16th Nov2018

West Week Ever: Pop Culture In Review – 11/16/18

by Will

So, it’s been THREE WEEKS since I actually covered “pop culture” on here. And ya know? Ain’t a whole lot happened in that amount of time. I mean, I’ve been fighting to get my White House press credentials restored, but other than that things have been pretty lame. Sure, you may think there was news, but there really wasn’t. Let’s see what I can pick out this week, shall we?

So, I did something I haven’t done in a while: I watched a movie. At home! Lindsay went out to the store, and Evie was mesmerized by Ryan’s Toy Reviews on her tablet, but the TV was left on Megamind. From the beginning. Lucky me! Now, I know I’ve seen parts of it before on a plane, but I fell asleep on it, so that doesn’t count. Why did this movie bomb? I seem to remember it bombing. *checks Wikipedia* Yup, one of the lowest-grossing DreamWorks CG movies to date. That’s a shame, ’cause I really enjoyed it.

If you’ve never seen it, it’s Will Ferrell at his “hamiest”, voicing the supervillain Megamind. He and the hero Metro Man both crashed on Earth as babies, but they ended up with very different lives, despite growing up around each other. Jealous of the attention that Metro Man got from peers, Megamind eventually turned to villainy, and this cat and mouse game develops over the years. That is until Megamind goes too far in one of their battles, seemingly killing Metro Man. Now, without a foe, Megamind begins to realize that villainy really isn’t that fun – especially when he falls in love with reporter Roxanne Ritchi. Now he has to lead a double life as both Megamind and “Bernard” (the guy he’s disguised as when he dates Roxanne), while a new villain rises in Metro City. Will the villain become the hero? That’s all I’ll give ya, ’cause I really think you should see it yourself.

It was one of those rare times when I couldn’t identify the voice actors, and I don’t know if they took me out of it, or if it actually helped to pull me in. I mean, I was surprised to discover that Tina Fey was Roxanne, but even more surprised to find that Brad Pitt was Metro Man. Jonah Hill’s character? Totally thought it was Nick Swardson. So, cute movie, great cast. I’d recommend it. I am tired of seeing those Happy Meal toys at thrift stores, though…

Nothing convinced me of the fact that I’m simply not a Star Wars fanatic more than the news than came out over the past week. First up, there’s going to be a Rogue One prequel series on the Disney+ streaming service, starring Diego Luna reprising his role as Cassian Andor. Yeah, that’d be great if I didn’t already know how he dies. I don’t like prequels for characters who we’ve seen die because there are absolutely no stakes. It might as well be Star Wars: Cassian’s Root Canal. That’s how interesting that sounds to me. It’s always odd to me that fans love Rogue One and hate The Last Jedi when I had the opposite feeling on both of those movies. I don’t need gritty suicide missions in my Star Wars. I felt like every character in that movie was a cliche. That’s why nobody knows their names. Sure, there are fans who’ll get butthurt when you say that, and respond “It’s Chirrut Imwe!”, but I’m content just calling him “Blind Guy”, thankyouverymuch. Anyway, they were created simply to die, and die they did.

Plus, what is there to really do with Cassian? They’re gonna make him a lovable rogue who hates authority. Congrats, Disney: you’re effectively giving us Mexican Bootleg Han Solo! Anyway, I’m curious to know if there’s a version of Rogue One out there that I’d actually like. I mean, between reshoots and edits, what we got was an entirely different movie than the one they initially set out to make. Maybe that’ll come through on the series? I’m not sure, but I’m not the target audience.

Next up, they announced some casting for The Mandalorian, and again, I was unable to go from 6 to 12 from that news. Game of Thrones actor Pedro Pascal is reportedly going to be the lead in the series, but I’ve never watched Game of Thrones so that means nothing to me. Meanwhile, someone somewhere is going “Why they fillin’ up mah Star Wars wit’ Mexicans?!” Yeah, he’s from Chile, but the person saying that doesn’t know the difference between the two… Also, they announced that former MMA star Gina Carano had been cast. That’s the moment I lost all interest. Are we still trying to make her a star? Look, I’m sure she’d make a fine stuntwoman, but acting ain’t her strong suit. Has everyone forgotten how all her dialogue from Haywire had to be overdubbed?! Is she going to be a droid? Anyway, y’all have fun with The Force, but none of this is for me.

Trailer Park


Toy Story 4

Yeah, I don’t need this. Look, I know y’all love Toy Story, and I know it put Pixar on the map, but I’ve never really taken to this franchise. Yeah, go ahead and be shocked, but that’s how I feel when one of y’all tries to say that the first 10 minutes of Up do nothing for you. BASIC! Anyway, I know the last movie kinda served as a springboard for new adventures, but it doesn’t mean they have to show them all to us. It was enough to know that the toys got a new home and a new lease on life. I don’t need to watch Bonnie grow up, and then pass them on to some other kid like Andy did. They had a GOOD stopping point. Why ruin that? Oh yeah. Money.

Fighting With My Family

Huh. I never had any interest in this film until watching that. Sure, I love Nick Frost and Vince Vaughn, but I’ve never really cared much about Paige. I mean, when “the leak” happened, I ended up seeing way more of her than I ever imagined, but I’ve never cared about her wrestling. I know WWE is giving the women’s division more of a push these days, but I’m kinda cold on the company right now, plus Paige isn’t really in-ring talent at the moment. So, this won’t bring me back to wrestling, but I’d definitely like to see this movie.


Spies in Disguise

What the fuck is this?! Does Will Smith need money? Do we need to start a GoFundMe, or is he already on Patreon? This movie looks like it was spawned from those “Why can’t James Bond be Black?” thinkpieces, and then Hollywood got involved and was like, “OK, he can, IF he can also be a bird”. There’s this longstanding stigma in Hollywood that every Black comedian has to, at some point, don a chicken suit in some Stepin Fetchit attempt to make them less threatening to some White audiences. This is Will Smith’s chicken suit. Plus, I don’t care if Blue Sky made the Ice Age franchise – I’m commoner trash, so I want my animation from Disney or Dreamworks. Otherwise, GTFO!


Detective Pikachu

So, this is basically family friendly Ted, right? I mean, I can dig it. I’ve got a lot of questions about the world in which it’s set, but there’s already a built-in audience for this, considering Pokemon GO almost settled the Israel land disputes. Seriously, I was amazed when the entire world was playing it, and I’m still amazed that there are millions of folks still playing it undercover. I see you walking in that park! I know you don’t give a shit about fitness!

Things You Might Have Missed This Week

  • Apparently the title for the third installment of the Will Smith/Martin Lawrence cop franchise will be Bad Boys for Lif3. Huh. Why not just go the extra mile and replace “for” with “4”? Oh, and the “s” with a “z”? Bad Boyz 4 Lif3. There’s your edgy title!
  • Speaking of Will Smith, son Jaden may have come out as gay this week, as he told a festival crowd that Odd Future’s Tyler the Creator was his boyfriend. I’m not really surprised, as I always considered him gender fluid anyway. Plus, he’s weird Hollywood royalty, so you could tell me he’s in a serious relationship with a Mitsubishi Eclipse, and I’d be like “Huh. Nice choice.”
  • Netflix has cancelled The Good Cop after one season. Let me tell you, I had NO IDEA this thing was a cop drama starring Tony Danza and Josh Groban. I saw an ad for it, and I thought it was about a Black cop who doesn’t give a shit because he’s so close to retirement. Apparently that IS one of the characters, but he’s not the star. I actually wanted to watch that show.
  • Tom Cruise is done with the Jack Reacher franchise, as he is reportedly too short for the role. It’s not like it matters, though, because they’re refocusing it for television instead of movies, and Tom Cruise ain’t doing TV any time soon.
  • Fans won’t be saying “Happy Christmas” to The Doctor this year, as there will be no Doctor Who Christmas special for the first time in 13 years. Instead, however, there will be a New Years special, but fans already seem ready to start a war about this.
  • Since CBS All Access is really just CBS: We Have Star Trek So Please Give Us Money, there are reports that there’s ANOTHER Trek show being developed – this time, focused on Michelle Yeoh’s Star Trek: Discovery character, Philippa Georgiou. I still haven’t watched season 1 of Discovery, but every news story spoiled what happened to her character, so I’ll let you look up the details yourself.
  • 2019 is shaping up to be a banner year for STDs, as MTV’s Spring Break will make its triumphant return, along with a reboot of Temptation Island on USA Network.
  • Tim Tebow will be hosting a new competition show called Are You There, Jesus? Kidding. It’s actually called Million Dollar Mile, where it’s basically American Gladiators against professional athletes. Yeah, I think my show sounds better.
  • Malibu! Malibu! Malibu is on fire! We don’t need no water, let that motherfucker…Oh shit, there goes the Westworld set!
  • Alec Baldwin punched a guy over a parking space, but that’s basically a regular Tuesday for him.
  • Hey, remember how y’all hated Venom? Well, it still debuted at $111 million in China, as Sony’s biggest Chinese launch of all time. Oh, and it’s made $674 million globally. Yeah, we’re getting that sequel, and I ain’t mad.
  • Vanessa Bayer, formerly of Saturday Night Live, is developing Big Deal for Showtime, in which “a woman overcomes childhood leukemia to achieve her lifelong dream of being an on-air host on the Home Shopping Network. Huh. This just sounds like an SNL sketch. And not a good one. Apparently, Bayer did overcome childhood leukemia, and it’s nice to see she’s creating her own roles, as Hollywood is otherwise just gonna pigeonhole her as “perky best friend” in the rom-com genre.

So, I took last week off because it was a holiday weekend, but I gave a rare social media-only West Week Ever to my friend Mary Ann Borer. We “met” through a Facebook group a couple of years ago, and she’s become quite the friend of the site. So, imagine my surprise when she became the reigning Jeopardy! champion. She even went viral for her Sailor Moon salute. The Teen Tournament is currently going on, but I can’t wait for it to end so she can get back to kicking ass. So, for the record, last week, she had the West Week Ever.

I don’t even know where to start with this one. I’m not going to eulogize him ’cause enough sites have done that. I don’t even know if I can do a “What Stan Meant To Me” angle. I’ve spent the past few years pretty much waiting for what happened on Monday. I had made my peace with it once the stories of the suspected elder abuse surfaced earlier this year. To me, Stan “The Man” Lee was already gone, and his handlers were pretty much Weekend at Bernie’s-ing him to get at his fortune. When Wizard magazine went under, the first thought I had was how they wouldn’t be around to have a special commemorative edition when he passed. But I still wasn’t ready on Monday. We lost Stan.

As much as I love pop culture, I’ve never been much of a “starfucker”. I’ve come in contact with a handful of celebrities in my life, but there were only 3 that I ever simply HAD to meet: Adam West, Stan Lee, and Jason David Frank, the greatest Power Ranger of all time. For two of those, I knew the clock was ticking as they were getting older, but they were surrounded by vultures, so the cost of that opportunity kept going up. I paid $300 for a VIP package to meet him at Baltimore Comic Con back in 2011. That’s a lot of money, but not once did I ever question it. This was STAN LEE. I don’t think I’ve ever spent that much money with that little thought put into it. To me, it was a given. I was meeting The Man. After all, “He’s not going to be with us long” was always in the back of my head. And now he’s not.

I always hate the whole “He’s in a better place now” phrase, but I honestly feel that way for Stan. His last few years just seemed miserable, and it was sad to watch him go through it all. Ever since he lost his wife, Joanie, he hadn’t been himself. And now he’s with her again. I don’t care what you believe. There could be an afterlife, or maybe they’re just together in the ground, turning into dust. I feel like whatever it is is probably better than drifting in and out of coherence, while my slacker daughter keeps visiting to ask for money.

Stan meant a lot to a lot of people. That goes without saying. Like any man, he had his faults. And as great as his creative highs were, he also had creative lows. He was a man who would put his name on literally anything. He was the epitome of “Fuck you, pay me”, but he always did it with such enthusiasm, and a smile on his face. The cash grabiest cash grab seemed like a decent idea when he went out to cheerlead for it. The Backstreet Project? Even at the height of the Backstreet Boys’ fame, this was a long shot. Chakra: The Invincible? Over 1.2 BILLION people in India, and none of them gave a shit about that thing. But that’s just a testament to the Stan Lee name. His past paid for his future. Co-creating X-Men, Spider-Man, and the rest opened every door for him for the rest of his life. And I don’t think Stan ever came across a door that he didn’t enter.

His huckster enthusiasm is what we know most about him, though, and it was infectious. He really made you feel like he believed in everything he put his name on. Even as you were at home, shaking your head in disbelief, he was telling you, “No, seriously, this cartoon about Pamela Anderson as a stripper/superhero is gonna knock your socks off!” Instead of the guy who had already made his nut, he approached everything like it might finally be his big break. I’m not sure if there was some guilt over who created what back in the day, or if he just needed to keep the creative juices flowing. Either way, you believed HE believed in Stripperella, even if you and everyone you knew had no intention of ever watching it.

It’s amazing to see someone that enthusiastic about anything in this day and age – to believe in the things to which you’ve aligned yourself THAT MUCH. He could say, “Well, donkeys sleep upside down, True Believer!” and you’d be like, “Well, fuck. I never knew that!” HE MADE YOU BELIEVE. That’s why his creations are so effective, and have touched so many people. You KNEW a Peter Parker. You KNEW a Bruce Banner. And even if it was something you’d never encountered, he made you believe and understand it, too. Name someone else who can do that. I’ll wait.

I don’t think it has fully hit me. I had to get offline when the news hit because it’s the Internet, and the pro-Kirby/pro-Ditko, pro-any collaborator crowd was sharpening their pitchforks and practicing their grave dancing moves. I didn’t feel like dealing with any of that. Now the dust has settled, and everyone has posted their own eulogies and retrospectives, so I appreciate you taking the time to read mine. I think it goes without saying that Stan Lee had the rare distinction of having the West Life Ever. Excelsior!

02nd Nov2018

West Week Ever: Pop Culture In Review – 11/2/18

by Will

So, not much has really happened since last we met. Sure, Megyn Kelly Today got cancelled, and the WWE’s Crown Jewel is taking place in Saudi Arabia as I type this. So, “Ya win some, ya lose some”? I pretty much have nothing “newsy” to talk about today. So, I thought we could have a conversation instead. Have a seat. Not that one. That one’s my seat.

OK, so talking to some friends lately has made me aware of a sense of existential dread that I didn’t fully realize I had. I mean, what am I doing here? I’ve never really looked back to see when West Week Ever started, but I know it’s been almost 5 years at this point, if not longer. All those years, looking at pop culture, trying to be funny and snarky where possible. That’s all fun and good, I guess, but what does it ultimately get me? These days, I “critique”, and sometimes even “soapbox”. And not all that well. It’s just MY take on things, but not THE take on things. Nothing I do is definitive. I don’t have that clout or experience. So, I’m dealing with the question of whether I want to critique or create.

I used to be creative. “Artsy”, even. I played piano, did all the high school musicals. All that jazz. And let’s not even touch on the a cappella stint. I had expectations of doing something with that. Anything. Maybe it’s the fault of the millennial trap, where all of our parents assured us that we were special. I kinda thought I’d be a bigger deal by now. How? Doing what? Who the Hell knows.

Sure, I’ve got my family and a job and all that, but something is missing. I miss being creative. I miss having that outlet. Every year when NaNoWriMo comes out, I’m like “I could do that.” Folks have told me I’m a good writer, so even if they were blowing sunshine up my ass, why haven’t I listened to them? I have people who’ve come into my life who are award-winning writers and music producers. They found their thing and went after it. What’s my thing? I’m having what I would like to call my John Tesh Moment.

At some point over the past 20 years, John Tesh became this pop culture joke, brought up whenever anyone deigns to talk about New Age music. I don’t think folks really understand the whole picture there, though. That was, like, Phase 2 of his life. He started out in news, as both an anchor and sportscaster. That got him noticed for the job where you were probably introduced to him, as co-host of Entertainment Tonight. For 10 years he held down that desk with Mary Hart, and they were THE de facto ambassadors of Hollywood to the common man. There was no Extra, Access Hollywood, TMZ, etc back then. Just like Robin Leach let us know how the rich and famous lived their lives, Tesh and Hart could actually take us to the movie set, where the “magic” was happening. Still, while doing this, he had ambitions of his own: music.

With no real onstage experience, he asked his pal Yanni if he could join him on tour as a keyboardist. This opened a LOT of doors for him, as he’d go on to compose the theme song to Bobby’s World, as well as the NBA on NBC theme. Seven years after that tour with Yanni, Tesh was headlining his own shows at Red Rocks. That’s when he became JOHN TESH. Now, because folks like to make fun of his genre, it’s also when he might’ve become the joke, as well. Still, this was John Tesh 2.0, and boy has he been successful! He’s released over 30 studio albums and his concerts are a mainstay of PBS pledge drives. When he comes up in conversation these days, it’s never about Entertainment Tonight. Instead, it’s either about his music or this new self-help guru role in which he seems to have found himself. He and wife, 80s actress Connie Sellecca, manage a brand called Intelligence For Your Life, and he’s got a syndicated radio show. He’s 66 now, and he left ET when he was about 44. That’s a late in life career shift, but it is possible.

What am I getting at? I don’t know. I’m not trying to leave West Week Ever behind. I just feel like I could be doing more (and don’t you DARE say a podcast).  Critiquing only goes so far. I want to create. I want to leave some sort of impact. Anything to not feel like I didn’t put all the cards on the table.

The world’s a crazy place right now. I don’t need to get into all of that. Still, what can I bring to the world that it needs? What do I have that the world wants? What am I going to do with my John Tesh Moment?

Anyway, I think we’re good here. You can get out of that chair now. I’ve got to go pee, so just lock the door behind you.

26th Oct2018

West Week Ever: Pop Culture In Review – 10/26/18

by Will

Sometimes I need to take a week off just so I can come back fired up – and I am FIRED UP this week!

Whatever happened to the days when we just let people say stupid shit and we just shook our heads and kept it moving? Yes, I’m talking about Megyn Kelly. The NBC talk show host came under fire this week, as she was discussing Halloween costumes with a panel of guests, which included Melissa Rivers and Jenna Bush Hager. Kelly was appalled by the restrictions that some universities were putting on certain Halloween costumes, such as prohibiting people from dressing as things like cowboys.

The conversation soon switched to the topic of blackface, as Kelly mentioned that you get in trouble as a White person for dressing up in blackface, but that it was seen as OK when she was younger, as long as you were dressed as a character. The panel somewhat disagreed, and Rivers pointed out that the concepts of politeness and decency seem to be missing in today’s society, and that if you think you might be offending someone, then you probably are. Kelly seemed to sort of take this in stride, the segment ended, and she moved on to talk about some other morning show fluff, like “How to clean your sock drawer potpourri” or whatever. That’s what you’ll see in this clip:

See? Not really a huge thing. I mean, sure, Kelly was wrong, but this is the same chick who argued that Santa Claus was White (Psst! He’s not real!). But you wouldn’t think the situation played out like that based on every report of it on the internet. It was Racist Megyn Kelly Strikes Again! And Tone-Deaf Kelly Doesn’t Understand Racism of Blackface! Um, did you watch the same clip I did?

Let’s point out a few things. First of all, her audience was ’bout it ’bout it when it came to this topic. And it was a diverse audience. I’m not saying what she said was OK, but I’m saying that she was clearly among “her people”. Next, I think it bears pointing out that the topic didn’t really linger. In what’s an 11 minute clip, the whole blackface part took up about 2.5 minutes. It’s not like she dwelled on it, or even tried to argue her side too much. She evoked the image of Real Housewives of New York cast member LuAnn de Lesseps dressed in blackface as Diana Ross, and said, “I thought ‘Maybe she just wanted to be Diana Ross for a day’.” If you ask me, what Kelly said was ignorant, but not racist.

We live in a society that shuns ignorance. No one wants to be the one to ask the “stupid question”, or admit when they don’t know something. At times this coincides with some dicey topics, like race. You’re not really going to get an understanding, however, unless you confront these things in conversation. We have to talk about things! Yet that’s not how we live. We all pretend to know everything, since all knowledge can be found in the palm of our hand. And when someone deigns to ask a question, the impatient simply retort “Google is your friend.” Great. Good talk.

