22nd May2020

West Week Ever: Pop Culture In Review – 5/22/20

by Will

 

I considered renaming this thing “Joy Sparkers”, but I was scared Marie Kondo’s people would come after me. You see, there’s just so much negativity in the world right now, and I thought I’d just focus on the things I’d been enjoying lately. The problem is that “positive” doesn’t exactly come naturally to me. So I kinda abandoned that idea, but I’m still gonna give it a try.

If you’re a regular to the site, then you know that this is usually the week of my annual TV upfronts post, where I take a look at the shows slated for the networks’ fall schedules, and give my opinion on whether or not they had a fighting chance. Unfortunately, due to the events in the world, the networks cancelled their upfronts. They were going to do them online, but nothing major really materialized outside of a few press releases and announcements. I’m kinda glad, as I really didn’t have it in me right now. As you know, there’s usually Bloody Friday the week before the upfronts, when the networks cancel a slew of shows to make room on the schedules they’re about to announce. Well, since all productions have ceased, they didn’t really swing the ax too much this year. As I write this, here’s where we stand with cancellations:

Fox:

Outmatched

Almost Family

Deputy

ABC:

Single Parents

Bless This Mess

Emergence

Schooled

Kids Say The Darndest Things

CBS:

Broke

Man with a Plan

God Friended Me

Carol’s Second Act

Tommy

As for upcoming shows, there’s pretty much nothing I’m excited about, mainly because a lot of networks, like The CW, aren’t starting their seasons until 2021. So, I guess I’ve got time to catch up on all the great Netflix shows I’ve been missing!

One of my favorite movies of all time is Steve Martin’s The Jerk. I remember my mom and I had watched it on TV when I was little, and both thought it was hilarious. So, she decided to rent it so that her 80 year old mother could watch it – not knowing about all of the jokes in the original, unedited film. Jokes like “I think next week I’ll be able to send some more money as I may have extra work. My friend Patty promised me a blow job.” Ah, good times! Anyway, if you’ve never seen it, The Jerk stars Steve Martin as naive idiot Navin Johnson – a White man raised by a poor Black family who has to eventually leave the nest and go out into the world. With all the things that end up happening to him, you could almost say it’s a wackier Forrest Gump. Well, I was yesterday years old when I learned that there was actually a “sequel”, called The Jerk, Too, which was released in 1984 as a made for TV movie. I put sequel in quotes because it’s more of a reimagining of the original film instead of a story that takes place afterward. So, I fired up the YouTube and got to watching.

In this movie, Navin was played by Mark Blankfield, a cast member on Fridays, which was ABC’s short-lived take on Saturday Night Live. Whereas the original film had Carl Reiner and Steve Martin involved, this one clearly did not. While serving as producer, Martin was nowhere near this thing and, after watching it, I can understand why. There’s no real heart to it. Martin’s Navin really came off as a sweet guy who did dumb things, while Blankfield’s Navin comes off as a dumb guy who does sweet things. In the original movie, Navin had occasional flashes of brilliance, as shown by many of his inventions. This version, however, just dumbs it down to “He’s really good at cards”. In the original film, Navin leaves home because it’s time for him to become his own man, while in this movie, he’s just going to Los Angeles to attend his pen pal’s wedding. Oh, and can I mention that Pearl from 227 was in this thing, and looked just as old as she always did? The same way Tom Cruise is a vampire who was bitten at 35, Helen Martin was a vampire who was bitten in 1972, at the age of 76. She would be 76 until her death in 2000.

Anyway, Navin’s good at cards, he links up with some hobos who take advantage of him, and then there’s a love story. It’s almost like a pilot, in that it sets things up for the next chapter in Navin’s life, and I kinda would like to see where it goes. I just think it’s sacrilege for them to tie the legacy of The Jerk to whatever it was they were doing here. On its own, though, it’s a predictable, yet serviceable, 80s TV romantic comedy.

 

On the TV front, I discovered a new show that I immediately fell in love with, and have been bingeing all week. First off, though, did y’all know that SYFY has their own Adult Swim clone on the weekends, called TZGZ (it’s just SYFY adjusted by one letter)? At the moment, this programming block includes the Harley Quinn animated series from the DC Universe streaming service. It also includes a little one-season animated Canadian show, called Gary and His Demons. Now, I don’t know how this thing only got one season, but it is excellent.

Gary and His Demons focuses on a demon hunter who is the Chosen One, and he dropped out of high school to do a 15-year stint with the Demon Ministry. Since they haven’t been about to find his replacement, he’s now a 45 year old man, in his 2nd stint, and he’s been talked into doing one more. He hates his life, as his one true love was killed 20 years ago by a demon, and he’s just tired of the life. On paper, it wouldn’t be my type of show, but I ended up watching an episode after Harley, and I was hooked. Since the show is over, Comcast has them all On Demand, and I’ll finish it up after I put the finishing touches on this post. It’s got QUITE the Rick and Morty meets South Park vibe, without being up its own ass as much as R&M has been lately. Seriously, that show has gotten TOO meta for me the past few weeks. Anyway, I’m hoping it sticks the landing, as I’ve loved everything I’ve seen so far. Plus, like a true Adult Swim clone, the episodes are only about 11 minutes long, so it’s a quick watch.

Trailer Park

The Old Guard

This is apparently “based on the acclaimed graphic novel”, but I’ve never read it. Heard of it, but never read  it. Looks pretty good, although it feels like Charlize is carrying this thing on her shoulders. Still, it’s on Netflix, which means I already pay for it and won’t have to go anywhere. Sold!


The Last Days of American Crime

If you can believe it, I’ve been waiting over ten years for this movie. You see, when I was working at Diamond, a new publisher came on the scene, called Radical Studios. Radical was basically an IP farm that used comics as testing ground for movie ideas. Their comics were pretty much illustrated screenplays. That was done quite a bit at the time (Remember Cowboys vs. Aliens?). Anyway, one of the miniseries they published was The Last Days of American Crime, which I really enjoyed.

If you couldn’t tell from the trailer, it’s about the near future, when the government emits a signal that prevents anyone from committing crime. So, this guy decides to go on one last heist before the signal goes out. Funny thing is I don’t really remember many of the details right now, other than the fact I thought it was good. So, watching this trailer, I can’t tell you if it’s faithful to the book or not. Apparently Sharlto Copley is in this thing somewhere, but I didn’t see him. Other than that, I don’t know anyone else in this film. Also, considering Radical was also behind the Dwayne Johnson Hercules, well, I’m not exactly holding my breath for quality. But, like with The Old Guard, I can watch it at home in my underwear, so that’s good enough for me.


Eurovision Song Contest: The Story of Fire Saga

This is less of a trailer, and more of a truncated music video. Still, it combines my love of the Eurovision Song Contest and Will Ferrell, so it’s a no-brainer. In case you’ve not familiar, the Eurovision Song Contest is like the Olympics of music on the European stage. Started in 1951, it’s an annual event (except for this year, of course), but the US can’t compete in it ’cause we just had to break away from England.

Things You Might Have Missed This Week

  • This week saw the 20th anniversary of the release of the second album from Britney Spears, Oops!…I Did It Again
  • CBS All Access announced they were developing Star Trek: Strange New Worlds, a spinoff of Discovery, focusing on the original crew of the Enterprise.
  • It was revealed that the next season of Power Rangers would adapt Kishiryu Sentai Ryusoulger, and would be known as Power Rangers Dino Fury. Personally, I feel like it’s too soon for a return to dinosaurs, but whatever. I’ll still watch it.
  • Many viewers thought they were witnessing Ryan Seacrest having a stroke on Sunday night’s American Idol. Apparently, he started slurring his words and his left eye was trying to close. His people claim it was just “exhaustion”, but he didn’t show up to work at Live with Kelly and Ryan the next morning.
  • FX has renewed two of my favorite new shows for a second season: Dave and Breeders
  • In a surprising move, The CW’s Batwoman and star Ruby Rose have parted ways after just one season. While it was initially posed as Rose’s decision, word on the street was that it was a “mutual parting of ways”, as she was unhappy on the show, which resulted in a difficult set.

So I made a vow to myself that I wasn’t going to discuss this on social media and, for the most part, I’ve kept that vow. Remember, I’m trying to be more positive, and I didn’t really have good thoughts about it. Still, it’s a pretty big deal this week, so I guess we’ve got to dive into it.

Justice League was released three years ago, in the fall of 2017, to great expectations. As it was inevitably going to be compared to what the MCU had done up to that point, it had a lot going against it. Directed by Zack Snyder, who’d already helmed Man of Steel, as well as Batman v Superman: Dawn of Justice, the movie was actually completed by Joss Whedon after the sudden death of Snyder’s daughter. The result was a passable, yet mediocre, movie that should have been so much more.

After its release, Snyder fans swore that there existed a “Snyder Cut” of the film that was a masterpiece, and that Warner Bros was conspiring to ensure that it never saw the light of day. Snyder, himself, fueled the fire by saying that he filmed 4 hours worth of movie, so there’s bound to be a lot missing that could have strengthened the film – as well as some stuff that could have definitely been cut, like that Russian family. Seriously, what was that all about? Anyway, a #ReleaseTheSnyderCut movement started to grow. And this wasn’t exactly peaceful demonstration. The Snyder Cut fans were some of the most obnoxious, overbearing fanatics on social media. You mention a comic movie, and they’d jump into your mentions to tell you Guardians of the Galaxy was garbage, but somehow Batman v Superman was this jewel of a film. And before you say “Not ALL of us”, let it be known that *enough* of you fit that description. I mean, the DCEU fan is already in a special, yet unfortunate, situation because they feel like they’re constantly the underdog to what Marvel accomplished with the MCU. “Why can’t people see what Snyder was trying to say instead of fawning over these films made for children?!” I feel bad that they feel that way. Why can’t the two just coexist? No, this Marvel vs DC rivalry has been going on before there were even movies of the characters, so I guess I shouldn’t be surprised. I just sort of hoped the discourse would be a bit more civil.

Anyway, one of the worst kept secrets in Hollywood was that Snyder was hosting a watch party for Man of Steel, where he was going to reveal that his version of Justice League would finally be released. And, sure enough, it was announced – but there’s a twist. You see, there IS no Snyder Cut. At least, not yet. Doesn’t exist. But it will. Warner Bros, needing new content for HBO Max (seriously, they shelled out all that money for Friends, but didn’t invest in new shows?!), is going to pump $20 million into developing Zack Snyder’s Justice League, which doesn’t even have a true format yet. Will it be a 4-hour movie? Will they break it into “chapters”, as they’ve been batting around? Who knows? Won’t know til 2021, and I don’t know about you, but I kinda don’t look forward to anything more than a week out these days.

Here’s where I’m conflicted. You see, on the one hand, this feels like another case of toxic fandom getting its way. I was never really on board with the changes demanded on the Sonic the Hedgehog movie, because I felt it set a dangerous precedent. Like it or not, all of this stuff is “Art”. Now, while art can be interpreted by the public, it really shouldn’t be influenced or directed by the public. That’s when art becomes fanfic. We live in this culture where everyone has to have it their way, when life isn’t Burger King. I feel like we don’t teach that enough, but it’s probably because we also live in a time when you pretty much can get what you want, when you want it. Hell, Amazon will get it to you in 48 hours. Fo’ free! So there’s this unrealistic notion of ownership and privilege that just shouldn’t exist. If you like something, become a patron of it. If not, keep it moving, but don’t try to change it to fit your whims. Justice League came out, it was what it was, and WB spent the next couple of years cutting ties with it. A better version of the film doesn’t exist. It’s not like it was in the water tower, being guarded by Yakko, Wakko, and Dot. Plus, I know some people who LIKED the film for what it was. You don’t get do-overs in Hollywood, until they decide to remake your movie in 20 years. What other studio is gonna say, “Hold up, if you let us pump another $15 million into it, we can get you a better version of ________”? Instead of rebooting the Fantastic Four, what if Disney just did that on the Josh Trank movie? It was 2/3 of a decent film, so it’d work. But no, it doesn’t work like that.

In the middle, I kinda don’t care because I don’t know if it’ll be drastically different enough to matter. It would be nice if they explained a few things, and maybe actually showed Darkseid instead of leaving Steppenwolf as the Big Bad. It was a movie made by committee, so it might benefit from a singular voice, especially if WB is hands off in the process.

On the other side of it, this is something of a redemption story, and everybody loves those. They say you can’t change anyone’s mind on social media, but I’m here to say someone changed mine. Someone pointed this out to me: Snyder had to step down at probably the worst time in his life. He had a vision for this entire DCEU, and it all ended at that moment. So, from an artistic vision standpoint, this is something of a triumph. Like I was saying above, THIS DOESN’T HAPPEN. Studios don’t care about “art”, and they take their losses and move on to the next thing. So while I am afraid of the precedent this sets, I’m glad to see that Snyder will actually get to see his vision come to fruition. And who knows? Maybe they can actually salvage the DCEU through all this. I mean, Wonder Woman ’84 and SHAZAM 2 still take place in that universe. Who am I kidding, though? We’ll probably all be dead by then. See? I told you I don’t do “positive”.

In any case, for making dreams come true, Zack Snyder’s Justice League had the West Week Ever.

24th Apr2020

West Week Ever: Pop Culture In Review – 4/24/20

by Will

Not a whole lot to talk about in the world of pop culture these days, is there? I mean, besides moved movie premiere dates, and truncated TV seasons, the uncertainty around everything makes it hard to really plan for the future. Sadly, it feels like we’re in an era of endings more than beginnings right now. For a lot of the things that bring us enjoyment, we’ve either found ourselves saying “See you later, some day” or even “Goodbye forever”. Some of it is related to everything going on, while some of it was just coincidentally timed. Regardless of the reason, though, it’s a difficult time to lose something that brought you enjoyment. No, I’m not talking about the Will & Grace 2.0 finale (You only get ONE series finale, guys!). I’m here to talk about the finale of the Nerd Lunch podcast.

