27th May2016

West Week Ever: Pop Culture In Review – 5/27/16

by Will

 

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apocalypse

So, the main movie that I watched this week was X-Men: Apocalypse. Where to even begin with this film? When I reviewed Batman v Superman: Dawn of Justice, I tried to be diplomatic. I never said that was a *bad* movie, but I simply said that it didn’t work for me. I can’t do that here, though. This was a bad movie. At the end of the day, it suffers from a failure to launch. It never feels like it builds to anything worthwhile. It has a decent 1st act, but an almost non-existent 2nd act, finished off with a rushed 3rd act.

I’ve already mentioned that I’m tired of the Erik-Charles-Raven Show, and this is just more of that. The other characters are never fleshed out, and just serve as window dressing for that trio. They are their comic counterparts in name only. Psylocke? Useless. Storm? Really doesn’t improve much on the Halle Berry incarnation, but that’s not the actress’s fault. She did the best she could with what she had. I’ve never seen Game of Thrones (outside of a supercut of all the sex scenes from the first 4 seasons), but I don’t know what it was about Sophie Turner that made Fox think she was the one to play Jean Grey. Sure, Famke Janssen was no Oscar winner, but she at least had a personality. Oscar Isaac is wasted as Apocalypse, as that character could’ve been played by almost anyone. He brought nothing to that role. Apocalypse’s motives aren’t all that clear to anyone unfamiliar with the character. Someone on Twitter mentioned that Hive on Agents of S.H.I.E.L.D. actually did Apocalypse BETTER than the actual Apocalypse did in this film, and I can’t disagree. Hive had a purpose, he had his own kind of “horsemen”, and he capably swayed the Inhumans to his cause. Apocalypse just goes around giving folks makeovers and amping up their power levels, but there’s no real indication as to WHY. Quicksilver’s great, and I’d watch a whole spin-off about him, even though that sounds like a terrible idea on paper.

Plus, where’s the “world that fears and hates them”? Since the events of Days of Future Past, where Mystique saved the President, the public seems to actually appreciate mutants. That’s not how that’s supposed to work. They should be terrified at the display of power they witnessed in DC. I mean, Nightcrawler walks through a mall, with no image inducer, and no one bats an eye!

It’s surprising to me that this was directed by Bryan Singer, because it felt like it was made by a first-time director with no familiarity with the characters. This is Singer’s 4th time at bat with this franchise, and he fails colossally. It’s funny because the film even makes a joke about how the 3rd movie is always the worst. There was a lot riding on this film, as it’s basically the 3rd movie in a second trilogy. Unless you’re a hardcore X-Men fan, you can skip this. In fact, you probably should just skip this.

soder

Whew! So, what did I like this week? Well, I caught the Comedy Central stand-up special Dan Soder: Not Special. Formerly of MTV2’s Guy Code, I’m a big fan of Soder, as he’s the co-host of my favorite radio show, The Bonfire, on Comedy Central Radio. He had a great bit about how he used to think he was possessed by the Devil. It wasn’t a gut buster, but it was more of what I’ve come to expect from him. I enjoy listening to him and Big Jay Oakerson every Monday and Wednesday evening, and this was like a nice bonus episode of that. If you’re looking for a laugh, definitely check it out.

cap and bucky

To say it’s been quite a week for Captain America would be quite the understatement. When the week started, #GiveCaptainAmericaABoyfriend started trending on social media, as fans began to “ship” Captain America and Bucky. If you’re not familiar with shipping, it’s when fans desire that certain characters enter into a relationship. From how they were portrayed in Captain America: Civil War, some folks think there’s something between Steve and James that’s a bit more intense than mere friendship. Of course, everyone took a side in the matter. Even I was like, “No, that would change the character too much because he’s been depicted in relationships with women.” I’m all for representation when it makes sense, but this seemed like it was changing a character just for the sake of change. Why make Cap gay when there are actual gay Marvel characters who “get no shine”, as the young kids say? Then I read this. My pal Pete wrote a powerful piece on representation, and what a gay Cap would mean to him. And something happened that rarely happens: my mind was changed by something I read on the Internet. At the end of the day, I hate change. That’s something that I have to deal with, but I guess I can’t stand in the way of progress. I can understand what it would mean to LGBT folks to have a symbol like Cap on their side. And it doesn’t change anything he stands for. In fact, he would now stand for MORE. If he is gay, though, he can do a LOT better than Bucky! Anyway, I was dealing with my newfound enlightenment and then Wednesday morning happened.

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The news cycle was supposed to belong to DC (we’ll get to that later), but Marvel just couldn’t let someone else have the spotlight. For the past couple of years in the comics, Steve Rogers has been depowered and advanced to his rightful age. Well, recently, he regained his Super Soldier Serum and returned to his normal self, reclaiming the mantle of Captain America, while still allowing Sam Wilson to ALSO be Captain America (yeah, that’s not gonna be confusing!). The first issue of his new series, Steve Rogers: Captain America was released Wednesday morning, with a major twist on the final page: Steve says “Hail, Hydra”, revealing that he is, and apparently always has been, an agent for his supposed greatest enemy. AND PEOPLE LOST THEIR SHIT!

It got to the point where the former Captain America writer, Ed Brubaker, was getting hassled, while the current writer, Nick Spencer, started receiving death threats. The Internet was basically divided into two camps: A) “Apparently you’ve never read a comic before, ’cause nothing’s ever permanent in comics” and B) “How dare Marvel invoke Nazis, considering they were actual bad people, and Captain America was the creation of two Jewish creators?” And both sides have their merits.

winter soldier

This storyline won’t matter in 2020, but maybe some new, cool supporting character will come out of it, like how we got the Winter Soldier a few years back during another storyline that could be considered a “gimmick”. I’ve always said that the current marketplace of licensing and lunchboxes kinda prevents major changes from happening to major characters, but some good can still come out of these stories.

At the same time, Nazis have been kinda neutered so much in pop culture that it’s easy to forget that these folks did some pretty fucked up shit. We live in a Call of Duty world, where you can log on and kill Nazis to your heart’s content, but that doesn’t change actual history. Just because the concept is toothless today doesn’t mean that it didn’t once carry some major weight. So, I can kinda see some folks getting offended by that. However, Cap’s been fighting Nazis for 75 years. Wasn’t it equally offensive that this comic book character was depicted fighting a real life foe that was out there eradicating people? I mean, if you’re really offended by the Nazi thing, then it seems like Cap just isn’t the right property for you. Nor is Call of Duty. Nor is The Producers. I get it. Nazis off limits.

Personally, I believe that we should wait and see where the story is going. I mean, it’s kinda hard to write it off from the first issue. If it wasn’t your cup of tea, that’s fine, too. Everything can’t appeal to everyone. I know people look to him as a symbol, and can’t understand why he would side with his enemies, but there’s clearly something bigger at play. And it doesn’t behoove anyone to waste outrage at this point in the game.

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Speaking of outrage, folks were up in arms in the toy community about a San Diego Comic-Con exclusive Teenage Mutant Ninja Turtles figure release. Created by NECA, there are 8 figures, split across 2 sets, designed after the classic TMNT video game. Based on the licensing rights, however, NECA is only allowed to sell these sets at SDCC; these will not be available in stores or at any other convention. Since not everyone can make it to the convention, fans are lamenting the fact that their only chance to get the figures will be by paying a markup on eBay. Or, as they’ve been saying, “The Scalp-Ors Win”. Maybe I feel this way because I’m not the biggest TMNT fan these days, but I kinda like that they’re exclusive to the con. Sure, it sucks for completists, but these things supposedly exist to make attending the con feel that much more special. It sorta takes away from the whole exclusivity when the items are sold on company sites a few weeks after the show. If I paid over $1,000 for an experience ($245 just for show admission), you better damn well believe I want to get something special out of it. And the way I see it, whatever fans end up paying on eBay is gonna seem like a steal compared to what it would actually cost to go to SDCC and get the figures themselves. All is not lost! Right now, NECA’s saying that these figures will be released in no other form, but it seems odd that they’d go to the trouble of new tooling for something that won’t hit mass market. Just doesn’t seem practical. Maybe they’re just saying this to hype up the exclusivity of the convention sets. I guess time will tell. Whatever. I feel like the fans who REALLY want the sets will find a way – even if they have to sell a kidney to do so.

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These days, I’m only an occasional wrestling fan in that I don’t watch any of the shows or PPVs, but I still keep track of who’s in and who’s out. Everyone’s injured and the fans hate Roman Reigns. That about sums it up, right? Anyway, this week the WWE announced that their TV show SmackDown would be moving to Tuesdays, and switching to a live format (for the past 16 years, the majority of the episodes were pre-taped). The reason for this is because WWE is going back to a “brand extension” model. Used in the past, but abandoned in 2011, the brand extension involves a wrestler draft, determining which wrestlers will end up on Raw and which ones will end up on SmackDown. Seeing as how Raw has been the flagship since about 1997, that’s where you really want to be. SmackDown, though originally created to be “The Rock’s Show”, has settled into an existence as the mousy little sister in the company. If you ask me, however, SmackDown has outlived its usefulness.

When SmackDown debuted, what made it special was that it was 2 hours of wrestling programming on broadcast television. Originally airing on UPN, it provided a free alternative to the pay cable Raw. Since the end of the syndicated WWF Superstars and WWF Challenge, there was a void of broadcast wrestling that needed to be filled. And SmackDown filled this void  for 11 years, even past the merger of UPN and The WB, eventually landing on Fox’s short-lived MyNetworkTV. At its peak, it was the #1 program in Spanish-speaking households. Sure, the major stuff happened on Raw, but you still got recaps and some action on SmackDown. Then, after failing to really fit into MyNetworkTV’s plans, the show ended up on Syfy. This meant that both of WWE’s major shows were now on cable, with nothing being provided to those broadcast TV fans (with the exception of the severely short-lived WWE Saturday Morning Slam on The CW). Like the MyNetworkTV move, the move to Syfy made little sense, and the show was eventually moved to USA Network – the same network that serves as the home of Raw. So, what makes SmackDown special now? It also doesn’t help that WWE now has a streaming network for its programming. The popular NXT program, featuring up and coming developmental talent, is solely on the WWE Network, yet SmackDown is presenting a not-as-good-as-Raw product on USA. Why not swap them? Everyone knows SmackDown is the lesser-than, so give its USA timeslot to NXT, differentiating the offerings on USA. That still doesn’t solve the problem of a lack of WWE programming on broadcast TV.

I know a lot of folks have cable, but everyone doesn’t have cable – especially in the world of cord-cutting. What I propose is that WWE bring back WWE A.M. Raw, which was a Raw recap show that used to air late Saturday night/Sunday morning. It was an abridged version of that week’s Raw, focusing on the highlights. I say WWE should package that and sell it to CW affiliates to air on Saturday mornings/early afternoon – similar to when WWF Superstars used to air. It’s just editing existing footage, so there aren’t too many production costs involved, and I feel like there sorely needs to be wrestling on “UHF” channels like back in the old days. Sure, television is changing, but it wouldn’t hurt for WWE to have all their bases covered: cable, broadcast, and streaming.

Things You Might Have Missed This Week

  • In a conference call, Lionsgate CEO Jon Feltheimer announced that they may make up to seven Power Rangers films. Oy vey!
  • In other Power Rangers news, the new logo debuted for the upcoming Power Rangers Ninja Steel. I don’t know why these “reveals” are a big deal, seeing as how they’ve been using the same Power Rangers font since Zeo. The only thing that changes is the subtitle, and this one looks like bad Photoshop
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  • HBO insiders are implying that there probably won’t be a third season of True Detective. I missed the second season, but the first gave us a naked Alexandra Daddario, and for that I will always be grateful.
  • A new Star Trek Beyond trailer came out. It didn’t suck.
  • Michael Keaton has reportedly signed on to be the villain in Spider-Man: Homecoming. Most reports are saying he’s playing the Vulture, though I saw one mentioning Norman Osborn. I’d prefer Osborn.
  • Marvel announced that Creed‘s Tessa Thompson will be portraying Valkyrie in Thor: Ragnarok, and the Internet DIDN’T lose its collective mind! Jeff Goldblum, Karl Urban, and Cate Blanchett have also joined the cast
  • Amazon’s Man in the High Castle‘s production has been halted, as showrunner Frank Spotnitz suddenly left the project. It is NOT a good week for Nazis!
  • FX announced that The Americans will end after two more seasons. I really need to catch up on the show.
  • It’s rumored that Rob Lowe may be replacing Michael Strahan on Live! With Kelly and…I wanted NPH, but I don’t hate this idea.
  • Digital comics platform Comixology introduced Comixology Unlimited, which offers a limited “all you can read” service for non-Marvel and DC comics, at $5.99 a month. It’s unclear, however, how creators will be compensated. Right now, it seems like they’re just getting “exposure”.

No podcast appearances this week, but I did want to share some shows with you. First up, the No Topic Required Podcast is back up and running. They sort of took a break after episode #100, but it seems like Zack and Adam are back in the saddle. As the title suggests, there’s no specific topic for the podcast, but they cover everything from video games to movies to comic/toy controversies. I’ve been on a few times with them, and always have a great time. If you’re looking for a new show, check them out!

Also, one of my favorite discoveries is the Positively Nerdy Podcast. I can be kinda ornery on here, but I really do want the best from things. Ryan looks at all that’s good in geek culture, and he records so many different shows that he’s a podcasting machine! If you like comic reviews, he’s got them. If you like movies, he’s got the review show Ryan and Leah: At The Movies. If you want a quick listen, he’s got Nerdy Nuggets. He’s a great guy, and I really like everything he puts out. If you’re looking for the non-cynical side of fandom, I highly recommend that you check out Positively Nerdy.

Links I Loved

Ranking the Megazords – The Robot’s Pajamas

The Case Against Dan DiDio – The Savage Critics

How I Used Lies About a Cartoon to Prove History Is Meaningless on the Internet – Geek

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Despite the Captain America hubbub, I really believe the comic news cycle belonged to DC Comics and DC Universe: Rebirth #1. I’ve been covering the lead-up on this site, but we finally got to see what it’s all about. Released midnight Wednesday, the comic sets the DC Universe on a new path, to recapture something that it had lost: hope. As many DC fans will tell you, the New 52 reboot drove away a lot of long-time readers, and it created a universe that was bleak and somewhat hopeless. Basically, it was a Zack Snyder movie in print. So, this was an attempt to win back those old fans.

Where to begin? Well, (and in case you didn’t know, this part’s gonna contain mad spoilers, but nothing you haven’t already seen spoiled by the mainstream media), the story focuses on original Kid Flash, Wally West, as he’s unhinged in time. We haven’t seen this character since the 2011 Flashpoint event that spawned the New 52, so it was the welcome return of a fan favorite hero. Wally visits several characters, like Batman and the original Johnny Thunder, in an attempt to warn them that some outside force has been influencing the timeline, resulting in a loss of memories and a 10-year span of time. He’s unable to reach any of them, and is continually sucked back into the Speed Force – the energy pool from which all DC speedsters draw their powers. Finally, he reaches out to his former mentor, Barry Allen/The Flash, who eventually remembers Wally and helps to rescue him from the Speed Force. Over the course of the story, we find out more tidbits and revelations. Apparently, there have been THREE different Jokers, which seems odd ’cause wouldn’t Harley realize she’s obsessing over three different dudes? Wonder Woman has a twin brother. Jackson Hyde/Kaladur’ahm/Aqualad made his post-Flashpoint debut. And, to the joy of many, Ted Kord made his post-Flashpoint debut as a mentor to Blue Beetle, Jaime Reyes. And to cap it off, we got a doozy of an ending: Dr, Manhattan, of the classic 80s comic Watchmen, was revealed to be the force that had altered the DC Universe’s timeline. Huh.

That ending is important because it’s the first time that the Watchmen characters have been incorporated into the mainstream DC Universe. The story is largely seen as a contributing factor in comics becoming dark and gritty, so it sort of makes sense that in order to find what’s lost, you return to where you last saw it. The happy-go-lucky, “heroic” DC existed prior to Watchmen, prior to Crisis on Infinite Earths. So, this sort of brings everything full circle. But what does it really mean? Are they blaming Alan Moore for the state that DC eventually found itself in? What’s to be gained by reclaiming that story and incorporating it into the mainstream? Alan Moore has notoriously dismissed any association with the story after he was screwed out of ownership. I feel like he wouldn’t necessarily agree with how they’re being used now, as that wasn’t his original intent. Still, they’re technically DC’s toys, so they can do with them as they please.

I went to a midnight release for the book, and couldn’t wait to get home and crack it open. When I was done, all I could say was “huh”. I didn’t hate it, but I didn’t love. I was really just confused. Why was The Comedian’s button in the Batcave? Like, it’s a great visual, but how would it even get there? And sure, it was great seeing Ted Kord, considering the last time we saw him was pre-Flashpoint, with a bullet in his head. It seems like DC did everything right to cater to those lost fans. They brought back dead/forgotten heroes, they tied the story back to a seminal classic, and it set the stage for things to come. From a lot of the folks I’ve been following online, they love this book. And, to me, that’s a problem.

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The people who are really loving Rebirth #1 are in their 30s and 40s, and they’re saying “This reminds me of the DC I used to read.” That’s great for you, but bad for the industry. I’ve been reading comics for over 20 years, so I know the main tentpoles. The Dark Knight Returns, Watchmen, Crisis on Infinite Earths. I know what those did for the industry, and I know they’re basically revered, But I didn’t see anything about this comic that would necessarily appeal to a NEW reader.

