERE ARE NO PLANS IN PLACE FOR REUNIFICATION
  • The First Lady set out to visit the camps, wearing a coat that said “I Really Don’t Care. Do U?” Her spokespeople say it meant nothing, while her husband claims it’s a calculated attack against the “fake news” media. At the end of the day, what it truly was was “tone deaf”.
  • And then the US decided to pull out of the UN Human Rights Council, ’cause why the Hell not?
  • Oh, and did I mention the organizer of the Charlottesville bullshit got approved for a White Civil Rights Rally in DC in August?

This is stuff going on in the country. Stuff that MATTERS. Meanwhile, if my timeline isn’t upset about this, they’re still bitching about The Last Jedi or the fact that some woman-beating rapper named Xtension Cord or some shit got murdered. Not only is it hard to care about pop culture at times like these, but it’s even harder to care what others think of said pop culture. I try to tailor this thing to what I think people want to read about each week, but I don’t even know if I know what that is anymore. Something’s got to change, and I only really see 3 options:

A) I get political and, frankly, there’s enough of that out there. I already said I’m not the most informed, so God forbid you get your political analysis from me. I don’t want to come across like a late night talk show monologue, which has become a genre I’ve dubbed “Late Night Liberal Smuggery”. Nobody ever changed their mind because Seth Meyers was yelling at them. The closest one to come close to inacting change was Jimmy Kimmel, but that’s something of an outlier. No, I don’t want to do this, but it almost feels like a necessary pivot.

B) I lean more into the fluff, which might be harder to swallow as bombs start dropping around us. From space. Ya know, from the goddamn star war this man is trying to start. I’m more partial to this one because it’s pretty much just an extreme version of the original intent of this column. Although I’d feel awkward blatantly ignoring the world around us in favor of “The Backstreet Boys have a new single!”

C) I quit. I don’t think this is going to happen because I don’t know how to quit. Eventually Twitter will die and the the Chinese will buy Facebook and I’ll have nowhere to promote these posts, so it’ll just be me reading them, along with the 4 of you who may have bookmarked this site. Even then, I won’t know how to quit. It’ll just be like the early days, when I wrote like no one was reading…because they weren’t.

Anyway, that’s the world we live in right now, folks. Drink it in ’cause the crazy ain’t stopping anytime soon. So, let’s talk about some entertainment stuff, shall we?

HarassmentWatch(TM)

Chris Hardwick Update: So, Hardwick responded to Chloe Dykstra’s allegations, saying that he never sexually assaulted her. Then, in true Hardwick dickish fashion, he wrapped up his statement with “As a husband, a son, and future father, I do not condone any kind of mistreatment of women.” This ranks up there with any time a woman is assaulted, and some famous dude comes out with “As a father of daughters…”, but this is actually worse. Why? Because Hardwick ain’t got no damn kids! HIS WIFE ISN’T EVEN PREGNANT. Many feel that was a knife twist added to dig at Dykstra’s ectopic pregnancy mentioned in her essay.

Meanwhile, someone leaked texts between Dykstra and Hardwick following the breakup, where she spent months begging him to take her back. “If it was so bad, then why did she want him back?”, they ask. Well, this isn’t uncommon in abusive situations, and that question is just as dumb as “If it was so bad, then why didn’t she leave?” We don’t know, but that doesn’t diminish her experience. Still, Hardwick wrote what must be the longest text message known to man, as captured by The Daily Mail.

Reading that, he doesn’t come off as the worst guy. Did he actually write this in 2014? Who knows? But the guy who capped off his official rebuttal with the “future father” comment is the Hardwick that I always suspected was the “real Hardwick”. Still, do I feel bad he got cheated on? Sure. Do I feel bad that what he saw as a promising relationship ended? Sure. From what I’ve heard, he didn’t really keep his promise about not disparaging her in public, so he was two-faced there, as well. What I’m trying to say is that it’s a pretty complex situation that we were not present for, nor can we necessarily hand down a judgement upon.

I swear this would’ve gotten more retweets if I’d been fully awake, and hadn’t misspelled “Acceptable”

Still after discussing this with some people, I will point out the dangers of these things being tried in the court of public opinion. I don’t like Chris Hardwick. I can admit that, and I think I made that known. That said, that doesn’t mean I want these allegations to be true. I wouldn’t wish that on either party. All I meant was I wouldn’t be surprised if they were. As some outlets have pointed out, she didn’t accuse him of doing anything illegal, per se, but it still involved alleged abuse and character assassination. AMC has cancelled the Talking with Chris Hardwick series, as they reassess their business relationship, while NBC has suspended production on his game show, The Wall. Also, the panels that he was set to host at San Diego Comic Con have also been cancelled. Meanwhile, the Nerdist empire, which he built, scrubbed all reference to him from their website. If he did the stuff Dykstra alleges, then these are all great steps. If he didn’t, though…

I’ve always feared what would happen when the #MeToo movement targeted the wrong person. There’s a guy out there who’s not going to be equipped to handle that backlash and he’s going to take his own life. Now, some folks will be quick to say “He hurt women, so fuck him!” We also live in a society, though, where everyone wants to get to the root cause of shit – especially if the perpetrator is White. John Boyd Klemmer shoots up a school and there’ll be the folks who say “Fuck that dude”, but there will also be the contingent of “Well, why did he do it? Did he have a manifesto?” So, applying that sequence of events to #MeToo accusations, nobody really stops to ask these questions. We talk about toxic masculinity, but don’t really acknowledge how it can play into these sorts of scenarios happening. Plus, there are degrees to this stuff. Not everyone is Harvey Weinstein. Aziz Ansari certainly wasn’t, but he had to deal with much of the same caliber of backlash. And I’ll tell ya, I thought Aziz was gonna be the guy to kill himself. He’s kept a low profile since everything went down, and it’s going to be a long road to rebuilding his career, but I think he’ll turn out OK. His situation is mired in interpretation, and it was more embarrassing for him than damning.

Now, contrast that with Louis CK. That dude lost EVERYTHING in, like, 48 hours, and I really hoped someone was looking in on him during that period because I honestly feared he’d commit suicide. I don’t think folks process that these are possible outcomes. You have people in power, who abuse that power, get caught, and then lose everything. The story doesn’t end there, though. This isn’t an episode of Law & Order. There is a large contingent of folks who will just say “Fuck that guy”, but they don’t think to the future. They don’t want these people working anymore, but fail to realize that they’ll need to eat and live somehow. Folks will say “Well, they’re rich”, but that money will eventually run out, especially when they’re cut off from every method of sustaining it. I wonder what people feel is adequate “justice” in these cases. Is it for the person to actually become destitute, and just shrivel up and die in a gutter? Is that what folks really want? I don’t even know what I feel is correct, but I do know that once you enter the #MeToo conversation, it’s fucked up either way. Either you did the stuff, and you lose everything, or you didn’t do the stuff, but you still lose everything.

I used to have this concept in my head, possibly for a story or an actual government policy, who knows? Anyway, it was called the Urban Defender, who was basically an appointed “official”, dressed as a cowboy, who would patrol cities, shooting people seemingly at random. Pretty much, every morning at UD HQ, there was something of a lottery. Someone’s number would come up, and the UD went out on patrol and shot them. The idea was something akin to The Purge, in that you would be on your Ps and Qs at most times because you never knew if the UD was coming for you that day. Also, you’d appreciate life more, as every day would be a gift. Sure, there’s also the counterargument that such an arrangement would just spark anarchy because life would be rendered meaningless, but I thought of this in more “optimistic” days. I feel like we’re getting close to that here. We’re just shooting at everyone, hoping that the ones who are outed will serve as a message to those who might think of committing such atrocities, but there needs to be some controls, some processes, in place, instead of just going at these dudes, guns a-blazing. I feel like the shock & awe was a good introduction to the cause, but it’s just not sustainable for any sort of manageable, reasoned response. Just my two cents.

Man, you Star Wars folks just can’t relax, can you? It’s been how many months since The Last Jedi, and folks are still irate? It’s one thing to have not liked it, but it’s another to be mounting a crowdfunding campaign to raise $200 million to remake it. ‘Cause that’s exactly what happened this week. Some Twitter account called @RMTheLastJedi popped up, with a manifesto about how they wanted to “save Star Wars”. And the sad thing is that they have supporters. This isn’t how IP works. This isn’t how art works. But I’m so exhausted by this shit.

After the lackluster performance of Solo, Disney is taking their Millennium Falcon and going home for a bit. Reportedly, production has halted on all Star Wars spinoffs, including the rumored Boba Fett movie from James Mangold, as well as the rumored Obi-Wan movie. They will focus their attention on Episode IX at this point, which is probably for the best. Still, with the backlash they received, I’m sure Episode IX will be some pandering thing that rubs everyone’s balls so they’ll leave the theater, saying “The Force was with that one! All is forgiven.”

While all movement seems to have stalled on developing the Star Wars universe, the Star Trek universe is starting to rev up again. Star Trek: Discovery showrunner Alex Kurtzman just signed a five-year deal to expand the Trek television slate. While Discovery streams on CBS All Access, these new potential shows could end up anywhere, from broadcast to cable networks. The five shows potentially in development are:

  • A Starfleet Academy series, from Stephanie Savage and Josh Schwartz – the folks behind the Dynasty reboot, as well as the Runaways series. I like this idea, and have always liked this idea since it was floated almost 20 years ago. You see, this isn’t the first time an Academy series was in development (at the time it was described as “Dawson’s Creek in space”), but they opted to go with Enterprise instead. I’d watch this one
  • A miniseries based on the character of Khan
  • A top secret series
  • an animated series
  • A Star Trek: The Next Generation sequel, featuring Patrick Stewart reprising his role as Jean-Luc Picard. I have been clamoring for YEARS for a Trek series that isn’t a prequel. The way DS9/Voyager left things with the Dominion War, I really wanted to know the state of the Federation after all of that. Almost 20 years have passed since the finale of Deep Space Nine, so would the series also experience a similar time jump? As much as I want a “future” Trek series, I’m not sure a Picard series is what I want. I mean, I’d love cameos, but do I really want a show centered on him? It would make up for the fact that the TNG movies just kinda petered out, but I’m on the fence with this one.

Anyway, more Trek TV is a good thing because I refuse to pay for Discovery, so it’s been far too long for me.

In comics news, Batgirl is finally getting a new costume in the upcoming Batgirl #26. If you’re not familiar, they did a soft reboot of the character a few years back, moving her to the hipster Gotham neighborhood of Burnside. At the same time, her van, which held her costume and gear, blew up, forcing her to cobble together a new suit. The “Batgirl of Burnside” costume has pretty much been around now for the past 4 years or so, but it never really made sense for it to stick around. Sure, in the details of the story arc, it made sense. However, once the dust settled, and her life returned to normal, she should’ve gotten a “real” costume again. Still, it served as the influence for her costume in DC Super Hero Girls, as well as other licensed products. I’m not sure how I feel about this one, though – especially with the lack of a cowl. What happens when Barbara Gordon gets a haircut? Will she just wear a wig, like Yvonne Craig did in the 60s TV show? Plus, it feels really irresponsible to have all the hair exposed during combat. I do like the classic aspect of the suit, as it looks like the one Batgirl wore back in the 80s. That said, the little bat ears seem a little stupid. I mean, they’re even kind stupid on Batman, so they’re especially stupid in this presentation.

I better get a cut of this, because I SO called it! Late yesterday evening, ABC announced they had ordered a 10-episode Roseanne spinoff called The Conners for next Fall. Everyone will be back except Roseanne Barr, as she agreed to a settlement that would get everyone back to work, but she wouldn’t have any creative or financial involvement with the show. I don’t know the ins and outs of the deal, but I kinda have to hand it to her. She didn’t have to do this, especially when the show was based on, and influenced by, her life. I don’t know if folks would consider this redemption, but she did look out for the cast and crew who were affected by her actions, plus I know this will be even more of a ratings coup for ABC.

How will they write her out, though? Well, it seems like they’ll kill her off. Here’s the synopsis:

“After a sudden turn of events, the Conners are forced to face the daily struggles of life in Lanford in a way they never have before. This iconic family — Dan, Jackie, Darlene, Becky and D.J. — grapples with parenthood, dating, an unexpected pregnancy, financial pressures, aging and in-laws in working-class America. Through it all, the fights, the coupon cutting, the hand-me-downs, the breakdowns – with love, humor and perseverance, the family prevails.”

Here’s the thing about killing a main character like this: you’ve GOT to start with a time jump. You can’t just pick up after the funeral because the spectre of that character will still cast its shadow over every episode. “Oh, there’s mom’s favorite chair.” Shit like that. You need to pick things up about 6 months later, once the grieving process has settled, and folks are getting back to their everyday lives. Kevin Can Wait tried to do a Kill The Wife Time Jump, but it didn’t work because the show was so new, fans liked the character who was killed, and it was obvious they were trying to reinvent The King of Queens by bringing in Leah Remini. This has a better shot of working, but I don’t know if I’d want it to go past the initial 10-episode order. I’m sure that decision will be dictated by ratings, and ratings alone.

Things You Might Have Missed This Week

  • Talk about moving fast – it was only, like, two weeks ago that I told you Pete Davidson and Ariana Grande were dating. Well, now they’re engaged! That marriage is never happening, as he’ll probably go back to rehab for his weed addiction, and she’ll realize “What the fuck did I get myself into?”
  • Jodi Foster is apparently in talks to star in the FX adaptation of the comic Y: The Last Man. Let’s hope they manage to end the show a lot better than they ended the comic!
  • Good news, Luciferites! Netflix has picked up the recently-cancelled Lucifer, for a 10-episode fourth season.
  • Amazon has ordered an 8-hour “adult animation” series based on the Robert Kirkman comic Invincible.
  • We got the trailer for Creed II. I mean, I was already a guaranteed audience member, but I’m not seeing a lot here. I’m hoping we get more Drago in the next trailer.

  • We also got a trailer for the incredible looking Welcome to Marwen. I don’t know much about the true story upon which it’s based, but I hear there’s a great documentary out there called Marwencol that I need to check out. Anyway, this thing is visually stunning.
  • MTV announced the launch of MTV Studios, which will be tasked with rebooting some older MTV hit shows, like The Real World, a live action Aeon Flux, and a rebooted Daria, called Daria & Jodie. I’m kind of surprised by that last one, as the addition of Jodie to the title feels like a diversity play. I mean, didn’t Daria have more of a rapport with Jane? Anyway, if they want to fix The Real World, just cast more ugly people. Prior to the Vegas season, every cast was at least 50% ugly. Then Vegas happened, and everyone was hot, drank all the time, and fucked each other. Changed the entire franchise. Bring back the uglies!
  • So they’re rebooting the Teenage Mutant Ninja Turtles films again, with Michael Bay still attached. Why?
  • NBC cancelled Timeless for the second time. Wonder if the team can go back in time and stop their second demise.

  • Gotta say, I didn’t expect this sort of speech from Chris Pratt. Didn’t expect that at all.
  • There was more Comcast/Disney shit. I don’t want to get into it, but let’s just say Disney countered, and now they’re winning again in the bid for Fox.
  • Pete Docter (director of Up and Inside Out) and Jennifer Lee (writer of Frozen) have been named Chief Creative Officers of Pixar, succeeding the departing John Lasseter.
  • Speaking of Pixar, The Incredibles 2 had the eight biggest opening weekend of all time in North America, as well as the biggest launch ever for an animated film, with $180 million.

Outside of the 11th hour decision that let the Roseanne cast and crew keep their jobs, nothing GOOD happened this week. Go back up and read that intro. I don’t want you to look back and think “Oh, that’s the week The Incredibles 2 made history.” No, I want you to remember the shit. We are knee deep in it, and I don’t know how much worse things have to get before they start to get better. For that reason, nothing had the West Week Ever.

15th Jun2018

West Week Ever: Pop Culture In Review – 6/15/18

by Will

HarassmentWatch(TM):

Chris Hardwick: Thank sweet Baby Jesus it’s finally acceptable to say Chris Hardwick is a piece of shit! I could’ve told you that from back during the Singled Out days. If you’re not sure what I’m talking about, his former girlfriend, Chloe Dykstra, posted an essay on Medium detailing the abuse that she suffered during their relationship. Not only was he emotionally abusive to Dykstra, but he also regularly made her have sex with him when she didn’t want to do it. Then, when she finally left him, he used his sway in geek circles to have her blacklisted.