If you’ve been coming to the site for a while, you’re already quite familiar with the show. Hosted by Carlin Trammel, Paxton Holley, and “Jeeg”, Nerd Lunch was a weekly exploration of the world of geek pop culture. Whether it was an episode where the gang came up with restaurant menu items based on popular films, or a thorough analysis of the most recent Star Wars offering, you always knew they’d cover it with enthusiasm and respect. When recommending it to friends, I often referred to it as “kind of like a geeky NPR”, as it was always so engaging and informative. I know some folks have an aversion to things like NPR,  but I like how civil it is, with folks being given an equal chance to speak, without being talked over. That’s just the kind of experience you got when listening to, and guesting on, Nerd Lunch.

Speaking of guesting, Nerd Lunch is the show that’s had me on the most times as a guest. As you can see, I love rambling about pop culture, so it was nice to have the chance to have real discussions, instead of just the one-sided thing that I do here. Starting all the way back in 2012 on episode #52, where we discussed DC Comics’ strategic plan for their films, I was a guest on Nerd Lunch proper, or one of it’s various spinoffs, over 10 times. As podcasts came and went, they persevered for NINE years, and eventually became my go-to spot for guesting. We discussed TV series finales, created a Nerd Lunch University, and created toy lines. On their spinoff shows, I taught them about the myriad world of Power Rangers in their Down The Rabbit Hole show, and I was introduced to the world of the Rambo films in their 4th Chair Army Invasion show.

My favorite memory of guesting was probably that Power Rangers episode Rabbit Hole, as I was both impressed and ashamed of all of the knowledge that I imparted to a panel that probably didn’t care, yet was still respectful LOL. If you never listened to a Rabbit Hole episode, it went like this: you’d fire up Wikipedia (or a specialized genre wiki), and you’d link hop after a short amount of time, with the goal of trying to get from one point to a specific final point. It was almost like a timed Six Degrees of Kevin Bacon, where it’s more about the journey than the destination. I knew I had a group with me that knew almost nothing about the franchise, and they probably couldn’t have cared less prior to recording, but I dangled just enough items to elicit a few “WTF?” moments, that I think they actually kinda got into it. I was spreading the Gospel of Zordon!

In any case, I know that my Tuesdays won’t be the same after this week, when they dropped their final episode. As with all good things, Nerd Lunch came to an end, which is such a weird feeling for me, as they’ve been a regular part of my life since 2011 – longer than my marriage, older than my kids, and a couple of jobs ago. Through all of that, I knew it was Tuesday because it was Nerd Lunch Day. I’m going to miss them, but probably nowhere near as much as they’re going to miss the show. They put their blood, sweat, tears, and dilithium into that show, week in and week out.  There was a clique of us that were sort of brought together, either through the League of Extraordinary Bloggers, or as members of the 4th Chair Army (what they call the guests of the show), and it sort of feels like that era is coming to an end. Sure, we’ll all stay in contact, but it just won’t be the same. In any case, I’d just like to thank CT, Pax, and Jeeg for having me on so much over the years, as well as for the conversation and the friendship. By extension, I also want to thank Michael May for wrangling the 4th Chair Army into its own show, and thank Corey Chapman for having me on his The Chap Report podcast, which also aired on the Nerd Lunch feed.

I always knew this day had to come, but I had hoped it would be much further down the road than it is. In any case, the Nerd Lunch Podcast has been one of the most enjoyable aspects of my time on social media, and a part of me goes with it (I guess I’m a semi-retired podcast cast now!). Anyway, they did well, and they deserve a break. If you’ve never given them a chance, there are nearly 600 hours of programming just waiting for you! With this week’s final episode, they went out on top with a great series finale (a hard thing to achieve), and that’s why the Nerd Lunch podcast had the West Week Ever.

03rd Apr2020

West Week Ever: Pop Culture In Review – 4/3/20

by Will

I tried. I really did. I wanted to give you entertainment without mention of COVID-19, but at this point we’re in the New Normal, and it’s kinda hard to ignore it. So much for all that quarantine productivity I’d been looking forward to! In the two weeks since I was last at work, I’ve read nothing besides blogs and Twitter, and the only movie I’ve watched is Moana. It was good. That’s honestly all I have to say about that movie.

Meanwhile, everything in pop culture has been either cancelled or postponed. Ghostbusters: Afterlife has been moved to next March, the Black Widow film has been postponed indefinitely, and the fabled San Diego Comic-Con is still hoping it can take place in July (I don’t see it happening). The TV season has been cut short, before many shows filmed their season and, in some cases, series finales. Right now, America Ferrera’s departure from Superstore will no longer happen this season, it’s unclear how the Supernatural series finale will be handled, and Fox is using Empire‘s 18th episode as its premature series finale, as the true finale will not be filmed.

Still, it’s not all gloom and doom, as networks and studios are finding ways to keep going. Several current movies have been prematurely released to be purchased on digital, such as Bloodshot, The Hunt, and The Invisible Man, so that they can find an audience among the captive homebound viewership. Shows that have episodes in the can are splitting up them up so they’ll last longer. Soap operas are airing “flashback” episodes, while other networks are coming up with things on the fly, such as Fox’s iHeart Living Room Concert for America, which gave us this gem:

Yup, the Backstreet Boys performing their hit “I Want It That Way” from 5 different locations. I wish I could’ve posted the whole thing, but it appears Fox has been snatching all the links since the special is going to have an encore broadcast next Monday. By the way, I found out my wife’s favorite Backstreet Boy is Kevin. Friggin’ Kevin?! The one who looks like Jesus got a haircut and Botox? Man, who did I marry?!

Anyway, the stay at home orders in 90% of the country haven’t been great for some industries. While Target and Walmart are considered “essential”, restaurants and smaller businesses are having to subsist on carry out and delivery options to keep the money rolling in. Another industry that’s been heavily affected is the comic book industry. Diamond Comic Distributors, which is North America’s largest comic book distributor, announced two weeks ago that last week’s new shipment of comics would be the last for the foreseeable future. Once the Coronavirus curve has been flattened, they’ll resume distribution, right? Well, that’s what we thought until Monday, when it was reported that the company wouldn’t be able to pay its vendors this week, due to lack of stable cash flow.

A lot of folks have taken this news to either predict the worst for the industry, or start writing Diamond’s obituary. If you’re new here, I was a brand manager at Diamond for about 2 years, so I’m something of a Diamond apologist. I have an understanding of the distribution model that most folks don’t have, instead listening to their local comic shop owner bitch and moan about how Diamond “screwed” them again. Since Diamond has exclusive contracts to distribute comics from the biggest publishers (Marvel, DC, Image) to comic and specialty shops, people have taken to calling Diamond a “monopoly”. The company has beaten this accusation in court due to some tricky interpretation of language, but at the end of the day, Diamond is kind of the only game in town. If you want your book widely distributed throughout the country, then you’re going to have to go through them. So, imagine folks’ fears when the only road to Oz is under construction?

Tuesday night, there were rumblings of “HUGE NEWS” that would be a positive change for the comic industry. Sadly, it was expected to be revealed on Wednesday – April Fools Day – so a lot of people weren’t going to take it too seriously. When the news finally hit, it might as well have been a joke, because it just made me laugh. Let’s see if I can break this down to its key components. Like with BOOK books, you can buy print or digital comics. Comic shops kinda hate digital, though, because it takes away foot traffic from their stores. In a perfect world, a digital book would be something like $1.99 compared to the $3.99 that printed comics cost, as there are fewer costs involved to production. Unfortunately, digital comics cost the same as print because brick & mortar retailers would shit a brick if they felt they were being undercut by the digital side. Nowadays, when you buy a Marvel or DC comic, it usually comes with a digital code – kinda like when you buy a Blu Ray. That way, the retailer gets his money, and you still get the comic in 2 formats. Well, this point of sale product called Comic Hub was the “big news”, where customers would essentially pre-buy their comics, benefiting the retailer, but would be able to read the books digitally instantly and then receive a print copy once distribution resumes. The pro is that it helps the retailer’s current lack of cash flow, while also gets new product into the marketplace. The con is that something like this ain’t really gonna work. Smarter people than me have chimed in about it, but at the end of the day, it’s an ambitious goal. TOO ambitious.

Here’s the thing I always say about Diamond: nobody can do what they do, nor does anybody want to. Like, retailers and consumers would love a replacement, but no company is actually stepping up to the plate. Having been on the inside, I can say that even Diamond doesn’t want to be the lone wolf in this game. For a little history lesson, this all goes back to the late 90s, when Marvel tried to handle their own distribution through a company called Heroes World. It was a colossal failure, leading into the Marvel Bankruptcy Era, and Diamond kinda swooped in to sign the big guys to exclusive contracts to make sure the industry kept going.

It’s kinda like wrestling. There used to be a lot of smaller wrestling promotions, just like there were smaller distributors. Vince McMahon came along and rounded up the smaller promotions under his WWWF umbrella (later the WWF, then WWE), and Steve Geppi did the same with comic distributors. The problem, however, is that Diamond is now so entrenched in the process that I don’t know if you could extract them if you wanted to do so. The hobby is a lot smaller than it was in the go go hologram cover 90s, and it has sort of collapsed around the load bearing wall that is Diamond. At this point, they’d probably welcome the competition – especially to take away some of the small press publishers that barely make them any money (small press publishers are NOT exclusive to Diamond, but their best shot at mainstream exposure is through Diamond’s Previews catalog).

People come along and say stuff like “To Hell with Diamond!”, but they really don’t understand that there’s nobody else vying for the crown right now. As the kids say, “You don’t want that smoke”. There’s no AEW, ROH, or even TNA to Geppi’s WWE. And it’s not like Geppi is really that hands-on with the company anyway, as it’s currently being run by some former Pepsi executive.

Comics are a weird business, as it’s the only one I can think of where the consumer is trained to hate the distributor. You don’t know who distributes the eggs to your local Wegman’s. You probably didn’t realize that Lash Tamaron distributed your toys to Toys “R” Us back in the day. But with comics, the first time you stepped in a comic shop, you most likely heard an employee bitching about Diamond to anyone who’d listen. And I’m not saying that Diamond is perfect, because it has a LOT of problems. But most of the problems that the consumer knows about are actually *retailer* problems or *publisher* problems, but not distributor problems. The same retailers bitching about how it’s insane for a distributor to have pretty much exhausted its cash flow after a 10-day shutdown are the same ones who should be wondering how they exhausted their own cash flow in the same amount of time. There are VERY thin margins in comics, from the distributor on down. I know we’re talking about some people’s livelihoods here, but it really is going to be a case of “Survival of the fittest”. The cutting edge shops are innovating, through things like Third Eye Comics’ Battle Bonds program, where you can buy a gift card that accrues valuable perks over time, while also giving you access to future VIP events. It’s going to take “outside the box” thinking to weather this storm, but Comic Hub ain’t it, champ.

When last we met, I mentioned a secret project I’d been involved with, and it’s been released to the public: I was a guest on episode 7 of Wizards: The Podcast Guide to Comics! Adam and Michael are basically doing a deep dive of each issue of Wizard: The Guide to Comics from the very beginning. Wizard was a huge part of my teenage years, and was the bible of my comic collecting heyday. It was a blast taking a trip back to 1992, which was such an exciting time for comics. The Image guys were about to strike out on their own, and there was a new X-Men comic on the scene. Anyway, those guys are doing a great job reigniting my love of the hobby, so if you, too, were buying comics in the 90s, then you should definitely be listening to this show!

Speaking of podcasts, my good friend Kevin just launched a new wrestling podcast over on The Retro Network (which is also the home of the Wizards podcast). The House Show will take a look back at WWF’s In Your House pay-per-view promotions of the 90s. Originally launched as a way for the WWF to have premium pay-per-view events in between the tentpoles, like Wrestlemania and SummerSlam, In Your House was a staple of late 90s WWF programming. Funny story: I remember seeing ads for the promotion, and I thought they were actually going to be wrestling in people’s homes. So many questions ran through my head: How would they find homes big enough? How would they fit a ring in a house? Would there be an audience? Sadly, my interpretation wasn’t correct. It’s a shame, as I would have loved to see Tatanka wrestle I.R.S. in a McMansion. Anyway, be sure to check out the debut episode of this great podcast!

What a difference a week makes. Had I written a post last week, then Star Trek: Picard totally would have had the West Week Ever. I swore I wouldn’t buy into CBS All Access’s cash grab (and I feel even more foolish now that they’ve made the series free to view for the next few weeks), but I signed up for the service the week Picard debuted. And then I proceeded to not watch it. And I continued to not watch it. All the while CBS was gladly taking $5.99 out of my account every month. Well, with the season finale planned for last Thursday, and a premature announcement of a season 2, I decided there’s no time like the quarantined present to finally see what was what with ol’ Jean-Luc.

Like with most things in today’s fast-paced world, I heard a lot about the premiere, and then didn’t hear much else. Sure, I heard rumblings that it was a wildly uneven show, but nobody really seemed to know how they felt about it. They were torn, as they were glad to see Picard again, but they weren’t sure if this felt like Star Trek. I, too, would echo those sentiments. On paper, Picard was everything I’d been wanting since the end of Voyager: a show that focuses on the present-day, post-Dominion War status of Starfleet. We’d had SO many prequels, between Enterprise, Discovery, and the Kelvin Universe, and I just wanted to know what Starfleet looked like NOW. And here it was, and I, too, wasn’t sure how I felt about it.

For one thing, the state of humanity didn’t really match up to what we’d been led to believe in The Next Generation. In that series, humanity was said to have moved past material things and money, and everyone was kind of stiff and, for lack of a better word, sterile. Meanwhile, Picard‘s timeline is dirty, and money is very much a thing. Were it not for the fact that the star is a 94 year old Picard, I’d almost think it was another prequel. The Earth-based stuff doesn’t feel that futuristic, and I almost felt like I was watching Gene Roddenberry’s redheaded stepchild, Earth: Final Conflict.