Sure, racism is a by-product of ignorance, but ignorance can sometimes be innocent. Now, we can paint all sorts of things we want onto Megyn Kelly because, again, she’s the chick who swore up and down that Santa Claus HAD to be White. I get it. But I’m not seeing the Evil White Media Racist here that everyone seems to want me to see. I’ve had a lot of opinions where I was probably on the wrong side of history, and this is just another one of them.

Now Kelly’s future with NBC is in jeopardy. She had to apologize for her statements later that day, and then her words were publicly denounced by NBC News chairman Andrew Lack. Then it was reported that the cast of House of Cards pulled out of a planned appearance on her show, due to her remarks. Later on, however, House of Cards cast member Greg Kinnear (remember him?!) said that the cast was told that Kelly had jury duty, which is why the appearance was cancelled. Whatever happened, reruns have been airing instead of live episodes since the event. There are reports that Kelly had met with NBC brass recently and expressed the desire to get back to “real news” coverage, as she hasn’t taken to the lighter side of morning talk. Now, however, it appears the network wants her out, and she’s reportedly demanding a payout of the rest of her contract.

OK, meanwhile, Fox News just announced that their streaming service, Fox Nation, will launch November 27th. So, you mean to tell me that former Fox News darling Megyn Kelly’s highly publicized NBC deal is falling apart just as Fox announces their entry into the streaming market? A streaming service that’s going to need a big name to help launch it? And I’m supposed to think these are just coincidences? This is all orchestrated. Ya know how I know? Because I look at that clip, and I don’t see any fireable offense taking place there. No, this is a mountain being made out of a molehill, and social media and the court of public opinion are being used to throw fuel on the fire. Someone at NBC clearly wanted her gone (word on the street is that it’s Al Roker), while she needs somewhere to land when they snatch the rug out from under her. Mark my words: she’s going back to Fox, and she’s going to double down on her “conservative Megyn Kelly” persona. After all, the folks who were behind her sexual harassment claims at Fox are either gone and/or dead. The time is ripe for a homecoming, and she’s got a lot of fuel against the Liberal Media for how she was treated during this “ordeal”. Great job, Liberals: you just helped one of your greatest foes level up.

So, you got Megyn Kelly fired. Meanwhile, trans folks are potentially about to be erased, and bombs are being sent to prominent Democrats. But I’m glad to see y’all focused on the real issues…

You thought I was done? Oh, I’m just getting started!

So, during my blogging break, Netflix cancelled Iron Fist, and all the folks who were like “How the fuck they gonna have a White dude as Iron Fist? They better cancel that show before it airs!” suddenly turned into “Oh Noez! How dare Netflix cancel Iron Fist?!” people. It was actually quite the thing to witness. I wish I’d kept the receipts from a year ago. Anyway, Netflix totally doubled down, and cancelled Luke Cage just a few days later. And then the armchair quarterbacks came out: “Oh, they’re totally gonna make Heroes for Hire instead.” Or “Disney’s just gonna put them on their streaming service.” I don’t know about the former, but you’re wrong about the latter, and here’s why:

While we don’t know streamer ratings, we know that pretty much everyone hated the first season of Iron Fist, while they felt Cage seasons were too long. Add in the fact that the Netflix shows are tangential, at best, to the Marvel Cinematic Universe. Disney is putting actual MCU actors on the streaming network, so I don’t see them wasting their time and resources on the Great Value properties.

Next, let’s look at the politics at play. The Netflix shows are produced by Marvel Television, while the Marvel Cinematic Universe films are produced by Marvel Studios. Those two divisions HATE each other. Lots of bad blood, which is why Agents of S.H.I.E.L.D. is the only show that takes place “firmly” in the universe of the films, as it was established before all the shit went down. Everything established later has been in this nebulous “Maybe it’s in the MCU/maybe it’s not” gray area. When the streaming service was announced, they specifically pointed out that the Marvel shows on the service would A) be entrenched in the MCU, and B ) produced by Marvel Studios (and not Marvel Television). So, long story short, the Netflix shows didn’t get invited to the party because of their origin with Marvel Television. Also add in the mature nature of the Netflix shows, while it’s been pretty widely reported that Disney Play won’t venture past PG-13 content.

So, Iron Fist and Luke Cage may live to fight another day, but it ain’t gonna be on Disney’s streaming service. One theory I’ve heard is that they might end up on Hulu, should Netflix ever give up the rights, as Disney will be the majority shareholder of Hulu after the Fox deal closes. As with most things, however, we’ll just have to wait and see.

Yesterday it was announced that Rick & Morty head writer Mike McMahan has been hired to develop the animated Star Trek: Lower Decks series for CBS All Access. And I think this is a horrible idea. I know that the Trek TV franchise has been pretty dormant in recent years, but CBS All Access is wasting no time diluting the fuck out of it now. Seriously, there is an announcement of a new Trek series almost weekly, to the point that I’ve lost track. Right now, there’s Star Trek: Discovery, Star Trek: Short Treks, Star Trek: There Are Four Lights (which is my working title for the Picard-centered show), and now there’s Star Trek: Lower Decks – all for CBS All Access. There are about to be a LOT of discussions about what IS and ISN’T “Star Trek“. Animated series from a Rick & Morty writer? Yeah, that ain’t Trek.

I know I’m biased, but as a lifelong Trekker, I’ve always felt there was some pomp and ceremony to the Star Trek franchise. In a lot of ways, you could say that it’s a franchise that tends to take itself too seriously. That’s why I hesitate to embrace something, officially licensed, that pokes fun at that. Sure, over the years there have been fanzines and things like Star Wreck that parodied Trek, but this show, which is supposed to focus on the unnamed crewmen who help run things on an unimpressive Starfleet vessel, sounds like something in the vein of those parodies, and I think it takes away from the franchise rather than adds to it. It feels a lot like Star Trek selling out. Maybe they’re trying to make it accessible to new audiences – ones who may have been put off by the “rigidity” of prior series, but I’d argue that rigidity is part of what makes Star Trek what it is.

My pal Peter pointed out that it’s worth comparing how CBS is treating Trek to how Disney is treating Star Wars. At a glance, Lower Decks feels like something you’d get from the Star Wars franchise. It seems like it’s in the same spirit as the Tag & Bink comic series that Dark Horse put out many moons ago. That was a comedic take on the Star Wars movies, as seen through the eyes of two Jedi in training, who kind of “Forrest Gump” their way through the important events of the original trilogy. A lot of folks liked that series, but keep in mind that it was a comic. It wasn’t seen by the vast majority of Star Wars fans. So, it was treated like the niche thing it was. Lower Decks, however, is being given the same platform as the current, “core” Trek series, Discovery. If they wanted to make some web shorts or something, fine, but a full series (with a 2-season order, at that), just seems to legitimize something that shouldn’t really exist.

Back to the Trek/Wars comparison, I feel like, despite the backlash to The Last Jedi, that Disney is doing it right when it comes to the Star Wars franchise, primarily because they “spread the wealth”. There are the movies, but there’s also the animated series on cable, there’s the upcoming series for Disney Play, and other outlets. Meanwhile, CBS is blowing their entire wad on All Access. They know folks aren’t shelling out a monthly fee for that Tim Meadows cop show, or that spinoff of The Good Wife. No, the ones who are subscribing are doing it, begrudgingly, for Star Trek, BUT there are a LOT of Trek fans (myself included) who can’t even be swayed by that. Instead of being forced to pay for another streaming service, I’m content to just refuse to acknowledge that Discovery even really exists. And even if I acknowledge its existence, I refuse to believe it’s actually contributing anything worthwhile to the mythos. I realize I could be completely wrong about that, but it’s the fault of CBS for hiding it behind a paywall. The insistence on continuing to do this with this ONE particular franchise isn’t going to soften my resolve, but rather just make me resent CBS even more. So, bring on your hateful, sardonic Star Trek cartoon, but I most likely won’t be watching it.

Had I written a post last week, the West Week Ever probably would’ve gone to The Conners, for pulling off an unnecessary, but adequate feat. You see, the show doesn’t really need to exist. Sure, there are the stories of John Goodman saying that they “owed it to the fans”, and sure people were worried about the cast and crew who were out of jobs after the abrupt cancellation of the reboot. To that, I have 2 thoughts: 1) they owe the fans nothing. It could’ve stood as a Done In One “special” season, like the kind of thing you’d get in the UK, and everyone could’ve kept it moving and 2) It’s not like this all happened during season 10 of a long-running series. Yes, it was technically season 11, BUT 20 years had passed in between. The cast already had lives they’d established. Sara Gilbert still has The Talk to go back to, and Michael Fishman could probably get his job back at the Winn Dixie. It’s not like folks had totally uprooted their lives during the ONE season of this reboot, and it’s Hollywood, so the crew would have no trouble getting work on the next project they throw at Joel McHale.

No, The Conners was an experiment that we have to live with even if we weren’t sure we wanted it. I was one of the early champions of the whole “Why not just ‘pull a Hogan Family‘, and keep going with the rest of the cast?” Yeah, I said it, but I didn’t mean it. I really just wanted to see if Hollywood still had the balls to pull off a move like that. That was one of my “Wanting to watch the world burn” moments. Anyway, much to my surprise, they did have the balls to do it. I feel like I’ve also gone on record saying that I didn’t really get why Roseanne was fired. Sure, what she said was fucked up, but it was only the most recent fucked up thing in a string of Roseanne’s fuckedupness. She really hasn’t been stable for the past 15 years or so. Someone had to know she was capable of this, but they still gave her a chance. Back in my day, you’d say something fucked up and racist, you’d do a mea culpa, and then you’d do a photo op with Al Sharpton after donating to the NAACP. So when did the rules change? ABC got her out of there with the quickness, and I’ll bet James Gunn was even somewhere like “Man, I hope they never do that to me!” [Editor’s Note: That is exactly what ABC/Disney would end up doing to him]

The thing that really strikes me about The Conners is the notion of “family”. One of the strengths of the original Roseanne was the family unit, and it’s what a lot of folks were anticipating upon its return. Once the reboot was announced, the cast was making the talk show rounds, about how they were a family and how great it felt to be back together. So, when Roseanne fucked up, where was her family? They turned on her. I know it’s naive (and not always true), but I like to think family sticks together. That’s not what happened here. When the shit hit the fan, they denied her like Peter denied Jesus, and they were all like, “Hey, I’ve got bills”.

I mean, it’s cutthroat Hollywood, but something doesn’t sit right with me. Roseanne tried to make it right, by signing over her rights and financial ties to the show, so that the cast and crew could carry on steering the ship that she built. And yeah, (spoiler alert), they killed off her character with a drug overdose, which is just so…unglamourous. I mean, there was a precedent for it, as it was established last season that she had an opiod addiction, but it was also established that she was worried about dying on the table during her knee surgery. Would it have killed them to go with the latter instead of the former? It reminds me of the overkill the South Park guys did to Chef went Isaac Hayes got all sanctified and quit the show.

Anyway, The Conners picks up a few weeks after Roseanne’s death, and the family is trying to adjust with her not around. They assumed her heart gave out, but midway through the episode, the coroner’s office calls, saying she had actually died of a drub overdose. Well, this is news to Dan, as well as Darlene and Becky. When they find out Roseanne had gotten drugs that had been prescribed to some other woman, Dan goes all “small town vengeance” on her, by putting a sign on his truck naming the woman, and blaming her for killing his wife. Eventually, the woman shows up to the house to apologize for Roseanne’s death, but also to ask Dan to remove the sign as it’s ruining her life. So, I guess the show is going to tackle the opiod crisis that’s plaguing Middle America right now, but it just feels so…unnecessary. If it were a story about recovery and redemption, that’s a story that I’d be interested in seeing how it plays out. But it’s not that story, as Roseanne is already dead, and she ain’t coming back. So what now? I truly don’t know the answer to that. I wonder if anyone associated with the show does, either, or if they’re just cashing their checks and keeping their heads down.

I had the pleasure of joining my buddy, Corey Chapman, on his podcast The Chap Report this week. It was a really fun time, as we discussed Halloween and modern scary movies, as well as the current state of the WWE. Plus a bunch of other stuff. It was fun to record, and just as fun to listen back to, so check it out and put it in your ear holes!

Trailer Park

F is for Family

This show is one of those hidden Netflix gems that nobody talks about, like LoveSick (AKA Scrotal Recall). I really enjoyed season 1, but totally missed season 2. I’ll probably catch up so I can watch this when it debuts on November 30th, ’cause I really liked it.


Broad City

We got this trailer for the 5th, and final, season of Broad City, and I guess it looks OK? As they say in the South, this show “got out from good”. When it debuted, I LOVED it. Crushed hard on both Abbi and Ilana. Then I feel like they jumped the shark somewhere around the Hillary cameo. And I bailed halfway through last season ’cause it just felt like it’d lost its spark. If I could find it somewhere, I’d watch the eps I missed, but I think I’m ready for this show to end.


Nobody’s Fool

I love a good red band trailer. Apparently Tiffany Haddish made the “Kevin Hart” deal with the Devil, in which she is required to appear in one movie a month. Good for her, I guess. I won’t see it in a theater, but I’d watch it if it were convenient to do so.


Bird Box

Folks are saying they’re getting A Quiet Place vibes from this trailer, which is another film I need to watch. I tend not to like stuff like this, but I’m intrigued, and I like Sandra Bullock. Plus, I already have Netflix, so it’s a plus that I won’t have to leave home to see it.

Things You Might Have Missed This Week

  • As anyone with a brain could’ve predicted, Ariana Grande and Pete Davidson are dunzo!
  • Marvel fired Star Wars comic writer Chuck Wendig after he was told that his social media activity was too political and profanity-laden.
  • There was some casting on that Pennyworth series for Epix (Ya know, Batman’s butler before he was Batman’s butler?). Anyway, you don’t know who any of the folks are, nobody has Epix, and the show’s a terrible idea, so I’m just gonna jump to the next item.

  • Speaking of ill-advised DC TV moves, we got our first look at Shane West as Bane on Gotham. Oh man, did they run out of money? It’s like a poor kid’s homemade Darth Vader costume or something.
  • DC Comics revealed The Other History of the DC Universe, written by John Ridley, which will focus key events in the DC Universe through the eyes of its Black heroes. It’s part of DC’s Black Label imprint, but it’s mostly prose, with a $7.99 per issue price tag. Yeah, PASS!
  • Avengers 4 spoilers are starting to trickle out, including a pic of Ms. Gwenyth Paltrow. I’ll just leave it at that.
  • Disney had met with the writers of the Deadpool films about a potential reboot of the Pirates of the Caribbean franchise. It’s unclear if Johnny Depp would be involved this time.
  • Alan Tudyk will voice The Joker on the upcoming Harley Quinn animated series on the DC Universe streaming service.
  • Steve Carell has been cast in Apple’s untitled morning show drama, also starring Reese Witherspoon. Do Apple shows ever come out? I always hear about them in development, and then something stupid happens, like “Whoops! We shot all 13 episodes but forgot to put film in the camera!” Seriously, name ONE Apple series that is complete and ready to go.
  • Speaking of Apple, they’re reportedly going to launch their own streaming service ’cause, y’know, everybody’s doing it. I guess it’ll be the home of all these shows that live in Canada that they keep talking about.
  • There are rumblings that Fuller House will end after its 4th season, though Netflix commented that no decision has been made at this time (translation: Time to look for work, Jodie Sweetin!).
  • Netflix has definitely made up its mind about Orange Is the New Black, as this will be its last season.
  • An NYPD Blue reboot is in the works, which would focus on the son of Andy Sipowicz (played by Dennis Franz in the original series). In this series, Sipowicz Jr will be investigating the murder of his father. Naw! They done killed Sipowicz?! They couldn’t let him retire to fish or some shit?
  • It’s the end of an era, as Caroll Spinney, the Sesame Street puppeteer behind Big Bird and Oscar the Grouch for the past 50 years (!), would be stepping away from the roles. My oldest calls it Elmo Street anyway, so I guess he picked the right time to go…
  • Your HBO sex scenes are about to get lame, as the network has hired Intimacy Coordinators to be on set whenever a sex scene is to occur between actors. Due to the #MeToo movement, they want to ensure that consent is there, and that the actors are comfortable. Meanwhile, Shannon Tweed is somewhere, going “What a crock!”
  • So, MTV is reviving The Real World, but on Facebook Watch? What is that? Is that free? Seems odd they’d farm out one of their most iconic franchises. Anyway, I’m closer to 40 than 20, so this ain’t for me. Plus – and I’ve said it before – the show won’t return to its hard-hitting glory until they start casting ugly people again.
  • Speaking of Facebook, they will soon add the ability for you to add songs to your profile. Hey, 2006 MySpace called and boy do they have some shit to say!
  • CMT is reviving the ABC series Wife Swap, which will premiere in February. I will always think of this Chappelle sketch whenever that show, or its clone Trading Spouses, comes up.
  • The Wonder Woman sequel, Wonder Woman 1984, has been moved to June 5th, 2020, so as not to crowd out the Todd Phillips Joker movie coming out next fall. There are also rumors that the film will serve as a Flashpoint-like reboot to the DC movie universe.

  • British police are on the case to catch a David Schwimmer lookalike who stole some beer from a liquor store.

So this is a tough one. I can’t say this person had a “good” week, but he certainly had an important week. I haven’t been the biggest wrestling fan in recent years, but you couldn’t get near the WWE without knowing about Roman Reigns. The biggest reason is that the company seemed to be giving him a push that the fans didn’t really support. Over time, I was pretty much conditioned to dislike him, just like “everyone else” supposedly did. I knew he was part of The Shield, and pseudo-related to The Rock (since all Samoans seem to be born from 3 women), and he wasn’t bald (which meant he wasn’t a heel). Other than that, though, I had never really seen him wrestle, so I was peer-pressured into disliking him. That all changed on Monday night, though.

On Monday Night RAW, Roman broke character and introduced himself as “Joe” (his real name is Joe Anoa’i), and told the world that his Leukemia had returned. He was apparently diagnosed 11 years ago, and had beaten it. Unfortunately, it’s back, leading him to relinquish his WWE Universal Championship title. It was an emotional moment, especially when you watched the reaction of the WWE starts backstage. Even if the fans didn’t love him, it was clear he was loved by his colleagues, and they were genuinely concerned for him.

Since I’m dumb, I immediately texted my friend “Does this mean we’re not allowed to hate him anymore?” The thing is, though, that I never had a real reason to hate him. And instead of merely tolerating him, I now find myself concerned for his well-being. It’s a crazy string of emotions, and it all happened so fast. He made a point to say that this wasn’t a retirement speech, and he has every intention of coming back. I certainly hope that’s true, and I look forward to seeing how the fans will regard him on that day. Is this the thing that he “needed”? Did he have to show he was human to get over with them? Wrestling is such a strange thing sometimes. Anyway, prayers up for Roman Reigns, who had the West Week Ever.

12th Oct2018

West Week Ever: Pop Culture In Review – 10/12/18

by Will

HarassmentWatch (TM)

It’s everyone’s favorite segment, where you find out who couldn’t keep their dick in their pants this week!

James Franco – In her upcoming book, actress Busy Philipps writes that Franco physically assaulted her on the set of their TV series Freaks and Geeks. She later said that he apologized for the incident, but most of the news outlets seem to have missed that tidbit. Anyway, this is familiar territory for Franco, as around 5 women have already accused him of sexual assault. While his encounter with Philipps wasn’t sexual in nature, it still goes to show how Franco views women. On a side note, who out there is gonna read a memoir by Busy Philipps? I mean, I like her and all, but I’ve never once thought “I’d love to know more about her life”. They really will just give anyone a book deal these days…

Harvey Weinstein – A victory for Harvey? One of the six counts of sexual assault has been dropped by a NY judge. Lucia Evans alleged that Weinstein forced her to perform oral sex on him during a meeting in his office, but this accounted was disputed by a friend of Evans. The D.A.’s office says is still plans to proceed with the remaining 5 charges, however, which Weinstein has denied.