Now, I don’t want to make light of what he did for some personal vendetta. All I’m saying is that none of these allegations surprise me. He always came off as an insecure little man who never got over the fact he was bullied in school. He’s the kind of person who’d keep a Shit List to “get back at his enemies” once he was in a position to do so. I never liked the cut of his jib, and there was just something I couldn’t put my finger on. To say these things online, however, were a nonstarter, ’cause he has something of a deplorable fan base. You know how folks hate the Rick & Morty fans? Well, these are basically the same guys. Say something about him, and they come mock you. Why? Because they’re the guys who’d do the same shit in his position. Anyway, he recently renamed his podcast to ID10T and moved from the Nerdist Network that he created, to the ID10T company that he also created. The Nerdist brand now belongs to Legendary, but he remains the CEO even if it’s just a vanity title at the moment, as he has very little day to day involvement. Still, it will be interesting to see how many folks in the ID10T/Nerdist family leave over these allegations.

So, it ain’t looking good for folks who assumed the Disney/Fox acquisition was a done deal. On the heels of the court approving the AT&T/Time-Warner merger, Comcast has submitted an offer for Fox for $65 billion, in an all-cash deal. While the cash aspect might be unattractive, due to the taxes involved, the deal is still worth more than Disney’s offer of $52.4 billion in stock. Plus, to sweeten the deal, Comcast has offered to pay the $1.5 billion “breakup fee” that Fox would have to pay Disney for backing out of their negotiations. So, it’s currently Disney’s game to lose, as they’ll need to come back with a more attractive offer. There’s a chance, though, that the X-Men and Fantastic Four aren’t “coming home” as soon as many previously assumed.

While things for Disney/Marvel are sort of in a holding pattern, things over at Warner Bros/DC Comics are crazy sauce right now! First off, President of DC Entertainment and President of Warner Bros Consumer Products, Diane Nelson, has officially left the company. She reportedly went on a leave of absence back in March to attend to family matters, but now it appears she will not be returning to her post. Insiders stress that she made the decision to leave, and wasn’t ousted.

But wait, there’s more! Earlier this week, it was reported that the Chief Creative Officer, Geoff Johns, who worked closely with Nelson, would also be leaving the company. His CCO role will now be added to DC Publisher Jim Lee’s plate, while he’s being given something of a consolation production deal at Warner Bros, called Mad Ghost Productions. Unlike Nelson, it seems the writing was on the wall for Johns. The studio wasn’t happy with the response to Justice League, which he produced, not to mention the majority of the DCEU slate. In January, Johns sort of lost his seat at the table when Warner Bros promoted Walter Hamada to oversee the comic book movie division.

Still, I can’t help but think these two departures are related. Were they banging each other? Are they splitting off to form their own company, like Sterling Cooper did that time on Mad Men? I’m honestly not surprised about the Nelson thing, really. I have no clue what she’s going through, but I remember how…unprepared she seemed to be at the “DC in D.C.” event back in January. Sure, it was the inaugural edition of an untested concept, but her speech was more disjointedly off-the-cuff than prepared, and she struck me as someone who probably couldn’t have run a PTA meeting, let alone a company like DC Entertainment. Maybe it was just a bad morning for her, but it was clear that whatever she eventually left to deal with in March was already going on back then.

On the comics side of things, though, there’s some interesting things on the horizon. This week, we got more information about the upcoming event, Heroes In Crisis. Written by Tom King, who I hear has been doing some amazing stuff with the Batman book (and who I can confirm did an amazing job on Sheriff of Babylon), the story focuses on PTSD in the superhero community. In order to deal with it, and get heroes mentally prepared to get back on the streets, the DC Trinity of Superman, Batman, and Wonder Woman established Sanctuary. The facility is something of a secret amongst the hero community, and anonymity is kept because it keeps no patient records. Suddenly, however, some recent patients turn up dead, and a murder mystery is ignited.

I like the sound of this storyline because it’s something we don’t think about too often. Sure, there’s always a danger in incorporating real world events into comics (I’m looking at you, post-9/11 crying Dr. Doom!), but I could see how this would work. I also like how it seems like a more grounded story, where change might occur, but it isn’t necessarily on the “The Universe Will Never Be The Same!” level of most crossover events. It sort of reminds me of Identity Crisis, which is a story I didn’t hate as much as some others. Sure, I thought the ending/reveal was something of a cop out, but it also didn’t seem like a huge betrayal because I wasn’t all that familiar with the character. I kinda hate that they managed to slip “Crisis” into the title, as DC execs are bound to know how triggering that is for fans. Still, I like the more character-based stories, and I don’t feel you have to go to space just to make a storyline seem like it “matters”. So, I’ll definitely be picking this up. And then reading it 2 years from now, because that’s how far behind I am on my DC reading.

They said the Revolution would not be televised, but they were wrong. What they didn’t tell us was that it would end, not with a bang, but with a whimper. Yes, it is with heavy heart that I report that, after 28 seasons, production has ceased on The Jerry Springer Show. In a deal reported this week, The CW has acquired the show’s library to air in the afternoon spot being vacated by cancelled The Robert Irvine Show on their stations. While the door is open for possible tapings down the road, new episodes of the show are no longer in production. I will never fulfill a lifelong dream of sitting in an audience of drunken Spring Break college kids, yelling “Jer-ry! Jer-ry! Jer-ry!”

I mean, I get it. Jerry’s 74 years old, and he’s made his money. When the show hit its peak, the guests seemed like a weird microcosm of American society. We’d watch the show and ask each other “Where do they find these people?” Now, we look around us, and that IS America. We won! No, no we didn’t. We’re a heartbeat away from Idiocracy. You could blame Springer for ushering in this era, or you could credit the show for giving us a preview of what we would become. We had the chance to stop it, but we decided we’d rather laugh at the cousin-fucking chair throwers. This just led to not only the reality show craze, but also inspired the World Wrestling Entertainment “Attitude Era”.

What was always interesting to me was Springer’s pivot. I’ve been with the show from the very beginning, and you wouldn’t recognize those first few seasons, where he was doing his best Phil Donahue impression. He had serious, sometimes heartwarming topics, like little kids with HIV and how they were coping. Then, in the mid 90s, the fights began. The chairs took to the skies. The security budget increased. At some point, they redesigned the set to look like a back alley and installed a stripper pole. The lower they sank, the more popular they became. It was the smart, conservative diligent student who realized she’d be more popular if she said “Screw homework!” and showed a bit more cleavage. It got so bad that the show came under fire for its most outrageous bits, prompting them to do more cutaways, yet it provided more footage to fuel their Girls Gone Wild-esque Jerry Springer: Too Hot For TV video series.

I’ve often wondered which was the REAL Jerry Springer: the early nuDonahue OR the modern-day White Trash ringmaster? The man’s earlier political career was tarnished when a raid on a massage parlor revealed a check that he had used to pay for a prostitute (People used checks to pay for hookers? Can you imagine how many of those had to have bounced?! Man, I miss the old days!). So, was the gentle, caring early Springer something of an image restoration, and in his older age he decided he just didn’t care anymore? Or is he still that Springer, but he’s essentially doing all this because it’s what the people want?

I’ve also been impressed that the production aspect of the show is one of show business’s greatest kept secrets. I mean, it’s been almost 30 years, and we still don’t really know how they pull it off. We know how wrestling is done. We know how some of the greatest magic tricks are done. But we still don’t really know what goes into producing an average episode of The Jerry Springer Show. Where DO they find these people? Are they paid? Are they actors? If they are actors, none of them have ever made it big. There’s no footage of a young Benicio Del Toro on stage for his love of midget strippers. Sure, there have been stories. For example, Lunchbox, who’s a morning radio personality as part of country radio’s The Bobby Bones Show, went on Springer when he was in high school. He admits he lied, though, about his age and his reason for being there. So, that’s one case. From that, we learn they didn’t vet their guests that well, but then why would they? Some of those stories are so fantastical that you wouldn’t want to prove them false, and there’s no real legal ramification for putting it out there without researching it. I mean, it’s entertainment, not a scientific breakthrough needing FDA approval.

Anyway, it’s truly the end of an era, which may not be a bad thing. Nobody could really keep up with Springer’s outlandish show, even though they tried. Some eventually found their niche, like Maury ruling the paternity test roost. The latest trend in syndicated daytime talk shows are known as “conflict talkers”. This is your Steve Wilkos, your Robert Irvine, your Jeremy Kyle. It’s a genre of show where middle-aged White men (usually muscle-bound and/or former cops) yell at poor people. “You need to respect your mom!” “Close your legs and open your eyes!” “Why won’t you let him see his kids?!” In all honesty, it’s a natural progression from the Springer era. Everyone had their fun back then, and this is the wind-down, where you’re forced to look back at what you did. Meanwhile, the more outrageous Springerites have moved over to the world of court shows, just as they used to migrate to the dating shows back at the turn of the century.

My grandmother used to love Springer. She’d pretend she was appalled by it, but her 85 year old self loved to watch people fight. Not boxing fights, but visceral “real people” altercations. She also used to love any episode of Married…with Children when the Bundys grew closer by throwing down with another family. She was an odd bird at times, and I loved her for it. She’s been gone for almost 20 years now, but this is kind of the end of an era of something we shared. Thanks for the memories, Jerry. Until we meet again, you take care of yourself, and we’ll try to take care of each other.

Over the past few years, I’ve had the honor and pleasure of guesting on quite a few friends’ podcasts. One that was especially good to me was the Cold Slither Podcast Network. I was invited on pretty early, and they always supported me during the Will’s World of Wonder years. So, I’d be remiss if I didn’t acknowledge that CSPN chairman/president/CEO, Classick Materia, announced his retirement from the network last week. Now known to the world simply as “Jamal”, his life is in a different place than when he started the Cold Slither Podcast, and then expanded it into a full network with a slate of shows. I’ve been on the flagship show, I’ve been on Comic Book Chronicles, and I’ve had some of the most fun on The Classick Team-Up. So, I do feel like I’m losing a small part of myself here. Still, I understand his decision and wish him well. And it’s not like the CSPN is going away. No, he’s leaving it in capable hands. Still, I don’t know those dudes, so they ain’t asking me on anytime soon!

It’s not all endings, however. We’ve also got some beginnings! My pal Kevin Hellions runs TeamHellions.com, and he’s got a new thrifting column called T.H.R.I.F.T. that you need to check out. When I was doing Thrift Justice, I always meant to do “Tips from the road”, giving folks advice on how to find stuff. Instead, it turned into “Look at my cool shit!” Kevin here has excelled where I fell short. Great stuff!

Things You Might Have Missed This Week

  • Remember when you bought a new outfit that really didn’t fit your personality, but were excited to wear it to school because you thought it would make you cool? But, instead, everyone just laughed at you? That’s pretty much what happened to IHOP this week, when they announced that they were temporarily changing their name to IHOb, for International House of Burgers. Apparently they’ve got some new steak burger line they’re trying to promote, and this is what their genius marketing people came up with. It’s sad because it shows a lack of commitment. Last week, when the change was teased, nowhere did they mention it was temporary. We got the impression they’d be updating signs, menus, etc. Now that we know it’s just a temporary marketing ploy, they just look sad.
  • Not everything in Washington sucks these days, as the Capitals won the Stanley Cup finals. There was a parade and everything. I’m not a sports guy, so I missed all that, but I know folks are happy. They’d be happier if it were football or baseball instead of hockey, but they’ll take what they can get.
  • CBS continues its retooling of the upcoming Cedric The Entertainer-starring sitcom, The Neighborhood. When I did my upfronts post, I mentioned that star Josh Lawson had been replaced by New Girl‘s Max Greenfield. At the time, my only comfort was knowing that Dreama Walker would be on the show. Well, that’s over, as she’s been replaced by 2 Broke Girls‘ Beth Behrs. I already had issues with the one-note nature of the show, and these recasts don’t fill me with any additional confidence.
  • Somehow, author James Patterson and former President Bill Clinton were paired together to write a novel. And someone, somewhere thought it would be a good idea to send them on a book tour on the tail end of the #MeToo movement. I take it that person is currently looking for work. In a pseudo-contentious interview with NBC’s Craig Melvin, Clinton said that he never apologized to former intern/cigar holder Monica Lewinsky, nor does he feel he owes her an apology – all of this while Patterson sat idly by, with “I just wanted to talk about my book” clearly plastered across his face.
  • The Miss America Pageant will be eliminating the swimsuit competition, at which point I feel we should just call a spade a spade and get rid of the whole thing. It’s not that I feel women need to be objectified in swimwear, but it’s that I feel the pageant as a whole doesn’t really offer much more than that. It’s all just surface appraisals, so why start acting like you care about a woman’s character and all that? It was founded in 1921, so do it til 2021 and wrap that shit up with the rest of the historical artifacts.
  • FX has renewed Atlanta for season 3. I actually finally finished season 2 over the weekend, and I would have had no problem if it had ended as something of a 2-season “experiment”. I felt season 2 was weird solely for the sake of being weird. Glover deftly handles that sort of material, but I just wanted some episodes I didn’t have to analyze or Google to get the whole picture. Considering season 2 was “Robbin’ Season”, which saw everyone have something taken away from them, I really hope season 3 is a little more positive for all involved.
  • TBS reversed its renewal of the Conan O’Brien-produced sitcom People of Earth. It had been renewed for a 3rd season last fall, with the season already written, but the show’s creator took to Twitter to report that it wouldn’t be shot. This makes me worry for The Detour, which is a recently-renewed favorite of mine, also on TBS, which was never a ratings darling.
  • The Tony Awards were cattier than ever this year, as Robert DeNiro said “Fuck Trump” on the live telecast, while Neil Patrick Harris started a Twitter feud with Crazy Ex-Girlfriend star Rachel Bloom. And a bunch of shows won some awards, but none of them were Hamilton, so nobody outside the theatre world cared.
  • Keiynan Lonsdale is leaving his role of Kid Flash on both The Flash and Legends of Tomorrow, reportedly for “personal reasons”. Yeah, I’ve got nothing snarky to say there. He seems like a good kid.
  • Bill Cosby’s wife, Camille, is reportedly ready to file for divorce. Bitch, you had 30-plus years to leave him. Bye!
  • The showrunners for Star Trek: Discovery, Aaron Harberts and Gretchen J. Berg, have been ousted, with Alex Kurtzman taking over as showrunner for season 2. Half of the season has already been completed, but the pair were accused of budget overruns, as well as mistreatment of writing staff. Akiva Goldsman, who came on as executive producer last season will also not be returning.
  • Silver & Black, the Silver Sable/Black Cat Spider-Man spinoff film that nobody wanted, has lost its release date, and has been delayed indefinitely. I guess they’re taking notes from the Universal Fancon folks…
  • It’s a confusing story, so I’m not even going to try to make sense of it. Let’s just say that Stan Lee has been granted a restraining order against his supposed business partner Key Morgan. Morgan has served as Lee’s “caretaker” since the death of Lee’s wife, but many suspect he is responsible for elder abuse of Lee. This story has been going for the last 6 months, and only seems to get crazier.
  • We got three trailers last week worth talking about. I’m running short on time, so I’ll use the In Living Color review scale. Ralph Breaks The Internet: Wreck-It Ralph 2 (Hated it!); The LEGO Movie 2: The Second Part (Hated it!); Bumblebee (Two Snaps Up!)
  • Speaking of trailers, though, here’s one for a movie, Hearts Beat Loud, that I’d really like to see. It’s out now, but nobody’s gonna see it, so hopefully it finds life on DVD/streaming.

Here comes the swerve! You know how one of the four in the intro pic gets the West Week Ever? Not today, suckas! I really should’ve written a post last week, ’cause I was scared I wouldn’t get to do this. I mean, nothing really happened in the world of pop culture last week, but this week was something of a shitshow. Still, nothing GOOD happened like this:

Charlotte “Charley” Bruce West was born last Tuesday at 10:33 PM, at 7 lbs and 1 oz. She was originally due May 30th, so you can see she’s pretty stubborn (she didn’t get that from me!). While her older sister took a good 24 hours to come put, this delivery was shorter than Avengers: Infinity War. Her mom didn’t even have time to get an epidural, ’cause she’s a warrior like that!

Anyway, I now have two kids – two daughters at that. I walk around my house, mumbling “Two kids…two kids.” It’s much more difficult than I thought it would be. I mean, changing a diaper while the older one is climbing on your back? It’s like a demented reality show! Anyway, I now have two kids. My mom only had one, so she can’t tell me shit. Every time she opens her mouth, I’m like “Two kids. I won.” So, to me, that’s the best thing that happened in popular culture the past 2 weeks. You can have your Stanley Cup and your CMT awards. I’ve got Charley, and she had the West Week Ever.