Folks in their 30s and 40s have other priorities. They can’t be depended on to keep this hobby afloat. You need to reach out for NEW blood. Now, it can be argued that DC was trying that when they introduced the New 52 reboot, starting (most) books back at square one. At that point, Batman and Green Lantern were the only books that required prior knowledge in order to fully understand them. But for all their desire to start fresh, DC is consumed by this desire for “legacy”. Chief Creative Officer, and writer of Rebirth, Geoff Johns has said in interviews that this is what Rebirth is all about: regaining a sense of legacy. DC has a rich history, and I can understand the desire to capitalize on that, but they’re so busy reminding us of where they came from, that they don’t spend enough energy figuring out where they’re going.

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Rebirth #1 is nothing but another self-referential circle jerk by DC, tied to a 30 year old story – WHICH, by the way, generated a movie that was polarizing at best. Had the Watchmen film been a huge critical and financial success, then maybe I’d understand this. After all, it was just released 7 years ago, so it would be somewhat fresh in folks’ minds. Instead, this book holds no real meaning to new comic fans. I’m of the argument that Watchmen is very much a “you had to be there” sort of read. I’m sure it was groundbreaking when originally released, and it changed the industry in such a way that a lot of folks only know a comic industry painted by the influence of the book. They have no clue that things don’t HAVE to be dark and gritty. Rebirth seems like an opportunity to introduce that concept to new fans, but instead it’s like DC crawling back to old fans like, “Are you still mad at me?”  If anything, it feels like this move was really just to sell more copies of Watchmen, as now the new fans are gonna go seek out that story in order to try to figure out what they just read, or why that ending should be seen as significant. That’s great for DC’s backlist, but it doesn’t necessarily mean anything for its future.

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But I don’t want to sound like it’s all bad. I am eager to see where things go, and I would also like to see hope restored to the DC Universe. I can’t say I’ve really enjoyed the direction of the New 52, so if we can get back to a pre-Flashpoint tone, I’m all for it. When it comes to DC, though, I’m a ride or die bitch, so I’ll be with them if it succeeds, and I’ll be with them if it fails. I just wonder how many new fans are gonna be right there with me. In any case, it’s rare that DC Comics can dominate the news cycle, and also get folks excited about their product. So, with that in mind, DC Universe: Rebirth #1 had the West Week Ever.

 

20th May2016

West Week Ever: Pop Culture In Review – 5/20/16 (Upfronts Edition)

by Will

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ladykillers

On the movie front, this week I watched The Ladykillers, from the Coen Brothers. If you’ve never seen it, it’s a 2004 remake of a 1955 British film, where a band of criminals plot to rob a riverboat, using an old lady’s basement as their base of operations. When the lady discovers their plan, and doesn’t agree with it, they decide the only option is to kill her. It’s funny because I know I’ve seen this film before, but I can’t remember why or when. I usually don’t include rewatches in my reviews, but it wasn’t until the end that I realized, yes, I’ve seen this movie. It’s got a great ensemble with Tom Hanks, Marlon Wayans and JK Simmons. Hanks’ character steals the show as the creepy, yet educated, southern gentleman ringleader of the bunch. One thing I found interesting: the kindly old lady is Black, uber religious, and prides herself on the fact that she sends $5 to Bob Jones University every month. Now, Bob Jones is a pretty racist institution. Founded in 1927, it didn’t admit Blacks until 1975, and had a ban on interracial dating until 2000 (!). It seems odd to me that she’d be funneling her money there. And it’s not a case of colorblind casting, as the character is clearly meant to have always been a kindly old Black church lady. I just found that odd. Anyway, if you’re looking to kill some time, it’s a cute little movie.

cloverfield

I also caught 10 Cloverfield Lane. It’s shrouded in mystery, so I won’t give too much away. Watching it, though, I realized that it’s really just a dramatic adaptation of The Unbreakable Kimmy Schmidt: A girl gets kidnapped and taken to a bunker where she’s told the world has ended outside. Only instead of The Reverend there’s John Goodman. It was pretty suspenseful, and it was interesting to see how it tied into the whole Cloverfield universe. They’re clearly building something big here, and I’m eager to see what the next installments bring.  I actually had the ending spoiled for me by a coworker back when it came out, but that didn’t hinder my enjoyment. I definitely recommend this movie.

jerrod

On the television front, I caught the HBO stand-up special Jerrod Carmichael: Love at the Store. Now, like me, you’re probably more familiar with Carmichael as the star and creator of The Carmichael Show. That said, I didn’t know anything about his stand-up. I’ve already mentioned that Jerrod is probably my least favorite character on his own show, so imagine my surprise when his special actually really spoke to me. He said a lot of stuff that would probably be considered controversial, but it was hilarious. There were even some bits where the audience seemed scared to go along with him. He goes into a few things like how talent trumps morals, which is why Michael Jackson still probably got into Heaven. You could see where a lot of the material from the sitcom came from, as it was derived from his stand-up act. I had just seen the episode earlier that evening where his father says that he tolerates road rage from folks in expensive cars because they’re clearly important and have places to be. That same joke was used in the special. Anyway, this special gave me a newfound respect for Carmichael that I didn’t necessarily have before. I’ve always enjoyed the show, but his character just wasn’t very likable. This special showed me that that’s not what he’s about, and he’s just not warm and fuzzy, but he is pretty smart. I highly recommend checking it out.

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I also watched the stand-up special Nate Bargatze: Full Time Magic. I really like Bargatze, as he’s got a sort of Southern everyman vibe to him, but he’s not country like the Blue Collar Comedy guys. He plays it pretty safe, and I’d say he’s family friendly. He’s got a funny bit about trying to fight his wife’s ex-boyfriend on a boat. I’ve been watching a lot of guys doing the Asshole Comic thing lately, like Tosh and Jeselnik, so this was a welcome reprieve from that. Funny stuff from a nice guy. Check it out!

1893

I don’t normally do food and beverage reviews because I don’t have the most refined palette, but when I tried Pepsi’s 1893, I knew I HAD to talk about it. Marketed as “a bold spin on an original cola”, it’s…interesting. I didn’t hate it, but I didn’t just love it either. Like, if it were on tap at a restaurant, I wouldn’t order a refill. It’s good in one dose. In a lot of ways, it’s the Arch Deluxe of cola. Anyone remember the Arch Deluxe? If not, it was an attempt by McDonald’s to make a sophisticated “adult” burger since most of their fare had been seen as something for kids. It had peppercorns, and Dijon sauce, and a whole bunch of other nonsense. Needless to say, it didn’t last. The commercial has the footnote that 1893 doesn’t contain alcohol, but they’re clearly marketing it as an “adult” drink. I mean, the commercial even features a Soda Sommelier (that’s a fancy word for “wine dude”). In fact, if you go to the website, it has recipes for cocktails where you use the soda as a mixer. I also tried the Ginger Cola variant, and no me gusta! At first, it started out tasting like Holiday Spice Pepsi, but then the ginger overpowered everything. After a few sips, I felt like I was drinking straight cologne out of that can. So, at the end of the day, 1893 is NOT a thirst quencher. If anything, Pepsi’s just trying to get into the mixology business by tying into their preexisting brand.

ghostbusters

A new Ghostbusters trailer was released this week, and it’s miles above what we got before. I think this movie could be pretty funny, as I always trust Paul Feig, but I fear the well’s been poisoned on this one. There’s just SO. MUCH. BACKLASH. And it’s gotten ugly. It didn’t help that the “Angry Video Game Nerd” James Rolfe posted a video about how he wouldn’t be filming a video reviewing the movie. Huh? What a bunch of wasted effort! It’s funny because his own film, Angry Video Game Nerd: The Movie, is probably the worst piece of shit I’ve ever seen. Ever. Anyway, he’s now the figurehead of the Anti-Ghostbusters 2016 crowd, and he’s amassing followers quicker than Rocky did during that Philly jog. Now, we’ve got folks claiming the haters are sexist, while the haters are defending their right to hate without sexism coming into play. Then Patton Oswalt got involved, and folks started making jokes about his recently deceased wife. Like I said, ugly. At this point, however, I do kinda wish they hadn’t called it Ghostbusters because there are going to be comparisons and expectations. I’d rather it thrive or fail on its own merits, and not by how it didn’t live up to some 30 yr old movie that a bunch of folks seem to think is infallible.

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There was a LOT of news over at DC Entertainment this week. First off, they debuted that boring logo that you see above this paragraph. Ugh! Why? I said it on Twitter, and it got a bunch of likes and RTs, so it must be true: DC is like the insecure kid who changes just to fit in with the cool kids. This is their 3rd logo change in 10 yrs. That’s a brand problem. They had a logo that worked for THIRTY YEARS in the form of the “DC Bullet”. Then, for no real reason other than “change”, they adopted the “spin” logo in 2005. I liked that logo because it was something of a natural evolution of the bullet. Then, when “The New 52” happened, we got the “peel” logo which, as my pal Dean pointed out, kinda looked like a penis head. I did not like the peel, but I did like how it was customized for each property. There was a different one for Gotham, Arrow, etc. Now, we get…this. They’re trying to say it’s like a throwback logo, but it really isn’t. It’s just underwhelming. And for what? “Rebirth”? We don’t even know what this whole initiative is yet, but it’s important enough to change the brand again? I just don’t buy it. And I don’t see this logo having much staying power.

Meanwhile at DC, it was announced that Chief Creative Officer Geoff Johns and Warner Bros Executive VP Jon Berg will co-run a new division called DC Films. So, basically these two guys are the Kevin Feige of the DC Cinematic Universe. Yup, it takes two guys at DC to do the same job as one at Marvel. OK. Anyway, the reaction to this has been mixed. Some feel like this is a great move, as it might wrest some control away from Zack Snyder, who’s seen as a detrimental force behind the scenes. Others, however, who think Johns is the worst thing to happen to comics, believe that this is just another bad move from a poorly run company. I’m kind of in the middle. I like Johns, and I feel like he longs for the days of the Silver Age of comics. After all, he’s spent the better part of his career trying to take things back to the way they were. That said, I don’t know what I expect him to do for the movies. After all, he was heavily involved in Green Lantern, and look how that turned out. He’s no Greg Berlanti, so I haven’t learned to just trust everything he’s involved with onscreen. I hear they’re already developing a Harley Quinn spin-off of Suicide Squad, which was never on their production slate, so it’s clear they’ve pretty much thrown out that “roadmap”. So, maybe Johns is what’s needed to right the ship, and get things on track. Or maybe he’s just another distraction. I guess time will tell.

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It wouldn’t be a West Week Ever without a Power Rangers update. No, this time I’m not talking about the upcoming movie. Instead, I want to introduce you to The Order. It’s a crowdfunded film that stars nothing but former Power Rangers actors as mercenaries who turn on each other. And it looks dreadful. On the plus side, it kinda looks like something Asylum would put out. On the negative side, it’s more Dead 7 than it is Sharknado. Reading interviews with the writers, it seems like they got inspired by the Power/Rangers dark fan film that came out last year, and decided “We could do that”. Unfortunately, there are no powers or cool helmets. Instead, there are a whole bunch of prop guns and scowling actors. Oooh, they’re so edgy! I can’t figure out what’s more astounding, though: the fact that they assembled this many former PR actors OR the fact that Jason David Frank isn’t involved. Check out the trailer here.

Things You Might Have Missed This Week

  • It was announced that Chris Hardwick will be hosting the Preacher after show, Talking Preacher. It should have been called Preaching to the Choir
  • The fifth Transformers film will be called Transformers: The Last Knight. But Michael Bay is still involved, so it’ll just be another 2 hours of nondescript metal things hitting each other.
  • At their network upfronts, CBS debuted the trailer and logo for the upcoming Star Trek series

    • Joining the new Star Trek series, CBS announced a spin-off of The Good Wife that will only air on the streaming CBS All Access service
    • Justin Timberlake released a SECOND video for “Can’t Stop The Feeling”. And people wonder why the music industry is broke…
    • If you hate the idea of an all-Black Uncle Buck reboot, then you’re really gonna hate the Latino One Day at a Time reboot being developed at Netflix
    • Kevin Smith is in talks to develop a TV series based on 80s cult film The Adventures of Buckaroo Banzai Across the 8th Dimension
    • This promotional video for Xavier’s School for Gifted Youngsters was released in conjunction with the release of X-Men: Apocalypse. If you want a real surprise, call the number in the ad.

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There’s been a LOT of TV news in the past week, but we’ll all remember “Bloody Thursday”. I had the pleasure of discussing that day of massive cancellations with Corey over at The Chap Report. Check out our episode here.

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I hate to break it to ya, but nothing really “won” the week. There was, however, a lot of TV news as the broadcast networks had their upfront presentations where they presented their fall schedules. I usually post the trailers, but the networks tend to make them private on a whim, so just look for them on YouTube. So, I thought I’d leave you with a few thoughts on what was revealed (I left out midseason shows, as we don’t know where they’ll be scheduled at this time):

ABC: Kinda surprised about the Secrets and Lies situation. I mean, when was the last time that a renewed show sat on the bench for an entire season? It was renewed in May 2015, but the second season won’t debut until fall? This ain’t the UK. We don’t take those kinds of breaks here. Were there production issues? Conviction looks good. Very ABC, even though it’s not a Shondaland series. Too bad we lost Agent Carter and Atwell’s accent, but I think it’ll be a winner. The Middle loses its Wednesday perch, but I think it can hold its own anchoring Tuesday night. Plus, it’s been living on borrowed time for the past 2 seasons, anyway. American Housewife is…interesting. Katy Mixon and Diedrich Bader as your leads? This looks like the kind of show ABC tries and ultimately fails with. It’s Trophy Wife meets Suburgatory, both cancelled. I also think moving Fresh Off the Boat to 9 is a bad move, as it’s a family favorite. Maybe it’ll regain the 8:30 slot once Housewife fails. They say moving Agents of S.H.I.E.L.D. to 10 will allow them to make it an edgier show. Hell, if it becomes a better show, I’m all for it. Speechless is ABC’s second new comedy about a special needs kid (Housewife being the other), but Minnie Driver doesn’t have the best TV track record. Still, it looks like it has a lot of heart, and it can’t do better than being sandwiched between The Goldbergs and Modern Family. Designated Survivor looks interesting, but I think everyone just wants Jack Bauer back. I like Kiefer, and it looks like his character went to Cornell, so I give this one season. I don’t think it’s gonna be a runaway smash. I could be wrong, though. It’s gonna be my ABC wild card. Notorious has the benefit of being the meat in a Shondaland sandwich, as it gets Scandal‘s timeslot while Kerry Washington’s pregnancy progresses. It doesn’t look that good, though, and we all know it’s just keeping Scandal‘s seat warm. I think I’d rather this timeslot go to Conviction, as it just seems like a worthier show for TGIT placement.

CBS: Supergirl‘s gone, and Scorpion moves to 10, so Monday night is about comedies again. The Big Bang Theory does its annual Monday residency until Thursday Night Football ends. We also get the new Kevin James show Kevin Can Wait. It’s the kind of title I’d have come up with, but riddle me this: why not just bring back The King of Queens? Everyone loves revivals these days, and the entire cast is available right now. Anyway, CBS knows what it’s doing with this one. Erinn Hayes is great, and I genuinely think the public likes Kevin James. This thing’ll get 7 seasons, easy. I’m amazed Two Broke Girls is still on, but I also think it’s the wrong lead-in for The Odd Couple. Its humor is a bit raunchier, but I feel like CBS just didn’t know where to put Couple – especially since its renewal was reportedly a last minute decision. Bull looks really good. Michael Weatherly has a built-in fan base from all those years on NCIS (and Dark Angel), so I’m sure CBS is hoping they come over and check out this show. I wonder, however, how many folks would be turned off if they knew the show was based on the early career of Dr. Phil. Yeah, that Dr. Phil. Anyway, it’s in the middle of an NCIS sandwich, so that should help ratings. I don’t typically watch procedurals, but I think I’ll check this out. The Great Indoors just looks like Scruffy Jeff Winger hates Millennials. I don’t really see it lasting, but I like McHale’s smarminess, so I’ll check it out. Pure Genius is an interesting case. I watched the trailer waiting for the other shoe to drop, and when it did, it still didn’t really sway me. I don’t like the lead, and I wonder how he tested in focus groups. I get what they’re trying to do here, but I don’t know about this one. This is gonna be my CBS wild card. MacGyver just feels like a lazy nostalgia grab. I don’t like the lead, as he’s got a punchable face and needs a haircut. All that aside, there are major production issues with this show behind the scenes, as it was reported they’re basically throwing out the entire supporting cast and starting over. CBS felt they had something with the MacGyver name, but it doesn’t seem like they really know what they want to do with it. This feels rushed into production, similar to Fox’s Touch from a few seasons ago.

Fox: Only Fox would pick up a show like Son of Zorn. I know they did it because it’s from Lord & Miller, but this show is just too weird to work. A live action/animation hybrid? Nah, son. It’d probably be just as funny if they had done the whole thing as animation, but I just don’t see an audience flocking to this. Scream Queens is back, and scheduled against CBS’s newcomer, Bull. Queens didn’t have the best ratings this season, but got renewed because Ryan Murphy. That said, I don’t know if it’s gonna win its timeslot. Lethal Weapon gets Rosewood‘s former timeslot, leading into Empire. Now, the trailer for this adaptation looks very Fox, but it could’ve been called Fastlane 2016 and they wouldn’t have had to change a thing. I don’t know if its connection to a film franchise helps it or hurts it. I’m making this my Fox wild card. Rosewood moves to Thursday, opposite Grey’s Anatomy on ABC, and The Big Bang Theory (after Thursday Night Football ends) on CBS. Bye bye, Rosewood. Somebody at Fox thought they were being cute scheduling The Exorcist after Hell’s Kitchen, but that’s a terrible pairing. It would’ve made more sense to pair it with Lucifer. Anyway, it’s Fox, so The Exorcist is totally getting cancelled.