Also, I know they do this in Discovery (which I have yet to watch), but I still can’t get over swearing in Star Trek. I mean, I guess it makes it more “realistic”, but I’m just so used to how the most shocking thing about The Next Generation was how they got away with so much underboob in that one episode. You know the one. While I’m sure there were moments in “The Best of Both Worlds” where Riker would loved to have said “Fuck you, Locutus!”, you weren’t getting away with that in syndication. In Picard, though? They totally would’ve gone there.

The interesting thing is that the series is almost designed to serve as a resolution to Star Trek: Nemesis, which is a movie I barely remember, and did not enjoy. I had forgotten so much about that movie, especially the destruction of the Romulan homeworld. So, now that race is a bunch of refugees spread out across the galaxy. And Picard, through a series of events, is basically their fallen Moses. It’s an interesting take, and not necessarily how I imagined Picard’s final days in Starfleet would have looked.

I binged it over 3 nights, in preparation for last Thursday’s finale. I definitely feel it’s a show to be binged, as it would have seemed uneven in weekly installments. I don’t really want to discuss plot points, as it gives too much away. There are some great cameos, as well as some interesting callbacks to other Trek shows. At the end of the day, Picard creates a new crew out of a ragtag group of broken people who become something of a family. Meanwhile, it explores just what it means to be “human”. A friend pointed out that it’s a great bookend to the TNG episode “The Measure of a Man”, and that’s an apt description. I’d love to talk more about it once I feel more people have watched it, as I have a lot of questions about that finale. It ends with something that I don’t think Picard would’ve been cool with, but he just sort of brushes it off. As I said earlier, a second season has been formally announced, so hopefully it will tackle some of those questions that I have.

Things You Might Have Missed This Week

  • NBC announced a Dick Wolf-produced Law & Order spinoff, starring Chris Meloni’s Elliot Stabler character from Special Victims Unit
  • HBO is making several of their hit series and documentaries free to view to ease the quarantine blues. Starting today, the content is available for a limited time to anyone who downloads the HBO Now or HBO Go apps
  • During Adult Swim’s April Fools programming, it was revealed that the second half of Rick and Morty‘s 4th season would premiere Sunday, May 3rd at 11:30 PM.
  • One door opens, while another door closes, as Netflix has cancelled the freshman series V Wars, Messiah, and The October Faction.
  • After 7 years and 180 episodes, Steven Universe came to an end last week. The series is currently available to watch in its entirety on the Cartoon Network app.
  • This great Vulture article spoke with the showrunners of some of your favorite shows to see how they would’ve handled an episode about the Coronavirus.

You probably saw this coming from a mile away, but it had to be done. You probably watched the documentary, but you’ve definitely seen the memes. This week, everyone was talking about the “Tiger King”, Joe Exotic.

The subject of the 7-part Netflix documentary Tiger King: Murder, Mayhem, and Madness, Joseph Schreibvogel is a gay redneck zoo operator who goes by the name “Joe Exotic”. Specializing mainly in big cats, he ran the G.W. Zoo in Wynnewood, Oklahoma. This, of course, garnered the attention of animal rights activists, who didn’t feel that Joe’s “zoo” was the right habitat for those kinds of animals. Joe’s biggest critic, however, was a woman named Carole Baskin, who ran the Big Cat Rescue in Florida. Baskin wasn’t without her own shadiness, as her rescue was basically being run by money she inherited from her wealthy second husband – who happens to have disappeared without a trace. So, to antagonize Baskin for coming after his livelihood, Joe started floating the notion that Baskin had killed her husband and fed him to the tigers at her animal rescue. And so began a years-long feud. It involves hired killers, a thruple, a Prince Albert, swingers, runs for political office, and amputation. It has it ALL! I don’t want to say anymore, because you really need to just watch it unfold in front of you, and I promise it doesn’t feel like 7 hours.

For anyone who has watched the documentary, I highly recommend you check out this thread on Twitter from Robert Moor. He had created a podcast about Joe long before the Netflix doc hit the scene, and he adds a bunch of additional context to the major players in the saga, as well as gives updates on a few of them.

It’s been a busy week for Joe Exotic. First, everyone seemed to watch the documentary over the weekend. Then TMZ uncovered footage of Joe being upset that he can’t use the “N-word”. And just last night it was reported that Joe had been placed in COVID-19 isolation, as he had been exposed to the virus via an inmate at another prison. Man, life comes at ya fast! In any case, it goes without saying that Tiger King: Murder, Mayhem, and Madness had the West Week Ever.

06th Mar2020

West Week Ever: Pop Culture In Review – 3/6/20

by Will

Welcome to the first West Week Ever of 2020! Yeah, you read that correctly. I’m gonna level with ya: I had one foot out the door. I was pretty much done, even though I didn’t necessarily want to be. It’s just that the world is a dumpster fire, and there wasn’t much happening in pop culture other than folks arguing about Star Wars headcanon or fighting over which old man director was gonna trash talk the MCU next. I didn’t feel like writing about any of that, and the whole enterprise was starting to feel like a chore.

Plus, I kinda fell off the pop culture wagon for a bit, and I’m not caught up on all the Mandalorians and Picards you kids are raving about. So, I sat on the bench. You still got West Year Ever, and I’ve cranked out a post here or there, but for all intents and purposes, West Week Ever was done. The problem with that, however, is that I don’t know how to quit anything. So, here I am. I’m not gonna make any promises. I could disappear quicker than your dad did that time when he went to get cigarettes (too soon?). I’m gonna try to give you something weekly, but only if I feel like it. Only if it’s fun. So, let’s try to capture some fun again.

The Dixie Chicks are back, with “Gaslighter” – their first new song in over a decade. I like seeing that they’ve still got that “Not Ready To Make Nice” fire in them. I’d call this a strong Feminist anthem, but I don’t know if I’m allowed to do that as a man. That said, the visuals of this video are really strong, driving home the message they’re trying to convey. I love this song, and I love them. I just hope they get some kind of airplay because I don’t think country radio is quite ready to make nice with them yet, even though it’s been almost 20 years.

Trailer Park

SCOOB!

This looks cute, even though I’ve never really been a Scooby fan. I won’t see it in the theater, but it’ll totally end up on Cartoon Network within 16 months of its release and I’ll just watch it then.

Connected

OK, I was already on board when it was just the story of a dad trying to reconnect with his daughter. Then there’s the twist around 1:45 where I was SO in. This looks great, and I plan to actually go see this in the theater. I didn’t know this was in development or anything until the trailer dropped this week, and it just seems so refreshing to have an original idea that looks great. This is when someone tells me it’s based on some YA novel or something :-p
Things You Might Have Missed This Week

  • We got our first look at the Batmobile from the upcoming Matt Reeves film. It’s different. I like it. I know folks get all passionate about these things, but if it’s a Batman movie, I’m gonna see it, so just bring it on already.
  • The first Hollywood casualty of the Coronavirus that’s sweeping the world is the upcoming James Bond film, No Time to Die. Due to concerns about the virus (and the desire for that Chinese box office), the film’s release has been moved to November.
  • Speaking of Coronavirus, a lot of musical acts have postponed the Asian leg of their tours. One of these artists is Avril Lavigne. There are reports that Asian children are writing letters to the virus, thanking it for sparing them from Lavigne’s music.
  • She may have kissed a girl, but she clearly banged a man, as Katy Perry announced that she’s pregnant with her first child.
  • America Ferrera is leaving Superstore, which doesn’t come as a surprise if you watched their SDCC panel last year. Felt like there was some tension there.
  • I know some of y’all enjoy my Thrift Justice feature, which made its return this week, with me showcasing some board games I’ve picked up.

I don’t know if y’all realize this, but FX is cranking out some pretty good stuff over on basic cable. I mean, I’ve been a fan of their original programming since Nip/Tuck, but it was You’re The Worst that really showed me what you could get away with over there. And, of course, there’s It’s Always Sunny In Philadelphia. The same way film snobs love anything by A24, I’ve pretty much decided to give most FX shows a shot when they debut. I was scared that the quality might change after the Fox studios were sold to Disney, but boy was I wrong! This week saw the debut of 2 great, new shows on sister network FXX.

First up there’s Martin Freeman’s Breeders, which spoke to me in a way I didn’t really expect. It’s about an early 40s couple, struggling with the challenges of raising their two young kids, as well as being in a position where they now have to care for their elderly parents. Freeman’s character is 45, but I could relate to all of that at 38. The whole notion of “Remember when we had lives and dreams?” Yeah, I felt that. But this isn’t supposed to be a downer, and I’m supposed to be selling this to you! Since it’s a joint UK production, Freeman is the only actor I recognize, but it’s got a strong cast, and there’s great chemistry between him and Daisy Haggard, who plays his wife.

The show debuted Monday night with two episodes. If you’re going to give it a shot, I’ll say that the second episode is stronger than the pilot. It’s got an excellent cringe moment, where you think “These might not be great people”, conveyed in a way that only an FX show could do. I don’t follow many shows these days, as my TV is pretty much always on Cartoon Network/Adult Swim, but Breeders is now destination television for me.

Next up, there’s Dave, starring rapper Lil Dicky. I’ve got to admit that I’d never heard of Dave Burd/Lil Dicky prior to the show, but I guess he’s an internet rapper? Anyway, this show feels like FX stumbled upon a particular formula and tried to replicate it here. It’s a show about an awkwardly named rapper trying to make it big. They should’ve just called it Whitelanta and called it a day. Burd is an interesting character, as he’s basically a neurotic Jewish guy who just happens to have an amazing freestyle. For a show about a rapper, though, there’s not a lot of rap. It definitely follows the “Less is more” philosophy, so that when he finally does rap, it really hits you hard. You’re like, “Shit! This dude is talented!” Imagine a young Jewish rapper who finds himself in Curb Your Enthusiasm style situations, and you’ve got Dave.

In the pilot, Dave wires $10,000 to a stranger because a random guy he met at a recording studio put a random number in his phone for a producer who’ll get rapper YG to guest on his track, “Girth” (there’s a LOT of penile stuff in the show). Anyone with street smarts would question this, but nebbish Dave goes right along with it, and withdraws his Bar Mitzvah money to do it. In the second episode, Dave’s first public performance is slated for the memorial service of a kid who loved both him and Macklemore. Yup, Macklemore, which will come into play in a big way.

It’s an usual show, and it has its cringe moments. Still, those are what FX shows do so well, and Dave is actually an endearing character. You wonder if he might even be on the spectrum, but you get where he’s coming from, and you feel sorry for his naivete. The rap game is gonna eat him alive, but it’s gonna be a riot watching it all go down.

So, between Breeders and Dave, FXX is my new favorite channel. That’s why FX Networks had the West Week Ever.

13th Dec2019

West Week Ever: Pop Culture In Review – 12/13/19

by Will

In a rare family moment, we all sat down to watch The Grinch last weekend. My wife had actually taken our oldest to see it in the theater last year, but the kid fell asleep during the second half. In all, it’s a cute little movie, if not a bit short. I don’t really make a tradition of watching holiday stuff every year, so I haven’t seen How The Grinch Stole Christmas in forever. I do know that most of this Cindy Lou Who stuff was new, ’cause you’ve gotta do something to fill 85 minutes. I didn’t realize Cumberbatch was The Grinch until my wife looked it up, and then it was obvious. He was using that same “normalized” American accent that Hugh Laurie used as Dr. House. And I loved Kenan Thompson as Brinklebaum. I do have questions, though. If The Grinch isn’t a Who, then WHAT is he? And why is he green? Is this explained in some other part of the Dr Seuss Shared Universe? I didn’t grow up on those books, so someone enlighten me. Anyway, other than It’s A Wonderful Life, we don’t really have Christmas viewing traditions, but I could easily watch this again in the future.

So, this week saw the start of the highly anticipated 5-part Crisis on Infinite Earths crossover on The CW. The first 3 parts aired over Sunday through Tuesday night, with the final 2 parts slated to air in about 4 weeks. Clearly a love letter to fans of DC Comics, the event pulled characters and actors from all over, including Burt Ward (Batman ’66), Robert Wuhl (Batman ’89), Tom Welling (Smallville) and more. Those cameos were woven into the ongoing stories of the individual Arrowverse series, much to the crossover’s detriment in my opinion. I really wanted to like it. I mean, I truly did. That said, it really felt like a cheap fan film –  probably because the costumes of ancillary characters look like bad cosplay (looking at you, Vibe). Here are my random, SPOILERY thoughts, in no particular order:

  • I can’t imagine this was accessible to newcomers. I’m the most casual of Arrowverse fans these days, and I probably only understood about 30% of the non-Crisis stuff going on.
  • Speaking of not being able to follow things, Tom Kavanaugh is on, like, his 4th character in this franchise, right? Is he some producer’s uncle or something?
  • There was WAY too much Supergirl drama going on in Part One to really be able to focus on the fact that the world was ending.
  • I haven’t seen Supergirl since season 1, but that Braniac dude is obnoxious as Hell. I know they represent “the audience”, but why do these shows always have that grating fanboyish character who has to explain everything to the “noobs”?
  • I’m sorry, but I didn’t watch 12 seasons of Two and a Half Men to accept Jon Cryer as Lex Luthor. He’s just hammy in the role, and not in that “good” way. I just can’t take him seriously.
  • I’ve never watched Batwoman, and after Ruby Rose’s performance, I don’t see myself starting any time soon.
  • Ya know, for all the fanfare about Batman: The Animated Series voice actor Kevin Conroy starring as Batman, he didn’t really SOUND like Batman.
  • All the deaths were corny, from Oliver to Bruce to Flash ’90. They were without emotion, and made soap opera deaths look Oscar worthy.
  • Man, I thought I disliked Erica Durance as Lois Lane in Smallville, but I REALLY don’t like the Arrowverse Lois.
  • I always liked Brandon Routh as Superman, and felt he just got shafted with a bad movie. It was great to see him back in the suit here, but, as Clark, it looked like he was wearing his father’s ill-fitting suit.
  • Seeing Hoechlin next to Routh really drove home just how much of a Great Value Superman the Arrowverse has.
  • I love they pretty much had to come up with a “He gave up his powers” excuse to justify Welling’s midlife, lumberjack body.
  • More happened in the Batwoman ep than the Supergirl ep, and that’s still not saying much. Meanwhile, did you know that when this aired in the UK, they had to skip the Batwoman episode because no broadcaster in the UK has the rights to the show? Womp womp.
  • Who did the Gotham producers piss off that Lucifer got a cameo but no one from their show did?
  • So that it doesn’t seem like I’m completely shitting on the whole enterprise, it is cool how they pretty much wove a tapestry of everything that came before and after Arrow into the Multiverse. I know we’re not supposed to talk about it anymore, but it’s basically HyperTime. “Everything counts”.
  • The best acting, and actual genuine emotion, came courtesy of Jefferson “Black Lightning” Pierce. Never thought I’d type that sentence!
  • Speaking of Black Lightning, we got the Black Guy Head Nod between him and Diggle. Let that sink in for a minute, though. We do it because we’ve been through the same shit, and are acknowledging that with each other when we meet. But, in this case, it means in MULTIPLE universes, we STILL go through the SAME shit to make the nod even necessary. Slavery, Inequality, The Struggle. Except the Earth with Black Superman. That’s heavy.
  • Did these episodes really need a Kevin Smith-hosted aftershow to break down what we just saw? I get that DC/WB wanted us to think this was EPIC but the product they delivered fell short of that.
  • That was NOT an ending that’s gonna keep me on my toes for the next 4 weeks. Everyone swore this would have some amazing cliffhanger, but they were wrong.