18th May2018

West Week Ever: Pop Culture In Review – 5/18/18 (Upfronts Edition)

by Will

HarassmentWatch (TM)

Nev Schulman – The creator/producer/host of Catfish: The TV Show has been accused of sexual misconduct, resulting in MTV halting production on the show. A former Catfish…contestant? guest? I dunno. A woman who had appeared on the show in 2015 said that Schulman didn’t believe she was actually a lesbian, and propositioned her for sex. This was all in a video that she posted to YouTube last week. Schulman denies the accusations, but production has been halted until the investigation is completed.

Brad Kern – The showrunner for NCIS: New Orleans has stepped down amid reports that surfaced from December 2016 when he was the subject of two different human resources investigations. He was reported to have undergone sensitivity training, but I guess it didn’t take. He’ll still get paid, though, as he’ll remain on the payroll as a consultant. Interestingly enough, this happened on the heels of recently departed NCIS star Pauley Perrette tweeting that she had experienced physical abuse on set, which motivated her to leave the show.

Before we get to all the Upfronts stuff, let’s take a look at a few of the cancellations/renewals that have occurred since last week’s post.

Cancellations

CBS: 9JKL; Me, Myself & I; Scorpion; Kevin Can Wait; Superior Donuts

ABC: Inhumans; The Mayor; Ten Days In The Valley; Kevin (Probably) Saves The World; The Crossing; Deception; Alex, Inc.

NBC: Rise; Great News

Renewals

CBS: Elementary; Man With A Plan; Instinct; Life In Pieces; Criminal Minds

ABC: Fresh Off The Boat; Black-ish; Station 19; For The People; American Housewife; How To Get Away With Murder; Splitting Up Together; Agents of S.H.I.E.L.D. (for a 13-episode season to debut in Summer ’19)

NBC: The Blacklist; Brooklyn Nine-Nine (yup, they swooped in and saved it from its cancellation at Fox)

Fox: Bob’s Burgers; Family Guy; Gotham (final season)

Things You Might Have Missed This Week

  • Another Batman prequel series, called Pennyworth, will follow Bruce Wayne’s butler before he comes to work for the Waynes. This idea is stupid, but it’s also being developed for Epix, which means about 55 households will be able to watch it.
  • Jennifer Love Hewitt is replacing Connie Britton on Fox’s 9-1-1, who originally only signed a one-year contract.
  • The CW announced that next season will be the last for iZombie, Crazy Ex-Girlfriend, and Jane the Virgin.
  • There are talks that Designated Survivor is being shopped to Netflix. It was cancelled last week by ABC after execs were concerned that there was no clear direction planned for the story.
  • Speaking of The CW, Arrow star Stephen Amell revealed that the next crossover between the shows will introduce Gotham City and Batwoman to the Arrowverse. Yay?
  • TNT’s The Last Ship will end after its upcoming 5th season.
  • CBS is reportedly eyeing (get it? ‘Cause their logo is an eye?) the Mad About You revival as a midseason show.
  • Lost In Space has been renewed for a second season on Netflix
  • Fox said there are no plans for a 12th season of The X-Files after Gillian Anderson left the series. Anderson clapped back on Twitter and said that the real reason was because viewership had dropped 77%.
  • Lethal Weapon was narrowly renewed as it was announced that Sean William Scott will be replacing the outgoing Clayne Crawford. Stiffler as a cop? I feel this idea is about 10 years too late, but I might check it out.
  • DC announced a Doom Patrol series for that DC Universe streaming service that I have no faith in…
  • While we’re about to discuss a lot of shows that were picked up for the fall season, some other high profile pilots didn’t get series orders, including Gabrielle Union’s Bad Boys spin-off at NBC, the Cagney & Lacey reboot at CBS, and the Supernatural spin-off The Wayward Sisters on The CW.

Well, in what has become a tradition on this site, this is the 5th year that I’ve taken a bullet for you. That’s right: I watched ALL of the trailers for the Fall’s new shows, to give you a better idea of what’s probably worth your time, and what will most likely end up in a ditch, like Firefly or Andy Richter Controls The Universe. If you remember, last Friday was basically “Bloody Friday”, where 19 shows were cancelled within 24 hours in order to make room for the incoming shows. This week, the 4 major broadcast networks held their upfront presentations, where they presented their fall schedules, as well as introduced their incoming shows. This is QUITE the undertaking on my end, so I don’t expect ya to read all of it, but it’s here if you’re interested. So, let’s get this show on the road!

Courtesy TVLine.com

ABC

A Million Little Things (Wednesday, 10 PM)

After the success of NBC’s This Is Us, everybody wants their own non-linear tearjerker. This is ABC’s attempt at that. For starters, it’s got a great cast. I mean, it’s LOADED with folks who bring a fan base with them: James Roday (Psych), Ron Livingston (Office Space), Romany Malco (Black people). I’ve also loved Stephanie Szostak since USA’s Satisfaction, though you may recognize her from Iron Man 3 or R.I.P.D. I hope this one works out ’cause I like a lot of these people. Will I be watching? Probably not. I’ve got enough anxiety and depression without deliberately putting my emotions through a meat grinder on a weekly basis. It’s up against Criminal Minds on CBS and Chicago P.D. on NBC, so it’s the definition of “counter programming”. It’s a wide open timeslot that this show should have no problem finding a foothold.

The Fix (Midseason)

You’ve got to feel kinda bad for attorney Marcia Clark. In her own Hillary Clinton way, she’s clearly still dealing with the fact that she never got OJ Simpson. Sure, justice eventually won in the end, but not on her watch, and she’s been stewing about that for the past 25 or so years. Well, this show, executive produced by Clark, is basically “What if OJ not only did it, but then did it AGAIN?!” Here’s where this show is gonna backfire, though: this is NOT the right time for a show like this, what with the way the world is right now. From the trailer, there’s nothing sympathetic about the female lead. Some might say she’s “driven”, while others might just say she’s a “bitch”. So, she’s lost the audience. Then, you’ve got Not OJ who, while not exactly charismatic, seems way more interesting as the villain than the chick does as the “hero”. Then, throw in how the OJ thing played out in real life: the show should want you to root for her, but the Black audience (if there is one) might end up rooting for him to continue evading her. I don’t have high hopes for this one. I see it getting that Tuesday night “death slot” of 10 PM, and then being burned off on Saturdays after a few low-rated outings.

Grand Hotel (Midseason)

This just looks like a Univision adaptation of Dynasty, BUT it does go after that audience that ABC held in the palm of its hand during the early Desperate Housewives years. It’s got diversity going for it, and it’s rich Latinos instead of gangbangers and whatnot, so it’s aspirational, even if they do owe a ton of money to the mob. I think there’s something to be said for the fact that it’s being held til midseason, in that it wasn’t strong enough to launch the season on. It could also be that it didn’t, tonally, fit what they were coming out of the gate with. This could go either way, to be honest.

The Kids Are Alright (Tuesday, 8:30 PM)

Ugh. It’s one part Just The Ten of Us and one part The Goldbergs, with a dash of The Wonder Years. I’m SO tired of the Retro White Family Memories, Narrated By Some Dude Pretending To Be the Creator shows. It’s That 80s Show Syndrome. Fox said “Well, That 70s Show is doing well. How about we make That 80s Show?” Well, here ABC said “The Goldbergs has got the 80s covered, but what about the early, yet non-specific, 70s?” It’s a working class show, so it’s paired well with Roseanne as its lead-in. That said, it’s a HORRIBLE lead-in for Black-ish. If this show is smart, they’ll try to sprinkle in a witty Black kid as one of the sons’ best friends, but this family doesn’t seem like they’d fraternize with Negroes. I think Retro Fatigue is a thing, and this show could fall victim to it. It’s got a Real O’Neals vibe to it, without the gay son angle – HOWEVER, the jury’s still out on the little one, even though I doubt the show has the balls to go there in its first season, given its time period and everything. With the Roseanne lead-in, it’s really the show’s game to lose. It’s prime real estate, but does it DESERVE it, other than the fact that they’re both blue collar families? I guess time will tell.

The Rookie (Tuesday, 10 PM)

This is stupid. Look, I’ve never understood folks’ love affair with Nathan Fillion, but I also didn’t really love Firefly, so there’s that. I feel like there’s a lot of William Shatner Syndrome there. It’s like “I loved this one thing this actor did, so I’m just gonna pretend to love every other thing he does.” I’d watch this as a movie, starring Kevin James, on Netflix. This, however, is not a series to me. First off, Fillion is 47 years old, and it looks like they’re going to great pains to make him only look 40. Next, I HATE when the woman (ex wife?) tells him he was brave during the robbery. NO! From what we see, he was stupid, and people could’ve gotten killed. And let’s say this show does last 5 seasons – what’s the draw when he’s no longer a rookie? He’s just an old ass cop at that point. It’s like when Doogie Houser grew up and his whole Kid Doctor shtick wasn’t that impressive anymore after his balls dropped. The show has the Tuesday Night Death Slot – 10 PM, where ABC shows go to die. But y’all really love your Nathan Fillion, so maybe this will end that curse.

Single Parents (Tuesday, 9:30 PM)

This looks horrible, and I say that as a fan of Taran Killam and a closet fan of Brad Garrett. There’s this growing trend of shows that were clearly developed from what was originally a movie concept. You could eke 90 minutes out of this idea. A perfect 3 acts where Killam ends up with Leighton Meester, and learns how to be an adult again. Instead, to make it a show, they’re going the Community route: “Look how much these folks from disparate backgrounds have in common.” And, frankly, the ensemble isn’t dynamic enough to pull that off. I wish they’d gone with a murderer’s row of supporting characters from recently cancelled sitcoms, as these shows are prone to do. For example, I’d really love some Sara Rue on here, but I love Sara Rue in anything. Plus, this is a waste of a Modern Family lead-in, which is pretty good real estate. The one that’s really gonna suffer, though, is A Million Little Things, as this show is going to kill any potential carryover audience from Modern. I’m calling it: DOA.

Whiskey Cavalier (Midseason)

I was a little more into this show after watching the trailer because all the promo stills made me think “This shit is just Castle all over again.” Seriously, I was wondering why they didn’t just call it Rook. Anyway, this show is SO ABC that it just might work. I, however, ain’t got time for that Will They/Won’t They? dynamic, ’cause they always WILL and it’s simply a matter of WHEN (if they’re smart they’ll wait 3 seasons). Anyway, it’s being held til midseason so Cohan can hurry up and get killed on The Walking Dead. The idea of the show seems kinda fun, but I’m still hung up on the casting a bit. I don’t find Cohan that dynamic, but that’s probably because I’ve never seen anything she’s been in. At the same time, I just find Scott Foley boring. I mean, he seems to work here, but I’ve always felt the most interesting thing he ever did was marry Jennifer Garner. While there appears to be chemistry, the casting on this show just feels like ABC pulled the trigger on a bunch of talent holding deals that were about to expire. Anyway, the midseason bow gives it a better shot at renewal, and I think this one will succeed.

Scheduling Thoughts

Sunday is a bit perplexing to me. I’ve always hated that they moved Shark Tank to that night, and I feel Child Support (scheduled for Fridays at 9) would be a better companion to the upcoming Dancing With The Stars: Juniors. The Alec Baldwin Show is a vanity project that really doesn’t matter in the grand scheme of things. It’s probably relatively cheap to produce, and its only real competition is Madame Secretary on CBS. It’ll last either until Baldwin gets bored with it, or he hurls a slur at a staffer and the network is forced to distance themselves from him (which would, then, put Match Game in jeopardy). Meanwhile, Fresh Off The Boat and Speechless are left to fend for themselves on Friday. It would be one thing is ABC was committed to bringing comedy back to Fridays. Maybe even rebuild TGIF. This is not that. This is just a “Well, put ’em wherever you can fit ’em in.” Again, I’d move Child Support to Sunday, hold Shark Tank for a better night later in the season, and then I’d pull Modern Family to Friday as that night needs a strong anchor, and it’s in its last season, so it really doesn’t have to be much of a performer. They could even throw in Schooled, which is the horribly titled retool of that spinoff of The Goldbergs – still starring Tim Meadows and Brian Callen, but now with more AJ Michalka – which has been picked up to debut sometime during the season.

CBS

FBI (Tuesday, 9 PM)

Ah, Dick Wolf is at it again. I kinda wish they’d put this on Wednesday, so he’d be competing with his Chicago shows on NBC. I’ll bet there’s a dude at CBS whose job is just to find all the federal agencies with cool abbreviations. One day, after having his pitch for NCIS: SUV: EX rejected, he was like “Fuck it! How about just FBI?” And the network execs were like, “Wait, how’d we miss that one? It was in front of our faces the whole time!” I love how Missy Peregrym got the Mariska Hargitay SUV makeunder. One look at her, and they were like “She’s too hot. Frump her up and make her scowl a lot.” This show will do just fine. It’s Dick Wolf, who apparently knows where bodies are buried, so folks don’t like to piss him off. Plus, it’s meant for your grandpa, who’s really the only one who can tell all these shows apart.

God Friended Me (Sunday, 8 PM)

Fresh off the cancellation of ABC’s The Mayor, Brandon Micheal Hall is in a new starring role in what’s basically a mashup of Early Edition meets Touched By An Angel meets Joan of Arcadia. First off, I hate the title. I get what they’re going for, but was that really the best one they could come up with? I didn’t want to like this when I hit Play, because I initially thought this was going to be another quirky, single cam half hour sitcom. Instead, it’s a one-hour dramedy, which changes things a bit. It’s got the PERFECT timeslot, as that’s about when Black folks get home from all-day church services. I think it’ll pose some important questions, and as long as it doesn’t get too preachy, can at least get folks to think about whether there’s something out there bigger than themselves. I will point out the most interesting aspect to me, though: Facebook. Like, Facebook is basically a character in the show. Not some made up social network, like FaceSpace, or MyFace, or SpaceBook. No, this is full-on Facebook, which makes me wonder if they paid for product placement or if they were even involved in the development of the show. If they were, then I’m a little skeeved out by all the spiritual stuff, being passed down from Zuckerberg on high. Anyway, it could work. Touched By An Angel lasted 9 seasons, Early Edition lasted 4, and Joan of Arcadia lasted 2. I think that also charts the progression of America becoming more cynical. Anyway, who knows? Living Biblically didn’t work, but I think it’s because it was a terrible idea for a 30-minute, multi-cam sitcom with a studio audience. I’m on the fence with this one, but it couldn’t have possibly been scheduled better.

Happy Together (Monday, 8:30)

Let me preface this by saying I LOVE Damon Wayans, Jr. I also LOVE Amber Stevens West. I do not love this pilot. It’s apparently executive produced by James Corden, and based on a time when he lived with Harry Styles. This is another one of those “I’d see it as a movie, but…” ideas. I mean, how long does this charade last? How long can the British rocker put up with the quiet suburbs? How do you get 7 seasons out of this? Too many shows don’t seem to have the long game in mind these days, and it they end up painting themselves into a corner, creatively. I hate to turn on my folks, but this one doesn’t last.

Magnum P.I. (Monday, 10 PM)

I loved this trailer WAY more than I wanted to. Originally, I only wanted this show to succeed so that Anthony Anderson wouldn’t be the only Hang Time alum still working today. And I really wanted to hate this concept. The 80s reboots just keep coming, but this one I like. I fear it’s gonna be like MacGyver was for me, though: never watched the original, enjoyed the reboot pilot, and then never made any attempt to watch it again. Plus, are we going into this knowing the whole Robin Masters twist? I mean, are they going to play that up? Are we just supposed to play dumb? Anyway, I love this cast. Since Happy Endings, I will watch Zachary Knighton in anything, and he’s a GREAT choice for Rick. As for Magnum himself, are we gonna have an AC Slater situation, where we later find out his name is really Thomas Rodriguez? ‘Cause, I mean, c’mon… Anyway, CBS seems to be planning Monday as “Diversity Night”, kicking things off with The Neighborhood, followed by Happy Together, and capped off with this. They COULD have scheduled a Reboot Night, with MacGyver, Hawaii Five-0 and Magnum, but I’m glad they showed some restraint. The interesting thing is that there are some Tom Selleck die hards out there who may not accept this reboot, and they’re the primary CBS audience. That said, those folks have Blue Bloods now, and this is meant to skew younger. I think it’ll work.