NBC: Timeless just looks like Legends of Tomorrow without a tie to a preexisting universe. It also looks expensive. It’s scheduled against ABC’s Conviction and CBS’s Scorpion, so it might not get trounced in the ratings like it would if it were going against TGIT or an NCIS. I’m giving out my NBC wild card early to this one. Every so often, NBC needs that show that tugs on the heartstrings. They had Friday Night Lights, and then they had Parenthood. Now, they have This Is Us. It’s got a strong cast, and I can see it attracting an audience. It’s got some steep competition in that Tuesday 9 PM timeslot, but I think it offers something none of those other shows do. Blindspot moves to Wednesday at 8, possibly to the detriment of Lethal Weapon and Arrow, as I see them having some audience overlap. Superstore moves to Thursday at 8, which is a risky move. It’s nice to see NBC trying to rebuild that Thursday comedy block, but that show’s not strong enough to go against the juggernaut that is The Big Bang Theory. Still, it offers a single cam alternative, so it might survive. Maybe. It’s followed by The Good Place, starring Kristen Bell and Ted Danson. So, a woman wakes up in Heaven and realizes she’s not supposed to be there. Might be an interesting movie, but I don’t see it working as a series. I feel like American pop culture is going through something of a secular awakening right now, and these “spiritual” shows just don’t work, even if they’re quirky (see this season’s Angel from Hell). I’d like to see it survive, but I don’t think it does. Plus, the world needs Kristen Bell free to make movies. I see they’re sticking with the Nick Cannon-hosted Caught on Camera where Undateable used to air. Bad move, NBC.

The CW: Supergirl makes its debut on the network, but keeps its 8 PM timeslot. This is great for fans of the DC shows, as they know they’re always kicking off their respective nights. It sucks, however, for Crazy Ex-Girlfriend, which gets shipped off to Friday night. On Tuesday, iZombie is being held til midseason to give No Tomorrow a shot. This is another quirky show, kinda like NBC’s The Good Place, but I just don’t see it lasting. Honestly, though, if they wanted to give it a better chance at survival, it should probably be paired with Ex-Girlfriend instead of The Flash. On Wednesday, Arrow leads into Frequency, which is an adaptation of a 16 year old movie. I want to say this is a dumb idea, but it kinda feels very CW to me. I wouldn’t be surprised if this show lasted a good 4 seasons (see Beauty and the Beast). Supernatural moves to Thursday at 9, while The 100 is held til midseason. Honestly, it really doesn’t matter where you put Supernatural, as it’s been living on borrowed time for about 3 years, plus its audience will find it. The CW did some interesting scheduling because it’s like they’re determined to have a DC show on every night, even if that’s not in the best interest of their shows. I’d have blown up the schedule a bit more. Leave Jane the Virgin on Monday, but pair it with Frequency. Then, on Tuesday, I’d schedule Crazy Ex-Girlfriend leading into No Tomorrow. On Wednesday, I’d give you the DC 1-2 punch of The Flash leading into Arrow. Thursday would be Supergirl leading into Legends of Tomorrow. Friday would be The Vampire Diaries leading into Supernatural. I honestly think that’s a stronger schedule, even if you’re dishing out double doses of DC shows two nights in a row. But they don’t pay me to make these decisions…

So, there ya have it – the fall 2016-2017 broadcast schedule. There’s nothing I’m really jazzed about this season, but there are a few shows where I’m curious to see how they fare. What do y’all think? Let me know in the comments!

29th Apr2016

West Week Ever: Pop Culture In Review – 4/29/16

by Will

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The only thing I really watched this week was the Comedy Central stand-up special, Amy Schumer Presents Rachel Feinstein: Only Whores Wear Purple. The title just goes to show ya that it really is all about who you know. Feinstein’s had specials before, but I guess since she’s friends with Schumer, and Schumer’s name now carries some weight, they felt this was the best way to present the special. I actually think it kinda takes something away from Feinstein – like, she only got the special because of her friend, which isn’t true. Anyway, a finalist on season 7 of Last Comic Standing, I’ve followed Feinstein for the past few years because she’s a local, having grown up in Bethesda, MD. Plus, she’s easy on the eyes. I think she’s hilarious, but I didn’t find this special as funny as her album, Thug Tears. Still, it’s got some funny bits, especially when she talks about the night Jenna Jameson came to one of her shows. It’s one of the funnier stand-up specials I’ve seen recently, so I’d recommend it if you’re looking for one to watch.

wonder man

In movie news, it was revealed that Nathan Fillion will be portraying Simon Williams AKA Wonder Man in Guardians of the Galaxy 2. As long as I’ve been reading comics, I don’t know much about Wonder Man. He always seemed to be part of things that weren’t that great to me. He was in the West Coast Avengers, which were the “Not So Good Avengers” or he was on the main Avengers roster back when they all wore flight jackets and they’d let anyone on the team. So, I can’t really say if this is good casting or not. If he plays it like he played Captain Hammer in Dr. Horrible’s Sing-Along Blog, he’ll at least be hilarious. It’s interesting he’s being introduced as a part of Space Marvel, as I never really saw him in that realm, but I trust the architects of the Marvel Cinematic Universe.

UPDATE: My pals over at The Robot’s Pajamas have more info on Fillion’s “cameo”. Needless to say, it’s not what I expected!

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Meanwhile in the MCU, it’s been reported that Marvel didn’t want to make Doctor Strange‘s The Ancient One a Tibetan man for fear of upsetting the lucrative Chinese marketplace. So, they decided to make the character a Celtic woman. Huh? Yeah, that’s pretty much the collective reaction of everyone who read that story. According to actress Tilda Swinton, they’re treating the character as a mantle that is passed down and, in her case, it just happened to pass to a Celtic woman. OK. Next!

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We got another trailer for X-Men: Apocalypse, because there were some parts of the movie they hadn’t shown us yet. The more I see of this movie, the more my erection subsides. It just looks so meh. And I’ve already explained my issues with Jennifer Lawrence and the X-Men movies since First Class, so I won’t rehash all that. I just kinda want this movie to come and go, so we can focus on the next installment.

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Across the aisle, we got the trailer for the DC Animated Original adaptation of famous Batman story The Killing Joke. It’s not without controversy, though, as a lot of folks kinda want this story to be forgotten, as it depicts Barbara Gordon/Batgirl as a helpless victim. If you remember, this discussion picked up last year when DC wanted to print an homage cover to Batgirl #41 (which I wrote about here). If you want to know my feelings on the subject matter, go read that old post. Right now, I’m just gonna talk about the movie. First off, the animation looks kinda bad to me. It’s not Mystery of the Batwoman level bad, but it’s close. It’s not as slick as what we’ve come to expect from the DCAO output. Also, I’m not sure how I feel about Mark Hamill and Kevin Conroy coming back to reprise their roles as Joker and Batman. As someone who grew up with Batman: The Animated Series, they are my Batman and Joker. That said, I kinda don’t like the idea of them involved in something NOT attached to the old DC Animated Universe that began with that show. I liked that they kept the vocal continuity from B:TAS through Justice League Unlimited. I didn’t really care too much when they came back for the Arkham games, because those were just video games and didn’t really “count”. Since I’ve associated them so much with the DCAU, I can’t help but mentally put this as part of that saga, which is kinda blowing my mind with the subject matter and the R-rating (a first for DC’s animated output). If I’ve learned anything from the other DCAO features, it’s that there are other people who can play Batman, and I think I’d have preferred that for this installment. I guess I just want to keep Conroy and Hamill “pure”, as odd as that sounds. So far, I don’t like the character designs or the choice of voice talent, but I’ll still check it out.

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In Power Rangers movie news, we’ve gotten some on-set pictures of Rita Repulsa in 2 different costumes, and I’m still not feeling it. Last week, I said her suit was Scorpina meets Divatox, but she’s really just Power Rangers Lost Galaxy villain Trakeena.

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In television news, our national nightmare is over, as Kelly Ripa returned to Live! with Kelly and Michael on Tuesday. It’s rumored that Disney apologized to her and assured her that she wouldn’t be blindsided by any changes made to the show in the future. That said, Michael Strahan’s originally scheduled September departure has been moved up to May 13th, thus eliminating some of the tension between the two. They said this was to get a jumpstart on Strahan’s Good Morning America onboarding, while also allowing Live to begin the process to find its new cohost. I was kinda hoping it would get dragged out a bit more, just to see how long it would take Ripa to finally come back to work, but that wasn’t in the cards.

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In toy news, the DC Multiverse 6″ Batman v Superman: Dawn of Justice mystery figure has been revealed, and it’s the Bat Monster that Batfleck sees when he visits his parents’ mausoleum. What an odd choice for a figure! I hate this thing so much, but I’m DETERMINED to build the Collect & Connect Grapnel Gun. I guess I’ll order the piece on eBay or something. I just really don’t wanna own this thing. Why this, when they could’ve made a Parademon or a Superman Trooper or any other army builder figure? Just such a weird choice…

Things You Might Have Missed This Week

  • Ecto Cooler will be returning to shelves on May 30th. Maybe my adult palette will like it more than I did as a child…
  • Saturday Night Live‘s Pete Davidson is dating Larry David’s daughter, Cazzie.
  • Formerly of ESPN and Grantland, Bill Simmons’ Any Given Wednesday pop culture show will debut on HBO on June 22nd
  • Fresh off the Aloha controversy, Emma Stone has been cast as Cruella de Vil in the 101 Dalmatians remake
  • 4/26 was Alien Day apparently. I know nothing of that franchise, but apparently the planet the Aliens were from was LV-426? I dunno, seems like a stretch. Everything’s gotta have a day now! I’m gonna hide in a bunker when May the Fourth comes along.
  • Netflix has ordered 8 episodes of Wet Hot American Summer: Ten Years Later. I didn’t love the movie, so I’ve yet to check out the prequel series. I’ll get around to it eventually.
  • The trailer was released for Absolutely Fabulous: The Movie, and just like the show itself, I didn’t find it funny. It’s the one BritCom I could never get into. I’m sure someone’s excited for it, though.
  • The sixth season of Game of Thrones premiered this week, so fans got their weekly dose of titties and swords. Man, if I were George RR Martin, that’s what I would’ve called the series: A Song of Titties & Swords.
  • Alec Baldwin will host ABC’s revival of Match Game. That is, until he throws a fit or gets recorded calling an Uber driver some kind of slur. It’s only a matter of time, really.
  • Comcast has purchased Dreamworks for its NBCUniversal arm for $3.8 billion. So, brace yourselves for a Minions/Madagascar crossover.
  • Contrary to the Daisy Ridley rumors, Alicia Vikander of The Danish Girl has been cast as Lara Croft in the Tomb Raider reboot.

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Everyone was talking about Beyoncé after her “visual album” Lemonade was released Saturday night following an HBO special. Instead of releasing videos for the songs, she released a one-hour special to the premium cable channel. Most telling about the album is that is seemed to be a personal affair where she alluded to the possibility that her husband, Jay-Z, cheated on her with “Becky with the good hair”. This kicked off a firestorm of thinkpieces, with folks wondering “Did Jay-Z cheat?” and “Who’s this ‘Becky’ she’s talking about?” At first, it appeared that the “Becky” in question was actually Rachel Roy, the ex-wife of Jay-Z’s former business partner, Damon Dash. Over the course of the week, speculation then spread to singers Rita Ora and Mya. Unfortunately, even food personality Rachael Ray got caught up in the crossfire, as some folks online mistook her for Rachel Roy. And then the memes started:

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Did Jay-Z actually cheat? Who knows at this point. Beyoncé kicked off her Formation tour the other night, and dedicated the song “Halo” to her husband. Was it all a carefully planned stunt? We’ll probably never know, but folks are raving over the album, which received the nigh-impossible 5-star rating from Rolling Stone. So, it’s safe to say the week belonged to Beyoncé, which is why she had the West Week Ever.

18th Mar2016

West Week Ever: Pop Culture In Review – 3/18/16

by Will

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So, I didn’t watch any movies this week, but I did watch a TON of television, so that’s what we’ll be rambling about today.

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First up, I watched Flophouse on Viceland. First of all, why does Vice have a channel at all? If you’re not familiar with the brand, Vice began as a Canadian hipster culture magazine in the early 90s but eventually branched out into other media, including news specials on HBO. Well, at the end of February, Viceland took over what was formerly H2 in the United States, and is programmed under the creative direction of Spike Jonze. I ask why there’s a channel, though, because it seems like their target is specifically the audience that DOESN’T watch television. After all, they’re catering to hipster Millennials, who don’t own TVs, ’cause they’re poor and stuff.

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Anyway, Flophouse. It’s a show where hipster, Millennial, “alternative” comics host stand-up shows in their houses. It might sound “intimate”, but it’s pretty grody, as these places look like crack dens. There are known comics in the audience, but the ones performing are basically up and comers. The brand of comedy, though, isn’t that funny. It’s observational. It’s hipstery. But I didn’t bust a gut or anything. If this is the future of stand-up, then comedy is pretty much doomed. For one thing, I’m a big fan of Comedy Central’s The Half Hour (formerly known as Comedy Central Presents), so I feel like 30 minutes is a good amount of time to let a comic shine. Still, since there are multiple comics per show, you don’t get that here. That’s fine. You can still have a solid 10-15 minute set. I didn’t see anyone on this show who had that. They pretty much show you one joke, and then you basically get a tour of how shitty the conditions are in the house.

It also doesn’t help matters that everything is censored on the show. I expect Vice productions to be edgy and all, so it’s kind of a pussy move when they can’t even say “shit” during a comedy show that airs at 10:30 PM (you can do this on TBS, Comedy Central, Adult Swim, and so on and so on). It just felt like the Vice brand was being neutered. Maybe this is a network thing from A&E, but it just feels like Vice should’ve found a broadcasting partner that would allow Vice to be Vice.

From what I’ve seen of their programming, I don’t see bright things ahead for the network, but we also live in a world where there’s a channel pretty much dedicated to a Vegas pawnbroker who gets shows for all of his friends, so what do I know?

POH

Speaking of comedy that wasn’t that funny, Party Over Here premiered Saturday night on Fox. I was excited about the show when I originally heard about it, as it was created by Paul Scheer and The Lonely Island. I actually didn’t even realize it was coming so soon, as it was just announced a few weeks back, so I figured it was coming in the Fall. Maybe they should’ve taken their time and waited on debuting it. Party Over Here is a sketch show, featuring an all female cast comprised of only 3 women, and it really wants to be the next Key & Peele. It’s got a long way to go. It’s packaged really well, with a lot of cool bumpers and interstitials, but there’s just nothing there. No substance. Remember how the original SNL cast were the Not Ready for Prime Time Players? These 3 women are the Not Ready for Late Night Saturday Players. Or the You’re Better Off Watching 1st Look Players. It was just the premiere, so maybe it needs time to bloom, but I don’t really see myself coming back. You see, it was designed to not compete with Saturday Night Live, as it airs 30 minutes before SNL since most Fox affiliates have a 10 PM broadcast. In the DC market, however, we have some News Edge garbage at 11, bumping Party Over Here to 11:30. When put up against SNL, it isn’t even a question as to which show I’m choosing. So, apparently, there’s a party over there, but I think I’m partied out.

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NBC is slowly trying to regain some footing in the world of the situation comedy, but they’re pretty hit or miss these days. Superstore has been renewed for a second season, but I don’t see that happening for Telenovela. One of last season’s surprise hits came back this week in the form of The Carmichael Show. Created by, and starring, stand-up comedian Jerrod Carmichael, it’s a multicamera family sitcom dealing with the issues of the times. And that’s probably my issue with the show: it’s always so damn heavy, as every episode seems like A Very Special Episode. Every episode tackles something controversial, be it whether or not you should still enjoy Bill Cosby’s work or whether or not cheating is tied to income level. There are still laughs to be had, but I find myself laughing at the stellar supporting cast including Loretta Devine and David Alan Grier. My least favorite character is probably Carmichael himself, as he comes across as this know-it-all, and I find myself wanting to see him get his comeuppance. I would love to have been in some focus groups for the show, as there had to be some notes about how unlikable he can be at times. But, it’s his show, so I don’t expect that aspect to change anytime soon. Still, if you long for the days of Fox’s Roc, where a Black family can still laugh amongst the tears, then you should probably check this out.