At the end of the day, it’s a cool experiment, but I was mostly bored. It couldn’t hold my attention most of the time, and had I watched it nightly, instead of in one fell swoop in one night, I probably would’ve dropped it after Part One. It’s got 2 more episodes to stick the landing, but I’m not holding my breath.

Trailer Park



Wonder Woman 1984

Remember last week, when I said that the Black Widow trailer really didn’t move the needle for me? Well, along came this trailer, which basically said “Hold my tranquilizer”. I love “Blue Monday” and the 80s aesthetic. Gadot is great in the role, and I love Kristen Wiig, but I didn’t walk away from this, just needing to see this movie. And Steve is just…back? Was he frozen in ice for 40 years? I was kinda hoping they would be brave, and take a page from the Wonder Woman TV series, saying that this is actually Steve Jr, played by the same guy (like Lyle Waggoner in the series). Instead this seems to be Steve Sr? I dunno. I know we’ll get at least 2 more trailers, so I hope they’re better than what we got here.


Like A Boss

This seems like it should be funnier than it is. I’d like to think they saved the best stuff for the movie, but that’s not how these trailers work. I know she’s polarizing, but I watched this and couldn’t help but think “Melissa McCarthy could’ve saved this movie.” Keep Haddish, because I know she’s the new hotness in Holywood, but replace either Rose Byrne or Salma Hayek with McCarthy, and this would probably be a good movie. As it stands, it doesn’t look like much.


Free Guy

Fun trailer, and who doesn’t love Ryan Reynolds? That said, I’m not enough of a modern gamer to truly appreciate what’s going on here. Back in my day, a Non Playable Character was a damn turtle, or a dog that laughed at you. I never immersed myself into the GTAs and CoDs enough to really “get” what’s going on here. Plus, Reynolds has joined the ranks of actors, such as Bruce Willis and Vince Vaughn, where he’s cultivated a character that he now plays in every comedic role. You could say he’s been doing it since Two Guys, A Girl, and a Pizza Place, but it’s been refined over the past 20 years to where he doesn’t really have to try anymore. He struck gold by cranking it up to 11 for Deadpool, and now he can easily coast on a 7 if he has to. Yeah, I’ll catch this one when it hits FX.



Nora from Queens
(Comedy Central)

Speaking of polarizing, apparently some folks don’t like Awkwafina. I’m not one of those people, however, so this looks good to me. I know we’re losing an Asian-American sitcom when Fresh Off the Boat ends this season, and while this won’t “take its place”, it’s still another option in the marketplace.


Stargirl (DC Universe/The CW)

Yay, another Arrowverse show. I think I’m beginning to feel about the Arrowverse the way those Snyder Cut fanatics feel about the MCU. Enough already! Still, this actually looks kinda cool, but I look at Luke Wilson and think “How’d you end up on The CW?” Then I remember it’s not exactly true. You see, this show was developed for the DC Universe streaming service, but since that service seems to be on its last legs, an interesting deal was struck: episodes will debut on DC Universe, and then air on The CW the following night. This trailer, however, doesn’t seem to want the stink of DC Universe on this show, so they just cleverly forgot the whole “The CW is actually airing reruns” aspect. Anyway, as far as demographics go, this should fall right into The CW’s sweet spot, as it will appeal to Arrowverse fans AND teen girls.

Things You Might Have Missed This Week

  • Apparently the sequel to SHAZAM! is slated to be released on 4/1/22. Ya know, if this isn’t some long-range April Fool’s joke.
  • Speaking of release dates, it was announced that the 4th Matrix movie and John Wick 4 will be released on the same day: May 21st, 2021.
  • Batista and the nWo have been announced as members of the 2020 class of the WWE Hall of Fame. I had a great conversation on Twitter about whether or not Batista is really a Hall of Famer.
  • William Shatner, 88, filed for divorce from his fourth wife after 18 years of marriage. How bad is your marriage when you file for divorce at 88?! It’s a wash by that point. You going back out on the prowl? You really don’t want her eulogizing you? What is it?
  • In the Year of our Lord 2019, Nick Cannon is still poking the bear with Eminem. It’s funny that Nick’s still trying to defend the honor of a woman who doesn’t even want his ass anymore.
  • At last night’s Game Awards, the XBox Series X was teased for a Fall 2020 release. With a name like that, I can only assume it has more boobs, and maybe a little bush.
  • Though the writing was on the wall with the announcement of Jeph Loeb’s departure, it was announced this week that Marvel Television will be folded into Marvel Studios, with Marvel Chief Creative Officer Kevin Feige taking over.
  • ABC is doing another Live In Front of a Studio Audience special next Wednesday, this time tackling episodes of All in the Family and Good Times. The All in the Family cast is the same as last time (Woody Harrelson, Marisa Tomei, etc), while the Good Times cast is new, including Viola Davis and Andre Braugher.


I’ll bet you were looking for it in Trailer Park, but it’s actually got the coveted spot this week. You see, growing up, I was hardcore into Ghostbusters. You wouldn’t know it now, because that part of my brain has been occupied by Power Rangers trivia the past 26 years and, in the age of the Internet, TRUE GB fanatics arose, making my fandom look like nothing.

The thing is, however, I wasn’t ever really into the things that modern day fans feel were “Peak Ghostbusters“. For example, I don’t really revere that first movie, and I kinda prefer the sequel, if only because local Fox affiliate, Channel 5 (shout out WTTG!) used to air Ghostbusters II about every 8 weeks when I was growing up. I’ve just seen it more than the original recipe, so it came to mean more.

No, my fandom was based primarily in the toys and the cartoon, The Real Ghostbusters. In fact, it was that very cartoon that sort of stoked my love of continuity when it actually acknowledged that Janine’s look had changed over the seasons, and provided an in-story reason for that besides chalking it up to “The animators were getting bored”. My love was reignited in ’97, when Extreme Ghostbusters hit syndication. I watched every episode while getting ready for *high school* every morning, and I squeeed during the series finale 2-parter, when the original team came back to meet the new team.

As for the toys, I had the proton pack, the trap, the firehouse, Ecto-1 – all of which I still have to this day. I never really lost my love of the franchise, but I kinda didn’t really feel “worthy” around folks who can quote the movies word for word (and keep in mind, the movies aren’t *my* Ghostbusters). When it comes to live action, I’m still waiting for something to come along that piques my interest. There was Ghostbusters 2016, with the female team, which should’ve been right up my alley, as I love the cast AND the director. Still, I’ve owned it for years, but have never taken the time to watch it, since public sentiment towards it is so negative. We saw a lot of the worst sides of the fandom then, and I think it’s what made me shut down the containment unit for good.

Then this trailer popped up, and brought it all rushing back. What, exactly, was I watching? This wasn’t the theatrical Ghostbusters I’d grown up on, but that wasn’t a bad thing. I HATE movie speculation, but I immediately found myself on a Facebook thread with some friends trying to decipher what we’d seen. How was Egon old enough to have grandkids? Does this movie retcon Ghosbusters II? Is Paul Rudd no longer playing Dana Barrett’s grown kid, Oscar, which is a role that had been rumored for years? Are we sure it’s even Egon we’re talking about here? I mean, sure, his actor is no longer with us, but moving to a farmhouse with the Ecto-1 sounds really “Ray” to me.  And is the world in Ghostbusters basically like the Marvel Universe, in that everything happens in NYC, and doesn’t really affect the rest of the world? I mean, 30 years ago, there was PROOF OF GHOSTS, and now it’s just forgotten about in Middle America?

Anyway, it’s safe to say that I’m interested and on board. I’ll acknowledge that it didn’t do it for everyone, as a lot of folks complained “They got Stranger Things in my Ghostbusters!” Sure, I get that there’s a kid element to this film, with Finn Wolfhard, but we don’t yet know that they save the day. For now, we just know they go for a joyride, and play with a thrower that they totally don’t understand. I’d find it kinda hard to believe if they end up taking out the ghosts with no real guidance or training (even the Extreme Ghostbusters had training), but I feel like there’s a lot they can’t show us yet, so I’ll trust in the process.

Move over, “Is Die Hard a Christmas Movie?”, ’cause there’s a new question on the block: Was Ghostbusters a Comedy? Bigger fans than myself have pointed out that it was apparently never intended to be a comedy, but rather a horror movie with comedic elements. Meanwhile, there’s the camp that swears it’s one of the greatest comedies of the decade. I haven’t really taken a side on that one because, as I said, I prefer the sequel, and it was clearly a comedy. I think its clear comedic approach is why folks don’t think it’s a worthwhile successor to the original. I guess it needed to be a bit more nebulous in its intentions.

In any case, I’ve got a fever, and the only cure for it is new Ghostbusters. I’m cautiously optimistic, and longtime readers know it’s a lot easier for me to shit on something that be optimistic, so I’m trying here. That’s why the Ghostbusters: Afterlife trailer had the West Week Ever.

22nd Nov2019

West Week Ever: Pop Culture In Review – 11/22/19

by Will

Not a ton to talk about this week, so it’ll be a short one. Yay?

In a somewhat surprising move, Warners announced that the upcoming DC Comics series Stargirl will debut on the DC Universe streaming service, with episodes, then, airing on The CW the very following night! If they’re gonna be doing this, then what even is the point of DC Universe going forward? I mean, they’re already moving a lot of their development slate to HBO Max (which is where Doom Patrol will air in addition to DC Universe), and it’s starting to make DCU look obsolete. Of course, DCU subscribers are mad because they wanted some sort of exclusive content from the app, when they’re only getting the first dibs on it by a very small margin. I wouldn’t be surprised if there’s a quiet announcement that DCU is being absorbed into HBO Max by year’s end.

 

Speaking of The CW’s DC shows, it only just now occurred to me that we’re not getting all of the “Crisis on Infinite Earths” event in one week. In the past, these crossovers were contained to the same week, but here we’re getting the first 3 parts (Supergirl, Batwoman, and The Flash) starting December 8th. Meanwhile, the final 2 parts (Arrow and Legends of Tomorrow) air January 14th. Now, I know they’re trying to get some mileage out of this Arrow “victory lap”, but that is a momentum killer.

A Twitter friend pointed out that at least it’s better than the year folks had to wait for the conclusion of the original Crisis on Infinite Earths comic series, but that’s no consolation to me. The first parts will air, there’ll be some shocking cliffhanger death, which will promptly be spoiled on Twitter, and then folks will speculate until January 14th. Yeah, I’m probably just gonna wait and watch it all in January.

I know we live in this whole world of the “fall finale” now, but most of these are so forced that I hate that it’s even a concept now. It used to be understood that shows simply went on hiatus in the winter because folks had better stuff to do than watch TV, like drunkenly hit on their secretaries at office Christmas parties. But now we have no more “secretaries” and no more drinking at the office parties. Thanks a lot, Harvey Weinstein! So, now we have to break it to folks that their beloved shows need a rest, by introducing the fall finale. It’s like saying “Don’t worry! We promise to finish explaining how one does get away with murder, but we need a bit of a production reset.” It just feels so unnecessary.

It looks like the 4th Star Trek film, set in the “Kelvin Timeline”, is back on! Noah Hawley, of Fargo and Legion fame, has been brought on to direct. They’re saying Chris Pine is coming back, but it’s unclear if this is the same Kirk Meets His Father story that they’d been pitching when Chris Hemsworth was still on board. I guess this is good news. I mean, I still haven’t seen Star Trek Beyond, but I’ve heard it’s better than Into Darkness. That said, I thought the Kelvin Timeline wrapped up as a nice little experimental trilogy, but I’m ready to get back to the “prime” timeline, in a medium that’s not a subscription-based television show.

Tesla introduced the Cybertruck, which is a hideous, pixelated-looking vehicle that shouldn’t even exist. It looks like something from the syndicated 1-season wonder Team Knight Rider, or those later seasons of Viper when the Defender had an off-road mode. God, I miss Saturday afternoon syndicated shows! Even more than Saturday morning cartoons. Here, let’s watch some videos of those 2 shows:

 

So, I hear you’re looking for some of them “Baby Yodas”. Well, you’re not alone! Debuting at the end of the premiere of Star Wars: The Mandalorian, this little critter is all anyone can talk about! It’s not actually THE Yoda, but that doesn’t matter, since Yoda’s race and homeworld were apparently never named. So, “Baby Yoda” it is!

Now, the race is on to see who’s gonna pump out the first Baby Yoda merchandise first. At first it was believed that nothing would be out in time for the holidays, but now I’m hearing that’s not the case? Well, good luck with that! I’m still over here, waiting for KB Toys to open all those stores they’ve promised us the past couple of years.