Murphy Brown (Thursday, 9:30)

Ugh, another “zombie” show. You know, those shows that are dead, but don’t realize they’re dead, so they just keep coming? I get how the political climate kinda paved the way for this one, but did we really need it? I mean, about a year ago, The BBC did a one-off Are You Being Served? special. It was nostalgia and something new, all at once. And it was only one episode. That’s what I’d like here. What Does Murphy Brown Think of the Trump Administration? There’s an interesting special there. It’s not, however, a 13-episode series. The same way I didn’t need Roseanne throwing her views in my face through her reboot, I don’t really see what Diane English and the Murphy Brown crew have to say about the state of the world that’s not already being said by every Liberal late night talk show host. Plus, the narrative device doesn’t really work here: in TV news, how often does a network “get the gang back together”? It DOESN’T. These people would all scatter to different networks, and maybe, just maybe, end up together at CNN or something. But there’s NO WAY FYI would reach out to a bunch of former employee “olds”, as the social media guy calls them, to provide a “fresh voice” on the state of the world. Unless FYI has been retooled to be the 60 Minutes of this universe, I’m just not buying it. And let’s talk about that social media guy: I hate him. I hate that archetype because it just doesn’t work. The whole “look at the Millennial who’s all tech savvy and here to show the other characters that they’re dinosaurs.” These characters are typically brash, somewhat unfeeling, and unsympathetic. Two seasons ago, Joel McHale’s failed sitcom The Great Outdoors was built on a group of these characters, on the same network. That character is always a douche and never paints Millennials in a positive light. The trailer gives us an early dose of what to expect from him, and I feel like they could’ve left him on the cutting room floor if it wasn’t for that fact that he brings some semblance of “diversity” to the series. Anyway, I say they do their 13 episodes and they’re out, but I don’t expect this to be the Liberal counterpoint to Roseanne. It won’t nearly be as much of a ratings smash, which is sad, but is where we are today.

The Neighborhood (Monday, 8 PM)

Sigh. This just feels lazy. Cedric is here because of a talent holding deal he has with CBS, and the show has already been retooled since this pilot was filmed, as The White Guy (’cause let’s be honest, his name doesn’t matter in the grand scheme of the show) was played by Josh Lawson (House of Lies), but has been recast with Max Greenfield, fresh off New Girl. That change kinda sucks because, while I haven’t seen Greenfield in the role, I think Lawson really nailed what they were going for here: The Aw Shucks, I Love Everybody Guy. I say it’s lazy because it’s just built on the foundation of race. Without the whole They’re Black and They’re White thing, there’s really no show there. I can see how this was an entertaining pilot but, again, there’s no long game here. Does Cedric’s character mellow over time? Does he indulge in a bit of White culture? Are both families better for the living arrangement? And I’ve loved Dreama Walker since Don’t Trust The B—- in Apartment 23, but this isn’t going to do much for her resumé. Calling this one DOA, even though the cast is really strong.

Scheduling Thoughts

Nothing major here. It was interesting to see them basically pull out of Monday and focus on Thursday as their night of comedy. They had a pretty good stranglehold on Monday comedy, so it’s odd that they’d somewhat abandon it to try some diverse shows in those slots. It’s also odd that they’d waste 2 hours a week on Crimetime Saturday “drama encores” on Saturday night. Sure, it’s not the most popular night for viewership, but that’s just wasted real estate. That’s 2-4 pilots that got rejected just so they could rerun NCIS: Pittsburgh or whatever.

Fox

The Cool Kids (Friday, 8:30 PM)

This is the Foxiest show I’ve seen in a LONG time, and I love the cast. That said, I don’t care if it is from the guys behind It’s Always Sunny In Philadelphia. This is the kind of show Fox greenlights simply to cancel. Usually it’s to shove into that Sunday 8:30 ditch between The Simpsons and Family Guy, so I’m surprised this is being farmed out to Friday nights. Anyway, this is a One and Done show. They’ll just cancel it to give one of the Seths (Green or MacFarlane) a new show.

Cosmos: Possible Worlds (Midseason)

I get it. The last Cosmos did really well and, even though they swore it was a one-time deal, you just knew they’d find a way to bring it back. These kinds of things take time, which is why that last Cosmos was back in 2014. It’ll do fine because it’s basically a National Geographic special (National Geographic is also owned by Fox) that’s being given a wider, primetime broadcast spotlight. It’ll do what it’s gonna do, and that’ll be it. If it does well, then expect another one in 2022. If it doesn’t, well, it wraps up the unintended Cosmos trilogy. Whew! I can’t believe I got through that without even touching on my hatred of Neil deGrasse Tyson. Whoops…

Last Man Standing (Friday, 8 PM)

This Fall, Fox trades one Last Man for another, as they pick up the cancelled ABC sitcom starring Tim Allen. Now, there was a lot of kerfuffle that the show was cancelled because the star is a Conservative, and I really don’t know if that’s true or not. It was never a ratings star, but it was also on Friday nights, so the bar was much lower. Still, just like everyone wants their own This Is Us, everyone also seems to want their own Roseanne revival. So, Fox jumped at the chance to add this to its schedule – a schedule in which it doesn’t truly fit. It doesn’t feel Fox to me, but maybe that’s a good thing. It had a dedicated audience, so maybe it’ll bring those viewers to its other shows. I actually don’t hate this show. I rarely saw it when it was on, but I’ve seen it in syndication. It’s bandied about like it’s this brash, Conservative voice, but Allen’s character is pretty much painted like a dinosaur in a changing world. I mean, he’s not quite Archie Bunker, but his wife and daughters are always reminding him that the world is changing and he’d better get used to it. Unlike NBC’s save of Brooklyn Nine-Nine, this isn’t to give it a proper send-off (something it never got from ABC), but rather an investment that they’re hoping they can get a few seasons from. This will be season 7, so I wouldn’t be surprised if there was some deal to take them through 10 – as long as the ratings are there. I do, however, find it interesting that it’ll be going up against Fresh Off The Boat on ABC. That’s quite the bit of counter programming there…

The Passage (Midseason)

Doesn’t Fox’s schedule already have a Special Child On The Run from the Government Show in The Gifted? I don’t know anything about the books from which this was adapted, but I do know that it had been retooled a few times before it got picked up. I love Mark-Paul Gosselaar. I think it’s really impossible for anyone my age to hate him. I want him to do well. After stints on Pitch and those 4 seasons of Franklin & Bash, I really want him to get something that sticks. I’m just sick of vampires, and that’s ultimately what this show is about. Its survival will depend on its timeslot and competition, both of which are unknown at this point. Hell, Fox had Lucifer for 3 seasons, so they can probably keep this around if it finds an audience. I’m on the fence with this one.

Proven Innocent (Midseason)

Interesting concept, but I’m not sure Fox is the right home for it to succeed. You see, Fox these days seems to want to have it both ways: they want to be the 90s network that puts out worthless dreck like The Cool Kids, but then they also want to be taken seriously by airing stuff like Cosmos and this. You can’t do both. When CBS knew it wanted to change its image, and be taken seriously, we had the Rural Purge, where the joke is that they cancelled every show with a tree in it. This show belongs on ABC. It would even get bonus points if it were a ShondaLand show, but then every character would be screwing each other and that doesn’t seem like it would fit the tone of this series. Still, this is the kind of show that ABC would throw out there and probably fail with, but they would try. I feel like the only reason this is on Fox is because its executive producer is Danny Strong (remember him as Jonathan in that terrible season of Buffy?), whose Danny Strong Productions is behind Empire, and also seems to have a production deal with Fox. Still, Fox had a hit with 9-1-1, which also didn’t feel like a natural fit, so maybe if this gets paired with that, it could have a chance. For now, though, I’m thinking this one won’t go far.

REL (Sunday, 9:30 PM)

Since his role in Get Out, everybody has been rooting for Lil Rel Howery, but is it too soon for this? I’d rather see him in more movies than see him get a middling Fox sitcom. His former costar, Jerrod Carmichael, is the executive producer here, but I don’t expect this show to push any of the buttons that The Carmichael Show did. This is just a run of the mill sitcom. Good to see Sinbad, though. I’m reminded of how Fox really screwed the pooch with Mulaney, but the thing this has going for it that Mulaney did not is the fact that there’s a Black audience looking for representation. I don’t think the post-Family Guy timeslot is the best place for this, though. Hell, it ought to have gotten the post-Last Man Standing slot on Friday. They’re as different as night and day, but that’s going to be prime real estate, which is just wasted on The Cool Kids. It could be argued that folks aren’t watching TV on Friday nights, but in the DVR age, nobody’s watching live anyway. Still, for the few that are, I think scheduling should be done to keep them in mind. I’m sorry, Lil Rel, but this is a One and Done.

Scheduling Thoughts

Interesting that Fox is keeping most of its debuts for midseason. It’s not like they’re coming off the bench that strong, but I think it’s internal company politics at play, with the looming sale and everything. At the upfronts, they kept referring to themselves as New Fox, because they would no longer have to worry about how their shows play in the international marketplace. They’re taking a decidedly America First approach with their schedule, which could mean they’re gonna double down on what made them Fox in the first place. I mean, The Cool Kids and REL both feel like they’ve been sitting in a vault for the past 20 years. It’s a network that doesn’t know what it wants to be, especially in light of the fact that it won’t own its own production studio in a year. In discussing its future, some folks have even posited that they might make a play for the WWE contract, which expires with NBCUniversal next September, which means they’d lose Monday and Tuesday real estate to RAW and Smackdown. They’re a network without a master, or a roadmap, right now. One thing I will give them credit for: moving Bob’s Burgers to Sunday at 8:30. That 7:30 swing slot never worked because football is a fickle mistress, and I think it was to that show’s detriment. Anyway, another odd thing is that Fox has yet to cancel Ghosted or LA to Vegas. They both look terrible, and there have been shows in the past that were never officially cancelled, but it’d be interesting to see if they try to revive those midseason.

NBC

I Feel Bad (Thursday, 9:30)

So, I was formally introduced to star Sarayu Blue in the recent film Blockers, where she played John Cena’s wife. I like her, but it shows how much TV has changed in recent years, because just a few years ago she would’ve been the best friend instead of the lead. That’s not really a knock on her, but more so one on her resumé. Amy Poehler is the executive producer here, which is why this is on NBC. Honestly, if you put this on ABC, following Modern Family (where that horrible Single Parents is currently slotted), I think it’d have a chance. ABC is great at giving new comedic interpretations of the different types of families out there. There’s Modern, there’s Speechless, there’s American Housewife, Black-ish, Fresh Off The Boat, etc. I could go on, but you get the point. Now, it could be said they’ve reached their saturation point over there, but I still think this show would feel right at home. On NBC? Not so much. NBC is the yuppie network, loved by DINKs (Dual Income, No Kids). All of its shows have to be set in fast-paced NYC, and nobody has a great relationship with their family. This is slotted right after Will & Grace, and before Law & Order: SVU. If I were scheduling, I’d have swapped it with Will & Grace, so that The Good Place would be its lead-in, while Will & Grace can pretty much stand on its own at 9:30. I feel The Good Place and this show would share more of an audience than it would with Will & Grace. It’s not 1998 anymore, so they really need to stop holding that Thursday 9 PM slot as a “sacred badge of honor”. Seinfeld is gone and he ain’t coming back. Anyway, One and Done.

Manifest (Monday, 10 PM)

Let me start off by saying Fuck YOU J.J. Abrams, Damon Lindelof, and Carlton Cuse. You’re why we are where we are today. Yes, this is Lost. I’m sure there’s more to it than that, but at the end of the day, it’s just Lost again. Now, why am I mad at those 3 gentlemen? Well, it’s because they started us on this road of the mythological saga that poses more questions than it answers. Before Lost, no shows had really come along with such a woven mythology, insinuating a concrete payoff. Everything matters! That’s what viewers were told to consider. The lottery numbers, the seat numbers, the smoke monster, the bear. Nothing is as it seems! And then the show ended, disappointing many, and also revealed that a lot of that shit had no inherent meaning, and they were making it up as they went along. So, just as they introduced us to that type of storytelling, their inability to satisfyingly stick the landing effectively pulled the ladder up behind them so that no one else could succeed at it. Since then, we’ve had shows like The Event, FlashForward, The Crossing – all cancelled before they really got a chance to answer what was going on. Why? Because viewers were like “Nah, I’m not falling for that again!” I skipped Lost. Just didn’t interest me for various reasons. That said, I’d actually be interested in this show, BUT I know how the game is played, and I also know that they’ll never get a chance to reveal all of their answers – if they’ve even thought of them in the first place. One and Done.

New Amsterdam (Tuesday, 10 PM)

Ugh ANOTHER damn medical show?! Pretty soon, TV procedurals are just gonna be medical shows and shows about firefighters. I saw that little twist coming. You think I didn’t, but I did. Still, it’s the kind of show that’s not playing the long game. What does season 5 look like? We gonna do the UK thing where they just bring in a new lead? I was saying on Twitter last week that I love how in the UK, no star is bigger than the show. A show could’ve been on for 22 years, with 5 different leads. It just keeps on rolling along. America’s not like that, though. Meanwhile, when did Tyler Labine get so old?! I don’t know about this one. I mean, America hates the idea of free health care, but loves its medical dramas. It’s going against ABC’s The Rookie, but it’s also getting that prime This Is Us lead-in, so I’m not quite sure who the winner is in that race. I will say, out of all the NBC shows I’ve seen lined up for the Fall, this is the one with the best shot at survival.

Scheduling Thoughts

Not a lot to say here, as they’re ultimately playing it pretty safe. Just as I said with CBS, though, I feel like NBC is wasting a lot of good real estate on Dateline Saturday Night Mystery. That’s 2-4 pilots dead, just for that. I know it’s relatively cheap to produce, but it just seems like such a shortsighted decision.

The CW

All American (Wednesday, 9 PM)

I actually like what I see here. You couldn’t do this on any other broadcast network, as shows like this are heading to places like Freeform now. I’m digging the 90210 meets One Tree Hill meets Friday Night Lights, with a dash of Black Lightning. Plus, it’s got that Riverdale lead-in, suggesting the network has faith in it. I don’t even care about its competition on the other networks, because The CW plays by its own rules and standards. I think this one works.

Charmed (Sunday, 9 PM)

OK, who thought it was time to revive this? I never watched the original, but I know it lasted 8 seasons. I mean, 12 years have passed since its finale, but between this and the Roswell reboot, it’s like someone at The CW finally got that closet opened that’s been locked since UPN merged with The WB. So many wonderful properties to reboot! We’re about 4 years away from the One Tree Hill reboot at this point. Anyway, remember how I said shows like All American were ending up on Freeform? This show TOTALLY deserves to be over there, with their shows like Siren and Shadowhunters. I mean, it might do OK on The CW, but I’m not sure. I feel like any hardcore fan base that exists for the previous iteration probably isn’t going to be too happy about this. Meanwhile, I applaud their attempt to diversify it and all, but minorities don’t get down with witches like that. If you remember, there was only one Black chick in The Craft, and her career never recovered from that! It probably needs a stronger lead-in to guarantee success. This fall, The CW expands to Sunday nights, and this will be there, preceded by Supergirl, which is far from a ratings smash. Still, if they’re going for a Sunday Girl Power block, then I guess this is what they have to work with.

Scheduling Thoughts

I’ve got quite a few here, as there are a lot of moves going on. As I said above, their foray into Sunday nights is weak. They’ll need to work to strengthen that over time. Moving Arrow to Monday is interesting, but it’s an older show so at this point it’s going to do what it’s going to do, regardless of where it’s placed. it also frontloads the week with the DC shows, with Supergirl on Sunday, Legends of Tomorrow and Arrow on Monday, and The Flash and Black Lightning on Tuesday. I’m sure this will help when planning next year’s crossover. On Thursday, after Supernatural, they’ve got the new series, Legacies, which is a spin-off of The Originals which, itself, was a spin-off of The Vampire Diaries. It’s the Good Times to The OriginalsMaude and The Vampire DiariesAll In The Family. Its trailer isn’t available right now, but I’ve got to wonder why it got that slot and not Charmed. I thought they had pretty much done everything they possibly could to the Vampire Diaries universe. Meanwhile, Dynasty is a HORRIBLE lead-in for Crazy Ex-Girlfriend on Friday. It’s Crazy‘s final season, though, so I guess they were just like “Fuck it! Put it wherever.”

So, who had the West Week Ever? Was it Yanny? Was it Laurel? I’m gonna look back one day, and that joke isn’t going to age well. Anyway, looking at the Upfront presentations as a whole, I think ABC and CBS had the strongest showings. Fox and NBC aren’t really taking any chances, while The CW is just shuffling deck chairs right now. For the ABC slate, there some shows that have potential, like The Rookie and A Million Little Things, but I’m just not sure yet. Meanwhile, I’m pretty sure CBS has hits on their hands with FBI and Magnum P.I. Plus, they’ll get some great press for that Murphy Brown revival. So, I’m going to say that CBS had the West Week Ever.