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They’re not all winners at NBC, however, as Crowded had a 2-episode “sneak preview” this week. Starring Patrick Warburton, the show is about a married couple who try to keep their relationship strong when their Millennial kids move back in with them. I said it on Twitter, but I’ll say it again here: Somewhere around the mid-2000s, Patrick Warburton became king of the “Fuck It! Something’s Gotta Air In This Timeslot” sitcom. It means that there’s nothing really bad about the shows, but they’re just not that great, either. The best part about them is that they provide work to the many crew members behind the scenes, but they’re not really doing anything groundbreaking for the medium, either. At the same time, these shows tend to be able to fly under the radar. Their ratings are just high enough for them to regularly be renewed as midseason replacements, and then they somehow find their way into syndication. I mean, Rules of Engagement lasted SEVEN seasons, and you’re probably like “What’s that?” Exactly. If we were talking about 2007 CBS here, I’d say this show has a long life ahead of it. But NBC can’t really afford a show like this. Schedule space is too valuable (it and The Carmichael Show have been dumped off on Sunday night), and they’re looking for a quick turnaround. The show was created by Suzanne Martin, who also created Hot In Cleveland, making me think this show would probably be a better fit for TV Land. And while it’s always nice to see iCarly, Miranda Cosgrove’s role in this show is…strange. It’s like they’re trying to create a female Sheldon from The Big Bang Theory, and I’m not sure it works. To be honest, I find her whole “I’m really smart, but it keeps me from being able to relate to people in normal ways” shtick WAY more offensive than anything I’ve seen folks pull out the pitchforks for TBBT, but I digress. This is the kind of show that you leave on in the background, ’cause Dateline‘s coming up, but you’ll never actually learn any of the characters’ names.

In movie news, Sally Field has been making the rounds, talking about how she didn’t like the Amazing Spider-Man movies. Primarily, she’s saying that her character, Aunt May, wasn’t very three-dimensional, and that “you can’t put 10 lbs of shit in a 5 lb bag”. A lot of people are focusing on the “shit” in the phrase, and not the overall meaning. She’s saying that you can only work with what you’ve got, and if there’s no capacity for more depth, you can’t just shove it in there. She says that the only reason she took the role is because it was being produced by her friend Laura Ziskin who was battling cancer. They knew it would be Ziskin’s last movie, and since she had been Field’s first producing partner, Field wanted to be a part of her friend’s final production. Look, I get it. Personally, I don’t hate those movies. I don’t know what folks wanted, but apparently it wasn’t that. Fine. But I do have a problem when actors start shitting on past roles. The way it comes out is always on some platform, like Stern (which is where this interview took place), and it comes across like they’re trying to gain acceptance by saying “Look, I hate this thing you hate, too!” It’s somewhat cloying. But at the end of the day, they cashed a check. I get that people can change their minds, but the professional thing to do is to just keep it moving. You did a job, it may not have been your best job, but it (hopefully) won’t be your last. Learn from it, and move on.

apocalypse

We got another trailer for X-Men: Apocalypse yesterday. When did Three Trailers Per Movie become a thing? I remember, back in the day, seeing A trailer. That was it. Anyway, I thought that trailers were supposed to get better as they go along. Not this one. I’ve got to say that the last trailer for Apocalypse was much better than what we got yesterday. And it simply reminded me that casting Jennifer Lawrence was the worst thing to happen to the X-Men film franchise. Yup, even worse than Brett Ratner. I say that because they had no clue her star power was gonna rise the way it has, and that they’d have to accommodate her. She hates the blue paint, so now they keep her in her human form most of the time, even though HER CHARACTER RAILS AGAINST THE NOTION THAT MUTANTS SHOULD HAVE TO HIDE TO MAKE HUMANS COMFORTABLE. Plus, Mystique ain’t that important. She just isn’t. I’m so sick and tired of every movie being a dance of “Here’s Mystique and Magneto. Whose side are they on THIS time?” THERE ARE OTHER CHARACTERS. Personally, I don’t need Magneto in every film. I don’t care how charismatic you may feel his actor is (McKellan OR Fassbender). And I sure as Hell don’t need to see Mystique each time. The rest of the cast suffers as these “prequel” movies just push everyone to the side for the sake of the Erik/Raven/Charles Show. We finally get a movie with Apocalypse – something I never thought they’d be able to pull off since the first few movies were focused on “grounded” threats – and what does he do? He makes Magneto a Horseman. WHAT?! FOR WHY? I kinda want these movies to end. Singer seems pretty comfortable at the moment, and has basically said he’ll keep making them as long as Fox lets him, but I no longer look forward to an X-Men movie. You pretty much know what you’re gonna get. Same tone. Basically the same actors. You can set your watch to it. “There’s a new X-Men movie? Huh, it’s been two years already?” I’d love for someone to come in and shake up that franchise.

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On the DC side of the aisle, it’s been reported that Wonder Woman screenwriter Jason Fuchs has been hired to write a script for Lobo. THIS IS A TERRIBLE IDEA! The only reason I can see for Warner Bros pushing this back into development is that they probably see the Lobo character as their own Deadpool, so they want some of that R-rated comic movie money. If you’re not familiar with the character, Lobo is a Czarnian bounty hunter who’s so badass that he killed the rest of his race. He’s really strong, he can regenerate body parts, and – due to the Comics Code Authority – called people “bastiches” a lot. He’s so 90s it hurts. His own creator, Keith Giffen, doesn’t understand why the character grew popular:
“I have no idea why Lobo took off… I came up with him as an indictment of the Punisher, Wolverine hero prototype, and somehow he caught on as the high violence poster boy. Go figure.”

I think I rubbed some folks the wrong way on Twitter when I said that most Lobo fans “rode the short bus”, but I don’t think I’m far off. IN MY EXPERIENCE, Lobo was the ultimate White juvenile delinquent power fantasy. He’s just a dude with an attitude problem who liked to destroy shit. Everyone I ever knew who called themselves “Lobo fans” were the kinda kids you needed to keep an eye on, ’cause they were torturing pets or bringing weapons to school. I don’t think this is what the DC Cinematic Universe needs, but hopefully it’ll be some kinda of offshoot that won’t be in the proper DCCU.

Things You Might Have Missed This Week

  • The trailer was released for Now You See Me 2. While I still haven’t seen the first one, I’m upset that this installment isn’t called Now You Don’t.
  • Fox has renewed Gotham for a third season. Next season, Not Batman will continue to be Not Batman by Not Batmanning. Meanwhile, his whole frickin’ rogues gallery is showing up early to the party.
  • The CW renewed ALL 11 regular series that they currently air (including DC’s Legends of Tomorrow) for next season, proving they did NOT have a deep bench when it came to pilots.
  • Marvel and Netflix announced that Luke Cage will premiere September 30th, 2016
  • Apparently, Indiana Jones and the Quest for the Last Depend is happening, with a 77 year old Harrison Ford. He clearly doesn’t enjoy working, so he must fucking HATE sitting at home with Calista Flockhart.
  • Pop TV has ordered a season of Hollywood Darlings, which will follow Full House‘s Jodie Sweetin, 7th Heaven‘s Beverly Mitchell, and Step By Step‘s Christine Lakin in a reality show as they juggle career, motherhood, and more. And considering it’s Pop, they’ll probably show up on TNA at some point.
  • After 2 episodes, ABC has cancelled Of Kings and Prophets. I called this almost a year ago. When are broadcast networks gonna learn they can’t have their own Game of Thrones due to standards and budget?

dead 7

I don’t like zombie movies and I don’t really like Westerns. But then I heard about Dead 7, and my mind started to change. It’s a zombie western starring 90s boyband members! Just watch!

I’ve known about this thing for a year, and I still don’t really even know what it’s about. Here’s what I do know:

  • It’s from Asylum, who also gave us Sharknado
  • It features members of Backstreet Boys, *NSYNC, one dude from 98 Degrees, and the 4 guys who’re still willing to admit they’re in O-Town
  • It premieres April 1st. Oh, PLEASE don’t be a cruel April Fool’s Day prank!

I will say that I’m kinda bummed it doesn’t include ALL the members of the groups (except Justin, ’cause, c’mon). Out of the Backstreet Boys, Kevin and Brian are the uber Christian ones, so I wonder if they didn’t want to be in something they wouldn’t show their kids. And from *NSYNC, I knew not to expect JC, but Lance didn’t wanna partake in the festivities? I mean, The Meredith Vieira Show just got canceled, so he basically just lost a job and gained some free time. Kinda surprised he passed on it. And while I didn’t expect the weird one from 98 Degrees (you know the one I’m talking about), the Lachey brothers ain’t really doing shit these days. And I’m ready for Ashley Parker Angel to finally just give in and return to O-Town. I mean, he really hasn’t done anything since his stint in Hairspray a decade ago.

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Anyway, I love crap like this. It reminds me of Longshot, which was this really, REALLY bad movie thrown together by boyband mogul and Ponzi Scheme architect Lou Pearlman. The movie went by many names, including Jack of All Trades, but it featured cameos by anyone who was anyone in pop in 2001. You can still find it in FYE dollar bins to this day.

So, we’re at the end of this week’s post, so does that mean that the Dead 7 trailer actually had the West Week Ever? Could it be? No. It was a slow week for big news, but it wasn’t that slow. We got nothing from the trailer but a tease. If it’s anything close to Sharknado, it could be an instant cult classic, but we’ll just have to wait and see. For now, however, nothing had the West Week Ever *sad trombone*. It’s probably Daredevil season 2, but there’s no way I was staying up til 3 to watch that, so it’ll have to wait til next week, when it goes head to head with Batman v Superman: Dawn of Justice. Who will win?! Tune in next week to find out!

19th Feb2016

West Week Ever: Pop Culture In Review – 2/19/16

by Will

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In the movie world, I finally caught San Andreas. It’s about what you’d expect it to be. It’s got a lot of plotholes, and I was amazed certain people survived, but it was still enjoyable. If you haven’t seen it, Dwayne “The Rock” Johnson plays an LA Fire & Rescue pilot who strikes out to save his estranged wife and daughter when The Big One hits. A series of big ass earthquakes occur along the San Andreas fault, wrecking the shit out of California.  Every time Alexandra Daddario was onscreen, playing a college kid no less, I kept thinking “I’ve seen you naked! I’ve seen you naked!” I’m normally not a disaster movie type of person, but this one didn’t disappoint. When the movie ends, The Rock is all “We rebuild.” Whatever. I think we’d just condemn California and keep it moving, No Man’s Land style. Anyway, I’d recommend it.

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In the toy world, the past week saw Toy Fair hitting New York City. I’ve been in the past, but haven’t been able to make the trip the past couple of years. It seems like NECA was the belle of the ball, as they debuted things like figures based on the Contra NES game. Mattel showed off a lot of figures from the upcoming Suicide Squad film as parts of their Multiverse line. My favorite debuts, however, had to be the new Marvel Legends from Hasbro. Since it’s a line that I actively collect, I’m excited about all the movie based figures that are on the way, including Scarlet Witch and the Walmart-exclusive (ugh) Falcon figure. For full coverage of the show, check out AwesomeToyBlog.

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In the world of television, Channing Dungey was named the new president of entertainment at ABC, making her the first Black network president. This is interesting because it was the result of the ouster of president Paul Lee, who brought diversity to the network with Black-ish and Fresh Off the Boat, and also helped brand the TGIT Thursday night lineup. Dungey has the backing of Shonda Rhimes, meaning we can probably expect more shows like Grey’s Anatomy, making me wonder what might be the future for Marvel shows at the network.

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In the world of pop culture, everything old is new again this week. First up, an eBay listing has revealed that Ecto-Cooler is most likely making a comeback. Created in the late 80s to tie into The Real Ghostbusters/Ghostbusters II, the fabled drink hasn’t been in stores since it was renamed to Shoutin’ Orange Tangergreen in 2001. People have been CLAMORING for its return for years, and it seems like the new Ghostbusters movie was just what was needed for Coca-Cola to pull the trigger. I’ve gotta be honest – I never really liked Ecto-Cooler. I really only wanted it because I was a huge Ghostbusters fan and Slimer was on the box. As far as flavor goes, however, it was not my favorite beverage. Still, I know this makes a lot of my friends happy, so more power to ’em.

AYBS

Meanwhile, I grew up LOVING the Brit-com Are You Being Served?, so imagine my trepidation when the BBC revealed that the series would get getting a one-off special this summer, to serve as something like a backdoor pilot for a new series. Not much is known about the special, but the network has said it will have an “all-star cast” – necessary, seeing as how 90% of the original cast members (and the creators) are dead. If you’ve never seen it, it’s set in the fictional, Harrod’s-esque Grace Brothers department store, and focuses on the staff of the Ladies’ and Men’s departments of the store. It was a bawdy show, with a lot of double entendres and class humor. I’m not really sure it would work today, as that style of humor is a bit played out. Then again, I thought Airplane humor was dead, and here we have Angie Tribeca using it, so maybe I’m wrong. Anyway, no fan that I know of is excited about this news. We’re all just a bit scared of what this might be. All I know is that it better have jokes about Mrs. Slocombe’s pussy or I’m out. And I am unanimous in that!

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Speaking of revivals of long-canceled shows, the surviving cast members of Good Times have a Kickstarter going to produce a reunion movie to catch us up on where their characters are now. This is particularly interesting because John Amos is involved, and his character was killed off in the fourth season of the show. So, I take it his character is still dead, right? Welp, looks like we’re all caught up! Anyway, they’re calling it a “docu-dramedy-comedy”, so Lord only knows what this thing is gonna be. I expect it’s just gonna have them talking to the camera, like Modern Family or something. Anyway, there are 14 days left, and they’ve only raised about $5,000 of the $1 million they’re asking for, so I don’t think this is gonna happen. Damn, damn, DAMN!

rebirth

In the world of comics, we finally have more information on the DC Comics “Rebirth” plans. Basically, it’s a relaunch, with several books going on a bi-weekly schedule. They say that it’s their attempt to show they’re a legacy publisher. One way they’re doing this is by returning Action Comics and Detective Comics to their original numbering, which was lost when The New 52 rebooted everything. This means that we’ll see Action Comics #1000 in about two years. There are some interesting changes, such as Scott Snyder leaving Batman (Thank the sweet Lord in Heaven!), the cancellation of Bat books Robin: Son of Batman and We Are Robin, and I’m curious to know the fate of Bryan Hitch’s Justice League of America, seeing as how it’s in the middle of what I believed to be a 12-issue arc. There are also some switcheroos, as we lose a Black Canary book, but gain Batgirl and the Birds of Prey. We lose Starfire, but we get back Red Hood and the Outlaws. We lose Grayson (which I’ve heard was great), and we end up back with Nightwing. The last thing is disappointing to me, as I didn’t read Grayson, but I was impressed that they were willing to try something so different with the character. For him to just end up back as Nightwing again seems like a waste. It’s hard for me to get excited about DC these days because it feels like they’re constantly chasing their own OR Marvel’s tail. I…I don’t feel good about all this, and I wonder if other DC fans feel just as fatigued by all of these stunts.

Things You Might Have Missed This Week

  • Quantico‘s Priyanka Chopra has been cast as the villain in the Baywatch film
  • Kanye West is reportedly $53 million in debt and still losing his mind
  • Actress Casey Wilson reported that some rich guy has expressed interest in financing a Happy Endings movie

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I saw it last week and didn’t really like it. The world saw it and thought it was the best thing ever. So, I guess I’m the odd one. Yeah, I’m talking about Deadpool. Surprising everyone, the movie opened to $150 million in the US, despite Fox doing everything they could to bury it. They cut the budget at the last minute and they used an unproven director.  I don’t get it, really. I mean, were folks clamoring for an R-rated comic book movie that badly? Whatever. Anyway, they’re already talking about the sequel, with buff, old guys lining up for the chance to play Deadpool’s sometimes partner and straight man, Cable. I’m scared of the precedent this might set, as now they’re talking about an R-rated Wolverine for Hugh Jackman’s last outing as the character. Now, if he’s truly going to cut loose, I could see an R-rated Wolverine film, but I don’t think we really need it. I’ve talked about Jackman’s portrayal before, and I don’t think his characterization lends itself to the Berserker Rage that we’ve seen in the comics. Still, the race is on for the next, mainstream R-rated comic movie. Folks seem to have forgotten that Blade, The Crow, Kick-Ass, and others have already gone down this road. I think it’s safe to say that the rating works for some properties, while it doesn’t work for others. That said, the R rating sure as Hell didn’t hurt Deadpool, as it’s more revered than any of the X-Men films we’ve gotten so far. So, to give credit where credit is due, Deadpool had the West Week Ever.

12th Feb2016

West Week Ever: Pop Culture In Review – 2/12/16

by Will

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First up, I watched Tomorrowland. It’s really a shame that it bombed, as I enjoyed it immensely. It was the first movie I’ve seen in a while that felt “cinematic”, as in the story could only be told in a movie. It’s sort of hard to describe, though. Imagine there’s a secret, futuristic world that’s made especially for the dreamers and the thinkers. And that world has been cut off to the rest of humanity. Until now. Starring George Clooney, his character, Frank Walker, was invited to Tomorrowland as a young boy, but was kicked out during young adulthood. Now, a young woman has started seeing visions of Tomorrowland, and she seeks out Walker for answers. It starts out all futury, but then it gets kinda preachy about the power of human potential, and the fact that we’re spiraling toward Armageddon is our own fault. I’m simply AMAZED it got a PG rating, as there’s some pretty gratuitous violence against robots. Sure, they’re robots, but they look like humans, and they’re being decapitated and shit. I think part of the problem with the movie was its marketing, as it was shrouded in secrecy. Had they made it a bit more known that there was a female protagonist, they probably could’ve tapped into the Hunger Games/Divergent market. Anyway, I liked it so much that I watched it twice. I highly recommend it.

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Then, last night, I watched Deadpool. Where to even begin? I didn’t love it, but I liked it. But I honestly didn’t even really like it until the 3rd act. It’s an R-rated movie, and it completely earns that R. I’ve argued that a Deadpool movie doesn’t have to be R-rated, but the folks clamoring for an R-rated Deadpool won’t be disappointed.