I still haven’t seen The Mandalorian yet, but I feel like I’m already quite familiar with this character, as I’ve known about it since TMZ spoiled the appearance Friday morning 2 weeks ago. I go to TMZ for celebrity gossip, not space baby spoilage! I guess they saw a winner and ran with it. Can’t really fault them for that…even though most folks hadn’t seen the episode yet. Then, when last week’s episode rolled around, the spoiler moratorium was over, so folks just let their adoration fly. So, look out Porgs, as you’re no longer the belle of the ball! Just like when a sitcom brings in a new, cuter kid when the youngest enters their “awkward period” (my favorites include Billy from Who’s The Boss, Sam from Diff’rent Strokes, and Seven from Married…with Children), Baby Yoda is here to knock Porgs off the block. Let’s just hope little Baby Yoda isn’t horrifically wiped from existence like those cute replacement kids I just listed. In any case, Baby Yoda had the West Week Ever.

15th Nov2019

West Week Ever: Pop Culture In Review – 11/15/19

by Will

HELLO?! IS ANYBODY HERE?! *echo*

 

I feel like I go on hiatus way too much because I find myself apologizing for having done so way too much. This year, West Year Ever is gonna be pretty easy to compile since I took off, like, 1/3 of the year. Seriously, I even considered switching the format to West Month Ever for a while.

So, where have I been? That’s a great question. Long story short: I had nothing to say. Or, better yet, I had nothing positive to say. And you know the saying, “If you can’t say anything nice…” Sure, there was plenty of stuff to rant about, but I couldn’t balance it out with anything I *LIKED*, and that was a problem. The internet is toxic enough, so I really didn’t feel like feeding into that. So, I spent my time catching up on Power Rangers: Beast Morphers episodes, and trying to clean up my basement. There were times when I was on the verge of posting something, and then life would throw a monkey wrench into my plans. One week, I was working at the work site that has my site blocked, so no posting then. Another week, I was in a car accident and had my car battery die (resulting in a 2.5 hour wait for AAA), all in the same Friday. So, I guess I was just supposed to skip the month of October.

This week, though, couldn’t be skipped because just TOO much happened, and it felt like the perfect time to make my grand return.

In the movie realm, I got around to watching White Chicks the other day. No, I’d never seen it, even though I know it’s a guilty pleasure for a lot of folks. At the end of the day, I didn’t love it. I mean, it’s problematic in a way that only a movie from 2004 could get away with, but I also didn’t find it to be that funny. It could be because we’ve sort of left the era of the socialite behind. Sure, the Kardashians are always considered “famous for being famous”, but they’ve built a business empire upon that. Outside the Hadid girls, we don’t really have the Paris & Nicole Simple Life era socialites anymore, even if we still have spoiled, rich White girls. To be honest, though, I probably would’ve preferred a movie about the Dominican bodega owners that Shawn and Marlon are disguised as in the beginning. I’ll also note that I watched this thing on TV One, so it was probably edited for television with all the good stuff taken out. For you fans out there, is it worth revisiting in, say, an unrated DVD sort of way?

One thing that took the past week by storm was the McDonalds Happy Meal 40th anniversary promotion, and BOY do I have thoughts on that! Designed as a limited run from November 7th through 11th, the promotion first leaked from some YouTuber posting about it. Then, Matt from Dinosaur Dracula tweeted about it, at which point he said McDonalds “kindly” asked him to take down the tweet. Then McDonalds formally announced it: for 5 days only, they would be celebrating the 40th anniversary of the Happy Meal by releasing reproductions of some of their most iconic toys. Oh, and in blind bags.

Let me tell you a little bit of my own history with McDonalds Happy Meal toys, as I was once something of a superfan. This is where my collecting lifestyle began. When there was a new promotion, it was my weekend mission to get my mom to drive us all over town so I could complete those sets. This went on from about Kindergarten to maybe 8th grade. I got to a point where I was modding Happy Meal orders to come with Big Macs and Quarter Pounders with Cheese (I was a “husky”, hungry child) until some employee eventually told me “You know, you can just BUY the toys.” That’s when I moved the to the Extra Value Menu, occasionally shelling out an additional $1.89 for Happy Meal toys. So I had the originals of everything in this anniversary promotion. I would have liked a proper tribute to those old toys, but this wasn’t it.

OK, so here’s the first problem: why reproductions? I know you’re all not like me, spending all your free time in thrift stores, but lemme tell ya something: McDonalds toys are NOT hard to find. Plus I feel like there’s got to be some sort of McDonalds Area 51 with a stockpile of old toys they could’ve drawn from. Even if this doesn’t exist (prove me wrong, cowards!), they could’ve really made this special in other ways. Maybe team up with the American Pickers guys, and have them go out and find some dead stock for them to use. It’d make a great special episode of the show, and it would look like some kind of effort went into it. It could’ve been a yearlong buildup, with webisodes and whatnot. Instead, we get this lame promotion that was shoehorned into a week that McDonalds needed to fill between the Hello Kitty/Pokémon promotion and the Frozen II promotion.

Next problem: blind bagged, though numbered. Why act like it’s such a surprise about what you’ll get when everyone knows there are 17 in the US (#9, believed to be a Barbie, was pulled from the promotion before it began), and the numbers are right there on the polybags? It’s not “blind” if you can read numbers. And I’m not talking some sort of secret Braille code, like the LEGO minifigures use. I’m talking a clear as day number, right on the front, that corresponds to a checklist that most social media influencers posted online after they received a promo shipment from McDonalds. When I didn’t get a special box from McDonalds, that’s when I knew I wasn’t shit.

When the toys actually hit, the third problem became apparent: cheap, inaccurate reproductions. The new toys weren’t as well made as the originals, and they all had 2019 date stamps so as to not confuse folks into thinking they were the vintage toys. A lot of strange decisions had been made. The Changeables burger was no longer a Quarter Pounder with Cheese, as both the cheese and sesame seeds had been removed from the mold. And the one that really grinds my gears: the Red Power Ranger. It’s bad enough McDonalds included this thing when the Power Rangers figures were NOT Happy Meal toys (they were add-on items that you could buy for $1.99 each when the original movie was in theaters), but this Red Ranger they’d included only had one arm and one leg that moved, while the opposite limbs were fixed. Why?! Then they included Bugs Bunny from Space Jam, which was odd because A) I wouldn’t call that promotion “iconic” and B) the gimmick of that toy line was that the different characters were on pieces of basketball court that you assembled into something akin to a train. One toy from the line was kind of boring, but to have them all was sort of special. Here, you got one toy. It’d be like if they had just given you one piece of the Inspector Gadget build a figure promotion. What the Hell are you gonna do with ONE piece?!

Anyway, I found myself on the wrong side of history on this one because the nostalgia bloggers were eating it up. I, however, didn’t get it. Surprisingly, even my wife was like “We’re gonna get Happy Meals every day!” I understand the nostalgia factor, but it just felt so poorly executed. Since the promotion was only 5 days long, restaurants got limited stock and a lot of them seemed to have depleted that stock before the 11th even hit. Plus, I can’t believe that McDonalds contracted factories all the way in China to make such subpar repros for this promotion, especially when the marketing department seemingly screwed the pooch. If you enjoyed it, great, but something just felt rushed and disorganized about the whole thing. Here’s hoping they do a better job for the 50th anniversary, but we’ll be so “woke” by then that Happy Meals will be a salad and a toothbrush.

In the world of comics, there was a lot of hubbub about Jonathan Hickman becoming the new architect of the X-Men line. Everything kicked off in the companion series House of X and Powers of X, which were released weekly over the summer. These led to the release of a new X-Men #1, which I grabbed at a midnight release party (Thanks, Third Eye Comics!).

Now, I had read House of X #1 and thought “Interesting start, but I’m not paying $6 a week for this story.” So, I skipped those minis and dove right into the first issue of the ongoing. And my verdict? These aren’t my X-Men. I like the X-Men who are hated and feared, but always recharge after a huge battle by playing baseball at their school in Westchester county. Hickman’s X-Men, however, has too many moving parts, and I’m not on board with a lot of it.

In a lot of ways, Hickman’s vision is basically just a remix of what Grant Morrison brought to the line when he took over “adjectiveless” X-Men and it became New X-Men. Both share the premise that mutants now have the upper hand, causing frightened humanity to go to desperate measures to prevent their own extinction. It’s an interesting viewpoint, but it’s one where I’m always waiting for the other shoe to drop. With X-Men, sometimes that takes years (see: Emma Frost), but to paraphrase Karl Mordo, “The bill comes due. Always.”

I have always felt that the life cycle of superhero comic fandom is about 15 years, because audiences cycle in and out, but that’s about how long it takes for Been There, Done That to set in. I feel like I’ve seen this before, and that just might be a sign that my time with Charles Xavier’s mutants is up. Maybe folks are into that sort of journey, but I don’t wanna stay on this ride.

While I was away from blogging, I was still keeping busy, running my mouth on a few podcasts. First up, I recorded a look back on Batman ’89 with my pal Chad at the Horror Movie BBQ back over the summer, and he never told me that the episode was posted. I’d been over here, stewing for the last 5 months, that he had yet another unreleased episode with me (We recorded an Adam West tribute a while back that devolved into chaos and has never seen the light of day), meanwhile it had been on his site the whole time. So, sorry about that, Chad. It was a good discussion, though, as I talk about my Bat Amnesia and more, so check it out!

Next, I joined the guys over at Nerd Lunch for the final “Ned Lurch” episode. As they prepare to “sunset” their show, they’re taking one last stab at some of their themes, and Ned Lurch is a guy whose friends and advisors are constantly giving him bad business advice, in an attempt to see him fail. In our episode, Ned is talked into launching the worst action figure line ever. Check it out, as I give the worst improv performance you’d ever expect from me, but it was a fun show. Speaking of improv, I don’t think I’ve ever mentioned how I actually auditioned for the improv group in college. Yeah, there was a period of time when I was bored with a cappella and wanted to try something different. The problem with that plan, though, was that group was led by my girlfriend’s ex boyfriend. At least I made it to the final round, though…

Finally, get ready for the Christmas season by listening to me talk about everyone’s favorite “That’s Not a Christmas Movie!” No, not Die Hard. Instead, podcast extraordinaire, Michael May, had me on his Sleigh Bell Cinema show to discuss Iron Man 3. The same way you’ve got to look at Superman III as “Hey, it’s a Richard Pryor movie, featuring Superman”, you’ve got to do some mental gymnastics with this one, as well. What do I think about Tony Stark’s final solo outing? Take a listen to find out!

Trailer Park


Sonic the Hedgehog

I can’t deny that he looks better now, but I loathe the precedent this movie set. In case you don’t remember, the original design for Sonic had fans so outraged that the backlash to the initial trailer led the studio to delay the film and retool Sonic’s look. On the one hand, folks are like “Great job for listening to the fans!” Meanwhile, I’m over here, like, “Ugh, you listened to FANS!” Half the time fans don’t know what they want, and they tend to stick to the familiar because they hate change. That’s fine. I also dislike change. That said, this movie was never going to be a blockbuster, but now folks feel guilty that they have to support it since they raised such a stink. But you see, the internet is full of folks who love a good fight with no vested interest. A lot of the people the most upset about Sonic’s design were never going to see the movie in the first place. So, was the redesign worth it or in vain? I guess we’ll just have to wait and see.


SCOOB!

Is this basically a reboot of A Pup Named Scooby Doo? ‘Cause I was ALL about that era in the 90s when everyone got a “Lil” version of their franchise. The Flintstone Kids, Life with Louie, Hell, even Little Rosey (who’da thunk they would’ve given a cartoon to Roseanne?! But they did). I won’t be seeing this in theaters, but I’ll totally grab it on Black Friday for my girls.


Holiday Rush

This looks kinda cute. You don’t get a ton of Black Christmas movies, and I’m a fan of Romany Falco. The beauty of this is that I’d never go see this in a theater, not even if the tickets were free, but I can watch dude hit on First Officer Michael Burnham, while sitting at home in my underwear? Sure, I’ll buy that for a dollar!


Harley Quinn

Looks fun. Still not signing up for the DC Universe service. There’s got to be a plan to rehome these shows on HBO Max going forward, as the existence of DCU is making less sense by the day. They could repurpose that site to be a purely comic hub, like Marvel has Marvel Unlimited, but it doesn’t make sense to keep the shows on there, especially when Warner Media is trying to brand HBO Max as THE streaming portal for their catalog. So, I’ll watch this when I eventually cave and get HBO Max, since Rick & Morty will probably be exclusive to that service by 2025 or something.

Things You Might Have Missed This Week

  • John Legend was named People‘s Sexiest Man Alive, and even his wife, Chrissy Teigen, is like “Huh?” I mean, he seems nice enough, but kinda soft. Then again, he’s a former collegiate a cappella kid, so I guess I’ve gotta support him in this endeavor.
  • Not content to stand on the sidelines of the upcoming Streaming Wars, Nickelodeon has signed a deal with Netflix to develop movies and shows based on their properties. Personally, I can’t wait for Are You Afraid of the Black Mirror?
  • The sand might be running out of the hourglass for one of your grandma’s “stories”, as the entire cast of Days of Our Lives has been released from their contracts. Many feel this is a negotiation tactic by the show’s producer, Corday Productions, as they head into contract negotiations. Worst case scenario is everyone is fired and they all get recast. Best case scenario is everyone is rehired, but now at a lower, take it or leave it, rate negotiated in new contracts. Despite the fact that soap operas are a relic of the past, NBC seems committed to providing a home for Days for the foreseeable future.
  • For a brief moment this week, folks thought that Ecto Cooler’s return had been confirmed, coinciding with the release of next year’s Ghostbusters film. That shit turned out to be fake, though. Ya know, until it’s not.
  • As if Constance Wu’s Twitter rant last Spring was going to be forgiven so easily, ABC confirmed that this season of Fresh Off the Boat would be its last. Cute show, but everyone seemed ready to move on, and they’ll all be fine. I know the show was symbolic as the longest running Asian American sitcom, but there will be others. One day. Hopefully.
  • Rick & Morty came back to Adult Swim this week, and I…didn’t love it. Probably because I hadn’t seen this episode 37 times like I have the others. No, seriously, it airs daily and there are only about 30 episodes. It only takes a month to run through the existing 3 seasons. I’ve seen this show more than anything else on TV and I’m not even a superfan. Maybe I’ll grow to love this season.
  • Three year after his death, George Michael’s estate released “This Is How (We Want You To Get High)” for the Last Christmas soundtrack. I’m a sucker for both George Michael AND songs with parentheses in their names, so this song is a hit to me!