11th May2018

West Week Ever: Pop Culture In Review – 5/11/18

by Will

So, the broadcast network upfronts are next week, where they unveiled their Fall schedules. And, in order to do that, they’ve got to make room for the new stuff. That’s why we’re knee deep in a bloodbath right now, as shows are getting cancelled left and right. Let’s take a closer look at the shows we won’t get a chance to see again, shall we?

  • Taken (NBC) – After 2 seasons, this completely unnecessary prequel to the Liam Neeson film trilogy is getting a bullet to the head.
  • Life Sentence (The CW) – Starring Lucy Hale, of Pretty Little Liars fame, this show got cut after one season ’cause nobody cared. It was about a woman who thinks she’s dying so she throws caution to the wind – only to find out her diagnosis was wrong, and then she has to live with the consequences of her actions. This concept is just like Jane The Virgin to me, in that my immediate thought is “I hope this chick has a good lawyer!”
  • Valor (The CW) – The few, the brave, the cancelled. Yeah, The CW’s entry into military drama got canned after one season. It was a crowded field this season, though, as NBC also debuted The Brave, while CBS brought out the David Boreanaz-led SEAL Team. Out of those 3, only the Boreanaz show was a success – Because he’s a vampire. Bitches love vampires. I kid, I kid.
  • The Brave (NBC) – Yup, NBC’s entry into the military game also flamed out after its first season. I never watched it, but I know Don Draper’s piano key toothed ex-wife was their handler or whatever. Oh well.
  • The Mick (Fox) – This one stung, ’cause I really enjoyed this show. Ultimately, it’s just Kaitlin Olson playing her Sweet Dee character from It’s Always Sunny In Philadelphia, but in a new setting. It wasn’t a stretch, but she’s good at what she does, so it worked. I guess the viewers just weren’t there after two seasons.
  • The Last Man On Earth (Fox) – After four seasons, Fox pulled the plug on the adventures of Will Forte and the small family of survivors that has formed after a virus pretty much wipes out everyone in the world. I liked this show, but it never really seemed like it had an endgame. It always felt like more of an indie comedy film than a TV series. That said, when I did my upfronts post the year it debuted, I swore it wouldn’t last, so the fact that it got 4 seasons is amazing. Still, it has never been a ratings hit, so every season finale should’ve been written as a potential series finale. Now they’re gonna have to deal with the fact that they’re stuck with that ALF ending…
  • Brooklyn Nine-Nine (Fox) – After five seasons, the precinct is closed. This show is like Bob’s Burgers to me, where I don’t want to like it, but have pretty much enjoyed it whenever I’ve seen it. Still, it’s not “destination television” for me. Still, it has never been a ratings hit and, at five seasons, it’s no longer a cheap show to produce. Still, a small part of me wonders if its cancellation is part of the Hollywood conspiracy gunning for Terry Crews since he spoke out about his sexual assault. I mean, it’s not like he was trying to buy NBC, but still… Anyway, there are rumors that Netflix and Hulu are in talks to save the show, but those guys have been shying away from show rescues lately because they don’t want to be seen as the home of the networks’ scraps.
  • The Expanse (SyFy) – I have no clue what this show is about. Is it about a big gap? A wide open space? *Googles* Oh, that sound stupid! Like some kind of Starship Troopers/Earth: Final Conflict mash-up. Anyway,  don’t think I watch anything on SyFy now. They just don’t have anything that appeals to me. Wynonna Earp? To me, SyFy is currently a channel that airs nothing but shows that would’ve aired in syndication on your local WB affiliate 20 years ago. That shit worked because it was cheap, but it ain’t something you prop up a network with.
  • Lucifer (Fox) – The Devil is in the details…and the unemployment line, as Fox has cancelled Lucifer after 3 seasons. But he was so dashing! Again, when I first wrote about this when it debuted at its upfront presentation, I said the show would never fly in the Bible Belt. So, I think 3 seasons is pretty impressive. Still, if they killed this, then The Exorcist and Gotham better watch their asses!
  • The Exorcist (Fox) – While I was writing this, it got the chop.
  • Quantico (ABC) – After 3 seasons, Priyanka Chopra just wasn’t hot enough to keep this show on the air. I’m sure she’ll bounce back quickly, though.
  • Designated Survivor (ABC) – You can’t give us 9 years of badass Jack Bauer and then replace him with wimpy “I dunno if I want to be President” Tom Kirkman. Sorry, Kiefer. You ARE Jack Bauer from now on, so you might as well either go back to 24 or hop on the convention circuit.

Most of the shows I listed were “on the bubble” for multiple seasons, meaning their renewal could’ve gone either way multiple times. Yes, I realize that it takes time for a show to find an audience. Seinfeld wasn’t a hit out of the gate. I remember How I Met Your Mother was on the bubble til around season 4. That said, TV has changed. There are too many options, and these things are too expensive, to just wait around and hope folks show up. These days, I don’t believe any show should be on the bubble for two consecutive seasons. The show debuts weak, yet manages to get a second season, great. But they better do everything in their power to get the word out during that second season. This would pretty much guarantee shows have 2 seasons to make their mark, but a show shouldn’t still be on the bubble in season 4 (looking at you, The Last Man On Earth). I know some folks are close to these shows, but nothing on that list surprises me.

It’s not all doom and gloom, though, as some fan favorites also scored renewals this week:

  • The Resident (Fox) – Never watched it, but I’m sure folks are only watching for Emily Van Camp
  • The Detour (TBS) – I loved this show during the first season. Fell off during the second, and completely missed the third. But I’m glad it got renewed ’cause that’ll inspire me to go back and catch up.
  • Speechless (ABC) – It’s cute enough. Minnie Driver on a weekly basis. My wife likes it. Not really surprised, but it’ll be more interesting to see what ABC does with Black-ish and Fresh Off the Boat.
  • The 100 (The CW) – I only know one person who watches this show, but clearly he’s just one of a larger number. Just remember that The CW has lower ratings for renewals, though…
  • A.P. Bio (NBC) – Here we have another Sunny actor, displaying no range at all, by playing the exact same character as on Sunny. The problem I had with this show was that the lack of amoral friends around him just makes it more pronounced that he’s a sociopath. I’d watch this as an small budget comedy film, from A24 or something, but this just didn’t feel like a series to me.
  • Chicago Fire/Chicago Med/Chicago PD (NBC) – NBC continues to employ the city of Chicago, as they renewed all three of Dick Wolf’s Chicago-set shows. Meanwhile, the maggots are still feasting on the corpse of last season’s ill-fated Chicago Law.
  • Law & Order: Special Victims Unit (NBC) – Dick Wolf keeps collecting checks, as NBC also renewed SVU for a record-tying 20th season. Rapists beware, ’cause Ice-T and Mariska Hagitay are comin’ for ya!
  • Good Girls (NBC) – There’s a show on free TV that provides free Christina Hendricks on a weekly basis, and I still can’t manage to care about it. I’m actually surprised this got renewed, as the ratings were soft, but I know they felt the cast, including Hendricks and Retta, was strong. It’s about 3 women who rob a grocery store in order to pay their bills or something. The whole “regular folks get pulled into a life of crime” thing sounds very Breaking Bad to me, which isn’t a bad thing, but not something I feel like revisiting right now.
  • Santa Clarita Diet (Netflix) – The Drew Barrymore/Timothy Olyphant show is about a couple who become zombies or cannibals or something. I dunno. They’re not like “Braaaainsss!” but they do eat people. I hear it’s funny. I’ll never know.
  • Rick & Morty (Adult Swim) – The show was renewed for a whopping 70 additional episodes, which will take them over 100 episodes (I guess they’re after that syndication money). That’s enough episodes to not only jump the shark, but then swing around and fuck it. Nah, this ain’t happening. Show creators Dan Harmon and Justin Roiland have a relationship that doesn’t seem stable enough to see this through. We might get another season, but there’s NO WAY we get all 70. Bookmark this page now, and let me repeat it for the folks in the cheap seats: THERE’S NO WAY WE’RE GETTING ALL 70 EPISODES.
  • Last Man Standing (Fox) – Since the Roseanne revival has shown there’s room for conservative voices in sitcoms, Fox wants their piece of the pie, so they’ve ordered a revival of Tim Allen’s former ABC sitcom Last Man Standing. Ugh. Ya know, I didn’t hate that show. I do hate that it’s framed as a showcase for a “conservative voice”. At the end of the day, I felt like it was more than that. Allen was the star, but always seemed kinda like an asshole, while his freer-thinking wife and kids continuously took him to task. He wasn’t quite a modern-day Archie Bunker, as he never seemed to learn anything from his confrontations. He just kinda felt like the country used to be better and is only getting worse. Yay? At the end of the day, this doesn’t fit on Fox’s schedule ’cause they don’t currently have any other multi-camera sitcoms, but maybe they’ll pair it with The Cool Kids, coming from the folks behind Sunny.

Things You Might Have Missed This Week

  • Officer Martin Riggs has left the building, as Lethal Weapon star Clayne Crawford has been fired for his onset behavior. Reports say that he and costar Damon Wayans weren’t even speaking to each other at the end of the season. Now, the show’s third season renewal is in jeopardy, as they’re are reportedly looking to replace the role with a female character.
  • Following the firing of star Jeffrey Tambor for his onset behavior, it was announced that Amazon series Transparent will end after its upcoming 5th season.
  • Disney’s acquisition of Fox just got a little more complicated, as Comcast is reportedly preparing a cash offer for Fox. I knew y’all were getting too excited about “The Fantastic Four are coming home!” There’s a good chance you’ll end up with Fantastic Four Meet The Minions.
  • Speaking of Marvel, it has been explicitly stated that Venom will not be part of the MCU. Um, AND? I could’ve told y’all that!

  • The Deadpool marketing team gave us this…odd music video, featuring chanteuse Celine Dion. Yeah, they’re just trying too damn hard.

  • Before we completely walk away from Marvel, I had this little fanboy theory the other day.
  • Apparently we’re finally getting the third Bill & Ted movie, called Bill & Ted Face The Music. Do y’all realize that Bill & Ted are currently the same age that Carlin was when he played Rufus? Just throwing it out there to remind you that you’re old!
  • Arrested Development‘s 5th season debuts on Netflix on May 29th, but don’t get too excited for a 6th. Aside from the fact that Jeffrey Tambor is something of a pariah right now, some cast members are upset about the recent season 4 “remix”. You see, they were paid for 15 episodes, but the newly recut version of the season stretches it out to 22. So, they feel they should be compensated for those 7 additional episodes.

  • Luke Cage is back for season 2 on June 22nd. Hopefully I will have seen season 1 by then, but I doubt it.
  • Guardians of the Galaxy director James Gunn made a bunch of grown men cry this week when he revealed that Groot’s final words to Rocket Raccoon in Avengers: Infinity War meant “Dad”.
  • Dwayne “The Rock” Johnson apparently now includes a “social media fee” in his movie contracts. This means that he gets paid $1 million simply to tweet about his OWN movie, so the studio can leverage his follower base.

Nobody had a week quite like Donald Glover. By Sunday morning, everyone was talking about his latest music video for “This Is America”. By Monday morning, everyone had a thinkpiece about what it meant. This is after coming off a pretty good hosting stint on Saturday Night Live the night before. Here’s one of my favorite sketches from that episode:

The beauty of the “This Is America” roll-out is that he hasn’t really addressed or explained its meaning, so folks are running wild with theories and Easter eggs. All this did was keep him at the forefront of people’s minds.

Over the course of the week, he attended both the Met Gala and the premiere for Solo: A Star Wars Story. Then, last night saw the season finale of his hit series Atlanta.

I could gush over him, or I could discuss the cultural quagmire he seems to have found himself in. Ya know, “How can he be Woke Bae when he got a White baby mama?” Yeah, I don’t have time for all that, and that’s not why you come here. Plus, I’ve been running really long the past few weeks, and I really need to wrap this up. So, Donald Glover had the West Week Ever.

04th May2018

West Week Ever: Pop Culture In Review – 5/4/18

by Will

 

It has been a week. Over the past seven days, I’ve had Internet fights with racist veterans, old friends, and complete strangers. Last Friday I bought a house, only to immediately discover that everything in my mother’s house was breaking down. I’ve been through a flood, a new hot water heater, 2 unresponsive plumbing companies, and 2 failed inspections. So, it would be safe to say that I’m in a bit of a mood…

So, I had been really looking forward to writing about Avengers: Infinity War. I had a lot of thoughts. Sure, a lot of folks left the Thursday night showings with their minds blown, but I wasn’t really happy. I had to process a lot of what I’d seen. There were simply SO many moving parts. I needed to really grasp what I’d seen. I saw it again with my wife on Saturday morning, and I think I came back with a better understanding of the film. Then the weekend happened. On top of the rampant speculation that follows the release of these movies, I also found myself in the middle of drama over on Facebook. It turned into this MCU vs DCEU stuff that I really didn’t want to get into. This shit is about men in capes and tights. It’s not Schindler’s List. Anyway, it kinda put a bad taste in my mouth about the whole thing, so I’m not that excited to talk about it anymore. But “The show must go on!”, so here we are (NOTE: I also owe @zacshipley an apology ’cause we were supposed to podcast about all this before my world started crumbling apart, as detailed above!).

Oh, yeah – SPOILERS

Let me preface this all to say that I am amazed by the tapestry woven by this whole feat. You can like or hate the MCU, but you have to give credit where it’s due that 18 movies culminated in this payoff. The Russos did an amazing job handling characters who weren’t originally theirs (Directors Taika Waititi and James Gunn pitched in to make sure their characters’ voices – Thor and the Guardians, respectively – stayed true). For fans of the world that Kevin Feige has guided, this was pretty much everything you could’ve wanted. Again, SO many moving parts, but they handled it deftly. If you haven’t seen all the films, well, in the words of the great poet laureate Jay-Z, “I feel bad for you, son.” I feel bad because this thing probably made very little sense to you. I joked on social media that my new favorite thing is following Black folks who were introduced to the MCU via Black Panther, only to check out Infinity War and leave, going “What the f-?!”

There’s a review from The New Yorker making the rounds, where the writer basically says that the film is just a culmination of ads for other Marvel films. It lends itself to the argument that there was nothing to grasp onto for the newcomer. First, you’ve got to ask if a newcomer should even be watching this film, and I answer that with a resounding “No!” This isn’t gatekeeper mentality, either. It’s just that you won’t get the full experience of what’s happening. It’s like watching the season finale of a show you’ve never seen before. You might be able to follow it, but you’re still gonna miss some important stuff. The problem with the review is that most folks who are bashing it are too close to the source material to understand where he’s coming from. He’s not wrong. Take, for instance, how the movie treats Steve Rogers.

Steve Rogers is treated as a real life “splash page” in the film (if you’re not a comic fan, a splash is 1-2 pages that showcase some impressive artwork, typically of a battle or character introduction, with minimal dialog or panels to detract from its impact). He shows up in the shadows, catches Proxima Midnight’s staff, and emerges to look badass. Later, he flexes on General Ross (“Who is THAT guy?” asks an unfamiliar audience member), still looking badass but there’s no real context. Yes, you’re reading this, yelling “He’s mad because of the Sokovia Accords!” Yeah, I know that, but I’m immersed in this shit. Still, this film does a poor job of explaining WHY this group is on the outs. The mention of the Accords is brief, and you’d really only get it if you’d seen Civil War – which you probably did, but not everyone did.

There is no substance to Steve Rogers in this entire movie. He shows up, looks badass, the end. Outside of the blurbs on the toy packaging, we don’t know what he and his team have been doing the past 2 years. We don’t know how those years, combined with the events of Civil War, have affected him. They choose a weak rendition of “Show, Don’t Tell”, by giving him a beard, long hair, and a darker costume, but that’s it. Steve Rogers is basically a man who has lost his religion. His religion was Uncle Sam, and he began to sour on it in The Winter Soldier. It was completely Uncle Bad Touch after Civil War. So who is he now? WHAT is he now? How has it all changed him? Is he better for it, or is he now a man with nothing more to lose? Yes, this movie had a lot of moving parts, so we couldn’t get what we wanted in terms of deep character moments for everyone. Still, seeing as how he’s the leader of this whole Earth-bound defense force, I’d kinda like to know more about the man leading everyone into battle. The Captain America movies had done a really good job of showing us the growth of Steve Rogers, and I just didn’t get that here. Oh, and folks love to fawn over everything about and from Wakanda, but those shield gauntlets were stupid. It made Agent Coulson’s TV budget holo shield look better in comparison, which is QUITE the feat!