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I was a little late to the Deadpool party, as the character was created in 1991, but I didn’t really start reading him until the end of the middle of the ’00s. While created by Rob Liefeld, most of the character that we know now was fleshed out by writers Fabian Nicieza and Joe Kelly. When I picked up the book, it was during the character’s resurgence for the Secret Invasion storyline. A new solo book was launched in 2008, where Deadpool fancied himself a hero. No longer truly a mercenary, he was trying to be accepted by the heroes of the Marvel Universe. And when he did take a job, it was usually against an alien or something. All of this is to say that, within his own solo title, Deadpool hasn’t killed in YEARS. So, it’s kinda jarring to see a character who’s most recently resorted to cartoony violence actually blowing the brains out of folks. Did he ever really do this in the comics, or is this what fans wanted him to do? Like, is this movie just cinematic wish fulfillment?

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I had a lot of problems with the film. Most of the action scenes were already shown in the trailers. Deadpool’s pop culture references are hella dated. And I really didn’t feel like he was ugly enough. That said, I enjoyed the fact that he broke the fourth wall (probably my favorite aspect of the character), and I liked the addition of Colossus and Negasonic Teenage Warhead. Deadpool’s just as quippy as you’d expect him to be, which is kinda exhausting. Someone on Twitter remarked that not all of the jokes hit their mark, but they’re fired so rapidly that a funny one will come along before you know it. I didn’t laugh very much. In fact, the only part that was genuinely funny to me was a discussion between Deadpool and Blind Al about IKEA furniture.

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At the end of the day, this wasn’t my Deadpool. I love the character, but I love him as he’s currently, and most recently been, depicted in the comics. “Deadpool fans” seem to be clamoring for a murdering mercenary Deadpool that I haven’t really experienced. This movie was for them, but it wasn’t for me. It’ll make a ton of money, and folks will believe that Deadpool is this one-dimensional when I feel like recent writers Daniel Way and Gerry Duggan have shown you can do more with the character than simply have him slice off folks’ heads. There’s a sadness to Deadpool that I never really felt come across in the movie. He laughs to keep from crying. He’s really a tragic character, but I feel like a lot of that gets lost in the love story that the movie’s built around. He doesn’t have time for self-pity when he’s trying to win back his girl, but current Deadpool spends a lot of time in his own head. That may not sound like the most exciting comic, but it makes for some great reading. Anyway, enjoy your movie, you savages!

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Speaking of Marvel movies, we got a new trailer during the Super Bowl for Captain America: Civil War. At the end, they introduced hashtags for you to proclaim whether you’re #TeamIronMan or #TeamCap. I’m surprised I’m seeing so many people are #TeamCap seeing as how everything in that TV spot showed them as the aggressor in this whole thing. That was the beauty of the comic – it’s polarizing. I happen to think Tony was right, and didn’t appreciate that he was written as the bad guy. You’re supposed to rally around Cap because he’s the underdog and he’s CAP, but he was wrong. And he was breaking the law. Anyway, I wish this story had been Avengers 3 instead of a Cap movie, as I feel it unfairly skews things Caps way, without being fair and balanced.

While we’re on the subject of comic book movies, we finally got a Batman v. Superman: Dawn of Justice trailer that makes me want to see this movie. It debuted yesterday, and it’s a thing of beauty. THIS is what the original trailer should’ve been. Instead, it took them 3 tries to get to this. We finally get to see Batfleck in action, dispelling any fears we might’ve had of him taking on the role. We get a taste of Wonder Woman, without getting too much, and we kinda get to see the whole matter from Batman’s perspective. Maybe that’s what’s got me biased, but I think it’s an A+ trailer all around.

Things You Might Have Missed This Week

    • Hayley Atwell has been cast as the lead in ABC’s pilot Conviction, leaving the future of Agent Carter in doubt. Based on the ratings, however, a third season was going to be a long shot at this point.
    • Full Frontal with Samantha Bee debuted on TBS on Monday, and was simulcast on Adult Swim. The show is basically Last Week Tonight with a female host. TBS doesn’t understand comedy, though, so don’t expect it to last long.

  • In Fuller House news, we finally got a trailer with actual footage in it. Did they say “damn” on the original show? Me thinks not. Anyway, here’s hoping we get a FuckYeahJodieSweetin Tumblr out of this.
  • Beyoncé did some shit and everybody was talking about it. Whatever.

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This week was the Super Bowl, which meant nothing but celebrities in commercials. On, and there was a football game, too. The matchup between the Carolina Panthers and the Denver Broncos was not a particularly exciting one, as neither team was playing their best. Still, the Broncos’ defense helped them to win the game, 24-10. Not only was it special for being the 50th Super Bowl, but it was also speculated to be Peyton Manning’s final game. Having played the game since 1998, you couldn’t have written a better storybook ending on which to go out. Or could you? A lot of folks have been insinuating that the game was rigged – simply to give Peyton that ending so many felt he deserved. It also didn’t look good to some when Manning kissed Papa John Schnatter after the win, and then proceeded to shill for Budweiser. These folks forget, however, that that is exactly what Budweiser PAYS him to do. Anyway, we’re a Broncos family, as my lovely wife hails from the Mile High City, so there was nothing but joy in our household. So, it’s for that reason that the Denver Broncos had the West Week Ever.

05th Feb2016

West Week Ever: Pop Culture In Review – 2/5/16

by Will

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After all that I watched last week during the blizzard, I didn’t really watch too much this week. The one movie that I watched was The Hundred Foot Journey. If you’re not familiar with it, it’s about an Indian family that moves to France to open a restaurant that happens to be directly across the street from a renowned Michelin-starred restaurant. In the beginning, the two restaurants go to war against each other. It’s something of a culture clash between the citizens and the immigrants. After a while, though, they find common ground in the form of the eldest son of the Indian family, who turns out to be a gifted chef. It’s the kind of movie that you don’t have to pay a ton of attention to, and still understand what’s going on. The head of the French restaurant is played by Helen Mirren, so you know this is seen as some classy shit. It was produced by Stephen Spielberg and Oprah Winfrey, and it’s just the kind of story that Oprah would’ve featured in her book club. I’d wanted to see the movie ever since I first saw the trailer, as it looked cute, and it didn’t disappoint. I don’t think it’s the kind of thing that most of my readership would jump at, but if you get the chance, give it a shot.

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While I didn’t watch a ton, I did eat a lot. I don’t have the most refined palette, so I tend to stay away from food reviews. That said, I experienced two different foods that I felt deserved the blog treatment. First up was the Patti Labelle Sweet Potato Pie.

This news is about 3 months old, but seeing as how 90% of my readership is White, this’ll be new to you! Anyway, R&B singer Patti Labelle (she also played Dwayne Wayne’s mom on A Different World) released a line of sweet potato pies exclusively at Walmart in September. The pies sold well enough until a YouTuber named James Wright Chanel posted the above review of the pies. Well, that review went viral, and the pies started flying off the shelves. They were THE hot item over the Thanksgiving season, and I hadn’t been able to find one until last Friday night. I love a good sweet potato pie, so I had to see what all the fuss was about. The pies are sold at room temperature, so that’s how I wanted to first taste it. After taking a bite, it was…OK. There HAD to be more to this thing, right? I mean, the big guy was singing and everything. I remembered that I like my sweet potato pie cold, so I refrigerated it overnight, and took another shot the next day. And it was…just OK. I’ve had some awesome sweet potato pie in my life. My mom’s friend makes amazing pies. That said, this was not as good as those. It’s good, but it’s not great. The pie’s texture is sort of “lazy”, for lack of a better word. It’s not firm like I like it, and refrigerating it didn’t do much to firm it up. If this made that dude sing, I’ve had some pie that would make his heart explode. I really don’t know what all the fuss was about, but good on James for getting his 15 minutes out of it.

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Next up, I tried KFC’s Nashville Hot Chicken Tenders. Let me start by saying that I hate KFC. I love fast food, but KFC is typically some garbage. I haven’t liked any of their gimmicks since the Rotisserie Gold arrival in the early 90s. Most people just laugh at their output, like when we get things like the Double Down. So imagine my surprise when some of my Twitter friends started raving over this Nashville Hot recipe that KFC just debuted. They started out using it on the regular chicken, but then they introduced the tenders. I’m lazy and hate dealing with bones, so tenders were the way into my heart. My clogged, clogged heart. There aren’t too many KFCs in these parts (they tend to get shut down a lot), so we happened to be near one on Sunday and decided to take the plunge. First, the presentation. They come served in a black plastic tray that makes you think they came right out of the microwave. They’re garnished with pickle chips, and are served with cole slaw (we replaced that with wedges) and a biscuit. So, how did they taste? TERRIBLE. You bastards lied to me! Seriously, if that’s indicative of a real Nashville recipe, then they can just go and leave the Union right now. The sauce is thin. I mean THIN. It’s reddish and stains everything – napkins, skin, whatever. But it’s so thin that you’d think it’s just grease. There’s no body to it. It’s hot, but it’s not flavorful. And, again, the sauce gets everywhere. Lindsay looked like a ravenous vampire when she was done. It was the least satisfying meal I’ve ever had. It was a combination KFC/Taco Bell, and I wanted to cleanse my palette with some tacos, but I was already full from the tenders.

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Part of why I didn’t watch much TV this week is because there’s just too much TV. Some folks have wondered if we’ve reached “peak television”, and I think it might be true. I used to know when all my favorite shows came on. Now, I’m considering making a Google Doc just to track them all. I remember that I missed shows days after they’ve aired. And these aren’t shows I just watch casually; they’re things that I actually consider favorites. At the moment, though, I just have too many favorites. At the same time, I’m not afraid to dump a show that I don’t like. In the past, I watched a lot of stuff that I hated. I wasn’t even “hate-watching” those shows, either. I didn’t really like them, but they were on and I had nothing better to do. When Fox debuted Cooper Barrett and Bordertown, I finally realized that there are too many shows and life’s too short to waste on something you don’t like.

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In the toy world, there’s a rumor going around that Hasbro and Mattel are in talks for a merger. He-Man and G.I. Joe under the same roof? This is an ’80s kid’s wet dream! Too bad Hasbro doesn’t really care about Joe anymore, and Mattel sells He-Man figures to grown-ups for $30 a pop. This could be a dream or a nightmare. It’d be interesting to see if the Marvel and DC licenses would remain under this shared roof. Would they become HasTel or MatBro? Or even worse, HasMat? While surprising, this isn’t the first time there’s been talk of a merger, as Mattel made an offer on Hasbro 20 years ago.

Black

On the comic front, I never pledge Kickstarters because I’ve heard too many horror stories. Still, when I saw Black, I knew that I had to be a backer. The tagline for the graphic novel reads “In a world that already fears and hates them – what if only Black people had superpowers?” That’s basically as much as I know about the story, but it was enough to make me want to know more. It’ll no doubt be controversial, but the art looks great and I’m really anxious to see where the story goes.

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Meanwhile, I ran across yet another Kickstarter that piqued my interest. Titled Tuskegee Heirs, in the spirit of the famous Tuskegee Airmen, the tagline reads “Futuristic sci-fi adventure that follows a small squad of young gifted aviators who are forced to become earth’s last line of defense.” The art is very “manga-esque”, which would normally be a turnoff to me, but it’s kinda refreshing seeing that style used for Black characters outside of The Boondocks. I can’t remember the last time I was this excited about an upcoming comic project, so I hope I’m not disappointed. Maybe when these books come in, I’ll dust off my Adventures West Coast feature and review them.

Things You Might Have Missed This Week

  • After the success of Lip Sync Battle, Craig Robinson will host Caraoke Showdown on Spike.
  • Aubrey Plaza has been cast in FX’s X-Men spinoff, Legion
  • Matt LeBlanc is one of the new hosts of The UK’s Top Gear. Here’s hoping this job lasts longer than Joey. Or Top of the Heap.
  • Louis C.K. quietly released a new series, Horace and Pete, on his website. But it looks sad and all the colors are various shades of brown, so I’ll pass.
  • Andy Samberg’s crew, The Lonely Island, are developing Party Over Here with comedian Paul Scheer. The half-hour sketch show will air Saturday nights at 11 on Fox.
  • Gilmore Girls is coming back via Netflix, and apparently no one thought to invite its most famous alum, Melissa McCarthy.

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My pals over at The Robot’s Pajamas are having Star Trek: The Next Generation Week, so be sure to pop over there and read all the great posts they’ve got!

This Week In Black History

2/1 – Today In Black History: Arnold & Willis Jackson became the first poor black kids adopted by a rich white person

2/2 – Today In Black History, rapper Christopher Wallace graduated to the Men’s department and changed his name from “Husky Smalls”

2/3 – Today in Black History, The Eastland School for Girls admitted Dorothy “Tootie” Ramsey as its first black student

2/4 – Today in Black History, the Fresh King of Bel Air was assassinated. The throne remained empty until a long lost son was found in 1990.

2/5 – Today in Black History, Kunta Kinte is accepted into the space program, and it only costs him his eyesight.

usf

When I’m not blogging about pop culture, I like to guest on podcasts. One of my favorites to guest on has been the UnderScoopFire Podcast. Out of my 52 podcast appearances, 13 of them have been with USF and its Mad Men-centric spinoff, The MadCast.

I remember a few years back, coming across a dude on Twitter named @HowardTheDeck and thinking “Heh, that’s pretty clever.” Turns out dude was a funny guy, so when I found out he had a podcast, I couldn’t wait to hear it. This was a new concept to me, as I really hadn’t given too many shits about the podcast format prior to that. I like my Internet printed. If you’re recording podcasts or making videos, that just seems like it’s gonna take too much time to consume. So, I just stuck to blogs and the like. Anyway, I downloaded USF and immediately fell in love. I dug the whole gang, from Howie to Corey to Tank to Joe. There was even this guy named Googs who really seemed like he didn’t want to be there, but he was cool, too. We all became friends online – these weren’t just “web friends”, but real friends. We’ve shared Christmas cards, and tracked down toys that the others’ kids couldn’t find locally. They’ve allowed me to come on and ramble on about whatever’s on my mind, and I’ve always had a great time doing it.

Well, this week, after 150-ish episodes, the UnderScoopFire Podcast posted its final episode. The show began as a love letter to children of the 80s, covering things like GI Joe and featuring guests like “The Micro Machines Guy”, John Moschitta Jr. Over the past few years or so, the show had undergone some changes. Howie and Googs left, while Tank and Joe were sent deep undercover. We’d hear from Tank every now and then, but I thought Joe got lost out there until I heard his pretaped appearance on the final show. Some episodes were just Corey and this dude named Eclectik (that’s not his government name, but we won’t talk too much about him ’cause he hates me anyway), chatting away. A lot of the time, it felt like we were all flies on the wall for a conversation between those two. Still, they kept the show alive, and I thank them for that. Without USF, I wouldn’t be the reigning What’s The Scoop? Champion for Life, I wouldn’t know how hard it is for 80s celebrities to say the words “Under Scoop Fire” in that order, and I wouldn’t have some of my closest friends. So, with that in mind, it’s bittersweet for me to say that the UnderScoopFire Podcast had the West Week Ever.

29th Jan2016

West Week Ever: Pop Culture In Review – 1/29/16

by Will

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We had Winter Storm Jonas come through last weekend, which resulted in over 3 feet of snow. It wasn’t all bad news, though, as I didn’t have to go to work until yesterday – which meant I watched a LOT of stuff. So, let’s talk about some of it, shall we?

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First up, I watched The Martian, starring Matt Damon as astronaut Mark Watney who’s presumed dead and left behind during a mission on Mars. But Watney’s not dead, so he has to survive on the uninhabited planet until help can arrive. It’s a great movie about the power of the human spirit and all that. Still, after watching this and Gravity, y’all can have space. I want NO part of it. Lindsay read the book and said that they cut some stuff (probably for time), but said that the movie was a pretty faithful adaptation. Also, like Gravity, I don’t feel like I ever need to see this again. I wasn’t on the edge of my seat as much as I was with Gravity, though, as Sandra Bullock’s whole ordeal was kinda condensed. Watney is on Mars for months so, while still a tale about survival, the whole struggle has peaks and valleys. Don’t get me wrong – stuff still goes horribly wrong for Watney, but after a while you don’t feel like he’s in that much danger. At least I didn’t. Great movie, though.

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I also watched Pixar’s hit, Inside Out. I’ve got a complicated relationship with this movie. You see, we rented it from Redbox about a month ago and the disc was so scratched that we could only get about 30 minutes into it before it stopped working. So, while snowed it, we tried watching it again, picking up where we left off, and I fell asleep during parts of it. That’s not to say anything about the quality – I was just really sleepy. Still, I didn’t see in this movie what others saw. Just like Mad Max: Fury Road, I thought it was enjoyable, but it didn’t resonate with me like it did with other folks. I’ve heard people call Inside Out the best Pixar movie ever. Really? REALLY? Then again, these are probably the same people who cried at Toy Story 3 (I still don’t get that). I may be a cold, heartless man, but I feel like the last time I agreed with anyone on a Pixar film was concerning the emotional opening to Up. I loved the characters, especially Anger – which is funny, seeing as how I typically think Lewis Black is just a Baby Boomer Sam Kinison whose shtick gets old fast (I start out calm AND THEN I’M YELLING! ‘CAUSE I WANT YOU TO KNOW I’M MAD!!!!). And it was easy to relate to Riley and the stuff she was going through. Still, I think I just expected MORE. Maybe I need to watch it all the way through from the beginning and stay awake this time.