  • After it was first announced, like, 10 years ago, The Rock’s Black Adam movie finally got a release date: December 22, 2021. Too bad it’s never gonna happen.
  • I know y’all claim you don’t like country, but I know some like Halsey, and here she guested with Lady Antebellum on one of my favorite songs of the year at this week’s CMA Awards.

  • Screw it. Here’s another amazing performance from the CMAs, from Dan + Shay:

  • Music industry supervillain Scooter Braun recently purchased Taylor Swift’s back catalog, and won’t allow her to perform a medley of her past hits as she receives an achievement award at the American Music Awards. Dick move, but a powerful move.

Well, you couldn’t swing a dead cat online this week without hitting something having to do with Disney+. The anticipated streaming service launched Tuesday, and it’s all anyone can talk about. The launch, however, wasn’t without its hiccups. For one thing, they didn’t allow you to download the app until launch day, so there was no testing to make sure all your ducks were in a row before the big day. Also, a lot of people got error screens when trying to watch their desired selection. That said, it’s a repository of a HUGE amount of Disney programming – from Star Wars to Disney Channel Original Movies – and all for a mere $6.99 per month.

I am not a Disney evangelist, so this wasn’t exactly the Second Coming to me that it was for some folks. Regular readers know I wasn’t the biggest fan of the Fox buyout, but I’ve got kids, and kids like Disney, so I got Disney+. In fact, I have TWO accounts! You see, I signed up on Monday to make sure we were good to go, but then I remembered that, as an unlimited data Verizon customer, I actually get a year of the service for free. So, we had my wife sign up that way, and then I just need to remember to cancel my trial before they charge me on Tuesday. Hell, I probably should be doing that instead of writing this. I need that $70! Oh well, I said I wanted to live dangerously…

Despite the minor gripes that folks have had, including series episodes being out of order and the constant error screens, I feel the roll out could’ve been MUCH worse. I think the demand for the service exceeded even Disney’s expectations (with a reported 10 million sign ups), I think things settled down rather quickly. Folks online began to post the “true” viewing order for episodes, and the error screens decreased.

Another pseudo controversial aspect is that they’ve added disclaimers to properties, like Dumbo, stating that they contain outdated views and representations. Some folks feel like those programs shouldn’t be on the service at all, but I disagree. At least Disney is owning up to its past, and making it something of a teachable moment. With the disclaimers, they can have their cake and eat it, too. That said, it’s just gonna rile up the “Where’s Song of the South?!” crowd even more. Personally, I think Disney handled this the right way, but you can’t please everyone, and you can barely please anyone in 2019.

The biggest show at launch was undoubtedly the Star Wars spinoff, The Mandalorian. I’m not the biggest Star Wars fan, but I’ve heard nothing but great things about it, and it clocks in at only 38 minutes. Score! Hopefully I’ll get to it this weekend. Meanwhile, everyone else on social media was posting about the first thing they watched after setting up the service. I’ve got a big audit at work today, so didn’t have time to play around with things myself. My oldest, however, watched Frozen, like we don’t already have 3 copies of that thing around this house somewhere. I’ve got to remind myself that it’s just $6.99, and not a total waste of money. Wait. It’s free. Whatever. She can watch Frozen all day long, ’cause that ain’t costing me a dime!

Anyway, after my long hiatus, I think I can dust off the title, and present it to Disney+, which clearly had the West Week Ever.

27th Sep2019

Kickin’ It Old School at Retro Con 2019

by Will

That’s right, folks – we’re putting West Week Ever back on the shelf this week for me to, instead, regale you with my trip up to Oakes, PA two weeks ago for Retro Con 2019. Now, this was far from my first trip to Retro Con, as it’s been something of an almost annual excursion for me since around 2012. Oh, wait. You haven’t heard of Retro Con? Well, the official website describes it as a pop culture and memorabilia show catering to anything considered “retro”, especially the 80’s! Transformers, Star Wars, GI Joe, Ghostbusters, He-man, classic video games, etc.. We’ve got 215+ tables of collectibles and art for sale, special guests, video games, a costume contest, raffles, a trivia contest, panels, replica props, and much more! Basically if you answer “yes” to the questions “Do you like old toys” AND “Do you wonder what happened to that character actor who was on The Fall Guy that one time?”, then Retro Con is the place for you!

I’m not trying to knock their guests, but they certainly are not the draw for this show. The guest list tends to be comprised of voice actors from classic 80s cartoons, and they had a couple of guys from The A-Team last year (ya know, the ones who either aren’t Mr. T or dead). Throw in an old school WWF wrestler who never really held a belt (in the past, Sgt Slaughter; this year, Hacksaw Jim Duggan), and you’ve got the Retro Con guest list!

No, if you’re making the trek to Oakes, PA, then you’re headed there for the TRUE stars of the show: the collectibles! The show never disappoints, and it is THE destination for anyone looking to fill some holes in their vintage collection. While you’ll still find convention mainstays, like Funko Pops and seriously overpriced vintage comics, you’ll also find guys with bins who’ll practically say “Make me an offer ’cause I don’t want this shit in my garage anymore.” I will say, though, that the sliding timeline of what it means for something to be “vintage” sort of changed the makeup of what was available for sale. For one thing, there were fewer G.I. Joes and Transformers, and a LOT more Power Rangers. While there were recent Rangers, the sweet spot of what was there were the toys from Mighty Morphin‘s peak, around ’94-’95. Also, the bootleg video guys have upgraded to Blu Ray, which is somewhat puzzling, since that just means their substandard rips are just gonna look like shit in High Definition. Still, there was cool stuff to be found on the showroom floor, so sit back and take a gander at my award winning* cell phone photography!

As the original 8′ Mighty Morphin Power Rangers figures were almost impossible to find for most early collectors, the 5.5″ Auto Morphin line (disgustingly referred to as “Head Flippers” by some Troglodytes) became the line that most people flocked to. Flick the morpher on their belt, and the human head would flip into the figure’s chest to reveal a helmeted head. I always thought that was a concept that had originated with Bandai of America for the US line, and had no idea that Bandai of Japan had used the same feature on the figures for Chouriki Sentai Ohranger (which would be later adapted here as Power Rangers Zeo).

They don’t make playsets like this anymore! Despite the fact that you can get Playmates Star Trek figures for essentially pennies on the dollar now, that’s less true for the playsets and vehicles. Galoob had designed an Enterprise bridge playset for their own Star Trek: The Next Generation line, but it never made it to retail. This Playmates one, then, became one of my grail pieces while I was still into that line. If I had the room for it, I probably would’ve tried to swing a deal. I mean, I’ve still got the figures, and I currently have the Transporter playset sitting in the middle of my basement floor, waiting to be tested.

There was once a time when kids WANTED to dress up like a disgruntled Vietnam vet with a penchant for urban terrorism. Yet they say THESE are the end times we’re currently living in! Pfft!

I’m not sure what’s more interesting to me in this pic: the fact that the Burger King predates my recollection OR the Rambo villain who looks like Vladimir Putin cosplaying as Die Hard‘s John McClane. “Yippee Ki-Yay, Comrade!”

I love those M.A.S.K. boxes so much! And there were toys in them, too!

Whatever’s happening with Slimer here, he’s clearly having an amazing time!

Sometimes you see things and wonder “Where has this been stashed for the past 30 years?!” This is one of those things.

Things of which I am a huge fan:

  • Batman
  • Super Powers
  • The condition of this packaging

Things of which I am NOT a huge fan

  • These prices

I know @DorketteTweets will get a kick out of this Spectra stuff they had.

It ain’t a convention without old lunchboxes, and I would love to meet whomever owned that Fame lunchbox, merely to commend him/her/them for their bravery.

Just look at the condition of this box! This is an almost 30 year old toy! Looking back, I probably should’ve just thrown the $10 at it.

This figure brought back fond memories as to how I’m bad with money. You see, this was the first time I ever overdrew my checking account, buying this figure at a Spencer Gifts when I was in college. I didn’t really know how “balancing checkbooks” worked yet, and this $5 figure ended up costing me about $35. That was a quicker financial lesson than Suze Orman could’ve taught me!

I actually really like the simple packaging design of vintage Barbie, and I’d never heard of Dazzle until that day. I guess it’s an equestrian line?

Ya know, John Rambo deserves to treat himself every now and then!

In hindsight, this was an amazing concept and design. I think we took it for granted at the time, but they managed to shove entire games into a shell the size of a “regulation” cassette tape! It deserves to be in the Toy Hall of Fame!

They were selling their vintage $400 Fireball Island around the corner from the Kickstarter $70 repro Fireball Island. So, um, yeah. Good luck with that…

G.I.Joe charitable group had a nice U.S.S. Defiant on display.

Another HTF vintage piece in BEAUTIFUL shape!

I don’t care if it’s 90% complete. I’m more fascinated by the fact that the box survived this long and doesn’t look any worse than it does!

I was late to Ghostbusters toy fandom, so I missed out on the original suit Real Ghostbusters. These guys here were more my speed, with their track suits and their wacky action features.

While not a “vintage toy”, this was a cool 3-D collage that someone created using parts of the recent Fisher Price Imaginext line, as well as panels from the Boom! Power Rangers comic series.

As a huge Baywatch fan, I’ll admit that it was a little hard leaving this guy behind.

Plus, it’s not a modern-day pop culture convention without cosplay, and the following folks did not disappoint!

So, there ya have it: Retro Con 2019. While it’s always cool to see all these random toys, the best part of the weekend is that it has become something of an annual meetup between my online friends. This year was no exception, and it was great seeing Dean, Jordan, [REDACTED], Jason, and Wyatt!

Oh, we also can’t close out without showing what I got. I’m proud to say that I played it cheap this year, and didn’t pay more than $5 for a single thing you see here. That’s how you con!

Anyway, thanks for taking this look back with me, and be here next week, when West Week Ever returns!

*No actual prizes have been awarded to Will for his photography, but it’s 2019 and people don’t fact check shit anymore, so…
16th Aug2019

West Week Ever: Pop Culture In Review – 8/16/19

by Will

I’ve come to realize that my Nerd Boner Refractory Period (NBRP)™ is about 2 weeks these days. It takes me about 2 weeks to get excited about anything going on in pop culture, I can keep it up for an extra week, and then I need another 2 to recharge. So, here we are, 2 weeks after we last got together. How have you been? I like those shoes. Are they new?

Since we last spoke, I finished my binge of NBC’s Superstore. If you’ve ever worked in retail, you will COMPLETELY relate to this series set in the Cloud 9 big box store. Clocking in at 4 seasons, it’s not too much of a lift to get through, and I enjoyed every minute of it. I will point out, though, that it takes a turn in season 3. Like, the first 2 seasons are pretty run-of-the-mill single cam sitcom, but in season 3 it gets more…mature? I’m not sure that’s the right word, but the language changes, like they say “Jesus Christ” and “dick”, which were formerly reserved for things like basic cable. Most network shows still censor “Jesus Christ” to this day, in 2019! The only downside to the binge is that I watched it on the NBC app, where they also included the Superstore panel from SDCC. The general vibe I got off that was that this show is another Seinfeld, where the actors only pretended to like each other. A friend of mine pointed out that this is exactly like working in retail. In any case, It felt like America Ferrera kinda runs that set, and they all just sort of work one rung beneath her. Maybe it was just convention panel jitters, but it didn’t come off like “These are people who enjoy each other’s company”. I want to believe they’re really friends! Anyway, if you’ve ever been curious about the show, I highly recommend it.

In movie/TV/80s/cartoon/toy news, Hasbro is moving forward with a G.I. Joe spinoff film starring Crazy Rich Asians star Henry Golding as Snake Eyes. I find that character exhausting, which is why I’m much more interested in another Joe spinoff that was announced, which would focus on the character Chuckles. As the Joes’ undercover specialist, his sole animated appearance was in G.I.Joe: The Movie. As such, he’s never been taken that seriously by the fandom, so this announcement comes as a surprise to many. I, however, am not surprised because I read the IDW comic miniseries G.I. Joe: Cobra, which focused on Chuckles being sent on an undercover mission to infiltrate Cobra. Not only did I enjoy that series more than the regular Joe book at the time, but I also saw the character in a whole new light. That series felt like a dark Showtime/FX series, so I could definitely see it as the source for a good movie. I mean, it’s Paramount, so we can’t really hope for too much, but all is not lost!

Speaking of old 80s properties, I posted that tweet last night and was pretty surprised at the response. It was the result of a random tweet that popped up on my timeline, of someone swearing the Are You Afraid of the Dark? reboot better be good. Now, he clearly wasn’t the target audience for this show, so why was he so invested in it? A lot of folks asked me which show I was referring to, but the sad thing is that it didn’t matter. You could plug any old property into that blank, and you’d get the same response. There’s something about 80s and 90s kids who think these properties were theirs and theirs alone. Every generation needs their own stuff.