Another problem I had: The Black Order. I’ve seen the debates on various Facebook pages, but the Black Order didn’t live up to their hype. Now, I realize they’re recent additions to the Thanos mythos, having been created by Jonathan Hickman in his recent Avengers run, but I just never felt they displayed WHY they should be feared. These are the “Children of Thanos”, by his side as he annihilated 50% of PLANETS. They come to Earth, and fail to rack up ONE KILL. Now, sure we can talk about the “formidable human spirit” or how “anything is possible when your back is against the wall”, but Black Widow and Akoye should not have survived that fight. I don’t care if Black Widow is the best graduate of the Red Room or that Okoye is the fiercest warrior in Wakanda. They’re facing an unfamiliar, extraterrestrial threat that kills people like it’s their job. Because it IS. People are saying “It was an even match when it was 1:1, and the Black Order took the L when folks teamed up against them.” Doesn’t matter. They couldn’t even successfully kill a ROBOT. Daddy had to come finish that job. So, I felt they went out like some bitches, even if I do want Ebony Maw to record my voicemail message.

Next problem: Because we, as fans, are so close to the source material – and the business behind it – it’s hard to really take the “deaths” seriously when you know the business side of things. First of all, I wasn’t affected by the deaths because they weren’t graphic. They weren’t impactful. Folks just turn to dust. Remember how I was disappointed by the Black Order? That could’ve been rectified here. Instead, it was more like the characters were *erased* than that they died. The only one that held any weight was Peter Parker’s, which was reportedly ad-libbed. Still, when the vast majority of the stars of the movies that Marvel has in the pipeline are the ones who “die”, it’s like “Whatever”.

And people love to be so smug with their “It’s comics. Characters always comes back from death.” Well, yes and no. Yes, it’s a common trope today, but that wasn’t always true. It wasn’t really until Superman where publishers realized the life/death yo-yo was a cash cow they could return to time and again. No, because the MCU hasn’t established this to be true within the confines of what has been set up.

 

One thing a lot of folks don’t seem to reflect upon is that the MCU has more ties to the Ultimate Marvel Universe than the regular, “616” Marvel Universe. Sam Jackson Nick Fury, Hawkeye with a Black Ops background, – just a few examples of how The Avengers film franchise owes more to the widescreen cinematic depiction of the team in The Ultimates comic than it does to the team seen in The Avengers comic. The Ultimate Universe, as a publishing imprint, ran between 2000-2016, and in that time death meant DEATH. When a character died there, they stayed dead (Don’t talk to me about Peter Parker because I’m proving a point here, and I’m convinced Bendis wrote that arc because someone was holding his family for ransom). Though Jeph Loeb’s Ultimatum event is generally considered a poorly-written gorefest, a shit ton of important characters died, and STAYED dead, forcing that universe and its characters to move forward and grow from it. With that said, the MCU has never really established that resurrections occur. There’s the Coulson thing, but it’s not exactly a routine occurrence, so they still could’ve played it that way here. Instead, though, they took all their cash cows with active contracts and sequels in the works, and “killed” them. Even if we KNOW they’re gonna “comic book” it and bring them back, they kinda shot the pooch in the selection of who stays and who goes.

In true comic fashion, it’s a story where ultimately nothing happens. Sure, there are some amazing set pieces and character moments, but it plays like one of those summer comic events where “The Marvel Universe will never be the same!!!!” Until next summer, when something else happens over 6-10 horribly delayed issues, and we get the same threat/promise. I feel almost like Feige and the lot lied to us when they promised that Infinity War was no longer a Part 1 & Part 2 deal, since it told its own story, just as Avengers 4 would. Nah, that dog don’t hunt. This is clearly a Part 1, even if not in name, and there is no complete story here. There’s a hell of a first (and possibly half of a second) act, but this is the MCU’s The Empire Strikes Back. At least we don’t have to wait 3 years for the resolution.

Last thing I hated: the after credit sequence. I think it might be the first one to make me groan. Why? Because I’m NO fan of Captain Marvel. I’ve followed her for some time, and I’m not against her, but I’ve never really understood the “Carol Corps” and the fan base that has developed around her.

If you’re not familiar, Carol Danvers was a pretty forgettable character for the first the 40 years of her existence. She went back and forth between codenames, calling herself Ms. Marvel, Binary, and Warbird at different times. Until about 10 years ago, her biggest claim to fame was that X-Men member Rogue stole her powers of flight and super strength (also why these powers are missing in the X-Men films, since Fox didn’t have the rights to Ms Marvel to do this). Then, about 10 years ago in the House of M event, Carol gets a glimpse of what she could be. Instead of a recovering alcoholic, C-list jobber, she could actually be the most powerful hero in the universe. So, she really starts to apply herself, and gets promoted from Ms. to Captain. And in a rare feat for comics, it stuck.

Usually when a former sidekick or lesser hero gets a “promotion”, it’s to goose sales and it’s temporary. With Captain Marvel, though, we’re ten years in and it seems like she’s going to stay this way. Good for her. My problem is I just don’t feel like having her Deus Ex Machina her way into Avengers 4 to save the day. As far as the comics go, she’s just not a likable character. Now, there’s some argument to be made that “Maybe you just don’t like strong women!” I don’t think that’s it, YET I feel like she’s written in a way to force folks to have that conversation. She was on the wrong side of history with the Superhero Registration Act. She was on the wrong side of history in Civil War II. In big crossover events, she tends to be written like a headstrong character who’s not really a great team player. “But, the same could be said about Tony Stark, Will!” Yeah, but he’s rich and charismatic. Can’t the same about Carol. Outside of her own book, she’s just kinda written like a fuck-up, yet I’m supposed to take her as the most powerful hero on Earth. Maybe I’ll gain a new appreciation for her after her movie drops in March, but right now, I’m just like “Ugh.”

Oh, and what is Nick Fury’s job now? I mean, he fakes his own death in The Winter Soldier, returns to the land of the living with helicarrier, like “What up, motherfuckers!” in Age of Ultron, and now he’s here. He has his own Personal White Woman (TM) in Maria Hill, but he ain’t the head of S.H.I.E.L.D. Right now, he’s a private citizen with his own flying death machine, which really needs to be explained. Or maybe it doesn’t. Hell, in the comics, S.H.I.E.L.D. has 2 different “Executive Directors” at the same time, depending on what book you’re reading.

So, since we slogged through all of that, and you might be mad, let’s get to what I liked: All of it. Despite the fanboy nitpick stuff I just pointed out, I really had an amazingly enjoyable time at this movie. I just take things further than the casual moviegoer, since I’ve sort of lived a lot of this stuff for the past 25 years. The things I pointed out didn’t make me hate the movie. They were just observations I had while others swore the film was perfect.

  • I loved Thanos, even if basic knowledge about population growth and sustainability point out the flaws in his plan. “Why didn’t he just create more resources?” Shut up! The movie would’ve been 10 minutes long, and you’d be pissed you paid $15 to see that. And how many times do you get to see the villain win?
  • Thank sweet baby Jesus that M’Baku survived. I was ready to throw my popcorn if he turned to dust.
  • Even though I have no clue how it’s possible, I’m glad that Thor’s little soliloquy established that Thanos only killed HALF of his people, so there’s still hope for Valkyrie and Korg to pop up in the future. I’m just imagining the potential showdown between Valkyrie and Sif (who ain’t dead ‘cause she didn’t take time off from her struggling NBC show just to come back and get killed. Respect!).
  • Even though some folks hated it, I enjoyed the erectile dysfunction joke with Hulk. When he finally does appear next movie, it’ll mean something, and hopefully he’ll get redemption. Still, it had to happen to prove that Thanos was a formidable foe. If he scared Hulk, then he should scare everyone.
  • Xandar got destroyed offscreen, so I’m glad I didn’t have to watch Nova Prime Glenn Close get killed along with John C. Reilly and his little pink daughter. And, with the Corps’ destruction, it certainly does pave the way for a Nova film – just as Feige’s been teasing lately.
  • Thor was SO good here. It’s a damn shame it took them 3 movies to get him right, but with the original team’s contracts expiring, I hope he’ll come back for more. He seems to be having as much fun as we are watching him, and they’ll need a thru-line from the original team to whatever is left standing at the end of the next film. The Avengers cannot live by Black Widow kicks alone.
  • I was glad that this film “fixed” the MCU timeline ‘cause I was really messed up by that “8 Years Ago” from Homecoming, yet Tony establishes here that the Battle of New York was SIX years ago. I know, fanboy problems.

Thoughts about Avengers 4:

  • I don’t think Gamora comes back in this film. I think she’s in the Soul Stone, and I could totally see GOTG 3 as The Search for Gamora.
  • I’m still not convinced Cap ever dies in this franchise. Look at it this way: yes, people are clamoring for a heroic sacrifice, so Bucky (or less likely Falcon) will take up the shield to honor him. I don’t think he needs to die. Bear with me here: Steve Rogers never got a life. Just as he was becoming a man, he volunteered for a way to fight for his country. He was frozen for 70 years, only to thaw out and be thrown right into the next fight. I think he deserves to walk off into the sunset. He’s done more than enough for his country. Now, he could buy himself a fishing boat and find himself a nice girl. It’s what Peggy would’ve wanted for him.
  • Also don’t think Downy dies. If he was gonna go, this was going to be his window. A lot of folks think Pepper was trying to tell him she was pregnant when the comm link cut out, so I could see him taking a step back, and just providing tech and money to the team while he focuses on his family. Can’t you see him giving Clint a new bow, saying something like “Be careful with that. It cost more than that farmhouse of yours!”?
  • To be honest, I see this era of the MCU ending without any meaningful deaths that stick. I know some folks would be fine with that, but when looking back on 19 movies, it leads one to wonder “What were the stakes?” At this point, the only real deaths we’ve had were Coulson, Quicksilver and Agent Carter – and one of those was simply from old age. I’m not some morbid deathmonger, but I feel a calling like this comes with a price. And nobody *important* has paid that price. If that’s how they wanna play it, then so be it, but it’s definitely something that sticks out to me.
  • Completely never realized there was no deal in place for Doctor Strange 2. Feige’s explanation is that he felt like Strange got so much time in Infinity War that he didn’t need a second movie so soon. I could see that, but it’s just odd how a franchise that can’t keep its 5 year plan a secret doesn’t have anything lined up for him (officially) in the next five years. Oh, and I kinda hated him in this movie during my first viewing. I feel like MCU Doctor Strange is Great Value Tony Stark, but I came to appreciate him more during viewing #2.
  • If Agents of S.H.I.E.L.D. does end this season (which is looking less likely, even though this season’s finale was written as a series finale), I really hope it’s acknowledged in this film. No, I don’t think we need a cameo from the whole damn team, but I think the Avengers finally need to learn about Coulson, and they’re clearly setting Chloe Bennett up for something, so she could cameo, too. Sorry, fans of Melinda May. I also don’t need cameos from the Netflix folks. I’m fine with just acting like that’s its own thing, but AoS is supposed to be part of the “Everything is Connected”ness of the MCU. That’s what we were promised, so that’s what I expect. The tangential shows, like Runaways and Cloak & Dagger, can do whatever they want ‘cause I’m never gonna accept them into this family.

I’ve got more to say about Infinity War, but we’ll get to that a bit later down the page.

HarassmentWatch(TM)

Harvey Weinstein Update – Ashley Judd has sued Weinstein for “torpedoing” her career when she rebuffed his advances. Peter Jackson already reported that he was convinced not to cast Judd in The Lord of the Rings due to influence from Weinstein. So, she’s suing him for defamation, sexual harassment, and for violation of California’s unfair competition laws. I swear, if he cost us Where The Heart Is 2: Forney’s Revenge, then I say let the bastard fry!

Bill Cosby Update – The Cos, along with Roman Polanski, found himself expelled from The Academy of Motion Pictures Arts and Sciences, who are responsible for the Academy Awards. While this probably seems like a huge gesture to some, it’s not like they’re taking away his Oscar. Can’t win an Oscar when you’re cranking out shit like Ghost Dad and Leonard Part 6. Nope, he just can’t vote anymore. That’s cool, ’cause convicted felons can’t vote anyway, so… Meanwhile, his wife Camille issued a statement that this is the result of mob mentality, and that he’s being railroaded. If you ever want to feel sad for humanity, hop over to his Facebook page for the litany of “I stand by you, Mr. Cosby!” The motherfucker gave us a TV show. He didn’t cure cancer. Let that shit go. It’s a numbers game. Even if you think some of those women lied, ALL of them aren’t lying. We’re talking over 50 women! People want to act like it’s a giant conspiracy, but you can barely get 50 women to respond to an Evite, let alone corroborate a rape story. How many do you need? What’s your threshold on sexual assault? Get back to me if you need to think on that.

So, I guess we should get this out of the way since everyone in my life has asked my thoughts on it: in a somewhat surprising move, toymaker Hasbro announced they have purchased the Power Rangers franchise from Haim Saban for a reported $522 million. They also bought some other stuff, like 80s property My Pet Monster, but ain’t nobody got time for that. I say “somewhat surprising” because we knew it was a possibility. After all, it was in the fine print when Hasbro acquired the master license to produce Power Rangers toys in the United States. The company would have the first right of refusal should Saban ever decide to sell. It looked like this was a sure thing down the road – ya know, after they’d had a season or two under their belt, making product. Instead, they pulled the trigger before the next incarnation of the show, and before the Bandai license has fully lapsed. It kinda makes one wonder: “What’s the rush?” I mean, does Saban need to send an envelope of cash over to Israel or something?

OK, sidebar – if you’ve never been to this site before, or don’t know much about Haim Saban, then you saw that last sentence and said, “Whoa, Will! That was kinda anti-Semitic!” Not exactly. You see, Saban has always called himself a one-issue voter, and that issue is Israel. He’s quite the political donor, and has no real political allegiance except to anyone who promises to make the affairs of Israel a priority. He was quite the donor to the Clintons (which was always intriguing to me, as early on the Clintons railed against violence in children’s programming, like Power Rangers. Nothing that a few million dollars couldn’t fix!). He would go on to publicly lambaste both Bernie Sanders and DNC chair candidate Keith Ellison as being “anti-Israel”. Oh, and he firmly believes that the key to political power is to control media outlets. Yup, that old conspiracy theory about the media is actually one of his dreams. Betcha didn’t know all that about the guy behind your favorite spandex heroes! Anyway, the dude is worth over $5 billion, so it wouldn’t be shocking if a quarter of this sale is earmarked for Israel.

Anyway, the writing was on the wall with this sale. Hasbro needs something to bolster the aging Transformers franchise, and the essentially lifeless G.I. Joe franchise. This is a something of a renaissance for them, as owning something like the Power Rangers franchise changes the game. It’s not one of those “It’ll keep the lines on” situations like Teenage Mutant Ninja Turtles is for Playmates Toys, but it’s definitely the shot in the arm that Hasbro could use these days. Meanwhile I don’t think Saban ever really recovered from the anemic box office for last year’s Power Rangers movie. He knows, as any smart man would, that the franchise’s best days – as far as he was concerned – were behind him. He would never again experience the Beatlemania that accompanied the 93-94 era of the franchise, but that didn’t mean it couldn’t be a valuable franchise for someone else.

Plus, let’s just look at the numbers here: Saban originally sold Fox Family Worldwide (which included Power Rangers and the Fox Kids library) to Disney for $5.3 BILLION in 2001. Yes, Disney paid more for that than they paid for Star Wars OR Marvel. Disney, then, proceeded to junk everything from that sale (Where’s my Eek! The Cat, bitches?) except Power Rangers, while never really figuring out what to do with it. They went on to produce seven original Power Rangers seasons of varying quality, from Ninja Storm to RPM. After a rumored failed animation pilot, and a half season where they just added Batman ’66 effects to old Mighty Morphin episodes, Disney sold the Power Rangers franchise back to Saban for a reported $43 million. He spends a few years doing basically the bare minimum as far as maintaining the brand, and then sells if off for half a BILLION dollars. You can say a lot of things about Haim Saban, but you can’t say he’s not a smart businessman!

So, what do I think? I’m not really sure. We’ve had multimedia franchises owned by toy companies before, but I can’t remember the last time we’ve seen a transition like this. I mean, it’s basically going from Saban’s Power Rangers to Hasbro’s Power Rangers, and I don’t entirely know what that will mean. That’s like if it went from Jimmy’s G.I. Joe to Hasbro’s G.I. Joe. Will all of the wit and charm that Jimmy brought to the franchise be honored and respected by the new owner? Who knows? And we don’t know in my scenario, as there was no Jimmy and Hasbro always owned Joe. So, the question is How does Hasbro put its mark on Power Rangers, while retaining what it has come to mean over the past 25 years?