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Next up, we watched Sisters, starring Tina Fey and Amy Poehler. In a flip of their last foray together, Baby Mama, this time Tina played the screw-up, while Amy played the straightlaced one. I’ve often said that Tina Fey tends to suck in comedies she doesn’t write (the aforementioned Baby Mama and Date Night), but this one broke that curse. With a screenplay by Saturday Night Live/30 Rock writer Paula Pell, it played to the strengths of everyone involved as Pell was already familiar with all of them. When Tina and Amy find out their parents have sold their childhood home, they decide to throw one final rager before the new owners move in. The movie was hilarious, and even included a great cameo by John Cena. Plus all your favorites are there: Maya Rudolph, Bobby Moynihan, Samantha Bee, and more. I’m still kinda wondering how Ike Barinholtz got cast as the Cute Guy Love Interest. I mean, was EVERYONE else in Hollywood busy? Don’t get me wrong – he’s capable in the role, but he’s probably the last person I would’ve thought to cast in that role.

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Then, I really wanted to watch Trainwreck, but the version I got was in French for some reason. Undeterred, I decided to watch something else instead. I settled on a new animated release called Batman: Bad Blood. I used to buy all of those DC straight-to-DVD movies that came out, but then they just started cranking them out too quickly. Well, it turns out I’ve missed a lot. You see this movie was a sequel to Batman vs. Robin, which itself was a sequel to Son of Batman. So I had just jumped into the third part of a who-knows-how-many-parts series. It wasn’t as jarring as I thought it would be, though, as you could tell that some stuff had occurred before, but it was pretty easy to figure out what was going on. When Batman disappears after an explosion in a factory, Nightwing and Robin team up with Batwoman and new hero Batwing to figure out what happened. At first, I was thrown off by the animation style, as it was a little too “anime” for me. I should’ve been used to it, as Batman: Gotham Knight had the same style going for it, but I guess I’m just a sucker for the traditional Bruce Timm designs. The other thing that struck me was the fact that this is probably the most mature Batman depiction seen onscreen. There’s blood, they deal with Batwoman’s lesbian relationship, they call each other “bitch” a lot, and a second-tier Bat villain straight up dies in a pretty gruesome way. This was a HARD PG-13. The thing I liked about the movie, however, was the fact that it’s not really based on anything. I used to hate the runtime of the DC animated films, as they tend to clock in around 72 minutes, which isn’t enough time to faithfully adapt a storyline. For example, Superman: Doomsday is so short that it’s basically like Superman takes a nap instead of *dying*. Since this didn’t need to be faithful to any source material, the runtime felt organic and was definitely long enough. The ending seemed somewhat open ended, so I’m hesitant to say that it’s the end of a trilogy. If you like your Batman cold and distant, this is the film for you. The thing to remember is that the movie is more about how Batman affects and influences those around him than about Batman himself.

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Since I stumbled into a saga in media res, I decided to go back and check out Son of Batman to see how it all began. Man, if I thought Bad Blood was dark, they clearly toned things down from when this saga first began. SO MUCH BLOOD! And hookers! Batman is referred to as a “sperm donor”! And Nightwing’s about to tell Robin to go fuck himself! Like, ALL of that is in this film. And even though she’s a cartoon character, Talia’s titties are “on fleek”, as the kids would say. If you’re not familiar with the story, Batman discovers that he has a child with Talia Al Ghul, the daughter of his adversary Ra’s Al Ghul (in the comic Batman: Son of the Demon, Batman sexes her with his cowl on!). The child, Damien, is now 10 years old and comes to Gotham to find his grandfather’s murderer. The movie is a loose adaptation of Grant Morrison’s “Batman & Son” storyline, but I found myself enjoying this movie much more than I enjoyed the source material (not much of a Morrison fan). When I was watching Bad Blood, I found Robin’s voice to be pretty annoying, but it grew on me in this installment. I know a lot of folks hate the Damien character, but I think he’s a breath of fresh air. I really enjoy his “arrogance in a small package” routine, and it definitely comes across in this movie.

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To round out the series, I watched the second movie, Batman vs. Robin. Oh my God, it was SO good! It was definitely my favorite of the three. There are some amazing fight scenes, and it’s REALLY violent. Since Batman is basically fighting what amounts to zombies, he blows them up and cuts their heads off. It’s intense! Loosely based on Scott Snyder’s “The Court of Owls” storyline, it’s about a secret society of rich muckety mucks who have controlled Gotham for years. They decide to recruit Bruce Wayne, but when he refuses, they go after Robin instead. Their army is comprised of reanimated hundred year old corpses, which is why Batman can cut loose on them. My favorite line was probably “Now I’m only gonna say this once, you sons of bitches: Get the HELL OUT OF MY CAVE!” As you can see, that mature tone is still holding steady, but it also gets the players in place for the beginning of Bad Blood. If the movies are viewed as a trilogy, however, this installment hurts the building momentum. After all, the first movie, Son of Batman, is a Talia story and Bad Blood is a Talia story. Having watched them out of order, I assumed that Talia would play some role here, building up to the events of Bad Blood. Instead, the events of Bad Blood kinda come out of nowhere. At the end of Son of Batman, Talia and Batman part ways with an uneasy alliance. In Bad Blood, however, she’s out for Batman’s blood. It almost feels like there’s an installment missing. In any case, I LOVE this Batman continuity. I’d watch a whole season of this if Warner Bros had the balls to produce a series with this tone (they do not). The next DC movie is Justice League vs. Teen Titans, and it appears to be set in this same universe, as Damien is the Robin on the Titans. If that movie is anything like this, I cannot wait!

Last week, everyone was talking about #OscarsSoWhite because no one of color had been nominated in the major categories of the Academy Awards. This week, then, everyone seemed to do a 180 and everything was coming up Black!

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First up, it was announced that Delroy Lindo has been cast as Dominic Fortune in the Mockingbird-centric Marvel’s Most Wanted. This is pretty important because Fortune, created by Howard Chaykin, was originally a White character in the comics. So, it looks like Marvel’s Nick Furying all over again (the character played by Samuel L. Jackson in the movies was also originally a White character in the comics). Dominic Fortune isn’t a huge character, so this colorblind casting won’t affect his characterization, but I’m sure it’ll get someone’s Underoos in a bunch. Most Wanted is still in the pilot stage, however, so there’s no guarantee it’ll be ordered to series at this point.

Corey hawkins

Next up, it was announced that Corey Hawkins from Straight Outta Compton would play the lead, Eric Carter, in the 24 spinoff, 24: Legacy. The series, sadly, will not feature Jack Bauer, but instead will focus on Carter, who’s a military hero who returns home and suddenly needs the help of CTU. I honestly don’t know how CTU hasn’t been absorbed by some other agency, as they’re rife with moles and they tend to be more reactionary than proactive. They never stop the attacks, but they’re always there after they happen. I mean, the poor citizens of Valencia, CA probably wish CTU had been a little more on the ball. It’ll be interesting to see how this plays out, though. A Jack-less 24? I have my doubts.

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Finally, it was announced that The 100‘s Ricky Whittle had been cast in the lead role of Shadow Moon in the Starz adaptation of Neil Gaiman’s American Gods. I have no clue what this thing is about because just hearing the name “Neil Gaiman” gives me a headache. From what I’ve gathered, the book was about the fact that gods only exist as long as people believe in them, and the old gods are now being replaced by new gods, like celebrities and social media. That idea doesn’t sound all that original to me, but it’s Gaiman, so I’m sure there are a bajillion Tumblrs out there dying to prove me wrong. Anyway, the character in the book was somewhat racially ambiguous, so it’s being considered a big deal that they went with a Black actor given Hollywood’s tendency to Whitewash.

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It wasn’t all sunshine and roses for Black characters this week, though, as Arrow bid farewell to a particular recurring character. Usually, the deaths on that show serve to move the story along, but this one just seemed kinda…nonchalant. This has led folks to believe that it was mandated by corporate interests. Since this character will appear in an upcoming DC film (albeit played by a different actor), they are no longer allowed to appear on the TV shows. After all, this is reportedly the same reason that there are no plans for the Deadshot character (who will be portrayed by Will Smith in Suicide Squad) to return to Arrow. It is believed that corporate feels it might confuse audiences to have the same character in two different mediums, played by different people. I think people are smarter than that, but stranger things have happened. I mean, we live in a world where Marvel is deliberately burying Fantastic Four and mutants because Marvel Studios doesn’t own the TV/film rights to those properties. So, it would make sense for DC to be doing something similar. I just feel like this is going to be to the detriment of the shows. Arrow is pretty much the best Batman adaptation on television (let’s face it – that’s what they’re doing with that character), but he’s gonna be severely neutered if all the best characters are slated for film. And what does this mean for The Flash, seeing as how that movie is just over the horizon? The CW’s DC shows have been so good that I’d hate to think that this is the beginning of the end of their quality.

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Speaking of Arrow, it was announced that Stephen Amell will be portraying a future version of his character in the 6th episode of DC’s Legends of Tomorrow. Reminiscent of his depiction in the classic The Dark Knight Returns, this Oliver Queen resides in the year 2046, and is missing his left arm. The episode will also introduce Connor Hawke – Queen’s son and the future Green Arrow.

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In comics news, DC Comics stayed on folks’ lips this week. Right after last week’s West Week Ever went up, Bleeding Cool posted a rumor that DC plans to relaunch later this summer. Apparently, once the main books (Batman, Superman, Action Comics, etc) reach #52 of their current runs, the series will relaunch at #1, with the publishing line mirroring DC’s TV and film offerings. Shortly after this story went up, DC’s co-publishers Dan Didio and Jim Lee tweeted out a cryptic image that only said “Rebirth”. It’s important to note that this is being reported as a relaunch and not a reboot. What’s the difference? Well, a relaunch really just means that you’re restarting the series with new numbering, but the core of the books stays the same. A reboot, however, means you’re starting everything over from scratch. A relaunch is what Marvel does all the time – cancels Uncanny X-Men only for it to reappear with a new #1 a few months later. This is done because companies believe that #1s bring in new readers, as they serve as fresh “jump on points”. That’s somewhat true, but the audience erodes between issues 1 and 2. And the more you relaunch, the more than audience erodes. A reboot is what DC did a few years ago when they introduced The New 52, which was a new universe where (almost) everything was changed and restarted at square one. This is a riskier move because it eliminates everything that came before it, and it squanders a lot of goodwill and faith from longtime fans. The universe they’d grown to love is no longer. It’s DC basically saying they’re willing to risk their dedicated audience if it means they can attract a new one. Now, “Rebirth” seems to be taking a page from Marvel’s playbook, but DC has done so much timey-wimey garbage lately, with The New 52 and Convergence, that I’m not sure DC’s fanbase is strong enough to handle this.

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And the superheroes aren’t the only things DC is revamping. It was revealed yesterday that they’re updating several Hanna-Barbera properties for modern comic books. Above is the Jim Lee-designed Scooby Doo. And I hate it. I hate the hipster douche vibe I get off the guys. Shaggy’s facial hair? Hate it. Fred’s tat? Hate it. Daphne’s just Caitlin Fairchild from Gen13. And I’m so used to Velma being sexualized through cosplay that I’m broken and don’t even know what to make of her design. The line will also include updated versions of The Flintstones, Wacky Races and Jonny Quest. The beauty of this whole thing is that I don’t really have any connection to the source material, so this initiative doesn’t offend me as much as it might others. At the end of the day, these books clearly aren’t for me, and I don’t have to buy them. That’s, like, the most mature reaction I’ve had to something in a long time.

Things You Might Have Missed This Week

  • Reportedly, Paramount and Nickelodeon are planning a film that would feature a crossover of many of their NickToons properties. I never had cable growing up, so this means almost nothing to me.

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  • Mattel just revealed that Barbie will now feature 3 new body types: petite, tall, and curvy. The dolls will also feature new skin tones and hair textures. The one on the right would be referred to by some as Thick’ums Barbie.
  • Joseph Fiennes is in talks to play Michael Jackson in a UK special about a road trip that MJ, Elizabeth Taylor, and Marlon Brando supposedly took after 9/11. Sadly, there’s no #MJSoWhite hashtag.

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Last week, I had the pleasure of joining the guys over at The Nerd Lunch Podcast to discuss shows that we felt deserved the Fuller House/Girl Meets World revival treatment. I think our choices will surprise you! Trust me, you REALLY don’t wanna miss this episode, which you can listen to right here.

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The X-Files came back to Fox this week for a 6-episode “event” series. What that means is that if the ratings are good and they can hammer out new deals, the show will be back. If not, however, they can pretend that it was always meant to be a One and Done series and save face. I was never the most hardcore X-Files fan, as I didn’t even really start watching until season 5. And while a lot of people love the Monster of the Week episodes, I preferred the ones that dealt with the mythology and conspiracy aspects. So, I was pleased that the first episode back was a straight mythology episode. What I was not pleased about, however, is that they’re basically saying everything we’ve known for the past 20 years has been a lie. Now, it shouldn’t be a surprise for a show like The X-Files to throw out a twist or two, but it’s pretty brazen for them to basically say SPOILER ALERT (highlight for text): “Yeah, there are no aliens”. On the one hand, it sets up a new kind of mythology, but it also makes me feel like I wasted a LOT of hours of my life to get to an answer that doesn’t exist. That “revelation” basically turned the entire audience into Mulder. If that was the plan all along, nice work, Chris Carter. Anyway, it’s also interesting that the episodes are airing out of order. While the first and sixth episodes were always meant to be the mythology episodes, they’ve shuffled the order of the middle episodes. The episode that aired in the place of #2 was actually #5, while #4 will air in the place of #5. Episode 3 is only one airing in its originally scheduled order. Carter said that this was done to tell the best story possible, and was achieved by removing some dialogue here and there. That’s why it seemed so jarring in Monday’s episode that Mulder and Scully were just automatically back in the FBI like nothing happened – that was actually the next to last episode instead of the second. Here’s hoping this shuffle pays off in the end. In any case, it seems off to a pretty strong start, and I feel like the only reason it wouldn’t get renewed for another season would be if they couldn’t come to a contractual agreement. So, for those reasons, The X-Files had the West Week Ever.

15th Jan2016

West Week Ever: Pop Culture In Review – 1/15/16

by Will

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So, on the movie front, I watched X-Men: Days of Future Past (The Rogue Cut). Now, I’d already seen the movie in theaters, but I really wanted to know what this edit was about, seeing as how it has been called the “definitive” version of the movie. Well, for starters, Rogue doesn’t appear until an hour and a half into the movie. I didn’t even notice that the opening scenes had been shuffled to the middle of the movie, but they were. As for Rogue’s inclusion, it’s pretty ambitious that it’s called “The Rogue Cut”, seeing as how her addition adds nothing to the movie outside of pleasing a few True Blood fans. Oh, and Iceman dies twice instead of once. Other than that, the movie is pretty much the same. I still enjoyed it, but some of the editing tricks were a little jarring (flashing back and forth between Magneto’s past plan and his future heist). I did notice a few things this time around, though. For example, the future Sentinels are pretty sadistic, in that they actually got creative with their killing. And there’s a mid credit stinger in this version, with Trask in Magneto’s cell. Now, why would they put him in that expensive ass cell when he ain’t got no powers? Anyway, I think I prefer the theatrical cut, but seeing as how everyone seems to think this is Singer’s true vision, it’s probably the one that’s gonna go the distance (after all, it was airing on Cinemax instead of the theatrical version).

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Next, I watched the drama We Don’t Live Here Anymore. Starring Mark Ruffalo, Laura Dern, Naomi Watts, and Peter Krause, the film’s about two couples experiencing marital woes in a small town. So, they pretty much just start cheating on their spouses…with each other. It’s a really powerful and emotional film, and I’ve got nothing snarky to say. I’m not sure I recommend it, as it can be uncomfortable to watch at times, but everyone in it gives a great performance.

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On the TV front, I caught the MADtv 20th Anniversary Special on The CW. That sentence should say it all: Fox, the network on which MADtv aired, didn’t even care enough about the show to air the special. The rumor’s been that Fox was always somewhat hard on the show because they didn’t own it, but it still carried their late night division for FOURTEEN YEARS, and garnered 35 Emmy nominations. If we’re being honest, though, this anniversary special never would’ve happened without the success of Key & Peele. After all, the duo was introduced to viewers on the show (even though it was when MADtv was at its weakest). With that in mind, it was pretty glaring that Jordan Peele did not participate in the special (Keegan Michael Key recorded a pretaped segment). The special was basically a clip show in the guise of an awards ceremony. At the end, fans were going to vote for their favorite character, and that actor would have to recreate the character onstage. Surely, a classic character like Miss Swan or Stuart would win, right? Nope, it was Bon Qui Qui – a forgettable ghetto caricature from the later seasons. Still, it was nice seeing some of the core cast members again, like Nicole Sullivan, Will Sasso, Michael McDonald, and Debra Wilson. MADtv never really gets enough credit, as it was in the shadow of Saturday Night Live, but there were a few seasons where it gave SNL a run for its money. I’m not really sure it has aged as well as SNL, though. They tried to show some clips, but they weren’t exactly funny. And it’s harder to see MADtv archives, as the only way to see episodes is to watch the 75 that are available on the CW Seed streaming channel.

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In movie news, the shortlist for the Star Wars Han Solo…solo film has been revealed, and it includes Miles Teller (Whiplash), Dave Franco (21 Jump Street), and Logan Lerman (Percy Jackson franchise). Apparently, there’s still a month left of shooting Star Wars: Rogue One, and it seems like they want this actor to make an appearance as Han in the film (similar to how Tom Holland was cast to appear in Captain America: Civil War prior to his solo film). Some folks feel like Teller lacks charisma, but he’s really grown on me and I think he’s kinda smug like Han. I’d actually LOVE Franco in the role, but that feels more like a Funny or Die sketch to me instead of a full-length film. And I enjoyed Lerman in Fury, but I don’t know if he’s “Han Solo”. Anyway, the Han movie is scheduled to be released May 25th, 2018.