So, it was announced this week that James Gunn will possibly write and direct Suicide Squad 2, and there was much rejoicing amongst the geek set. I dunno, y’all. I’m still not on the #RehireJamesGunn train. Yeah, I know it was for stuff he did years ago, and I know he’s apologized for it. Plus, I realize it was part of a biased smear campaign from the Right. Still, I’ve never been onboard with the whole “Well, he worked for Troma and he had to say that stuff to fit in.” Plus, I would’ve felt better about the whole thing had he put all his cards on the table in the beginning. Instead, there were the tweets. And folks rallied and yelled “He apologized!” Then, a few weeks later, there were the pics of him as the pedophile priest at the Troma party. Eventually, I was like, “How much shit are they gonna find on you, dude?” I don’t feel like his life should be ruined, but I understood Disney’s business decision. Still, I don’t know if it’s such a major coup for Warner Bros to be getting him. It’s basically damaged goods giving a 2nd chance to more damaged goods. Had he been fired from Warner Bros and picked up by Disney, THAT would’ve been something to cheer. This is a second chance, but it’s a demotion. Even the best Suicide Squad movie is still, at the end of the day, just a Suicide Squad movie. You wanna impress me? Let him take on Superman.

There’s some shady shit going on, where the world of politics is finding itself intersecting with the world of professional wrestling. You see, Washington Post journalist Jamal Khashoggi is believed to have been murdered in the Saudi consulate in Istanbul, due to pieces he had written in opposition to the Saudi royal family. It’s believed that a Saudi death squad arrived, confronted him in the consulate, murdered him, and then dismembered him in order to smuggle out his body.

Meanwhile, WWE has a lucrative, long-term deal with Saudi General Sports Authority (SGSA), and plans to hold the Crown Jewel event in Riyadh on November 2nd. Many fans already hated the Saudi deal because it messes up current storylines for the American programs, plus there are other issues. there was The Greatest Royal Rumble event held in Saudi Arabia in April, and none of the female performers were allowed to wrestle because of the Saudi views on women (though reports indicate the women were paid well to sit out the event). Now, fans believe WWE should pull out of the event since it appears the Saudi government could be behind the murder of a journalist working for an American publication.

Here’s where things get interesting: Donald Trump has vowed to investigate the disappearance of Khashoggi – ya know, the same Donald Trump who calls the press the “enemy of the people”. Meanwhile, he, as well as his son-in-law Jared Kushner, have a close relationship to the Saudi Royal family. You think he’s really gonna lift a finger here? My friend Tarek and I used to have this joke, where if there was something we didn’t want to do, we’d pretend we tried and failed and that was that. We’d just say “I tried my hardest”, as that was code for “I didn’t really give a shit, but isn’t this a cool code we have?” That’s exactly what’s going to happen here. Trump’s gonna “try his hardest”.

Plus, let’s not forget Trump’s Administrator of the Small Business Administration, Linda McMahon – who also happens to be the former WWE President and CEO. Yeah, there’s no way that deal’s going anywhere, and there’s also not going to be a thorough investigation. At least, not by the American government. I guess it’ll be up to Khashoggi’s journalistic colleagues to discover the truth of what happened to him.

Trailer Park

Aladdin Teaser

It’s OK, I guess. Of course Will Smith gets top billing. Well, here it appears he got the ONLY billing. What else were they gonna put there, though? “Also starring the girl from that Power Rangers movie you didn’t see?” I dunno, but I feel like Disney has stalled creatively. Nobody was clamoring for live action versions of their animated hits. This feels like the pre-The Little Mermaid era, when they were just re-releasing all the old shit that made them famous.  I also don’t like the look of Disney’s modern live action films. It’s hard to explain, but they all look like they were directed by Baz Luhrmann. I didn’t even post the Dumbo trailer because it looked like Moulin Rouge with an Elephant. Is Pixar the only Disney division with any creativity anymore?


Glass

Didn’t we just get a new trailer for this? Was that just another teaser? When the Hell did Hollywood move to this three-trailer system? Just give me the damn movie already. Anyway, I liked Unbreakable. I liked Split. I thought I liked the idea of them in a shared universe. This isn’t what I had in mind. I mean, I’ll see it. I’m just not really enthralled by what they’re showing me so far.


Star Trek: Discovery Season 2 (CBS All Acces)

Yeah, looks interesting. Still not subscribing to another service, though. I’ll just buy it when it comes out on physical media. I mean, I own all the other Trek series, so no need of stopping now. And what is it about Anson Mount as Captain Pike that I just can’t accept? Maybe it’s the editing on these trailers, but he doesn’t seem very commanding. Like, he seems like a caring Captain, but he also never seems like he’s taking any of this seriously – almost like he’s trying not to burst out into laughter. Maybe he lost his mind during all that silence on Inhumans. Anyway, the show moves to Thursdays this season, and Rebecca Romijn will star as Number One, Captain Pike’s first officer.


Deadly Class (Syfy)

Based on an Image comic I’ve never read. Is the comic even done? Image shit never finishes these days. Anyway, it pretty much just looks like Battle Royale with White kids. Though, I guess you could say Battle Royale was just Lord of the Flies with Japanese kids. Nothing I see here really interests me, so I’m gonna count one of y’all to watch it and tell me what you thought.

Things You Might Have Missed This Week

  • Earlier in the week, we got this pic of Ruby Rose as Batwoman in the upcoming Arrowverse “Elseworlds” crossover. I have no complaints. Except why is there a Batwoman signal? Does her world have NO Batman? Are there multiple signals? Who’s providing all these spotlights? How much is the GCPD’s electric bill? OK, I’ve got lots of questions…
  • While the DC shows on The CW keep reaching for the stars, Gotham, in its final season, is totally in “Fuck It” Mode. They announced that Shane West would, in fact, be playing Bane. Ya know, the guy who breaks Batman’s back? The guy with the mask? PLEASE tell me he’s gonna break little 14 year old Bruce’s back!
  • I already mentioned a few weeks ago that Heidi Klum and Tim Gunn were leaving Project Runway, but now we know their replacements: model Karlie Kloss and season 4 winner Christian Soriano.
  • In an announcement that surprises no one, Ryan Coogler has officially signed on to write and direct Black Panther 2.
  • Selena Gomez has entered a treatment center for anxiety and depression. Must  be nice. The rest of us have to make do with Lexapro and Wellbutrin…
  • After a software bug exposed hundreds of thousands of users’ data, Google announced that the Google+ social network would shut down by August 2019. I hear there are about 20 people upset about this.
  • He may have mastered the concepts of law & order, and the emergency services of Chicago, but Dick Wolf can’t seem to nail down FBI, as the show has just experienced its 3rd showrunner change – the second in 3 months.
  • Because humans spend too much time asking if we could instead of if we should, a hologram of Amy Winehouse is going on a world tour next year. As someone who actually saw Amy in concert, please don’t buy tickets for this.
  • A pilot based on DC’s comic Secret Six has been ordered by CBS, which means it’ll probably just end up dumped on The CW since a DC show wouldn’t fit anywhere on CBS’s schedule. If you didn’t read it, it was basically Suicide Squad when the company wasn’t using that property. So, this will just be Great Value Suicide Squad.
  • A Mr. Mom reboot is being developed for the Vudu service, of all places. It will follow the baby from the Michael Keaton movie, who’s all grown up and is about to return to the workforce as her husband stays home with the baby. Um, why tie it to the movie? Is there some rich mythology with this family? I think folks could pretty easily pick up on the concept without making it a sequel, and there’s no way in Hell they’re gonna land Michael Keaton, so why do this?
  • ScarJo reportedly landed a $15 million payday to sign on for a solo Black Widow film, and a bunch of folks are like “It’s about time!” If you ask me, it was time FIVE YEARS AGO. I don’t even care about her anymore at this point. Plus, Red Sparrow basically beat them to it.
  • Finally bowing to the pressure, Taylor Swift decided to shake off her detractors and get political. Tay Tay upset a portion of her fanbase when she endorsed 2 TN Democratic candidates, resulting in a surge of young folks registering to vote before the deadline.
  • Street artist Banksy punked all the bourgeoisie when a piece of his art, “Girl with Balloon”, sold at auction for $1.4 million, only for it to be fed into a built-in shredder at the time of sale.
  • The cognitive dissonance was wild on the Right, as Fox News couldn’t understand how noted gun reform activist Jamie Lee Curtis could use a gun as her character in the upcoming Halloween. Ya know, they’ve kinda got a point. If she meant business, she’d just bite Michael Myers’s dick off.
  • There was a colorism debate in the Black community when it was announced that Dwayne “The Rock” Johnson would be developing a film where he would play folk hero John Henry. “He’s not dark enough!” Well, first of all, John Henry isn’t real. Secondly, this is a movie being made for Netflix, where there’s already a decidedly “straight to video” vibe to their “originals”. The Rock will bring an audience that Calvin from House of Payne would not.

Ya know who had the West Week Ever? It wasn’t even a person this week. Nope, it’s a thing. Ya see, nothing had a week quite like Kanye West’s Make America Great Again Hat. It was on a plane! It got to go to the White House! It even got to hug a rich White man! Sure, it probably smells like Cheez Whiz at this point, but there’s no stopping it.

I mean, we even learned that it holds magical powers. According to Kanye, it can make you feel like Superman, and enhance your masculinity. Forget gas station sex pills and prescription antidepressants! This hat does it ALL! So, if I could tip my hat to another hat, I would, but nothing had a whirlwind week like Kanye’s MAGA hat, and that’s why it had the West Week Ever.

20th Jul2018

West Week Ever: Pop Culture In Review – 7/20/18

by Will

I’m slowly catching up on the year’s big movies. I still haven’t gotten to Deadpool 2, but I finally caught Ant-Man and the Wasp last night. Unlike most MCU films, I don’t really have a lot to say about it. All in all, I enjoyed it, but it wasn’t great. I’ve always said that Ant-Man felt like a really good Fox Marvel film, but just a par Marvel Studios film. It’s a masterpiece compared to the X-Men/Fantastic Four films, but it really almost doesn’t even earn its place alongside movies like The Winter Soldier or Guardians of the Galaxy. You’re almost left wondering “How are these movies in the same universe?”, but I guess that’s a testament to how tonally different the corners of the Marvel Universe are. Anyway, I enjoyed the palette cleanser that was Ant-Man and the Wasp, as I’m almost “Marveled Out” after Infinity War.

The film explores the almost throwaway line from Infinity War about how Scott Lang took a house arrest deal after the events of Captain America: Civil War. So, two years have passed, and Scott’s “3 days from retirement”, basically, when it comes to his sentence. As anyone who’s seen any movie ever knows, no upcoming deadline that close ever goes smoothly. The Pyms drag him back into their world, as they need his knowledge of the subatomic quantum world to help them rescue Janet Van Dyne, who they believe is still alive after 30 years in there. Some stuff happens, Laurence Fishburne shows up wearing a swede jacket. Hannah John-Kamen shows off her Biracial Resting Bitch Face that served her so well as F’nale in Ready Player One, and everyone lives happily ever after. Or do they?

Watching this movie gave me the same sort of feelings I had watching Pitch Perfect 3 last week. In both cases, I kept waiting for the movie to “take off”, so to speak. Despite a scene with Giant-Man, I feel the movie doesn’t really aspire to new heights and, like its predecessor, came off like a mundane, slice of life MCU film. That’s not necessarily a bad thing, but it does leave me longing for more interactions between Lang and, say, Tony Stark or Thor, just to remind me that these folks do occupy the same space. Paul Rudd is at his Paul Ruddest, so he’s not the problem here. Evangeline Lilly has become his badass asskicker, but where did that come from? She was busting out Black Widow moves, yet without the history of Red Room training.

No, I felt the biggest disappointment was Michael Peña’s Luis, who was undoubtedly the breakout star of the first movie. They found the right balance for using him in that first film, but they weren’t able to recapture that magic here. Maybe it’s because we expected the same shtick from him instead of accepting the character’s growth. I also hope the Blu Ray includes some deleted scenes of T.I. and the Russian dude, as I feel they were sorely wasted in their roles as partners in the X-Con Security business.

In all, it was an enjoyable way to spend 2 hrs, but I wasn’t blown away by it. Paul Rudd is just so likable, that I know I’ll watch it whenever I come across it on FX, but until some of its plot points are explored more in-depth in Avengers 4 (because you KNOW they will be), I don’t think this movie did much to move the MCU forward. After something like Infinity War, however, maybe it’s just what we need right now.

I’m gonna say this once, and then move on because there’s no need to dwell on it. That said, I’m pretty much done with professional wrestling for the foreseeable future. You see, over the weekend, WWE reinstated Terry “Hulk Hogan” Bollea to the WWE Hall of Fame, after his removal in 2015 when recordings of his racist remarks surfaced during the Gawker sex tape kerfuffle. I’ve heard folks defend him the past 3 years, using everything from “Everyone deserves a second chance” to “Well, it was a private conversation that we weren’t meant to hear.” Whatever.

I will say THIS: WWE never should’ve reinstated him BECAUSE they never should’ve removed him in the first place. I say that because it was always clearly an empty gesture – one we ALL knew would never stick permanently. So, it became more of an exercise in “waiting for the other shoe to drop” than actually serving as a cautionary tale to anyone else who might do the same thing. The heat was on the company, and they felt they had to jump and do something, but even they knew they bit off more than they could chew. You can’t just scrub the most famous professional wrestler of the past 40 years from existence, even if he did admit “I am racist”, which he did. You also can’t walk back that statement, which he’s been trying to do for the past 3 years.

If he had tried to go with “I was drunk, and I don’t really talk like that”, I wouldn’t have believed him, but it would’ve at least been an excuse that made sense. Hell, even Roseanne’s Ambien excuse was an attempt. No, here’s Hogan’s whole quote from the recordings:

“I don’t know if Brooke was fucking the black guy’s son. I mean, I don’t have double standards. I mean, I am a racist, to a point, fucking niggers. But then when it comes to nice people and shit, and whatever.”

“I mean, I’d rather if she was going to fuck some nigger, I’d rather have her marry an 8-foot-tall nigger worth a hundred million dollars! Like a basketball player!”

“I guess we’re all a little racist. Fucking nigger.”

Reportedly, when he spoke to the talent backstage after being reinstated, he reminded them to be careful of what they say because you never know when you’re being recorded. This is not a man who’s sorry for what he did. He’s already said he’s racist. No, this is a man who’s sorry he GOT CAUGHT. And I don’t have time for that.

WWE has a history of trying to polish turds, whether it’s this situation, or it’s their embrace of Ronda Rousey, who’s something of a transphobic Sandy Hook truther. Maybe you can separate the art from the artist, but I can’t – especially when the art is throwing someone through a particleboard table. In my mind, they’re not contributing enough to society, or to “art”, to turn a blind eye on their other shit. People love to go to stuff like “Well, Martin Luther King cheated on his wife.” OK. So did Ric Flair. Only one of them marched for my right to vote, however.

In a lot of ways, I feel sorry for Hogan. I feel sorry that, given the Gawker trial, he should be wealthy. Not just rich, but wealthy. However, he’ll never see a penny of that, as it was juts a symbolic victory. I felt bad for him when his dumbass son turned his friend into a vegetable. I felt bad for him when his wife left him as the money dried up. Like most children of the 80s, I saw him as more myth than man.  So, here we’ve got a 64 year old man with no other prospects than to tie on his bandana one last time, and hope his rickety knees can manage as he climbs between the ropes into that ring. But, maybe that’s what life comes down to when you’re a self-admitted racist. So, in closing, FUCK HULK HOGAN.

Things You Might Have Missed This Week

  • That beacon of family values herself, Bristol Palin, will be replacing promiscuous-teen-turned-porn-star Farrah Abraham on the next season of MTV’s Teen Mom.
  • Alice Eve will be portraying Typhoid Mary in the second season of Marvel’s Iron Fist, debuting September 7th on Netflix. If you’re not familiar with her, she’s the blonde with the gratuitous underwear scene from Star Trek Into Darkness. Or the gratuitous underwear scene in She’s Out of My League.
  • We got a trailer for the upcoming Rise of the Teenage Mutant Ninja Turtles cartoon, and I think it just gave me a seizure. Seriously, this is like a next level ADHD that medical science hasn’t even named yet.
  • Everything old is new again, Nickelodeon announced the return of Rugrats, as both a 26-episode TV series and a CGI theatrical film. I can just imagine as future archaeologists dig up the artifacts of this era, trying to determine if that scorched animation cel is from the first Nickelodeon Era (which will be known as B.K., for Before Kel) or the second Nickelodeon Era (A.S., for After Schneider).

  • Speaking of new old shit, we got a better look at the She-Ra reboot series from Netflix, and the man-children took issue with her character redesign. Sure, she looks kinda mannish in some pics, but maybe that’s a plot point, I dunno. Maybe She-Ra was born Peter-Ra, and is now living her best life? Who am I to judge?

  • We also got this teaser poster for Aquaman, which does absolutely nothing for me. I’m still kinda hung up on Momoa in the role. We get mad about white-washed characters, but how come it’s not the other way? I want my blond-haired, blue-eyed, Aryan Aquaman, dammit! Plus, I just don’t feel Momoa is a *STAR*. Sorry, not sorry. Sure, the ladies love him, but he doesn’t have the juice to put butts in seats.
  • Star Wars: The Clone Wars has been “saved”, as the series will return on Disney’s streaming service, five years after it left the air on Cartoon Network.

San Diego Comic-Con kicked off this week, and so far it appears that DC Comics is leading the charge. First off, it was announced that the Berlanti Arrowverse would be adding a Batwoman series to The CW, after her introduction in this fall’s DC show crossover. They’re currently looking for a lesbian actress to play the role, which is interesting to me. Maybe it’s all the recent talk about representation and all, but does it have to be a lesbian actress? What if she’s just lesbian for the show? I dunno. I’m sure there’s a lesbian out there who can do it, but it just seems like they might be missing out on some good choices just because of someone’s sexual orientation. On the flipside, if the producers of How I Met Your Mother had specifically sought out a “heterosexual lothario”, then Neil Patrick Harris never would’ve become Barney Stinson – a role in which he was perfect.

Then we got…this. I’m just gonna come out and say I think Titans looks like shit. Some folks are excited about it, and that’s great, but it’s simply not for me. “Fuck Batman”? Does anyone over there even understand their audience? I may come off as a Marvel fanboy, especially if you’ve seen my Twitter avatar, but I grew up on DC, and it’s what I call “home” when it comes to my fandom. If I’m hard on them it’s because I care, and I just feel like they continue to screw the pooch when it comes to a lot of their live action stuff. I’ve got friends who love the grim and gritty “real worldness” of the DC stuff, as they think the MCU is juvenile. That’s all well and good, but let’s call a spade a spade here. We’re not debating the merits of Batman vs. Superman here. No, we’re talking about a show that apparently wasn’t even good enough for TNT. I mean, fucking Batwoman is getting a show on basic TV, but the Titans aren’t? Just how bad is this show? Based on this trailer, pretty damn bad.

On the movie side of things, it’s official that Joaquin Phoenix will star in Joker, and it’s rumored that Atlanta’s Zazie Beetz might costar. I find this whole project unnecessary, but I find it even more odd that it’ll be directed by Todd Phillips, of The Hangover/Old School fame. Is he REALLY the right pick for this? I don’t see him and Phoenix meshing very well. Anyway, the film is slated to be released October 4th, 2019.

Meanwhile, the Birds of Prey movie will reportedly have, basically, every female Gotham character involved – from Cassandra Cain to Harley Quinn. My problem with this movie is that it’ll have the same issue that the Birds of Prey TV show had if they dance around the Batman issue. If you don’t remember, there was a Birds of Prey series on The WB that launched around the same time as Smallville. I will die on that hill that BoP was no worse than Smallville, but one was given a chance to grow and the other wasn’t. My biggest problem with the show, however (and it would also be my biggest issue with The Dark Knight Rises), is that the series was predicated on the idea that Batman was so distraught over the murder of his true love that he quit being Batman and just left Gotham to fend for itself. In Birds of Prey, it was the death of Catwoman that did it, while in TDKR it was the death of Rachel Dawes. In both cases, I never felt like that’s how Batman would handle that situation, as he’d probably become more driven and insane, than just quitting the game entirely. So, in essence, the Birds of Prey series was a Batman show without Batman. He was integral to the whole thing. He was woven into the tapestry of the setting, but he was never seen (except in flashbacks). And he’s too big of a character to exploit but not fully use. So, the Birds of Prey movie will, at the least, need a Suicide Squad-level Batman cameo just to keep it credibly on the tracks.