I’ve been saying for years that Hasbro should move away from the Duke/Destro iteration of G.I. Joe. It has its time and place, but too much has to be changed to work now. Can’t call Cobra a “terrorist organization” anymore, for one thing. Plus, kids really don’t give a shit about G.I. Joe anyway. Even if you tried to modernize it, they wouldn’t care. Is it a mobile game now? Maybe. Other than that, nope. A lot of this stuff is only loved by 40 year old men, and you can’t make them happy anyway. Between sexless marriages and prostate exams, they’re always gonna be full of piss and vinegar. I’m also talking to you, 40 year old men. You’re not really mad that She-Ra “looks like a boy”. No, you’re upset you got passed over again for a promotion, or you’re upset you can’t see your penis anymore. Let’s let kids have shit. Is that too much to ask? If you also happen to enjoy it, great, but Hollywood can’t keep catering to your old ass.

Trailer Park

Dolemite Is My Name (Netflix)

I never thought I would see Rudy Ray Moore as a sympathetic character, yet here we are. This looks so good to me. And that cast! I haven’t seen a Dolemite movie in, maybe, 25 years and it was an edited version on Channel 54. I’d like to check out the full, uncensored stuff, but I know that box set I used to see at Walmart is probably going for 3 figures on the secondary market as everyone jumps on the bandwagon in anticipation of this film. And the best part? I won’t even have to leave home to watch it!

Things You Might Have Missed This Week

  • Verizon, which paid an estimated $1.1 billion to acquire Tumblr, offloaded the site to WordPress’s parent company, Auttomatic, for a mere $20 million. Womp womp. That’s what you get for getting rid of all the porn! As someone once put it, Tumblr was the world’s most efficient porn delivery service, and they just threw that all away.
  • The X-Men adjacent series Legion ended on FX this week after three seasons. I’m sure one or two of y’all care about that.
  • Did we ever talk about the fact that the Mad About You revival got picked up by Spectrum? So, yeah, nobody’s gonna see it. In any case, actress Abby Quinn was cast as Paul & Jamie’s daughter, Mabel, who’s heading off to college. Who, besides Paul Reiser, wanted this show?
  • NBC is in talks to modernize ’80s Brat Pack film St. Elmo’s Fire and adapt it into a TV show. I remember watching this movie in the hospital room when my oldest was born. Despite being set locally, I could not relate to it, and couldn’t even tell you what it was about if ya asked me. That song, though, is iconic.
  • After 13 years apart, CBS and Viacom have resolved their differences, re-merging as ViacomCBS. On the upside, as my friend Zac put it, this means the Star Trek film and TV rights are now back under the same umbrella, which had been a source of problems over the last decade.
  • Speaking of CBS, there are reports that Drew Barrymore is in talks with the studio to develop a daytime talk show. I see that lasting about a season, if she’s lucky.
  • So, I guess Ewan McGregor is getting his Obi-Wan show on Disney+? I can’t even keep up anymore. I know there reports of it, but it still seems “iffy” right now. I just find it funny that the Star Wars fans want this, even though he’s a reminder of how much they supposedly hate the prequels (though 2019 revisionist history claims “They actually weren’t that bad”).
  • Some feel Jay-Z has sold out with his Roc Nation’s recent partnership with the NFL. He has argued that he can do more work to effect change from the inside, but that’s not enough for many. At the end of the day, rich folks gonna rich, so…
  • Chrisley knows best? It sure doesn’t seem like it! Reality stars Todd and Julie Chrisley were indicated this week, before a federal grand jury, for tax evasion, wire fraud, conspiracy to commit bank fraud and conspiracy to defraud the United States. WOW! And, to top it off, Todd tried to extort his daughter Lindsie by threatening to release a sex tape of her. I see the Chrisleys are trying to go FULL Kardashian! Let me know how that works out for you, Todd. In any case, the Chrisleys are facing up to 30 years in prison.

So everyone on Black Twitter this week seemed captivated by this new creation brought into the world by fast food fried chicken chain Popeyes. Now, I can’t even get arrested on Black Twitter, but I know people who know people, so I get the info I need to get. Apparently the chain had debuted a Chicken Sandwich, which was available in regular or spicy. I didn’t see a single person who didn’t get spicy. I wanna be hip. I like chicken. The problem, though, is that I HATE Popeyes.

You see, a few years ago, there used to be a Popeyes behind my then-job, and it made me sick every time I ate there. Not to mention the chicken never really looked right. You know how *done* fried chicken looks? Yeah, it didn’t look like that. It was always kinda pale looking. Anyway, that helped to reshape my chicken eating habits. Growing up, I always said I liked KFC’s chicken, but Roy Rogers chicken skin. I always wished there was some way to merge the two. Then Roy Rogers disappeared for about 20 years, so then I was pretty much just left with KFC.

When it comes to the chicken sandwich, however, there’s one chain that reigns supreme: Chick Fil A. Yeah, we all know about their politics, and they’re terrible, blah blah blah. But they sure make a damn good chicken sandwich. It’s the reason why so many people are conflicted: “My sister’s gay, but GODDAMN is that a good sandwich! Sorry, Christy.” So, in our new era of wokeness, everyone has been wanting that same experience, without all the guilt. Some will say “Wendy’s has a Spicy Chicken Sandwich that’s just as good!” No, they don’t, and you’re just playing yourself. Whenever a new chicken sandwich hits the streets, the Left (yeah, it IS a partisan matter at this point) can’t wait to see if there are guilt-free chicken sandwiches ahead for them. And there never are. You see, people are so desperate to replace those hate mongers, but they don’t realize that hate is their secret, tasty ingredient. Everyone knows it, but they can’t bear to admit it. I mean, that’s GOT to be it, right? Other than that, it’s just chicken and peanut oil. It’s not like there are 11 secret herbs and spices. Nope, gotta be the hate.

Anyway, I got sidetracked there. So, the Popeyes Spicy Chicken Sandwich is a large boneless breast of chicken, on a plump brioche bun, accompanied by thick pickle chips and a reddish Cajun sauce. Sounds good to me! So, I went to the Popeyes nearest my job for lunch yesterday, and placed my order for this thing all the cool kids were raving about. I, then, proceeded to eat it in a parking lot in a safer neighborhood, ’cause this place is dangerous! What did I think? OVERRATED. I pretty much only tasted bun and pickles, which is odd because there was a sizable piece on chicken there. It was very crispy, but almost at the expense of juiciness. I can’t say it was “dry”, but it wasn’t exactly juicy and succulent. It’s certainly a filling sandwich, and I didn’t feel like “Huh, I could eat another one of those” when I was done. Still, I came here for the full chicken experience, and not just a brioche bun. I’d go to Panera if I wanted that. The chicken didn’t have much taste to it, while the bread and pickles were the only things that had *flavor*. Meanwhile, I thought the Cajun sauce would be doing the heavy lifting, but it’s just there, as a runny, mayo-based sauce. I’m willing to give it another chance, but I don’t think it’s exactly the King of Chicken Sandwiches. Not yet, at least. Still, nobody has cared this much about Popeyes on social media since we were all trying to decide who that Black chick was supposed to be in their commercials (does she own a franchise? Is she Mrs. Popeyes? Who IS she?!). That’s why the Popeyes Spicy Chicken Sandwich had the West Week Ever.

 

26th Jul2019

West Week Ever: Pop Culture In Review – 7/26/19

by Will

Look at that – I’m back a week after my last post! Speaking of that post, I had a lot of good engagement. I reconnected with old friends, and another good friend even wrote a response piece. That’s what I like to see!

I’ve been really slacking in the movie-watching department ever since my second daughter was born. I think I watched something, like, 13 movies last year. The year my first was born, I watched around 71! So, I’m trying to work on that, which is why I sat down and watched Barbershop: The Next Cut when I caught it on TV last week. Luckily it was only rated PG-13 in theaters, and you can get away with murder on basic cable these days, so it was hardly edited.

I’ve been wanting to see this movie for years, as I was a big fan of the first one (I barely remember the second one), but just never got around to it. At the end of the day, the plot isn’t what these movies are about. No, the star of the franchise is the barbershop itself, as a safe haven where Black men (and now women) come to learn the news and gossip of the day. It’s akin to a community center and church, but you can also get shape-ups. The thing about these movies is that I always felt on the outside looking in, as I haven’t traditionally had the Black barbershop experience. When I was much younger, my mom would take me to Mr. Bill’s, which was a traditional Black barbershop just over the DC line. Shit was dangerous and inconvenient, though, so I ended up at the Hair Cuttery near our house for the next few years. Then, there was the stint where she’d just cut it herself, as it’s pretty easy to just do the same length all over with clippers. So, it wasn’t until college that I got the TRUE barbershop experience. And, in true Will fashion, I fucked it up. Gather ’round, children, as I’m gonna tell you a lost adventure of which I’m not very proud.

So, at Cornell (did I tell you I went to Cornell?), there were really only 2 ways to get a haircut if you were Black: 1) you got it cut by someone at Ujamaa (the Black dorm – no, dorms weren’t segregated, but it was an option if you wanted to live amongst your people. I did not live in Ujamaa. I lived across the street, and looked at them from my window like a Jewish kid looking at the Christian family on Christmas morning) or 2) you went to JC Knight downtown. Every time I went over to “The Uj”, the reception was basically “Who the fuck are you and why are you here?” So, JC Knight it was. Knight’s shop was downtown, just off the Ithaca Commons pedestrian mall, and was highly popular. Every Black person in town knew him and his shop. So, one day I went down there and sat down waiting for my turn. Bad move. At the Cuttery, you just took whoever was available, so I didn’t understand the politics that I needed to request someone. So I think I sat a good hour before they even acknowledged me and were like “Um, you waitin’ for somebody?” I meekly said “Anyone who will take me.” Thus began my immersion into the Black barbershop experience.

I would go down to the shop about once a month (or whenever I hadn’t blown all my money on comics), and learn what had been going on in the Black world while I’d been studying up on The Hill. Sophomore year I started going less and less because that was the year of my S-Curl Experiment. Oh, you don’t know what an S-Curl is? Ugh, I need more Black readers.

So, an S-Curl is kinda like a Jheri Curl, in that your hair is processed, and you keep it wet looking by spraying “activator” on it every now and then. Think 80s Michael Jackson. It’s a lye process that basically straightens Black hair, but then you can do shit to it, like style it with gel and stuff. So, in my “Man, I sure would like to look like I’m in a boyband” year 2000 desperation, I did this to my hair. As such, I didn’t need as many haircuts because you wanted it to get long so you could do more with it. Every now and then you’d just need the sides touched up. And this was the beginning of the end.

You see, Knight and his boys knew I was sheltered and really didn’t have much “street cred”. I was just some innocent kid from Wheaton, Maryland, but I’m sure they probably said stuff like “He thinks he’s White.” People always said shit like that when I was in predominantly Black situations. It has taken me years to come to this realization that I’m about to share with you, but it just goes to show that I’m somewhere on the spectrum that it never occurred to me sooner. So, one time he cleaned up my sides, and when he was done it was time to pay him. God…I hate just thinking about this now. You know how you MEAN to say one thing, but something else comes out? OK, so the haircut was $20, and I wanted to tip, but I only had two $20 bills. I gave him both, and he was like “Are you sure?” *Sigh*

OK, like I had said above, I was spending every last cent on comics, because I could Cornell Card anything else I needed, and just charge it to the bursar. So, I knew that money in my hands would be a bad situation. What I MEANT to say was “Hey, it’s better in your hands than in mine.” However, I’m awkward and nervous at times. What I DID say was “Hey, you probably need it more than I do.” FUUUUUUUUUUUCKKKK. I basically pulled a Rich Frat Boy on him, and the saddest part was I didn’t even realize it at the time. It was years later when I was like “Oh, wait, that said in that way is pretty fucking bad.” I just walked out of the shop, thinking everything was hunky dory. So, the next time I went, nobody could fit me in. I had been blackballed by the barbershop. Knight DID do me a sold, though, by giving me a referral. He wasn’t gonna mess with me anymore, but his friend Carol, this White lady who worked at the salon in the mall, could cut Black hair. I think he played it off as not knowing what to do with the S-Curl, but we know what the real reason was. So, cast out of Black Eden, I proceeded to get my hair cut by Carol until I graduated.

About 10 years ago, I tried to reenter the barbershop world. I found a place in Silver Spring, but there are so many unspoken politics of the shop – not only the different ways to get into someone’s chair, but also learning what you can and can’t talk about. Does this shop think Obama does enough for Black people? Does this shop think Obama is a sellout? What about the Hotep guy in the corner? He’s probably got some off-the-wall thoughts on things. That stuff was just tiring, so I retreated back to the Cuttery, where some woman asks me how I’m doing, in broken English, and leaves it at that.

Anyway, Barbershop: The Next Cut was like revisiting an old acquaintance. We were never close enough to be friends, but our association was enough that I could wonder what might have been. If you’ve never seen this one, the gang violence around the shop in the south side of Chicago has increased, and Ice Cube’s Calvin struggles with the decision of whether or not to move the shop to the north side. Meanwhile, a bunch of stuff is going on in the shop, like Common is married to Eve, but Nicki Minaj is trying to break up their marriage (why did it take this movie for me to finally see Nicki and say “DAMN!”?). There are new barbers, played by New Girl‘s LaMorne Morris and The Mindy Project‘s Utkarsh Ambudkar added to the mix. When the violence reaches its peak, the shop decides to sponsor a weekend ceasefire to bring to community together. Meanwhile, you got all that good barbershop banter: What did Obama do for US? Can you blame THOTS for unfaithful men? And to quote a deplorable man, “There were good people on both sides.” Anyway, it was an enjoyable little movie, even if Hella predictable at times (that straight-laced, good boy didn’t stand a chance).

This week in comics, the X-Men franchise got something of a housecleaning when Jonathan Hickman took over, with House of X #1 as the start of his run. Now, I’m always apprehensive when Marvel starts touting a grand plan for the X-Men because of two reasons 1) I tend not to like those grand plans and 2) I feel it shits on the journeymen who were struggling to keep the books afloat between grand plans. Imagine you finally get your dream job of writing X-Men, only for your run to be forgotten as some palette cleanser between 2 big name writers. You either die Grant Morrison, or you live long enough to become Chuck Austen.