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In other movie news, it’s reported that Amber Heard is in talks to portray Aquaman’s wife, Mera, in both the Aquaman film, as well as the Justice League film. At this point, all we know is that she’ll be playing opposite Jason Momoa’s Aquaman. At the rate Warner Bros is going, however, if they can lock up the deal soon, they’ll probably try to shove her into Batman v Superman: Dawn of Justice somehow. I mean, everyone else is in that damn film. The latest rumor is that the whole Justice League will show up, which is suspect seeing as how they haven’t even cast Green Lantern yet. Ya know, I used to consider myself a DC fan foremost, but nothing they announce about these movies gets me excited for them. On Twitter this week, I said that DC is the Republican Party of the comic industry: no matter what they do, they will never be seen as cool or hip. It has taken them so long to get their movies off the ground that they can’t help but be in Marvel’s shadow, at a time when folks are starting to tire of the superhero movie. DC stays losing.

Cloverfield

Somehow, JJ Abrams managed to film the sequel to Cloverfield without anyone knowing. A bootleg trailer went online last night for 10 Cloverfield Lane, which appears to star John Goodman and Mary Elizabeth Winstead. They appear to be in some sort of bunker and Goodman doesn’t want Winstead trying to get outside. Abrams has implied the movie is in the same universe as Cloverfield without being a direct sequel. And to make things even more exciting? It comes out March 11th! How this was kept a secret this long is pretty amazing in the Internet Age. Anyway, it looks really good and I can’t wait to Redbox it. What? You thought I was actually going to the theater?

FRIENDS -- Season 2 -- Pictured: (l-r) Matthew Perry as Chandler Bing, Jennifer Aniston as Rachel Green, David Schwimmer as Ross Geller, Courteney Cox as Monica Geller, Matt LeBlanc as Joey Tribbiani, Lisa Kudrow as Phoebe Buffay (Photo by NBC/NBCU Photo Bank via Getty Images)

In television news, every media outlet was running around, screaming about a FRIENDS reunion. That was a bit misleading, however. You see, NBC is planning a two-hour special to honor legendary director James Burrows who recently shot his 1,000th episode of television. Since FRIENDS was one of his shows, it’s natural that the cast would show up to honor him, right? Well, NBC isn’t even sure how they’re going to pull it off. They seemed to have secured the involvement of all 6 cast members, but they’re not sure they can get them all physically in one place, so expect some pretaped segments. Also, this clearly isn’t the “reunion” that folks were expecting. Still, it made for good clickbait this week.

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In other TV news, a bunch of shows nobody watches won Golden Globes last Sunday. First up was Mozart in the Jungle from Amazon. Despite its name, it apparently is not about Mozart trying to survive in the jungle while teaching music to animals. I really have no clue what it’s about, but it’s got that guy from Y Tu Mama Tambien. Remember that movie? A 17 yr old and his friend have sex with an older woman? Coming of age tale? Just me? OK. Anyway, the real surprise was that Rachel Bloom won Best Actress in a Musical or Comedy for Crazy Ex-Girlfriend. Anyone familiar with Bloom knows that she already has two golden globes (hey-o!) but this win pretty much means that The CW can’t just outright cancel the struggling series. That reminds me that I still have about 5 episodes to catch up on…

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The new Sesame Street will debut on HBO this weekend, and some of the changes are coming to light. For example, Oscar the Grouch still lives in a trash can, but that can is now ensconced in a recycling and compost bin. Friggin gentrification! A lot of folks are worried about the show’s transition to HBO, but insiders are saying that this was the only long-term plan for the show’s survival. The show will still air on PBS 6 months after episodes air on HBO.

LAS VEGAS, NV - MAY 17: (L-R) Singers Liam Payne, Louis Tomlinson, Niall Horan and Harry Styles of One Direction attend the 2015 Billboard Music Awards at MGM Grand Garden Arena on May 17, 2015 in Las Vegas, Nevada. (Photo by Jeff Kravitz/BMA2015/FilmMagic)

In music news, sources are saying that One Direction’s recently announced “hiatus” is a permanent split. Whoop-dee-doo! Anyone surprised by this is a moron. After all, *NSYNC has been on “hiatus” since 2002. This is pretty common in the pop world. They don’t really know how their solo careers are gonna do, so they leave the door open for a return. Anyway, Harry Styles will probably get in the studio with some known producers, and he won’t even look back at those other guys. That’s right, Directioners – the end is now.

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Yesterday, Marvel announced an ongoing Poe Dameron comic by writer Charles Soule and artist Phil Noto. Ugh. I don’t CARE about Poe Dameron, but I LOVE Phil Noto. I’m sure Disney will have oversight, but don’t folks realize that nothing can really *happen* in this Poe comic? That’s the problem with licensed comics. Nothing can happen. They just give you a bunch of filler stories that fit within movie events. The thinking of “I really loved Poe Dameron, so I can’t wait to learn more about him” isn’t really gonna pay off with a comic. The writer might write in Poe’s “style”, but it’ll ultimately be a throwaway story, dancing between the raindrops of continuity. The Lando comic was pitch perfect. Fully captured who he was. Was great seeing him again. But did it “matter”? At the end of the day, it was like spending time with an old friend. I didn’t learn anything new. Just more of the same.

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In other comic news, my pal @TimDogg98 runs the site The Kliqnation, so imagine my surprise when I looked at the back of the Chrononauts trade paperback at my local shop, and saw that his five-star rating had made it to print. Congrats, Tim!

Things You Might Have Missed This Week

  • The Al Jazeera America news network is shutting down in April. USA! USA! USA!
  • NBC is in early talks to develop Chicago Law, to join the existing Chicago Fire, Chicago PD, and Chicago Med.
  • Speaking of NBC, there will be no season 2 for Heroes Reborn
  • Creed director Ryan Coogler has officially signed on to helm Black Panther – which, being a superhero film, automatically gets a snub from the Academy unless it’s for Sound Editing or some shit
  • Tuesday was the 50th anniversary of the 60s Batman TV series. Nobody did anything special for it, though, so that’s pretty much all there is to say…
  • Jonah Hex will appear on Legends of Tomorrow, which means WESTERN EPISODE! Not sure why I typed that like I was excited about it. I’m not really a western fan…
  • Weeks after finishing its run on The CW, America’s Next Top Model has been revived by VH-1.

Links I Loved

Finding Rey: #WheresRey, Really? – Idiot Nerd Girl

The Forgotten Way African Americans Stayed Safe in a Racist America – The Washington Post

Tom Brevoort Confirms “No More 616” – And It’s The Last Fantastic Four Story – Bleeding Cool

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It was quite the week for the Power Rangers franchise. At the beginning of the week, it was announced that Saban is in fact skipping a season of the Japanese source material, and is instead adapting Shuriken Sentai Ninninger as Power Rangers Ninja Steel. For those not in the know, the skipped season was train-based, and The Powers That Be decided that “kids don’t like trains”. So, Ressha Sentai ToQger was thrown out, and the ninja-based series was subbed in. By Wednesday, we even had the official synopsis for the series:

“Saban’s Power Rangers Ninja Steel starts deep in space, where Zircon is the reigning champion of the most popular intergalactic game show in the universe, and monsters battle to prove who is the mightiest warrior. Zircon is determined to become invincible by controlling the mythical Spirit Crystal, which contains six supernatural Ninja Power Throwing Stars. The only thing standing in his way is a new team of heroic teenage Power Rangers who possess the Spirit Crystal. The evil Zircon sends his warrior contestants down to Earth to steal the Crystal, where each epic battle against the Rangers is broadcast throughout the universe. Together, the Rangers must master their arsenal of Throwing Stars, Zords and Megazords, each made of legendary ninja steel, in order to stop this evil threat and save our planet from destruction.”

Yeah, it doesn’t make a lot of sense to me, either. Basically, it’s a game show where the regular Power Rangers tropes take place. Colorful spandex kicking the shit out of aliens, who eventually get big, and get the shit kicked out of them by robots. The end. The show will debut in 2017, and continue to air on Nickelodeon. I’m not in love with the suit designs, but I like them a Hell of a lot more than that train series. Plus, this one includes a 6th Ranger who’s a space cowboy with an electric guitar sword and a ninja star cheeseburger phone! How Japanese is THAT?!

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Meanwhile, the Mighty Morphin Power Rangers #0 comic was released by BOOM! on Wednesday to rave reviews. Focusing on the events following the “Green With Evil” miniseries, it focuses on Green Ranger, Tommy, as he learns to be accepted by the team of heroes. On the show, they were basically like “We know you were possessed, so welcome to the team.” In actuality, though, something like that wouldn’t be such a smooth transition. The comic even shipped with 1:50 (Green Ranger) and 1:100 (White Ranger) incentive variant covers, and the sales reports from retailers have been positive. The ongoing series will launch in March.

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It wasn’t all good news for the Rangers, though. Remember when I wrote about Ricardo Medina Jr murdering his roommate? While he was released shortly afterward, it seems he’s being formally charged for murder. He’s currently being held on $1 million bond, and he could face 26 years in prison. Medina portrayed Cole, the Red Ranger in the 2002 iteration of the series, Power Rangers Wild Force.

As you can see, the Power Rangers have been on everyone’s lips in some form or fashion this week. Sure, there was the unfortunate Medina situation, but two out of three ain’t bad. So, Power Rangers had the West Week Ever.

06th Jan2016

West YEAR Ever: Pop Culture In Review – 2015

by Will

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2015 was quite the year in pop culture. Adele broke all the records, Charlie Sheen got the HIV, Steve Harvey pissed off Colombia, and Star Wars came along and broke all the records that Adele didn’t touch. And some stuff happened in between all that, too. The Netflix series Daredevil, Unbreakable Kimmy Schmidt, and Master of None wowed audiences,  Saturday Night Live celebrated its 40th anniversary, and Marvel released a bunch of movies. Things were also pretty exciting here on the blog, too. power-rangers-legendary-battle-e1421106185742

I guest-posted over at The Robot’s Pajamas ranking the current star power of several Power Rangers alums

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I wrote about the best, and most underrated, pop album of 2014

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And because I can’t get enough Power Rangers, I wrote about Red Ranger turned Murderer, Ricardo Medina Jr

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To celebrate the release of their documentary, Show ‘Em What You’re Made Of, I made a list of the best Backstreet Boys songs that you’ve never heard

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I got in a Twitter fight with American Idol season 1 alum, Justin Guarini

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In one of my most popular posts of the year, I had some controversial thoughts about Batgirl

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Thrift Justice: Yard Sale Edition made a lone appearance this year

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I got on the radar of Andre, The Black Nerd

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Bob Ross and his happy little trees

I attended DC’s Awesome Con for the first time, and got some cool cosplay pictures

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I had some random thoughts about some random comics

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I got my first Cease & Desist order AND I got killed in a comic book!

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My biggest post of the year explored the racial implications of Jurassic World

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I recorded a “backdoor pilot” for a podcast that’ll probably never get off the ground

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I got retweeted by adult film star Ryan Driller

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I defended Fant4stic Four

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I got my first verified celebrity follower on Twitter

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I applied to be on a game show

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I made my 3rd trip to Retro Con and took lots of cool toy pics

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I participated in a summer swap of nerd swag

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I went to New York Comic Con on a quest to see how much free swag I could get

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I got caught talking about a Jeopardy contestants boob’s on Twitter, and then we became besties

I’ve never considered myself a “movie guy”, but this year saw me watching 78 films. That’s GOT to be some kind of record for me. No, I’m not going to rank them, because I’m not enough of a cinephile, but I will list them so that you can see that I was all over the place when it came to what I watched:

  1. Obvious Child
  2. Live. Die. Repeat
  3. Wish I Was Here
  4. The Incredible Burt Wonderstone
  5. Non-Stop
  6. The Skeleton Twins
  7. Teenage Mutant Ninja Turtles (2014)
  8. Man of Steel
  9. A Million Ways To Die In The West
  10. The Chernobyl Diaries
  11. Backstreet Boys: Show ‘Em What You’re Made Of
  12. The Purge
  13. Bad Words
  14. Dredd
  15. Gravity
  16. A.C.O.D. (Adult Children of Divorce)
  17. Wet Hot American Summer
  18. After Earth
  19. Cloverfield
  20. The Marine
  21. Tammy
  22. Behind The Candelabra
  23. Choke
  24. St. Elmo’s Fire
  25. The Greatest Movie Ever Sold
  26. Tron
  27. The Purge: Anarchy
  28. The Babadook
  29. The Signal
  30. Avengers: Age of Ultron
  31. St. Vincent
  32. Top Five
  33. Birdman Or (The Unexpected Virtue of Ignorance)
  34. The Wedding Ringer
  35. Seeking Asian Female
  36. Southern Rites
  37. Two Night Stand
  38. The Great Bikini Bowling Bash
  39. Kung Fury
  40. This Is Where I Leave You
  41. The Watch
  42. Hot Girls Wanted
  43. Jersey Boys
  44. John Wick
  45. Whiplash
  46. Hot Tub Time Machine 2
  47. The Duff
  48. Shopgirl
  49. Horrible Bosses 2
  50. Inside Llewyn Davis
  51. 2 Guns
  52. Toy Story 3
  53. Sharknado 3: Oh Hell No!
  54. Ant-Man
  55. Lavalantula
  56. Fant4stic Four
  57. Snowpiercer
  58. Spice World
  59. Fury
  60. Frozen (2010)
  61. The Inbetweeners 2
  62. Pitch Perfect 2
  63. Mad Max: Fury Road
  64. Dreamgirls
  65. Spy
  66. Vacation
  67. Get Hard
  68. Miss Congeniality
  69. Bernie
  70. The Lion Guard: Return of the Roar
  71. Chaos on the Bridge
  72. Paul Blart: Mall Cop 2
  73. Here Comes the Boom
  74. Unfinished Business
  75. Dope
  76. Attack the Block
  77. Star Wars: The Force Awakens
  78. I Smile Back

All of these were reviewed on the site, so just plug them into the search field up on the right to see what I thought about any particular one of them.

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West Week Ever Recipients of 2015 (with commentary)

1/9/15 – Agent Carter

In hindsight, this deserved to have the WWE even more by the end of its run than it did this week. It was a strong premiere, but I was still at a place where I didn’t feel the character could carry her own show. By the end of the 8-week run, I was a True Believer. I guess I just saw a lot of potential in that pilot.

1/16/15 – Empire

This show brought back the sudsy primetime soap, and was SO good for that first season. I definitely feel like it deserved the WWE at the time, but I don’t know if it’ll ever return to the dramatic highs of that first season.

1/23/15 – Marvel Comics’ Secret Wars

This was based purely on speculation, as the West Week Ever was essentially given to an *announcement*. The miniseries hadn’t even begun, and this was based on what was promised in the aftermath: A new Marvel Universe, the destruction of the Ultimate Universe, and the Miles Morales Spider-Man making the move to the mainstream “616” universe. All of this had the makings of something huge. As of this writing, the much-delayed miniseries STILL hasn’t finished, even though the regular Marvel books have relaunched and carried on with their business. From what we can tell, not much has changed in the regular universe, while Secret Wars as a miniseries has been something of a disappointment (with several tie-in miniseries that showed a lot of promise). The surest shot Secret Wars ever had of having the West Week Ever was by receiving it before the first issue even launched. Nothing about the actual mini has been worthy of the WWE.

1/30/15 – Fant4stic Four trailer

The trailer had me interested in the film – something that a lot of people couldn’t say because they were already pissed about reports of “Hacker DOOM” and other stuff. It was clearly a slow week for entertainment, but I really did like what I saw. More about Fant4stic Four later…

2/6/15 – Jimmy Fallon’s Saved By The Bell reunion

This is the kind of thing that West Week Ever is all about: those potential “flash in the pan” moments that embody a particular moment in time. Looking back, I’d like to think I chose things that made some sort of cultural impact, but at times it’s the small moments that also matter. Jimmy Fallon had been trying to do a Saved By The Bell reunion since his days hosting Late Night. He didn’t pull it off, but managed to do it for the cast of California Dreams instead. I loved that reunion and I loved this one, too. Fallon’s at just the right age where his nostalgia is my nostalgia, and as an unabashed fan of all things TNBC, this was certainly my favorite moment of that week.

2/13/15 – N/A

Sometimes nothing has the West Week Ever. This was one of those weeks.

2/20/15 – Saturday Night Live

This was the week after the 40th anniversary aired, and I definitely feel like it was deserving of the WWE. It was a great special, in a vain that you rarely see anymore. It was great to see all of those old faces return to the studio, including Eddie Murphy who hadn’t returned to SNL since his days as a cast member.

2/27/15 – Parks & Recreation

I didn’t love Parks & Rec in the beginning. I’ve often said that it was the show least deserving of a second season that I’d ever seen. That first season is HORRIBLE. After some cast shakeups and some creative tinkering, the show finally found its footing. While it never really hit the acclaim of its “brother” The Office, it certainly ended a lot stronger than that show did. I didn’t appreciate how NBC burned the show off during its final season, and I feel like that broadcasting decision caused a lot of folks to miss out on those episodes. Luckily, the season is coming to Netflix later this month, so hopefully they’ll get to see what I saw in the show. Those final eps had a lot of heart, and the characters all end up in a great place. This one totally deserved the WWE.