Speaking of Batman and Catwoman, the outcome of Batman #50’s wedding has polarized so many fans that writer Tom King apparently had to hire a bodyguard for San Diego Comic-Con. Plus, DC Comics has made the issue returnable since retailers and fans didn’t feel they got what they were promised. Y’all really need to get your shit together if you’re threatening a man over something like this.

Finally, for a man who’s reportedly on the outs with the entertainment side of DC Comics, Geoff Johns will certainly be collecting checks from the comic side for the foreseeable future. So far, he’s announced a new SHAZAM! series – likely to capitalize on the upcoming movie starring Zachary Levi, as well as Three Jokers. The interesting thing to me is that Three Jokers is slated to be released as part of DC’s Black Label imprint, where I thought most of those stories weren’t in continuity. That was announced as DC’s Not Elseworlds, But Totally Elseworlds line, with stuff like Frank Miller’s take on Superman, or the collected edition of Batman: White Knight. It’s strange that they’d put Three Jokers over here, when the concept of there having been three Jokers came from the storylines of the core DC Universe. Johns isn’t done with live action just yet, however, as he also announced a Stargirl series for the DC Universe streaming service, starring a character he created based on his sister who died in the TWA Flight 800 explosion.

I may not agree with all of their decisions, but DC is making moves this week, while Marvel is noticeably silent, so that’s why DC Entertainment had the West Week Ever.

13th Jul2018

West Week Ever: Pop Culture In Review – 7/13/18

by Will

I’ve been in California the past few days, and haven’t really been that plugged into the world lately. It’s been so long since I wrote one of these that I’ve kinda forgotten how they work. I mean, it’s been 2 weeks since my last post, and that was the Toys “R” Us tribute. So, it’s been 3 whole weeks since we touched on pop culture news and events. I’ve gotta say, though, not much happened. I mean, stuff happened, but did any of it really matter? Let’s see, shall we?

HarassmentWatch(TM)

Chris Hardwick Update: Not only did Hardwick’s friend, Lady Sif herself, post this tone deaf tweet, but she also circulated a Change.org petition to reinstate him as host of his AMC shows. Read the room, Jaimie! Meanwhile, everyone’s favorite nerd auntie, Yvette Nicole Brown, will be moderating the SDCC panels that were originally to be hosted by Hardwick. She insists she’s not vying for his job, and is merely “helping out a friend”.

Nev Schulman Update: Production has resumed on MTV’s Catfish: The TV Series, as their investigation found that there was no credible evidence that he had committed the harassment reported by his accuser.

Terry Crews Update: While testifying before the Senate Judiciary Committee on sexual assault, Crews admitted that he had turned down a role in The Expendables 4, after being threatened to drop the case by producer Avi Lerner. Lerner reportedly warned Crews that there could be “trouble” if he didn’t drop his case, and Crews decided that passing on the film was the best thing for his personal safety.

John “Papa John” Schnatter: OK, so everyone already kinda knew Papa John was a piece of shit, but this week he was forced to resign as chairman of the board when it came out that he had used the word “nigger” during a conference call. Reportedly, in response to a question about his opposition to NFL players kneeling, Schnatter said that Colonel Sanders used to call Blacks niggers and that there was never any blowback for KFC. Here’s where this gets dicey for me: while there’s no real evidence that the Colonel had a history of doing this, it’s not like Schnatter used the slur against someone on the call. At best, he was telling the truth and didn’t read the room to know “Maybe it wouldn’t be too Kosher for me to use that word.” At worst, he was lying about the Colonel, but still wasn’t slinging it an individual. In any case, there’s other evidence that he’s a shitty human being, so maybe this was just karma catching up to him, like how they got Al Capone on tax evasion. Shitty views, shitty pizza: Papa John’s.

Henry Cavill: Superman done fucked up, y’all. Admittedly, there’s hyperbole on both sides of this argument, but here it goes: In a GQ Australia interview, Cavill admitted his trepidation about dating in the post #MeToo world, saying

“There’s something wonderful about a man chasing a woman. There’s a traditional approach to that, which is nice,” he remarked. “I think a woman should be wooed and chased, but maybe I’m old-fashioned for thinking that.”

“It’s very difficult to do that if there are certain rules in place. Because then it’s like: ‘Well, I don’t want to go up and talk to her, because I’m going to called a rapist or something.’ So you’re like, ‘Forget it, I’m going to call an ex-girlfriend instead, and just go back to a relationship, which never really worked,”

Of course there was social media backlash to this, with the common response being “If you don’t want to be called a rapist, then don’t rape anyone.” I get it. I do. But it’s funny how the “We have to listen to both sides” folks are really selective in when they choose to speak out. I think he suffered from a poor choice of words, but his is still a viewpoint that should probably be acknowledged. Men DON’T know how to read cues anymore, and it’s leading to some bad situations (see: Aziz Ansari). Cavill admits his beliefs are old fashioned, but that’s how a lot of people were conditioned and raised. Sure, there’s concepts like “enthusiastic consent” now, but to many that’s just as foreign a concept as when men learned they’d have to wrap their penises in a tire to make sure they don’t die having sex. Change takes time, and getting these views out and discussing them is the only way folks are going to come to some kind of understanding to move forward. No, I’m not saying “Hug a Nazi”, but I AM saying that you can’t really change anything until folks are comfortable enough to speak, while others are willing to listen. Anyway, he apologized through one of his reps, so nothing was really accomplished here except a whole bunch of folks don’t like Henry Cavill anymore.

I’m not doing so well with the movie viewing this year. I think I watched something like 117 in 2016, and at this point I’ve seen about 7. On the flight home last night, I finally got a chance to watch Pitch Perfect 3. I’m not saying I regret seeing it, but I kinda regret that they made it.

As I’ve said before, I kinda relate more to the Pitch Perfect franchise than most folks do because I lived it. I was in the scrappy underdog college a cappella group that placed at competition. I dealt with the ennui that comes from riding that high, and then being thrust into the real world where nobody gives a shit. In fact, I thought the second movie captured that perfectly, even if it didn’t resonate with a lot of fans of the first movie. As much as I love the Barden Bellas, though, this didn’t need to be a trilogy. They go on a USO tour? Is it really that easy for the alums of a 7-year removed competitive collegiate singing group to get a spot on a USO tour? Are the troops that hard up for entertainment? I mean, even I would get tired of Carlos Mencia after one performance, but is this really all that’s left in the barrel for our boys overseas?

If you haven’t seen it, that’s what happens: the Bellas reunite because of a Three’s Company-esque misunderstanding, but decide to take one last shot at the stage by going on a USO tour – one that happens to be a proving ground for DJ Khaled to find his new opening act. Really? HIM? So, the aged Bellas (and Hailee Steinfeld, whose character must have taken a leave of absence from college) jet around the world, competing against three other acts: country-tinged Saddle Up, hip hop duo Young Sparrow & DJ Dragon Nutz, and the all-female Evermoist. Almost immediately the other 3 acts join forces in the traditional riff-off, to show the Bellas just how ineffective a cappella battles are in the real world. Chloe keeps trying to cite them for breaking non-existent rules, like “They used real instruments, so they’re disqualified.” Of course, the Bellas eventually prove themselves to the USO audiences, after a few embarrassing setbacks put into motion by Evermoist. I guess that would be a decent movie if it didn’t have so many other weird subplots floating around.

It’s a movie that tries to do too many things, and doesn’t do any of them well. There’s a weird B-plot about Fat Amy’s (Rebel Wilson) crooked father (played by John Lithgow), who’s scheming to get the $180 million that her mother had put into a trust for her. This results in some crazy choreographed fight scenes between Amy and her dad’s goons, as well as a Die Hardian explosion on a boat.

Then, there’s a co-B-plot (’cause it’s not quite a C-plot) about Becca (Anna Kendrick) being courted as an artist by one of the members of DJ Khaled’s team. While this storyline eventually turns out well for Becca, it just dangles a romance that could have been pursued if they were audacious enough to make a fourth movie, but doesn’t really go anywhere.

Plus, I get that Kendrick is the star, but the whole Becca As a Solo Artist thing doesn’t work for her characterization. Sure, we’re reintroduced to her dealing with her dead-end producing job, but she was never a front and center showgirl. She was a reluctant performer whose musicality and choreo took the Bellas to new heights. If anything, though, her perfect place is behind the scenes, building new artists, and NOT as a headlining solo artist.

Then, you’ve got Aubrey (Anna Camp) dealing with abandonment issues from her dad (which are hastily wrapped up during the end credits), and Chloe (Brittany Snow) hastily falling in love with their USO liaison. Steinfeld is just there to be insulted by Fat Amy, and you don’t really see much of the fire from the last movie that propelled her to the leadership of the current group of Bellas.

The movie is missing a lot of its heart, which was provided in the previous two installments by love interests Bumper (Adam Devine) and Jesse (Skylar Astin) – both of whom are absent here and clearly missed. Jesse was great support for Becca, and it’s curious that they’d break up offscreen and he’s already moved on. Meanwhile, I didn’t expect Fat Amy and Bumper to get married or anything, but I did expect a cameo or something. I mean, Adam Devine is doing straight to Netflix movies these days, so he’s available.

The biggest thing missing here, though, is the musicality. While the first two movies really showcased what a cappella has become, this movie turns it into the butt of the joke. The riff-off is impressive, as they tend to be, but there are no real performances from any of the acts – Bellas to Evermoist – that are that impressive. It’s probably the only installment in the trilogy where I feel I could easily pass on the soundtrack.

Pitch Perfect 3 is a simple retread of Pitch Perfect 2‘s “There’s Life After A Cappella, But It Ain’t Singing” thesis. We got it, but we didn’t need it. It’s a shame because I really like these movies and the stars, but they didn’t leave the stage on a high note.

In Star Wars news, Keri Russell has reportedly signed on for a role in Star Wars: Episode IX, Seeing as how she’s JJ Abrams’ muse or whatever, this news isn’t that surprising. In another part of the galaxy, however, it was reported that Billy Dee Williams would reprise his role as Lando Calrissian and, for the life of me, I can’t imagine what the fuck for. I mean, all of his friends are dead, and he was absent for the one scene that would’ve made sense for him to be in (Canto Bight). So, I guess I’ll look forward to seeing him come back just to die.

In Marvel news, it was revealed that the sequel to Spider-Man: Homecoming will be called Spider-Man: Far From Home. Let the speculation begin! Does he get left in space after Avengers 4? Does he come back to Earth and end up in Wakanda, hanging out with Suri? The possibilities are endless.

When it comes to hope, though, Sony giveth and Sony taketh away. While Far From Home sounds intriguing, they also announced their continued plans to milk that Spider-Man license dry. Now they’re claiming there will be a Silk movie that’ll never happen. I mean, if they couldn’t get a film off the ground for Black Cat and Silver Sable, I really don’t know how “Asian Spider-Woman”‘s milkshake is gonna bring the fanboys to the yard. On top of that, there are reports that Jared Leto will star in a Morbius film. Yeah, Morbius is the vampire who debuted in the Spider-Man comic, but really has jack shit to do with Spider-Man. If you ask me, Sony making that deal with Marvel Studios was to their detriment, as it left them to play around with the dregs of the Spider-Man license. Imagine if you had a really hot, passionate girlfriend, but then y’all broke up and you ended up with an Amish girl. The Amish girl thinks she’s doing you a favor by flashing a little ankle, but you know what you used to have. That’s this situation right here.

FX announced the cast for their Y: The Last Man pilot, and the biggest surprise is probably that Diane Lane has signed on to play Senator Jennifer Brown, who also happens to be the mother of the main character, Yorick. If you’re not familiar with the story, Y: The Last Man was a comic series published under the DC Comics Vertigo imprint. Running for 60 issues, it featured a world where a virus has killed every male in the world – except for escape artist Yorick and his Capuchin monkey. Women rise up and take on roles that they hadn’t traditionally held in the old world, while Yorick is traveling the globe to be reunited with his girlfriend. It’s one of the most critically acclaimed series of the past 20 years, and I think it was an absolute disappointment.

I have a problem with series creator Brian K. Vaughan because I feel he doesn’t stick the landing when it comes to his long-form series. 60 issues was just enough rope for him to hang himself with. I couldn’t even imagine reading that series on a monthly basis at certain points, because there are YEARS that just drag. So, to me, this just means we might get a compelling show with a really weak season 4 & 5. And don’t get me started on the ending because I felt it was one of those “It’s not about the destination, but the journey” cop out. Anyway, I guess time will tell.

Things You Might Have Missed This Week

  • A bunch of shows got cancelled, but don’t feel bad – they’re dead because nobody cared about them. Likewise, no one will miss them. They include: Famous In Love (Freeform), Nobodies (TV Land), Ghosted (Fox), Champions (NBC), and SIX (History). See? Bet you never watched any of them.
  • In other TV news, Charter Communications has picked up the Bad Boys spinoff, L.A.’s Finest, starring Gabrielle Union and Jessica Alba. It’s set to air on their Spectrum cable service, which is about a step up from ending up on the Playstation Network (Yes, that was a jab at Powers).
  • In a recent interview, Paul Reiser admitted that the Mad About You revival “likely won’t happen” for the sheer fact that no network seems to want it. It’s fine with me. Paul and Jamie Buchman had a terrible marriage, and I haven’t ONCE wondered “I wonder where those two crazy kids would be right now.” If anything, I spend time wondering why Leila Kenzle and John Pankow didn’t become household names from that show. They were the only reasons to tune in.
  • WWE SmackDown Live will officially air on Fridays next year on Fox, meaning that Tim Allen’s Last Man Standing revival is basically getting evicted before it even returns to the airwaves.
  • Speaking of WWE, there are reports that they will add a second Wrestlemania branded show in 2020. This sounds like a terrible idea because it’ll just take away the prestige of the now-annual event, especially if it’s a watered down ‘Mania, similar to the recent Saudi Rumble.
  • Classic Nickelodeon show Double Dare is back on the air, and I had stronger feelings about it when it debuted 3 weeks ago. All I can say now is that new host Liza Koshay is kind of annoying, while I wanted to kill this little prick who kept dabbing after every victory. It was a nice nostalgia trip to watch that first night, but it’s nothing I’ve returned to since. Apparently there’s a Kenan & Kel episode coming up, so I’ll probably tune into that, as they play for their favorite charity: Keeping Kel’s Lights On.
  • Jeremy Renner has been cast as Detective “Twitch” Williams in the upcoming Spawn movie. I know that announcement is supposed to be big news, but all I can muster is a Kanye shrug. Remember those? Ya know, before he married that Armenian donkey and lost his mind?
  • The TV series based on The Purge will debut September 4th, on both Syfy and USA Network.
  • Marvel Studios reportedly met with 70 different directors, and settled on Cate Shortland to direct the planned Black Widow solo film.
  • District 9/Chappie director Neill Blomkamp will direct a new Robocop movie for MGM. Have you ever seen any of his movies? Come for the hamfisted allegory on Apartheid, but stay for the wise-cracking alien go-kart that Robocop rides around in!
  • Djimon Hounsou has been cast as the Wizard in that SHAZAM! movie I can’t seem to get excited about.
  • Steven Universe featured the first lesbian wedding on a kid’s cartoon show, but does it count if they’re really space gems? I dunno. I’ve tried to watch that show, and it makes no sense to me, but yay for progress!

I’m amazed that it’s been 3 weeks since I saw Won’t You Be My Neighbor? and it has still stuck with me. If you’re not familiar, the documentary is the story behind Fred Rogers and the creation of Mr. Rogers’ Neighborhood. And let me tell you – it is a life-changing experience. Seriously, they broke the mold when they made Fred Rogers, and no one has stepped up to fill the void that he left behind.

The movie focuses on what a remarkable man Mr. Rogers was, and how he impacted the lives or children. An ordained minister, he discovered television in its infancy, and realized the power that it could have in speaking directly to children. He didn’t like how a lot of children’s television seemed to talk down to the audience, so he wanted to meet them at their level, and help them through the roadblocks of life. It contained interviews with everyone from his wife to former crewmates and friends. I’m not a movie crier, but this thing pushes all the buttons of a Pixar movie.

The movie definitely left an impact on me as I left the theater. There’s one clunky part, where an old friend mentions that Rogers was a lifelong, card-carrying Republican. I guess it was meant to imply that his work was imbued with his sense of family values and whatnot, but all I could think was “What the fuck happened to the Republican Party?” Along those lines, how would he feel about the current state of things? He had retired prior to 9/11, but was consulted to create material to help folks cope with the events of that day – and it nearly broke him. As great as he was, even he wouldn’t be able to heal the divide facing the country. At least, not alone. The world needs more people like Mr. Rogers. “Look for the helpers.”

I’m not sure if it’s delusions of grandeur, or lack of sleep, but for a brief period of time after leaving the theater, I thought “I could do it!” I could pivot everything to be more family friendly, I have an early childhood background, and I love (and worry about) kids. But my wife quickly reminded me that I’m a hateful man online, but that it’s what I’m good at, so I wouldn’t be the heir apparent to King Friday’s empire anytime soon. Womp womp.

I can’t believe I still feel this way three weeks later, but nothing has come close to that experience. It’s the best movie I’ve seen in a long time, and I think everyone should see it. That’s why Won’t You Be My Neighbor? had the West Week Ever.

15th Jun2018

West Week Ever: Pop Culture In Review – 6/15/18

by Will

HarassmentWatch(TM):

Chris Hardwick: Thank sweet Baby Jesus it’s finally acceptable to say Chris Hardwick is a piece of shit! I could’ve told you that from back during the Singled Out days. If you’re not sure what I’m talking about, his former girlfriend, Chloe Dykstra, posted an essay on Medium detailing the abuse that she suffered during their relationship. Not only was he emotionally abusive to Dykstra, but he also regularly made her have sex with him when she didn’t want to do it. Then, when she finally left him, he used his sway in geek circles to have her blacklisted.

Now, I don’t want to make light of what he did for some personal vendetta. All I’m saying is that none of these allegations surprise me. He always came off as an insecure little man who never got over the fact he was bullied in school. He’s the kind of person who’d keep a Shit List to “get back at his enemies” once he was in a position to do so. I never liked the cut of his jib, and there was just something I couldn’t put my finger on. To say these things online, however, were a nonstarter, ’cause he has something of a deplorable fan base. You know how folks hate the Rick & Morty fans? Well, these are basically the same guys. Say something about him, and they come mock you. Why? Because they’re the guys who’d do the same shit in his position. Anyway, he recently renamed his podcast to ID10T and moved from the Nerdist Network that he created, to the ID10T company that he also created. The Nerdist brand now belongs to Legendary, but he remains the CEO even if it’s just a vanity title at the moment, as he has very little day to day involvement. Still, it will be interesting to see how many folks in the ID10T/Nerdist family leave over these allegations.

So, it ain’t looking good for folks who assumed the Disney/Fox acquisition was a done deal. On the heels of the court approving the AT&T/Time-Warner merger, Comcast has submitted an offer for Fox for $65 billion, in an all-cash deal. While the cash aspect might be unattractive, due to the taxes involved, the deal is still worth more than Disney’s offer of $52.4 billion in stock. Plus, to sweeten the deal, Comcast has offered to pay the $1.5 billion “breakup fee” that Fox would have to pay Disney for backing out of their negotiations. So, it’s currently Disney’s game to lose, as they’ll need to come back with a more attractive offer. There’s a chance, though, that the X-Men and Fantastic Four aren’t “coming home” as soon as many previously assumed.

While things for Disney/Marvel are sort of in a holding pattern, things over at Warner Bros/DC Comics are crazy sauce right now! First off, President of DC Entertainment and President of Warner Bros Consumer Products, Diane Nelson, has officially left the company. She reportedly went on a leave of absence back in March to attend to family matters, but now it appears she will not be returning to her post. Insiders stress that she made the decision to leave, and wasn’t ousted.

But wait, there’s more! Earlier this week, it was reported that the Chief Creative Officer, Geoff Johns, who worked closely with Nelson, would also be leaving the company. His CCO role will now be added to DC Publisher Jim Lee’s plate, while he’s being given something of a consolation production deal at Warner Bros, called Mad Ghost Productions. Unlike Nelson, it seems the writing was on the wall for Johns. The studio wasn’t happy with the response to Justice League, which he produced, not to mention the majority of the DCEU slate. In January, Johns sort of lost his seat at the table when Warner Bros promoted Walter Hamada to oversee the comic book movie division.