From a toy perspective, I don’t think we have a lot to worry about. Hasbro is a friend to the “adult collector”, so I’m confident we’ll get some sort of 6″ Black Series/Legends action figure line to rival what we got with Bandai’s Legacy Collection. They’re also good at articulation, when they want to be. So, we could end up with 4″ Rangers with 5 points of articulation, in some sort of weird, retro throwback model, or they could give us the $13 Walmart exclusive Star Wars figure articulation. Plus, with their “Big Toys for Poor Kids” Titan Heroes line, they can continue to give us the same unnecessary 12″ shampoo bottle figures that Bandai cranks out. Where they will fall short, however, is when it comes to role play toys.

Kid sized Ranger weapons and morphers are a big part of the Power Rangers toyline legacy, and that just ain’t Hasbro’s strong suit. The closest they’ve come to a morpher in recent years is the Star Wars Force Link, which has now died on the vine in two different iterations (three, if you count its “father”, the CommTech Reader from the Star Wars prequel toylines). They have never simply gotten the consumer to care about those things, though it might help if it’s an item that’s actually featured in the show, instead of some weird, out-of-left-field piece of tech that isn’t featured in the source material. On top of that, Hasbro goes the extra mile for role play stuff that the marketplace isn’t really demanding. Take the recent Hero Vision Iron Man helmet for Avengers: Infinity War, which is an augmented reality experience where you put your cell phone into an Iron Man helmet to pretend you’re fighting Thanos. Cute idea, but not for the $50 price point. This is not something that works at mass market retail. You know how I know? Because Walmart can’t even sell $15 VR sets, so the addition of a plastic Iron Man helmet ain’t gonna make these fly off the shelves. No, this is a hobby piece. This is the kind of thing you MAKE yourself, with the help of a YouTube tutorial. It’s not the kind of thing that you BUY. For other recent role play offerings, it’s clear the Action Figure folks just farmed the development out to the Nerf team. So, I really hope they’ve got some PR experts on the team (possibly from Bandai) instead of trying to acclimate their current folks to the Power Rangers brand.

I guess my biggest worry surrounds the show itself. Does Hasbro know how to produce a weekly live action kids show? Will it stay in New Zealand? Is this the end of the franchise’s love affair with actor Jason David Frank? He’s spent years ingratiating himself to the folks at Saban and Bandai. I mean, the current comic book storyline is based around his character. What happens now that he has a new master to please? Will Hasbro allow Nickelodeon to keep forcing so many breaks between new episodes? Can Hasbro void the Nick contract Saban just signed, and take the show elsewhere? Those are the questions I have. The toys will be fine, but Power Rangers, while toyetic in nature, wasn’t necessarily a brand created to sell toys. Sure, like anything else, it was created to make money, but not primarily to sell toys. How does that change when its new owner is primarily in the business of selling toys? I guess we’ll have to wait and see…

On the other end of the pop culture spectrum, Kanye West went on a bit of a press tour this week, and proceeded to make a fool of himself. Most notably, he went on TMZ and said that slavery was a “choice”. He went on to give this extended rant:

He also gave an interview to Charlamagne tha God on The Breakfast Club, where we learned the following things about him:

  • He developed an Opiod addiction after getting liposuction. Now, let me just say that if my mom died on a plastic surgeon’s table, I’m fairly certain you wouldn’t catch me getting plastic surgery. Most folks won’t even return to a restaurant that gave them food poisoning!
  • He was hurt that Jay-Z and Beyonce didn’t come to his wedding
  • He likes that Trump won because it gives him hopes for his own political aspirations. He feels that Trump’s win means that anyone can win, and that inspires him.
  • He turned on Obama because Obama once said that Kanye was his favorite artist, but then proceeded to call him a “jackass” when asked about more recent antics. That hurt Kanye’s widdle feelings.
  • He recently bought 300 acres on which to build a community

Here’s the thing: some of what he says isn’t the craziest thing I’ve ever heard, but even a broken clock is right twice a day. His issue is he’s conflating physical slavery with mental slavery, which are 2 different things. Meanwhile, there are a bunch of Hoteps out here, saying “He’s right!” It saddens me that there are modern day Black people who hear about slavery, and then think “They wouldn’t have made ME no slave!” Yes, they would have. Slavery was more than just the fact that White people owned us. There are psychological underpinnings to that system that held us, and continue, to hold us down. I am all for ignorance being brought into the light, but in the year of our Lord 2018 there are way too many White Supremacists who’ve been waiting for someone like this to come along to bandy about. This would be a “mistake” if he’d said the dumb stuff ONCE, but he just keeps digging his hole. This is a full on meltdown, but to what end? At what cost? The “bad” people hear his words, and it just empowers them. Kanye lives in an ivory tower, so he doesn’t have to deal with a lot of the day to day stuff folks face. He’s out of touch, and making things worse for those who are not.

The problem with Kanye is he’s all over the place and, as they say in the South, he “can’t get to Hell fast enough”. It’d be one thing if he wanted to talk Black empowerment. It’s an entirely other matter when his “argument” is merely used as a distraction from his MAGA hat wearing photo op. He’s not the guy saying “Let me show you another way of thinking”, at least not eloquently. Instead, he’s a petulant child who’s saying “I do what I want, and your reasons for your views don’t apply to me.” OK, cool. But he shouldn’t expect folks to take his views seriously when he’s been so dismissive of theirs. People don’t forget so easily, yet they see what they want to see. It’s like Cosby, who we’re supposed to hold up as this paragon of Black greatness, who also spent the past 20 years berating the Black community. Like Kanye, a lot of what he said wasn’t “wrong”, but it was HOW he said it. Context AND delivery are just as important as the words themselves.

I don’t feel “betrayed” by Kanye West. If nothing more, I hate how he’s giving my “family” a bad name (even though there’s no relation…I hope). No, I have NEVER given Kanye money (thank you, Shawn Fanning, for teaching me about the wonderful world of free music!), and he’s never been a “musical genius” to me. No, I reserve that praise for folks like Max Martin, because I have the musical taste of a 14 year old girl who was punted forward in time from the year 1998. I just think this thinking is dangerous. It’s one thing to have this kind of discussion in the parlor, over brandy, but it’s another to go on the steaming pile of muckraking shit that is TMZ and hold court. I give TMZ some credit because they’re the first ones to let us know when a celebrity dies, but Harvey Levin would make PT Barnum clutch his pearls. When he looks at you like you’re a piece of shit, well, it’s pretty clear that you’re a piece of shit. And the same folks who are saying that “We need to stop being divisive and love each other” are just suffering from “Winner’s Bullshit”. They weren’t worried about divisiveness when they were trying to prove the last president was a secret Kenyan Muslim who killed Santa Claus. Nor did they apologize when they couldn’t prove it. So, in conclusion, fuck Kanye West, fuck Kenny Chesney, and fuck anyone else who wants to tell me that all my great grandmother had to do was clock out at the end of the day on the plantation, and everything would’ve been hunky-dory.

Wow. That felt good to get out. Sorry to the White people (which is pretty much all of you) who are feeling some kind of way right now. I’ll lighten things up at this point. Promise!

In TV news, it was reported that Conan on TBS will switch to a 30-minute format. I don’t really know what to think about Conan anymore. I mean, yes, he got royally screwed by NBC. That said, he’s basically now the Hillary Clinton of the late night world. He needs to read the room and realize he’s never going to be Johnny Carson. There are other things he could do, though. Leave the late night space to the other guys, and focus on producing. The Conaco brand isn’t that strong right now, and it could use his stewardship. Out of the three shows he’s currently producing (Conan, People of Earth, and Final Space), only one of them is actually good. His late night show isn’t breaking new ground, nor does anything from it go viral, which is the new measure of “worth” in that sector. Final Space is just a miss all around, and People of Earth isn’t the kind of show that’s gonna last 10 years. I just don’t know what he’s trying to prove at this point. TBS has been a great home for him and his projects. It’s to his benefit that he didn’t go to Fox when his non-compete was over ’cause they would’ve cancelled Conan YEARS ago. Over on TBS, he’s a big fish in a small pond, but he’s not contributing much to the late night space anymore, and it seems like TBS doesn’t want to hurt him by showing him the door, but clearly realizes that they could be doing more with the timeslot. Sadly, they could probably bring in more eyes just by bringing back those reruns of Cougar Town.

In other TV programming news, DC Comics began teasing the DC Universe streaming service. Details are scarce at the moment, so we don’t know price point, or what will make up the bulk of the programming. We do know that the previously announced live action Titans will be joined by a live action Swamp Thing series, as well as the third season of Young Justice and an animated Harley Quinn series. Meanwhile, the ill-conceived Metropolis, that featured Lois Lane and Lex Luthor solving mysteries, is being “redeveloped”. This all sounds TERRIBLE to me. I feel like this is going to be the home of the shows they couldn’t sell to other networks. I mean, if you remember, TNT passed on Titans. TN-fucking-T. Their schedule is nothing but Bones reruns and NBA games. Sure, you could make the argument that “Maybe it just didn’t fit their network image”, but I can assure you more people get TNT than will initially sign up for this service. Plus, are folks really creaming their jeans over a Swamp Thing show?

Wanna make this thing a Must Have expense? First, pull all existing shows from networks and put them on the service. Sure, The CW would collapse, but Fox wouldn’t have to worry about renewing a bubble show like Gotham, and the service would officially become THE exclusive home for DC programming.  ‘Cause even if the service has every DC production in history, it should be acknowledged that a lot of that stuff was shit. Yes, there’d be Justice League Unlimited and the rest of the DCAU, but there’d also be Lois & Clark, that really bad 80s syndicated Superboy, and The Zeta Project. People talk about how Disney is buying Fox to bolster their streaming service, but there’s REALLY nothing about DC’s catalog that’s gonna bring all the boys to the yard. You really going to pay a monthly fee just so you can watch Superman III whenever you want? The shit is in the $5 bin at Walmart. Knock yourself out. Your credit card will thank you. Anyway, I’m putting this in the Need More Information file for now.

Things You Might Have Missed This Week

  • We got this new trailer for Teen Titans GO! To The Movies, and I cannot wait! I posted how I’m more excited for this movie than I am for Deadpool 2, and some dude on Twitter felt the need to tell me that it’s going to make no money. Cool story, bro! Why is the Internet full of people who simply don’t want you to be happy about something? Anyway, Will Arnett as Deathstroke…I mean, “Slade”? Sign me up!
  • I have never loved Arrested Development as much as a lot of folks, but I’ve been meaning to give it a second chance. I became even more inspired to do so when, this week, series creator Mitch Hurwitz announced that a “remix” of season 4 would actually be dropping on Netflix today. Due to the conflicting schedules of the cast, season 4 was originally filmed with each episode focusing on one character. This new edit, however, treats it like a traditional sitcom, much in the way the first 3 seasons were filmed. New jokes, and actual character interaction. This should be interesting, even if just as a case study to see if such a thing can be done well.

  • *NSYNC received their star on the Hollywood Walk of Fame this week. Three things stood out to me about this: 1) I’m amazed Justin Timberlake actually showed up for the ceremony, as I was certain it was just gonna be the 4 less successful ones there. 2) Apparently Loki is real, and he now goes by the name “JC Chasez” on Midgard. 3) Chris Kirkpatrick still looks like the kid that you only let hang out with you because he either has a hot, slutty sister OR his brother is your weed dealer.
  • On a related *NSYNC note, they popped up on Ellen, where it was revealed that Timberlake once hooked up with a Spice Girl. If it was Sporty, he will have my undying love. It was probably Scary or Ginger, though.
  • Comedian Michelle Wolf hosted the White House Correspondents Dinner, and the butthurt, snowflake libtards couldn’t take a few jokes! Wait…we’re receiving an update on this story. Oh, so it wasn’t the Liberals? How interesting…

  • We got the new trailer for Ant-Man and The Wasp, which looks like a MUCH needed, light fare palette cleanser after the heavy events of Infinity War.
  • Taking a page from DC’s marketing of The Dark Knight, Fox is dropping X-Men from the title of the series’ next installment, which will now just be called Dark Phoenix. Yeah, I think the great Dwayne Johnson put it best when he said, “IT DOESN’T MATTER WHAT YOUR NAME IS!”
  • Speaking of The Rock, he just cast John Cena as the lead in The Janson Directive, which Johnson is producing, based on a Robert Ludlum book. A Robert Ludlum book that sounds a lot like The Bourne Identity
  • Detective/Captain/Mayor Quentin Lance is leaving the Arrowverse, as actor Paul Blackthorne is exiting Arrow at the end of the season. I’ve felt he’s been living on borrowed time since season 2, but I grew to love him. Here’s hoping he gets to walk off into the sunset instead of getting killed off.
  • The Unbreakable Kimmy Schmidt will be ending after its upcoming 4th season, with a planned movie that will wrap up any loose ends. Sad to see it go, but I never made it through season 2, and I guess this gives Tina Fey time to work on that 30 Rock revival she’s been teasing.
  • The Handmaid’s Tale (Hulu), The Good Fight (CBS All Access), and Westworld (HBO) were all renewed for a 3rd season this week.
  • Thought I’ve never encountered anyone who liked the show, Netflix somehow renewed Friends from College for a second season, and Sarah Chalke will be joining the cast.
  • The Simpsons surpassed Gunsmoke to become the longest-running, scripted primetime series on television, with 636 episodes.
  • Because we’re in the midst of a conservative TV family renaissance, with the success of Roseanne, it’s being reported that Fox is close to reviving Tim Allen’s Last Man Standing for a 7th season. I get the Why, but Fox ain’t the right home for that show. They don’t have any other multicam sitcoms to pair with it. It’ll be an anomaly on their schedule, but it ain’t my money, so…
  • Speaking of Fox, they renewed Empire for season 5. I can only imagine that Lucious spends half the season in space, only to return to an Earth where everyone has seemingly forgotten about Dre.
  • The current story arc on Black-ish makes it seem like Dre and Rainbow are headed for splitsville. There are so many things at play here. It’s rare to have a positive, Black nuclear family on television, so they’d spit in the faces of a lot of fans to destroy that. It’s also reportedly based on the real-life relationship of show creator Kenya Barris, and he and his wife (also named Rainbow) worked through their problems. Still, this is a matter dictated by business. Star Tracee Ellis Ross is upset that she doesn’t make as much as costar Anthony Anderson. She’s said she’s willing to reduce her role to part-time in order to take work on another series to make up the difference. Negotiations are ongoing, and there’s no renewal deal yet for next season. Oh, and Barris is trying to get out of his ABC deal. So, yeah, this is gonna come down to the 11th hour, and it doesn’t look good.

  • We got this cast pic from the upcoming Murphy Brown revival. I love how Faith Ford’s face basically says “God, I wish my husband hadn’t racked up all that gambling debt…” Anyway, before conservatives get all upset, they didn’t recast Murphy’s kid with that Indian dude. No, he’s the social media manager for FYI, which is only slightly less offensive…

  • 16 year old Isabela Moner has been cast as the lead in the live action Dora the Explorer film. Look, I know I grew up in a time when high schoolers were played by 30 year old actors, but I draw the line at a 16 year old Dora. The Sketchy Dad contingent, however, is gonna eat this up!

So, I bet you thought we were done with Infinity War. Well, you were wrong, sucka! Up top we discussed opinions, but now we’re gonna talk about facts.

  • It’s the culmination of 18 films, released over the past 10 years
  • The film is expected to pass $1 BILLION worldwide this weekend – just ONE WEEK after its release, and it doesn’t even in China until May 11th

  • The film beat Star Wars: The Force Awakens to have the biggest opening of weekend of all time, with $250 million. Game recognizes game. And they have the same corporate parent, but whatever.
  • It was the payoff of a decade’s worth of film-making, and it provided an experience that a lot of comic fans never dreamed they ever see on film.
  • It’s the endgame of Book 1 of the Marvel Cinematic Universe. When the dust settles, we’ll have the entire story of Steve Rogers as Captain America, Tony Stark as Iron Man, and possibly more. And what a ride it has been!

All of this is just a long winded way of saying that Avengers: Infinity War, hands down, without a doubt, had the West Week Ever.

30th Mar2018

West Week Ever: Pop Culture In Review – 3/30/18

by Will

It might be a controversial one this week, so let’s get to it, shall we?