3/13/15 – Unbreakable Kimmy Schmidt

This one was tricky due to the “Here’s everything at once” nature of Netflix. Timing was on its side, though, as this was the best thing that happened that week I finally consumed the series. This was not only one of the bright spots of 2015 television, but as a Tina Fey project, it’s cemented its influence on popular culture. I’ll bet NBC is still kicking themselves for cancelling this thing before it even went to air, but more folks saw it online than would’ve seen it on NBC in the midst of its death throes.

3/20/15 – Community

Did it deserve the WWE at this time? I’m not sure. It was more a testament to its triumphant return from cancellation, as well as it was helping to launch the Yahoo Screen platform (which has just been shut down, as of this past Monday). We didn’t know much about what the season would bring as, unlike Netflix’s full-season dump, Yahoo Screen debuted new episodes every Tuesday.

3/27/15 – Evelyn West

I had a daughter that week. It was pretty cool.

4/3/15 – Going Clear

I love anything about Scientology, so this was right up my alley. The documentary premiered that week, so it was definitely the standout of what was essentially a slow week for news.

4/10/15 – Daredevil

The Netflix series got the WWE based on my watching the pilot alone. Sure, it was a great pilot to a great series, but here’s something to consider: that thing came out 3 AM EST Friday morning. This means that, had I not watched the episode, nothing would’ve gotten the WWE that week. Sometimes, it really is about being in the right place at the right time.

4/17/10 – Daredevil

I had finally finished the series, and was truly impressed by everything I’d seen. To me, this is the WWE that the series definitely *deserved*, while the previous week’s honor was really just me trying to make sure that something had the West Week Ever. That’s not to say that it was a bad pilot, but I feel a lot better about this week because the whole thing was a quality series, and it just means more to me that it maintained its quality across all 13 episodes. So, last week’s WWE for Daredevil was a bit of a fluke, while this is the one that “matters”.

4/24/15 – Iceman

This one is tricky. When it happened, it was definitely a hot topic that week. To me, however, it was a cop-out. Instead of them revealing that the “regular” Iceman was gay, Marvel instead said that it was teenaged, time-displaced, possibly from an alternate timeline Iceman. It was too much of Marvel trying to have its cake and eat it, too. So, imagine my surprise when Uncanny X-Men #600 came out months later, revealing that regular 616 Iceman is also gay, and that he hadn’t acknowledged it because he had enough of his plate, being persecuted for being a mutant and all. To me, that would’ve been a MUCH more important story to tell, but it got lost in the Secret Wars delay shuffle.

5/1/15 – Avengers: Age of Ultron

It was a big movie. In hindsight, was it a good movie? People seem to have differing opinions. At that point in time, though, it had a big opening and a lot of eyes on it, so I think it totally deserved the WWE.

5/8/15 – The New Hamburglar

This was quite the failed marketing push. It seemed like McDonalds was on to something, but this thing disappeared quicker than the Halloween Whopper that was turning everyone’s shit green. This hasn’t been a strong year for McDonalds, as they’re just throwing everything at the wall to see what sticks. This year saw the return of The Hamburglar, mozzarella sticks added to the menu, and even mac & cheese added in the Ohio test market. I think this was the victim of public backlash, as folks joked that the new Hamburglar looked kinda like a pedophile. Seems like McDonalds got antsy and canned the whole campaign. Out of everything on 2015’s WWE list, this was probably the biggest fail.

5/15/15 – Major Broadcast Networks

This one may feel like a cop-out, but it was warranted. This was the week of the Spring network upfronts, where we learned what was cancelled, what was renewed, and what new shows were coming in the Fall. This is always an exciting time for television, and I lost a few “friends” that week (ABC’s Forever, for instance).

5/22/15 – David Letterman

Never really been a Letterman fan, but the man was an institution. This was all about giving credit where it was due, and he deserved that WWE honor.

5/29/15 – Kung Fury

This was another example of a slow news week. If you read my thoughts on Kung Fury, I wasn’t actually a fan. I mean, I enjoyed it, but 90% of the “movie” (the thing is THIRTY minutes long!) was given away in the trailer. Seriously, the only thing in the movie that wasn’t in the trailer was the sentient arcade machine. I really expected more. I think I gave the WWE to the *idea* of the project rather than the actual finished product.

6/5/15 – Community

This was the WWE that Community truly earned. The season had concluded, and it was pretty obvious that the show wasn’t coming back. Sort of like Two and a Half Men, Community persevered whenever something happened that shouldn’t ended it.  It lost Chevy Chase, Yvette Nicole Brown and Donald Glover, got cancelled by NBC, and got picked up by Yahoo for an untested platform. All of these should’ve spelled the end. To me, however, the Yahoo episodes turned out to be some of my favorites of the entire series.

6/12/15 – N/A

Not even a cop-out choice could save this week.

6/19/15 – Jurassic World

Universal had a great year, and Jurassic World was its crowning achievement. I also gave it the WWE because of what JW had done for me. After all, my post, The Price of Admission: The Socioeconomic and Racial Implications of Jurassic World, was my most popular post in years.

6/26/15 – N/A

I swear, I TRY to give something the WWE every week, but sometimes the world just doesn’t cooperate.

7/17/15 – Go Set A Watchman

This choice was kind of a betrayal of what I stand for. Typically, the WWE had to have had some sort of impact on me. I haven’t read this book, nor am I even that big of a fan of To Kill A Mockingbird. I mean, I understand its place in popular culture, and another book in the franchise seemed like a “sure thing”, right? Well, I’ve heard nothing but negative stuff about this book, and it has had the cultural impact of Joey.

7/24/15 – Ant-Man

Loved it, and it was probably a stronger movie than Age of Ultron. I’m a Marvel fanboy, though, so this shouldn’t come as a shock. For that point in time, it totally deserved the WWE.

7/31/15 – Rick and Morty

As much as I enjoy the show, this originally got the WWE because it was a slow week, and the second season premiere had aired that week. In hindsight, though, this was the beginning of what would turn out to be an incredible season. To cap it off, when I went to New York Comic Con later in the year, Rick and Morty cosplay was EVERYWHERE, proving to me that the show had made a bigger cultural impact that I had realized. Totally deserving of the WWE – I just didn’t know it yet.

8/7/15 – Deadpool trailer

The little superhero movie that could. This movie, by all accounts, shouldn’t exist. It’s based on a one-note appearance from the universally panned X-Men Origins: Wolverine, so it’s amazing it got made. Sure, Ryan Reynolds is the perfect choice for the role, but he’s also been box office poison for the past few years. This trailer, however, captured everything a Deadpool movie should be. I still don’t know if it needs to be rated R, as they’re cutting out a portion of potential audience members, but it seems to be everything Deadpool fans would want. The movie’s not out yet, and I still have my doubts, but I think they crafted a good trailer.

8/14/15 – Fant4stic Four

This movie isn’t as bad as your neckbeard friend keeps telling you it is. Most of the people running their mouths about it didn’t even see it. They checked out after the reveal of Black Johnny Storm and the rumor that Doom was just a message board troll instead of a sorcerer. I defended this movie because I think it’s worth checking out, if only to make up your own mind about it. I maintain that it’s 2/3rds a strong movie, while the final 1/3 is clearly a movie “made by committee”. It wasn’t even necessarily a slow news week. I just really thought that Fant4stic Four was deserving of more positive attention.

8/21/15 – Rte 29 Batman, Leonard B. Robinson

This one was a big departure. I’m not sure if you’ve noticed, but I’ve got a “No Death” policy for WWE. I don’t talk about deaths because if you talk about one, you’ve gotta talk about them ALL. And a ton of them just don’t mean that much to me. So, it’s easier to just keep things a death-free zone. That said, Rte 29 Batman was something of a local hero, who donated his time and money to visiting sick kids in the hospital dressed as Batman. He was killed returning from one of these trips, when he was hit by a car on the side of the road. I’ve often wondered why some rich guy hasn’t tried to be Batman, and here was one who had. Sure, he didn’t fight crime, but he wanted to make things better for kids. That’s the kind of thing that’s worth talking about.

8/28/15 – Aqua Teen Hunger Force

I loved Aqua Teen, and it was something of an Adult Swim institution. It was on for 15 years, so I don’t see it leaving the air anytime soon, but its ending was definitely something worth noting. Nobody ever seems to talk about it, so I wonder if it’s a show that wore out its welcome, or if it’s just not the kind of thing folks discuss at the watercooler. After all, most Adult Swim shows seem like stoner fare, so maybe there’s some 420 subreddit out there mourning its cancellation.

9/4/15 – Force Friday

Now that the movie’s out, it’s hard to remember that this was A BIG DEAL! The Star Wars: The Force Awakens toys were being released, giving us the first glimpse of the characters from the hotly anticipated film. I know I was at a midnight Toys “R” Us opening just to get the figures. So many questions: Who was the Black kid? Why did Kylo Ren’s lightsaber have a laser hilt? And who was this badass known as “Captain Phasma”? Sure, all of these questions have now been answered, but this was the beginning of the merchandising onslaught brought on by The Force Awakens. Totally deserving of the WWE.

9/18/15 – Ahmed Mohamed, the Clock Boy

Muslim kid made a clock, but folks thought it was a bomb. Big news story. I actually tend not to get “real world” topical, but it was just one of those weeks. In hindsight, this wasn’t “pop culture” enough for the WWE. Sure, he got a lot of notoriety and offers, but where’s he now? He’s seeking $15 million in damages. That’s not a happy ending. Nah, I wanted him to get a show on Nickelodeon or some shit. THAT’s what gets ya the WWE. I flew a little too close to the CNN sun on this one.

9/25/15 – Pope Francis

The Pope came to the US, and it was Beatlemania all over again. It probably would’ve helped if he had done the talk show circuit or something, but everyone had Pope on the brain. It also doesn’t hurt that he’s skilled at saying exactly what you want to hear. You want to know if the dinosaurs went to Heaven? Pope Francis will not only tell you they did, but he’ll also name some dinosaur species you’ve never even heard of. ‘Cause he’s got connections like that. So yeah, I think he deserved the WWE.

10/2/15 – Power Rangers

If this site had a subtitle, it’d probably be “Amateur Power Rangers fansite”. I maintain just enough of a connection to the franchise to know what’s going on, but I’m not so engrossed that I haven’t experienced the touch of a woman. Was that mean? Check out Rangerboard sometime, and then get back to me. Anyway, the franchise was celebrating its 800th episode, so it sure as Hell deserved the WWE. How many shows reach that kind of episode count? And it’s a 22 year old franchise that’s still going strong.

10/9/15 – New York Comic Con

It was convention weekend. The show hadn’t really gotten started yet, but I had high hopes. In fact, it’s pretty funny that NYCC got the WWE when SDCC did not. I think I gave it to NYCC because I was actually going to that show, and I had hoped to meet up with a bunch of Twitter friends that weekend. That, sadly, did not happen. So, this WWE was given out in the hopes of “what might’ve been, but was not to be”.

10/16/15 – The Nerd Lunch Podcast

As a five-time guest, and member of the Nerd Lunch Army, this totally deserved the WWE. So many podcasts come and go, but they don’t all have staying power. 200 episodes is nothing to sneeze at, and I always have a great time on that show.

10/23/15 – Back to the Future Day

This is one of those picks “for the fans”. I don’t really have a special place in my heart for Back to the Future. I haven’t seen the movies in a long time, so that could have something to do with it. Everyone and their bookie was losing their mind over Back to the Future Day, however, so I couldn’t let the week go by without acknowledging it. The wrong date had been faked on memes for years, so it was a pretty important event that the real day was finally upon us. As something that could only really happen once, and the fact that it resulted in mostly positive things, I think BTTF Day deserved the WWE.

10/30/15 – Marvel’s Agents of S.H.I.E.L.D.

This was based on a particular episode that aired that week, which I found to be incredible television. It’s amazing how far the show has come from that terrible first season, and I wanted to find some sort of way to give it its due. There was no better time than this week, which finally revealed what happened to Simmons on the alien world Maveth. Watch the episode and you’ll agree with me.

11/6/15 – Star Trek

This choice was due to the announcement that there would be a new Trek television series in 2017. That’s the end of the good news. There are too many caveats. It’s only going to air on CBS All Access, which is the CBS subscription service. Plus, the folks behind it are the same folks behind the NuTrek movies. After seeing the trailer for Star Trek Beyond a few weeks later, my enthusiasm for this project waned. Still, it was big news in the geek world, though the jury is still out on its execution.

11/13/15 – Master of None

The Aziz Ansari Netflix show kinda became a critical darling, and I was just bandwagoning. I enjoyed it immensely, but I don’t think I really changed the world here. If you were gonna watch it, you were going to before I chimed in. If you were not gonna watch it, I sure as Hell didn’t convince you to do so. Since the dust has settled, there’s been some controversy surrounding some of the race stuff in the show, but I still think it was a great season. This was truly the best thing in pop culture that week.

11/20/15 – Adele

She broke every sales record out there, and she delivered the kind of stuff you expect from her. This was a bit of a reach, as I don’t think my readership shares my musical taste. I like pop. I make no bones about that. Still, whenever I do music posts, they tend to fall on deaf ears, as I don’t have a high 14 year old readership. So, this is one of those WWEs where most of my readers couldn’t give a shit, but I definitely think she earned it.

11/27/15 – Captain America: Civil War trailer

Just when we were catching our breath from Ultron and Ant-Man, the Marvel hype machine cranked back up with this one. It was like a poorly kept secret show or something. Everyone knew Evans and Downey were going to be on Kimmel, and everyone knew why, yet everyone pretended to play dumb. And when it went live, it did what Marvel trailers do: it got you excited for the next chapter in their grand plan.

12/4/15 – The Flash/Arrow “Heroes Join Forces” crossover

Last year’s Flash/Arrow crossover also got the WWE, so I guess it’s a tradition now. The Flash was stronger than Arrow, but it was still entertaining television. DC should just hand their movies over to Greg Berlanti, but that’s another discussion for another time.

12/11/15 – Teenage Mutant Ninja Turtles: Out of the Shadows trailer

They finally seem to be making a movie based on that 30 year old cartoon that grown men love! I don’t know why grownups can’t just let go of stuff so that a new generation can enjoy it. I didn’t hate the last TMNT movie, and I know kids seemed to like it. Still, this sequel seems to be incorporating a lot of things that adult fans will love, especially Shredder’s goons Rocksteady and Bebop. It made me giddy to see them, but it really got me thinking about the legacy of franchises. Maybe there’s a post in there somewhere.

12/17/15 – Star Wars: The Force Awakens

Um, the premiere of the next installment of a franchise that some fans have been waiting 30 years to see (if they ignore the prequels)? Yeah, this was a no-brainer.

12/23/15 – Star Wars: The Force Awakens

See above, and then add in the fact that it made a shit ton of money in a week’s time.

12/31/15 – Hoverboards

While these things popped up on Vines and YouTube back in the summer, they were atop the want lists of all the “normal” folks come Christmas time. And they became infamous. Charging them caused fires to break out, they were banned from most public places, and most retailers refused to sell them. Which only made people want them MORE. It’s somewhat unorthodox to give the WWE to a *thing* rather than a franchise or person, but this seemed fitting.

So, here we are. The moment you’ve all been waiting for: what had the West YEAR Ever? Well, looking back over the nominees, it’s looking like our finalists are the multiple WWE recipients Daredevil, Community, and Star Wars: The Force Awakens. The interesting thing here is how their “reign” kinda divided up the calendar year. Daredevil was great, but folks were basically done talking about it by Summer. Sure, some sites foolishly tried to do weekly recaps of the episodes, but seeing as how everyone binged that thing, nobody gave a shit about those. Community was around from Spring to Summer, but the season kinda flew under the radar for anyone but the most die hard fans. And once Summer ended, the ramp up to The Force Awakens began. So, what I’m saying is that nobody really carried the year on their shoulders – not like Taylor Swift did last year, or Breaking Bad the year before that. So, this is where I get to use my veto power (’cause it’s my site and all) and award a winner.

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To me, Evelyn West had the West Year Ever. Let me explain. I know some of y’all are “child free” and/or don’t give a shit about my kid, but she really changed my life. It’s not every day that you have your first kid, and stuff really does change. No, I’m not going to get into the mushy stuff. I’m talking practical stuff, like all your stuff goes off to a storage unit, and you’re on bottle-making duty every night. But oddly, you don’t really care. This is probably the worst way to describe a human being, but I sometimes refer to her as “my favorite toy”. She’s just so fascinating, and sometimes I have trouble fathoming that she’s a living, breathing thing. I just like to watch her crawl around and get into stuff she shouldn’t be touching. Plus, we’ve already instilled in her a love of superheroes, so she’s already on the right pop culture track. The clincher, though, is that she was born at the end of March, and has been here ever since. So, that’s more dominance of the calendar year than any of the other options I listed. Sure, you may have been looking forward to The Force Awakens, but I was looking forward to things like her crawling or learning to blow raspberries (which she does with precision). So, in a few days, West Week Ever will be back to normal, and something in the mainstream pop culture world will get the honor. And I don’t plan to have any kids this year, so I can pretty much guarantee that something in the mainstream pop culture world will get the 2016 West Year Ever honor, too. But for now, you’re just gonna have to bear with me, as my daughter pretty much had the West Year Ever in 2015. But if that’s not good enough for you, then you can tell your friends that it was Star Wars. It’s not like they won’t believe you.