Still, I can’t help but think these two departures are related. Were they banging each other? Are they splitting off to form their own company, like Sterling Cooper did that time on Mad Men? I’m honestly not surprised about the Nelson thing, really. I have no clue what she’s going through, but I remember how…unprepared she seemed to be at the “DC in D.C.” event back in January. Sure, it was the inaugural edition of an untested concept, but her speech was more disjointedly off-the-cuff than prepared, and she struck me as someone who probably couldn’t have run a PTA meeting, let alone a company like DC Entertainment. Maybe it was just a bad morning for her, but it was clear that whatever she eventually left to deal with in March was already going on back then.

On the comics side of things, though, there’s some interesting things on the horizon. This week, we got more information about the upcoming event, Heroes In Crisis. Written by Tom King, who I hear has been doing some amazing stuff with the Batman book (and who I can confirm did an amazing job on Sheriff of Babylon), the story focuses on PTSD in the superhero community. In order to deal with it, and get heroes mentally prepared to get back on the streets, the DC Trinity of Superman, Batman, and Wonder Woman established Sanctuary. The facility is something of a secret amongst the hero community, and anonymity is kept because it keeps no patient records. Suddenly, however, some recent patients turn up dead, and a murder mystery is ignited.

I like the sound of this storyline because it’s something we don’t think about too often. Sure, there’s always a danger in incorporating real world events into comics (I’m looking at you, post-9/11 crying Dr. Doom!), but I could see how this would work. I also like how it seems like a more grounded story, where change might occur, but it isn’t necessarily on the “The Universe Will Never Be The Same!” level of most crossover events. It sort of reminds me of Identity Crisis, which is a story I didn’t hate as much as some others. Sure, I thought the ending/reveal was something of a cop out, but it also didn’t seem like a huge betrayal because I wasn’t all that familiar with the character. I kinda hate that they managed to slip “Crisis” into the title, as DC execs are bound to know how triggering that is for fans. Still, I like the more character-based stories, and I don’t feel you have to go to space just to make a storyline seem like it “matters”. So, I’ll definitely be picking this up. And then reading it 2 years from now, because that’s how far behind I am on my DC reading.

They said the Revolution would not be televised, but they were wrong. What they didn’t tell us was that it would end, not with a bang, but with a whimper. Yes, it is with heavy heart that I report that, after 28 seasons, production has ceased on The Jerry Springer Show. In a deal reported this week, The CW has acquired the show’s library to air in the afternoon spot being vacated by cancelled The Robert Irvine Show on their stations. While the door is open for possible tapings down the road, new episodes of the show are no longer in production. I will never fulfill a lifelong dream of sitting in an audience of drunken Spring Break college kids, yelling “Jer-ry! Jer-ry! Jer-ry!”

I mean, I get it. Jerry’s 74 years old, and he’s made his money. When the show hit its peak, the guests seemed like a weird microcosm of American society. We’d watch the show and ask each other “Where do they find these people?” Now, we look around us, and that IS America. We won! No, no we didn’t. We’re a heartbeat away from Idiocracy. You could blame Springer for ushering in this era, or you could credit the show for giving us a preview of what we would become. We had the chance to stop it, but we decided we’d rather laugh at the cousin-fucking chair throwers. This just led to not only the reality show craze, but also inspired the World Wrestling Entertainment “Attitude Era”.

What was always interesting to me was Springer’s pivot. I’ve been with the show from the very beginning, and you wouldn’t recognize those first few seasons, where he was doing his best Phil Donahue impression. He had serious, sometimes heartwarming topics, like little kids with HIV and how they were coping. Then, in the mid 90s, the fights began. The chairs took to the skies. The security budget increased. At some point, they redesigned the set to look like a back alley and installed a stripper pole. The lower they sank, the more popular they became. It was the smart, conservative diligent student who realized she’d be more popular if she said “Screw homework!” and showed a bit more cleavage. It got so bad that the show came under fire for its most outrageous bits, prompting them to do more cutaways, yet it provided more footage to fuel their Girls Gone Wild-esque Jerry Springer: Too Hot For TV video series.

I’ve often wondered which was the REAL Jerry Springer: the early nuDonahue OR the modern-day White Trash ringmaster? The man’s earlier political career was tarnished when a raid on a massage parlor revealed a check that he had used to pay for a prostitute (People used checks to pay for hookers? Can you imagine how many of those had to have bounced?! Man, I miss the old days!). So, was the gentle, caring early Springer something of an image restoration, and in his older age he decided he just didn’t care anymore? Or is he still that Springer, but he’s essentially doing all this because it’s what the people want?

I’ve also been impressed that the production aspect of the show is one of show business’s greatest kept secrets. I mean, it’s been almost 30 years, and we still don’t really know how they pull it off. We know how wrestling is done. We know how some of the greatest magic tricks are done. But we still don’t really know what goes into producing an average episode of The Jerry Springer Show. Where DO they find these people? Are they paid? Are they actors? If they are actors, none of them have ever made it big. There’s no footage of a young Benicio Del Toro on stage for his love of midget strippers. Sure, there have been stories. For example, Lunchbox, who’s a morning radio personality as part of country radio’s The Bobby Bones Show, went on Springer when he was in high school. He admits he lied, though, about his age and his reason for being there. So, that’s one case. From that, we learn they didn’t vet their guests that well, but then why would they? Some of those stories are so fantastical that you wouldn’t want to prove them false, and there’s no real legal ramification for putting it out there without researching it. I mean, it’s entertainment, not a scientific breakthrough needing FDA approval.

Anyway, it’s truly the end of an era, which may not be a bad thing. Nobody could really keep up with Springer’s outlandish show, even though they tried. Some eventually found their niche, like Maury ruling the paternity test roost. The latest trend in syndicated daytime talk shows are known as “conflict talkers”. This is your Steve Wilkos, your Robert Irvine, your Jeremy Kyle. It’s a genre of show where middle-aged White men (usually muscle-bound and/or former cops) yell at poor people. “You need to respect your mom!” “Close your legs and open your eyes!” “Why won’t you let him see his kids?!” In all honesty, it’s a natural progression from the Springer era. Everyone had their fun back then, and this is the wind-down, where you’re forced to look back at what you did. Meanwhile, the more outrageous Springerites have moved over to the world of court shows, just as they used to migrate to the dating shows back at the turn of the century.

My grandmother used to love Springer. She’d pretend she was appalled by it, but her 85 year old self loved to watch people fight. Not boxing fights, but visceral “real people” altercations. She also used to love any episode of Married…with Children when the Bundys grew closer by throwing down with another family. She was an odd bird at times, and I loved her for it. She’s been gone for almost 20 years now, but this is kind of the end of an era of something we shared. Thanks for the memories, Jerry. Until we meet again, you take care of yourself, and we’ll try to take care of each other.

Over the past few years, I’ve had the honor and pleasure of guesting on quite a few friends’ podcasts. One that was especially good to me was the Cold Slither Podcast Network. I was invited on pretty early, and they always supported me during the Will’s World of Wonder years. So, I’d be remiss if I didn’t acknowledge that CSPN chairman/president/CEO, Classick Materia, announced his retirement from the network last week. Now known to the world simply as “Jamal”, his life is in a different place than when he started the Cold Slither Podcast, and then expanded it into a full network with a slate of shows. I’ve been on the flagship show, I’ve been on Comic Book Chronicles, and I’ve had some of the most fun on The Classick Team-Up. So, I do feel like I’m losing a small part of myself here. Still, I understand his decision and wish him well. And it’s not like the CSPN is going away. No, he’s leaving it in capable hands. Still, I don’t know those dudes, so they ain’t asking me on anytime soon!

It’s not all endings, however. We’ve also got some beginnings! My pal Kevin Hellions runs TeamHellions.com, and he’s got a new thrifting column called T.H.R.I.F.T. that you need to check out. When I was doing Thrift Justice, I always meant to do “Tips from the road”, giving folks advice on how to find stuff. Instead, it turned into “Look at my cool shit!” Kevin here has excelled where I fell short. Great stuff!

Things You Might Have Missed This Week

  • Remember when you bought a new outfit that really didn’t fit your personality, but were excited to wear it to school because you thought it would make you cool? But, instead, everyone just laughed at you? That’s pretty much what happened to IHOP this week, when they announced that they were temporarily changing their name to IHOb, for International House of Burgers. Apparently they’ve got some new steak burger line they’re trying to promote, and this is what their genius marketing people came up with. It’s sad because it shows a lack of commitment. Last week, when the change was teased, nowhere did they mention it was temporary. We got the impression they’d be updating signs, menus, etc. Now that we know it’s just a temporary marketing ploy, they just look sad.
  • Not everything in Washington sucks these days, as the Capitals won the Stanley Cup finals. There was a parade and everything. I’m not a sports guy, so I missed all that, but I know folks are happy. They’d be happier if it were football or baseball instead of hockey, but they’ll take what they can get.
  • CBS continues its retooling of the upcoming Cedric The Entertainer-starring sitcom, The Neighborhood. When I did my upfronts post, I mentioned that star Josh Lawson had been replaced by New Girl‘s Max Greenfield. At the time, my only comfort was knowing that Dreama Walker would be on the show. Well, that’s over, as she’s been replaced by 2 Broke Girls‘ Beth Behrs. I already had issues with the one-note nature of the show, and these recasts don’t fill me with any additional confidence.
  • Somehow, author James Patterson and former President Bill Clinton were paired together to write a novel. And someone, somewhere thought it would be a good idea to send them on a book tour on the tail end of the #MeToo movement. I take it that person is currently looking for work. In a pseudo-contentious interview with NBC’s Craig Melvin, Clinton said that he never apologized to former intern/cigar holder Monica Lewinsky, nor does he feel he owes her an apology – all of this while Patterson sat idly by, with “I just wanted to talk about my book” clearly plastered across his face.
  • The Miss America Pageant will be eliminating the swimsuit competition, at which point I feel we should just call a spade a spade and get rid of the whole thing. It’s not that I feel women need to be objectified in swimwear, but it’s that I feel the pageant as a whole doesn’t really offer much more than that. It’s all just surface appraisals, so why start acting like you care about a woman’s character and all that? It was founded in 1921, so do it til 2021 and wrap that shit up with the rest of the historical artifacts.
  • FX has renewed Atlanta for season 3. I actually finally finished season 2 over the weekend, and I would have had no problem if it had ended as something of a 2-season “experiment”. I felt season 2 was weird solely for the sake of being weird. Glover deftly handles that sort of material, but I just wanted some episodes I didn’t have to analyze or Google to get the whole picture. Considering season 2 was “Robbin’ Season”, which saw everyone have something taken away from them, I really hope season 3 is a little more positive for all involved.
  • TBS reversed its renewal of the Conan O’Brien-produced sitcom People of Earth. It had been renewed for a 3rd season last fall, with the season already written, but the show’s creator took to Twitter to report that it wouldn’t be shot. This makes me worry for The Detour, which is a recently-renewed favorite of mine, also on TBS, which was never a ratings darling.
  • The Tony Awards were cattier than ever this year, as Robert DeNiro said “Fuck Trump” on the live telecast, while Neil Patrick Harris started a Twitter feud with Crazy Ex-Girlfriend star Rachel Bloom. And a bunch of shows won some awards, but none of them were Hamilton, so nobody outside the theatre world cared.
  • Keiynan Lonsdale is leaving his role of Kid Flash on both The Flash and Legends of Tomorrow, reportedly for “personal reasons”. Yeah, I’ve got nothing snarky to say there. He seems like a good kid.
  • Bill Cosby’s wife, Camille, is reportedly ready to file for divorce. Bitch, you had 30-plus years to leave him. Bye!
  • The showrunners for Star Trek: Discovery, Aaron Harberts and Gretchen J. Berg, have been ousted, with Alex Kurtzman taking over as showrunner for season 2. Half of the season has already been completed, but the pair were accused of budget overruns, as well as mistreatment of writing staff. Akiva Goldsman, who came on as executive producer last season will also not be returning.
  • Silver & Black, the Silver Sable/Black Cat Spider-Man spinoff film that nobody wanted, has lost its release date, and has been delayed indefinitely. I guess they’re taking notes from the Universal Fancon folks…
  • It’s a confusing story, so I’m not even going to try to make sense of it. Let’s just say that Stan Lee has been granted a restraining order against his supposed business partner Key Morgan. Morgan has served as Lee’s “caretaker” since the death of Lee’s wife, but many suspect he is responsible for elder abuse of Lee. This story has been going for the last 6 months, and only seems to get crazier.
  • We got three trailers last week worth talking about. I’m running short on time, so I’ll use the In Living Color review scale. Ralph Breaks The Internet: Wreck-It Ralph 2 (Hated it!); The LEGO Movie 2: The Second Part (Hated it!); Bumblebee (Two Snaps Up!)
  • Speaking of trailers, though, here’s one for a movie, Hearts Beat Loud, that I’d really like to see. It’s out now, but nobody’s gonna see it, so hopefully it finds life on DVD/streaming.

Here comes the swerve! You know how one of the four in the intro pic gets the West Week Ever? Not today, suckas! I really should’ve written a post last week, ’cause I was scared I wouldn’t get to do this. I mean, nothing really happened in the world of pop culture last week, but this week was something of a shitshow. Still, nothing GOOD happened like this:

Charlotte “Charley” Bruce West was born last Tuesday at 10:33 PM, at 7 lbs and 1 oz. She was originally due May 30th, so you can see she’s pretty stubborn (she didn’t get that from me!). While her older sister took a good 24 hours to come put, this delivery was shorter than Avengers: Infinity War. Her mom didn’t even have time to get an epidural, ’cause she’s a warrior like that!

Anyway, I now have two kids – two daughters at that. I walk around my house, mumbling “Two kids…two kids.” It’s much more difficult than I thought it would be. I mean, changing a diaper while the older one is climbing on your back? It’s like a demented reality show! Anyway, I now have two kids. My mom only had one, so she can’t tell me shit. Every time she opens her mouth, I’m like “Two kids. I won.” So, to me, that’s the best thing that happened in popular culture the past 2 weeks. You can have your Stanley Cup and your CMT awards. I’ve got Charley, and she had the West Week Ever.

01st Jun2018

West Week Ever: Pop Culture In Review – 6/1/18

by Will

There are some weeks where I actually dread writing this post, and this is one of them. I mean, a LOT happened, but nothing I’m really excited about. Still, I guess it all needs to be discussed. Let’s get to it, shall we?

So, I guess we’ve gotta talk about Roseanne. I pretty much went on record that I wasn’t just dying to watch the revival after it was announced it would have more of a political slant, with the Conners as Trump supporters. Now, before any of the 2 Trump supporters who might be reading this get all butthurt, my problem with this is that I didn’t feel like it was inline with what Roseanne Conner would be, regardless of Roseanne Barr’s personal beliefs. The problem with “separating the art from the artist” is that it becomes increasingly harder to do when the artist controls the product and imbues the product with their own personal quirks. While some of you may feel he’s “making America great again”, Trump has a history of being a bullshitter, con artist, womanizer, etc. If there’s one good thing I could say about the character of Roseanne Conner, it’s that she had a really good bullshit detector. I feel like the characters of Dan and Roseanne Conner, in this case, were appropriated to expound on a view that someone, somewhere was trying to get across. On the one hand, you could say, “Well, they’re lower middle class, and he promised to bring jobs.” On the other, though, I don’t think Roseanne Conner would’ve trusted a guy whose sole claim to fame during Roseanne’s original career rise was simply that he was “The Rich Guy In New York”. She would’ve seen right through his bullshit.

So, the revival seemed like they wanted to play both sides. I mean, they establish the Trump thing in the premiere, and then don’t touch on it again. All of the other episodes seem to sort of dip their toe into class anxiety, like “What does it mean when Muslims move next door?” In a heavyhanded Archie Bunker kind of way, Roseanne has her beliefs challenged, and is supposedly better off by the end of the episode. Except for the Trump thing. It was thrown out to establish a foundation, and then abandoned. In many ways, it did more harm than good, even if there are Conservatives who applauded the show for “having the guts to go there.” Anyway, the whole having her beliefs challenged aspect is all well and good – if it were based on any truth.

I didn’t want to support the show because I felt Roseanne had become a vile human being in the time since the original run ended. There’s Conservative, and then there’s Nut Job, and she’s the latter. Were I a Conservative, I’d hate to be lumped in with the likes of her. “Well, what has she done, Will?” First, there’s the Heeb photo shoot, where she dressed as Hitler while putting Jew cookies into an oven. Then, there’s the Twitter feed, which is almost as incendiary as that of…someone else you’re familiar with. No, after all of that, I had no real interest in giving her ratings. I did, however, wonder if she was still trying to exhibit an air of inclusiveness that I felt was in the original show. So, I found myself reading episode recaps, and it seems like she was trying to recapture a lot of that old “magic”. I actually did watch the Muslim episode because it was on in the background at my mom’s one night. After seeing it, I might’ve forgiven the show. I might’ve even binged on the episodes I missed over the summer. Then, any goodwill the show engendered was immediately thrown out the window the minute the Real Roseanne took to her Twitter account.

So, some backstory: Roseanne was talking politics on her feed, as she’s wont to do, and Valerie Jarrett was mentioned. Jarrett, a top aide to President Obama, is also a Black woman. So, Roseanne basically called one of Obama’s top people an ape and tied her to the Muslim Brotherhood. And, rightfully so, people were upset. Little did we realize what would transpire in just a few hours, as ABC announced that it was cancelling the show. Over the next day or so, there was a debate back and forth over whether she should’ve been fired, and how it sucked for all of the cast and crew who were now out of jobs. A couple of Roseanne’s TV kids, including Sara Gilbert and Michael Fishman, “threw her under the bus” (in her words) by tweeting in opposition of her statement. Roseanne later tried to say that the Twitter tirade was the result of the fact that she had taken Ambien, at which point the makers of Ambien popped up and denied her quicker than Peter denied Jesus all three times in the Bible.

Meanwhile, folks really started grasping at straws, claiming this was a “double standard” or a “violation of freedom of speech”. One thing I read a lot were people saying “They fire Roseanne, but let them say whatever they want on The View, and nothing happens.” That’s not true at all. You just don’t hear about that stuff as much because nobody gives a shit about The View. Panelist Joy Behar insinuated that Vice President Mike Pence might have mental problems because he claims that God speaks directly to him, and she was *forced* to apologize for that on air. Don’t say that “nothing happens”! As for “freedom of speech”, sit on back, because a lot of y’all in the cheap seats need to hear this message: Freedom of speech only protects you from the government. It means all of jack shit in private industry. ABC cancelled the show because they knew the repercussions could negatively affect their bottom line. They didn’t censor Roseanne. They just made a business decision.

I’ve got to say that I’m a bit surprised the show got cancelled. I mean, it was the biggest show of the season, and ABC had clearly stumbled onto a cash cow. Yes, I get the gesture they were trying to make, but keep in mind that these were the same folks who greenlit the show in the first place. ABC President Channing Dungey made the call to end the show, but she also made the call to pick it up. There was no regime change in the middle of those decisions. Frankly, I don’t even feel like this is the worst thing Roseanne did THIS YEAR, but I guess it was the straw that broke the camel’s back? It’s just odd to me that a network that was so squeamish about airing a Black-ish episode about the NFL kneeling protests is now trying to earn back some brownie points for slapping down Roseanne.

I also think it was crazy for all of the Viacom networks to pull the reruns of the old show. This is the same thing that happened to Bill Cosby when that shit went down. Everyone yanked the reruns of The Cosby Show. It’s an empty gesture because we all know they’ll eventually come back. Stations pay for a certain amount of airings when they buy a syndication package, and you damn well better believe they’re going to get their money’s worth. It’s like the Hulk Hogan thing to me. WWE scrubbed him from EVERYTHING after his slurs went public, but there’s a constant campaign to reinstate him. We all know it’s not a matter of IF, but rather WHEN. And it’s the same here. Roseanne doesn’t need this money. She doesn’t need the show. It was something for her to do. At this point, this whole thing probably just emboldened her to be a voice for the extreme right, akin to SNL‘s Victoria Jackson, without the failed acting career. Anyway, she fucked over her cast and crew, but at the end of the day, Roseanne will be fine.