Now, one of the biggest X-Men relaunches was when Morrison took over “adjectiveless” X-Men and renamed it New X-Men (meanwhile, Chuck Austen was cranking out massive turds over in Uncanny X-Men). Morrison had a grand plan where humans discovered that they would be extinct in a few generations and mutants would become the dominant species. Characters were experiencing “secondary mutations”, resulting in newer appearances and powers. In true Morrison fashion, his ideas were “out there” and, while they brought a lot of attention to the line, Marvel proceeded to spend the next 5 years following his run undoing everything he had done. As then-Editor in Chief Joe Quesada said, they “had to put the genie back in the bottle”. So, enter Scarlet Witch, whose utterance of “No More Mutants” reduced the Earth’s mutant population down to a mere 198 characters. There goes any designs of taking over humanity when your entire species could fill a 737. Secondary mutations? Fake. Sure, a few characters from his run remained, like the Stepford Cuckoos and Xorn, but Marvel did their damnedest to erase the broad strokes of his story.

So, imagine my surprise when they started touting Hickman’s upcoming run as the most drastic, sweeping thing they’ve done since Morrison’s run. Well, first of all, RIP to all the writers who’ve manned the books since Morrison’s run ended in 2004. And next, I already know how this is going to play out. My fears were confirmed when I went to a midnight release for House of X and read the book. Verdict? NOT FOR ME. It really does feel just like a remix of the Morrison run, even though I’m sure there will be Hickmanian twists and turns. I can’t do Mutants Have The Upper Hand because I always wait for other shoe to drop.

In the book, it appears that Xavier and Magneto’s dreams have finally learned to co-mingle, and Xavier has a bunch of wonder drugs he’s willing to offer to humanity in exchange for them recognizing his sovereign nation of Krakoa (yeah, the island from 1975’s Giant Size X-Men #1).  We learn a lot about what the drugs do, and how the world’s governments feel about them. In true Hickman fashion, there are charts in infographics, so reading it makes you feel like you’re studying for a final, trying to glean every important detail from the page. Once again, we discover that not only is humanity on the verge of extinction, but that it’s approaching more rapidly than previously thought. The book ends with Magneto introducing mutants as the new gods of Homo Sapiens.

As we saw in Avengers/Secret Wars, Hickman is ALL about playing the long game. He will mine history and go for some deep cuts. It’s probably a rich experience for those who really commit to it, but I found myself bored early on with his Avengers run, and only came back for the pseudo-satisfying Secret Wars. I’m sure y’all are in for an interesting 4-5 year ride, but I don’t think I want a ticket for it. It’s a pretty sizable dose of Been There Done That, with more than a dash of I Simply Don’t Care. Not trying to be cynical because I WANTED to like it. It’s just not BOLD enough.

Meanwhile, characterizations didn’t feel right. Other than the Magneto/Cuckoos scenes, everyone else felt strangely out of character. I’m sure there’s a reason for it, but I’m not sure I care to invest 3 months in finding out WHY. Because we ALL know that the only way to get this genie back in the bottle is gonna be to have some kind of devastating No More Mutants event around 2024. If comics are still around by then…

The problem with comics is that they’re cyclical. They have to give the appearance of change without offering actual change. And I’ve often said that the average life cycle of a comics fan is about 15 years. Marvel’s counting on folks to have not read the Morrison run because, well, it was 15 years ago. So it’s not really a “crime” that Hickman seems to borrow heavily from it, as the fan base that read that story should have already cycled out of comics by now. Sure, some have stuck around, and they might be as vocal as I am about it, but I just feel it’s kinda cheap to go back to that well, no matter how much time has passed. It’d be like trying to mount the full-on Age of Apocalypse again (which would be nigh impossible in the Internet Age).

At SDCC, it was announced that the House of X/Power of X miniseries wrap up in October, at which point the actual ongoing series will launch. Maybe the dust will settle by then, and I’ll check out the franchise at that point. House of X, however, didn’t grab me enough to come back to this party on a weekly basis. If anything, I’ll read it once it’s collected.

Over the weekend, I took on the Herculean task of cleaning out my Gmail. I’m terrible with email, and I often say if you want to get in touch with me you’d better just tweet at me. On Saturday night, my inbox was over 7,000, but I got it to 198 by Monday morning. The biggest problem is that I don’t delete the junk immediately when it comes in. It also doesn’t help that I have Twitter set up to email me whenever I get a DM or a Like/RT.

The DM thing is funny because I have a record of conversations long after some folks have unfollowed me. If you’ve ever DMed me, I still have it in Gmail. And it was quite the trip down Memory Lane. People I’d forgotten about, who just, one day, stopped tweeting. Did they die? Were they deported? In most cases, I’ll never know. In a lot of ways it was sad. “Oh, here’s that trans gal who I supported during her difficult transition, but unfollowed me out of the blue.” Or “Oh, here’s the girl who might’ve catfished me, but I’ll never know because her sister now says she’s dead”. Yeah, I’ve lived a crazy life online. It’s just interesting how people can come into your life, and you make what you consider to be meaningful connections with them, and then they can leave just as easily as they entered.

Trailer Park

Ready or Not

Man, White people won’t let us have anything! This is just White Get Out.

Zombieland: Double Tap

I honestly didn’t care about this thing until Rosario Dawson showed up. I mean, I enjoyed the original, but it really doesn’t hold a special place in my heart, nor did I just love the characters. I guess it’d be interesting to see what they’ve been up to all these years, but this is not a theater movie for me. I’ll be streaming it somewhere.

Playmobil: The Movie

First and foremost, I’m just bracing myself for folks to mispronounce the brand’s name. It’s Play-mo-BEEL. It’s European, you uncultured swine! Second, this is just sad. We all know WHY they’re doing it, but they never seemed to stop to discuss whether they SHOULD. They’ve kinda sold out, and this is a prime example of that.

When I was growing up, Playmobil was a high-end brand, bought by upper middle-class White parents who wanted their kids to have the “action figure experience”, without it being tied to some sort of cartoon or movie. It promoted creativity and, while not a brick system, its pieces were modular. You know the kids who had Playmobil: unless their parents were European, it was usually that kid who was allergic to something weird, like foods that were red. And he always wore corduroy. In recent years, however, they’ve tried to “diversify their bonds” by taking on licenses, like Ghostbusters and How to Train Your Dragon. I get it. Gotta do what you can to survive. But a movie? One that doesn’t even look remotely GOOD? PASS. I just hope this thing doesn’t drag the toys down with it.

The Rocketeer (Disney Junior)

Surprisingly no one is talking about this trailer that debuted last weekend at SDCC. OK, honesty time: I’ve never seen The Rocketeer. Based on the ratio of Likes to Dislikes on YouTube, those who have seen it aren’t too keen on this show. I think it looks cute, and I know my girls would enjoy it. This might be as close to superhero stuff as I’m gonna get with Evie, so I’ll take it.

Power Rangers: Beast Morphers (Nick)

Though the show is currently on hiatus, this trailer that also debuted at SDCC confirmed a longstanding rumor: original Red Ranger, Jason (played by Austin St. John), would be returning to the franchise next season. Now, I always felt that Austin AND his character had the charisma of a wet paper bag, but I think everyone is tired of Green/White Ranger Jason David Frank, so I’ll take it.

Harley Quinn (DC Universe)

I enjoyed this sizzle reel of the upcoming series, but not enough to actually subscribe to the DC Universe streaming service. The animation looks choppy at times (see the scene where she’s flossing out of the room), and I think I’d prefer Rauch to Cuoco if we HAD to cast a Big Bang alum. I don’t think the service is long for this world, so hopefully this show doesn’t get lost in the shuffle, and at least comes out on Warner’s streaming service, HBO Max.

Star Trek: Picard (CBS All Access)

SHUT UP AND TAKE MY MONEY! WHY ARE YOU STILL HERE? TAKE IT!

I have been adamantly against the CBS All Access “experiment”, and my love for Trek wasn’t strong enough for me to subscribe for Discovery. But THIS?! Seven of Nine?! And Sirtis and Frakes have confirmed that Riker and Troy are coming back?! Oh, sign me the fuck up! You got me, CBS.

Things You Might Have Missed This Week

  • In a surprising move, Seth MacFarlane announced that his sci fi drama The Orville would be moving to Hulu for its 3rd season. Apparently he needed more time to deliver the episodes, while Fox needed to fill its schedule. So, with the Hulu arrangement, the show won’t return until late 2020.
  • Thank you, Yahweh! Avengers: Endgame has finally unseated Avatar as the highest grossing movie in the world. Now, I’ve actually never seen Avatar, but it always bothered me that something with absolutely no pop culture footprint sat atop that chart. Yes, I know the film was responsible for advances in film making, but that’s not enough for me. I want lunchboxes! So, bye, Avatar!
  • It was announced yesterday that the Will & Grace revival would end after this fall’s 11th season. I guess that’s sad news to someone, but I never acknowledged the revival since it would have to retcon the show’s original finale.
  • Damon Lindelof has clarified that the upcoming HBO Watchmen show is NOT a reboot of the classic comic miniseries, but rather a sequel set 30 years after the original.
  • It was a big week for comic adaptations, as AMC is developing a series based on Image Comics’s Farmhand, meanwhile Amazon is developing a series based on Image’s Paper Girls.
  • Brandon Routh will be suiting up again as Superman for the first time since Superman Returns, in The CW’s “Crisis On Infinite Earths” event this fall. Since they can’t use the Returns suit, he will actually don the “S” of Kingdom Come Superman.
  • After “saving” it following its cancellation at ABC, Netflix has cancelled Kiefer Sutherland’s Designated Survivor. It’s almost like it was based on a shaky premise with no real longevity, huh? Look for talk of that 24 movie to heat up in the next few months…
  • Lifetime is prepping a movie based on the Lori Loughlin college bribary scandal, and I’m left wondering if she can play herself. I mean, who else is a “Lori Loughlin type” whose quote is in line with what Lifetime is willing to pay? Some good recommendations from Twitter were Dina Meyer, Paige Turco, and Jennie Garth.

It was a huge week for Marvel Entertainment, as they revealed a ton of things during San Diego Comic Con last weekend. First, we got new Marvel Legends toy reveals, including some figures a lot of folks had been clamoring for, such as Squirrel Girl, a redesigned Jean Grey and a beautiful Doctor Doom.

And for their MCU figures, they revealed that “Dude” Thor would be the Build A Figure for an upcoming all MCU wave of figures:

For a full list of what’s coming out from the line, check out my pal over at AwesomeToyBlog!

But the excitement didn’t end with the toys. Marvel also unveiled their Phase 4 slate of the Marvel Cinematic Universe. We already knew about the Disney+ shows, including WandaVision, Falcon and the Winter Soldier, Loki, What If? and Hawkeye. No, the real surprises were the film reveals, including Eternals, Thor: Love and Thunder, Black Widow, Doctor Strange in the Multiverse of Madness, and Shang-Chi: The Legend of the Ten Rings. And just when everyone thought they were done, they announced Mahershala Ali would be starring in a new Blade film.

While these announcements took folks by surprise, there were some glaring omissions: Black Panther 2, Captain Marvel 2, Guardians of the Galaxy Vol 3, etc. Kevin Feige promised, however that these are still in development, as well as plans for the Fantastic Four and the mutant contingent.

Quick thoughts on each film:

Eternals – I know nothing of the source material, but it’s got Angelina Jolie, Kumail Nanjiani, Salma Hayek, and Brian Tyree Henry in the cast, so that’s good enough for me. Maybe it’ll take us by surprise, like Guardians did.

Thor: Love and Thunder – I don’t really know if we needed Thor 4, but I guess they’d be leaving money on the table by not doing it. The biggest surprise is that Natalie Portman is returning as Jane Foster, who will also become the Mighty Thor, just as in the comics a few years back. It’s just funny that, for years, I heard Portman was difficult to work with, but apparently not that difficult if they’ve brought her back.

Black Widow – I still say this thing is a day late and a dollar short. Plus, if Scarlett keeps opening her damn mouth, she’s gonna kill any goodwill folks have towards this movie.

Doctor Strange in the Multiverse of Madness – Finally, a movie that will do what Far From Home did not: explore the Multiverse. Still, I felt Doctor Strange’s first movie was “meh” (It was basically a remixed Iron Man, with half the charisma), and it’s being billed as the MCU’s first horror film, which ain’t exactly my genre. I’ll still see it, though.

Shang Chi: The Legend of the Ten Rings – This one was somewhat surprising in that it actually seemed to confirm a fan theory that I’d seen online before it was announced. Someone had said “What if Shang Chi’s father is the REAL Mandarin?”, instead of the fraud we got in Iron Man 3. And while that’s not necessarily the plot (that we know of), it does seem to be headed in that direction, with the mention of the Ten Rings.

Blade – I don’t love those Wesley Snipes movies like the rest of y’all. I think I only saw the first one anyway. So, I welcome a change. Snipes is too old anyway, but I’m sure they’ll work him in there as something. Maybe a mentor character or something.

So, while they walloped us with surprises, I still feel like the slate is missing a bit of Wow Factor. With Thor as the elder statesman of the MCU, I’d like a few more familiar properties to anchor this phase, with the newer stuff sprinkled in. Like, it’s time for Doctor Strange 2, but Blade could’ve waited, as could Eternals. I guess they’re trying to get a new trilogy off the ground, but there are a lot of untried concepts here. It’s not like they can easily make a Black Widow 2 by just shoving the movies between preexisting films, as there are no stakes if we already know how her story ends. I mean, Chadwick Boseman is already 41. We need to crank out 2 more Panthers while he still can! Anyway, they’re taking a lot of chances here. It’s not that it’s unearned, but it does feel a bit like hubris.

At the end of the day, I think it’s safe to say that Marvel won Comic Con. Back in the day, that was a thing. “Who won SDCC?” This year, I couldn’t even tell you any comic news that was announced, other than some auxiliary X-books that don’t sound too interesting. Did DC even show up? So, some might say it wasn’t even a competition this year, but whatever. Marvel came away from the show on everyone’s lips, and that’s why Marvel Entertainment had the West Week Ever.

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