 

Last night I saw my second movie of 2018 (it’s been a busy year so far…), and that honor was bestowed upon Ready Player One. Yeah, I already know some of y’all have already decided to hate it, so you can just jump down to where I talk about the molesters and the wang danglers. For those who are actually willing to give the movie a chance, however, strap on in.

Remember this commercial?

Yeah? Well, Ready Player One is that, but two hours long. Is that a good thing or a bad thing? Well, your mileage may vary. As my friend pointed out, it’s really just the Willy Wonka story laden with pop culture references. Poor kid finds himself in a magical world, with the chance to take over said world if he survives various challenges. We’ve heard this before, right? Still, don’t count it out yet. The injection of those pop culture references is pretty amazing. I mean, it’s pretty astonishing to me that a group of Hollywood lawyers paved the way for HALO, Overwatch, Batman, TMNT, The Shining, Back to the Future, and more to be featured in the same movie, yet we still don’t have peace in the Middle East! The soundtrack is great, as you would expect from anything that was a legitimate 80s nostalgia wank.

If I had any problems with the film, it’s that it didn’t take enough chances. For example, when the movie starts out, everything set in the fantastical world of The OASIS just looks like cut scenes from a video game. And while we live in a time where those cut scenes can be pretty amazing, at the end of the day, they’re still just cut scenes and I expect more from a Hollywood blockbuster than that. I mean, the OASIS is an engaging world, and it’s certainly the kind of game I’d be interested in playing. That said, there’s a generational gap going on in gaming. When I was growing up, it SUCKED having to sit there and watch your friend play, waiting for it to be your turn. Nowadays, hot chicks are paying their rent by having fans watch them play video games online. I just don’t get it, but if you get it, then you’ll like the cut scene stuff.

Another way it fell short was in some of the characters. Tye Sheridan’s Wade Watts has got the most punchable face I’ve seen this side of Miles Teller, but they kinda take you out of that mindset by primarily showing him as his avatar, Parzival, who’s basically “What if Bob from ReBoot was a scaly Albino?” There are some twists with a few characters, which I won’t spoil here, but one thing that really got me was the character of Art3mis. In the OASIS, she’s a hot, scaly pinkish character who gives this whole speech to Parzival about how he’s not in love with the real her, but rather what she has projected herself to be. She insists that he wouldn’t like the “real” her. Nice opening for some daring casting, right? Maybe she’s in a wheelchair. Maybe she’s mangled or something. We meet her in the real world and nope! She’s a cute White girl. Sure, she has a birthmark on one side of her face about which she acts is the end of the world, but it’s nothing you’d kick her out of bed over. Lame! I also didn’t really like the characterization of OASIS creator James Halliday until the very end. Nothing about him really made sense until they got to the final act.

There were things I absolutely loved, however. For example, there’s a female badass of unknown racial origin named “F’Nale”, who fittingly shows her mettle in the final act. I also LOVED Director Krennic as a technological Vince McMahon. I know Bradley Cooper might be in that Pandemonium film about McMahon, but Ben Mendelsohn does SUCH an amazing job channeling Attitude Era Mr. McMahon. I kept waiting for him to scream “WADE SCREWED WADE!” And I know he’s caught a lot of heat lately for his possible sexual misconduct, but TJ Miller is pretty much the only person I could’ve imagined cast as the mercenary i-R0k.

In all, I really enjoyed this movie. I know a lot of you have read the book, and hate how it does the Family Guy thing of “Hey, Bill & Ted was a thing that happened” when appealing to nostalgia. It’s all surface pop culture. Sure, having some knowledge of the world of gaming might help out in some places, but mainly it’s nostalgia boner eye candy. Why does the Back to the Future DeLorean have K.I.T.T.’s scanner? Don’t worry about it! Just go with it! That’s pretty much how the movie treats the audience. If you find that offensive, then this might not be the film for you. They don’t really wax philosophically on Star Wars, but the mere mention of the Millennium Falcon is supposed to be enough for the audience to be like, “Hey, I get that reference!” To some, that’s enough. They feel like they’re “in the goddamn club”. To others, that approach lacks depth. I can appreciate both stances, but I hope you’ll at least give the film a shot, as it is a marvel for the eyes, and I think a lot of it will get lost outside of the big screen presentation.

HarassmentWatch(TM)

Dan Schneider – This is a BIG one. A lot of you might know him best as “the fat guy from Head of the Class“, but to anyone under the age of 25 he kind of defined their Nickelodeon experience. You see, he and his Schneider’s Bakery production company launched the careers of Miranda Cosgrove, Victoria Justice, Amanda Bynes, and Ariana Grande. Not only did he co-create All That and Kenan & Kel, but he went on to create The Amanda Show, iCarly, Drake & Josh, Victorious, and Sam & Cat, to name a few. Well, this week Nickelodeon ended a relationship that has lasted over two decades, parting ways with the Schneider’s Bakery production company.

Apparently it all kicked off earlier in the week, when Nick executives told Schneider that they’d be cancelling his most recent show, Game Shakers, after its third season. Known for a very bad temper, Schneider protested because the season ends on a cliffhanger, and fans wouldn’t get closure. Also, since his other show, Harvey Danger, is on hiatus, Nick wanted a new, non Schneider’s Bakery show, Cousins for Life, to move into the production space that Schneider had previously used exclusively. He didn’t feel he should have to share, based on his history with the network, and it all culminated in the end of the relationship.

That’s not the whole story, though. Apparently, Schneider had been living under a “cloud of suspicion” for some time, as his relationship with his young actors and actresses seemed inappropriate to some. For example, he has tweeted pictures of his young actresses’ toes. Plus, working conditions on set are considered long and grueling for the young actors, while his shows regularly ran over budget. At the moment, this seems more like a harassment thing than a sexual harassment thing, but I wouldn’t be surprised if more came out as the story develops.

John Kricfalusi – The Ren & Stimpy creator was the subject of a Buzzfeed News article this week, as two women accused him of sexual misconduct, while they were underage, with the promise of career advancement attached. One of the women even became his live-in girlfriend when she was 16 and he was 37. One of the women also accused Kricfalusi of possessing child pornography. It seems like his proclivities were known in animation circles, but nobody ever did anything about it, I suppose for fear of retribution or negative impacts on their careers. It’s a whole long saga, dating back 25 years, and it’s not clear if anything will be done to Kricfalusi, who’s now 62.

Ryan Seacrest Update – Seacrest’s former stylist, and accuser, Suzie Hardy has now filed a police report against Seacrest. While his employers seem to be taking Seacrest’s side on this one, it was an uncomfortable situation at the Oscars when many of Hollywood’s elite went out of their way to avoid him on the red carpet. It’s unclear what’s going to happen here, but I can’t help but feel that Carson Daly has been going to sleep, smiling from ear to ear lately.

Allison Mack Update – You all thought I was crazy when I wrote about it back in November, but now it’s pretty much confirmed that the Smallville actress was, in fact, second in command of a sex cult! But it gets better: apparently her Smallville costar, Kristin Kreuk is the one who originally recruited Mack, and they used their celebrity status to recruit women to the cult. Led by self-help guru Keith Raniere, the upstate New York-based group, called NXIVM (pronounced Nexium), was believed to be involved in sex trafficking, and reportedly branded women in their pubic area. Raniere was arrested in Mexico this week, and extradited to the US on the sex trafficking charges. Mack is expected to be arrested next, as a co-conspirator. Somebody SAAAAAAAAAAAAVE her!

So, almost as stealthily as it was announced, Donald Glover’s Deadpool animated series for FXX has been cancelled. If we’re being honest, he really only got the gig because Atlanta was such a huge hit and they wanted to stay in the Donald Glover Business. It’s kinda like how Fox jumped on Oscar Isaac for Apocalypse just because everyone in Hollywood was lining up to fellate him during that particular window. Anyway, it seems like it came down to “creative differences” between Glover and Marvel, but he doesn’t seem to be taking it well. He took to Twitter, posting 15-pages of a faux script about the show’s cancellation. In true Deadpool, 4th wall breaking action, the tweets allude to the cancellation of Deadpool’s show within the show itself:

Reportedly, Marvel didn’t like the direction Glover and his team were taking the show, while FX stood by them – ’cause they don’t wanna lose Atlanta (even though Glover will probably have a nervous breakdown and walk away from the show halfway through its 3rd season…)! I’m not quite sure what Marvel expected, but Glover always seemed like an odd choice. It’s unclear if the project will be revived elsewhere, with a new team, or if Deadpool solely has a box office presence for the moment.

After 3 years without a book to call their own, it was announced yesterday that the Fantastic Four would be returning in August, in a series by Dan Slott and Sara Pichelli. And folks pretended to be excited. I maintain that nobody really likes the Fantastic Four. They either see a lot of potential in the franchise, or they just like stuff they can’t have, but there really aren’t as many Fantastic Four “fans” as you’d be led to believe. The book wasn’t cancelled out of some movie rights spite. It was cancelled because it didn’t sell. Any business worth its salt wouldn’t cancel something that’s virtually a license to print money, simply because they didn’t have the movie rights. Marvel also doesn’t have the film rights to the X-Men, but they didn’t cancel them. They ran them through the ringer, and did some dumb shit with them, but they still printed the books. Marvel did the smart thing with the FF: they extracted the characters that folks actually find interesting, like Johnny, Ben, and Doom, and kept them in the spotlight in new settings. Reed Richards and his neglected wife are simply not interesting. Or at least, that’s been the case. Maybe Slott has something great planned for them. I know folks loved his Thing run, so he’s familiar with at least some of the franchise. Still, it’s Slott, so he’s polarizing. The folks who claimed they’d do anything for a return of the FF are now having to eat their words since Slott was announced at the helm. I’ll give it a shot, and I doubt Marvel will take them off the board for this long again, but I won’t be surprised if the book ends up being frequently relaunched like recent Fantastic Four runs.

In other Marvel news, Agent Phil Coulson is returning to the MCU! Don’t get too excited, though, ’cause it won’t feature the Avengers finding out he’s alive. No, he’ll be appearing in the Captain Marvel film, which is a 90s-set prequel to his MCU/Agents of S.H.I.E.L.D. adventures. Also appearing in the film will be Lee Pace reprising his role as Ronan the Accuser and Djimon Hounsou reprising his role as Korath – both from Guardians of the Galaxy. There’s also a petition to include Ming-Na Wen’s Melinda May in the film, mainly because those “Philinda” shippers are insufferable. Either way, it’ll be good to have Phil back in the movies, especially if Agents of S.H.I.E.L.D. ends up killing him off this season.

Things You Might Have Missed This Week

  • There’s a Jack Black movie coming, called The House With A Clock In The Walls. Yeah. that’s actually its title. They couldn’t call it Clock House or something? Casa de Clock? Anyway, I’m not posting the trailer simply because of how stupid that title is.

  • We got a new look at Incredibles 2, which I’m really starting to warm up to.
  • Freeform has cancelled Beyond, after 2 seasons. This is the first I’ve ever heard of it, so…
  • SEAL Team and S.W.A.T. have both been renewed for season 2 at CBS, so your cranky grandpa will be pleased. Ya know, until he remembers there was a Negro President for 8 years. Then watch out!
  • Speaking of renewals, One Day At A Time and the Queer Eye reboot have been renewed on Netflix.
  • Locke & Key is dead…again. The second pilot, this time filmed for Hulu, was passed on due to a regime change amongt its executives. The IDW comic adaptation was originally developed by Fox, who previously passed on the project.
  • 80s heartthrob Corey Feldman claims he was stabbed at a red light, as retribution for speaking out about a secret Hollywood pedophilia ring. The LAPD, however, said Feldman had no lacerations or wounds, and that he drove himself to the hospital. He’s been a bit loony lately, but this is gonna be one of those things where, 30 years from now, we’ll learn it was all true, and it’ll be too late…
  • Screenwriter Zak Penn is developing ROM: Spaceknight for Paramount/Hasbro. Sure he is. That Hasbro film slate, outside of Transformers, is doomed.
  • Apparently SuperMansion season 3 will debut soon on Crackle. Really? Still? I figured once it had graduated to Adult Swim it had left Crackle behind. Man, Sony (Crackle’s parent) must have quite a bit of dirt on Senreich and Wells to keep the show in its streaming ghetto.
  • Overnight comedy sensation Tiffany Haddish is voicing secret character in The LEGO Movie 2
  • Pop group Fifth Harmony announced they were going on hiatus, which is fancy pop music talk for “We’re racing to see who can get their solo album out first.” If you’ll remember, they were already down to four harmonies, as member Camila Cabello quit the group back in 2016 and launched a successful solo career of her own.
  • Already announced to voice the character in an upcoming TV series, Gina Rodriguez has been cast as Carmen Sandiego in a live action film for Netflix.
  • Music mogul Scooter Braun, and David Maisel, founding Chairman of Marvel Studios, have created Mythos Studios which has acquired a 50% stake in Aspen Comics as well as the entertainment rights for the comic book company’s IP. So, get ready for that Fathom movie that nobody asked for…
  • There’s a Russian remake of CBS’s The Good Wife heading to television over there. I can only assume their title is Wife Is Good? Actually, it’s Khoroshaya Zhena, which actually translates to “Good Wife”. How often does THAT happen, huh?
  • Gearing up for their possible purchase by Disney, Fox is rearranging the deck chairs on the X-Titanic, as X-Men: Dark Phoenix has been delayed from November 2nd, 2018 to February 14th, 2019. Happy Valentine’s Day! Here’s a bald guy and some weird kids he took in like strays! Also, tone deaf, “horror-driven” The New Mutants moves from February 22nd, 2019 to August 2nd, 2019.
  • Adult film star Stormy Daniels went on 60 Minutes to detail the sexual encounter she had with the current President back in 2006. This came on the heels of 1998 Playboy Playmate of the Year Karen McDougal’s claims of an affair with the man during the same period of time. And yet, he’s still President. Go figure! Remember when Obama caused a stir by wearing a tan suit? Or how Howard Dean lost his shot at the big chair because of a primal growl? Good times!
  • The upcoming 6th entry in the Sharknado franchise will be the end…for now (you know they’ll reboot it with James Van Der Beek or some shit in 5 years). Apparently, the world ended in Sharknado 5: Global Swarming (which I missed, so now I HAVE to go back and watch it!), so this installment will feature Steve Sanders going back in time to stop the events from the last movie from occurring.

I have this thing where I have to give credit where it’s due, even when I might not want to. That brings me to this week’s Roseanne revival. It was highly publicized, and turned out to be a ratings success. I’m sure that TV execs will take away the wrong message from this, as that’s pretty much what they do. In any case, I find myself struggling to really be happy about its success.

I’m not boycotting the show by any means, and only missed Tuesday’s back-to-back airing due to a scheduling conflict. I will say I found the whole Trump thing off-putting, and still don’t believe it lines up with Roseanne Conner as a character. I know people change, but this is the same woman who was championing Hillary the last time we saw her. Then again, that season “never happened”, so maybe it was just more make believe. No, I’m not very interested in the show because I’m not a fan of what some folks have taken to calling “zombie shows”. They’re shows that just don’t know when to die. And it’d be one thing if they originally had an open-ended finale, or on a cliffhanger that deserved resolution. In the case of Roseanne AND Will & Grace, however, they had to retcon both series finales in order to make these new seasons possible. Both shows ended with some pretty drastic changes/time jumps, and all that was thrown out in The Quest For More Money.

I’m fine with sequel shows, like Girl Meets World or Fuller House because they’re kind of doing a new spin on an old favorite, but Roseanne and the Will & Grace are just trying to hope we’re too dumb to realize they’re just doing more of the same, as if there’s really been no passage in time.  Anyway, I plan to check out the Roseanne premiere just so I can know what I’m talking about, but I really don’t want to support it, per se. At the end of the day, Roseanne is something of a vile human being these days, and I can’t separate the art from the artist – especially when the artist is incorporating some of that into the art. I also don’t think it’s fair to brand this as some bold, conservative move to display an alternate viewpoint, when it was aired by the same network that just recently refused to show an episode of Black-ish that dealt with the NFL player kneeling scandal. Again, I don’t want execs to learn the wrong lessons from this, even though I know that’s what will happen.

So, Tuesday night’s Roseanne was the highest rated sitcom airing in 3 and a half years, so a renewal is more than likely. It broke a bunch more records, but the most interesting part is that a show that’s been off the air for 20 years can come back and still appear to be relevant to some folks. The president even took time away from golfing and ignoring the Parkland kids/Stormy Daniels saga to call Roseanne to congratulate her on the success of the revival. So, clearly she’s doing something right, right? Right? Anyway, the Roseanne revival had the West Week Ever.

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