Then, The Left just had to go and fall in the swimming pool. I know I’ve touched on this before, but I despise what I call “Late Night Liberal Smuggery”. I hate all of the talk show monologues that get on a soapbox about politics, yet nothing changes. It’s why I was never a fan of Jon Stewart. Even when we’re winning, we’re still somehow losing and want to be snarky about it. That snark gets old. The biting edge eventually dulls. I like Trevor Noah. I have his book and have seen his standup specials, but I’m not the guy to watch The Daily Show every night, yelling “Preach!” to the screen. So, I was especially not much of a fan of Samantha Bee when she came along. It’s like she’s Jon Stewart, but feels she has to work harder because she’s a woman. That’s probably true in comedy, entertainment, and politics, so I’m not trying to take away her work ethic and whatnot. No, what I will take issue with, however, is her inability to read the room.

On Wednesday, Bee called Ivanka Trump a “feckless cunt”. I take it that’s a vagina without fecks? I dunno. Why did she do this? Well, there’s primarily two reasons. First off, Ivanka’s apparently profiting from her position by being granted special patents from China for her product line. It’s a total conflict of interest. Meanwhile, she posts pics of herself with her kids at the same time her father has emboldened ICE to split up families and deport parents. So, her conflict of interest, combined with her perceived insensitivity, seems to have triggered this. But The Right were NOT having it! “Double standard!” “TBS should fire her like ABC fired Roseanne!” And ya know, I wouldn’t have marched if TBS had cancelled her. Again, it would’ve been a business decision. I think Bee made a gross miscalculation thinking she could get away with that smoothly.

This isn’t a question of “Well, was she right?” I think timing is everything, especially in comedy. Had it been pre-taped a few weeks ago, I’d probably let it pass. If she filmed it after the Roseanne shit went down, however, then that was just not smart. I’m just saying she never should’ve thought she’d fire that joke off successfully. And that’s the thing: it’s not a joke. It came from a place of passion and emotion, so you can’t write it off as humor, even if it was said on a “comedy show”. What Ivanka is doing IS wrong, but I’ve always said HOW you say things is just as important as WHAT you say. This wasn’t the way to do that.

What I’m not here for, however, is the pearl-clutching from The Right. We had an entire election season of Hillary being gleefully called the same thing. There were t-shirts emblazoned with it. These are the same “Fuck your feelings, snowflakes!” folks who now get offended when someone acknowledges that Sarah Huckabee Sanders looks like Shrek. Ya can’t have it both ways. Ted Nugent called Hillary a cunt and he got invited to the Trump White House. It’s like the old anti-drug PSA: The Right can’t get mad at The Left, ’cause “I learned it by watching YOU.”

And no, the statements of Roseanne and Bee are NOT the same. Roseanne’s was racial in tone, and compared a Black woman to an ape – something that White people have done for centuries to degrade Black people. Bee called Ivanka feckless (meaning “irresponsible”) and a cunt, which is self explanatory. Think of “Cunt” like “Super Bitch³”. While seen by some as degrading to women, it’s not degrading to a racial group with a history of being oppressed. It’s like the statements by both women went to the same school, but they certainly weren’t in the same grade. Meanwhile, the White House is calling for TBS to fire Bee. This, folks, is where your cries of “Freedom of speech!” should come in. This is a violation of the First Amendment, spearheaded by an administration determined to defeat all of its perceived enemies. Thousand of people are dead in Puerto Rico, yet the President takes time out of his busy schedule of ignoring that by tweeting about how he was still waiting for his own apology from ABC for the “horrible statements” they’ve said about him. What a fucking petulant child. And I realize I can only say that because I’m a nobody with a vanity blog and not someone with a national cable TV show.

Things You Might Have Missed This Week

  • Star Jason Momoa and director Corin Hardy have left the remake of The Crow. I really don’t know why they keep trying to make this happen. That movie is the Heath Ledger of movies, as we’d have completely forgotten it had Brandon Lee not died filming the original.
  • Amazon has officially picked up The Expanse for its fourth season after it was cancelled by Syfy a few weeks ago.
  • Red Sonja herself, Brigitte Nielsen, announced that she is pregnant with her 5th child at the age of 54. Her husband is 39, and I’m just glad she never popped out any kids during that whole Flavor Flav phase…
  • For you car folks, Matt LeBlanc will be leaving Top Gear after its upcoming 4th season.
  • Maybe the third time is the charm for Locke & Key, as a 3rd pilot for the comic adaptation has been ordered by Netflix.
  • L.A.’s Finest, the Bad Boys TV show spinoff starring Gabrielle Union and Jessica Alba, may not be dead after all. After NBC passed on the pilot, apparently Charter Communications entered into discussions to acquire the series to air on their Spectrum service.
  • Sesame Workshop filed a suit against The Happytime Murders because they felt that the trailer was damaging their brand’s image. The film is actually directed by Muppets creator Jim Henson’s son, Brian Henson. The judge threw out the case, siding with the film.
  • Jamie Foxx will star in the film reboot of 90s Image comics hero Spawn. I can’t tell if this is a major coup for the Spawn brand OR if Jamie really needs money to keep hiding his secret relationship with Katie Holmes. I mean, he hosts a Name That Tune rip-off on Fox, so something tells me he may not be the best with money. Anyway, the film will be directed by Spawn creator Todd McFarlane, which is laughable to me seeing as how he hasn’t even inspired *action* in his own toy line for the past 20 years. I really don’t see how he’s gonna pull this off.
  • Andrew Lincoln is reportedly leaving The Walking Dead after next season, with Norman Reedus taking over as the lead. This is quite the departure from the comic, where the character of Rick Grimes is pretty pivotal with all of the goings on. The show, however, solidified its willingness to diverge from the source material with the way that it handled Rick’s son, Carl.
  • Apparently there’s some kind of rap beef going on between Drake and Pusha-T. It seems like Drake was just soft-shoeing it, and then Pusha clapped back by revealing that Drake has a secret child. Man, Pusha went for the jugular! That’s like if you got in a fight with your girlfriend in public over something stupid, and she retorts with “Well, yo’ dick ain’t shit!” Anyway, it appears that funeral services for Drake will be announced shortly.
  • Last week I told you that Fox had entered into a deal to air WWE SmackDown starting in 2019. Well, now there are reports that they’ve also entered into a deal to carry the WWE NXT brand on Fox and FS1 channels.
  • In light of ABC now having another half hour to fill on Tuesdays next fall, there are reports that they are fastracking a spinoff of The Middle, starring Eden Sher’s character, Sue Heck. I am SO here for this, even though I felt The Middle had the perfect finale. Here’s hoping this is more Frasier than Joey.

I guess I’ve gotta give the West Week Ever to Solo: A Star Wars Story? Is that how this works? Wait, why am I asking y’all? This is MY site. I mean, the movie has made $200 million worldwide in its first week, and I believe it was director Ron Howard’s biggest opening. That said, it’s still seen as “underperforming”. While I wasn’t rooting for Solo to bomb, I do hope it causes them to rethink this whole Annual Star Wars Movie strategy. Star Wars just isn’t special anymore.

As I said on social media, Star Wars went from being your rich uncle who bequeaths his fortune to you to being your grandparents who visit every year, and somehow think the $5 bill they slip you can still buy anything in this day and age. I am far from a discipline of the franchise, but I always felt like a lot of what made Star Wars special was The Wait. I’m talking about the anxiety that built between the ending of The Empire Strikes Back and the release of Return of the Jedi. The anticipation of the Prequel Trilogy (contrary to how folks feel now, y’all were looking forward to those things at the time!). Force Friday toy releases, timed to coincide with the first film after one of those extended waits. From outside the fandom, Star Wars always seemed to have a “Good Things Come To Those Who Wait” thing about it, and I think there’s just an embarrassment of riches right now that kinda tarnishes the brand for me. I haven’t seen Solo yet, so this isn’t a knock on quality, but rather business strategy.

I had a friend compare this to Marvel, saying if Superhero Fatigue hasn’t set in, why is it OK to assume Star Wars Fatigue is a thing? He posited that the Marvel machine could be applied the same way to Star Wars, but I just don’t think that’s true. I realize Star Wars is doing the whole One Saga Film, One Spinoff model, but I often wonder what will happen when the Skywalker Saga truly ends. I mean, folks claim they want new things, but their actions show otherwise. A lot of fans hated The Force Awakens because it was too much of a rehash of A New Hope. Then, The Last Jedi offered something new, and it proceeded to destroy friendships and families because it “wasn’t Star Wars“. I wish Disney would take a parental stance on this franchise, and just say “If you can’t appreciate what we give you, then we’ll just take it away from you for a while.” That, then, would trigger a Wait. And hopefully the fans will either discover a newfound appreciation for what they have or they’ll find something else to tickle their fancy. Either way, a lot of Star Wars fans right now don’t deserve Star Wars, but there’s too much money to be made, so look for Star Wars: Lobot’s Reckoning coming soon to a theater near you. Anyway, this is me, begrudgingly saying that Solo: A Star Wars Story had the West Week Ever.

25th May2018

West Week Ever: Pop Culture In Review – 5/25/18

by Will

HarassmentWatch(TM)

Mario Batali Update – The celebrity chef is now officially under criminal investigation by the NYPD for allegations against him for sexual misconduct. He will be bought out of his restaurant group by July 1st. Meanwhile, he must’ve been the backbone of The Chew, as ABC has cancelled the series (following his ouster) in order to expand Good Morning America to 3 hours. Anyway, when the allegations first came out, Batali said that they pretty much lined up with behavior he’d exhibited in the past, so there’s no real denial here.

Luc Besson – The French director, probably best known for Léon: The Professional, has been accused of rape by an actress, who said that Besson put something in her tea during a meeting. She lost consciousness, only to wake up to find Besson fondling and penetrating her. He allegedly fled the hotel, leaving her a wad of cash. French police are investigating the allegations, while Besson is in denial mode.

Jeffrey Tambor Update – In a New York Times interview with the cast of Arrested Development, costar Jessica Walter recounted a time when Tambor was verbally abusive to her – which resulted in a bunch of the male costars basically mansplaining and coming to Tambor’s defense. Costar Jason Bateman later had to walk back his remarks on Twitter after folks pointed out that he was basically minimizing Walter’s experience. Not a good look for a show promoting its return (May 29th on Netflix), but I sadly doubt it’ll really matter to many.

Morgan Freeman – What? NO! You don’t say! Anyway, the famed narrator/actor has been accused of sexual harassment by 8 different women. He would frequently comment on production assistants’ figures, and even tried to lift one woman’s skirt to see if she was wearing underwear. He issued a statement that he apologized “to anyone who felt uncomfortable or disrespected” by his actions. Whatever. Dude is an 80 year old man who wears an earring. If you don’t realize he’s a guy who’s still “trying to get it in”, then of course you’re surprised. Still, he was dating his stepgranddaughter at one point, so nothing he does sexually surprises me anymore. I wrote him off, like, ten years ago.

Harvey Weinstein Update – Could this be the end of HarassmentWatch? The man who started it all, who inspired the #MeToo Movement, will officially be charged with a sex crime, and surrendered to the NYPD this morning. “Surrendered to the NYPD”. Yeah, I get he’s an asshole, but they make it sound like he’s a serial killer who’s been on the lam. Anyway, as we’re learning, taking him off the streets isn’t gonna stop this stuff from happening. This is basically Hydra at this point: cut off the head, and 2 more will appear.

Sigh. I really didn’t want to have to talk about this. Like, I’m really kind of exhausted by it, and I found myself ashamed of a lot of people because of it. Yet, here we are:

Last Friday, Cartoon Network released a video announcing ThunderCats Roar, which is a new take on the ThunderCats franchise. And 30-40 year old male Internet LOST. ITS. SHIT.

“It looks like shit! Why does it look like Steven Universe?!”

“I hate this CALARTS style! Why even call it ThunderCats?”

“They’re trying to do another Teen Titans Go!

Those are some of the tamer examples of what’s out there. At the end of the day, a bunch of grown men were making it their mission in life to make sure the world knew of their displeasure at the cat people cartoon. I sat there, reading these remarks, thinking, “Don’t y’all have prostate exams to schedule or something?” Seriously, the greatest trick the Devil ever played was creating the Internet and convincing everyone that their opinions matter (he said ironically on his vanity project blog). This was not created for the old school fan. This is an attempt to make new fans. And I’ve heard folks say “Well, how dare they make a show that’s NOT for the fans?” Probably because they figure you have lives to attend to, instead of obsessing over shit like this. Let me back up a bit, though, so you can understand where I’m coming from with this.

Unlike most people my age, the 80s mean very little to me. Yeah, I know I claim to be “pop culture guy”, and I was born in ’81, but I really didn’t glom onto much that the 80s had to offer. When it comes to the 80s, I care about Knight Rider, Small Wonder, and Night Court. That’s about it. I actually had more of a sophisticated palette as a child than I do now. During that decade, I was pretty much obsessed with public television, the local news, and Murder, She Wrote. I’m not kidding. When I was 3, my favorite show was Murder, She Wrote. What? I had old parents. Anyway, most of y’all have all these fond memories of G.I.Joe, ThunderCats, He-Man, etc, but I do not. Just didn’t watch them. Sidebar – most of these were weekday afternoon cartoons, and I used to carpool with a teacher who had to stay late, so I never got home early enough after school to watch most of those shows. My cartoon pop culturedom didn’t come to fruition until the 90s, as nothing really resonated with me until the Teenage Mutant Ninja Turtles era. That’s why I actually like the Slimer & The Real Ghostbusters seasons. That’s why I prefer the DiC G.I. Joe (“Got to get tough! Yo Joe!”) to the Sunbow era. And I was just cynical enough, even at that young age, to realize that, at the end of the day, they were just dumb cartoons.

A lot of folks, however, were introduced to these franchises as younger children, so they shaped their development. They have Christmas memories about getting the toys, and sometimes have some faded Polaroids as proof. Since the properties are so intertwined with their own development, folks take these things to heart and get fiercely protective of them. They also, however, never learned to let them go. I find this a lot with Star Wars fans, especially when discussing how The Last Jedi disappointed them. I liked the movie well enough, even if I thought Finn was wasted and Rose was an unnecessary character who only served to accompany Finn on his B plot. These people were introduced to Star Wars at a young age, it shaped their love of film/fantasy/slave girls and never thought they’d get more. Then, Lucas surprised them with a prequel trilogy. The less said about that the better, but they survived it all, and figured that’s all they’d get. THEN, Disney bought the franchise and started giving them NEW Star Wars. The thing that shaped them, but kept disappointing them like a deadbeat dad, continued to pop into their lives, with the promise of a return to the days of old. But, you can’t go home again.

These fans look to these things as comfort food – familiar guideposts that never change, and they can always return to them as “home base” in Life’s game of tag. As such, when they do change, they turn on them because they feel betrayed. Still, these concepts have to change and evolve or they become stagnant. People claim they want new ideas, but when they get them, they decide they just want more of the same. G.I. Joe fans are constantly saying “The line’s dead. Hasbro’s doing nothing with the property.” Well, good. ‘Cause Lord knows we don’t need an 85th version of Snake-Eyes. My generation seems to forget that there was a G.I. Joe before Cobra and Duke and Snake-Eyes even entered the picture. That generation doesn’t get to rant as much because the Internet came along and frightened them, but they’re out there. I also feel like there should be a Joe after the Cobra era. The G.I. Joe vs Cobra era has lasted, intermittently, for 36 years. That’s 36 years of fucking Snake-Eyes. I’m sorry, but a mute ninja just isn’t that cool anymore in 2018. The same folks lamenting the death of the line are also the ones who are basically saying “Fuck the kids! This is MINE!” Just as with comics, if you don’t attract a new audience, the thing you love will die right along with you. Many, I feel, wouldn’t have a problem with that.

Can you imagine the things folks would shit on had the Internet come along just a few years earlier? Take Batman ’89, for instance. Sure, it’s thematically in line with his pulp roots, but it’s NOTHING like Batman ’66, which was what most folks at the time were more familiar with. His suit’s black, there are no POW! effects, and he doesn’t have a Robin. “Why even call it ‘Batman’?” they’d ask. I listened to a podcast yesterday where they spent a good chunk of time railing against the new ThunderCats because it seems to “dumb down” the franchise by going the Teen Titans Go! route – a show the hosts despised because the characters in that show aren’t heroic and don’t act in ways that children should be emulating. They described it as an animated It’s Always Sunny In Philadelphia, because all of the characters act like assholes. I think that’s quite the stretch, but whatever. These guys hated TTG for its horrible “message”, yet in the same episode went on to laud the controversial comic book Jawbreakers (I’m not even getting into that, but trust me it’s not important for my point) because, and I quote, “Some things should just be fun. Not everything needs a moral.” Yeah, that’s moving the goalposts like a motherfucker.

Let me tell you something about your 80s cartoons. Bear with me here, it’s going to sound like the result of rogue Googling, but I actually went to school for this. I have an Ivy League degree in human development, with a focus on early childhood. Contrary to popular belief, these shows weren’t designed in some animation lab to bring pleasure to all the little girls and boys. No, the properties tended to be owned by toy companies (for example, Hasbro owns G.I. Joe), and the shows were merely vehicles for selling product. In the early 80s, thanks to President Ronald Reagan, the Federal Communications Commission deregulated commercial time limits in children’s programming. This led to the development of what is now known as the “program-length commercial”. He-Man? Program-length commercial. GoBots? Program-length commercial. Since toy companies were no longer bound to traditional commercials to advertise to children, the sky was the limit for toy companies. Whatever they wanted to sell, they could just line up a Japanese animation studio to put together a series for them. You grew up engrossed in the never-ending battle between G.I. Joe and Cobra, not realizing they were just subconsciously grooming you to ask your parents for the Trouble Bubble and the Terrordrome at Christmas. The laws kinda changed in the 90s, but the biggest change was that you couldn’t air commercials for a product while its show was on, because kids supposedly aren’t sharp enough to tell when a show ends and a commercial begins. This is why you won’t see a commercial for Power Rangers toys during an episode of Power Rangers.

All of this is to say that these properties don’t come from some wholesome place to remind you of your childhood. When they don’t have anything else to sell, they pack up and move on to the next thing. When you get butthurt about something from your childhood changing for a new audience, it basically means the company isn’t making enough money off your nostalgia anymore and they’re going where those dollars are. This isn’t to minimize your memories or feelings, but it is to remind you of a simple truth that corporations aren’t people and they ultimately have no obligation to you.

Now, back to ThunderCats. The original show? Not that great. It’s middling 80s fare, meant to sell toys. I hear the 2011 reboot was actually pretty good. I could get into the whole “Well, if you watched it, it wouldn’t have been cancelled” argument, but there are other factors at play, like toy sales and Cartoon Network’s erratic scheduling. Still, they tried doing it “the fans’ way”, and for it didn’t work out for whatever reason. So now they’re trying something new. And there’s also something to be said for not judging a book by its cover. As much as folks claim to hate the art style that’s being mimicked, folks love those shows. I never hear a bad thing about Steven Universe. And even though The Adventures of Gumball looks lazy at times, it might be one of the smartest shows on television. I’m not even joking when I say that (check out the episode on privilege to see what I’m talking about). One thing people need to internalize is that EVERYTHING DOESN’T HAVE TO BE FOR YOU. It’s not to say that things should be exclusionary, but it’s OK to see something, say “It’s not for me, but good luck to them”, and walk away. This demand that everything be the way everyone wants it is insane. Life isn’t fucking Burger King. Instead, I’m seeing folks, who clearly have a history of being bullied and mocked, mocking the ThunderCats Roar creator for his man bun and shit like that. You’re just undermining your whole stance when you sink to physical attacks to express your displeasure. Anyway, I’ll be checking out the show, even when Cartoon Network decides to do something stupid with the scheduling, like air all the episodes in one day or some shit.

In a major coup for the Fox network, they’ve struck a deal with WWE to air SmackDown Live through 2024, worth a reported $1 billion. They would begin airing the show in 2019 when the NBCUniversal contract expires, while RAW will continue to air on USA Network. This might be the shot in the arm the SmackDown brand needs, as having it and RAW on the same network, two nights apart, just didn’t make it seem that special. In fact, I always felt that RAW‘s claim to fame was the fact that it was live, so SmackDown being pretaped was somewhat interesting to me. When it switched to a live format, it just became more of a Not RAW to me. I totally applaud this move, however, as I’ve been saying that there needed to be a free, broadcast WWE show ever since SmackDown moved to cable. A lot of folks don’t realize that, during the UPN years, SmackDown was the highest rated show in Spanish-speaking households. There is clearly a wrestling audience that are either cord cutters or simply rely on over the air TV, and they deserve a show of their own. This is a good chance to differentiate the brand from RAW as much as possible.

Things You Might Have Missed This Week

  • The sequel to The LEGO Movie has a title and release date. The LEGO Movie 2: The Second Part will be released February 8th, 2019.
  • It’s being reported that Amazon may save The Expanse, which was just cancelled at Syfy.
  • Speaking of Syfy, the Nope, No Superman Here series Krypton was renewed for a second season, the day before its first season finale aired.
  • Word on the street is singer Ariana Grande and Saturday Night Live‘s Pete Davidson are now dating. Well, good for him!

  • We got a poster for DC’s SHAZAM!, starring Zachary Levi. I mean, this character means so little to me that I’m not going to really critique its “accuracy”, but the poster does nothing for me. It’d be find if it were promoting a lighthearted SHAZAM! on The CW next fall, but it’s not dynamic enough for a movie that they expect me to leave my house and pay money for.
  • One of the last question marks for the 17-18 TV season, Fox has officially cancelled airplane sitcom LA to Vegas.

  • YouTuber/TRL correspondent Liza Koshy has been announced as the host of Nickelodeon’s Double Dare revival this summer. Original host, Marc Summers, will offer “color commentary” – probably while hidden behind several layers of Plexiglass, while wearing 4 layers of clothes to make sure no slime touches him. Anyway, the show debuts June 25th at 8 PM.
  • Speaking of TRL, the show was renamed last month to Total Request List, since the show is now taped and is no longer live.
  • Jake Gyllenhaal is in talks to play the villain Mysterio in the sequel to Spider-Man: Homecoming. I’m still hoping it’s called Spider-Man: Sadie Hawkins Day, with the trilogy being rounded out by either Spider-Man: Prom or Spider-Man: Graduation Day.
  • Paramount removed the next Transformers sequel from its release schedule entirely, supporting reports of an upcoming franchise cinematic reboot.
  • The Obamas just signed a production deal with Netflix, which will see them produce docu-series, films, and both scripted and unscripted series for the streaming service. I need to send them my pitch for a revival of Breaker High!
  • Lifetime series UnREAL‘s fourth, and final, season will actually debut on Hulu, and it’s unclear if it will ever get a release date on Lifetime. I guess this is the 21st century version of “moving a show to Saturday”…

  • Unlike most people my age, I have no real affinity for the Muppets, so imagine my surprise when I found myself really excited for The Happytime Murders. I’m that guy who’ll watch anything with Melissa McCarthy (Sorry, not sorry), and it goes a LOT of places I never thought I’d see them go.
  • Deadpool 2 dethroned Avengers: Infinity War at the weekend box office, taking in $125 million.
  • To celebrate the franchise’s move from webisodes/DVD movies to full-fledged TV series, DC Super Hero Girls has undergone a makeover. I’m not really a fan, but it ain’t for me, so…
  • Logan director James Mangold has been tapped to direct a Star Wars spinoff about Boba Fett. That is until Kathleen Kennedy fires him in six months and replaces him with Todd Phillips or something.

I’ll bet a lot of y’all got to this point and expected to see Deadpool 2. Well, I haven’t seen it yet, plus it’s my site and I’ll do what I want! No, we’re going to talk about The Middle.

Debuting Fall 2009, The Middle came along and spent 10 seasons simply flying under the radar. For those who did check it out, though, they were introduced to the quirks of the Heck family. Neurotic Frankie, who’s still trying to find some meaning in her life outside of being a wife and mother. Stoic Mike, who hides his emotions as he spends his days as a manager at the quarry. Peppy, optimistic, yet awkward, Sue, who greets every day with a smile, even as the world continues to try to tear her down. Slacker son Axl, and Brick…well, what can I say about Brick? As the youngest son, he’s clearly on the spectrum, but he also has weird quirks, like repeating words in a whisper and licking cars.

Anyway, the show captured everything about living in “the middle”: they lived in the middle of the country, they were middle class, we saw Sue struggle to gain attention as the middle child, etc. It was never a “watercooler show”, with folks going to work the next day, asking each other “Did you see last night’s The Middle?” Still, it was a fine example of what ABC does best: offer sitcoms showing the different definitions of “family”. As the world seemed to be working against them, we were always rooting for the Hecks to get through it all. It never got too political (much to several of the stars’ chagrin), nor too preachy. It was really about making it one day at a time, and living to fight another day in this game called Life.

I’d been saying that the show was living on borrowed time for the past few seasons. While nothing about the show’s quality had changed, it didn’t really seem to be going anywhere. It lived right there in the middle. There were no real highs and no real lows. I think that’s probably indicative of how television has changed. We now expect some sort of huge cliffhanger or something to get us to come back for the next episode. Gone are the days of old, where every episode of a show was pretty much the same. The Duke boys were pretty much always evading Roscoe and thwarting Boss Hogg. With ALF, he always wanted to eat the cat, and had to be hidden from the neighbors. Every episode was pretty much the same for those shows, but they still managed to entertain and bring in an audience. Nowadays, though, everything has to have a death or a paternity mystery to keep folks on the hook. The Middle never played those games, which is probably why its ratings were solidly in…the middle.

When this season was announced as its last, I thought it was great that they announced it early so that the show would be able to take its well-earned victory lap. I mean, ten seasons is NOTHING to sneeze at in this day and age! And then ABC came along and screwed the pooch by giving the show’s timeslot to the Roseanne revival. I get it. I know it’s a business, and I get why they did it. Some might even say that, as a lead-in, Roseanne actually helped The Middle‘s ratings in this final season. OK, but ratings don’t matter for a show in its final season. The ad rates have been set, and it’s not vying for renewal. It could’ve gotten no viewers, and they would’ve just moved it to Saturdays. Plus, it ended up with something I don’t think I’ve ever seen before: an hour-long series finale that started on the half hour. There are certain unspoken rules in scheduling, and one thing is that you don’t set an hour-long show at 8:30. Hour-long shows, traditionally, start at the top of the hour, unless delayed by a sporting event or something. Anyway, it didn’t seem to hurt it, as the ratings for the finale were up, while the ratings for Roseanne’s finale were down. Womp womp.

How was the series finale? Well, it was perfectly in the middle. I mean, the show ended doing what it did best. We got typical Heck shenanigans, we got a flash forward, we got some payoff for some secondary characters (I see you, Brad!), and we even got a wedding. Still, the episode wasn’t about the wedding. It wasn’t even about the build-up to the wedding. The wedding was just something that happened, much like everything else in the show. You knew going into it not to expect a big death or anything like that, because that’s not the show’s bread and butter. It would’ve been disingenuous to have a Good Times finale, with the Hecks finally getting out of financial servitude and moving to a better neighborhood. No, everything they had was just right for them. It was perfectly in the middle, and they always had each other to lean on. I don’t think they’d have wanted it any other way. So, for that reason, The Middle‘s series finale had the West Week Ever.

18th May2018

West Week Ever: Pop Culture In Review – 5/18/18 (Upfronts Edition)

by Will

HarassmentWatch (TM)

Nev Schulman – The creator/producer/host of Catfish: The TV Show has been accused of sexual misconduct, resulting in MTV halting production on the show. A former Catfish…contestant? guest? I dunno. A woman who had appeared on the show in 2015 said that Schulman didn’t believe she was actually a lesbian, and propositioned her for sex. This was all in a video that she posted to YouTube last week. Schulman denies the accusations, but production has been halted until the investigation is completed.

Brad Kern – The showrunner for NCIS: New Orleans has stepped down amid reports that surfaced from December 2016 when he was the subject of two different human resources investigations. He was reported to have undergone sensitivity training, but I guess it didn’t take. He’ll still get paid, though, as he’ll remain on the payroll as a consultant. Interestingly enough, this happened on the heels of recently departed NCIS star Pauley Perrette tweeting that she had experienced physical abuse on set, which motivated her to leave the show.

Before we get to all the Upfronts stuff, let’s take a look at a few of the cancellations/renewals that have occurred since last week’s post.

Cancellations

CBS: 9JKL; Me, Myself & I; Scorpion; Kevin Can Wait; Superior Donuts

ABC: Inhumans; The Mayor; Ten Days In The Valley; Kevin (Probably) Saves The World; The Crossing; Deception; Alex, Inc.

NBC: Rise; Great News

Renewals

CBS: Elementary; Man With A Plan; Instinct; Life In Pieces; Criminal Minds

ABC: Fresh Off The Boat; Black-ish; Station 19; For The People; American Housewife; How To Get Away With Murder; Splitting Up Together; Agents of S.H.I.E.L.D. (for a 13-episode season to debut in Summer ’19)

NBC: The Blacklist; Brooklyn Nine-Nine (yup, they swooped in and saved it from its cancellation at Fox)

Fox: Bob’s Burgers; Family Guy; Gotham (final season)

Things You Might Have Missed This Week

  • Another Batman prequel series, called Pennyworth, will follow Bruce Wayne’s butler before he comes to work for the Waynes. This idea is stupid, but it’s also being developed for Epix, which means about 55 households will be able to watch it.
  • Jennifer Love Hewitt is replacing Connie Britton on Fox’s 9-1-1, who originally only signed a one-year contract.
  • The CW announced that next season will be the last for iZombie, Crazy Ex-Girlfriend, and Jane the Virgin.
  • There are talks that Designated Survivor is being shopped to Netflix. It was cancelled last week by ABC after execs were concerned that there was no clear direction planned for the story.
  • Speaking of The CW, Arrow star Stephen Amell revealed that the next crossover between the shows will introduce Gotham City and Batwoman to the Arrowverse. Yay?
  • TNT’s The Last Ship will end after its upcoming 5th season.
  • CBS is reportedly eyeing (get it? ‘Cause their logo is an eye?) the Mad About You revival as a midseason show.
  • Lost In Space has been renewed for a second season on Netflix
  • Fox said there are no plans for a 12th season of The X-Files after Gillian Anderson left the series. Anderson clapped back on Twitter and said that the real reason was because viewership had dropped 77%.
  • Lethal Weapon was narrowly renewed as it was announced that Sean William Scott will be replacing the outgoing Clayne Crawford. Stiffler as a cop? I feel this idea is about 10 years too late, but I might check it out.
  • DC announced a Doom Patrol series for that DC Universe streaming service that I have no faith in…
  • While we’re about to discuss a lot of shows that were picked up for the fall season, some other high profile pilots didn’t get series orders, including Gabrielle Union’s Bad Boys spin-off at NBC, the Cagney & Lacey reboot at CBS, and the Supernatural spin-off The Wayward Sisters on The CW.

Well, in what has become a tradition on this site, this is the 5th year that I’ve taken a bullet for you. That’s right: I watched ALL of the trailers for the Fall’s new shows, to give you a better idea of what’s probably worth your time, and what will most likely end up in a ditch, like Firefly or Andy Richter Controls The Universe. If you remember, last Friday was basically “Bloody Friday”, where 19 shows were cancelled within 24 hours in order to make room for the incoming shows. This week, the 4 major broadcast networks held their upfront presentations, where they presented their fall schedules, as well as introduced their incoming shows. This is QUITE the undertaking on my end, so I don’t expect ya to read all of it, but it’s here if you’re interested. So, let’s get this show on the road!

Courtesy TVLine.com

ABC

A Million Little Things (Wednesday, 10 PM)

After the success of NBC’s This Is Us, everybody wants their own non-linear tearjerker. This is ABC’s attempt at that. For starters, it’s got a great cast. I mean, it’s LOADED with folks who bring a fan base with them: James Roday (Psych), Ron Livingston (Office Space), Romany Malco (Black people). I’ve also loved Stephanie Szostak since USA’s Satisfaction, though you may recognize her from Iron Man 3 or R.I.P.D. I hope this one works out ’cause I like a lot of these people. Will I be watching? Probably not. I’ve got enough anxiety and depression without deliberately putting my emotions through a meat grinder on a weekly basis. It’s up against Criminal Minds on CBS and Chicago P.D. on NBC, so it’s the definition of “counter programming”. It’s a wide open timeslot that this show should have no problem finding a foothold.

The Fix (Midseason)

You’ve got to feel kinda bad for attorney Marcia Clark. In her own Hillary Clinton way, she’s clearly still dealing with the fact that she never got OJ Simpson. Sure, justice eventually won in the end, but not on her watch, and she’s been stewing about that for the past 25 or so years. Well, this show, executive produced by Clark, is basically “What if OJ not only did it, but then did it AGAIN?!” Here’s where this show is gonna backfire, though: this is NOT the right time for a show like this, what with the way the world is right now. From the trailer, there’s nothing sympathetic about the female lead. Some might say she’s “driven”, while others might just say she’s a “bitch”. So, she’s lost the audience. Then, you’ve got Not OJ who, while not exactly charismatic, seems way more interesting as the villain than the chick does as the “hero”. Then, throw in how the OJ thing played out in real life: the show should want you to root for her, but the Black audience (if there is one) might end up rooting for him to continue evading her. I don’t have high hopes for this one. I see it getting that Tuesday night “death slot” of 10 PM, and then being burned off on Saturdays after a few low-rated outings.

Grand Hotel (Midseason)

This just looks like a Univision adaptation of Dynasty, BUT it does go after that audience that ABC held in the palm of its hand during the early Desperate Housewives years. It’s got diversity going for it, and it’s rich Latinos instead of gangbangers and whatnot, so it’s aspirational, even if they do owe a ton of money to the mob. I think there’s something to be said for the fact that it’s being held til midseason, in that it wasn’t strong enough to launch the season on. It could also be that it didn’t, tonally, fit what they were coming out of the gate with. This could go either way, to be honest.

The Kids Are Alright (Tuesday, 8:30 PM)

Ugh. It’s one part Just The Ten of Us and one part The Goldbergs, with a dash of The Wonder Years. I’m SO tired of the Retro White Family Memories, Narrated By Some Dude Pretending To Be the Creator shows. It’s That 80s Show Syndrome. Fox said “Well, That 70s Show is doing well. How about we make That 80s Show?” Well, here ABC said “The Goldbergs has got the 80s covered, but what about the early, yet non-specific, 70s?” It’s a working class show, so it’s paired well with Roseanne as its lead-in. That said, it’s a HORRIBLE lead-in for Black-ish. If this show is smart, they’ll try to sprinkle in a witty Black kid as one of the sons’ best friends, but this family doesn’t seem like they’d fraternize with Negroes. I think Retro Fatigue is a thing, and this show could fall victim to it. It’s got a Real O’Neals vibe to it, without the gay son angle – HOWEVER, the jury’s still out on the little one, even though I doubt the show has the balls to go there in its first season, given its time period and everything. With the Roseanne lead-in, it’s really the show’s game to lose. It’s prime real estate, but does it DESERVE it, other than the fact that they’re both blue collar families? I guess time will tell.

The Rookie (Tuesday, 10 PM)

This is stupid. Look, I’ve never understood folks’ love affair with Nathan Fillion, but I also didn’t really love Firefly, so there’s that. I feel like there’s a lot of William Shatner Syndrome there. It’s like “I loved this one thing this actor did, so I’m just gonna pretend to love every other thing he does.” I’d watch this as a movie, starring Kevin James, on Netflix. This, however, is not a series to me. First off, Fillion is 47 years old, and it looks like they’re going to great pains to make him only look 40. Next, I HATE when the woman (ex wife?) tells him he was brave during the robbery. NO! From what we see, he was stupid, and people could’ve gotten killed. And let’s say this show does last 5 seasons – what’s the draw when he’s no longer a rookie? He’s just an old ass cop at that point. It’s like when Doogie Houser grew up and his whole Kid Doctor shtick wasn’t that impressive anymore after his balls dropped. The show has the Tuesday Night Death Slot – 10 PM, where ABC shows go to die. But y’all really love your Nathan Fillion, so maybe this will end that curse.

Single Parents (Tuesday, 9:30 PM)

This looks horrible, and I say that as a fan of Taran Killam and a closet fan of Brad Garrett. There’s this growing trend of shows that were clearly developed from what was originally a movie concept. You could eke 90 minutes out of this idea. A perfect 3 acts where Killam ends up with Leighton Meester, and learns how to be an adult again. Instead, to make it a show, they’re going the Community route: “Look how much these folks from disparate backgrounds have in common.” And, frankly, the ensemble isn’t dynamic enough to pull that off. I wish they’d gone with a murderer’s row of supporting characters from recently cancelled sitcoms, as these shows are prone to do. For example, I’d really love some Sara Rue on here, but I love Sara Rue in anything. Plus, this is a waste of a Modern Family lead-in, which is pretty good real estate. The one that’s really gonna suffer, though, is A Million Little Things, as this show is going to kill any potential carryover audience from Modern. I’m calling it: DOA.

Whiskey Cavalier (Midseason)

I was a little more into this show after watching the trailer because all the promo stills made me think “This shit is just Castle all over again.” Seriously, I was wondering why they didn’t just call it Rook. Anyway, this show is SO ABC that it just might work. I, however, ain’t got time for that Will They/Won’t They? dynamic, ’cause they always WILL and it’s simply a matter of WHEN (if they’re smart they’ll wait 3 seasons). Anyway, it’s being held til midseason so Cohan can hurry up and get killed on The Walking Dead. The idea of the show seems kinda fun, but I’m still hung up on the casting a bit. I don’t find Cohan that dynamic, but that’s probably because I’ve never seen anything she’s been in. At the same time, I just find Scott Foley boring. I mean, he seems to work here, but I’ve always felt the most interesting thing he ever did was marry Jennifer Garner. While there appears to be chemistry, the casting on this show just feels like ABC pulled the trigger on a bunch of talent holding deals that were about to expire. Anyway, the midseason bow gives it a better shot at renewal, and I think this one will succeed.

Scheduling Thoughts

Sunday is a bit perplexing to me. I’ve always hated that they moved Shark Tank to that night, and I feel Child Support (scheduled for Fridays at 9) would be a better companion to the upcoming Dancing With The Stars: Juniors. The Alec Baldwin Show is a vanity project that really doesn’t matter in the grand scheme of things. It’s probably relatively cheap to produce, and its only real competition is Madame Secretary on CBS. It’ll last either until Baldwin gets bored with it, or he hurls a slur at a staffer and the network is forced to distance themselves from him (which would, then, put Match Game in jeopardy). Meanwhile, Fresh Off The Boat and Speechless are left to fend for themselves on Friday. It would be one thing is ABC was committed to bringing comedy back to Fridays. Maybe even rebuild TGIF. This is not that. This is just a “Well, put ’em wherever you can fit ’em in.” Again, I’d move Child Support to Sunday, hold Shark Tank for a better night later in the season, and then I’d pull Modern Family to Friday as that night needs a strong anchor, and it’s in its last season, so it really doesn’t have to be much of a performer. They could even throw in Schooled, which is the horribly titled retool of that spinoff of The Goldbergs – still starring Tim Meadows and Brian Callen, but now with more AJ Michalka – which has been picked up to debut sometime during the season.

CBS

FBI (Tuesday, 9 PM)

Ah, Dick Wolf is at it again. I kinda wish they’d put this on Wednesday, so he’d be competing with his Chicago shows on NBC. I’ll bet there’s a dude at CBS whose job is just to find all the federal agencies with cool abbreviations. One day, after having his pitch for NCIS: SUV: EX rejected, he was like “Fuck it! How about just FBI?” And the network execs were like, “Wait, how’d we miss that one? It was in front of our faces the whole time!” I love how Missy Peregrym got the Mariska Hargitay SUV makeunder. One look at her, and they were like “She’s too hot. Frump her up and make her scowl a lot.” This show will do just fine. It’s Dick Wolf, who apparently knows where bodies are buried, so folks don’t like to piss him off. Plus, it’s meant for your grandpa, who’s really the only one who can tell all these shows apart.

God Friended Me (Sunday, 8 PM)

Fresh off the cancellation of ABC’s The Mayor, Brandon Micheal Hall is in a new starring role in what’s basically a mashup of Early Edition meets Touched By An Angel meets Joan of Arcadia. First off, I hate the title. I get what they’re going for, but was that really the best one they could come up with? I didn’t want to like this when I hit Play, because I initially thought this was going to be another quirky, single cam half hour sitcom. Instead, it’s a one-hour dramedy, which changes things a bit. It’s got the PERFECT timeslot, as that’s about when Black folks get home from all-day church services. I think it’ll pose some important questions, and as long as it doesn’t get too preachy, can at least get folks to think about whether there’s something out there bigger than themselves. I will point out the most interesting aspect to me, though: Facebook. Like, Facebook is basically a character in the show. Not some made up social network, like FaceSpace, or MyFace, or SpaceBook. No, this is full-on Facebook, which makes me wonder if they paid for product placement or if they were even involved in the development of the show. If they were, then I’m a little skeeved out by all the spiritual stuff, being passed down from Zuckerberg on high. Anyway, it could work. Touched By An Angel lasted 9 seasons, Early Edition lasted 4, and Joan of Arcadia lasted 2. I think that also charts the progression of America becoming more cynical. Anyway, who knows? Living Biblically didn’t work, but I think it’s because it was a terrible idea for a 30-minute, multi-cam sitcom with a studio audience. I’m on the fence with this one, but it couldn’t have possibly been scheduled better.

Happy Together (Monday, 8:30)

Let me preface this by saying I LOVE Damon Wayans, Jr. I also LOVE Amber Stevens West. I do not love this pilot. It’s apparently executive produced by James Corden, and based on a time when he lived with Harry Styles. This is another one of those “I’d see it as a movie, but…” ideas. I mean, how long does this charade last? How long can the British rocker put up with the quiet suburbs? How do you get 7 seasons out of this? Too many shows don’t seem to have the long game in mind these days, and it they end up painting themselves into a corner, creatively. I hate to turn on my folks, but this one doesn’t last.

Magnum P.I. (Monday, 10 PM)

I loved this trailer WAY more than I wanted to. Originally, I only wanted this show to succeed so that Anthony Anderson wouldn’t be the only Hang Time alum still working today. And I really wanted to hate this concept. The 80s reboots just keep coming, but this one I like. I fear it’s gonna be like MacGyver was for me, though: never watched the original, enjoyed the reboot pilot, and then never made any attempt to watch it again. Plus, are we going into this knowing the whole Robin Masters twist? I mean, are they going to play that up? Are we just supposed to play dumb? Anyway, I love this cast. Since Happy Endings, I will watch Zachary Knighton in anything, and he’s a GREAT choice for Rick. As for Magnum himself, are we gonna have an AC Slater situation, where we later find out his name is really Thomas Rodriguez? ‘Cause, I mean, c’mon… Anyway, CBS seems to be planning Monday as “Diversity Night”, kicking things off with The Neighborhood, followed by Happy Together, and capped off with this. They COULD have scheduled a Reboot Night, with MacGyver, Hawaii Five-0 and Magnum, but I’m glad they showed some restraint. The interesting thing is that there are some Tom Selleck die hards out there who may not accept this reboot, and they’re the primary CBS audience. That said, those folks have Blue Bloods now, and this is meant to skew younger. I think it’ll work.

Murphy Brown (Thursday, 9:30)

Ugh, another “zombie” show. You know, those shows that are dead, but don’t realize they’re dead, so they just keep coming? I get how the political climate kinda paved the way for this one, but did we really need it? I mean, about a year ago, The BBC did a one-off Are You Being Served? special. It was nostalgia and something new, all at once. And it was only one episode. That’s what I’d like here. What Does Murphy Brown Think of the Trump Administration? There’s an interesting special there. It’s not, however, a 13-episode series. The same way I didn’t need Roseanne throwing her views in my face through her reboot, I don’t really see what Diane English and the Murphy Brown crew have to say about the state of the world that’s not already being said by every Liberal late night talk show host. Plus, the narrative device doesn’t really work here: in TV news, how often does a network “get the gang back together”? It DOESN’T. These people would all scatter to different networks, and maybe, just maybe, end up together at CNN or something. But there’s NO WAY FYI would reach out to a bunch of former employee “olds”, as the social media guy calls them, to provide a “fresh voice” on the state of the world. Unless FYI has been retooled to be the 60 Minutes of this universe, I’m just not buying it. And let’s talk about that social media guy: I hate him. I hate that archetype because it just doesn’t work. The whole “look at the Millennial who’s all tech savvy and here to show the other characters that they’re dinosaurs.” These characters are typically brash, somewhat unfeeling, and unsympathetic. Two seasons ago, Joel McHale’s failed sitcom The Great Outdoors was built on a group of these characters, on the same network. That character is always a douche and never paints Millennials in a positive light. The trailer gives us an early dose of what to expect from him, and I feel like they could’ve left him on the cutting room floor if it wasn’t for that fact that he brings some semblance of “diversity” to the series. Anyway, I say they do their 13 episodes and they’re out, but I don’t expect this to be the Liberal counterpoint to Roseanne. It won’t nearly be as much of a ratings smash, which is sad, but is where we are today.

The Neighborhood (Monday, 8 PM)

Sigh. This just feels lazy. Cedric is here because of a talent holding deal he has with CBS, and the show has already been retooled since this pilot was filmed, as The White Guy (’cause let’s be honest, his name doesn’t matter in the grand scheme of the show) was played by Josh Lawson (House of Lies), but has been recast with Max Greenfield, fresh off New Girl. That change kinda sucks because, while I haven’t seen Greenfield in the role, I think Lawson really nailed what they were going for here: The Aw Shucks, I Love Everybody Guy. I say it’s lazy because it’s just built on the foundation of race. Without the whole They’re Black and They’re White thing, there’s really no show there. I can see how this was an entertaining pilot but, again, there’s no long game here. Does Cedric’s character mellow over time? Does he indulge in a bit of White culture? Are both families better for the living arrangement? And I’ve loved Dreama Walker since Don’t Trust The B—- in Apartment 23, but this isn’t going to do much for her resumé. Calling this one DOA, even though the cast is really strong.

Scheduling Thoughts

Nothing major here. It was interesting to see them basically pull out of Monday and focus on Thursday as their night of comedy. They had a pretty good stranglehold on Monday comedy, so it’s odd that they’d somewhat abandon it to try some diverse shows in those slots. It’s also odd that they’d waste 2 hours a week on Crimetime Saturday “drama encores” on Saturday night. Sure, it’s not the most popular night for viewership, but that’s just wasted real estate. That’s 2-4 pilots that got rejected just so they could rerun NCIS: Pittsburgh or whatever.

Fox

The Cool Kids (Friday, 8:30 PM)

This is the Foxiest show I’ve seen in a LONG time, and I love the cast. That said, I don’t care if it is from the guys behind It’s Always Sunny In Philadelphia. This is the kind of show Fox greenlights simply to cancel. Usually it’s to shove into that Sunday 8:30 ditch between The Simpsons and Family Guy, so I’m surprised this is being farmed out to Friday nights. Anyway, this is a One and Done show. They’ll just cancel it to give one of the Seths (Green or MacFarlane) a new show.

Cosmos: Possible Worlds (Midseason)

I get it. The last Cosmos did really well and, even though they swore it was a one-time deal, you just knew they’d find a way to bring it back. These kinds of things take time, which is why that last Cosmos was back in 2014. It’ll do fine because it’s basically a National Geographic special (National Geographic is also owned by Fox) that’s being given a wider, primetime broadcast spotlight. It’ll do what it’s gonna do, and that’ll be it. If it does well, then expect another one in 2022. If it doesn’t, well, it wraps up the unintended Cosmos trilogy. Whew! I can’t believe I got through that without even touching on my hatred of Neil deGrasse Tyson. Whoops…

Last Man Standing (Friday, 8 PM)

This Fall, Fox trades one Last Man for another, as they pick up the cancelled ABC sitcom starring Tim Allen. Now, there was a lot of kerfuffle that the show was cancelled because the star is a Conservative, and I really don’t know if that’s true or not. It was never a ratings star, but it was also on Friday nights, so the bar was much lower. Still, just like everyone wants their own This Is Us, everyone also seems to want their own Roseanne revival. So, Fox jumped at the chance to add this to its schedule – a schedule in which it doesn’t truly fit. It doesn’t feel Fox to me, but maybe that’s a good thing. It had a dedicated audience, so maybe it’ll bring those viewers to its other shows. I actually don’t hate this show. I rarely saw it when it was on, but I’ve seen it in syndication. It’s bandied about like it’s this brash, Conservative voice, but Allen’s character is pretty much painted like a dinosaur in a changing world. I mean, he’s not quite Archie Bunker, but his wife and daughters are always reminding him that the world is changing and he’d better get used to it. Unlike NBC’s save of Brooklyn Nine-Nine, this isn’t to give it a proper send-off (something it never got from ABC), but rather an investment that they’re hoping they can get a few seasons from. This will be season 7, so I wouldn’t be surprised if there was some deal to take them through 10 – as long as the ratings are there. I do, however, find it interesting that it’ll be going up against Fresh Off The Boat on ABC. That’s quite the bit of counter programming there…

The Passage (Midseason)

Doesn’t Fox’s schedule already have a Special Child On The Run from the Government Show in The Gifted? I don’t know anything about the books from which this was adapted, but I do know that it had been retooled a few times before it got picked up. I love Mark-Paul Gosselaar. I think it’s really impossible for anyone my age to hate him. I want him to do well. After stints on Pitch and those 4 seasons of Franklin & Bash, I really want him to get something that sticks. I’m just sick of vampires, and that’s ultimately what this show is about. Its survival will depend on its timeslot and competition, both of which are unknown at this point. Hell, Fox had Lucifer for 3 seasons, so they can probably keep this around if it finds an audience. I’m on the fence with this one.

Proven Innocent (Midseason)

Interesting concept, but I’m not sure Fox is the right home for it to succeed. You see, Fox these days seems to want to have it both ways: they want to be the 90s network that puts out worthless dreck like The Cool Kids, but then they also want to be taken seriously by airing stuff like Cosmos and this. You can’t do both. When CBS knew it wanted to change its image, and be taken seriously, we had the Rural Purge, where the joke is that they cancelled every show with a tree in it. This show belongs on ABC. It would even get bonus points if it were a ShondaLand show, but then every character would be screwing each other and that doesn’t seem like it would fit the tone of this series. Still, this is the kind of show that ABC would throw out there and probably fail with, but they would try. I feel like the only reason this is on Fox is because its executive producer is Danny Strong (remember him as Jonathan in that terrible season of Buffy?), whose Danny Strong Productions is behind Empire, and also seems to have a production deal with Fox. Still, Fox had a hit with 9-1-1, which also didn’t feel like a natural fit, so maybe if this gets paired with that, it could have a chance. For now, though, I’m thinking this one won’t go far.

REL (Sunday, 9:30 PM)

Since his role in Get Out, everybody has been rooting for Lil Rel Howery, but is it too soon for this? I’d rather see him in more movies than see him get a middling Fox sitcom. His former costar, Jerrod Carmichael, is the executive producer here, but I don’t expect this show to push any of the buttons that The Carmichael Show did. This is just a run of the mill sitcom. Good to see Sinbad, though. I’m reminded of how Fox really screwed the pooch with Mulaney, but the thing this has going for it that Mulaney did not is the fact that there’s a Black audience looking for representation. I don’t think the post-Family Guy timeslot is the best place for this, though. Hell, it ought to have gotten the post-Last Man Standing slot on Friday. They’re as different as night and day, but that’s going to be prime real estate, which is just wasted on The Cool Kids. It could be argued that folks aren’t watching TV on Friday nights, but in the DVR age, nobody’s watching live anyway. Still, for the few that are, I think scheduling should be done to keep them in mind. I’m sorry, Lil Rel, but this is a One and Done.

Scheduling Thoughts

Interesting that Fox is keeping most of its debuts for midseason. It’s not like they’re coming off the bench that strong, but I think it’s internal company politics at play, with the looming sale and everything. At the upfronts, they kept referring to themselves as New Fox, because they would no longer have to worry about how their shows play in the international marketplace. They’re taking a decidedly America First approach with their schedule, which could mean they’re gonna double down on what made them Fox in the first place. I mean, The Cool Kids and REL both feel like they’ve been sitting in a vault for the past 20 years. It’s a network that doesn’t know what it wants to be, especially in light of the fact that it won’t own its own production studio in a year. In discussing its future, some folks have even posited that they might make a play for the WWE contract, which expires with NBCUniversal next September, which means they’d lose Monday and Tuesday real estate to RAW and Smackdown. They’re a network without a master, or a roadmap, right now. One thing I will give them credit for: moving Bob’s Burgers to Sunday at 8:30. That 7:30 swing slot never worked because football is a fickle mistress, and I think it was to that show’s detriment. Anyway, another odd thing is that Fox has yet to cancel Ghosted or LA to Vegas. They both look terrible, and there have been shows in the past that were never officially cancelled, but it’d be interesting to see if they try to revive those midseason.

NBC

I Feel Bad (Thursday, 9:30)

So, I was formally introduced to star Sarayu Blue in the recent film Blockers, where she played John Cena’s wife. I like her, but it shows how much TV has changed in recent years, because just a few years ago she would’ve been the best friend instead of the lead. That’s not really a knock on her, but more so one on her resumé. Amy Poehler is the executive producer here, which is why this is on NBC. Honestly, if you put this on ABC, following Modern Family (where that horrible Single Parents is currently slotted), I think it’d have a chance. ABC is great at giving new comedic interpretations of the different types of families out there. There’s Modern, there’s Speechless, there’s American Housewife, Black-ish, Fresh Off The Boat, etc. I could go on, but you get the point. Now, it could be said they’ve reached their saturation point over there, but I still think this show would feel right at home. On NBC? Not so much. NBC is the yuppie network, loved by DINKs (Dual Income, No Kids). All of its shows have to be set in fast-paced NYC, and nobody has a great relationship with their family. This is slotted right after Will & Grace, and before Law & Order: SVU. If I were scheduling, I’d have swapped it with Will & Grace, so that The Good Place would be its lead-in, while Will & Grace can pretty much stand on its own at 9:30. I feel The Good Place and this show would share more of an audience than it would with Will & Grace. It’s not 1998 anymore, so they really need to stop holding that Thursday 9 PM slot as a “sacred badge of honor”. Seinfeld is gone and he ain’t coming back. Anyway, One and Done.

Manifest (Monday, 10 PM)

Let me start off by saying Fuck YOU J.J. Abrams, Damon Lindelof, and Carlton Cuse. You’re why we are where we are today. Yes, this is Lost. I’m sure there’s more to it than that, but at the end of the day, it’s just Lost again. Now, why am I mad at those 3 gentlemen? Well, it’s because they started us on this road of the mythological saga that poses more questions than it answers. Before Lost, no shows had really come along with such a woven mythology, insinuating a concrete payoff. Everything matters! That’s what viewers were told to consider. The lottery numbers, the seat numbers, the smoke monster, the bear. Nothing is as it seems! And then the show ended, disappointing many, and also revealed that a lot of that shit had no inherent meaning, and they were making it up as they went along. So, just as they introduced us to that type of storytelling, their inability to satisfyingly stick the landing effectively pulled the ladder up behind them so that no one else could succeed at it. Since then, we’ve had shows like The Event, FlashForward, The Crossing – all cancelled before they really got a chance to answer what was going on. Why? Because viewers were like “Nah, I’m not falling for that again!” I skipped Lost. Just didn’t interest me for various reasons. That said, I’d actually be interested in this show, BUT I know how the game is played, and I also know that they’ll never get a chance to reveal all of their answers – if they’ve even thought of them in the first place. One and Done.

New Amsterdam (Tuesday, 10 PM)

Ugh ANOTHER damn medical show?! Pretty soon, TV procedurals are just gonna be medical shows and shows about firefighters. I saw that little twist coming. You think I didn’t, but I did. Still, it’s the kind of show that’s not playing the long game. What does season 5 look like? We gonna do the UK thing where they just bring in a new lead? I was saying on Twitter last week that I love how in the UK, no star is bigger than the show. A show could’ve been on for 22 years, with 5 different leads. It just keeps on rolling along. America’s not like that, though. Meanwhile, when did Tyler Labine get so old?! I don’t know about this one. I mean, America hates the idea of free health care, but loves its medical dramas. It’s going against ABC’s The Rookie, but it’s also getting that prime This Is Us lead-in, so I’m not quite sure who the winner is in that race. I will say, out of all the NBC shows I’ve seen lined up for the Fall, this is the one with the best shot at survival.

Scheduling Thoughts

Not a lot to say here, as they’re ultimately playing it pretty safe. Just as I said with CBS, though, I feel like NBC is wasting a lot of good real estate on Dateline Saturday Night Mystery. That’s 2-4 pilots dead, just for that. I know it’s relatively cheap to produce, but it just seems like such a shortsighted decision.

The CW

All American (Wednesday, 9 PM)

I actually like what I see here. You couldn’t do this on any other broadcast network, as shows like this are heading to places like Freeform now. I’m digging the 90210 meets One Tree Hill meets Friday Night Lights, with a dash of Black Lightning. Plus, it’s got that Riverdale lead-in, suggesting the network has faith in it. I don’t even care about its competition on the other networks, because The CW plays by its own rules and standards. I think this one works.

Charmed (Sunday, 9 PM)

OK, who thought it was time to revive this? I never watched the original, but I know it lasted 8 seasons. I mean, 12 years have passed since its finale, but between this and the Roswell reboot, it’s like someone at The CW finally got that closet opened that’s been locked since UPN merged with The WB. So many wonderful properties to reboot! We’re about 4 years away from the One Tree Hill reboot at this point. Anyway, remember how I said shows like All American were ending up on Freeform? This show TOTALLY deserves to be over there, with their shows like Siren and Shadowhunters. I mean, it might do OK on The CW, but I’m not sure. I feel like any hardcore fan base that exists for the previous iteration probably isn’t going to be too happy about this. Meanwhile, I applaud their attempt to diversify it and all, but minorities don’t get down with witches like that. If you remember, there was only one Black chick in The Craft, and her career never recovered from that! It probably needs a stronger lead-in to guarantee success. This fall, The CW expands to Sunday nights, and this will be there, preceded by Supergirl, which is far from a ratings smash. Still, if they’re going for a Sunday Girl Power block, then I guess this is what they have to work with.

Scheduling Thoughts

I’ve got quite a few here, as there are a lot of moves going on. As I said above, their foray into Sunday nights is weak. They’ll need to work to strengthen that over time. Moving Arrow to Monday is interesting, but it’s an older show so at this point it’s going to do what it’s going to do, regardless of where it’s placed. it also frontloads the week with the DC shows, with Supergirl on Sunday, Legends of Tomorrow and Arrow on Monday, and The Flash and Black Lightning on Tuesday. I’m sure this will help when planning next year’s crossover. On Thursday, after Supernatural, they’ve got the new series, Legacies, which is a spin-off of The Originals which, itself, was a spin-off of The Vampire Diaries. It’s the Good Times to The OriginalsMaude and The Vampire DiariesAll In The Family. Its trailer isn’t available right now, but I’ve got to wonder why it got that slot and not Charmed. I thought they had pretty much done everything they possibly could to the Vampire Diaries universe. Meanwhile, Dynasty is a HORRIBLE lead-in for Crazy Ex-Girlfriend on Friday. It’s Crazy‘s final season, though, so I guess they were just like “Fuck it! Put it wherever.”

So, who had the West Week Ever? Was it Yanny? Was it Laurel? I’m gonna look back one day, and that joke isn’t going to age well. Anyway, looking at the Upfront presentations as a whole, I think ABC and CBS had the strongest showings. Fox and NBC aren’t really taking any chances, while The CW is just shuffling deck chairs right now. For the ABC slate, there some shows that have potential, like The Rookie and A Million Little Things, but I’m just not sure yet. Meanwhile, I’m pretty sure CBS has hits on their hands with FBI and Magnum P.I. Plus, they’ll get some great press for that Murphy Brown revival. So, I’m going to say that CBS had the West Week Ever.